Oxygen Movie Quotes

We've searched our database for all the quotes and captions related to Oxygen Movie. Here they are! All 13 of them:

This boy has negative charisma. He walks into a room and the oxygen starts to evaporate. I guess that's why girls sleep with him. They find his awfulness transfixing. He's like a lousy 1970's disaster movie that they can't bring themselves to turn off, even though it is making their life worse every minute they leave it on.
Emma Forrest (Namedropper)
You see, we can feed the stomach with concentrates, we can supply microfilm for reading, recreation, even movies of a sort, we can pump oxygen in, and waste material out, but there’s one thing we can’t simulate. That’s a very basic need. Man’s hunger for companionship. The barrier of loneliness, that’s one thing we haven’t licked yet.
Rod Serling
Everything feels right with her. I can’t explain it. The world just stops. Everything freezes. It’s me. It’s her. It’s just us. Everything else, every molecule, including the oxygen we breathe, is only secondary to the chemistry we create. When we watch a movie it’s more than images strung together in the form of mindless entertainment. It’s an experience. An experience we share together from making the popcorn to watching the film to talking about it for days after. Chemistry. What more can I say? You either have it or you don’t.
Marilyn Grey (The Life I Now Live (Unspoken #3))
I still had the breather mask and portable oxygen supply. But now I added a pair of goggles from the duffel. They’d be important for what came next. I duct taped both the mask and goggles to my face—I needed an airtight seal this time. So now I was a mud-covered freak with random shit taped to my face. I probably looked like something out of a horror movie. Oh well. I was about to be horrible.
Andy Weir (Artemis)
But I wouldn’t be alive. Not really. I would be wasting oxygen, space, and resources, going back to not-so-secretly wishing I’d die. The realization dawned on me like a cold shower. I didn’t want to die when I was with Grace. I wanted to live. To laugh. To love. To date her and nibble on her neck and listen to her talking about plays and nineties movies and defending fanny packs vehemently. I’d been relishing life—actively enjoying it, even—for months, and I didn’t even realize it. I didn’t want to die anymore. Somewhere along the road, the idea of veering my bike off the road when I picked up speed stopped appealing to me. I no longer imagined what it would feel like to hurl myself off a cliff. I stopped walking into the ring wanting the asshole in front of me to throw a punch that would send me into cardiac arrest. And it was all because of Grace ‘Texas’ Shaw.
L.J. Shen (Playing with Fire)
I thought a lot about death. My death. I got used to the idea of dying. I always imagined it’d be peaceful, with slow-motion scenes and a nice background melody… like in a movie. But I was wrong. I was lost in the eerie quiet. It was cold and dark. My hair floated lightly in the air. No, not in the air, but in the water. Water surrounded me from every side. Frozen water that seemed to burn in my lungs. I was drowning and couldn’t breathe. I tried to swim. Desperately, I kicked my legs and waved my hands, but I wasn’t able to reach the surface. I felt all my energies slowly leave me. It was too dark, and I was tired, but I didn’t want to give up. I didn’t want to die. I tried to push harder with my feet, hoping to feel something solid underneath me, but there was nothing but the fluctuating light and darkness. It swallowed me and I didn’t know what to do. I had always been afraid of two things in my life, water and darkness, so I wondered how the hell I had ended up here. My head was spinning due to the lack of oxygen. I kept fighting, but every cell in my body screamed to let it go. I had to breathe, so I opened my mouth and inhaled strongly. Water came into my lungs, but it had stopped hurting. I no longer felt anything when my body became numb and the darkness devoured me.
A.C. Pontone (Flames of Truth (The Lost Fae, #1))
From The Titanic Test: I pulled him back down to me, this time for a slow-burn kiss, the kind designed to set your hair on fire and take all the oxygen out of your lungs. I didn’t want to talk. Didn’t want to think. Didn’t want to hear any high school crap. We were on the deck of one of the most famous ships in the world. He was a guy in a tuxedo. I was a girl in a glamorous gown. We’d danced the night away. It was our movie moment.
Ann K. Simpson (The Titanic Test: A Love Story)
Things can explode in space. Explosions in space are possible but it is not as visually impressive as you would imagine. What do explosions need? Oxygen. Does space have any? Nope. What do explosions do? Make a deafening sound. The tagline for the movie Alien is, “In space, no one can hear you scream.” You can’t hear in space because sound cannot exist in a vacuum. Space ships in Star Trek and Star Wars wouldn’t make any noise in space. Movies like Interstellar and Gravity and tv shows like Firefly portray silence in space during an explosion accurately.
James Egan (The Mega Misconception Book (Things People Believe That Aren't True 5))
He cannot ward off the thought that in the movies it always looks different, and that after the opening credits they should give a warning: “Ladies and gentlemen, be advised that in reality, committing murder demands bestial strength, physical coordination, and above all, perfect fitness. Don’t try this at home.” Just holding on to the victim is a major feat. The body defends itself against death in all sorts of ways. It’s hard to call it a fight; it’s more like something in between convulsions and an epileptic fit—every muscle tenses, and it’s not at all the way they describe it in novels, where the victim gradually weakens. The nearer the end, the more forcefully the muscle cells try to use the last remnants of oxygen to liberate the body. Which
Zygmunt Miloszewski (Rage (Teodor Szacki, #3))
An incandescent lamp is made with a wire filament enclosed in a bulb without oxygen and glows as the filament is heated. Less than 10 percent of the electrical power into an incandescent light bulb is converted into light, and the rest is converted into heat. Lamps of this type are still used, but they are being replaced with fluorescent lights or light emitting diodes. The incandescent lamp therefore is a resistor that just happens to give out light. But what type of light? White light is measured by its color temperature in degrees Kelvin (K). Typically, when we look outside on a sunny clear day, the Sun along with the blue sky provides a color temperature of about 4,500 to 5,500 degrees Kelvin. As the sun starts to go down in the afternoon, the color temperature drops to about 3,000 to 4,000 degrees Kelvin. Finally as the sun sets, we can clearly perceive the sunlight with a yellow to red tint, which means the sun’s color temperature has dropped below 3,000 degrees Kelvin. Human eyes adapt to the color temperature for the most part from about 3,000 to 5,000 degrees Kelvin and perceive light in this range as “white,” albeit at 3,000 degrees Kelvin, it has a warm tone. A standard incandescent bulb for room lighting such as a 100 watt bulb provides light at about 2,700 degrees Kelvin, which provides warm white light. For studio or movie lighting, generally the color temperature is a bit whiter (between 3,200 and 3,500 degrees Kelvin, and sometimes up to 4,000 degrees Kelvin). Halogen lamps or white photoflood lamps provide light in this color temperature range. Incandescent lamps exceeding 4,000 degrees usually are specially made and they are often coated in blue. For standard low-power lamps such as flashlight bulbs or indicator lights, the color temperature is somewhere between 2,000 and 3,000 degrees Kelvin.
Ronald Quan (Electronics from the Ground Up: Learn by Hacking, Designing, and Inventing)
Days pass as I savor every word. Each minute I spend away from the book pretending to be interested in everyday life is a misery. How could I have waited so long to read this book? When can I get back to it? Halfway through, I return to New York to work, to finish a movie, and I sit in the mix studio unable to focus on anything but whether my favorite character in the book will survive. I will not be able to bear it if anything bad happens to my beloved Marian Halcombe. Every so often I look up from the book and see a roomful of people waiting for me to make a decision about whether the music is too soft or the thunder is too loud, and I can’t believe they don’t understand that what I’m doing is Much More Important. I’m reading the most wonderful book. There’s something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can’t tell which way is up. When he surfaces, he’s liable to have a condition called the bends, where the body can’t adapt to the oxygen levels in the atmosphere. All this happens to me when I surface from a great book.
Nora Ephron (I Feel Bad About My Neck)
From The Titanic Test: 'I pulled him back down to me, this time for a slow-burn kiss, the kind designed to set your hair on fire and take all the oxygen out of your lungs. I didn’t want to talk. Didn’t want to think. Didn’t want to hear any high school crap. We were on the deck of one of the most famous ships in the world. He was a guy in a tuxedo. I was a girl in a glamorous gown. We’d danced the night away. It was our movie moment.
Ann K. Simpson (The Titanic Test: A Love Story)
But I saw something only I could see because of my astonishing ability to see such things. Souls were rising, from the earth far below, souls of the dead, of people who's perished from famine, from war, from the plague... And they floated up, like skydivers in reverse, limbs all akimbo, wheeling, spinning. And the souls of these departed joined hands, clasped ankles and formed a web, a great net of souls. And the souls were three-atom oxygen molecules of the stuff of ozone and the outer rim absorbed them, and was repaired. Because nothing is lost forever. In this world, there a kind of painful progress. A longing for what we've left behind, and dreaming ahead. At least I think that's so.
Lisa Genova (Still Alice)