Ox Quotes

We've searched our database for all the quotes and captions related to Ox. Here they are! All 100 of them:

The ox feels the yoke, but does the bird feel the weight of its wings?
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
CHORONZON: I am a dire wolf, prey-stalking, lethal prowler. MORPHEUS: I am a hunter, horse-mounted, wolf-stabbing. CHORONZON: I am a horsefly, horse-stinging, hunter-throwing. MORPHEUS: I am a spider, fly-consuming, eight legged. CHORONZON: I am a snake, spider-devouring, posion-toothed. MORPHEUS: I am an ox, snake-crushing, heavy-footed. CHORONZON: I am an anthrax, butcher bacterium, warm-life destroying. MORPHEUS: I am a world, space-floating, life-nurturing. CHORONZON: I am a nova, all-exploding... planet-cremating. MORPHEUS: I am the Universe -- all things encompassing, all life embracing. CHORONZON: I am Anti-Life, the Beast of Judgment. I am the dark at the end of everything. The end of universes, gods, worlds... of everything. Sss. And what will you be then, Dreamlord? MORPHEUS: I am hope.
Neil Gaiman (The Sandman, Vol. 1: Preludes & Nocturnes)
I like the relaxed way in which the Japanese approach religion. I think of myself as basically a moral person, but I'm definitely not religious, and I'm very tired of the preachiness and obsession with other people's behavior characteristic of many religious people in the United States. As far as I could tell, there's nothing preachy about Buddhism. I was in a lot of temples, and I still don't know what Buddhists believe, except that at one point Kunio said 'If you do bad things, you will be reborn as an ox.' This makes as much sense to me as anything I ever heard from, for example, the Reverend Pat Robertson.
Dave Barry (Dave Barry Does Japan)
I'm healthy as an ox. And you?" "To compare myself with a bovine would be both ridiculous and insulting, but I'm fit as ever, if that is what you are asking.
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
A human being has so many skins inside, covering the depths of the heart. We know so many things, but we don't know ourselves! Why, thirty or forty skins or hides, as thick and hard as an ox's or bear's, cover the soul. Go into your own ground and learn to know yourself there.
Meister Eckhart
Oh my god, Ox, your life is like those shitty sparkly vampire movies. That I’ve never seen and don’t like at all, shut up.” “Oh
T.J. Klune (Wolfsong (Green Creek, #1))
Oh it don't make no kind of sense. Big ol' ox like Grady won't sit next to a colored child. But he eats eggs- shoot right outta chicken's ass!
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
The ignorant man is an ox. He grows in size, not in wisdom.
Gautama Buddha (The Dhammapada)
My future,” Joe said, “is Ox.” Ah god, that made me ache. “Is that so?” Mom asked. “How do you figure?” “He’s really nice,” Joe said seriously. “And smells good. And he makes me happy. And I want to do nothing more than put my mouth on him.” “Ah
T.J. Klune (Wolfsong (Green Creek, #1))
The supernatural can be very annoying until one finds the key that transforms it into science," he observed mildly... "Come on, Ox, let's go out and get killed.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Error can point the way to truth, while empty-headedness can only lead to more empty-headedness or to a career in politics.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
He laughs with relief. “Yes.” The word yes is so much more beautiful coming from his mouth, laced with that voice. He could probably make any word beautiful. I try to think of a word I hate. I kind of hate the word ox. It’s an ugly word. Too short and clipped. I wonder if his voice could make me love that word. “Say the word ox.” His eyebrow rises, like he’s wondering if he heard me right. He thinks I’m weird. I don’t care. “Just say it,” I tell him. “Ox,” he says, with slight hesitation. I smile. I love the word ox. It’s my new favorite word.
Colleen Hoover (Ugly Love)
You were his, Ox. Even then. And he was yours.
T.J. Klune (Wolfsong (Green Creek, #1))
Mom! Mom. You have to smell him! It’s like… like… I don’t even know what it’s like! I was walking in the woods to scope out our territory so I could be like Dad and then it was like… whoa. And then he was all standing there and he didn’t see me at first because I’m getting so good at hunting. I was all like rawr and grr but then I smelled it again and it was him and it was all kaboom! I don’t even know! I don’t even know! You gotta smell him and then tell me why it’s all candy canes and pinecones and epic and awesome.
T.J. Klune (Wolfsong (Green Creek, #1))
A human body in no way resembles those that were born for ravenousness; it hath no hawk’s bill, no sharp talon, no roughness of teeth, no such strength of stomach or heat of digestion, as can be sufficient to convert or alter such heavy and fleshy fare. But if you will contend that you were born to an inclination to such food as you have now a mind to eat, do you then yourself kill what you would eat. But do it yourself, without the help of a chopping-knife, mallet or axe, as wolves, bears, and lions do, who kill and eat at once. Rend an ox with thy teeth, worry a hog with thy mouth, tear a lamb or a hare in pieces, and fall on and eat it alive as they do. But if thou had rather stay until what thou eat is to become dead, and if thou art loath to force a soul out of its body, why then dost thou against nature eat an animate thing? There is nobody that is willing to eat even a lifeless and a dead thing even as it is; so they boil it, and roast it, and alter it by fire and medicines, as it were, changing and quenching the slaughtered gore with thousands of sweet sauces, that the palate being thereby deceived may admit of such uncouth fare.
Plutarch
Leo cried, "Hold on! Let's have some manners here. Can I at least find out who has the honor of destroying me?" "I am Cal!" the ox grunted. He looked very proud of himself, like he'd taken a long time to memorize that sentence. "That's short for Calais," the love god said. "Sadly, my brother cannot say words with more than two syllables--" "Pizza! Hockey! Destroy!" Cal offered. "--which includes his own name," the love god finished. "I am Cal," Cal repeated. "And this is Zethes! My brother!" "Wow," Leo said. "That was almost three sentences, man! Way to go." Cal grunted, obviously pleased with himself. "Stupid buffoon," his brother grumbled. "They make fun of you. But no matter. I am Zethes, which is short for Zethes. And the lady there--" He winked at piper, but the wink was more like a facial seizure. "She can call me anything she likes. Perhaps she would like to have dinner with a famous demigod before we must destroy you?
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
What is meditation?... It is fleeing from the self, it is a short escape of the agony of being a self, it is a short numbing of the senses against the pain and the pointlessness of life. The same escape, the same short numbing is what the driver of an ox-cart finds in the inn, drinking a few bowls of rice wine or fermented coconut-milk.
Hermann Hesse (Siddhartha)
One ox, two oxen. One fox, two foxen.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
Well had Solomon said,'Better is a dinner of herbs where love is, than a stalled ox and hatred therewith.
Charlotte Brontë (Jane Eyre)
Fable has strong shoulders that carry far more truth than fact can.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
A great ox stands on my tongue.
Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
Just as modern motorways have no room for ox-carts or wandering pedestrians, so modern society has little place for lives and ways that are too eccentric.
A.C. Grayling (The Meaning of Things)
The earth turned to bring us closer, it spun on itself and within us, and finally joined us together in this dream as written in the Symposium. Nights passed by, snowfalls and solstices; time passed in minutes and millennia. An ox cart that was on its way to Nineveh arrived in Nebraska. A rooster was singing some distance from the world, in one of the thousand pre-lives of our fathers. The earth was spinning with its music carrying us on board; it didn't stop turning a single moment as if so much love, so much that's miraculous was only an adagio written long ago in the Symposium's score.
Eugenio Montejo (The Trees: Selected Poems 1967-2004)
If an ox could paint a picture, his god would look like an ox.
Xenophanes
WE’RE FRIENDS first,” Joe whispered in my ear. “You’re my best friend, Ox, and I promise that will never change. We’ll just be… more.”     “WILL
T.J. Klune (Wolfsong (Green Creek, #1))
I'd rather lay an egg in a box than go and steal an ox.
Eugène Ionesco (The Bald Soprano: & Other Plays)
Era bastones de caramelo y piña, y épico y asombroso y también era mi hogar. Olías como mi hogar, Ox.
T.J. Klune
The emotional health of a village depended upon having a man whom everyone loved to hate, and Heaven had blessed us with two of them.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
The end of an ox is beef, the end of a lie is grief.
Manu Joseph (Serious Men)
Don't be ashamed of reliving your childhood, Ox, because all of us must do it now and then to maintain our sanity.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
If you'd called me an ox, I'd have said I was an ox; if you'd called me a horse, I'd have said I was a horse. If the reality is there and you refuse to accept the name men give it, you'll only lay yourself open to double harassment.
Zhuangzi (The Complete Works of Chuang Tzu)
It was the size of an ox, of a bull elephant, of a lifetime. It stared at them, and it paused for a hundred years, which transpired in a dozen heartbeats.
Neil Gaiman (Neverwhere (London Below, #1))
You try telling that ox what to do and see what happens.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Blessed are the idiots, for they are happiest people on earth.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
He's pulling the load of an ox and walking on eggshells.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror.
Osamu Dazai (No Longer Human)
Losing him hurts more than anything I’ve ever felt before. But losing you? Ox, if anything happened to you, it would kill me. There is no point for me if you’re not here. So no. You’re not going. You’re going to stay here because I love you more than anything in this goddamn world and I don’t fucking care if you’re pissed. I don’t care if you hate me because of it. As long as I know you’re safe, then that’s all that matters. That’s why, you bastard.” I
T.J. Klune (Wolfsong (Green Creek, #1))
Though sometimes, the songs are meant to sing a pack member home. It’s easy to get lost, Ox, because the world is a wide and scary place. And every now and then, you just have to be reminded of the way home.
T.J. Klune (Wolfsong (Green Creek, #1))
Quick work doesn't mean less serious work, it depends on one's self-confidence and experience. In the same way Jules Guérard, the lion hunter, says in his book that in the beginning young lions have a lot of trouble killing a horse or an ox, but that the old lions kill with a single blow of the paw or a well-placed bite, and that they are amazingly sure at the job... I must warn you that everyone will think that I work too fast. Don't you believe a word of it. Is it not emotion, the sincerity of one's feeling for nature, that draws us, and if the emotions are sometimes so strong that one works without knowing one works, when sometimes the strokes come with a continuity and coherence like words in a speech or a letter, then one must remember that it has not always been so, and that in time to come there will again be hard days, empty of inspiration. So one must strike while the iron is hot, and put the forged bars on one side.
Vincent van Gogh
The ox is slow, but the earth is patient.
Zura
A person of little knowledge Grows old as a plough-ox grows old. His fleshes increases; His wisdom does not increase.
Anonymous (The Dhammapada)
Ox is… light. Like the sun. Richard felt like an eclipse.
T.J. Klune (Ravensong (Green Creek #2))
His breath on my face. This was Joe. And I was Ox. His nose touched mine. My hands found his waist. He shuddered under the touch. He rumbled deep in his chest. He said, “Mine.” My cheek scraped against his. The wolf growled, “Mine.” It was a great and terrible thing. So I said, “Yeah. Joe. Yeah. Yes.” And
T.J. Klune (Wolfsong (Green Creek, #1))
Look, look,' cried the count, seizing the young man's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, who God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbour - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellowman is saved? A blasphemy. Honour to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
It was warm like a summer day. It was candy canes and pinecones, it was epic and awesome, it was dirt and leaves and rain, it was grass and lake water and sunshine. It was a forest so alive, so untouched.
T.J. Klune (Brothersong (Green Creek, #4))
...the problem with poetic justice is that it never knows when to stop.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
It’s not destiny, Ox. You’re not bound by this. Not yet. There’s a choice. There is always a choice. My wolf chose you. I chose you. And if you don’t choose me, then that’s your choice and I will walk out of here knowing you got to choose your own path. But I swear to god, if you choose me, I will make sure that you know the weight of your worth every day for the rest of our lives because that’s what this is. I am going to be a fucking Alpha one day, and there is no one I’d rather have by my side than you. It’s you, Ox. For me, it’s always been you.” So I said, “Okay, Joe.” I looked up at him. His wolf was close to the surface. And he said, “Okay?” I said, “Okay. Okay. I don’t know if I see the things you do.” “I know.” “And I don’t know if I’ll be good enough.” “I know you will,” he said, eyes flashing orange. “But I promised you. I said it will always be you and me.” His face stuttered a bit, and he said, “You did. You promised me. You promised.” I
T.J. Klune (Wolfsong (Green Creek, #1))
You can’t understand command till you’ve had it. It’s the loneliest, most oppressive job in the whole world. It’s a nightmare, unless you’re an ox. You’re forever teetering along a tiny path of correct decisions and good luck that meanders through an infinite gloom of possible mistakes.
Herman Wouk (The Caine Mutiny)
Most men are more afraid of being thought cowards than of anything else, and a lot more afraid of being thought physical cowards than moral ones.
Walter Van Tilburg Clark (The Ox-Bow Incident)
Immortality is only for the gods," he whispered. "I wonder how they can stand it.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Studies [on the origin of fairy-stories] are, however, scientific (at least in intent); they are the pursuit of folklorists or anthropologists: that is of people using the stories not as they were meant to be used, but as a quarry from which to dig evidence, or information, about matters in which they are interested. ...with regard to fairy stories, I feel that it is more interesting, and also in its way more difficult, to consider what they are, what they have become for us, and what values the long alchemic processes of time have produced in them. In Dasent's words I would say: 'We must be satisfied with the soup that is set before us, and not desire to see the bones of the ox out of which it has been boiled.' Such stories have now a mythical or total (unanalysable) effect, an effect quite independent of the findings of Comparative Folk-lore, and one which it cannot spoil or explain; they open a door on Other Time, and if we pass through, though only for a moment, we stand outside our own time, outside Time itself, maybe.
J.R.R. Tolkien (Tolkien On Fairy-stories)
I was dancing with an immortal august woman, who had black lilies in her hair, and her dreamy gesture seemed laden with a wisdom more profound than the darkness that is between star and star, and with a love like the love that breathed upon the waters; and as we danced on and on, the incense drifted over us and round us, covering us away as in the heart of the world, and ages seemed to pass, and tempests to awake and perish in the folds of our robes and in her heavy hair. Suddenly I remembered that her eyelids had never quivered, and that her lilies had not dropped a black petal, or shaken from their places, and understood with a great horror that I danced with one who was more or less than human, and who was drinking up my soul as an ox drinks up a wayside pool; and I fell, and darkness passed over me.
W.B. Yeats (Rosa Alchemica)
People eat meat and think they will become strong as an ox, forgetting that the ox eats grass.
Pino Caruso
Mystery and terror are the bulwarks of tyranny.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
What is the price of Experience? Do men buy it for a song? Or wisdom for a dance in the street? No, it is bought with the price Of all that a man hath, his house, his wife, his children Wisdom is sold in the desolate market where none come to buy And in the wither'd field where the farmer ploughs for bread in vain It is an easy thing to triumph in the summer's sun And in the vintage and to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the homeless wanderer To listen to the hungry raven's cry in wintry season When the red blood is fill'd with wine and with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear the dog howl at the wintry door, the ox in the slaughterhouse moan; To see a god on every wind and a blessing on every blast To hear sounds of love in the thunderstorm that destroys our enemies' house; To rejoice in the blight that covers his field and the sickness that cuts off his children While our olive and vine sing and laugh round our door and our children bring fruits and flowers Then the groan and the dolour are quite forgotten and the slave grinding at the mill And the captive in chains and the poor in the prison and the soldier in the field When the shatter'd bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity: Thus could I sing and thus rejoice: but it is not so with me.
William Blake
I have never been able to understand why perfectly sensible people waste time being wittily obscure instead of just saying what they want and going on about their business.
Barry Hughart (The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2))
Occasionally a moderately intelligent thought misses a turn and accidentally enters my mind
Barry Hughart (The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2))
I was all like rawr and grr but then I smelled it again and it was him and it was all ka­boom! I don’t even know! I don’t even know! You gotta smell him and then tell me why it’s all candy canes and pinecones and epic and awesome.
T.J. Klune (Wolfsong (Green Creek, #1))
Joe crowded into my side, sitting down next to me, not leaving any room between us. The meal was an exercise in torture. He leaned in often when talking to me, breath on my neck, whispering in my ear. He touched my arm, my hand, my thigh. He had a straw in his soda. He never used straws. Never. But he had one now, pulled from somewhere, eyelashes fluttering up at me as he sucked, cheeks hollowing. I dropped my fork. It clattered loudly onto my plate. “Joe,” Thomas sighed. “Really?” “Oops,” Joe said. “Sorry.” He didn’t sound sorry at all. Kelly said, “Oh man, this makes so much more sense now. And is much more gross.” “I made pie for dessert,” Elizabeth said, coming back to the table. “Whip cream topping.” I groaned. Joe looked delighted. Even more so when he ran a finger through the cream, licking it from his skin, never taking his eyes off of me. Carter and Kelly had matching looks of disgust and horror on their faces. “Stop it,” I hissed at him. Joe cocked his head at me before leaning in and saying in a low voice, “Oh, Ox. I’m just getting started.
T.J. Klune (Wolfsong (Green Creek, #1))
Kelly said, "I don't understand. Why does he keep making those faces at me? Why does he stutter every time I try talking to him? I didn't do anything to Robbie. I don't get why he's acting weird." Robbie said, "I don't even know what to say to him! I don't even know him. Anytime I try and talk to him, I forget how to talk and—oh my god, are you laughing at me? You're a fucking bastard, Ox, I swear to god.
T.J. Klune (Wolfsong (Green Creek, #1))
The prospect of future lives in remote heavens as a compensation for the inadequacy of our present lives is a bad tradeoff for losing out on the present.
Francis Harold Cook (How to Raise an Ox: Zen Practice as Taught in Zen Master Dogen's Shobogenzo)
Joe looked curious, glancing between Kelly and me. Ox’s expression was blank. “Kelly,” Joe said. “You okay?” “I’m fine,” Kelly said, sounding exasperated. “I’m getting really sick and tired of that question.” “As your Alpha, I—” “I’m older than you,” Kelly retorted. “I changed your diaper when you shit yourself. You may be my Alpha, but I’ve wiped your ass, Joe.
T.J. Klune (Heartsong (Green Creek, #3))
That’s true,” said Baji. “He can’t be any scarier than the other Warlords. The Ox and the Ram Warlords weren’t anything special. It’s just nepotism and inbreeding all around.” “Oh, so how you were produced,” said Ramsa. “Listen, you little bitch—
R.F. Kuang (The Dragon Republic (The Poppy War, #2))
True law, the code of justice, the essence of our sensations of right and wrong, is the conscience of society. It has taken thousands of years to develop, and it is the greatest, the most distinguishing quality which has developed with mankind ... If we can touch God at all, where do we touch him save in the conscience? And what is the conscience of any man save his little fragment of the conscience of all men in all time?
Walter Van Tilburg Clark (The Ox-Bow Incident)
....Master Li turned bright red while he scorched the air with the Sixty Sequential Sacrileges with which he had won the all-China Freestyle Blasphemy Competition in Hangchow three years in a row.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Ox,” he said, a hint of his wolf poking through, eyes flashing. “Anything you’d like to tell me?” “No,” I said quickly. “Absolutely not.” “You sure about that?” he asked, his grip on my elbow tightening. I just barely managed to pull my arm free. “I’m hungry,” I said, voice rough. “We should—” “Sure,” he said. “Let’s go.” I blinked. He smiled at me. My heart stuttered a bit. The smile widened. No
T.J. Klune (Wolfsong (Green Creek, #1))
His reasoning was sound, but his remark about carrying me all the way to the river still rankled. “You speak as if I’m as heavy as an ox,” I said. “Last week I was a bundle of sticks.” “You’re still too thin.” “Perhaps if I gain some weight, you won’t call me a stick anymore.” “You may hope to one day be a branch.” I glanced at him sharply, unable to repress a little flutter of delight that he was bothering to joke with me. “A log, even,” I suggested. “Doubtful,” he said wryly.
Elly Blake (Frostblood (Frostblood Saga, #1))
O great and mighty Master Li, pray impart to me the Secret of Wisdom!" he bawled. "Take a large bowl," I said. "Fill it with equal measures of fact, fantasy, history, mythology, science, superstition, logic, and lunacy. Darken the mixture with bitter tears, brighten it with howls of laughter, toss in three thousand years of civilization, bellow kan pei — which means 'dry cup' — and drink to the dregs." Procopius stared at me. "And I will be wise?" he asked. "Better," I said. "You will be Chinese.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Master Li, how are we going to murder a man who laughs at axes?" I asked. We are going to experiment, dear boy. Our first order of business will be to find a deranged alchemist, which should not be very difficult. China," said Master Li, "is overstocked with deranged alchemists.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
The mind is a miser," he said. "Nothing is ever thrown away, and it's amazing what you can find if you dig deep enough.
Barry Hughart (The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2))
Drag your past around if you like, an old dead decaying ox of what you think they might've thought, or what might've been if you'd done what you ought. That which needs to burn let it burn. If the idea doesn't serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.
Russell Brand
All right, silent dark bear with angry frown, tell me more about your land.” He settled back down, picturing it. “I would tend to our land from the moment the sun rose to when it set and then you ...she would tend to me.” He laughed at her expression again. The world of exile camps and the Valley felt very far away, and he wanted to lie there forever. “Let me tell you about your bride,” she said, propping herself up on her elbows. “Both of you would cultivate the land. You would hold the plow, and she would walk alongside you with the ox, coaxing and singing it forward. A stick in her hand, of course, for she would need to keep both the ox and you in line.” “What would we...that is, my bride and I, grow?” “Wheat and barley.” “And marigolds.” Her nose crinkled questioningly. “I would pick them when they bloomed,” he said. “And when she called me home for supper, I’d place them in her hair and the contrast would take my breath away.” “How would she call you? From your cottage? Would she bellow, ‘Finnikin!’?” “I’d teach her the whistle. One for day and one for night.” “Ah, the whistle, of course. I’d forgotten the whistle.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
The object of Zen is not to kill all feelings and become anesthetized to pain and fear. The object of Zen is to free us to scream loudly and fully when it is time to scream.
Francis Harold Cook (How to Raise an Ox: Zen Practice as Taught in Zen Master Dogen's Shobogenzo)
As far back as Yossarian could recall, he explained to Clevinger with a patient smile, somebody was always hatching a plot to kill him. There were people who cared for him and people who didn't, and those who hated him were out to get him. They hated him because he was Assyrian. But they couldn't touch him, he told Clevinger, because he had a sound mind in a pure body and was as strong as an ox. They couldn't touch him because he was Tarzan, Mandrake, Flash Gordon. He was Bill Shakespeare. He was Cain, Ulysses, the Flying Dutchman; he was Lot in Sodom, Deirdre of the Sorrows, Sweeney in the nightingales among trees. He was miracle ingredient Z-247. He was - Crazy!" Clevinger interrupted, shrieking. "That's what you are! Crazy!" "immense. I'm a real slam-bang, honest-to-goodness, three-fisted humdinger. I'm a bona fide Supraman." "Superman?" Clevinger cried. "Superman?" Supraman," Yossarian corrected.
Joseph Heller (Catch-22)
Yes, I lay in my grave. But if you lie in a grave long enough, you get accustomed to it and you don't want to part from it. He had given me a pill of cyanide, He and his wife and their son also carried such pills. We all lived with death, and I want you to know that one can fall in love with death. Whoever has loved death cannot love anything else any more. When the liberation came and they told me to leave, I didn't want to go. I clung to the threshold like an ox being dragged to the slaughter. ("Hanka")
Isaac Bashevis Singer (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
The people I love the best jump into work head first without dallying in the shallows and swim off with sure strokes almost out of sight. They seem to become natives of that element, the black sleek heads of seals bouncing like half submerged balls. I love people who harness themselves, an ox to a heavy cart, who pull like water buffalo, with massive patience, who strain in the mud and the muck to move things forward, who do what has to be done, again and again. I want to be with people who submerge in the task, who go into the fields to harvest and work in a row and pass the bags along, who stand in the line and haul in their places, who are not parlor generals and field deserters but move in a common rhythm when the food must come in or the fire be put out. The work of the world is common as mud. Botched, it smears the hands, crumbles to dust. But the thing worth doing well done has a shape that satisfies, clean and evident. Greek amphoras for wine or oil, Hopi vases that held corn, are put in museums but you know they were made to be used. The pitcher cries for water to carry and a person for work that is real.
Marge Piercy (To Be of Use: Poems)
Dreamt I stood in a china shop so crowded from floor to far-off ceiling with shelves of porcelain antiques, etc. that moving a muscle would cause several to fall and smash to bits. Exactly what happened but instead of a crashing noise, an august chord rang out, half cello, half celeste, D major (?), held for four beats. My wrist knocked a Ming vase affair off its pedestal-E flat. Whole string section, glorious, transcendant, angels wept. Deliberately now, smashed a figurine of an ox for the next note, then a milkmaid, then Saturday's Child-orgy of shrapnel filled the air, divine harmonies my head.
David Mitchell (Cloud Atlas)
everybody knows that the soul of a cat is formed from the composite souls of nine debauched nuns who failed in their vows.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Show me a quest for personal immortality and I'll show you a path through a slaughterhouse, and the incense of personal divinity is the stench of other people's corpses.
Barry Hughart (The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2))
That man," she said in low but still audible tones, "is an idiot." "Yes, madam, but he's all we've got." "I may be stupid," Rupert said, "but I'm irresistibly attractive." "Good grief, conceited too," she muttered. "And being a great, dumb ox," he went on, "I'm wonderfully easy to manage." She paused and turned to Beechey. "Are you sure there's no one else?
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
Do you know who 'twas that first knew our Lord had caused Himself to be born? 'Twas the cock; he saw the star, and so he said–all the beasts could talk Latin in those days; he cried: 'Christus natus est!' " He crowed these words so like a cock that Kristin fell to laughing heartily. And it did her good to laugh, for all the strange things Brother Edvin had just been saying had laid a burden of awe on her heart. The monk laughed himself: "Ay, and when the ox heard that, he began to low: 'Ubi, ubi, ubi.' "But the goat bleated, and said: 'Betlem, Betlem, Betlem.' "And the sheep so longed to see Our Lady and her Son that she baa-ed out at once: 'Eamus, eamus!' "And the new-born calf that lay in the straw, raised itself and stood upon its feet. 'Volo, volo, volo!' it said.
Sigrid Undset (Kristin Lavransdatter)
What is meditation? What is leaving one's body? What is fasting? What is holding one's breath? It is fleeing from the self, it is a short escape of the agony of being a self, it is a short numbing of the senses against the pain and the pointlessness of life. The same escape, the same short numbing is what the driver of an ox-cart finds in the inn, drinking a few bowls of rice-wine or fermented coconut-milk. Then he won't feel his self any more, then he won't feel the pains of life any more, then he finds a short numbing of the senses. When he falls asleep over his bowl of rice-wine, he'll find the same what Siddhartha and Govinda find when they escape their bodies through long exercises, staying in the non-self.
Hermann Hesse (Siddhartha)
I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night What is the price of Experience do men buy it for a song Or wisdom for a dance in the street? No it is bought with the price Of all that a man hath his house his wife his children Wisdom is sold in the desolate market where none come to buy And in the withered field where the farmer plows for bread in vain It is an easy thing to triumph in the summers sun And in the vintage & to sing on the waggon loaded with corn It is an easy thing to talk of patience to the afflicted To speak the laws of prudence to the houseless wanderer To listen to the hungry ravens cry in wintry season When the red blood is filled with wine & with the marrow of lambs It is an easy thing to laugh at wrathful elements To hear a dog howl at the wintry door, the ox in the slaughter house moan To see a god on every wind & a blessing on every blast To hear the sounds of love in the thunder storm that destroys our enemies house To rejoice in the blight that covers his field, & the sickness that cuts off his children While our olive & vine sing & laugh round our door & our children bring fruits and flowers Then the groans & the dolor are quite forgotten & the slave grinding at the mill And the captive in chains & the poor in the prison, & the soldier in the field When the shattered bone hath laid him groaning among the happier dead It is an easy thing to rejoice in the tents of prosperity Thus could I sing & thus rejoice, but it is not so with me!
William Blake (The Complete Poems)
You can see the same immorality or amorality in the Christian view of guilt and punishment. There are only two texts, both of them extreme and mutually contradictory. The Old Testament injunction is the one to exact an eye for an eye and a tooth for a tooth (it occurs in a passage of perfectly demented detail about the exact rules governing mutual ox-goring; you should look it up in its context (Exodus 21). The second is from the Gospels and says that only those without sin should cast the first stone. The first is a moral basis for capital punishment and other barbarities; the second is so relativistic and "nonjudgmental" that it would not allow the prosecution of Charles Manson. Our few notions of justice have had to evolve despite these absurd codes of ultra vindictiveness and ultracompassion.
Christopher Hitchens (Letters to a Young Contrarian)
Get Comfortable Not Knowing There once was a village that had among its people a very wise old man. The villagers trusted this man to provide them answers to their questions and concerns. One day, a farmer from the village went to the wise man and said in a frantic tone, “Wise man, help me. A horrible thing has happened. My ox has died and I have no animal to help me plow my field! Isn’t this the worst thing that could have possibly happened?” The wise old man replied, “Maybe so, maybe not.” The man hurried back to the village and reported to his neighbors that the wise man had gone mad. Surely this was the worst thing that could have happened. Why couldn’t he see this? The very next day, however, a strong, young horse was seen near the man’s farm. Because the man had no ox to rely on, he had the idea to catch the horse to replace his ox—and he did. How joyful the farmer was. Plowing the field had never been easier. He went back to the wise man to apologize. “You were right, wise man. Losing my ox wasn’t the worst thing that could have happened. It was a blessing in disguise! I never would have captured my new horse had that not happened. You must agree that this is the best thing that could have happened.” The wise man replied once again, “Maybe so, maybe not.” Not again, thought the farmer. Surely the wise man had gone mad now. But, once again, the farmer did not know what was to happen. A few days later the farmer’s son was riding the horse and was thrown off. He broke his leg and would not be able to help with the crop. Oh no, thought the man. Now we will starve to death. Once again, the farmer went to the wise man. This time he said, “How did you know that capturing my horse was not a good thing? You were right again. My son is injured and won’t be able to help with the crop. This time I’m sure that this is the worst thing that could have possibly happened. You must agree this time.” But, just as he had done before, the wise man calmly looked at the farmer and in a compassionate tone replied once again, “Maybe so, maybe not.” Enraged that the wise man could be so ignorant, the farmer stormed back to the village. The next day troops arrived to take every able-bodied man to the war that had just broken out. The farmer’s son was the only young man in the village who didn’t have to go. He would live, while the others would surely die. The moral of this story provides a powerful lesson. The truth is, we don’t know what’s going to happen—we just think we do. Often we make a big deal out of something. We blow up scenarios in our minds about all the terrible things that are going to happen. Most of the time we are wrong. If we keep our cool and stay open to possibilities, we can be reasonably certain that, eventually, all will be well. Remember: maybe so, maybe not.
Richard Carlson (Don't Sweat the Small Stuff ... and it's all small stuff: Simple Ways to Keep the Little Things from Taking Over Your Life)
Our senses are woefully limited. Our brains are but tiny candles flickering in an infinity of darkness. Our only wisdom is to admit that we cannot understand, and since we cannot understand we must do the best we can with faith. which is our only talent. The greatest act of faith we are capable of is that of loving another more than we love ourselves, and occasionally we can be quite good at it.
Barry Hughart (The Story of the Stone (The Chronicles of Master Li and Number Ten Ox, #2))
There is a Zen story (very funny — ha-ha) about a monk who, having failed to achieve “enlightenment” (brain-change) through the normal Zen methods, was told by his teacher to think of nothing but an ox. Day after day after day, the monk thought of the ox, visualized the ox, meditated on the ox. Finally, one day, the teacher came to the monk’s cell and said, “Come out here — I want to talk to you.” “I can’t get out,” the monk said. “My horns won’t fit through the door.” I can’t get out . . . At these words, the monk was “enlightened.” Never mind what “enlightenment” means, right now. The monk went through some species of brain change, obviously. He had developed the delusion that he was an ox, and awakening from that hypnoidal state he saw through the mechanism of all other delusions and how they robotize us. EXERCIZES
Robert Anton Wilson (Prometheus Rising)
The primitive idea of justice is partly legalized revenge and partly expiation by sacrifice. It works out from both sides in the notion that two blacks make a white, and that when a wrong has been done, it should be paid for by an equivalent suffering. It seems to the Philistine majority a matter of course that this compensating suffering should be inflicted on the wrongdoer for the sake of its deterrent effect on other would-be wrongdoers; but a moment's reflection will shew that this utilitarian application corrupts the whole transaction. For example, the shedding of blood cannot be balanced by the shedding of guilty blood. Sacrificing a criminal to propitiate God for the murder of one of his righteous servants is like sacrificing a mangy sheep or an ox with the rinderpest: it calls down divine wrath instead of appeasing it. In doing it we offer God as a sacrifice the gratification of our own revenge and the protection of our own lives without cost to ourselves; and cost to ourselves is the essence of sacrifice and expiation.
George Bernard Shaw (Androcles and the Lion)
I said, “Gordo. Gordo. His wolf. He gave me his wolf. The stone wolf.” Gordo smiled sadly. “I figured he did. When he came to see you?” I shook my head. “The day after I met him. When he was ten. I didn’t know what it meant. They said I had a choice.” And there it was. That look on his face. That fear. He said, “Even then?” I said, “Even then,” and of course, “Gordo. Gordo,” because a realization struck me and I was so fucking blind. “Yeah, Ox.” “Did…?” I almost stopped. But then, “Mark did. Didn’t he? Gave you his wolf.” The tattoos on his arms flared briefly as he hung his head. I rubbed my hand through his hair. It was getting long. I needed to remind him to get it cut. He’d forget so many things if I didn’t tell him. He said, “Yeah. Yes.” He coughed. “He did. And I gave it back.”     WE
T.J. Klune (Wolfsong (Green Creek, #1))
We are what we think. All that we are arises with our thoughts. With our thoughts we make the world. Speak or act with an impure mind And trouble will follow you As the wheel follows the ox that draws the cart. We are what we think. All that we are arises with our thoughts. With our thoughts we make the world. Speak or act with a pure mind And happiness will follow you As your shadow, unshakable. "Look how he abused me and beat me, How he threw me down and robbed me." Live with such thoughts and you live in hate. "Look how he abused me and beat me, How he threw me down and robbed me." Abandon such thoughts and live in love. In this world Hate never yet dispelled hate. Only love dispels hate. This is the law, Ancient and inexhaustible.
Gautama Buddha
Stay here. I can stay here. You go. Run.” “Really.” “Yes.” “Okay. If that’s what you want. I mean, I could probably die or something, but you do you.” He jerked his head up as he growled. “Die?” I nodded solemnly. “Might trip over a tree root and break my neck. Or Ox could jump on me and crush my liver. Who the fuck knows?” “Stupid Carter,” Gavin said. “Stupid Carter,” I agreed. “Know what you’re doing.” “I have no idea what you’re talking about. So I’m just gonna go, I guess. Don’t know if I’ll ever come back, seeing as how I might be dead and all. If only there was someone out there who could have my back and—” He put his hand over my mouth. “Stop talking. You make it worse.” His nostrils flared. “Fine. I’ll go. Stupid Carter always almost dies.
T.J. Klune (Brothersong (Green Creek, #4))
I shall clasp my hands together and bow to the corners of the world. May your villages remain ignorant of tax collectors, and may your sons be many and ugly and strong and willing workers, and may your daughters be few and beautiful and excellent providers of love gifts from eminent families that live very far away, and may your lives be blessed by the beauty that has touched mine. Farewell.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
What's the use of crying, and retching, and belching, all day long, like your lady downstairs? Life has its sad side, and we must take the rough with the smooth. Why, maids have died on their marriage eve, or, what's worse, bringing their first baby into the world, and the world's wagged on all the same. Life's sad enough, in all conscience, but there's nothing to be frightened about in it or to turn one's stomach. I was country-bred, and as my old granny used to say, "There's no clock like the sun and no calendar like the stars." And why? Because it gets one used to the look of Time. There's no bogey from over the hills that scares one like Time. But when one's been used all one's life to seeing him naked, as it were, instead of shut up in a clock, like he is in Lud, one learns that he is as quiet and peaceful as an old ox dragging the plough. And to watch Time teaches one to sing. They say the fruit from over the hills makes one sing. I've never tasted so much as a sherd of it, but for all that I can sing.
Hope Mirrlees (Lud-in-the-Mist)
I already have enough doubts as it is. I can’t have them from you too. I need you, man. To have my back.” He pounced on those words, of course. “Doubts? Then why are you even doing this?” I said, “Not about him. About me. What if I’m not good enough for him? What if I can’t be what he’s going to need?” He stopped his pacing and his shoulders sagged. “Ox, you can’t think like that.” I snorted. “Yeah? It’s actually pretty easy to.” “Your father did this to you,” he said with a scowl. “I should have kicked his ass when I had the chance.” I looked up in surprise. “I don’t like this,” Gordo said. “At all. But I’m going to say it anyway, okay? Anyone should count their lucky stars if they got to call you their own.
T.J. Klune (Wolfsong (Green Creek, #1))
Earth and sky, rock and wind, bear witness! By the power of the Swift Sure Hand, I claim this ground and sain it with a name: Bwgan Bwlch! Power of fire I have over it, Power of wind I have over it, Power of thunder I have over it, Power of wrath I have over it, Power of heavens I have over it, Power of earth I have over it, Power of worlds I have over it! As tramples the swan upon the lake, As tramples the horse upon the plain, As tramples the ox upon the meadow, As tramples the boar upon the track, As tramples the forest host of heart and hind, As tramples all quick things upon the earth, I do trample and subdue it, And drive all evil from it! In the name of the Secret One, In the name of the Living One, In the name of the All-Encircling One, In the name of the One True Word, it is Bwgan Bwlch, Let it so remain as long as men survive To breath the name.
Stephen R. Lawhead (The Endless Knot (The Song of Albion, #3))
Have done with learning, And you will have no more vexation. How great is the difference between "eh" and "o"? What is the distinction between "good" and "evil"? Must I fear what others fear? What abysmal nonsense this is! All men are joyous and beaming, As though feasting upon a sacrificial ox, As though mounting the Spring Terrace; I alone am placid and give no sign, Like a babe which has not yet smiled. I alone am forlorn as one who has no home to return to. All men have enough and to spare: I alone appear to possess nothing. What a fool I am! What a muddled mind I have! All men are bright, bright: I alone am dim, dim. All men are sharp, sharp: I alone am mum, mum! Bland like the ocean, Aimless like the wafting gale. All men settle down in their grooves: I alone am stubborn and remain outside. But wherein I am most different from others is In knowing to take sustenance from my Mother!
Lao Tzu (Tao Te Ching)
It was an old hunter in camp and the hunter shared tobacco with him and told him of the buffalo and the stands he'd made against them, laid up in a sag on some rise with the dead animals scattered over the grounds and the herd beginning to mill and the riflebarrel so hot the wiping patches sizzled in the bore and the animals by the thousands and the tens of thousands and the hides pegged out over actual square miles of ground the teams of skinners spelling one another around the clock and the shooting and shooting weeks and months till the bore shot slick and the stock shot loose at the tang and their shoulders were yellow and blue to the elbow and the tandem wagons groaned away over the prairie twenty and twenty-two ox teams and the flint hides by the hundred ton and the meat rotting on the ground and the air whining with flies and the buzzards and ravens and the night a horror of snarling and feeding with the wolves half-crazed and wallowing in the carrion. I seen Studebaker wagons with six and eight ox teams headed out for the grounds not hauling a thing but lead. Just pure galena. Tons of it. On this ground alone between the Arkansas River and the Concho there were eight million carcasses for that's how many hides reached the railhead. Two years ago we pulled out from Griffin for a last hunt. We ransacked the country. Six weeks. Finally found a herd of eight animals and we killed them and come in. They're gone. Ever one of them that God ever made is gone as if they'd never been at all. The ragged sparks blew down the wind. The prairie about them lay silent. Beyond the fire it was cold and the night was clear and the stars were falling. The old hunter pulled his blanket about him. I wonder if there's other worlds like this, he said. Or if this is the only one.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.
Russell Brand
It is not, perhaps, entirely because the whale is so excessively unctuous that landsmen seem to regard the eating of him with abhorrence; that appears to result, in some way, from the consideration before mentioned: i.e. that a man should eat a newly murdered thing of the sea, and eat it too by its own light. But no doubt the first man that ever murdered an ox was regarded as murderer; perhaps he was hung; and if he had been put on his trial by oxen, he certainly would have been; and he certainly deserved it if any murderer does. Go to the meat-market of a Saturday night and see the crowds of live bipeds staring up at the long rows of dead quadrupeds. Does not that sight take a tooth out of the cannibal’s jaw? Cannibals? who is not a cannibal? I tell you it will be more tolerable for the Fejee that salted down a lean missionary in his cellar against a coming famine; it will be more tolerable for that provident Fejee, I say, in the day of judgment, than for thee, civilized and enlightened gourmand, who nailest geese to the ground and featest on their bloated livers in they pate-de-fois-gras. But Stubb, he eats the whale by its own light, does he? and that is adding insult to injury, is it? Look at your knife-handle, there, my civilized and enlightened gourmand dining off that roast beef, what is that handle made of?—what but the bones of the brother of the very ox you are eating? And what do you pick your teeth with, after devouring that fat goose? With a feather of the same fowl. And with what quill did the Secretary of the Society for the Suppression of Cruelty to Ganders formerly indite his circulars? It is only within the last month or two that that society passed a resolution to patronize nothing but steel pens.
Herman Melville (Moby Dick)
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)