Ox King Quotes

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Look, look,' cried the count, seizing the young man's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, who God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbour - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellowman is saved? A blasphemy. Honour to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
Aw, he’s in love,” Hagema cooed. “Just stop,” Antero protested. “Though I will admit she is beautiful. And she can sing. But I can’t believe she just threatened the king in front of all these people. Pure suicide.” “Damn it! That takes real ox balls! I would’ve been here sooner if this hellhole wasn’t in the middle of fuxing nowhere!” Hagema ranted.
Jack Chaucer (Revenge to the Tennth Power (Mammyth, #1))
Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man—man, whom God created in his own image—man, upon whom God has laid his first, his sole commandment, to love his neighbor—man, to whom God has given a voice to express his thoughts—what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
Inanna spoke: "What I tell you Let the singer weave into song. What I tell you, Let it flow from ear to mouth, Let it pass from old to young: My vulva, the horn, The Boat of Heaven, Is full of eagerness like the young moon. My untilled land lies fallow. As for me, Inanna, Who will plow my vulva? Who will plow my high field? Who will plow my wet ground? As for me, the young woman, Who will plow my vulva? Who will station the ox there? Who will plow my vulva?" Dumuzi replied: "Great Lady, the king will plow your vulva. I, Dumuzi the King, will plow your vulva." Inanna: "Then plow my vulva, man of my heart! Plow my vulva!
Diane Wolkstein (Inanna, Queen of Heaven and Earth: Her Stories and Hymns from Sumer)
DEU28.31 Thine ox shall be slain before thine eyes, and thou shalt not eat thereof: thine ass shall be violently taken away from before thy face, and shall not be restored to thee: thy sheep shall be given unto thine enemies, and thou shalt have none to rescue them. DEU28.32 Thy sons and thy daughters shall be given unto another people, and thine eyes shall look, and fail with longing for them all the day long; and there shall be no might in thine hand. DEU28.33 The fruit of thy land, and all
Anonymous (The Holy Bible, King James Version (KJV))
Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man — man, whom God created in his own image — man, upon whom God has laid his first, his sole commandment, to love his neighbor — man, to whom God has given a voice to express his thoughts — what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
PRO15.17 Better is a dinner of herbs where love is, than a stalled ox and hatred therewith.
Anonymous (The Holy Bible, King James Version (KJV))
Better is a dinner of herbs where love is, than a stalled ox and hatred therewith.
Anonymous (Holy Bible: King James Version)
If an ox is a ox to his master, his mangers will stay near the king's table.
William Shakespeare (Hamlet)
Although he avoided western novels (with the exceptions of The Ox-Bow Incident and Doctorow’s brilliant Welcome to Hard Times)
Stephen King (If It Bleeds)
She stood watching a ritual she had seen many times before, yet which now seemed odd and extremely archaic; as if everything - the hill, the ox, the Mage, the cauldron, the king, the people looking on - everything belonged to a time so far away, so obscurely ancient that it could no longer be comprehended, only felt in the pulse of blood that flowed through her veins.
Stephen R. Lawhead (Taliesin (The Pendragon Cycle #1))
The ox was bad enough, Mina thought as she checked out the damage to her vegetables, yet now I have goats to torment me. However, if the goru was like the king, then the goats must be like the political parties, so maybe in the end her life won’t be so different after all? Yet she had to make sure that it would be different this time somehow, at least for Sidip’s sake, if for no other reason.
Andrew James Pritchard (To Revolt Is a People's Right)
Nebuchadnezzar II (King of Babylon 605–562 BC) experienced an episode of insanity which lasted for seven years. The king, who had overseen a magnificent building programme which included the famous Hanging Gardens of Babylon, found himself humbled by God for boasting about his achievements. His punishment took the form of believing he was an ox, a condition known as ‘boanthropy’, and he lived like a wild animal for seven years, before making a full recovery and being restored to power.
Catharine Arnold (Bedlam: London and Its Mad)
EXO23.4 If thou meet thine enemy's ox or his ass going astray, thou shalt surely bring it back to him again. EXO23.5 If thou see the ass of him that hateth thee lying under his burden, and wouldest forbear to help him, thou shalt surely help with him.
Anonymous (Holy Bible: King James Version)
I said to him, “Who was that man in the ox-car?” He looked about him, hiding it, in the way of the Palace people; then he said. “You were foolish. That was the King’s son, Asterion.” I laughed and said, “A starry name for an earthy thing.” He answered, “It is not for you to use it. The style of the heir is Minotauros.
Mary Renault (The King Must Die (Theseus, #1))
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
18Then the king said to Doeg, “You turn and strike the priests.” And Doeg the Edomite turned and struck down the priests,  zand he killed on that day eighty-five persons who wore the linen ephod. 19And Nob, the city of the priests, he put to the sword;  aboth man and woman, child and infant, ox, donkey and sheep, he put to the sword.
Anonymous (Holy Bible: English Standard Version (ESV))
29 But I am poor and sorrowful; Let Your salvation, O God, set me up on high. 30 aI will praise the name of God with a song, And will magnify Him with *thanksgiving. 31 aThis also shall please the LORD better than an ox or bull, Which has horns and hooves. 32 aThe humble shall see this and be glad; And you who seek God, byour hearts shall live. 33For the LORD hears the poor,
Jack W. Hayford (New Spirit-Filled Life Bible: Kingdom Equipping Through the Power of the Word, New King James Version)
Look, look,” cried the count, seizing the young men’s hands—“look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die—like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength?—do you know what consoled him? It was, that another partook of his punishment—that another partook of his anguish—that another was to die before him. Lead two sheep to the butcher’s, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man—man, whom God created in his own image—man, upon whom God has laid his first, his sole commandment, to love his neighbor—man, to whom God has given a voice to express his thoughts—what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!
Alexandre Dumas (The Count of Monte Cristo)
Look, look," cried the count, seizing the young men's hands - "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die - like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? - do you know what consoled him? It was, that another partook of his punishment - that another partook of his anguish - that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man - man, whom God created in his own image - man, upon whom God has laid his first, his sole commandment, to love his neighbor - man, to whom God has given a voice to express his thoughts - what is his first cry when he hears his fellow man is saved? A blasphemy. Honor to man, this masterpiece, this masterpiece of nature, this king of the creation! The people all took part against Andrea, and twenty thousand voices cried, "Put him to death! put him to death!" Franz sprang back, but the count seized his arm, and held him before the window. "What are you doing?" said he. "Do you pity him? If you heard the cry of 'Mad dog!' you would take your gun - you would unhesitatingly shoot the poor beast, who, after all, was only guilty of having been bitten by another dog. And yet you pity a man who, without being bitten by one of his race, has yet murdered his benefactor; and who, now unable to kill any one, because his hands are bound, wishes to see his companion in captivity perish. No, no - look, look!
Alexandre Dumas
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
once there was a great king who gazed down from a tall tower upon a gardener who sang as he worked, and the king cried, ‘Ah, to have a life of no cares! If only I could be that gardener.’ And the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so,’ and lo, the king was a gardener singing in the sun. In time the sun grew hot and the gardener stopped singing, and a fine dark cloud brought coolness and then drifted away, and it was hot again and much work remained, and the gardener cried, ‘Ah, to carry coolness wherever I go and have no cares! If only I could be that cloud.’ And the voice of the August Personage reached out from Heaven and said, ‘It shall be so,’ and lo, the gardener was a cloud drifting across the sky. And the wind blew and the sky grew cold, and the cloud would have liked to go behind the shelter of a hill, but it could only go where the wind took it, and no matter how hard it tried to go this way the wind took it that way, and above the cloud was the bright sun. ‘Ah, to fly through wind and be warm and have no cares! If only I could be the sun,’ cried the cloud, and the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so,’ and lo, he was the sun. It was very grand to be the sun, and he delighted in the work of sending down rays to warm some things and burn others, but it was like wearing a suit made of fire and he began to bake like bread. Above him the cool stars that were gods were sparkling in safety and serenity and the sun cried, ‘Ah, to be divine and free from care! If only I could be a god.’ And the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so,’ and lo, he was a god, and he was beginning his third century of combat with the Stone Monkey, which had just transformed itself into a monster a hundred thousand feet tall and was wielding a trident made from the triple peaks of Mount Hua, and when he wasn’t dodging blows he could see the peaceful green earth down below him, and the god cried, ‘Ah, if only I could be a man who was safe and secure and had no cares!’ And the voice of the August Personage of Jade reached out from Heaven and said, ‘It shall be so.’ And lo, he was a king who was gazing down from a tall tower upon a gardener who sang as he worked.
Barry Hughart (The Chronicles of Master Li and Number Ten Ox (The Chronicles of Master Li and Number Ten Ox, #1-3))
Look, look," cried the count. seizing the young men's hands — "look, for on my soul it is curious. Here is a man who had resigned himself to his fate, who was going to the scaffold to die — like a coward, it is true, but he was about to die without resistance. Do you know what gave him strength? — do you know what consoled him? It was, that another partook of his punishment — that another partook of his anguish — that another was to die before him. Lead two sheep to the butcher's, two oxen to the slaughterhouse, and make one of them understand that his companion will not die; the sheep will bleat for pleasure, the ox will bellow with joy. But man — man, whom God created in his own image — man, upon whom God has laid his first, his sole commandment, to love his neighbor — man, to whom God has given a voice to express his thoughts — what is his first cry when he hears his fellow-man is saved? A blasphemy. Honor to man, this masterpiece of nature, this king of the creation!" And the count burst into a laugh; a terrible laugh, that showed he must have suffered horribly to be able thus to laugh.
Various (50 Masterpieces You Should Read (ShandonPress))
Awake in peace, you of back-turned face, in peace, You who looks backward, in peace, Sky's ferryman, in peace, Nut's ferryman, in peace, Ferryman of gods, in peacel! Unas has come to you That you may ferry him in this boat in which you ferry the gods. Unas has come to his side as a god comes to his side, Unas has come to his shore as a god comes to his shore. No one alive accuses Unas, No dead accuses Unas; No goose accuses Unas, No ox accuses Unas If you fail to ferry Unas, He will leap and sit on the wing of Thoth.s Then he will ferry Unas to that side Utterance 270 Antechamber, South Wall The king summons the ferryman
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
What had you expected? A viper, or a devil, or a ravening idiot; Milo with the ox on his shoulders, Angra-Mainyo prepared to do battle with Zoroaster, or the Golden Ass? Or didn’t you know the family colouring? Richard hasn’t got it. Poor Richard is merely Brown and fit to break bread with …
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
There his tormentors yanked him from the ox’s belly, then reached in to pluck out the beast’s entrails, which they used to whip him about his body and face.29
Thomas B. Allen (Tories: Fighting for the King in America's First Civil War)
What do you think a soldier's job is, Derfel?" he asked me in that intimate manner that made you feel he was more interested in you than anyone else in the world. "To fight battles, Lord," I said. He shook his head. "To fight battles, Derfel," he corrected me, 'on behalf of people who can't fight for themselves. I learned that in Brittany. This miserable world is full of weak people, powerless people, hungry people, sad people, sick people, poor people, and it's the easiest thing in the world to despise the weak, especially if you're a soldier. If you're a warrior and you want a man's daughter, you just take her; you want his land, you just kill him; after all, you're a soldier and you have a spear and a sword, and he's just a poor weak man with a broken plough and a sick ox and what's to stop you?" He did not expect an answer to the question, but just paced on in silence. We had come to the western gateway and the split-log steps that climbed to the platform over the gate were whitening with a new frost. We climbed them side by side. "But the truth is, Derfel," Arthur said when we reached the high platform, 'that we are only soldiers because that weak man makes us soldiers. He grows the grain that feeds us, he tans the leather that protects us and he polls the ash trees that make our spear-shafts. We owe him our service.
Bernard Cornwell (The Winter King (The Warlord Chronicles, #1))
RESISTANCE IS MOST POWERFUL AT THE FINISH LINE Odysseus almost got home years before his actual homecoming. Ithaca was in sight, close enough that the sailors could see the smoke of their families' fires on shore. Odysseus was so certain he was safe, he actually lay down for a snooze. It was then that his men, believing there was gold in an ox-hide sack among their commander's possessions, snatched this prize and cut it open. The bag contained the adverse Winds, which King Aeolus had bottled up for Odysseus when the wanderer had touched earlier at his blessed isle. The winds burst forth now in one mad blow, driving Odysseus' ships back across every league of ocean they had with such difficulty traversed, making him endure further trials and sufferings before, at last and alone, he reached home for good. The danger is greatest when the finish line is in sight. At this point, Resistance knows we're about to beat it. It hits the panic button. It marshals one last assault and slams us with everything it's got. The professional must be alert for this counterattack. Be wary at the end. Don't open that bag of wind.
Steven Pressfield (The War of Art)