Owl Father Quotes

There are things you forget naturally-computer passwords, your father's continuing relationship with life-and then there are things you can't forget that you wish you could.

I begin to understand what a gift I've been given, to have been chosen for this task. The truth overwhelms me, and humbles me. The birds are telling me that my life's work, as your mother, will be to teach you how to be yourself- and to honor however much of the wild world you have in you, owl-baby- rather than mold you to be what I want you to be, or what your father wants you to be.

Little Irina must be a woman grown by now. A beauty, I have heard, surely?' It was more mockery: he had heard nothing of the sort, of course. I had traveled with my father; the court and his advisers knew I was nothing out of the ordinary, and hardly a girl to turn a young tsar's head - if he had been in any danger of turning his head at all, except perhaps all the way round like an owl.

Like what? The things Literature was all about: love, sex, morality, friendship, happiness, suffering, betrayal, adultery, good and evil, heroes and villains, guilt and innocence, ambition, power, justice, revolution, war, fathers and sons, mothers and daughters, the individual against society, success and failure, murder, suicide, death, God. And barn owls.

This is something about your father?' 'This is something about you." Frank put his hand on my shoulder and he looked me in the eye. The effect was dismaying. Frank meant to inspire camaraderie, but his head looked to me like a bizarre little owl, blinded by light and perched on a tall white post. 'Maybe you'd better come to the point.

shapeshifter poems by Lucille Clifton 1 the legend is whispered in the women's tent how the moon when she rises full follows some men into themselves and changes them there the season is short but dreadful shapeshifters they wear strange hands they walk through the houses at night their daughters do not know them 2 who is there to protect her from the hands of the father not the windows which see and say nothing not the moon that awful eye not the woman she will become with her scarred tongue who who who the owl laments into the evening who will protect her this prettylittlegirl 3 if the little girl lies still enough shut enough hard enough shapeshifter may not walk tonight the full moon may not find him here the hair on him bristling rising up 4 the poem at the end of the world is the poem the little girl breathes into her pillow the one she cannot tell the one there is no one to hear this poem is a political poem is a war poem is a universal poem but is not about these things this poem is about one human heart this poem is the poem at the end of the world Credit: Copyright © 1987 by Lucille Clifton.

I think of my own life, how it embraces a great quest to know every cog of nature--the names of oaks and ferns, the secret lives of birds, the taste of venison and Ogeechee lime, wax myrtle's smell and rattlesnake's, the contour of bobcat tracks, the number of barred owl cackles, the feel of Okefenokee Swamp water on my skin under a blistering sun. I search for a vital knowledge of the land that my father could not teach me, as he was not taught, and guidance to know and honor it, as he was not guided, as if this will shield me from the errancies of the mind, or bring me back from that dark territory should I happen to wander there. I search as if there were peace to be found.

Writers show us the glades we'd missed, the trickling voices of streams, the eyes of a barn owl watching us. A writer like my father revealed a shape and movement amid it all, layers, meaning, perspective, joy, because he paid such careful attention, and paying attention is about the biggest redemption there is.

It was a father, one hand resting teapot-style on his hip, and the other - what would be the spout - formed into a fist.

Here I am, just turned fifty, and I forgot that my father isn’t dead yet!

Two long, curved feathers, one crossed over the other, stripes of creamy beige and brown blending into the grass flattened by the girl’s head. From an owl—no mistaking the comb-like flutings along the outer edge. “Fimbriae”—Jes could almost hear her father—“so its flight will be silent.

Our deal's over," said Charlie. "I brought your feather. I want my brother. You took him. I want him back. Anansi's bloodline was not mine to give." "And if I no longer have your brother?" It was hard to tell, in the firefly light, but Charlie did not believe that her lips had moved. Her words surrounded him, however, in the cries of nightjars, and in the owls' shrieks and hoots. "I want my brother back," he told her. "I want him whole and in one piece and uninjured. And I want him now. Or whatever went on between you and my father over the years was just the prelude. You know. The overture.

Our culture teaches us from early infancy to split and polarize dark and light, which I call here “mother” and “father.” So some people admire the right-thinking, well-lit side of the personality, and that group one can associate with the father, if one wants to; and some admire the left-thinking, poorly-lit side, and that group one can associate with the mother, if one wants to, and mythologically with the Great Mother. Most artists, poets, and musicians belong to the second group and love intuition, music, the feminine, owls, and the ocean. The right-thinking group loves action, commerce, and Empire.

The black man is sometimes called an endangered species but receives little of the protection an endangered species is normally accorded. In regions where the owl is endangered, we wouldn’t think of depriving the male owl of its children or the owl’s children of their dad. Yet the U.S. government has a huge program that creates exactly that outcome for the male human who is poor, and especially for the male human who is black and poor. It is called Aid to Families with Dependent Children; it deprives a family of aid if the dad is present, thus depriving the father of the two most important incentives for living: love and feeling needed.

And they began to talk—at first in their ordinary voices, but soon dropping into undertones because of the beauty, the immense, absorbed, hushed beauty of the night, with the moon, a day past its full, beginning to sail over the top of Burton Down behind them, and part the apple-leaves with silver fingers. And presently they didn't even talk, but Sat quite still, just as if for years they had been easy friends, and together they watched the great yew-tree on the other side of the little sleeping garden brushing its dark and solemn head across the stars, and listened to the cry of an owl, floating somewhere very far away towards them on the silence.

I’m sure my father said plenty of normal things to me when I was growing up, but what stuck, probably because he said it, like, ten thousand times, was “Everything you touch turns to crap.” His other catchphrase was “You know what you are? A big fat zero.” Excerpt From: David Sedaris. “Let's Explore Diabetes with Owls.” iBooks.

The father and daughter made their way north, through unknown sylvan paradises where only the owls and skunks know their way around. The hard work of paddling non-stop for many hours had long since stopped being difficult for Saweyimew. In spite of her beauty and grace, her back had grown strong and sinewy from years of canoe trips. She reveled in the exhilaration it always brought her, after the first few hours left her body insensible to pain or discomfort. Warm and tingly, lulled into peaceful contemplation by hours of the rhythmic paddling, the smell of the water, exotic blooms, animal musk. It all combined as one to make her feel so alive. Especially when it rained, and her body steamed against the cool drops, feeling invincible against the elements. The mountain of her father's back was like a rock against anything nature could throw against them. The stream of fragrant pipe-smoke still flowing from his lips, regardless of any obstacle. She felt at that moment, nothing would ever stop her father's pipe from smoking. Nothing, not death, not any force of the living or spirit world, would ever still her father's heart. Rain cleansing her to the core, she was a spring of raw power and self-reliance, paddling against all adversity--their master completely. Her father's daughter. At times like that, when it rained, she entirely understood and shared her father's outlook on life.

That puppet there,’ continued the Talking-cricket, ‘is a confirmed rogue. …’ Pinocchio opened his eyes, but shut them again immediately. ‘He is a ragamuffin, a do-nothing, a vagabond. …. Pinocchio hid his face beneath the clothes. ‘That puppet there is a disobedient son who will make his poor father die of a broken heart! …’ At that instant a suffocated sound of sobs and crying was heard in the room. Imagine everybody’s astonishment when, having raised the sheets a little, it was discovered that the sounds came from Pinocchio. ‘When the dead person cries, it is a sign that he is on the road to get well,’ said the Crow solemnly. ‘I grieve to contradict my illustrious friend and colleague,’ added the Owl, ‘but for me, when the dead person cries, it is a sign that he is sorry to die.

It was the Age of Anything-Can-Happen, he reminded himself. He had heard many people say that on TV and on the outré video clips floating in cyberspace, which added a further, new-technology depth to his addiction. There were no rules any more. And in the Age of Anything-Can-Happen, well, anything could happen. Old friends could become new enemies and traditional enemies could be your new besties or even lovers. It was no longer possible to predict the weather, or the likelihood of war, or the outcome of elections. A woman might fall in love with a piglet, or a man start living with an owl. A beauty might fall asleep and, when kissed, wake up speaking a different language and in that new language reveal a completely altered character. A flood might drown your city. A tornado might carry your house to a faraway land where, upon landing, it would squash a witch. Criminals could become kings and kings be unmasked as criminals. A man might discover that the woman he lived with was his father’s illegitimate child. A whole nation might jump off a cliff like swarming lemmings. Men who played presidents on TV could become presidents. The water might run out. A woman might bear a baby who was found to be a revenant god. Words could lose their meanings and acquire new ones. The world might end, as at least one prominent scientist- entrepreneur had begun repeatedly to predict. An evil scent would hang over the ending. And a TV star might miraculously return the love of a foolish old coot, giving him an unlikely romantic triumph which would redeem a long, small life, bestowing upon it, at the last, the radiance of majesty.

Sometimes now, I wake at night, thinking I have heard the sound of my father's footsteps on the stairs or the shuffling boots and low murmur of the hoot-owl shift going to work. In that half-world between sleep and wakefulness, I can almost hear the ringing of a hammer on steel and the dry hiss of the arc welder at the little machine shop by the tipple. But it is only a trick of my imagination; nearly everything that I knew in Coalwood is gone.

She had memories of a quiet pool in the woods, where she'd retreat with her books, hiding from chores that needed to be done around the house. She remembered the sound of her parents after sunset, calling her to come home. The fireflies would flicker around her as it became too dark to read, but still she'd stay, to watch the fireflies over the water and listen to the birds and the squirrels settle in for the night and the night hunters, the owls and and the cats, begin to wake. Once, she'd even glimpsed a unicorn sipping from the pond, but it could have been only a white deer and a trick of the twilight. Another afternoon, her father had come with her, avoiding his chores too. They'd read books side by side, and her mother hadn't said a word when they'd returned. A week later, her mother had been the one to join her by the pond, arriving with lunch in a basket and presenting Kiela with a new unread book, a rare treasure on the island.

This was another one of our fears: that Life wouldn't turn out to be like Literature. Look at our parents--were they the stuff of Literature? At best, they might aspire to the conditions of onlookers and bystanders, part of a social backdrop against which real, true, important things could happen. Like what? The things Literature was all about: love, sex, morality, friendship, happiness, suffering, betrayal, adultery, good and evil, heroes and villains, guilt and innocence, ambition, power, justice, revolution, war, fathers and sons, mothers and daughters, the individual against society, success and failure, murder, suicide, death, God. And barn owls... Real Literature was about psychological, emotional and social truth as demonstrated by the actions and reflections of its protagonists.

I can’t make any promises. I have no idea what the future holds and I’ve never been in a monogamous relationship before. And to be clear, that’s what this would be. But I’m not going to tell you that everything will work out all right, because I don’t know that. Unlike my father, I’m not going to make promises I can’t keep. What I can tell you is that I want to spend time with you. I want to find out what side of the bed you like to sleep on. I want to know where that little scar on your inner thigh came from. I want to figure out whether you’re a morning person or a night owl. I want it to be me you ask what dress you should wear on a night out. I want to know how you take your coffee in the morning and what kind of movies make you cry. I want to know everything there is to know about you…and I want you to want all those things, too.” That was the single most romantic thing anyone had ever said to me.

Dog Talk … I have seen Ben place his nose meticulously into the shallow dampness of a deer’s hoofprint and shut his eyes as if listening. But it is smell he is listening to. The wild, high music of smell, that we know so little about. Tonight Ben charges up the yard; Bear follows. They run into the field and are gone. A soft wind, like a belt of silk, wraps the house. I follow them to the end of the field where I hear the long-eared owl, at wood’s edge, in one of the tall pines. All night the owl will sit there inventing his catty racket, except when he opens pale wings and drifts moth-like over the grass. I have seen both dogs look up as the bird floats by, and I suppose the field mouse hears it too, in the pebble of his tiny heart. Though I hear nothing. Bear is small and white with a curly tail. He was meant to be idle and pretty but learned instead to love the world, and to romp roughly with the big dogs. The brotherliness of the two, Ben and Bear, increases with each year. They have their separate habits, their own favorite sleeping places, for example, yet each worries without letup if the other is missing. They both bark rapturously and in support of each other. They both sneeze to express plea- sure, and yawn in humorous admittance of embarrassment. In the car, when we are getting close to home and the smell of the ocean begins to surround them, they both sit bolt upright and hum. With what vigor and intention to please himself the little white dog flings himself into every puddle on the muddy road. Somethings are unchangeably wild, others are stolid tame. The tiger is wild, the coyote, and the owl. I am tame, you are tame. The wild things that have been altered, but only into a semblance of tameness, it is no real change. But the dog lives in both worlds. Ben is devoted, he hates the door between us, is afraid of separation. But he had, for a number of years, a dog friend to whom he was also loyal. Every day they and a few others gathered into a noisy gang, and some of their games were bloody. Dog is docile, and then forgets. Dog promises then forgets. Voices call him. Wolf faces appear in dreams. He finds himself running over incredible lush or barren stretches of land, nothing any of us has ever seen. Deep in the dream, his paws twitch, his lip lifts. The dreaming dog leaps through the underbrush, enters the earth through a narrow tunnel, and is home. The dog wakes and the disturbance in his eyes when you say his name is a recognizable cloud. How glad he is to see you, and he sneezes a little to tell you so. But ah! the falling-back, fading dream where he was almost there again, in the pure, rocky weather-ruled beginning. Where he was almost wild again, and knew nothing else but that life, no other possibility. A world of trees and dogs and the white moon, the nest, the breast, the heart-warming milk! The thick-mantled ferocity at the end of the tunnel, known as father, a warrior he himself would grow to be. …

Christopher Robin [In April of 1996 the international press carried the news of the death, at age seventy-five, of Christopher Robin Milne, immortalized in a book by his father, A.A. Milne, Winnie-the-Pooh, as Christopher Robin.] I must think suddenly of matters too difficult for a bear of little brain. I have never asked myself what lies beyond the place where we live, I and Rabbit, Piglet and Eeyore, with our friend Christopher Robin. That is, we continued to live here, and nothing changed, and I just ate my little something. Only Christopher Robin left for a moment. Owl says that immediately beyond our garden Time begins, and that it is an awfully deep well. If you fall in it, you go down and down, very quickly, and no one knows what happens to you next. I was a bit worried about Christopher Robin falling in, but he came back and then I asked him about the well. 'Old bear,' he answered. 'I was in it and I was falling and I was changing as I fell. My legs became long, I was a big person, I grew old, hunched, and I walked with a cane, and then I died. It was probably just a dream, it was quite unreal. The only real thing was you, old bear, and our shared fun. Now I won't go anywhere, even if I'm called in for an afternoon snack.

Tis the middle of night by the castle clock" 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit!—Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud. Is the night chilly and dark? The night is chilly, but not dark. The thin gray cloud is spread on high, It covers but not hides the sky. The moon is behind, and at the full; And yet she looks both small and dull. The night is chill, the cloud is gray: 'Tis a month before the month of May, And the Spring comes slowly up this way. The lovely lady, Christabel, Whom her father loves so well, What makes her in the wood so late, A furlong from the castle gate? She had dreams all yesternight Of her own betrothèd knight; And she in the midnight wood will pray For the weal of her lover that's far away. She stole along, she nothing spoke, The sighs she heaved were soft and low, And naught was green upon the oak But moss and rarest mistletoe: She kneels beneath the huge oak tree, And in silence prayeth she. The lady sprang up suddenly, The lovely lady, Christabel! It moaned as near, as near can be, But what it is she cannot tell.— On the other side it seems to be, Of the huge, broad-breasted, old oak tree. The night is chill; the forest bare; Is it the wind that moaneth bleak? There is not wind enough in the air To move away the ringlet curl From the lovely lady's cheek— There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky …

I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups. "There's more calcium in her forearm than in an entire dairy farm," she liked to say. That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her. The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up. "What?" my father kept asking me. "What do you see?" I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all." Finally, I squealed, "Butter fire!" Some honey upside-down cake went flying from my mouth. "Butter fire?" they asked me. "Butter fire?" "Butter fire!" I yelled, pointing, reaching, waving. They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel. "Chipmunk?" they asked. "Owl?" I shook my head fiercely. No. No. No. "Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames. They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky. They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.

From what I was able to piece together, Lysa was days from branching when it happened. It was early evening. She was sleeping peacefully in her nest. Ma was out hunting. Pa was on the front lines, as he had been for many nights. And Lyze had just begun branching. He did this on his own, Pa was not there to help him. Too often fathers, and sometimes mothers, were not around to raise their chicks; the war took them away from their homes. Lyze had hopped through the branches of the tall, slender pine that had been our home. He was almost fully fledged, and so close to flying. From branch to branch he went, getting farther and farther from our hollow. He heard a soft chirp, and looked down to see little Lysa, having woken from her nap, at the edge of our hollow. She looked up at her big brother, longing to join him in his fun. Before Lyze could react, Lysa tumbled down to the ground. Lyze called out in the staccato bark of alarm that we Whiskered Screech Owls use in times of danger. But it was useless. He watched as a coyote snatched his downy little sister in his jaws, and disappeared into the eventide.

It seemed to be a handsome, leather-covered book. Harry opened it curiously. It was full of wizard photographs. Smiling and waving at him from every page were his mother and father. “Sent owls off ter all yer parents’ old school friends, askin’ fer photos . . . knew yeh didn’ have any . . . d’yeh like it?” Harry couldn’t speak, but Hagrid understood.

Father Thames drifts beside misty heath Dark surfaces veil universes beneath, Hushed verge our temple, tall hedge my altar, Heeding eerie owl calls some reveal they have heard, long-expected wintery freeze, Unending run which travels further east, Aquatic animals receive refuge below.

The poles were crude copies of his father’s totem pole out there near the point: grizzly bear, owl, wolf, beaver, all signifying descent and brave deeds of old. If you held to the old ways, the figures on a person’s totem pole were strictly his own. They were property as real as canoes and weapons and hunting grounds.

Love is choosing someone every day, even when you are disenchanted and disappointed, even when the rest of the world offers brief, short-lived, and uncomplicated romances, even when the easier option is to simply let go.” - Anna Mae Yu Lamentillo , Night Owl: A Nationbuilder’s Manual 2nd Edition (p. 327, My father taught me waiting for 21 years was worth it)

I prefer “male” and “female” to terms like “bull,” “cow,” “boar,” “sow,” “bitch,” and so on. “Father and mother” rather than “sire and dam.” Those labels perpetuate bias and baggage, and I find that dropping them lets me see things that the labels work to deny.

The Plexiglas window was half an inch thick. No sound could be heard from the clean room beyond the glass. There wouldn’t be much noise, anyway. The ten-year-old boy lying on the stainless steel gurney was barely breathing, and the blood oozing from his orifices would create only the faintest dripping noise as it fell on the powder-blue floor tiles. The boy had pulled at the leather straps holding him down when the doctor entered the room. As he’d stared, owl-eyed, at doctor Brandt he’d whispered the only word in English he seemed to know – father – before the doctor gave him the injection. Doctor

The way he learned to sing was by imitating the songbirds: their warbles and whistles, their scolds. Before his stroke he'd been able to imitate certain notes and melodies of their calls, but never whole songs. I was sitting under the umbrella with him, in early March-March second, the day the Texas Declaration of Independence had been signed, when Grandfather began to sing. A black-and-white warbler had flown in right in front of us and was sitting on a cedar limb, singing-relieved, I think, that we weren't owls. Cedar waxwings moved through the brush behind it, pausing to wipe the bug juice from their bills by rubbing their beaks against branches (like men dabbing their mouths with napkins after getting up from the table). Towhees were hopping all around us, scratching through the cedar duff for pill bugs, pecking, pecking, pecking, and still the vireo stayed right there on that branch, turning its head sideways at us and singing, and Grandfather made one deep sound in his throat-like a stone being rolled away-and then he began to sing back to the bird, not just imitating the warbler's call, but singing a whole warbler song, making up warbler sentences, warbler declarations. Other warblers came in from out of the brush and surrounded us, and still Grandfather kept whistling and trilling. More birds flew in. Grandfather sang to them, too. With high little sounds in his throat, he called in the mourning doves and the little Inca doves that were starting to move into this country, from the south, and whose call I liked very much, a slightly younger, faster call that seemed to complement the eternity-becking coo of the mourning dove. Grandfather sang until dark, until the birds stopped answering his songs and instead went back into the brush to go to roost, and the fireflies began to drift out of the bushes like sparks and the coyotes began to howl and yip. Grandfather had long ago finished all the tea, sipping it between birdsongs to keep his voice fresh, and now he was tired, too tired to even fold the umbrella. .... I was afraid that with the miracle of birdsong, it was Grandfather's last night on earth-that the stars and the birds and the forest had granted him one last gift-and so I drove slowly, wanting to remember the taste, smell, and feel of all of it it, and to never forget it. But when I stopped the truck he seemed rested, and was in a hurry to get out and go join Father, who was sitting on the porch in the dark listening to one of the spring-training baseball games on the radio.

You object to anyone who’s not like you!” – I yelled. “You’re afraid your grandchildren will be half black.” (…) “That’s right”, she said. “I want you to marry someone exactly like me, with a big beige purse and lots of veins in her legs. In fact, why don’t I divorce your father so the two of us can run off together?” “You’re disgusting,” I told her. “I’ll never marry you, Never!” I left the room in a great dramatic huff, thinking, Did I just refuse to marry my mother?

Smiling and waving at him from every page were his mother and father. “Sent owls off ter all yer parents’ old school friends, askin’ fer photos . . . knew yeh didn’ have any . . . d’yeh like it?” Harry couldn’t speak, but Hagrid understood.

anyway, got yeh this . . .” It seemed to be a handsome, leather-covered book. Harry opened it curiously. It was full of wizard photographs. Smiling and waving at him from every page were his mother and father. “Sent owls off ter all yer parents’ old school friends, askin’ fer photos . . . knew yeh didn’ have any . . . d’yeh like it?” Harry couldn’t speak, but Hagrid understood.

D’you mind not offending the only people who believe me?” Harry asked Hermione as they made their way into class. “Oh, for heaven’s sake, Harry, you can do better than her,” said Hermione. “Ginny’s told me all about her, apparently she’ll only believe in things as long as there’s no proof at all. Well, I wouldn’t expect anything else from someone whose father runs The Quibbler.” Harry thought of the sinister winged horses he had seen on the night he had arrived and how Luna had said she could see them too. His spirits sank slightly. Had she been lying? But before he could devote much more thought to the matter, Ernie Macmillan had stepped up to him. “I want you to know, Potter,” he said in a loud, carrying voice, “that it’s not only weirdos who support you. I personally believe you one hundred percent. My family have always stood firm behind Dumbledore, and so do I.” “Er — thanks very much, Ernie,” said Harry, taken aback but pleased. Ernie might be pompous on occasions like these, but Harry was in a mood to deeply appreciate a vote of confidence from somebody who was not wearing radishes in their ears. Ernie’s words had certainly wiped the smile from Lavender Brown’s face and, as he turned to talk to Ron and Hermione, Harry caught Seamus’s expression, which looked both confused and defiant. To nobody’s surprise, Professor Sprout started their lesson by lecturing them about the importance of O.W.L.s. Harry wished all the teachers would stop doing this; he was starting to get an anxious, twisted feeling in his stomach every time he remembered how much homework he had to do, a feeling that worsened dramatically when Professor Sprout gave them yet another essay at the end of class. Tired and smelling strongly of dragon dung, Professor Sprout’s preferred brand of fertilizer, the Gryffindors trooped back up to the castle, none of them talking very much; it had been another long day. As Harry was starving, and he had his first detention with Umbridge at five o’clock, he headed straight for dinner without dropping off his bag in Gryffindor Tower so that he could bolt something down before facing whatever she had in store for him. He had barely reached the entrance of the Great Hall, however, when a loud and angry voice said, “Oy, Potter!” “What now?” he muttered wearily, turning to face Angelina Johnson, who looked as though she was in a towering temper. “I’ll tell you what now,” she said, marching straight up to him and poking him hard in the chest with her finger. “How come you’ve landed yourself in detention for five o’clock on Friday?

Grandfather please stand on the shoulders of my father while he’s deep‐sea fishing Song by Lana Del Rey Overview Lyrics Videos Listen Lyrics Three white butterflies to know you're near I know they think that it took somebody else To make me beautiful, beautiful As they intended me to be But they're wrong I know they think that it took thousands of people To put me together again like an experiment Some big man behind the scenes So I am Frankenstein, black dreams into my song But they're wrong God, if you're near me, send me three white butterflies Or an owl to know know you're listening, sitting while I'm drinking Grandfather, please stand on the shoulders of my father While he's deep-sea fishing for sharks in the Pacific 'Cause I'm good on spirit, warm-bodied A fallible deity wrapped up in white I'm folk, I'm jazz, I'm blue, I'm green Regrettably you're so a white woman But I have good intentions if even I'm one of the last ones If you don't believe me, my poetry and my melodies Feel it in your bones I have good intentions even if I'm one of the last ones Ah, yeah, ah, yeah, ah, yeah Grandfather, please stand on the shoulders of my father While he's deep-sea fishing for all the things he's wishing God, if you're near me, send me three white butterflies Or a map to know you're fishing, impart on me your wisdom It took somebody else to make me beautiful Wonderful As they intended me to be But they're wrong Three white butterflies to know you're near

IN THE WILD, the father owl hunts relentlessly. He has to provide approximately six mice per baby per night. The usual brood is five babies. The father also has to feed his mate, who never leaves the nest and eats about three mice per day. And he must feed himself about four mice a day. This adds up to some thirty-seven full-grown mice every night during nesting season.

There were no rules any more. And in the Age of Anything-Can-Happen, well, anything could happen. Old friends could become new enemies and traditional enemies could be your new besties or even lovers. It was no longer possible to predict the weather, or the likelihood of war, or the outcome of elections. A woman might fall in love with a piglet, or a man start living with an owl. A beauty might fall asleep and, when kissed, wake up speaking a different language and in that new language reveal a completely altered character. A flood might drown your city. A tornado might carry your house to a faraway land where, upon landing, it would squash a witch. Criminals could become kings and kings be unmasked as criminals. A man might discover that the woman he lived with was his father’s illegitimate child. A whole nation might jump off a cliff like swarming lemmings. Men who played presidents on TV could become presidents. The water might run out. A woman might bear a baby who was found to be a revenant god. Words could lose their meanings and acquire new ones. The world might end, as at least one prominent scientist-entrepreneur had begun repeatedly to predict. An evil scent would hang over the ending. And a TV star might miraculously return the love of a foolish old coot, giving him an unlikely romantic triumph which would redeem a long, small life, bestowing upon it, at the last, the radiance of majesty.

Nearly ten years had passed since the Dursleys had woken up to find their nephew on the front step, but Privet Drive had hardly changed at all. The sun rose on the same tidy front gardens and lit up the brass number four on the Dursleys’ front door; it crept into their living-room, which was almost exactly the same as it had been on the night when Mr Dursley had seen that fateful news report about the owls. Only the photographs on the mantelpiece really showed how much time had passed. Ten years ago, there had been lots of pictures of what looked like a large pink beach ball wearing different-coloured bobble hats – but Dudley Dursley was no longer a baby, and now the photographs showed a large, blond boy riding his first bicycle, on a roundabout at the fair, playing a computer game with his father, being hugged and kissed by his mother. The room held no sign at all that another boy lived in the house, too.

He would not let himself be overawed by her consequence! He was also the son of noble parents, if not of a king. "Then-then they'll need more Dagons," he blurted out. "Let me go, please. Let me serve the king." "It is not my decision to make." "How can you stop me if I refuse to take vows as a monk when my novitiate is ended?" he demanded. She raised an eyebrow. "You have already pledged yourself to enter the church, an oath spoken outside these gates." "I had no choice!" "You spoke the words. I did not speak them for you." "Is a vow sworn under compulsion valid?" "Did I or any other hold a sword to your throat? You swore the vow." "But-" "And," she said, lifting a hand for silence-a hand that bore two handsome rings, one plain burnished gold braid, the other a fine opal in a gold setting, "your father has pledged a handsome dowry to accompany you. We do not betroth ourselves lightly, neither to a partner in marriage-" He winced as she paused. Her gaze was keen and unrelenting. "-nor to the church. If a vow can be as easily broken as a feather can be snapped in two-" She lifted a quill made from an owl feather from her table, displaying it to him. "-then how can we any of us trust the other?" She set down her feather. "Our oaths are what makes us honorable people. What man or woman who has forsworn his noble lord or lady can ever be trusted again? You swore your promise to Our Lady and Lord. Do you mean to swear that oath and live outside the church for the rest of your days?" Said thus, it all sounded so much more serious. No man or woman who made a vow and then broke it was worthy of honor.

His … but … Ron, you’re not …?’ Ron held up his badge. Mrs Weasley let out a shriek just like Hermione’s. ‘I don’t believe it! I don’t believe it! Oh, Ron, how wonderful! A prefect! That’s everyone in the family!’ ‘What are Fred and I, next-door neighbours?’ said George indignantly, as his mother pushed him aside and flung her arms around her youngest son. ‘Wait until your father hears! Ron, I’m so proud of you, what wonderful news, you could end up Head Boy just like Bill and Percy, it’s the first step! Oh, what a thing to happen in the middle of all this worry, I’m just thrilled, oh, Ronnie –’ Fred and George were both making loud retching noises behind her back but Mrs Weasley did not notice; arms tight around Ron’s neck, she was kissing him all over his face, which had turned a brighter scarlet than his badge. ‘Mum … don’t … Mum, get a grip …’ he muttered, trying to push her away. She let go of him and said breathlessly, ‘Well, what will it be? We gave Percy an owl, but you’ve already got one, of course.’ ‘W-what do you mean?’ said Ron, looking as though he did not dare believe his ears. ‘You’ve got to have a reward for this!’ said Mrs Weasley fondly. ‘How about a nice new set of dress robes?’ ‘We’ve already bought him some,’ said Fred sourly, who looked as though he sincerely regretted this generosity. ‘Or a new cauldron, Charlie’s old one’s rusting through, or a new rat, you always liked Scabbers –’ ‘Mum,’ said Ron hopefully, ‘can I have a new broom?’ Mrs Weasley’s face fell slightly; broomsticks were expensive. ‘Not a really good one!’ Ron hastened to add. ‘Just – just a new one for a change …’ Mrs Weasley hesitated, then smiled. ‘Of course you can … well, I’d better get going if I’ve got a broom to buy too. I’ll see you all later … little Ronnie, a prefect! And don’t forget to pack your trunks … a prefect … oh, I’m all of a dither!’ She gave Ron yet another kiss on the cheek, sniffed loudly, and bustled from the room. Fred and George exchanged looks. ‘You don’t mind if we don’t kiss you, do you, Ron?’ said Fred in a falsely anxious voice. ‘We could curtsey, if you like,’ said George. ‘Oh, shut up,’ said Ron, scowling at them.

If all ministers said: Bear the evils of this life; your Father in heaven counts your tears; the time will come when pain and death and grief will be forgotten words; I should have listened with the rest. What else does the minister say to the poor people who have answered the chimes of your bell? He says: "The smallest sin deserves eternal pain." "A vast majority of men are doomed to suffer the wrath of God forever." He fills the present with fear and the future with fire. He has heaven for the few, hell for the many. He describes a little grass-grown path that leads to heaven, where travelers are "few and far between," and a great highway worn with countless feet that leads to everlasting death. Such Sabbaths are immoral. Such ministers are the real savages. Gladly would I abolish such a Sabbath. Gladly would I turn it into a holiday, a day of rest and peace, a day to get acquainted with your wife and children, a day to exchange civilities with your neighbors; and gladly would I see the church in which such sermons are preached changed to a place of entertainment. Gladly would I have the echoes of orthodox sermons—the owls and bats among the rafters, the snakes in crevices and corners—driven out by the glorious music of Wagner and Beethoven. Gladly would I see the Sunday school where the doctrine of eternal fire is taught, changed to a happy dance upon the village green. Music refines. The doctrine of eternal punishment degrades. Science civilizes. Superstition looks longingly back to savagery.