Oversized Art Quotes

ART said, "I want an apology." I made an obscene gesture at the ceiling with both hands. (I know ART isn't the ceiling but the humans kept looking up there like it was.) ART said, "That was unnecessary." In a low voice, Ratthi commented to Overse, "Anyone who thinks machine intelligences don't have emotions needs to be in this very uncomfortable room right now.

When a philosopher wants high ceilings, he goes outside'. He doesn't buy an oversize house that requires massive amounts of dwindling resources to heat in the winter

The non-jocks, the readers, the gay kids, the ones starting to stew about social injustice: for these kids, "letting your freak flag fly" is both self discovery and self defense. You cry for this bunch at the mandatory pep assemblies. Huddled together, miserably, in the upper reaches of the bleachers, wearing their oversized raincoats and their secondhand Salvation Army clothes, they stare down at the school-sanctioned celebration of the A list students. They know bullying, these kids--especially the ones who frefuse to exist under the radar. They're tripped in the hallway, shoved against lockers, pelted with Skittles in the lunchroom. For the most part, their tormentors are stealth artists. The freaks know where there's refuge: I the library, the theater program, art class, creative writing.

So they pulled down the statue of the Happy Prince. "As he is no longer beautiful he is no longer useful," said the Art Professor at the University. Then they melted the statue in a furnace, and the Mayor held a meeting of the Corporation to decide what was to be done with the metal. "We must have another statue, of course," he said, "and it shall be a statue of myself." "Of myself," said each of the Town Councillors, and they quarrelled. When I last heard of them they were quarrelling still. "What a strange thing!" said the overseer of the workmen at the foundry. "This broken lead heart will not melt in the furnace. We must throw it away." So they threw it on a dust-heap where the dead Swallow was also lying. "Bring me the two most precious things in the city," said God to one of His Angels; and the Angel brought Him the leaden heart and the dead bird. "You have rightly chosen," said God, "for in my garden of Paradise this little bird shall sing for evermore, and in my city of gold the Happy Prince shall praise me.

On Claud, though, the look is very cool.) For example, today she was wearing a neon green tank top under a white oversized man’s shirt and fuschia pink stirrup pants. The shirt was rolled at the sleeves and belted with a colorful woven belt. Claud finished the outfit with dangly ceramic-bead earrings she’d made herself in pottery class. She’s super artistic. She paints, sketches, draws, sculpts. You name it! Besides art and cool clothing, Claudia loves junk food. Her parents disapprove of Ho-Ho’s and Twinkies and stuff like that, so she hides them all over her room. You never know when you’re going to pick up a pillow and find a bag of potato chips or something behind it. The other thing she stashes away are her Nancy Drew books. Her parents don’t approve of those, either. They don’t think the mysteries are “intellectual” enough. Claudia couldn’t care less if the books are “intellectual.” One thing Claud is not interested in is school work. Although she can’t spell for anything, she’s definitely not dumb. She just doesn’t like school. And, unfortunately, her grades show it. She’s the complete

But among the elect, martyrdom is always a possibility; and to be an artist is not altogether a choice - the God of Art picks you, not the other way around. Therefore the artistic vocation has an aura of tragedy and doom about it. 'We poets in our youth begin in gladness,' said Wordsworth, 'But thereof comes in the end despondency and madness.' Consider Franz Kafka's story, 'A Fasting-Artist.' The fasting-artist is an artist dedicated completely to his art. This art is grotesque: the artist stays in a cage and starves himself— much like a self-mortifying Christian ascetic of old — and at first he is very popular: crowds flock to marvel at him. Then fashions change - the art-for-art's sake fashion was by Kafka's time falling out of widespread favour — and the fasting-artist ends up in a neglected corner of a circus menagerie, and people forget he's in the cage. Finally they poke around in the rotten straw and rediscover him, more dead than alive. Here's what happens next: 'I always wanted you to admire my fasting,' said the fasting-artist. 'And we do admire it,' said the overseer obligingly. 'But you shouldn't admire it,' the fasting-artist said. 'All right, we don't admire it then,' said the overseer, 'but why shouldn't we admire it?' 'Because I have to fast, I can't help it,' said the fasting-artist. 'Whatever next,' said the overseer. 'And why can't you help it?' 'Because,' said the fasting-artist... 'I could never find the nourishment I liked. Had I found it, believe me, I would never have caused any stir, and would have eaten my fill just like you and everyone else.' Those were his last words.. .

Okeke took Art O’Neill’s grandson, Akeem, and sold him.” For several moments nobody spoke. “There is a story that Blair Stratford’s wife, Lydia, hated her husband as much as their crippled son did. Fearing that the truth would be revealed – that her crippled boy had killed his father – she fled, taking the only witness, the overseer’s son, Leon O’Neill, with her.

The whole reason lipstick and blush came into being was that when a woman is sexually aroused, her lips and cheeks get redder. The first women to wear lipstick were prostitutes, to better attract clients. And eye makeup makes eyes stand out more, right? This had to be related to the fact that mammal babies have proportionally oversized eyes. So, what—were women trying to make themselves look like sexually aroused babies? Why? Why was this the norm? Why was I the freak for not doing it? Society was really fucked up.

monster with many hundreds of millions of years of evolution behind it, with potentially fatal poisons in its bloodstream and teeth like that of an oversized steel trap, only a lot more of them.

Harry glanced down at the oversized pastry with a crooked grin. “Which end do I start with?” “I have no idea,” she replied. “The only way to find out is to take a bite.” His hands went to her waist, and he turned her gently to face him. “I think I’ll start with you.” As his mouth lowered to hers, she yielded easily, her lips parting. He drew in the taste of her, delighting in her response. The casual kiss deepened, altered into something patient and deeply hungering . . . heat opening into more heat, a kiss with the layered merosity of exotic flowers. Eventually Harry lifted his mouth, his hands coming to her face as if he were cupping water to drink. He had a unique way of touching, she thought dazedly, his fingers gentle and artful, sensitive to nuance. “Your lips are swollen,” he whispered, the tip of his thumb brushing the corner of her mouth. Poppy pressed her cheek against one of his palms. “We’ve had many kisses to make up for.” “More than kisses,” he said, and the look in those vivid eyes brought a heartbeat into her throat. “As a matter of fact—” “Eat, or you’ll starve,” she said, trying to push him into a chair. He was so much larger, so solid, that the idea of compelling him to do anything was laughable.