Overdose Best Quotes

Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.

Laughter IS the BEST medicine! It’s FREE! You can overdose on it! It helps you embrace the insanities of life! It reduces stress, heals your body and relieves pain! It fights disease and cancer and strengthens the immune system! It eases your mind, it protects your heart and soothes your soul!

Me being an ant, at her mountain, I would have tried my best for my voice to reach her peak. But our timing was off, and she hid her pain as stars in clouds. If I had the chance, I would have saved her from all the truths and lies.

No less bizarrely, the Italian anatomist Gabriele Falloppio (after whom the Fallopian tubes are named) was given a criminal who was still alive with instructions to put him down in the manner that best suited his purposes. Falloppio and the criminal together appear to have opted for a comparatively humane overdose of opiates.

A conversation that took place between two American women describes this intimate relationship between physical and immaterial forms of dying. One of these women came to see me soon after her only child, a twenty-year-old son, died from an accidental drug overdose. We spoke of ways to help her live with this tragic loss. About two years later, this woman’s best friend found herself struggling through a very painful divorce. The first woman explained to her friend: My son is never coming back. I entertain no fantasies about this. My relationship to myself and to how I relate to the world has changed forever. But the same is true for you. Your sense of who you are, of who is there for you and who you will travel through life with, has also changed forever. You too need to grieve a death. You are thinking that you have to come to terms with this intolerable situation outside of yourself. But just as I had to allow myself to die after my son’s death, you must die to a marriage that you once had. We grieve for the passing of what we had, but also for ourselves, for our own deaths. The profound misfortune of the death of this woman’s son opened her heart to an exploration of impermanence and death that went far beyond her own personal story.

Finally, some people tell me that they avoid science fiction because it’s depressing. This is quite understandable if they happened to hit a streak of post-holocaust cautionary tales or a bunch of trendies trying to outwhine each other, or overdosed on sleaze-metal-punk-virtual-noir Capitalist Realism. But the accusation often, I think, reflects some timidity or gloom in the reader’s own mind: a distrust of change, a distrust of the imagination. A lot of people really do get scared and depressed if they have to think about anything they’re not perfectly familiar with; they’re afraid of losing control. If it isn’t about things they know all about already they won’t read it, if it’s a different color they hate it, if it isn’t McDonald’s they won’t eat at it. They don’t want to know that the world existed before they were, is bigger than they are, and will go on without them. They do not like history. They do not like science fiction. May they eat at McDonald’s and be happy in Heaven." Pro: "But what I like in and about science fiction includes these particular virtues: vitality, largeness, and exactness of imagination; playfulness, variety, and strength of metaphor; freedom from conventional literary expectations and mannerism; moral seriousness; wit; pizzazz; and beauty. Let me ride a moment on that last word. The beauty of a story may be intellectual, like the beauty of a mathematical proof or a crystalline structure; it may be aesthetic, the beauty of a well-made work; it may be human, emotional, moral; it is likely to be all three. Yet science fiction critics and reviewers still often treat the story as if it were a mere exposition of ideas, as if the intellectual “message” were all. This reductionism does a serious disservice to the sophisticated and powerful techniques and experiments of much contemporary science fiction. The writers are using language as postmodernists; the critics are decades behind, not even discussing the language, deaf to the implications of sounds, rhythms, recurrences, patterns—as if text were a mere vehicle for ideas, a kind of gelatin coating for the medicine. This is naive. And it totally misses what I love best in the best science fiction, its beauty." "I am certainly not going to talk about the beauty of my own stories. How about if I leave that to the critics and reviewers, and I talk about the ideas? Not the messages, though. There are no messages in these stories. They are not fortune cookies. They are stories.

I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.

Dick delves in subsequent letters into the possible Jungian meaning of all this, the significance of ancient Rome in his mystical experiences, and the sibyl as representing his “anima,” the inner source of his own prophetic capacity. Recall here Morgan Robertson’s belief that his own muse was likewise a feminine spirit of some sort. We can observe Dick here beginning to weave these dream images into his evolving self-mythology and what became a major metaphysical strand in his Exegesis, as well as the novel VALIS that was based on his experiences. In his search for a meaning behind all these coincidences—an answer to the question “why me?”—Dick understandably gropes in many different directions for an explanation and attaches great, mostly Jungian significance to the symbols. Yet he does not go down the path of thinking he is simply accessing archetypes in the collective unconscious. Rather, he is drawn to the conclusion that somehow the ancient world is still present, only camouflaged—or indeed, that we are still in it. It all seems to confirm a dream remembered from his youth that was much like the “B___ Grove” dreams, in which he had searched for a story in Astounding Stories called “The Empire Never Ended.” That story, he had felt certain, contained all the mysteries of existence. As a result of some of his visions and experiences in 1974, Dick came to believe he was possibly a reincarnated Christian from ancient Rome.38 We are rewarded best by bracketing the various interpretations, the Exegesis per se, and looking at Dick’s project as a making of something, a creation of meaningful narratives to be read by other people, a reaching out. The term “cry for help” may sound a bit extreme, but it is not. It was during this black period of his life, most specifically in February 1976, when Tessa left him and took their son, that he attempted suicide via drug overdose, slitting his wrists, and carbon monoxide poisoning in his garage, all at the same time. Fortunately, all three plans failed. Setting aside the metaphysics and cosmology, what was Dick trying to say in his writing during this period—to Claudia, to Tessa, to his readers, and to posterity? And what whispered message was he straining to hear from his own precognitive unconscious? Arguably, he wanted to hear the same thing Morgan Robertson managed to hear, loud and clear, when news of the Titanic’s fatal collision with an iceberg splashed across the front page of The New York Times on April 15, 1912. Both in his Exegesis and in his private correspondence with friends like Claudia, Dick flickered between two basic stances on his experience: the secret persistence of the ancient world underneath the veneer of mid-1970s Orange County, and the idea that he was haunting himself from his own future. These are not incompatible ideas in the sense that they both point to our old friend Mister Block Universe, where the past still exists and the future already exists—and by implication, nothing is subject to alteration.

Stigma often removes the cause of death from obituaries when suicide, overdose, or alcoholism is involved. Addiction is seen as a moral weakness, not a disease, and it is believed that its effects are best covered up.

He thought he had the best father in the world, but in reality, Rob had never bought his son anything. He was too lazy to work like a real man and take care of his family.

April 10: Marilyn appears on time for six hours of costume tests for Something’s Got to Give. She is irritated that Cukor is not there to meet her. She looks radiant, and Peter Levathes tells the press, “This will be the best Monroe picture ever. Marilyn is at the peak of her beauty and ability.” But that evening, producer Henry Weinstein finds her sprawled across a bed and unconscious after an overdose of barbiturates. He calls Ralph Greenson, who revives her. It is announced to the press that Marilyn will be part of the entertainment at the president’s Madison Square Garden birthday party. Marilyn agrees to pay $1,440.33 for the cost of producing a dress decorated with hand-stitched rhinestones, beading, and mirrors.

The best advice I got came from a colleague I didn’t know very well—or at least, not well enough to know that she once had a boyfriend who had a drug problem. When she told me about her ex, I instantly recognized the relationship she described, the intensity of his affection eventually trumped by the upheaval of his constant drama. The way she put it seemed so simple: “I realized I had to choose his life or mine.” I understood that decision—it was exactly how I felt after I bailed Graham out of Rikers. But there was one question that still troubled me, more as a moral dilemma most of us don’t want to face: What happens to these addicts after the sober, sane people in their lives leave them? We all know the answer: Many of them don’t get better. We lock them up, or they overdose and die.

Mid June 2012 …Young, as time passed, I missed you more than ever. My exasperation with Toby festered with each passing day. When I finally could not tolerate our tempestuous relationship, I confronted the young man. After a heated emotional argument, Toby left our unfinished discussion in a state of vexation. I did not realize he was using the age-old psychological threat of overdosing himself to obtain my attention. I found him unconscious, foaming at the corner of his mouth from consuming an entire bottle of sleeping pills. He was rushed to hospital. I would not have been able to live with my guilt if Toby had died. He recovered from this ordeal, but my respect for him had plummeted. Instead of loving him, I felt sorry and pitied him. This was a malignant sign of what was to come. To appease him, we often kissed and made up after impassioned disputes. I made false promises that I had no intention of keeping. These desolate pledges soon dissolved into self-abhorrence. I had allowed myself to be trapped into a situation, and I could not figure out a solution. Throughout this ordeal, I threw myself into my engineering studies, channeling my unhappiness into what I enjoyed best. I could not give myself fully to the boy, and had little respect for him. When we made love, I shut him out. Instead, I saw you in our sexual liaisons. Toby was merely a vehicle to satisfy my sexual desires to be with you. Throughout the years we were together, it was you I made love to, not Toby or anyone else. I could not and would not release you from my mind. The pain of losing you was too oppressive, until the fateful day I suffered a nervous breakdown. I ended up in a hospital, in the psychiatric ward. Aria and Ari came to nurse me back to health. Aria stayed for two weeks until I could commence classes again. I knew I had to get away from this toxic relationship. The day I graduated I enrolled in a postgraduate program in Alberta, Canada. I desired to be as far away from New Zealand as possible; I needed to be away from Toby and to find myself again. I finally had a solid and legitimate excuse to separate from the boy. I was glad when Toby’s parents demanded their son’s return to the Philippines after his graduation so that he could take over his father’s business. Toby did not wish to return to Manila, but had no choice. His father threatened to cut off his financial support if he did not return. Thanks to universal intervention, my freedom was restored. I began a new life in Canada. That, my dearest Young, was the beginning of a new chapter in my life. The rest will be revealed to you in our next correspondence. For now, be happy, be well, and most importantly, be you at all times: the Young whom I love and cherish. Andy, Xoxoxo

What’s this?” he asks, sitting forward. I remove the top off the box and take out a pile of pictures. I hand him one. “This is Jacob,” I say. My eyes fill with tears, and I don’t even try to blink them back. I let them fall over my lashes and onto my cheeks. Paul brushes them away, but I really don’t want him to. I want to feel all of this because I have forced myself not to feel it for so very long. “This is when he was born.” I point to the squirmy little ball of red skin and dark hair. Paul looks from me to it. “He looks like you,” he says. I shake my head. “He looks more like his dad, I think.” These fucking tears keep falling. I’m not crying. It’s like someone opened an emotional dam in me and I can’t get it to close. I don’t want it to. “What happened to his dad?” Paul asks. “He died,” I say. I have to stop and clear my throat. “Drug overdose a few years after Jacob was born. I read about it in the paper.” “I’m so sorry.” I sniff. “I am, too.” I feel like I need to explain, and for the first time ever, I want to. “We were young, and we played around with marijuana and stuff. But I cut it all out when I found out I was pregnant with Jacob. He didn’t. He wasn’t able. It was really sad when I couldn’t be with him anymore. I didn’t have anyone else. But I didn’t really have him, either. The drugs had him, you know?” He nods. I hand him more pictures, and he flips through them. I have looked at them so much that they’re dog-eared in places. He holds one up from when Jacob was about three. “You can’t tell me he doesn’t look like you. Look at those eyes! He’s so handsome.” My eyes fill with tears again, but I smile through them. He is perfect. And I should be able to hear someone say so. “Look at that smirk!” Paul cries when he sees the most recent one. “That is so you!” I grin. I guess he’s right. “Where is your family, Friday?” he asks. “I don’t know,” I tell him. I lay my head on his shoulder and watch as he takes in the photos over and over, poring through the stack so he can point out ways that Jacob looks like me. “They kicked me out when I got pregnant. Terminated their rights.” Paul presses his lips to my forehead and doesn’t say anything. “I thought I knew everything back then.” I laugh and wipe my eyes with the hem of my dress. “Turns out I didn’t know shit.” “Do you ever think about looking for them?” I shake my head. “No. Never.” I point to special pictures of my son. “His mom—her name is Jill—she sometimes sends me special milestone pictures. This is his first tooth he got and the first tooth he lost. And this one is from his first step. That wasn’t even part of the agreement. She just does it because she wants me to know how he’s doing.” I try to grin through the tears. “He’s doing so great. He’s smart. And they can send him to college and to special schools. He takes piano, and he plays sports. And Jill says he likes to paint.” My voice cracks, and I don’t hate that it does. I just let it. “Of course, he does. You’re his mother.” “I just wanted to do what was best for him, you know?” This time, I use Paul’s sleeve to wipe my eyes. I blink hard trying to clear my vision. “That’s what parents do. We do what’s in the best interest of our children.” He kisses me softly. “Thank you for showing me these.

Lisa possessed the greatest single resilience factor humans can have: She was an appealing person—engaging, curious, and obviously intelligent. She made great eye contact, and she was eager to share what she had learned about herself. Best of all, like so many survivors I’ve known, she had a wry sense of humor and a delicious take on human folly. Based on what I knew about her background, it was a miracle that she was so calm and self-possessed. She had spent years in group homes and mental hospitals, and she was a familiar presence in the emergency rooms of western Massachusetts—the girl who regularly arrived by ambulance, half dead from prescription drug overdoses or bloody from self-inflicted wounds.

You feel best, better than anything.” I hiss, feeling her get wetter with each dip of her bottom to the top of my thighs. “I’m fucking addicted. I’m addicted to you, Han.” She’s the gateway drug to a lifetime of addictions, not of this world. Her drug is the kind that you overdose on, knowing you’ll never be the same again after her. She enlightens in the way that you can only hope to hold on to the ignorance of not knowing her, because life after her will crush the deepest part of the soul you deny owning.

Best not to give up too quickly on a neighbor. Best not to judge a stone to heavy to roll. Only by endeavoring to help in the face of so much suffering can we bear witness to the miracle of raising Lazarus.

I guess I simply wanted to feel good while I still could, before I passed from this life and couldn’t feel anything ever again. I didn’t have the presence of mind to ask why base everything on feelings when they’re so misleading, deceptive, and unreliable. For some people, probably the best they ever felt was when they overdosed and were killing themselves.

The theater’s stilted, matter-of-fact air makes me capable of clear thought. Ewan McGregor’s feckless, loose kindness reminds me of my brother, though in this moment everything does. I remember Tom’s wedding to Sara Something, when I was twenty-nine and he was thirty-two. He overdosed, survived. His tuxedo shirt slit down the middle by the EMTs, the pulsing of his blood over his chest. I wasn’t nice about it. It came at the end of years of unanswered messages, sudden criticisms, distracted tones. I left him at the hospital, ate vanilla wafers in my parked car. After that we didn’t speak. Ewan McGregor finds himself, when on the precipice of connection, lacking. He does what he thinks is his best.

No. I wouldn’t see what Mary saw until I’d been witness to the untimely decline of a generation of colleagues exhausted by the demands of jobs that never paid them enough, drowning in debt to care for children riddled with disorders that couldn’t be cured; and the cousins—and the best friend from high school—who ended up in shelters or on the street, tossed out of houses they could no longer afford; and until the near-dozen suicides and overdoses of fortysomething childhood classmates in a mere space of three years; and the friends and family medicated for despair, anxiety, lack of affect, insomnia, sexual dysfunction; and the premature cancers brought on by the chemical shortcuts for everything from the food moving through our irritable bowels to the lotions applied to our sun-poisoned skins. I wouldn’t see it until our private lives had consumed the public space, then been codified, foreclosed, and put up for auction; until the devices that enslave our minds had filled us with the toxic flotsam of a culture no longer worthy of the name; until the bright pliancy of human sentience—attention itself—had become the world’s most prized commodity, the very movements of our minds transformed into streams of unceasing revenue for someone, somewhere. I wouldn’t see it clearly until the American Self had fully mastered the plunder, idealized and legislated the splitting of the spoils, and brought to near completion the wholesale pillage not only of the so-called colony—how provincial a locution that seems now!—but also of the very world itself. In short, I wouldn’t see what she saw back then until I’d failed at trying to see it otherwise, until I’d ceased believing in the lie of my own redemption, until the suffering of others aroused in me a starker, clearer cry than any anthem to my own longing.

It is my belief that we're currently in the middle of a cultural overdose on authenticity - but without the necessary companion of vulnerability. I love that we're all being so authentic and genuine. But to me, the best connections come when we pair that authenticity of thoughts, feelings, and beliefs with the vulnerability of why we believe them.

Have you had any recent contact with Oliver?’ She started quickly. ‘Did he reach out to you, to tell you he was in trouble, or—’ ‘We hadn’t heard from him in months…’ He swallowed again, fighting the catch in his throat. ‘The last time we… the last time I spoke to him, he asked me for… God… money.’  Jamie didn’t press him. It was best to just to let people speak sometimes.  ‘He wouldn’t tell me what for, but… but we knew that he was… you know… using that stuff…’ Acceptance was hard. He went on. ‘We knew he was. We had a call from the hospital — he’d been admitted for an overdose. That was when we confronted him, and — since, he just… We didn’t know where he was, or…’ His voice was barely a whisper, the words near incoherent. She thought he meant back when Oliver had first started using. But she didn’t interrupt. ‘That was why he left, you know? We thought that… I thought that giving him an ultimatum would… would… make him see, you know?’ She set her jaw, trying to keep perspective. She’d been through this herself. Felt this herself. ‘I know.’  She felt like saying ultimatums don’t work on addicts — they never do. But it’s not your fault for trying. It’s what everyone does. It makes sense to us. But addicts think differently. Their logic works differently.  ‘We barely heard from him after he left. Once he turned up at Maggie’s work — you know? Asking for money. Thought that if I wasn’t there… Of course she gave him some — told him to come home for dinner. But that night we had a call from you — the police, I mean — saying that he’d been found… And… Uh… I’m sorry —’ ‘Take your time,’ Jamie said softly. ‘It’s okay.’ ‘So we said that we wouldn’t, you know, help him any more — give him anything else. But that

I could have explained that I wanted to walk without Doofus and get some air. But it would be pretty unusual—one might even go so far as to say unheard of—for me to take a hike on a winter night when I was exhausted from boarding all day. I could also come right out and tell both of them that Nick had fallen on the slopes today and I wanted to check on him. But then Mom would suggest I take the car to his house. And then I could never pull off the charade that I just happened by his mansion while walking my dog. Besides, it was the principle of the thing—the very idea that Josh saw I wanted to walk Doofus and he was going out of his way to foil me, like a normal little brother. This made me angry. Did he want Nick to die on the floor of his bathroom from an overdose of mentholated rub? Did he want me to spend the last eighty years of my lifespan in a convent? Maybe he was mad that I was trying to sneak out of the house wearing his jeans for the third day in a row. “I am taking Doofus for another walk,” I said clearly, daring him to defy me. “That would not be good for Doofus.” Josh folded his arms. “Mom, that would not be good for Doofus.” Oh! Dragging Mom into this was low. Not to mention Doofus. “Since when is going for a walk not good for a dog?” I challenged Josh. “He’s an old dog!” Josh protested. “He’s four!” I pointed out. “That’s twenty-eight in dog years! He’s practically thirty!” “Strike!” Mom squealed amid the noise of electronic pins falling. Then she shook her game remote at both of us in turn. “I’m not stupid, you know. And I’m not as out of it as you assume. I know the two of you are really arguing about something else. It’s those jeans again, isn’t it?” She nodded to me. “I should cut them in half and give each of you a leg. Why does either of you want to wear jeans with ‘boy toy’ written across the seat anyway?” “I thought that was the fashion,” Josh said. “Grandma wears a pair of sweatpants with ‘hot mama’ written across the ass.” “That is different,” Mom hissed. “She wears them around the kitchen.” I sniffed indignantly. “I said,” I announced, “I am going for a walk with my dog. My beloved canine and I are taking a turn around our fair community. No activity could be more wholesome for a young girl and her pet. And if you have a problem with that, well! What is this world coming to? Come along, dear Doofus.” I stuck my nose in the air and stalked past them, but the effect was lost. Somewhere around “our fair community,” Mom and Josh both had lost interest and turned back to the TV. Or so I thought. But just as I was about to step outside, Josh appeared in the doorway between the kitchen and the mud room. “What the hell are you doing?” he demanded. I said self-righteously, “I am taking my loyal canine for a w—” “You’re going to Nick’s, aren’t you?” he whispered. “Do you think that’s a good idea? I heard you yelled at him for no reason at the half-pipe, right before he busted ass.” I swallowed. Good news traveled fast. “So?” “So, why are you going over there? Best case scenario, you make out with him again and then have another fight.” Good news about everything traveled fast.

In 1985, an ABC News poll showed that 60 percent of parents worried that their children might be victimized. To this day, many parents warn their children not to eat any snacks that aren’t prepackaged. This is a sad story: a family holiday sullied by bad people who, inexplicably, wish to harm children. But in 1985 the story took a strange twist. Researchers discovered something shocking about the candy-tampering epidemic: It was a myth. The researchers, sociologists Joel Best and Gerald Horiuchi, studied every reported Halloween incident since 1958. They found no instances where strangers caused children life-threatening harm on Halloween by tampering with their candy. Two children did die on Halloween, but their deaths weren’t caused by strangers. A five-year-old boy found his uncle’s heroin stash and overdosed. His relatives initially tried to cover their tracks by sprinkling heroin on his candy. In another case, a father, hoping to collect on an insurance settlement, caused the death of his own son by contaminating his candy with cyanide. In other words, the best social science evidence reveals that taking candy from strangers is perfectly okay. It’s your family you should worry about.