Overall Outfit Quotes

[The skeet tournament] It's a competition that I've entered – and won – every year since I was thirteen. And here's the thing – it really pisses them off. All these hunting boys and their daddies show up decked out in camo gear, determined to beat the girl who has the audacity to challenge their masculinity. And, okay, I'll admit it … I like to needle 'em just a bit. I purposely wear the girliest outfit possible – little flowery sundresses with cowboy boots, most years. Drives 'em nuts. If they're going to be beaten by a girl, they'd rather it be some tomboy wearing overalls and a flannel shirt, you know? Stupid sexist pigs.---(Jenna Cafferty)

We’ve talked about this, Erika.  There’s a difference between looking good and looking available.  Like, say, the difference between a businesswoman and a football cheerleader.  One outfit says class and power, the other says drag me behind the bleachers,” Britta said.   Overall,

When we have poor vagal tone, we have higher sensitivity to perceived threats in our environment, which overactivates the body’s stress response and leads to reduced emotional and attentional regulation overall. Those of you who experience the discomfort of social anxiety might recognize this disconnect. Imagine walking into a party filled with strangers. You might have obsessed over what to wear to the party, planning every detail, every possible conversation topic, or you may have felt totally neutral about the party—no warning signs that you might feel uncomfortable and act accordingly. Either way, none of it matters once you actually walk into the room. Suddenly, all eyes are on you. Your face grows hot and red when you hear laughter, which you’re certain is about your outfit or your hair. Someone brushes past you, and you feel claustrophobic. All the strangers seem to be leering. Even if you know rationally that this is not a hostile place, that no one is looking at or judging you (and if they are, who cares?), it’s nearly impossible to shake the feeling once you’re trapped in it. That’s because your subconscious perceives a threat (using your nervous system’s sixth sense of neuroception) in a nonthreatening environment (the party) and has activated your body, putting you into a state of fight (argue with anyone and everyone), flight (leave the party), or freeze (don’t say a word). The social world has become a space filled with threat. Unfortunately, this kind of nervous system dysregulation is self-confirming. While it is activated, anything that doesn’t confirm your suspicions (a friendly face) will be ignored by your neuroception in favor of things that do (the stray laugh you felt was directed at you). Social cues that would be seen as friendly when you were in social engagement mode—such as a pause in the conversation for you to enter, eye contact, a smile—will be either misinterpreted or ignored.

As Grandpa McCoy, Brennan’s energetic hobble personified his indomitable reaction to hardship. Fans always asked Crenna if Brennan actually limped. “No, that was acting,” Crenna replied. “Off the set, Walter was like a Boston businessman. He was a very tall, erect, very proper kind of guy. But when he got into the character of Grandpa McCoy, no other actor could do that kind of character better.” Before taking on the role, Brennan went through entire wardrobes, rejecting many outfits, shoes, and hats, until he found the right long underwear and overalls. “Then he WAS Grandpa McCoy,” Crenna concluded. “You could say that it was his style of method acting.

The people at the front are young, energetic, and incredibly brave. There’s a Black girl, in her twenties, skinny as a rail, with a black kerchief over her face. The kerchief is useful in both pandemics and the fog of tear gas. She wears skinny jeans and a black T-shirt with “Black Lives Matter” on it. Some white adults are as offended by her choice of wardrobe as she is by their overall indifference. She’s opposed by much larger men, outfitted like extras in Mad Max or RoboCop. The only thing threatening about her is her mouth and her willpower. On Facebook, the police and their family don’t even create original slogans, but instead co-opt hers by posting things like “all lives matter” and “blue lives matter.” It seems to be their way of saying that her “Black life” doesn’t matter. Whites who favor the protesters have to justify their leanings, like they’re traitors to a race war that they didn’t start and don’t believe in... This girl is intelligent and talented, someone who should be leading this country into the twenty-first century. Instead, she’s out in the street risking her life because she dares to be dissatisfied.

The people at the front are young, energetic, and incredibly brave. There’s a Black girl, in her twenties, skinny as a rail, with a black kerchief over her face. The kerchief is useful in both pandemics and the fog of tear gas. She wears skinny jeans and a black T-shirt with “Black Lives Matter” on it. Some white adults are as offended by her choice of wardrobe as she is by their overall indifference. She’s opposed by much larger men, outfitted like extras in Mad Max or RoboCop. The only thing threatening about her is her mouth and her willpower. ...This girl is intelligent and talented, someone who should be leading this country into the twenty-first century. Instead, she’s out in the street risking her life because she dares to be dissatisfied.

We made quite a stir as we entered, thanks mainly to Cora's outfit. It was one of those one-piece overall-type jump suits such as are worn by garage mechanics and fashionable women, all the rage just then in New York. I wouldn't run the garment down by any means. They are eminently practical and I'm sure comfortable, and Cora's was an all-white silk and lace number in which she looked stunning to say the least, but it gives you something of a start to see your hostess greet you at the door looking like your friendly Mobil dealer. All she needed was her name in script across the breast pocket. "Fill 'er up," I said at one point during cocktails, handing her my empty gin-and-tonic glass for replenishment. Nobody laughed, especially Cora. Except for my escort.

From the outside how might our lives have appeared to strangers? I say our, which in June 2015 meant my mother and me, but I could just as easily have been referring to any number of the interchangeable bodies that populated our corner of Bedok. We still lived in the same house I grew up in, but you didn't actually have to see it to know how it looked, nor to understand the number of steps needed to cross from the bed to the bathroom - after all, it was the same prefabricated apartment everyone else lived in, too, organized and replicated within the thousands of high-rise concrete slabs across the country. If you came closer, small things might start to distinguish this neighborhood from the next-you might notice the exercise corner outfitted with new, granulated rubber flooring that stunk under the noonday sun, or realize the HDB flats had gone from blue to beige in the latest five-year paint cycle. But no matter how individual elements blinked in and out of existence, the overall physical character of the neighborhood stayed the same. In the afternoons, the streets would flood with students released from nearby schools, rushing to various enrichment centers or back to their homes and desks, weaving in their oblivious, rowdy manner around the implements of the neighborhood, among which I counted myself. Perhaps their pace picked up a little as they hurried past me, but they never looked up and into my face. I didn't mind. It had taken me a long time to get to this point, to be able to exist unscrutinized and uninterfered with. To lift the lid of the neighborhood and look more closely at the ordinary lives swarming the earth like ants, to come close to the churning infernos of their minds, would be to realize that the nutty auntie squatting by the drain and tenderly shampooing the roots of a plant she was propagating remained constantly surprised to find herself aged, would be to realize that within the humming fish ball uncle lived the suppressed spirit of an operatic tenor weeping for the stage. How vast the legion of unrealized, contradictory, impractical ghosts crammed within each mortal body was. How it scalded one to look so closely. It was too much. Just thinking about it was enough to make me cry.

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