Outrageous Fun Quotes

So keep fighting for freedom and justice, beloveds, but don't forget to have fun doin' it. Be outrageous... rejoice in all the oddities that freedom can produce. And when you get through celebrating the sheer joy of a good fight, be sure to tell those who come after how much fun it was!

Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today’s risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the “Oh how banal.” To risk accusations of sentimentality, melodrama. Of overcredulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows.

Everything we're doing is freakin' iffy. That's what makes it so much fun.

The reason for not going out and sinning all you like is the same as the reason for not going out and putting your nose in a slicing machine: it's dumb, stupid, and no fun.

The next real literary "rebels" in this country might well emerge as some weird bunch of anti-rebels, born oglers who dare somehow to back away from ironic watching, who have the childish gall actually to endorse and instantiate single-entendre principles. Who treat of plain old untrendy human troubles and emotions in U.S. life with reverence and conviction. Who eschew self-consciousness and hip fatigue. These anti-rebels would be outdated, of course, before they even started. Dead on the page. Too sincere. Clearly repressed. Backward, quaint, naive, anachronistic. Maybe that'll be the point. Maybe that's why they'll be the next real rebels. Real rebels, as far as I can see, risk disapproval. The old postmodern insurgents risked the gasp and squeal: shock, disgust, outrage, censorship, accusations of socialism, anarchism, nihilism. Today's risks are different. The new rebels might be artists willing to risk the yawn, the rolled eyes, the cool smile, the nudged ribs, the parody of gifted ironists, the "Oh how banal". To risk accusations of sentimentality, melodrama. Of overcredulity. Of softness. Of willingness to be suckered by a world of lurkers and starers who fear gaze and ridicule above imprisonment without law. Who knows

One of the reasons I hate Hollywood so much is that they portray the travails of teen life as so innocuous and fun loving, some kind of idyll before the mean business of adulthood. People forget how much it all hurts back then. Someone pinches you and you feel it in your bones. They don't want to face what a bunch of fragile sadists teenagers were. All these folks who acted all shocked and outraged when those kids in Columbine went off - where the hell did they go to high school?

I have a great idea, Gregori," she told him wickedly. "Let's take a commercial flight." "What?" He was staring at her mouth. She had a great mouth.A perfect mouth. A sexy mouth. Mon Dieu, he wanted her mouth. "Doesn't a commercial flight sound fun? We could take a night flight, mingle with people.It might even throw off the reporter." "Nothing is going to throw off the reporter.He is tenacious.And there will be no commercial flight.There will be no discussion on this,either. None. If we go to New Orleans,and I am not saying we will, commercial flights are out." "Oh,Gregori,I was only kidding. Naturally we'll do things your way," she added demurely. He shook his head,exasperated at himself. Of course she had been teasing. He wasn't used to anyone treating him as Savannah did. Outrageous woman. "I need to go out and talk with Wade Carter." She stood up instantly, expectantly, her blue eyes wide in anticipation. "Tell me what you want me to do. I can probably manage mist.I'm stronger now,using your blood.I can back you up." Amusement warmed the cool silver of his eyes. "Mon Dieu, Savannah, you sound like a cop movie.

Now that there is no calling out of injustice, no yelling, no cursing, no finger wagging or head shaking, the media decides to take up the mantle when on December 12, 2012, two weeks after Serena is named WTA Player of the Year, the Dane Caroline Wozniacki, a former number-one player, imitates Serena by stuffing towels in her top and shorts, all in good fun, at an exhibition match. Racist? CNN wants to know if outrage is the proper response.

I enjoy poetry where I can talk as bizarre as I please, but theology or philosophy, I always respect the truth by taking it a step further.

No—I’ve got it,” Jill announced, interrupting my musing. “He’s a vampire.” I laughed again, feeling there was no end to the outrageous, ridiculous excuses we were coming up with. “Seriously, it makes sense. He’s always tired and pale, and keeps himself away from people so he won’t bite them....Maybe that’s what he’s doing when he disappears. Getting his fix of blood.

If you start having a society where people are policing their own thoughts, now we’re back in Salem, Massachusetts, where literally, they didn’t do anything for fun, and then that pressure built up and they all went nuts.

And then there was the sad sign that a young woman working at a Tim Hortons in Lethbridge, Alberta, taped to the drive-through window in 2007. It read, “No Drunk Natives.” Accusations of racism erupted, Tim Hortons assured everyone that their coffee shops were not centres for bigotry, but what was most interesting was the public response. For as many people who called in to radio shows or wrote letters to the Lethbridge Herald to voice their outrage over the sign, there were almost as many who expressed their support for the sentiment. The young woman who posted the sign said it had just been a joke. Now, I’ll be the first to say that drunks are a problem. But I lived in Lethbridge for ten years, and I can tell you with as much neutrality as I can muster that there were many more White drunks stumbling out of the bars on Friday and Saturday nights than there were Native drunks. It’s just that in North America, White drunks tend to be invisible, whereas people of colour who drink to excess are not. Actually, White drunks are not just invisible, they can also be amusing. Remember how much fun it was to watch Dean Martin, Red Skelton, W. C. Fields, John Wayne, John Barrymore, Ernie Kovacs, James Stewart, and Marilyn Monroe play drunks on the screen and sometimes in real life? Or Jodie Marsh, Paris Hilton, Cheryl Tweedy, Britney Spears, and the late Anna Nicole Smith, just to mention a few from my daughter’s generation. And let’s not forget some of our politicians and persons of power who control the fates of nations: Winston Churchill, John A. Macdonald, Boris Yeltsin, George Bush, Daniel Patrick Moynihan. Hard drinkers, every one. The somewhat uncomfortable point I’m making is that we don’t seem to mind our White drunks. They’re no big deal so long as they’re not driving. But if they are driving drunk, as have Canada’s coffee king Tim Horton, the ex-premier of Alberta Ralph Klein, actors Kiefer Sutherland and Mel Gibson, Super Bowl star Lawyer Milloy, or the Toronto Maple Leafs’ Mark Bell, we just hope that they don’t hurt themselves. Or others. More to the point, they get to make their mistakes as individuals and not as representatives of an entire race.

I poked fun at rich friends growling about the unfairness of the Electoral College over a dinner at Spago that cost thousands of dollars, and took Meryl Streep to task for her outraged anti-Trump speech at the Golden Globes the same week she’d put her Greenwich Village townhouse on the market for thirty million dollars.

This book aims to capture, and explore, the outrageousness, inventiveness, and sheer fun that characterize classical mythology. But it is also born of the conviction that myth matters. It mattered for the ancient Greeks and Romans, and it matters for us in understanding who we are: our selves, our liberties, and our lies.

Hence also the weird viewer complicity behind TV’s sham “breakthrough programs”: Joe Briefcase needs that PR-patina of “freshness” and “outrageousness” to quiet his conscience while he goes about getting from television what we’ve all been trained to want from it: some strangely American, profoundly shallow, and eternally temporary reassurance.

Steve was a warrior in every sense of the word, but battling wildlife perpetrators just wasn’t the same as old-fashioned combat. Because Steve’s knees continued to deteriorate, his surfing ability was severely compromised. Instead of giving up in despair, Steve sought another outlet for all his pent-up energy. Through our head of security, Dan Higgins, Steve discovered mixed martial arts (or MMA) fighting. Steve was a natural at sparring. His build was unbelievable, like a gorilla’s, with his thick chest, long arms, and outrageous strength for hugging things (like crocs). Once he grabbed hold of something, there was no getting away. He had a punch equivalent to the kick of a Clydesdale, he could just about lift somebody off the ground with an uppercut, and he took to grappling as a wonderful release. Steve never did anything by halves. I remember one time the guys were telling him that a good body shot could really wind someone. Steve suddenly said, “No one’s given me a good body shot. Try to drop me with a good one so I know what it feels like.” Steve opened up his arms and Dan just pile drove him. Steve said, in between gasps, “Thanks, mate. That was great, I get your point.” I would join in and spar or work the pads, or roll around until I was absolutely exhausted. Steve would go until he threw up. I’ve never seen anything like it. Some MMA athletes are able to seek that dark place, that point of total exhaustion--they can see it, stare at it, and sometimes get past it. Steve ran to it every day. He wasn’t afraid of it. He tried to get himself to that point of exhaustion so that maybe the next day he could get a little bit further. Soon we were recruiting the crew, anyone who had any experience grappling. Guys from the tiger department or construction were lining up to have a go, and Steve would go through the blokes one after another, grappling away. And all the while I loved it too. Here was something else that Steve and I could do together, and he was hilarious. Sometimes he would be cooking dinner, and I’d come into the kitchen and pat him on the bum with a flirtatious look. The next thing I knew he had me in underhooks and I was on the floor. We’d be rolling around, laughing, trying to grapple each other. It’s like the old adage when you’re watching a wildlife documentary: Are they fighting or mating? It seems odd that this no-holds-barred fighting really brought us closer, but we had so much fun with it. Steve finally built his own dojo on a raised concrete pad with a cage, shade cloth, fans, mats, bags, and all that great gear. Six days a week, he would start grappling at daylight, as soon as the guys would get into work. He had his own set of techniques and was a great brawler in his own right, having stood up for himself in some of the roughest, toughest, most remote outback areas. Steve wasn’t intimidated by anyone. Dan Higgins brought a bunch of guys over from the States, including Keith Jardine and other pros, and Steve couldn’t wait to tear into them. He held his own against some of the best MMA fighters in the world. I always thought that if he’d wanted to be a fighter as a profession, he would have been dangerous. All the guys heartily agreed.

Tommy, Ewoks suck. They’ve always sucked and they always will suck. Four has Peter Cushing in it. If in doubt, always go with a film that has Peter Cushing in it.” Petra appeared to be very smug in her victory. Tommy looked mortified. “But six has Jedi Luke and that awesome bit with the Emperor at the end.” “And Ewoks,” I said. “Who, I’m pretty sure I pointed out, suck.” “And to think I was going to get you your own lightsaber,” Tommy said in mock outrage. Petra’s face lit up like a child’s on Christmas morning. “You have your own lightsaber?” Tommy nodded. “Two of them.” “Why?” Kurt asked. “Why do you need a lightsaber? What can you possibly use it for?” “I think the question is,” Tommy said, “why wouldn’t I need a lightsaber? And as for what I can use it for, I use it to look awesome. Really, really awesome.” “You just don’t understand, my dear,” Petra told Kurt. Kurt didn’t appear to want or need to understand anytime soon. “So, you got beat up by some humans and a witch,” Tommy said, barely containing his laughter. “Do you have CCTV?” he asked Petra, who chuckled. “Are you both done?” I asked. They nodded in unison. “This witch used a huge amount of magic on me,” I informed them both. “To use runes to drain my magic is one thing, but an effete curse is a whole other league of power. That’s a decade of her life, right there.” “I don’t understand why anyone would ever use a blood magic curse,” Tommy said. “It’s not like it’s fun for the person casting it either.” “What do you mean?” Petra asked. “There are several different blood magic curses you can cast on another person, and a few you can cast on yourself,” I explained. “All of the curses do various things to the person they’re cast upon, but the caster has to take some of the curse back onto him- or herself. So, in this case, Sarah cast the effete spell, making me exhausted and utterly useless, but a small portion of that will bounce back onto her. How long was I out?” “Six hours,” Kurt said. “If I’d cast that spell, I could have expected maybe three or four hours of exhaustion. Witches are basically human, so she’s going to be about as much use as a chocolate teapot, for the best part of a day. It was a huge decision for her to make.

A box sat on top of Jade’s pillows, wrapped in green paper with a white bow. He frowned slightly. Who would’ve left a gift on Jade’s bed? “You have a present.” “What?” Jade turned her head when he gestured toward the box. Confusion filled her eyes. She sat up and reached for the box. “I don’t understand.” Zach sat by her again and wrapped his arm around her waist. “Maybe there’s a card.” After searching beneath the large white bow, Jade pulled out a small envelope. Zach looked over her shoulder as she withdrew the card and read it aloud. “‘To Mom and Zach. Have fun tonight. Bre.’” Zach chuckled, both at Breanna’s card and at Jade’s blush. “Your daughter has quite a sense of humor.” “My daughter deserves to be spanked.” She lifted the box onto her lap. “I’m afraid to open it.” “Would you like me to? It’s addressed to both of us.” “I’m even more afraid for you to open it.” “Go ahead. It can’t be that bad.” “You don’t know my daughter.” Untying the bow, Jade raised the lid and pulled apart the bright green tissue paper. Several sex toys lay in the box. She gasped. “Oh, my God. I can’t believe she did this!” She started to push the tissue paper back over the contents, but Zach held her hand to stop her. “Wait. Let’s see what she bought.” “I am going to kill her, after I beat her.” Chuckling, Zach dug through the box, lifting the different items as he came to them. “Cock ring. Chocolate body paint. Stay-hard gel.” He looked into Jade’s eyes. “I don’t think I’ll need that tonight.” Her cheeks turned a deep pink. He dropped a kiss on her lips before beginning to explore again. “Anal beads. Ben-Wa balls. Fur-lined handcuffs. Nipple clamps. Lemon-flavored nipple cream.” His gaze dipped to her breasts. “Interesting.” She huffed out a breath. “Can we close the box now?” “Not yet. I like it when you blush.” Zach grinned when Jade scowled at him. “This is completely spoiling the mood.” “I won’t have any problem getting hard again.” “Zach!” Ignoring her outraged tone, he continued to sift through the items. “Lifelike dildo.” He held it up to eye level. “Close, but not quite as big as I am.” Jade covered her eyes with one hand. “I don’t believe this,” she muttered. “Butt plug. Wait, I’m wrong. It’s a vibrating butt plug. Very interesting. I hope you have batteries. Never mind. Breanna included several packages.” “Okay, that’s enough.” Jade tried to jerk the box out of his reach, but Zach held on to the side. “There’re only a couple more items. We might as well see what they are.” “I don’t care what they are.” “You might care about one of them.” Zach held up a large box of condoms. “Oh.” He turned the box in his hand. “I’m flattered, but I don’t think I’ll be able to use one hundred of these tonight.” “One hundred?” “All different types, sizes, and colors.” Jade laughed. “Oh, Bre.” She pushed her hair behind one ear. “What’s the last thing?” “Cherry-flavored lubricant. It looks like she thought of everything.” “You must think my daughter is crazy.” “I think your daughter loves you very much and wants you to be happy.” “That’s true. But we won’t use all this…stuff.” “Who says we won’t?

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

I have heard the most fantastical gossip about myself and each time I thought, "If only my life were that exciting, fun, outrageous, and sexy". Then again my memory wasn't so sharp when I took drugs. Some of what was said about me might be true. At worst it gave me jerk-off material.

Ulysses Club (Australia) a social club for riders over 40, whose membership is dedicated to “growing old disgracefully”, or

Think of one of your limitations, human faults, or foibles. Think of something about yourself that is actually quite funny when you can have some perspective. The Dalai Lama can laugh at his limited English. The Archbishop can laugh at his big nose. What can you laugh at about yourself? When you can laugh at yourself, you will let others feel closer to you and inspire them to accept their own limitations, faults, and foibles. Laugh at yourself. The next time you are in a situation where you act in a funny way, or say something in a funny way, or are just less than perfect, chuckle at yourself and make a joke of it. Humor is one of the best ways to end conflict, especially when you are able to make fun of yourself or admit that you are overreacting or being silly. Laugh at life. The next time you are delayed or something does not go your way, try being amused by the situation rather than getting angry or outraged. You will notice how your amusement puts others at ease and can often smooth the situation. Similarly, when you encounter certain ironies in your day-to-day life, try to see the

What news do political junkies demand? Outrage and gossip. Why? Because it’s alluring. What news do we avoid? Local news. Why? It’s boring. What do we think of our partisan opponents? We hate them. Do we really hate them? No, but politics is more fun if we root for a team and spew anger at the other side. It’s easier to hate and dismiss the other side than to empathize and connect to them. When do we vote? When there’s a spectacle. When do we click? When politics can be a frivolous distraction. When do we donate? When there’ a cocktail party or a viral video. What are we doing? We’re taking actions not to empower our political values, but to satisfy our passion for the sport of politics.

What pushed you to be political? I’ve always been interested in politics, but when I first got out of college I just wanted to have fun and do non-political work. What happened was the Bush vs Gore election and the Supreme Court [decision]. That was the event that really shocked me into starting to do political cartoons. It was just so outrageous at the time. Then 9/11 and the Iraq War. I prefer doing a mix of straightforward political cartoons and more cultural cartoons about trends and facial hair and things like that. Now I feel silly doing a strip about beards. Maybe things will calm down and I can go back to doing cartoons about facial hair. As time went on and politics became more and more dire, that’s what really sent me down that path. Also I started picking up more and more clients that are explicitly political, like dailykos and The Progressive Magazine and once in a while The Nation will run a cartoon. That pushed me in a more political direction as well. (Interview with Comicsbeat)

Camp is performative and camp is taking the piss out of society. Camp is Other. Camp is an otherness that holds a mirror up to the world at large and says, 'Look how you are. Look how you're acting. Isn't it kind of outrageous?' Who understands otherness better than queer people, because we've been othered our whole lives. So I think that we embrace camp because we understand the things that we were told growing up were so serious and so important - this is the word of law and this is how it is and how it shall always be - are kind of bullshit. Because all you have to do is take one step back to realize, 'Oh, this is really dumb.' And you're using this dumbness to subjugate and marginalize and push people down. So camp becomes both an element of fun and absurdity, but also a weapon to criticize all of those structures that have held us down.

Should you do what you love, what’s outrageous and unpredictable, and worry about the future later, or plug away at a steady job first and go off and have your fun when you retire? In

Swift released the bowl in a strong drive. It sped obediently down the green, perfectly reproducing Daisy’s shot, though with more calculated momentum. Hitting Daisy’s bowl cleanly off the grass, it took her place right in front of the jack. “He knocked my bowl into the ditch,” Daisy protested. “Is that legal?” “Oh, yes,” Lord Llandrindon said. “A bit ruthless, but perfectly legal. Now it is properly referred to as a ‘dead bowl.’” “My bowl is dead?” Daisy asked indignantly. Swift returned her scowl with an implacable glance. “Never do an enemy a small injury.” “Only you would quote Machiavelli during lawn bowling,” Daisy said through gritted teeth. “Pardon,” Lord Llandrindon said politely, “but I believe it’s my turn.” Seeing that neither of them were paying attention, he shrugged and went to the delivery line. His bowl careened down the green and ended just beyond the jack. “I always play to win,” Swift said to Daisy. “Good God,” Daisy said in exasperation, “you sound exactly like my father. Have you ever considered the possibility that some people play just for the fun of it? As a pleasant activity to pass the time? Or must everything be brought down to life-and-death conflict?” “If you’re not out to win, the game is pointless.” Seeing that she had completely slipped from Swift’s notice, Cassandra Leighton sought to intervene. “I fancy it’s my shot now, Mr. Swift. Would you please be so kind as to retrieve a bowl for me?” Swift complied with barely a glance at her, his attention riveted on Daisy’s small, tense face. “Here,” he said brusquely, thrusting the bowl into Miss Leighton’s hands. “Perhaps you could advise me…” Miss Leighton began, but her voice faded as Swift and Daisy continued to bicker. “All right, Mr. Swift,” Daisy said coolly. “If you can’t enjoy a simple game of bowls without making it into a war, you’ll have a war. We’ll play for points.” She wasn’t quite certain if she had moved forward or if he had, but suddenly they were standing very close, his head bent over hers. “You can’t beat me,” Swift said in a low voice. “You’re a novice, and a woman besides. It wouldn’t be fair unless I was assigned a handicap.” “Your teammate is Miss Leighton,” she whispered sharply. “In my opinion, that’s enough of a handicap. And are you implying that women can’t bowl as well as men?” “No. I’m saying straight out they can’t.” Daisy felt a rush of outrage, augmented by a fiery desire to pound him into the ground. “War,” she repeated, stalking back to her side of the green.

Sensations were completely different. Like the night she had run free as the wolf, Savannah now had the senses of a bird of prey. Her vision was sharp and clear, her eyes enormously wide. She spread her wings experimentally, then flapped them in the light drizzle. They were much bigger than she had anticipated. It delighted her, and she flapped them harder so she could create a wind, causing waves in the water standing in the patio. Are you having fun? Gregori’s voice held a hint of laughter. This is so cool, lifemate, she answered. Her rapidly beating wings lifted her into the air. The light mist was already passing overhead. The air was warm and heavy with the promise of moisture, but she soared high, reveling in her ability to do so. Gregori’s larger, stronger body dropped over hers, close and protective, guiding her in the direction of the bayou. As high up as they were, the sharp eyes of the raptor could spot the smallest of movements below. Details were vivid and clear. Even colors were different. Infrared vision, heat sensors— Savannah wasn’t certain what it was exactly, but the way she perceived the world was a different and unique experience. She dipped beneath Gregori and soared away from him, turning sideways and circling high above him. In her mind she could hear him swearing. As always he sounded arrogant, elegant, Old World, completely in command. Laughing, she caught a thermal and rode it up over the river. The male dropped down to cover her with his huge wings, fencing her in. Spoilsport! she accused him, her touch in his mind a whisper of lightness, of invitation to join in her fun. You are in a great deal of trouble, ma femme. He knew the threat was empty when he made it; he would give her the world. But why did she have to be such a little dare-devil all the time? Anyone choosing to live with you would have to have a sense of adventure, don’t you think? Her soft laughter played over his skin like music, like the gentle breeze blowing from the mountains in their homeland. Even within the bird’s body, he stirred to life, need and hunger rising to become a part of him. Relentless. Demanding. Savage in its intensity. It was more than simple lust. More than hunger. More than need. It was all of it merged together with a tenderness he had never conceived he could feel. When she was at her most outrageous, her most defiant, that was when his heart melted.

I hope I have not upset you,” Mrs. Wattlesbrook said with an innocent smile. “I pride myself on matching each client with her perfect gentleman. But one cannot anticipate a woman’s every fancy, and so our talent pool runs deep. You understand?” “Very deep indeed.” Jane felt like a woman drowning, and she grasped for anything. And as it turned out, bald-faced lies are, temporarily anyway, impressively buoyant, so she said, “It will make the ending to my article all the more interesting.” “Your…your article?” Mrs. Wattlesbrook peered over her spectacles as if at a bug she would like to squash. “Mm-hm,” said Jane, lying extravagantly, outrageously, but also, she hoped, gracefully. “Surely you know I work for a magazine? The editor thought the story of my experience at Pembrook Park would be the perfect way to launch my move from graphic design to staff writer.” She had no intention of becoming a staff writer, and in fact the artist bug was raging through her blood now more than ever, but she just had to give Mrs. Wattlesbrook a good jab before departure. She was smarting enough to crave the reprieve that comes from fighting back. Mrs. Wattlesbrook twitched. That was satisfying. “And I’m sure you realize that since I’m a member of the press,” Jane said, “the confidentiality agreement you made me sign doesn’t apply.” Mrs. Wattlesbrook’s right eyebrow spasmed. Jane guessed that behind it ran her barrister’s phone number, which she would dial ASAP. Jane, of course, had been lying again. And wasn’t it fun! Mrs. Wattlesbrook appeared to be trying to moisten her mouth and failing. “I did not know…I would have…” “But you didn’t. The cell phone scandal, the dirty trick with Martin…You assumed that I was no one of influence. I guess I’m not. But my magazine has a circulation of over six hundred thousand. I wonder how many of those readers are in your preferred tax bracket? And I’m afraid my article won’t be glowing.” Jane curtsied in her jeans and turned to leave. “Oh, and, Mrs. Wattlesbrook?” “Yes, Jane, my dear?” the proprietress responded with a shaky, fawning voice. “What is Mr. Nobley’s first name?” Mrs. Wattlesbrook stared at her, blinkless. “It’s J…Jonathon.” Jane wagged her finger. “Nice try.

But his most lasting influence grew out of his singular knack for making reading fun for children in such international favorites as The Cat in the Hat, Green Eggs and Ham, Hop on Pop, and How the Grinch Stole Christmas. All were made more appealing by his repetitive use of simple language and his outrageous illustrations. Incidentally, although we have become accustomed to pronouncing his name rhyming with “Juice,” his stated preference was more Germanic: “Seuss—rhymes with voice.

Thing is, I’ve decided what I’m going to do next. I have to go back to the university, of course. Next semester, I’m cutting back my schedule. I need more freedom. I’m going to transition out, sneak up on retirement. I’m going to get myself one of these!” he exclaimed, smacking the steering wheel. “Mary’s sons are married and have children—they’re great kids, superior stepsons. One lives in Texas, one in Florida. I’m going to put my house on the market and retire by the end of school, just in time to begin traveling. I’m going to see this country one state at a time, and I’m going to drop in on those boys. They both have amazing wives. One has three children, one has two—and even though I’m a stepfather, they call me Papa instead of Grandpa. I’m going to visit them occasionally while I’m traveling, then move on to other sights, then check back in. What do you think of that idea?” Her smile was alive. “It sounds wonderful. You’ll enjoy that. Maybe I’ll even see you now and then in Virgin River.” “Or, you could come along,” he said. “You have all those military boys all over the place. We could check on them, as well. And believe me, once a couple of them get married and have children, the others fall in line. I’ve seen it a million times. As soon as I get an offer on the house—which is a good house and should bring a nice price even in a depressed economy—I’m going to start shopping for a quality RV. I’ve been looking at pictures online. Maureen, you have no idea how high tech these things have become! They now come with expandable sides, two people showers, freezers, big screens in the living room and bedroom, Whirlpool tubs—you name it! How’d you like to have a hot tub on wheels, Maureen?” She looked over at him. He was so excited by his idea, he was actually a little flushed, and she found herself hoping it wasn’t high blood pressure. If the moment ever presented itself, she’d ask about that. But after all his rambling about his future RV, all she could say was, “Come along?” “A perfect solution for both of us,” he said. “We’d have time together, we’d have fun together. We’d see the families, travel…” “George, that’s outrageous. We’ve had a few lunches—” “And we’ll have a few more! We’ll also e-mail, talk on the phone, get together occasionally—in Virgin River, but also in Phoenix and Seattle. We’ll spend the next six months figuring out if we fit as well as it seems we do.” “Long distance? Occasional visits?” she asked doubtfully. “It’ll give you time to look over my accounts to be sure you’re not getting conned out of your retirement.” He laughed at his own joke, slapping his knee. “Of course, with five brawny, overprotective sons you’re relatively safe from a dangerous guy like me.” He glanced at her and his expression was playful. “We’re not young, Maureen. We should be sure we’re attracted to each other and that we get along, but we shouldn’t waste a lot of time. Every day is precious.

I realized that no one needed to make fun of liberalism. It was hilarious on its own.

Christian theology, however, never is and never can be anything more than the thoughts that Christians have (alone or with others) after they have said yes to Jesus. Sure, it can be a thrilling subject. Of course, it is something you can do well or badly - or even get right or wrong. And naturally, it is one of the great fun things to do on weekends when your kidney stones aren't acting up. Actually, it is almost exactly like another important human subject that meets all the same criteria: wind-surfing. Everybody admires it, and plenty of people try it. But the number of people who can do it well is even smaller than the number who can do it without making fools of themselves. Trust Jesus, then. After that, theologize all you want. Just don't lose your sense of humor if your theological surfboard deposits you unceremoniously in the drink.

And nobody said a word because, in the end, the outrage mob isn’t here to protect people or improve things. They’re here to gain relevance by pretending to care more than you do. They pull it off by overreacting to borderline things. They treat jokes as hate crimes—not because they think they are, but because they think it’s effective.

I hope you choke to death on your own tongue.” “But it would be so much more fun to choke you with my tongue, golden girl.” She gasps in outrage, and I don’t even feel bad.

When you get an idea of what you want, plunge in and do it! Take a risk. You may only semi-succeed, or you may blow it entirely, but so what? The materials of Herbalism are inexpensive (actually the cost of cocoa butter is a bit outrageous). Most likely you’ll ultimately create a successful experience far beyond your initial dream. It’s an adventure, and it’s fun. If it’s not, you should probably forget about the whole thing anyway and do something else. And you’re guaranteed to learn something of value (make notes), and it might make a poignant story you can divulge someday when you write your book.

After the show Humphrey Barclay, a highly talented Harrovian Head Boy who could act, direct, and draw cartoons, introduced me to John Cleese, a very tall man with black hair and piercing dark eyes. They were very complimentary and encouraged me to audition for the Footlights. I had never heard of this University Revue Club, founded in 1883 to perform sketches and comedy shows, but it seemed like a fun thing to do, and a month later Jonathan Lynn and I were voted in by the Committee, after performing to a packed crowd of comedy buffs in the Footlights’ Club Room. Jonathan, a talented actor, writer, and jazz drummer, would go on to direct Pass the Butler, my first play in the West End, and also write and direct Nuns on the Run, a movie with me and Robbie Coltrane. The audition sketch I had written for us played surprisingly well and, strange details, in the front row, lounging on a sofa, laughing with some Senior Fellows, was the author Kingsley Amis, next to the brother of the soon-to-be-infamous Guy Burgess, who would shortly flee the country, outed as perhaps the most flamboyant of all the Cambridge spies—for whenever he was outrageously drunk in Washington, which was every night, he would announce loudly to everybody that he was a KGB spy. Nobody believed him

15 years was a long enough time to test love of any kind. But the question of what to do with her missing right breast had remained. They had discussed at length if she should have a false one put up, or stuff kerchiefs so they looked balanced. Jeanne had come up with the most outrageous suggestions and ideas, almost making losing a breast sound fun. Finally, Rita had defiantly left it unresolved, preferring to wear her scar until she knew how to heal. Every time, someone glanced at her chest, they averted their eyes. She knew the day that it did not matter, or failed to catch it in their eyes, she would have healed. But right now, it itched, reminding her of what was gone. Her anger and the scars remained.

Gansey understood on a basic level that Henry made outrageous and offensive fun of himself because the alternative was storming into a room and flipping tables onto the money changers behind him

For example, if you want to remember whether a word is masculine or feminine, simply add the picture of a top hat for masculine words and a dress for feminine words. There are no rules, so be creative and outrageous, and have fun with them!

Vince conjures the gonzo spirit of his small-town Vancouver Island characters and wraps them in the uniquely outrageous beauty and ramshackle cultural norms of the region. His protagonist is just the kind of hilariously rudderless, obsessive, self-absorbed, curmudgeonly, and deftly pure hearted person who settles into those bucolic surroundings. “The Liquor Vicar” is a 20th century-pop-quiz-slap-in-the-face at every turn. It’s way too much fun.” Craig Northey, composer and founding member of west coast Pop masters ‘Odds’.

Look, I like you. I haven’t made any secret of that. This was fun tonight, but I don’t want to be here if I’m not wanted.” “I believe there was ample evidence of the fact that you’re wanted earlier.” She shrugs. “That was awesome, but since then, you’ve been kinda…bitchy.” … “Bitchy?” I ask in my most sinister tone, the one that has no effect whatsoever on her. She looks me dead in the eye, fearless and gorgeous. “Yep.” “Telling a Dom he’s bitchy can get a little sub in a lot of trouble.” “What kind of trouble?” she asks, her eyes glittering with excitement.

I’ve spoken to many experts over the years, and the conversation often comes back to the same thing: as long as you believe that your inner critic is the voice of the true you, the wisest you, it’s always going to guide you. Many of us even use phrases like, “I know myself, and . . .” before announcing a limiting belief. But if you can create a separate persona for your inner critic—one that is different from the true you—you’ll be considerably more successful at quieting it. This can be enormously helpful and you can have fun with it at the same time. Give your inner critic a preposterous name and outrageous physical attributes. Make it cartoonish and unworthy of even a B-grade movie. Mock it for its rigid dedication to negativity. Roll your eyes when it pops into your head. The better you become at distinguishing this voice from the real you, the better you’ll be at preventing limiting beliefs from getting in your

Listen, my little watering pot, it was in my cousin’s nature to do something rash at any given moment. It always would have been. The reckless streak in the Ravenel family has persevered for centuries. Theo could have married a saint, and he would have lost his temper regardless.” “I’m certainly not a saint,” she said woefully, ducking her head. Amusement rustled through his voice. “I knew that within the first minute of meeting you.” Keeping her head down, Kathleen stared at the hand over hers, elegant but brutally strong, with a faint scattering of hair on the back of it. “I wish I had it to do over again,” she whispered. “No one could blame you for what happened.” “I blame myself.” “‘Let her cover the mark as she will,’” he quoted sardonically, “‘the pang of it will always be in her heart.’” Recognizing the words from The Scarlet Letter, Kathleen glanced up at him miserably. “You liken me to Hester Prynne?” “Only in your aspirations to martyrdom. Although even Hester had a bit of fun before her comeuppance, whereas you’ve apparently had little.” “Fun?” Despair gave way to bewilderment. “What are you talking about?” His gaze was intent on her face. “I would think that even a proper lady might find some pleasure in the conjugal embrace.” She gasped in befuddled outrage. “I--you--that you would dare bring up such a subject--” He had been so gentle and comforting, and now he had changed back into the insufferable cad of before. “As if I would ever discuss that with anyone, least of all you!” As she writhed and began to crawl from his lap, he held her in place easily. “Before you charge away in righteous indignation,” he said, “you might want to refasten your bodice.

Whack rules in New York. Everyone has to be wild, outrageous, excessive- anything to be different from everyone else. And that includes our hot cocoa. Every February, for example, Maury Rubin hosts the Hot Chocolate Festival at City Bakery with a special flavor featured each day, from spicy fig to bourbon to tropical. I still haven't gotten through all the flavors but can wholeheartedly vouch for City Bakery's out-of-this-world classic cocoa, served year-round. Opt for the giant homemade marshmallow floating on top to sweeten things up even more. Another fancy favorite is the white hot chocolate with lemon myrtle and lavender at Vosges Haut-chocolat in Soho. I really do think Angelina's chocolat chaud is the creamiest and dreamiest in Paris. But I also would never say no to a pitcher at Jacques Genin in the Marais or Les Deux Magots in Saint-Germain, both sinfully thick and delicious ways to get your choco-fix. For something approaching New York's adventures in fun flavors, head to the second-level tearoom of Jean-Paul Hévin for decadent raspberry-, matcha-, or ginger-flavored cocoa.

Laughing at Ourselves to Develop Humor Humor seems like something that is spontaneous and natural and cannot be cultivated, but the ability to laugh at ourselves and to see the rich ironies and funny realities in our lives is actually, like perspective, something that we can learn with practice over time. 1. Think of one of your limitations, human faults, or foibles. Think of something about yourself that is actually quite funny when you can have some perspective. The Dalai Lama can laugh at his limited English. The Archbishop can laugh at his big nose. What can you laugh at about yourself? When you can laugh at yourself, you will let others feel closer to you and inspire them to accept their own limitations, faults, and foibles. 2. Laugh at yourself. The next time you are in a situation where you act in a funny way, or say something in a funny way, or are just less than perfect, chuckle at yourself and make a joke of it. Humor is one of the best ways to end conflict, especially when you are able to make fun of yourself or admit that you are overreacting or being silly. 3. Laugh at life. The next time you are delayed or something does not go your way, try being amused by the situation rather than getting angry or outraged. You will notice how your amusement puts others at ease and can often smooth the situation. Similarly, when you encounter certain ironies in your day-to-day life, try to see the humor.

Texas Roadhouse Hey Dudes Shoe Collaboration: An April Fools’ Prank In the world of creative marketing, few brands manage to capture attention like Texas Roadhouse. Known for its mouthwatering steaks and legendary rolls, the brand took its humor game to the next level with the "Hey Dudes Shoe Collaboration," an April Fools' prank that left everyone talking. The Setup: A Perfect Match (Or Was It?) On April 1st, Texas Roadhouse announced a surprising partnership with Hey Dudes, a casual shoe company loved for its comfort and laid-back style. The concept? A limited-edition shoe line inspired by the iconic restaurant. From designs resembling freshly baked rolls to vibrant steakhouse-themed colors, the announcement was too good (or hilarious) to ignore. The Reaction: Fans Fell for It! Social media erupted with excitement. Fans speculated whether the quirky collaboration was real or a cleverly disguised April Fools' joke. Some were ready to purchase, while others laughed at the sheer absurdity of walking around in bread-themed footwear. Either way, Texas Roadhouse succeeded in sparking engagement and bringing a smile to its customers' faces. Why It Worked: The Power of Playful Marketing This April Fools' prank hit all the right notes: Relatable Humor: Combining everyday items like shoes with the love of food was a genius move. Brand Connection: Texas Roadhouse played to its strengths, celebrating its beloved menu items in a fun way. Viral Potential: The idea was outrageous enough to go viral, driving traffic and visibility for both brands. The Takeaway for Marketers The "Hey Dudes Shoe Collaboration" prank serves as a masterclass in playful branding. It shows how a well-executed joke can boost a brand’s image, spark conversations, and create a lasting impression. While no actual shoes hit the market, Texas Roadhouse walked away with a big win in creativity and customer connection.

Texas Roadhouse Hey Dudes Shoe Collaboration: An April Fools’ Prank In the world of creative marketing, few brands manage to capture attention like Texas Roadhouse. Known for its mouthwatering steaks and legendary rolls, the brand took its humor game to the next level with the "Hey Dudes Shoe Collaboration," an April Fools' prank that left everyone talking. The Setup: A Perfect Match (Or Was It?) On April 1st, Texas Roadhouse announced a surprising partnership with Hey Dudes, a casual shoe company loved for its comfort and laid-back style. The concept? A limited-edition shoe line inspired by the iconic restaurant. From designs resembling freshly baked rolls to vibrant steakhouse-themed colors, the announcement was too good (or hilarious) to ignore. The Reaction: Fans Fell for It! Social media erupted with excitement. Fans speculated whether the quirky collaboration was real or a cleverly disguised April Fools' joke. Some were ready to purchase, while others laughed at the sheer absurdity of walking around in bread-themed footwear. Either way, Texas Roadhouse succeeded in sparking engagement and bringing a smile to its customers' faces. Why It Worked: The Power of Playful Marketing This April Fools' prank hit all the right notes: Relatable Humor: Combining everyday items like shoes with the love of food was a genius move. Brand Connection: Texas Roadhouse played to its strengths, celebrating its beloved menu items in a fun way. Viral Potential: The idea was outrageous enough to go viral, driving traffic and visibility for both brands. The Takeaway for Marketers The "Hey Dudes Shoe Collaboration" prank serves as a masterclass in playful branding. It shows how a well-executed joke can boost a brand’s image, spark conversations, and create a lasting impression. While no actual shoes hit the market, Texas Roadhouse walked away with a big win in creativity and customer connection.

And we’re in the wilderness. It needs to be sterilized and sealed, otherwise it will get infected. And after I finish with your arm, we’re going to look at your leg.” He gave her an outraged look. “My leg is fine.” “Uh-huh. So you’re limping for fun?” “I said—” She reached for his left knee, and he jerked away and almost fell over.