Outfits For Women Quotes

We've searched our database for all the quotes and captions related to Outfits For Women. Here they are! All 100 of them:

I didn't believe it was possible to hide a woman's beauty. I thought women were gorgeous no matter what they wore, and I didn't think they owed anyone an explanation for their sartorial choices. Different women felt comfortable in different outfits. They were all beautiful.
Tahereh Mafi (A Very Large Expanse of Sea)
A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers." ~The Book of Laughter and Forgetting
Milan Kundera (The Book of Laughter and Forgetting)
In an era where women undress their outfits & give their bodies so carelessly, become the rare wild woman that undresses her mind and soul & knows the worth of what she has to offer.
Nikki Rowe
Closed door means knock," Elena said to Clay, shooing him out. You've been in here for two hours," he said. "She can't need that much work." He frowned as he examined my outfit. "What the hell is she? A tree?" "A dryad," Elena said, cuffing him in the arm. "Oh, my god," Jamie said, surveying my outfit. "We forgot the bag!" "Bag?" Clay said. "What does a dryad need with-" "An evening bag," Cassandra said. "A purse." "She's got a purse. It's right there on the bed." "That's a day purse," Cassandra snapped. "What, do they expire when the sun goes down?
Kelley Armstrong (Industrial Magic (Women of the Otherworld, #4))
Feminism and femininity are not mutually exclusive. It is misogynistic to suggest that they are. Sadly, women have learned to be ashamed and apologetic about pursuits that are seen as traditionally female, such as fashion and makeup. But our society does not expect men to feel ashamed of pursuits considered generally male - sports cars, certain professional sports. In the same way, men's grooming is never suspect in the way women's grooming is - a well-dressed man does not worry that, because he is dressed well, certain assumptions might be made about his intelligence, his ability, or his seriousness. A woman, on the other hand, is always aware of how a bright lipstick or a carefully-put-together outfit might very well make others assume her to be frivolous.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
I don't mind exercise but it's a private activity. Joggers should run in a wheel - like hamsters - because I don't want to look at them. And I really hate people who go on an airplane in jogging outfits. That's a major offense today, even bigger than Spandex bicycle pants. You see eighty-year-old women coming on the plane in jogging outfits for comfort. Well my comfort - my mental comfort - is completely ruined when I see them coming. You're on an airplane, not in your bedroom, so please! And I really hate walkathons: blocking traffic, people patting themselves on the back. The whole attitude offends me. They have this smug look on their faces as they hold you up in traffic so that they can give two cents to some charity.
John Waters
At its best fashion is a game. But for women it's a compulsory game, like net ball, and you can't get out of it by faking your period. I know I have tried. And so for a woman every outfit is a hopeful spell, cast to influence the outcome of the day. An act of trying to predict your fate, like looking at your horoscope. No wonder there are so many fashion magazines. No wonder the fashion industry is worth an estimated 900 billion dollars a year. No wonder every woman's first thought is, for nearly every event in her life, be it work, snow or birth. The semi-despairing cry of "but what will I wear?" Because when a woman says I have nothing to wear, what she really means is there is nothing here for who I am supposed to be today.
Caitlin Moran (How to Be a Woman)
Different women felt comfortable in different outfits. They were all beautiful.
Tahereh Mafi (A Very Large Expanse of Sea)
The sexiest and most sensual women are those that dress to be overwhelmingly desired, not rationally considered.
Lebo Grand
Don't all women feel the same? The only difference is how much we know we feel it, how in touch we are with our fury. We're all furies, except the ones who are too damned foolish, and my worry now is that we're brainwashing them from the cradle, and in the end even the ones who are smart will be too damned foolish. What do I mean? I mean the second graders at Appleton Elementary, sometimes the first graders even, and by the time they get to my classroom, to the third grad, they're well and truly gone -- they're full of Lady Gaga and Katy Perry and French manicures and cute outfits and they care how their hair looks! In the third grade. They care more about their hair or their shoes than about galaxies or caterpillars or hieroglyphics. How did all that revolutionary talk of the seventies land us in a place where being female means playing dumb and looking good? Even worse on your tombstone than "dutiful daughter" is "looking good"; everyone used to know that. But we're lost in a world of appearances now.
Claire Messud (The Woman Upstairs)
Do you really see our bodies as so unworthy of wearing your clothes? But the hard truth is that a lot of people in the fashion world would really prefer that I weren’t in it. And I think a lot of plus-size women feel that way in our day-to-day lives. For us, something as simple as posting an outfit-of-the-day selfie is a political action, and we have to live with all
Kate Stayman-London (One to Watch)
There were three of them outside the mercantile—women—and one of them was juggling. I blinked, thinking the magistrate had made a mistake. This was a girl I might have eagerly bought a drink for last night, but there was no mistaking she was outfitted for trouble, a sword hanging from one hip and two knives from the other. Her long black hair hung loosely over her shoulders, and she laughed and chatted with the store clerk as she continued to juggle, and then— I jabbed Mason. “Did you see that?” “See what?” “She just nicked an orange!
Mary E. Pearson (Dance of Thieves (Dance of Thieves, #1))
I notice you have the assault proof vest - So it's my fault I guess. So apparently I didn't say 'no' as loud as my clothes could say 'yes.' You see I didn't know that my ‘no’ wasn't enough - I didn't understand that my body became less precious because certain dresses make me look hot. And I guess if I'm wearing the wrong top then my ‘yes’ is the same as ‘stop.’ And you shouldn't have to, just because I begged you to. I'm begging you - Tell me the magic outfit and I'll buy it. Apparently my ‘no’ wasn't heard, even when I screamed. So I need my clothes to be quiet.
Connell, Steve
They come dressed in the outfits, and not only are the women in the metal bikini but some men are wearing it, too, and it looks fantastic.
Carrie Fisher (The Princess Diarist)
When a woman walks into a room, her outfit is the first thing she says, before she even opens her mouth. Women are judged on what they wear in a way men would find incomprehensible.
Caitlin Moran (How to Be a Woman)
A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers
Milan Kundera (The Book of Laughter and Forgetting)
William: What are you looking for in a woman? Reyes: I’ve found my angel, Danika. She’s all I need. William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important. Reyes: How sad for you. William: I’m not sad. You’re sad! Reyes: Why are you so defensive about this? William: Let’s move on. Favorite outfit? Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites. William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far? Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling. William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series? Reyes: Every time I had to kill Maddox. William: Really? That would have been my favorite. Anyway, hobbies? Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts. William: You actually admitted that aloud. [snicker] [..] Reyes: Happy for the first time in what seems an eternity. William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women? Reyes: As long as I have Danika, I don’t care who lives with us. William: Who do you think is the smartest Lord? Reyes: Me. Look who I picked to spend eternity with. William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live? Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again. William: What kind of underwear are you wearing? Note from William: Bastard flipped me off and left. Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
And then, of course, there was the sari itself. What a garment, Randy! There isn’t another outfit in the world that balances better the twin feminine urges to conceal and reveal. It outlines the woman’s shape but hides the faults a skirt can’t — under a sari a heavy behind, unflattering legs are invisible. But it also reveals the midriff, a part of the anatomy most Western women hide all the time. I was mesmerized, Randy, by the mere fact of being able to see her belly button when she walked, the single fold of flesh above the knot of her sari, the curve of her waist toward her hips. That swell of flesh just above a woman’s hipbone, Randy, is the sexiest part of the female anatomy to me. And I didn’t even have to undress her to see it. I was completely smitten.
Shashi Tharoor (Riot)
People made no sense to her. Men, with whom she had everything in common, did not want her around. Women, with whom she had nothing in common, smiled too much, laughed too loud, and mostly reminded her of small dogs, their lives lost in interior decorating and other people's outfits. There had never been a place for a person like her.
Philipp Meyer (The Son)
Twice in my life now, I have buried myself in finery. Twice, I have arranged myself within a great compilation of fabric to prove that I understand the importance of a moment. It's clothing as contrition - a performance of beauty I have to put on to pay penance to the people gathered to acknowledge me. They are here to see me. And I must apologize for requesting their attention. Must make up for the weight of my demand by ensuring that looking at me will be a pleasant thing. Never mind the suffocation of the outfit, never mind the expense, never mind the impracticality. The transaction must be made. My efforts at beauty in exchange for their regard. And so, twice in my life, I have worn the cost of that recognition.
Sarah Gailey (The Echo Wife)
I didn’t believe it was possible to hide a woman’s beauty. I thought women were gorgeous no matter what they wore, and I didn’t think they owed anyone an explanation for their sartorial choices. Different women felt comfortable in different outfits.
Tahereh Mafi (A Very Large Expanse of Sea)
When you date as many women as I have, you learn that everyone has a construct they want to portray. Personalities become like outfits: carefully curated, a smokescreen for the brokenness inside. It’s hard to tell what’s underneath the layers everyone is wearing. Billie is the first woman I’ve met who comes at you naked. She admits when she’s wrong, isn’t afraid of telling you the terrible truth about what she’s done, and doesn’t have a secret agenda. She is what she is and that’s exactly what I fell in love with.
Tarryn Fisher (F*ck Marriage)
A woman only needs one pair of shoes for an outfit. But God, you've got to get it just right.
Allan Dare Pearce (Hitler Burns Detroit)
Why would I ever buy a $4,000 suit when I could outfit 40 needy people with that money? Further, a flashy suit would attract the wrong women.
Jarod Kintz (Write like no one is reading 3)
His red-haired companion wore a similar outfit but without the tattoo and piercings, lacking the courage—or the idiocy—to turn a fashion statement into permanent disfigurement. They
Kelley Armstrong (Bitten (Women of the Otherworld, #1))
I'll lend you my confidence boosting CD set," she would say if I alluded to any concern or worry . . . Every few weeks, she had a whole new paradigm for living, and I had to hear about it. "Get good at knowing when you're tired," she'd advised me once. "Too many women wear themselves thin these days." A lifestyle tip from Get the Most Out of Your Day, Ladies included the suggestion to preplan your outfits for the workweek on Sunday evenings. "That way you won't be second-guessing yourself in the morning." I really hated when she talked like that.
Ottessa Moshfegh (My Year of Rest and Relaxation)
I dust a whole shelf of books on pregnancy, breastfeeding, the first six months, the first year, the first two years — and I wonder what the child care-deprived Maddy makes of all this. Maybe there's been some secret division of the world's women into breeders and drones, and those at the maid level are no longer supposed to be reproducing at all. Maybe this is why our office manager, Tammy, who was once a maid herself, wears inch-long fake nails and tarty little outfits — to show she's advanced to the breeder caste and can't be sent out to clean anymore.
Barbara Ehrenreich (Nickel and Dimed: On (Not) Getting By in America)
I sense that striving for wholeness is, increasingly, a countercultural goal, as fragmented people make for better consumers, buying more bits and pieces—two or more cars, two homes and all that fills them—and outfitting one's body for a wide variety of identities: business person, homebody, amateur athlete, traveler, theater or sports fan. Things exercise a certain tyranny over us.
Kathleen Norris (The Quotidian Mysteries: Laundry, Liturgy and Women's Work)
Everyone else got to wear their regular outfits from the first movie. I had to wear my outfit that Jabba picked out for me. Jabba the Hutt—the fashionista. Jabba the Hutt—the Coco Chanel of intergalactic style. Trendsetter, fashion maven, leader of women’s looks in his world, on his planet and the next. In wax, I would forever be outfitted by outlaw Jabba. In wax and out, I would forever be stone-faced.
Carrie Fisher (The Princess Diarist)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
I put on several different outfits. The advantage of not knowing who you are is you can attempt to be all things to all men … or women. My mother saw me always glancing in every mirror, every window; in the gleaming blades of knives. She said, “Jill is vain.” She did not know I was looking to see who would be there this time.
Ralph Keyes (The Courage to Write: How Writers Transcend Fear)
Current fashion magazines have become a form of entertainment, and in some cases bizarre art, showing women in outfits that the everyday woman would never wear. The fashion system has not and will never even attempt to teach us the skills and tools to honor our true nature and our unique physical traits so we can express our true beauty.
Carol Tuttle
Every pregnancy results in roughly two years of lost menstruation. If you are a manufacturer of menstrual pads, this is bad for business. So you ought to know about, and be so happy about, the drop in babies per woman across the world. You ought to know and be happy too about the growth in the number of educated women working away from home. Because these developments have created an exploding market for your products over the last few decades among billions of menstruating women now living on Levels 2 and 3. But, as I realized when I attended an internal meeting at one of the world’s biggest manufacturers of sanitary wear, most Western manufacturers have completely missed this. Instead, when hunting for new customers they are often stuck dreaming up new needs among the 300 million menstruating women on Level 4. “What if we market an even thinner pad for bikinis? What about pads that are invisible, to wear under Lycra? How about one pad for each kind of outfit, each situation, each sport? Special pads for mountain climbers!” Ideally, all the pads are so small they need to be replaced several times a day. But like most rich consumer markets, the basic needs are already met, and producers fight in vain to create demand in ever-smaller segments. Meanwhile, on Levels 2 and 3, roughly 2 billion menstruating women have few alternatives to choose from. These women don’t wear Lycra and won’t spend money on ultrathin pads. They demand a low-cost pad that will be reliable throughout the day so they don’t have to change it when they are out at work. And when they find a product they like, they will probably stick to that brand for their whole lives and recommend it to their daughters.
Hans Rosling (Factfulness: Ten Reasons We're Wrong About The World - And Why Things Are Better Than You Think)
Two women at the same event wearing the same outfit is a disaster. But two women at the same event singing the same song is a party. And two women at the same event talking about Doris from Fame is a friendship for life. Fill yourself with words, choruses, and heroes, like you're supposed to fill your wardrobe with shoes, brooches, and belts.
Caitlin Moran (Moranifesto)
Men's grooming is never suspect in the way women's grooming is--a well-dressed man does not worry that, because he is dressed well, certain assumptions might be made about his intelligence, his ability, or his seriousness. A woman, on the other hand, is always aware of how a bright lipstick or a carefully-put-together outfit might very well make others assume her to be frivolous.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀ ⠀ Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀ ⠀ Forget. those. people. ⠀ ⠀ Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀ ⠀ Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀ ⠀ For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀ ⠀ When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.
Jeanette LeBlanc
What is style but a form of silent speech? When I put together an outfit to wear, I am putting together chapters of a story that needs to tell itself to the world in merely a minute! When I choose an outfit to wear, I am choosing a speech, a certain flow of mind-to-skin that is important to be understood. Style is the sentiment that I make without needing to speak to anyone and it's also an internal conversation that I make with myself throughout the day, I share those intimate words every time I look into the mirror or every time I look at my photographs.
C. JoyBell C.
Sometimes they’d make a donation to charity in the name of the blog or respond with a self-deprecating parody on YouTube. I took care to focus on satire, poking fun at the extremes, playfully objectifying these untouchable gods among men. Women, especially females of notoriety, in our society had to suck up and swallow daily doses of criticism about everything—too fat, too skinny, wearing the same outfit twice in public, having an opinion—from fake TV personalities and tabloid vultures. In comparison to these self-esteem vampires, I provide a public service.
L.H. Cosway (The Hooker and the Hermit (Rugby, #1))
That the men in our family got to traipse around naked, while I had to wear outfits that resembled those favored by Mennonite women, taught me at a very young age to feel guilty about my appearance and contributed to me developing all sorts of body image issues down the road. Ruthanne prohibited me from wearing pants because, as she explained to me, “Pants separate a woman’s legs, and that tempts men to want to have intercourse with you.” I was only to wear skirts or dresses, otherwise I would be disobeying God’s desire for women to be modest. Not wanting to defy God or—gulp—get raped, I did as I was told, but this new rule presented some difficulties.
Rachel Dolezal (In Full Color: Finding My Place in a Black and White World)
My mother has spent her entire privileged life around poor, destitute blacks and black servants, and she felt good about herself because she was always the one on top, always the one in position to help the less fortunate among us.  When she runs into a smart, savvy, sharp African-American, she’s certain there’s something wrong with them too.  Because they don’t fit into the box.  Because they upset her manufactured truth.  Because her sense of superiority is challenged when she sees superior blacks too.  That’s why the least little thing you do, she pounces.  You wear an African-style outfit, or calls a reporter a fool, it all plays into her nice little narrative that says you aren’t one of us, you’re different, you’re that other.
Mallory Monroe (Dutch and Gina: His Women and His Wife (The President's Girlfriend, #2))
Daniel opened a dresser drawer and pulled out a bell-sleeved shirt that was tiny enough to have fit Trixie when she was eight. Had she ever worn this in public? He sank down onto the floor, holding the shirt, wondering if all this had been his own fault. He'd forbidden Trixie to buy certain clothes, like the pants she had had on last night, in fact, and that she must have purchased and hidden from him. You saw outfits like those in fashion magazines, outfits so revealing they bordered on porn, in Daniel's opinion. Women glanced at those photo spreads and wished they looked that way, men glanced at them and wished for women who looked that way, and the sad reality was that most of those models were not women at all, but girls about Trixie's age.
Jodi Picoult (The Tenth Circle)
He spared a glance at her distressed face and knew it to be a mistake instantly. He was momentarily arrested because...man, six feet away she was pretty. Up close like this? Total gut-shot. Of course, having just seen all of her unmentionables didn't help matters. Unmentionables? Whoever came up with that ridiculous term? Underwear that fantastic deserved to be mentioned on a regular basis. Shit, he wasn't going to think about her underwear. which, of course, only made him wonder what color she had on under those tight, distressed jeans and that thin T-shirt. Pink? Her outfit was pink. Women often matched their underwear to their outfits. At least that's been his experience. So...probably pink. Holy shit! He was not going to think about her underwear!
Julie Ann Walker (Hell on Wheels (Black Knights Inc., #1))
Many a morning I found myself waking up in America and being surprised to find myself in a bed. I had been having nightmares all night long, and I didn’t know where I was. It would take me awhile to adjust, because I couldn’t believe I was in a bed. What was I doing in a bed? After the war I never slept more than three or four hours a night. In those days you didn’t talk about stuff like that. There was no such thing as war syndrome, but you knew something was different. You tried not to remember anything from over there, but things came back to you. You had done every damn thing overseas, from killing in cold blood to destroying property to stealing whatever you wanted and to drinking as much wine and having as many women as you wanted. You lived every minute of every day in danger of your own life and limb. You couldn’t take chances. Many times you had a split second to decide to be judge, jury, and executioner. You had just two rules you had to obey. You had to be back in your outfit when you went back on the line. You had to obey a direct order in combat. Break one of those rules and you could be executed yourself, right on the spot even. Otherwise, you flaunted authority. You lost the moral skill you had built up in civilian life, and you replaced it with your own rules. You developed a hard covering, like being encased in lead. You were scared more than you’d ever been in your life. You did certain things, maybe against your will sometimes, but you did them, and if you stayed over there long enough you didn’t even think about them anymore. You did them like you might scratch your head if it itched. You
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
On August 10, 1984, my plane landed in Kabul, the capital of Afghanistan. There were no skyscrapers here. The blue domes of the mosques and the faded mountains were the only things rising above the adobe duvals (the houses). The mosques came alive in the evening with multivoiced wailing: the mullahs were calling the faithful to evening prayer. It was such an unusual spectacle that, in the beginning, I used to leave the barracks to listen – the same way that, in Russia, on spring nights, people go outside to listen to the nightingales sing. For me, a nineteen-year-old boy who had lived his whole life in Leningrad, everything about Kabul was exotic: enormous skies – uncommonly starry – occasionally punctured by the blazing lines of tracers. And spread out before you, the mysterious Asian capital where strange people were bustling about like ants on an anthill: bearded men, faces darkend by the sun, in solid-colored wide cotton trousers and long shirts. Their modern jackets, worn over those outfits, looked completely unnatural. And women, hidden under plain dull garments that covered them from head to toe: only their hands visible, holding bulging shopping bags, and their feet, in worn-out shoes or sneakers, sticking out from under the hems. And somewhere between this odd city and the deep black southern sky, the wailing, beautifully incomprehensible songs of the mullahs. The sounds didn't contradict each other, but rather, in a polyphonic echo, melted away among the narrow streets. The only thing missing was Scheherazade with her tales of A Thousand and One Arabian Nights ... A few days later I saw my first missile attack on Kabul. This country was at war.
Vladislav Tamarov (Afghanistan: A Russian Soldier's Story)
Patience outfits faith, guides peace, assists love, equips humility, waits for penitence, seals confession, keeps the flesh in check, preserves the spirit, bridles the tongue, restrains the hands, tramples temptation underfoot, removes what causes us to stumble, brings martyrdom to perfection; it lightens the care of the poor, teaches moderation to the rich, lifts the burdens of the sick, delights the believer, welcomes the unbeliever, commends the servant to his master and his master to God, adorns women and gives grace to men; patience is loved in children, praised in youth, admired in the elderly. It is beautiful in either sex and at every age of life.... Her countenance is tranquil and peaceful, her brow serene.... Patience sits on the throne of the most gentle and peaceful Spirit.... For where God is there is his progeny, patience. When God's Spirit descends patience is always at his side.3o
Robert L. Wilken (The Spirit of Early Christian Thought: Seeking the Face of God)
Reva was partial to self-help books and workshops that usually combined some new dieting technique with professional development and romantic relationship skills, under the guise of teaching young women “how to live up to their full potential.” Every few weeks, she had a whole new paradigm for living, and I had to hear about it. “Get good at knowing when you’re tired,” she’d advised me once. “Too many women wear themselves thin these days.” A lifestyle tip from Get the Most Out of Your Day, Ladies included the suggestion to preplan your outfits for the workweek on Sunday evenings. “That way you won’t be second-guessing yourself in the morning.” I really hated when she talked like that. “And come out to Saints with me. It’s ladies’ night. Girls drink for free until eleven. You’ll feel so much better about yourself.” She was an expert at conflating canned advice with any excuse for drinking to oblivion.
Ottessa Moshfegh (My Year of Rest and Relaxation)
It is time,my darling." "Oh,Frankie,no-" "You chose dare," he reminded her. "I did," she agreed sadly, stepping up. "You're right." It hadn't been entirely fair of him, starting the game in the middle of Neiman Marcus. The King of Prussia Mall, a zillion acres of retail-and-food-in-a-box, is many people's idea of perfect therapy. Me? If given the choice, I might opt for swimming with sharks instead. But today was about Frankie. "So," he told her, "I pick out three outfits,head to toe. You put them on." "Fine." Sadie pulled her jacket closer around her.This one was a muddy pruple, and had a third sleeve stitched tot he back. "But if you pick anything like that"- she pointed to a tiny tartan dress that seemed to be missing its entire back- "I will cry." "Have faith," he replied with a slightly twisted smile, and dragged her toward women's sportswear. "What our sport is," he said apropos of very little save the sign on the wall, "I have no idea." Ten minutes later, Sadie was heading into the dressing room with an armful of autumn color and a look like she was on her way off a cliff.
Melissa Jensen (The Fine Art of Truth or Dare)
But Winifred had insisted on these outfits. She said I'd need to dress the part, no matter what my deficiencies, which should never be admitted by me. "Say you have a headache," she told me. "It's always an acceptable excuse." She told me many other things as well. "It's all right to show boredom," she said. "Just never show fear. They'll smell it on you, like sharks, and come in for the kill. You can look at the edge of the table - it lowers your eyelids - but never look at the floor, it makes your neck look weak. Don't stand up straight, you're not a soldier. Never cringe. If someone makes a remark that's insulting to you, say Excuse me? as if you haven't heard; nine times out of ten they won't have the face to repeat it. Never raise your voice to a waiter, its vulgar. Make them bend down, it's what they're for. Don't fidget with your gloves or your hair. Always look as if you have something better to do, but never show impatience. When in doubt, go to the powder room, but go slowly. Grace comes from indifference." Such were her sermons. I have to admit, despite my loathing of her, that they have proved to be of considerable value in my life.
Margaret Atwood (The Blind Assassin)
Flattery was a prime department store strategy for cultivating customers, and men got a heavy dose. Males could expect to be treated like busy executives and discriminating men of the world. Men’s sections, floors, and entire stores were designed to resemble opulent clubs, often outfitted with wood-paneled grills that women customers were not permitted to enter. Vandervoort’s and Filene’s went to somewhat unusual lengths in furnishing a men’s lounge and smoking room, oddly working against the prevailing assumption that men had no time to spare. In Halle’s new men’s store of the late 1920s, dark mahogany paneling and carved marble detailing created the ambience of a priestly inner sanctum. Filene’s furnished an indoor putting green in its men’s store of 1928. Wanamaker’s outdid itself in 1932, the unlucky Depression year it opened its luxurious six-story men’s store in the Lincoln-Liberty building, with stocks of British imports and an equestrian shop too. Both Wanamaker’s and Marshall Field sold airplanes. Lord & Taylor reserved its tenth floor in New York City for men, with heman departments for cutlery, the home bar, and barbecue equipment. Gimbels, Macy’s, and Hearn’s stuck to more basic appeals, using their large liquor departments to attract men.
Jan Whitaker (Service and Style: How the American Department Store Fashioned the Middle Class)
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer. “Nope,” I tell him. “Found it.” “Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns. “I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no. “Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt. “You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom. “I gave you an orgasm.” He seems confused by my accusation. I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt. He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.” “Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.” He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’” “I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting. I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs. I turn and nod, sadly. “I know. You’re kind of a menace.” “It’s good of you to put up with me.” I shrug. “Someone’s got to.” “I’m not going to be able to rip those underwear off of you.” “Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
Jana Aston (Right (Cafe, #2))
In the eyes of God, all men and women are naked. Clothes are nothing more than a fig leaf. And the bodies beneath are just another layer of clothing, an outfit of flesh with an impractically thin leather exterior, in various shades of pink, yellow and brown. The souls alone are real. Seen in this way, there can never be any such thing as social unease or shyness or embarrassment. All you need do is greet your fellow soul.
Michel Faber (The Book of Strange New Things)
We made quite a stir as we entered, thanks mainly to Cora's outfit. It was one of those one-piece overall-type jump suits such as are worn by garage mechanics and fashionable women, all the rage just then in New York. I wouldn't run the garment down by any means. They are eminently practical and I'm sure comfortable, and Cora's was an all-white silk and lace number in which she looked stunning to say the least, but it gives you something of a start to see your hostess greet you at the door looking like your friendly Mobil dealer. All she needed was her name in script across the breast pocket. "Fill 'er up," I said at one point during cocktails, handing her my empty gin-and-tonic glass for replenishment. Nobody laughed, especially Cora. Except for my escort.
Peter De Vries (Mrs. Wallop)
There is no sin in adding extra sheen to your everyday outfits. Be your own sunshine.
anwesha mohanty
The wrap dress is a very flattering style on any body type. You just need to make sure you fit the shoulders, and the rest of the dress takes care of itself. It makes women look feminine, pulled together, and at ease in the world. I encourage all women who are trying to update their work wardrobes to invest in a couple of flattering wrap dresses. It’s easy, one-step-dressing: it travels well, and it’s easy to care for. With a wrap dress and heels – a complete outfit that can fit in the average purse – you’re all set for a business meeting or dinner date.
Tim Gunn (Tim Gunn's Fashion Bible)
She moves deftly and quietly through misogyny. In recent years her voice has become more pervasive, more intriguing. She has been too easily labelled and stuffed back down, she is careful not to wear a sticker defending herself. She rose lately as ‘feminist’, but that was torn away from her, made distasteful, attacked and vilified. So now she is creeping in simply as female, as feminine, as a billion different women pursuing a million different injustices. She is at every corner; she is calling us out. She isn’t yelling. She is writing, singing, tweeting and sharing. She is meeting with other females, over cake, in meditation, with coffee and babies, with tea and trumpets. She is coaxing the males into their better power, requesting that they see, do and be better. She is recreating the earth in personal, unique and subtle ways. So small these steps she takes that one day we will turn around and say, ‘We women did that... We snuck our lives onto the agenda without it being noticed. We tore down the patriarchy one sentence at a time, one text, one status update, one outfit, one hairy armpit, one truth, one smile, one grimace, one Instagram post at a time.’ She does not go head to head with The Emperor. That failed. She cannot win at his game.
Alice B. Grist (Dirty & Divine: a transformative journey through tarot)
to his, before pulling out slowly, leaving a void inside of me that quickly fills with a warm, honey-like fulfillment. I gather my breath and straighten up, leaning against the wall. My heart is pounding in my chest and my knees are shaking. All I can think is, I’ve never been fucked like this before. Dylan kisses the back of my neck gently and I purr happily. “Was it good?” I ask, softly. “You’re always good,” he says, brushing my hair over my shoulder to plant another soft peck along the upper part of my neck. “You’re just…perfect for me.”   As I get dressed afterward, Dylan stands near the doorway in the manner that boyfriends, husbands, and – well, whatever the hell we are – have waited for women since the beginning of time. Impatiently, inexplicably, and long-since ready. Once I’m finished with my outfit selection, make-up, and hair, I step out of the bathroom and walk towards him. “Ready now?” he says, doing a decent job of hiding
J.D. Hawkins (Bootycall, Part 2 (Bootycall, #2))
When Tess had told him about the book project, she hadn't mentioned hostile women and swarms of bees. In fact, she'd characterized it as a working vacation of sorts, a way for him to recover from his bum knee by soaking up the charms of Sonoma County. In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep green to sunburned-gold. Gardeners, construction workers swarmed the property. Isabel Johansen was in charge, that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seen vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about far-off places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
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Dislike of changes to plans or vague plans when trying to plan outfit/shoes/things appropriate to activity/location/weather – intense dislike of feeling wrongly dressed or not having the right things with me. (Woman with autism)
Sarah Hendrickx (Women and Girls with Autism Spectrum Disorder: Understanding Life Experiences from Early Childhood to Old Age)
They do not wear uniforms like the Martians (to reveal their competence). On the contrary, they enjoy wearing a different outfit every day, according to how they are feeling. Personal expression, especially of their feelings, is very important. They may even change outfits several times a day as their mood changes.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
The Power Dressers’ Color Palette is your key to crafting outfits that not only elevate your style, but also speak volumes about your personality.
Michele Grant (The Power Dressers: A Women’s Guide to Professional Style)
A well-fitted outfit will make you look sharp while allowing you to feel comfortable and confident.
Michele Grant (The Power Dressers: A Women’s Guide to Professional Style)
The right accessories can elevate your outfit and showcase your style.
Michele Grant (The Power Dressers: A Women’s Guide to Professional Style)
Hortense could never forget the first dress she bought in New York City. It was the ugliest outfit she ever wore, black chiffon, costing $10, purchased in a bargain basement of a department store that was worlds away from the grandeur of Bonwit Teller and Fifth Avenue.
Julie Satow (When Women Ran Fifth Avenue: Glamour and Power at the Dawn of American Fashion)
You and I might have smidgens of autism and not realize it, especially if you happen to be a man. Scientists have sometimes described autism as an extreme version of the male brain. And in truth, of all the world’s autistics, only one fifth are female.3 This may be because women have more axons and dendrites, which are the pathways in the brain that enable it to work as a unit. Men’s brains have more neurons. In effect, this makes male brains less networked than women’s, but outfitted with more processing power, largely focused, it seems, on spatial and temporal capabilities. This doesn’t make one sex smarter or more talented than the other, simply different. It also helps explain, at least according to some scientists, why men are sometimes less socially tuned in than females, and why women are superior, generally, at reading social cues.
Chip Walter (Last Ape Standing: The Seven-Million-Year Story of How and Why We Survived)
Cults of beauty have been persistently homosexual from antiquity to today's hair salons and house of couture," Camille Paglia writes in Sexual Personae. "Professional beautification of women by homosexual men is a systematic reconceptualization of the brute facts of female nature." Barbie—who doesn't bleed, kvetch, or demand to choose her own outfits— may be, for some gay arbiters, the apotheosis of female beauty.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
This is not, however, to let Barbie off the hook. In the doll's early years, before women spoke openly about anorexia, Barbie's props encouraged girls to obsess on their weight. In addition to pink plastic hair curlers, Barbie's 1965 "Slumber Party" outfit featured a bathroom scale permanently set at 110. Mattel also gave her bedtime reading—a book called How to Lose Weight that offered this advice: "Don't Eat.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
I don’t know what instructions Nimiar gave her seamstress in private. I had expected a modest trunk of nice fabric, enough for a gown or two in the current fashions. What returned, though, just over a week later, was a hired wagon bearing enough stuff to outfit the entire village, plus three determined young journey-seamstresses who came highly recommended and who were ready to make their fortunes. “Good,” Nee said, when we had finished interviewing them. She walked about inspecting the fabulous silks, velvets, linens, and a glorious array of embroidery twists, nodding happily. “Just what I wanted. Melise is a treasure.” “Isn’t this too much?” I asked, astounded. She grinned. “Not when you count up what you’ll need to make the right impression. Remember, you are acquiring overnight what ought to have been put together over years. Morning gowns, afternoon gowns, riding tunics and trousers, party dresses, and perhaps one ball gown, though that kind of thing you can order when we get to town, for those take an unconscionable amount of time to make if you don’t have a team doing it.” “A team? Doing nothing but sewing? What a horrible life!” I exclaimed. “Those who choose it would say the same about yours, I think,” Nee said with a chuckle. “Meaning your life as a revolutionary. There are many, not just women, though it’s mostly females, who like very much to sit in a warm house and sew and gossip all day. In the good houses the sewers have music, or have books read to them, and the products are the better for their minds being engaged in something interesting. This is their art, just as surely as yon scribe regards her map and her fellows regard their books.” She pointed toward the library. “And how those at Court view the way they conduct their public lives.” “So much to learn,” I said with a groan. “How will I manage?” She just laughed; and the next day a new arrival brought my most formidable interview yet: with my new maid.
Sherwood Smith (Court Duel (Crown & Court, #2))
See, I have this theory that humans are just living, breathing, talking forms of art, each crafted with a different technique and carved out of different materials. Each beautiful in their own way. And sure, beauty is in the eye of the beholder, and totally subjective, and changes depending on your circumstance, yada-yada-yada… but most of the time, it’s pretty easy to classify people. Like, okay, you know those women who are gorgeous and never know it? Or the men who pass quietly through life, handsome and unnoticed, never begging for attention or crying out for recognition? Those are your watercolors. And the loud, vivacious, gorgeous-and-they-know-it creatures, with bright lipstick and closets full of bold colors and outfits they never wear twice? Acrylics. The graceful, elegant, aging beauties you pick out in the crowd, or across the cafe, the lines on their faces telling a story you just know you’d want to hear, with so many layers and smudges, twists and turns, you’re not even sure where they begin? Charcoals. Then, you’ve got the big-picture-beautiful people, with the collection of interesting features that together make a beautiful face. They’re your oil paintings — best from ten feet away and, at the end of the day, kind of funny looking if you lean closer and analyze all their elements separately. But I’m quickly learning that Chase Croft doesn’t fit any of my categories. He isn’t a brushstroke on canvas, or bumpy layers of paint on a palette, or imperfect lines scratched inside a sketchbook. His features aren’t just gorgeous as a collective — he’s one of those annoyingly attractive people whose every feature is equally stunning. He’s a sculpture.
Julie Johnson
Zach showed Kayla a sinister slideshow with eerie castles, dragons with razor-sharp talons, and fanged, busty women wearing skimpy black leather outfits with capes, which, Kayla thought, wasn't even logical. If it's cold enough for a cape, it's too cold for a leather bikini.
Thomas Pack (The Artsy Girl--in Bronze (The Artsy Girl, #1))
Despite the fact that her parents had both died when she was barely nine, and she’d had no mother to educate her in these matters, Eva was not ignorant on the subject of men and women. Mavis had seen to that. The girl spent most of her time working in the kitchens when not pressed into service as her lady’s maid, so it was in the kitchen with the rest of the servants that she slept, though she occasionally had slept in the great hall if Cook was in a mood. Sleeping there with all the rest of the servants, Mavis had seen—and eagerly recounted to Eva—much of what went on between a man and woman—at least among the servant class. The maid had described it as a sort of wrestling match that ended when the man took his pillock, “rather like a large boiled sausage,” she had described it, and stuck it up between the woman’s legs. Eva had never fancied the idea of having a boiled sausage shoved up between her legs and found her feet shifting together to press her thighs more tightly closed as she stood before the mumbling priest. Then her gaze dropped to the side of its own accord, to peer at the point where her husband’s boiled sausage would be. Although he normally wore his plaid, or had since she’d arrived, today Connall had chosen to wear the outfit she had seen him in at court for their wedding; a fine dark blue doublet and white hose. Eva was flattered that he had troubled himself to dress up for the occasion, but it meant that his figure was now rather on view and her eyes widened in alarm at the size of the bulge visible beneath the hose. Mavis had said that the bigger the bulge, the bigger the boiled sausage, and her husband appeared quite huge to her. Not that she had ever before seen a man’s sausage or troubled to notice the size of their bulge, but Connall’s bulge looked rather large to her anxious eyes. Eva squeezed her thighs a little tighter closed as she tried to imagine him wrestling her to the bed and assaulting her with his sausage. “Eva?
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
The book wasn’t the point of this meeting. It was an excuse to get together and talk about the same old crap with booze, better food, and fancier outfits. Leaning back on the couch, Annie listened numbly as the women gossiped about people she did not know and would probably never meet. They
Kathy Cooperman (Crimes Against a Book Club)
Now, now, Mason. Don’t forget once she’s designed for you, she’s no longer your product but rather your beautiful blushing bride.” “What do you think, Bradley?” Dr. Ivory asked. “Bradley?” This time, anger laced his tone. “Yes, sir?” Bradley looked at him with defeated eyes. “Do you think product number five will look good in this for the wedding night?” He sneered, and I swore it took every ounce of willpower not to jump across the table and gauge his fucking green eyes out. “Look at it, Bradley. Look at the outfit and tell us exactly your thoughts.” Dr. Ivory knew what he was doing. He was torturing that innocent young woman’s brother. The binder slid over toward us, and I looked at the image. A black lace outfit, combined with a dog collar-looking choker and leash was on the page, and the page beside it contained a white lace outfit with the same dog collar and leash. Suddenly it all started to piece together. The ‘white-therapy’ had to be some distorted way to make these women submissive? But how? This wasn’t some kind of rehabilitation; this was molding women to be subservient wives for these disturbed men.
Monica Arya (The Favorite Girl)
She wore pearls and bold colors. Her blouse and skirt were both super-tight. All the senior partners at FFD were dressed likewise. It had been Sadie Fisher’s idea. When Sadie first started representing women who had been sexually harassed or assaulted, she had been told to “tone down” the outfits, to wear clothing that was both drab and shapeless. Sadie hated that. It was more victim blaming and she wouldn’t stand for that. Now the lawyers on this floor did the opposite. “Working
Harlan Coben (Think Twice (Myron Bolitar, #12))
As always, the pictures on the wardroom walls caught my eye: framed reproductions of covers from ancient pulp magazines well over a hundred years old. The magazines themselves, crumbling and priceless, were bagged and hermetically sealed within a locker in the Captain’s quarters. Lurid paintings of fishbowl-helmeted spacemen fighting improbable alien monsters and mad scientists which, in turn, menaced buxom young women in see-through outfits. The adolescent fantasies of the last century—“Planets In Peril,” “Quest Beyond The Stars,” “Star Trail To Glory”—and above them all, printed in a bold swath across the top of each cover, a title… CAPTAIN FUTURE Man of Tomorrow
Allen M. Steele (Sex and Violence in Zero-G: The Complete "Near Space" Stories, Expanded Edition)
What are the traditional Pakistani outfits for women and men, and on what occasions are they worn?
Sabrinaz Collections
Every so often a feminist argument makes it into the public consciousness that even the most self-hating of young women will adopt. There was a lot of chat around then about slut-shaming, around men policing how women dressed, around what the term 'asking for it' actually meant. We had identified Fred Byrne's slut-shaming tendencies not two weeks prior. The idea was in my mind, and so I seized on this fragment of what Carey was saying -- dressed like this -- and ignored the context of what he was actually talking about. What he was talking about was secrecy, and the possibility that I was cheating on him. What I heard was a critique of my outfit. 'Fuck you, Carey?' I said, my voice low and serious. 'I can dress how I want.
Caroline O'Donoghue (The Rachel Incident)
Sonnet of Short Dress There is no short dress, only short sight, No obscene outfit, only eyes of obscenity. The world is no man's family heirloom, That it should be cherished by the men only. Instead of restricting a girl's right to expression, Teach boys, short dress isn't a sign of consent. If women cannot walk around freely as men do, Better sentence all men to lifetime imprisonment. Let all girls hear it loud, wear what you like to wear, Walk around naked if that's what you really want. And when an animal makes unwanted advances, Activate your knee 'n crush their beloved balls to pulp. Girls don't need protecting, they ain't fragile showpiece. Let's just raise boys as decent humans, not entitled bullies.
Abhijit Naskar (Honor He Wrote: 100 Sonnets For Humans Not Vegetables)
motioned to the owner. “What do you call this dog?” she asked. “She’s a Yorkie Poo. Six weeks. She just came in yesterday, and she’ll be gone in a few days. She’ll make a wonderful pet. I always recommend female dogs for women. You probably won’t believe this, but Yorkies are great little watchdogs.” Casey nodded. The moment the dog was placed in her hands, she knew she had a friend. She was so tiny she could fit in Casey’s raincoat pocket. She cradled the dog to her cheek. She felt so warm and so alive. Holding the puppy against her cheek, she meandered down the kitten aisle until she came to the last cage, where four kittens romped with a ball of string. “That one,” she said, pointing to a yellow tiger cat. “Good choice.” The owner beamed. The Yorkie licked at the kitten, who playfully swiped at her with one tiny paw. “They’ll get along, contrary to what you may have heard about dogs and cats. The kitten is just five weeks old, so the Yorkie will be boss, you’ll see. What else will you need?” Casey shrugged helplessly. “I never had an animal before. You tell me.” “Two kennels, two beds, leashes, food, a few toys, their own blankets, litter box and litter. It’s almost like outfitting a room for a new baby,” the owner said happily. “Can you deliver?” Casey asked anxiously. “Of course. If you like, I can drive you home with the animals. I’ll close the store for a little while. Do you live close by?” “Seventy-ninth, around the corner really. I appreciate it.
Fern Michaels (For All Their Lives)
It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.
Jane Washington (A Tempest of Shadows (A Tempest of Shadows, #1))
In the Catholic world, it is well established that modesty is more than just a hemline, but we cannot ignore the elephant in the room either. Few Catholics have yet to understand what it truly means to dress appropriately for Mass; many people dress as if they just came back from the beach or just rolled out of bed. Then we have the few, yet the loud, Catholics who seemed to have made it their life’s duty to remind others, regardless of time, place, or charity, that, according to them, their particular outfit is “of the devil.” While at the same time, many more Catholics, men and women, have come to believe that the amount of clothing that we wear doesn’t matter, as long as we have love in our hearts. But neither of these ideologies seem to coincide with Church Tradition. What we Catholics need to ask ourselves is, “If how we dress, most especially in the Presence of the Blessed Sacrament, is as vitally important as the Church has always said until lately, how then is it suddenly not an issue?
Julia Black (Catholic Modesty: What It Is, What It Isn't, and Why It's Still Important)
OVER SIZED T SHIRT OUTFIT IDEAS Over sized t shirts are flexible enough to be styled in different ways. Oversized t shirt is for both casual and stylish appearance. here few methods for women to wear a oversized t shirts. paired with leggings you can wear jacket on t shirts worn as a dress also stacked with a blazer paired with running tights you can wear with a baggy jeans with shoes with cargo pants also you can pair
apparalio
The quintessential French outfit is suitable for any time or place. It is made up of timeless classics: a good-quality blazer, a simple dress, classic jeans, smart, comfortable shoes, and minimal jewellery. The key to dressing like une vraie parisienne is simplicity.
Anastasia Pash (Travel With Style: Master the Art of Stylish and Functional Travel Capsules)
You and I have the most interesting jobs in the universe: We run the Intergalactic Steam Circus, a most outrageous and bizarre affair. Traveling in wildly colorful space clippers, we sail from planet to planet in a huge parade, landing just outside the major population centers, setting up our magnificent and gaudy tents, and selling the people our magic of noise, confusion, bright lights, and trickery. There are, of course, beautiful young women strutting like cats in scanty sequined outfits, and handsome young men with tanned and muscular bodies, their shirts open to the waist. But that’s not what draws the crowds, day after day, planet after planet. They come to see the machinery.
Kenn Amdahl (There Are No Electrons: Electronics for Earthlings)
So tonight I prepare: picking out the perfect outfit, shaving my legs, shaping my nails. All the things most women do to prepare for a date. But little do they know: killing a man is so much more satisfying than fucking a man could ever be.
Layne Fargo (They Never Learn)
I’m not suggesting that you juggle a dozen different guys and put your heart on the line, emotionally attaching yourself to every single one of them—far from it. You can play the field without trying to date the whole team! All I’m suggesting is that you try a bit to ease off the frantic search for happily ever after and start being happy right now. Allow yourself to date some “wrong” people. Spend time with people whose company you happen to enjoy, even if you don’t see yourself marching down the aisle with them tomorrow. Maintain a healthy perspective on dating and stop setting your heart, your soul, your emotions, and especially your self-worth out on the line with every single person you encounter. When the time is right, you will know, and the safeguards you’ve put in place will fall away naturally. But until then—relax! Have fun! Be yourself in an outfit you didn’t go out and buy specifically for the date. I have found, oddly enough, that most men tend to think women look a lot cuter in sweats and a ponytail than in a little black dress and Louboutins, anyway. (But ultimately, you should always dress for you and not for someone who may or may not end up becoming a significant part of your life.) Most of all, no more letting the swipe rule your life. Stop looking for any dating app or anyone you might meet on a dating app to bring you the happiness and completeness you should be giving yourself. Engage, converse, get out of your safe little comfort zone, and just get to know people with no other agenda than getting to know people. Approach dating from a place of, Do I like him? instead of always obsessing over, Does he like me? Sometimes we get so caught up in trying to make a good impression on someone we don’t even stop to ask ourselves if we are impressed with them. Finally, stop looking to every person to be the great love of your life, and allow dating to be a great adventure in your life. You’ll likely make some amazing friends out of it, you’ll definitely get some great stories out of it, and, who knows . . . having the time of your life just might lead you to the love of your life.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
I’m starting a foundation, Cameron. To help lower-income women get an education. We’ll provide books, tutors, pay testing fees, supplement tuition. We’ll provide a nice outfit for interviews, even. And then, when those girls get out into the workforce, we’ll continue to help them. Like a return on our investment in them, in a way. These women will help other girls like them. They’ll write legislation, provide health care, cure diseases, fight in courts against discrimination. They’ll teach and mentor and shelter, if need be. It’s going to be a charity, but a think tank too. Helping women to reach their potential, then helping them help other women.
L. Philips (Sometime After Midnight)
If I died in a freak accident while hurrying through Shibuya's notorious "scramble" intersection, where thousands of pedestrians crossed from all directions at once when the WALK light shifted to green, I hoped whoever performed my funeral service would know I died satisfied. Shibuya felt like being in the center of the vertical world, with tall buildings flashing advertisements, neon lights, and level after level of stores and restaurants visible through glass windows. So many people, so hurried, so much to look at and experience. Fashionista women wearing skinny pants with stiletto pumps riding bikes down crowded sidewalks. Harajuku girls with pink hair and crazy outfits. Loud izakaya bars where men's conversations and laughter spilled onto the street, and women walking by wearing kimonos with white socks tucked into flip-flops. Young people strutting around dressed in kosupure ("cosplay," Nik translated) outfits from their favorite anime, like it was Halloween every day here. TOO MUCH FUN. I didn't want to die, but if I did, I would tell the souls I met in the afterlife: Don't feel bad about my premature end. I saw it all in my short time down in the upworld of Tokyo.
Rachel Cohn (My Almost Flawless Tokyo Dream Life)
Think of everything cliché you know about the 1950s: housewives spent their days vacuuming with martinis in hand and a look of existential horror in their eyes, and every home was outfitted with a TV set.
Tori Telfer (Lady Killers: Deadly Women Throughout History)
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Okay, I’m just going to come right out and say it: A lot of women secretly hate Christmas. Now, don’t get me wrong. We love that picturesque moment in which the tree is lit, the fire is crackling, and children outfitted in matching candy-cane pajamas dance around the living room to Tchaikovsky, showing off armfuls of new toys while a twenty-pound ham bakes in the oven; we just hate the anxiety disorder we developed while attempting to produce it.
Rachel Held Evans (A Year of Biblical Womanhood)
She didn’t feel even a beat of resentment when pulling on the hijab in the mornings. Best of all, she no longer felt herself superior to Muslim women who didn’t wear it. Now she viewed it as her individual choice, and felt no disdain for girls who wore turban-style hijab or bandanna-style hijab or hijab over lacquered faces and blatantly sexy outfits. No one was perfect. Everyone sinned differently. For herself, she felt blessed from the very first day she put it back on. The massive drop in daily comments, come-ons, harassment, eyes perving their way up and down her body:
Azadeh Moaveni (Guest House for Young Widows: Among the Women of ISIS)
She didn’t feel even a beat of resentment when pulling on the hijab in the mornings. Best of all, she no longer felt herself superior to Muslim women who didn’t wear it. Now she viewed it as her individual choice, and felt no disdain for girls who wore turban-style hijab or bandanna-style hijab or hijab over lacquered faces and blatantly sexy outfits. No one was perfect. Everyone sinned differently. For herself, she felt blessed from the very first day she put it back on. The massive drop in daily comments, come-ons, harassment, eyes perving their way up and down her body: it was just a fact. Thanks be to God that she had the choice, and had found her way back to the choice.
Azadeh Moaveni (Guest House for Young Widows: Among the Women of ISIS)
They may even change outfits several times a day as their mood changes.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
It’s amazing what some women are willing to do to tip luck in their favor. To everyone’s surprise, when the MC announces the bride will bestow the honor of future nuptials on one of the singletons, Aunt Carmelita nearly stampedes all over the women at the wedding. From the very back corner of the room, a slash of purple comes running—for my wedding, Carmelita decided that Barney purple would gather the most attention, and it did. Trust me, between the in-your-face shade of her dress, earrings, clutch and matching shoes, her frou-frou British-style hat, and the lime-green belt cinched at her waist contrasting with the whole outfit, it’s impossible to miss her.
Scarlett Avery (Always & Forever (The Seduction Factor #6))
The price of your birthday outfits should go costlier with respect to the ages you lived.
Anwesha Mohanty (Anny)
The day of, he texts her and tells her to come by in a few hours, after his boys are in bed. Maggie gets dressed in the bedroom of her family home. She puts on a pair of jeans and a lightweight blue hoodie by Ruehl. She will mention the brand in the deposition, so you know she was proud of it. Tessa lent her the hoodie. They never had the brand Ruehl around Fargo; Tessa got it from the Cities. Getting dressed, picking out an outfit, Maggie is so nervous that she almost cancels. She doesn’t have a lot of clothes, so selecting the outfit doesn’t take long. She likes how she looks in the top. The subtle color.
Lisa Taddeo (Three Women)
Our clothing becomes a part of our bodies, both reflecting and shaping our personalities and helping us fit into various social roles—or making it hard for us to do so. An obvious example of this is women’s clothing in the mid-1800s, which consisted of large full skirts, frills, and boned corsets. These outfits not only sent the message that women were decorative objects, valuable mainly for their beauty; they also made it impossible for women to move around easily or quickly and harder for them to perform many types of physical tasks, which in turn served as a visual “evidence” that women were less competent than men. Most women internalized the dress codes of the time and only felt comfortable in such clothing. This in turn led some to think of themselves as helpless and fundamentally decorative: their clothing determined their social roles and ultimately their sense of self.
Richard Thompson Ford (Dress Codes: How the Laws of Fashion Made History)