“
She had been proud of his decision to serve his country, her heart bursting with love and admiration the first time she saw him outfitted in his dress blues.
”
”
Nicholas Sparks (The Lucky One)
“
Yes, boys are a little like shoes. Why? Well...They can be useful. But mainly...They are nice to look at. Getting the right one can be a lovely accessory to an outfit. There are times when you couldn't do without them. And there are times when you'd rather do without them. Get the wrong ones and they can hurt. There are many types and often the ones that look the nicest are completely unpractical.
”
”
Rachel Hill (A Girl's Guide to Guys: Meeting Them, Managing Them and All That Love Stuff)
“
Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
”
”
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
“
I want you. Right now. If you said yes, I would kiss you. I would kiss you until we both forgot that lips were made for anything other than kissing. I'd take you out of that outfit, as cute as it is. I want to see what you look like with nothing on. I want to make you sigh like you did with the cake. I want to be with you. Right now.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
There are certain outfits you have that make you feel good every time you wear them, and then there are outfits where you wore them too many times in a row because you liked them so much, and now they just feel like garbage.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Alice was scrutinizing my boring jeans-and-a-T-shirt outfit in a way that made me self-conscious. Probably plotting another makeover. I sighed. My indifferent attitude to fashion was a constant thorn in her side. If I'd allow it, she'd love to dress me everyday―perhaps several times a day―like some oversized three-dimensional paper doll.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
I'd rather hang out with five people that I love than with 400 strangers at a club who are all doing the up-and-down inspection thing. They appraise everybody from head to toe - the outfit, the handbag, the shoes, how much they weigh... I can't stand it!
”
”
Sophia Bush
“
There's also a lot of random stuff about poetry, flowers and lute music, plus kissing and cuddling (lots of this), wearing similar outfits, talking incessantly about the current object of devotion, and generally losing one's faculties.
”
”
Joanne Harris (The Gospel of Loki (Loki, #1))
“
...soft light ate away at the darkness and revealed a rather large room outfitted with a small kitchen, an antique-looking couch, and a… a bed. Nervously, I turned away and folded my arms. The place reminded me more of a love-nest than anything else. Then again, the stockpile of rifles hanging on the wall kind of ruined the cozy feel.
”
”
Jennifer L. Armentrout (Cursed)
“
You and Wes," she said, triumphant, "are just likethis ."
She was holding a book, a paperback romance. The title, emblazoned in gold across the cover, wasForbidden
, and the picture beneath it was of a man in a pirate outfit, eye patch and all, clutching a small, extremely
busty woman to his chest. In the background, there was a deserted island surrounded by blue water.
"We're pirates?" I said.
She tapped the book with one fingernail. "This story," she said, "is all about two people who can't be together
because of other circumstances. But secretly, they pine and lust for each other constantly, the very fact that
their love is forbidden fueling their shared passion."
"Did you just make that up?"
"No," she said, flipping the book over to read the back cover. "It's right here! And it's totally you and Wes.
You can't be together, which is exactly why you want to be. And why you can't admit it to us, because that
would make it less secret and thus less passionate.
”
”
Sarah Dessen (The Truth About Forever)
“
No one was expecting me but everyone is relieved I am here. I am dressed perfectly for this weather. I am so glad I chose this outfit. I know exactly how to dance to this music.[...] I can make anyone fall in love with me, as long as they aren’t close by.
”
”
Olivia Gatwood (Life of the Party)
“
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins.
Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went.
Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
”
”
Tim Tharp (The Spectacular Now)
“
I dressed in another new outfit courtesy of the guys, and which I didn't argue about given they kept
destroying my clothes in their eagerness to claim me. Ain’t love grand?
”
”
Eve Langlais (Hybrid Misfit (The Misfits #1))
“
He added, We knew it was going to be a big problem. You’ve got this guy with an army of upward of forty walking corpses that he acquired legally but was meant to bury a while back, it’s time for some hard conversations. He’s curing cancer, that’s great, but he’s bookended by two zombies that they’ve dressed in outfits, that’s bad. You’ve got a wizard out in the wop-wops who’s now got blanket bans from nearly every video upload site and a whole bunch of people have entered the country because of his YouTube channel, the government isn’t all, Love that small-business entrepreneur spirit. The government says, This is a cult.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
When I was little, I longed and longed to be older, except now I can't recall what exactly it was that I most keenly anticipated. Being allowed to stay up as late as I wanted? To wear or eat or read whatever I pleased? Well, I could do all those things now, but mostly I don't--either because I have to get up early for work the next morning, or haven't enough money to buy the outfit I really love, or for some other boring, grown-up reason. Also, children don't realize what a huge proportion of adult life is used up worrying about things--from what to make for dinner and whether one's sheets will get dry in time to make the beds that night, to whether one will ever manage to meet the right man and marry him. Shouldn't being a grown-up be slightly more exhilarating?
”
”
Michelle Cooper (The FitzOsbornes at War)
“
Of love and my parents, there is little to be written; their relationship to their children was utilitarian. We were fed and housed and dressed and outfitted with more cash than our associates and that was all. We were also vaguely taught certain vague absolutes: that we were better than no one but infinitely superior to everyone...
”
”
Lorraine Hansberry (To Be Young, Gifted and Black)
“
She thought she loved him. What do you have in your pocket?”
He smiled, drew out the gray button that had fallen off her very ugly suit the first day they’d met.
“See?” She couldn’t say why that stupid button moved her so damn much. “People in love keep things. Sentimental things.”
“What do you have?”
She pulled the chain, and the tear-shaped diamond from under her shirt. “I wouldn’t wear this for anybody but you. It’s embarrassing. And—”
“Ah, something else.”
“Shit. I’m tired. It makes me gabby. I have one of your shirts.”
His brow creased in absolute bafflement. “My shirts?”
“In my drawer, under a bunch of stuff. You lent it to me the morning after our first night together. It still sort of smells like you.”
For a moment, the worry on his face simply dissolved. “I believe that’s the sweetest thing you’ve said to me in all our time together.”
“Well, I owed you. Besides, you have enough shirts to outfit a Broadway troupe. So, help me toss the room?”
“Absolutely.
”
”
J.D. Robb (New York to Dallas (In Death, #33))
“
Outside the guys' athletic dorms, I attempt to stand in front of Beth as she searches for my brother's room number. Beth wears a cotton T-shirt that hugs her slim form and ends a half inch short of her low-rise jeans. With her smooth skin tempting me in very right, yet wrong, places, I would bet my Jeep that the outfit doesn't have Scott's seal of approval. Don't get me wrong, I love it, and so does every guy walking in and out of the dorms. She's my girl and I prefer to be the only one looking at her.
”
”
Katie McGarry (Dare You To (Pushing the Limits, #2))
“
Youth hates age, age loves youth. This means we are born for unhappiness. This means we will keep buying outfits.
”
”
Kae Tempest (Hold Your Own (Picador Collection))
“
Love wasn’t an outfit you slipped in and out of when it suited you; it was your skin, your bones, your blood.
”
”
Valerie Valdes (Chilling Effect (Chilling Effect, #1))
“
The Poet's Outfit"
You saw a broken heart
And salvaged its hollow chambers
With the quintessence of
Vibrancy
Desire
Prophecy
Madness
Soul
Sin
& the wisdom of the over self.
”
”
Liethers
“
Now, even when I make an outfit for myself, I wonder what other people will think. The truth is that I secretly love what seems to be my own individuality, and I hope I always will, but fully embodying it is another matter. I always want everyone to think I am a good girl. Whenever I am around a lot of people, it is amazing how obsequious I can be. I fib and chatter away, saying things I don't want to or mean in any way. I feel like it is to my advantage to do so. I hate it. I hope for a revolution in ethics and morals. Then, my obsequiousness and this need to plod through life according to others' expectations would simply dissolve. Oh,
”
”
Osamu Dazai (Schoolgirl)
“
In my younger days dodging the draft, I somehow wound up in the Marine Corps. There's a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful.
The Marine Corps teaches you how to be miserable.
This is invaluable for an artist.
Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys, or flyboys, all of whom they despise. Why? Because these candy-asses don't know how to be miserable.
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.
The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell."
Page 68
”
”
Steven Pressfield (The War of Art)
“
There are certain outfits you have that make you feel good every time you wear them, and then there are outfits where you wore them too many times in a row because you liked them so much, and now they just feel like garbage. I'm looking at my closet now and everything is garbage.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
This is what I'm wearing. This is my favorite thing to wear, and since it's the last time I'll ever get to choose my own outfit, I'm choosing this, because I love it and it's mine. I don't care what I look like.
”
”
Amy Ewing (The Jewel (The Lone City, #1))
“
His outfit wasn't what she was looking at, though. It was his eyes. They were always so bright, and with his hair falling into them, she was finding it hard to form coherent thoughts. But the she noticed that he hadn't shaved.
For the love of God.
”
”
Toni Aleo (Empty Net (Assassins, #3))
“
Anita Johnston, Ph.D., author of Eating in the Light of the Moon, taught me to look in the mirror with curiosity rather than fear. So I may look at my reflection and think, ‘That’s interesting. I wonder why my body seems bigger today than it did yesterday. Maybe it’s water weight. Maybe it’s my outfit. Or maybe my eyes are just playing tricks on me.’ I know it’s not possible for me to gain a noticeable amount of weight overnight, so I will go no further than that. I move on with my day without skipping a beat—and definitely without missing a meal.
”
”
Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
“
The marine corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction in having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swabjockies, or flyboys, all of whom they despise. Why? Because those candyasses don't know how to be miserable.
The artist committing himself to his calling has to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not, he will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that marine: he has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier, or swabbie, or desk jockey, because this is war, baby, and war is hell.
”
”
Steven Pressfield (The War of Art)
“
I’m the man who’s going to put your lush body on the back of his bike and take you to my flat. Then I’m going to take every piece of that lovely outfit off that lush body. Then I’m going to take you to my bed and I’m going to memorise, slowly, every inch of your skin. Then I’m going to watch you come while I’m inside you. That’s who I am.” Her
”
”
Kristen Ashley (Three Wishes)
“
When you date as many women as I have, you learn that everyone has a construct they want to portray. Personalities become like outfits: carefully curated, a smokescreen for the brokenness inside. It’s hard to tell what’s underneath the layers everyone is wearing. Billie is the first woman I’ve met who comes at you naked. She admits when she’s wrong, isn’t afraid of telling you the terrible truth about what she’s done, and doesn’t have a secret agenda. She is what she is and that’s exactly what I fell in love with.
”
”
Tarryn Fisher (F*ck Marriage)
“
three years ago we went to sleep.
innocent feelings of happiness and maybe some stress,
we had our outfits picked out, like a red and pink dress.
bears and chocolates and roses were in our backpacks,
that would become our protection just the next day.
if I could go back, I would say
hold your loved ones tighter,
use your voice and become a fighter.
nothing is promised and it is okay to be upset,
we will move forward, but never forget.
tragedy doesn't get easier, we get stronger.
just promise me you will hold on longer.
”
”
Brittany Sinitch
“
And I could stand here, stare at my closet, and agonize over the fact that my grad school nemesis saved my life. Or I could bask in my excitement and pick an outfit.
”
”
Ali Hazelwood (Love on the Brain)
“
The right outfit and the right pair of shoes can change a woman’s life! If you don’t believe me, just ask Cinderella!
”
”
Summer Cooper (Too Much To Love: A Ten-Book Romance Box Set)
“
On vacation you can be anyone you want
Like a good book or an incredible outfit, being on vacation
transports you into another version of yourself.
In your day-to-day life, maybe you can’t even bob your head to the
radio without being embarrassed, but on the right twinkly-light-strung patio, with the right steel drum band, you’ll find yourself whirling and twirling with the best of them.
On vacation, your hair changes. The water is different, maybe the shampoo. Maybe you don’t bother to wash your hair at all, or brush it, because the salty ocean water curls it up in a way you love. You think, Maybe I could do this at home too. Maybe I could be this person who doesn’t brush her hair, who doesn’t mind being sweaty or having sand in all her crevices.
On vacation, you strike up conversations with strangers, and forget that there are any stakes. If it turns out impossibly awkward, who cares? You’ll never see them again!
”
”
Emily Henry (People We Meet on Vacation)
“
I regard a love for poetry as one of the most needful and helpful elements in the life-outfit of a human being. It was the greatest of blessings to me, in the long days of toil to which I was shut in much earlier than most young girls are, that the poetry I held in my memory breathed its enchanted atmosphere through me and around me, and touched even dull drudgery with its sunshine.
”
”
Lucy Larcom
“
Naomi Wolfe, journalist and author of The Beauty Myth, writes, “A culture fixated on female thinness is not an obsession about female beauty but an obsession about female obedience. Dieting is the most potent political sedative in history. A quietly mad population is a tractable one.”31 Wolfe strategically illustrates how body-shame social messaging is used as a means of controlling and centralizing political power. We need look no further than the 2016 U.S. presidential election to see Wolfe’s thesis in action. Candidate Hillary Clinton was exhaustingly scrutinized about her aesthetic presentation. Outfits, makeup, hairstyles were all fodder for the twenty-four-hour news cycle. Even the pro-Hillary, hundred-thousand-plus-member Facebook group Pantsuit Nation chose her penchant for eschewing skirts and dresses as the name of their collective, inadvertently directing public focus to her physical appearance rather than her decades of political experience.
”
”
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
“
He loved me, but I also think he was infatuated with somebody in me I wasn't so crazy about. If Nate was the one who saw Kate Pierson underneath my grubby disaffect when we met, David tried to strip away all of Kate's lovely lashes and wigs and iridescent outfits to reveal what he was confident was the mousy, wide-eyed ragamuffin little girl that he wanted to love me as, and who he wanted me to be.
”
”
Julie Klausner
“
What…” My voice sliced through the air like a whip. “Is going on here.” It wasn’t a question. I knew what was going on. The setup, the rumpled bed, Ava’s outfit…they were in the middle of a photo shoot.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
We knew it was going to be a big problem. You’ve got this guy with an army of upward of forty walking corpses that he acquired legally but was meant to bury a while back, it’s time for some hard conversations. He’s curing cancer, that’s great, but he’s bookended by two zombies that they’ve dressed in outfits, that’s bad. You’ve got a wizard out in the wop-wops who’s now got blanket bans from nearly every video upload site and a whole bunch of people have entered the country because of his YouTube channel, the government isn’t all, Love that small-business entrepreneur spirit. The government says, This is a cult.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
What does a woman do as she waits for her man? She may wash her hair, put on makeup, choose the kind of outfit any woman would be eager to try on, spray on perfume, and look at herself one last time in the mirror. If she does these things, it's when she and the man she's waiting for are in love. It's different when a woman waits for a man she still loves but who has broken up with her, because the pure joy of it is missing. Loving someone is like carving words into the back of your hand. Even if the others can't see the words, they, like glowing letters, stand out in the eyes of the person who's left you. Right now, that's enough for me.
”
”
Kyung-ran Jo
“
Spring; I fell for a boy who loved the rain every time he saw the sky’s tears he would run out and stand in the middle of the street so i would chase him and then complain because the rain was messing up my hair or my outfit and he would always say “That’s because you aren’t feeling the rain all you’re doing is getting wet” When spring left he left too and i wept like the sky did hoping he would come back to feel the rain again
”
”
Mae Krell (All The Things I Never Said)
“
Small talk depletes creativity. Social media stifles thought. Even choosing an outfit every morning is needless effort. So, for one week, we will let all that nonsense go. We will engage instead with big talk. Character. Plot.
”
”
Sophie Kinsella (Love Your Life)
“
I look ridiculous.” “You look like a beautiful baseball player.” He paused and grinned. “And that blush looks lovely with your outfit.” She rolled her eyes. “Have you forgotten I have a bat in my hands?” “Ah, but can you use it?
”
”
Lorna Seilstad (A Great Catch)
“
If you step a foot outside this room in that outfit, I’ll not only delete every picture on this camera, but I will destroy your ‘friend’s’ career until he has to resort to advertising shitty five-dollar-an-hour headshots on Craigslist.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
SHE WAS A KNOCKOUT. A stoned fox. I’d never seen her before. Not one of the cutesy Irish Barbie Dolls I normally fell for, this was something of a different class altogether. No disco glam or sparkles or fashionably trashy stripper chic. No make-up or slutty, revealing outfit. No desperate, tits-in-your-face “notice me” B.S. This was something pure and earthy -- fresh as newly cut grass. The smoking-hot girl next door, but yet completely of another world and time. A true classic.
”
”
Quentin R. Bufogle (KING OF THE NEW YORK STREETS)
“
As I look through my box of photos, my eyes well up with tears as I hold in front of me, the one of my brother Spence when he was five years old. He looks so cute in his cowboy outfit, drawing his toy pistols as if he were having a showdown with nasty outlaws.
”
”
Terra Lorin (Love You Always)
“
This is what it’s like to love an unreliable man, or to have an untenable job, or an unsteady parent, or an ill child. It is the outfit you constantly dress up and down, accessorising it according to what insecurities hang well, what caveats are the most slimming.
”
”
Caroline O'Donoghue (The Rachel Incident)
“
You’re thinking she doesn’t see your outfit, or the color of your shoes. What she does see is You! I think you could stand in a line of a thousand people all wearing costumes and she would see you out of all of them. She loves you and you can’t camouflage yourself from love like that.
”
”
Linda Armstrong (Mission: Subhero)
“
Oh, it's a beautiful day, it's an elegant, graceful day, and I'm sailing down the Strip in glamorous Las Vegas, on my motor scooter, in company with a certified illegal prostitute who loves poetry and remembers it. Sonofabitch, I'm a real writer! I used to worry about it, but no more. Life is good.
”
”
Peter S. Beagle (I See by My Outfit)
“
they filled her with the most astonishing sensation of synthesis-as though all the most disparate elements of her biography were at last knitting together. All the things that she had ever known or loved in the world were stitching themselves up and becoming one thing. Realizing this made her feel both unburdened and triumphant. She had that feeling again--of being most spectacularly alive. Not merely alive but outfitted with a mind that was functioning at the uppermost limits of its capacity--a mind that was seeing everything, and understanding everything, as though watching it all from the highest imaginable ridge.
”
”
Elizabeth Gilbert (The Signature of All Things)
“
Aasha readied herself. In the other rooms, she heard her sisters squabbling over lost cosmetics and borrowed outfits, arguing over the philosophical merits of one poem compared to another. Their love and gentle fights had been the music of her life for so long. But beyond the tent, a different song called out to her.
”
”
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
“
As a teenager, I loved how I looked in the outfit of using drugs and exercising poor judgement. I had tried it on, spun around in the mirror, and decided I would choose this look, this image, this identity. But eventually and without realising it, the ability to choose had gone. I had become what at first I had only pretended to be.
”
”
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
“
Our bodies cannot truly be hidden, no matter how many black outfits we wear. No matter how many pairs of Spanx we own. No matter how much we suck it in. Doesn't it seem like a better use of our time to just accept the fact that our bodies are our bodies and live our lives like there is no tomorrow? I'm pretty sure the answer is yes.
”
”
Jes Baker (Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living)
“
Breathtaking.
That was the word, Liv decided, which had convinced her to wear the ludicrous outfit, because no one - not the one, solitary boyfriend she'd had during high school, or the leering frat boys she avoided at college parties - had ever spoken to her with such reverence. And with Xander beaming down at her, she did feel beautiful.
”
”
Danika Stone (All the Feels)
“
The Kids at the ranch weren’t hip to exactly how much Charlie wanted to be a rock star. How much he wanted fame, money, and recognition. Because to them, Charlie preached against those base desires.
They thought Charlie was on a spiritual path to enlightenment.
They thought Charlie’s true desire was to pass on that enlightenment.
They thought Charlie’s goal was to create a new world order guided by that enlightenment and love for all Mankind.
They believed Charlie had a higher purpose, because he told them he did, and they believed him. It never would occur to them that he’d ditch all that horseshit in a minute to put on revolutionary war outfit and trade places with Mark Lindsay.
”
”
Quentin Tarantino (Once Upon a Time in Hollywood)
“
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route.
You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit.
When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving.
On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers.
And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour.
Now…Guess what happened?
Nothing! No horns and no fingers.
But why?
When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak.
Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily.
Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
In my younger days dodging the draft, I somehow wound up in the Marine Corps. There's a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful. The Marine Corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction from having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys or flyboys, all of whom they despise. Why? Because these candy-asses don't know how to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.
”
”
Steven Pressfield (The War of Art)
“
You’re sexy. You’re innocent. Or at least, you come across that way. But there’s more to you than that. Behind all that sweetness, all that pretty hair and cute outfits and red lipstick, there’s a power. You’re sure of yourself. You know what you’re doing. And you don’t compromise, you don’t back down. It’s what makes you irresistible to my clients. And irresistible to me.
”
”
Chance Carter (Love in New York (American Boyfriend, #5))
“
On Sunday, get ready to have two million people cheering you on,” Jessie said. “Laney is making you a shirt with your name on it so people will know to yell your name out.” Mr. Beiderman groaned. “I was hoping she had forgotten about that shirt.” “You’re going to love it,” Orlando said. “It will give you a boost when you’re running. And it will help the cross-country team find you when we join you on the course.” “I want to wear this,” Mr. Beiderman said, gesturing to his all-black workout clothes. “No, no,” Jessie said, wagging a finger at him. “Laney’s heart would be broken.” “C’mon,” Orlando said. “It’ll be fun. People wear all sorts of funny things when they run the marathon. Chicken costumes. Superhero outfits complete with fake muscles. Business suits. A T-shirt with your name on it will look tame in comparison.” “Laney has been excited about making your marathon shirt for weeks,” Jessie reminded him. “Fine,” Mr. B grumbled. “I’ll wear it.” Jessie smiled. “Good. Also, this might be a good time for me to warn you that she’s putting a lot of glitter on it.” Mr. Beiderman sighed, and Jessie and Orlando laughed.
”
”
Karina Yan Glaser (The Vanderbeekers Lost and Found)
“
Doris loves Superman as well.unfortunately, she got knocked down by a van last year, and it was a big, long recovery for her, really. It took about six months, didn't it, before she was fully back to normal. She never gone back to normal. She's got a bionic leg now, which made her twice as fast and twice as stupid. You know, but she's just such good fun. But anyway,like she had a bit of a low point, you know, when she got really fed up, you know, with those stupid lampshade collars, you know, that they have on their head. Ugh, bumping into everything, she was walking about sighing. Ugh, like that, you know, and if you've ever been known or been with the terriers, but that ball of energy,you know, and she wasn't allowed to be for a walk or anything. It was awful. So to cheer her up, I bought her a little Superman outfit for dogs. When you get home, you look online. They are absolutely brilliant. You can get Wonder Woman and Darth Vader, all sorts. They're the funniest thing I have ever seen in my. The front paws, the front legs go in Super man's legs, you know, and it like covers up the paw with these little, red boot things on the bottom. And it comes up and ties around the neck, and there's tube stuff down from the front. So from the front, it's like a tiny, little Superman with a dog's head. And then, on the back there's this cape. So when she trots around, it looks like she's flying! Ah, it's brilliant! And she loves it. I couldn't get it off for about a week. It's honestly, they're absolutely brilliant, you must check it out. So anyway, tonight this is for Doris.
”
”
Kate Rusby
“
One of the great divides, I think, between people who date a lot and people who date never is that people who date never don’t understand putting up with “fine.” I can’t begin to conceive of why anybody would voluntarily spend great chunks of her free time dedicated to someone she doesn’t adore, because I never do that. My dater friends, on the other hand, do this all the time. I know this because I’m the one they meet up with after, and I’m the one who has to try to understand why my otherwise brilliant friends keep hanging out with people about whom they only have bad (or very, very mediocre) things to say. A person who has spent her life planning her free time based only on herself, and the friends she knows she loves, can’t understand this. Why would I want to go out to dinner and a movie with someone I’m not completely crazy about when I already know how much I like eating dinner and watching a movie by myself, or with Rylee? Getting someone else involved means I have to put on a nicer outfit and stress out about the way I look chewing my food. If I’m going to have to consider my chewing face, I only want to do it for someone I think I might be able to really like. I know that might make it harder for me. I know there is a possibility—a very little one, though, that I have a hard time really believing in—that chemistry can grow where there wasn’t any to begin with. I know that if I don’t put myself out there, I won’t just answer my door someday to find my perfect spouse waiting on the other side of the stoop. AND I know that if that did happen, I should probably call the police.
”
”
Katie Heaney (Never Have I Ever: My Life (So Far) Without a Date)
“
Carol wants to get some new clothes,” Nancy explained. “Want to help?” “You bet!” Bess and George answered. When the store closed that evening, the four girls left it chatting merrily and laden with bundles. Carol had been outfitted from head to toe in attractive clothes. Her hair had been trimmed and modishly combed at the beauty salon. She looked very lovely and seemed to have gained self-confidence.
”
”
Carolyn Keene (The Sign of the Twisted Candles (Nancy Drew, #9))
“
When I first envisioned myself running, I saw myself as Jodie Foster’s Clarice Starling in the opening scenes of The Silence of the Lambs. So strong, so focused, so proud. She is utterly confident, completely single-minded about her training run across a terrifying assault course. At one point she runs past a tree with the sign HURT AGONY PAIN LOVE IT stapled to it. She doesn’t care what she looks like; she has shit to do, and she is going to get it done. And yet . . . she is wearing a phenomenally impractical outfit. She is in a heavy cotton sweatshirt and tracksuit bottoms and is drenched in sweat. The top is sticking to both her chest and back and looks painfully heavy. She is summoned by a colleague and heads inside past a roomful of people dressed in khaki, faffing around with guns, and then gets into an elevator. All in the heavy, damp cotton. That wet fabric must have gotten incredibly cold the minute she stopped running, and it bothers me whenever I think of the poor woman in that meeting. For years the scene was my running inspiration, yet now I am unable to watch the first hour of the film without worrying about whether Clarice is shivering from the horrors of Hannibal Lecter or because she caught a dreadful chill.
”
”
Alexandra Heminsley (Running Like a Girl: Notes on Learning to Run)
“
What had she meant by that? I asked myself time and time again, but mostly I didn’t give two flying fucks about the fates, instead just wishing she’d texted I love you, Mer before safely going to bed that night. Finally I had my answer. Yes, Claire had met a boy in New Orleans. Just not one for herself. “Stephen,” she’d decided back when we were still young enough to match our outfits and joke about who I would marry someday. “His name will be Stephen!
”
”
K.L. Walther (The Summer of Broken Rules)
“
When you hear about gay pride, do not think of the silly men in their drag queen outfits — think of kids being kicked out of their homes for something all evidence shows is genetic. Think of the higher rate of suicide, alcoholism, drug abuse among young gay people. Think of the children growing up in a church where they are taught to love God but taught that God has no place for them, no matter how good they are. It’s what you do with your sexuality that makes a difference.
”
”
Laura Allen (The Days Still Left)
“
Has someone made you feel shame for taking selfies? For daring to believe so much in your beauty, in your style, in your badassery, in your joy, in your body, in your sensuality, in your humanity that you'd be so audacious, so bold, so (insert judgmental word of choice here) to want to witness and be witnessed for who and what you are. ⠀
⠀
Has someone out there sold you their own truth that this is conceited or narcissistic or superficial? How dare you think so much of yourself that you stop to take a photo?⠀
⠀
Forget. those. people. ⠀
⠀
Seriously. You are worthy of capture. Of celebration. Of admiration. You are worthy of being seen and witnessed. Of being looked at with awe and with joy. Just as you are, right now. All made up and wearing the outfit that makes you feel like you can take on the world or just waking up in bed, bare skin and messy hair and eyes hazy with dreams. ⠀
⠀
Here's the thing. Self-portraiture in art is as old as time. We are fascinated with the visible proof of our own existence, our own reality, and for damn good reason. We are infinite and complex and ever changing. We are majestic and mundane. Self-portraits, regardless of the medium, offer us a way to capture ourselves at a specific moment in time. ⠀
⠀
For me, this is an act of self-love. Of self-honoring. Of owning myself as beautiful and sovereign. It is the way I learned to look at myself without needing to look away. It is how I learned to trace the lines of my own being with the sort of admiration I used to reserve for others, for those I loved or for rarified celebrities I never thought I could live up to. ⠀
⠀
When I stop to take a photo of myself, it is a way to say that I am here. I have something to say that can't be spoken in words. It might be deep and poetic, or maybe I just damn well love my outfit and think you should see it. And that yes, it is a way to say I want to be seen and I no longer hold shame in that wanting.
”
”
Jeanette LeBlanc
“
She replaced her wardrobe with marvels of the season bought from boutiques of the Palais-Royal and rue de la Chaussee-d'Antin. Outfits for a ball detailed in the fashion pages of the January 1839 edition of Paris Elegant describe dresses of pale pink crépe garnished with lace and velvet roses and accessorized with white gloves, silk stockings, and white cashmere or taffeta shawls. In the spring of that year, misty tulle bonnets came into fashion worn with capes of Alencon lace - “little masterpieces of lightness and freshness.“
Her bed was her stage, raised on a platform and curtained with sumptuous pink silk drapes. The adjoining cabinet de toilette was also a courtesan’s natural habitat, its dressing table a jumble of lace, bows, ribbons, embossed vases, crystal bottles of scents and lotions, brushes and combs of ivory and silver.
She indulged her sweet tooth with cakes from Rollet the patissier, glaceed fruit from Boissier, and on one occasion sent for twelve biscuits, macaroons, and maraschino liqueur.
”
”
Julie Kavanagh (The Girl Who Loved Camellias: The Life and Legend of Marie Duplessis)
“
I fall in love with one special hat, but it happens to be on the head of the old Indian who is waiting on us. It is an old black hat, broken with white lines where it must have been crumpled and stepped on and kicked, and its brim droops like a hound's ear all along one side, but it is a wonderful hat, a magic hat. D'Artagnan wore a hat like that when he came up from Gascony, and Don Quixote wore a hat like that when he went home at last. Around the crown its owner has placed a thin silver band, as simply made as a wedding ring. They do look long-married, the old man and his black hat.
”
”
Peter S. Beagle (I See by My Outfit)
“
How to Come Out as Gay Don’t. Don’t come out unless you want to. Don’t come out for anyone else’s sake. Don’t come out because you think society expects you to. Come out for yourself. Come out to yourself. Shout, sing it. Softly stutter. Correct those who say they knew before you did. That’s not how sexuality works, it’s yours to define. Being effeminate doesn’t make you gay. Being sensitive doesn’t make you gay. Being gay makes you gay. Be a bit gay, be very gay. Be the glitter that shows up in unexpected places. Be Typing . . . on WhatsApp but leave them waiting. Throw a party for yourself but don’t invite anyone else. Invite everyone to your party but show up late or not at all. If you’re unhappy in the closet but afraid of what’s outside, leave the door ajar and call out. If you’re happy in the closet for the time being, play dress-up until you find the right outfit. Don’t worry, it’s okay to say you’re gay and later exchange it for something else that suits you, fits, feels better. Watch movies that make it seem a little less scary: Beautiful Thing, Moonlight. Be southeast London, a daytime dance floor, his head resting on your shoulder. Be South Beach, Miami, night of water and fire, your head resting on his shoulder. Be the fabric of his shirt the muscles in his shoulder, your shoulder. Be the bricks, be the sand. Be the river, be the ocean. Remember your life is not a movie. Accept you will be coming out for your whole life. Accept advice from people and sources you trust. If your mother warns you about STDs within minutes of you coming out, try to understand that she loves you and is afraid. If you come out at fifteen, this is not a badge of honor, it doesn’t matter what age you come out. Be a beautiful thing. Be the moonlight, too. Remember you have the right to be proud. Remember you have the right to be you.
”
”
Dean Atta (The Black Flamingo)
“
What do you think is sexy?” said Nona, in her normal voice.
Pyrrha seemed pleased to think about something different, and waited until the bubbles were getting really big before she took the spatula and slid it under a rising patty, flipping it over. Nona had come up by her elbow to watch.
“Do you want to know what I really think is sexy, or what I’d tell someone if they asked and I wanted to impress them?”
Nona was pleased Pyrrha understood.
“The first one.”
“Landmine people,” said Pyrrha, and when she saw Nona’s brows cross in confusion, she said: “Some people were put into the universe to rig it to explode, then walk away… I always fell for that.”
Nona thought she got it, but was unsure on a few points.
“But you can’t really tell that about someone when you first look at them.”
“Oh, you can,” said Pyrrha. “You haven’t looked for it.” She flipped over another pikelet, looked grave and intelligent for a moment, and then said: “I mean, also redheads. Love a redhead.”
Apart from Pyrrha, whose hair was a very deep dark russet, Honesty was the only redhead that Nona knew, and Honesty had big, pallid blue eyes that he could make float in different direction, when one wasn’t smushed. He also had skin like a horrible ghost’s. You could see all the veins in his eyelids. Nona said, “Okay. I don’t think redheads are sexy.”
“What? Hang on,” said Camilla, opening the door—no, Palamedes, opening the door, busy buttoning himself into Camilla’s jacket—“That’s a very interesting thing you just said, Nona. Let me write that down. Is that pikelets Pyrrha? You’re a legend.”
Nona wondered how Palamedes couldn’t see the hitch in Pyrrha’s shoulder, nor all the crinkles in her posture or her clothes that screamed PARK…PARK…PARK…, but took her moment.
“Palamedes, what do you think is sexy?”
“Those little outfits nurses wear,” said Palamedes promptly.
So Camilla had been lying, after all.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
Camelot—Camelot," said I to myself. "I don't seem to remember hearing of it before. Name of the asylum, likely." It was a soft, reposeful summer landscape, as lovely as a dream, and as lonesome as Sunday. The air was full of the smell of flowers, and the buzzing of insects, and the twittering of birds, and there were no people, no wagons, there was no stir of life, nothing going on. The road was mainly a winding path with hoof-prints in it, and now and then a faint trace of wheels on either side in the grass—wheels that apparently had a tire as broad as one's hand. Presently a fair slip of a girl, about ten years old, with a cataract of golden hair streaming down over her shoulders, came along. Around her head she wore a hoop of flame-red poppies. It was as sweet an outfit as ever I saw, what there was of it. She walked indolently along, with a mind at rest, its peace reflected in her innocent face. The circus man paid no attention to her; didn't even seem to see her. And she—she was no more startled at his fantastic make-up than if she was used to his like every day of her life. She was going by as indifferently as she might have gone by a couple of cows; but when she happened to notice me, then there was a change! Up went her hands, and she was turned to stone;
”
”
Mark Twain (A Connecticut Yankee in King Arthur's Court)
“
Who do you think is angriest right now? In our country, I mean.” I shrugged. “African Americans?” She made a buzzing noise, a sort of you’re-out-but-we’ve-got-some-lovely-consolation-prizes-backstage kind of a sound. “Guess again.” “Gays?” “No, you dope. The straight white dude. He’s angry as shit. He feels emasculated.” “Honestly, Jacko.” “Of course he does.” Jackie pointed a purple fingernail at me. “You just wait. It’s gonna be a different world in a few years if we don’t do something to change it. Expanding Bible Belt, shit-ass representation in Congress, and a pack of power-hungry little boys who are tired of being told they gotta be more sensitive.” She laughed then, a wicked laugh that shook her whole body. “And don’t think they’ll all be men. The Becky Homeckies will be on their side.” “The who?” Jackie nodded at my sweats and bed-matted hair, at the pile of yesterday’s dishes in the sink, and finally at her own outfit. It was one of the more interesting fashion creations I’d seen on her in a while—paisley leggings, an oversized crocheted sweater that used to be beige but had now taken on the color of various other articles of clothing, and purple stiletto boots. “The Susie Homemakers. Those girls in matching skirts and sweaters and sensible shoes going for their Mrs. degrees. You think they like our sort? Think again.
”
”
Christina Dalcher (Vox)
“
There was also in his nature a trait which some people might have called laziness, though it was not quite that. No one was capable of harder work, when it had to be done, and few could better shoulder responsibility; but the facts remained that he was not passionately fond of activity, and did not enjoy responsibility at all. Both were included in his job, and he made the best of them, but he was always ready to give way to any one else who could function as well or better. It was partly this, no doubt, that had made his success in the Service less striking than it might have been. He was not ambitious enough to shove his way past others, or to make an important parade of doing nothing when there was really nothing doing. His dispatches were sometimes laconic to the point of curtness, and his calm in emergencies, though admired, was often suspected of being too sincere. Authority likes to feel that a man is imposing some effort on himself, and that his apparent nonchalance is only a cloak to disguise an outfit of well-bred emotions. With Conway the dark suspicion had sometimes been current that he really was as unruffled as he looked, and that whatever happened, he did not give a damn. But this, too, like the laziness, was an imperfect interpretation. What most observers failed to perceive in him was something quite bafflingly simple—a love of quietness, contemplation, and being alone.
”
”
James Hilton (Lost Horizon)
“
Sometimes I don’t know how any of us go on. Sometimes I fear there’s no way our species will survive our own self-destructive choices. Sometimes I feel so gut punched by the backward deal of the universe—that if you’re really lucky, you get people in your life to love, and then, over time, they will all either leave you or die—that I am angry at life. Actually, not sometimes. Always. I always feel that way. I don’t always actively think about it, but it’s in there. At the same time, I am always looking for some gratitude, warmth, or hope. I often have to really search for it, but when I see something that makes me feel joy—even just a tiny odd hardly anything—you’re damn right I applaud it. Way to go, adorable cat on a leash! Thank you, server who brought my hot pizza! Kudos, writers of a TV show that made me laugh! Hallelujah, sunshine after a week of storms! Yay for a good hair day, yippee for hot coffee, huzzah for an outfit that puts bounce in my step. If I can scrape up some evidence of a thing made beautifully or a gesture made kindly, then I can believe, for a few seconds, that this world is careful and kind. And if I can believe that, I can believe it is safe to let the people I love walk around out there. It’s my own attempt at foresparkling, seeking out hints of good, even planting them myself, so I can believe there’s more good to come. It might all be superstition, just mental magic, but why not try?
”
”
Mary Laura Philpott (Bomb Shelter: Love, Time, and Other Explosives)
“
Patience outfits faith, guides peace, assists love, equips humility, waits for penitence, seals confession, keeps the flesh in check, preserves the spirit, bridles the tongue, restrains the hands, tramples temptation underfoot, removes what causes us to stumble, brings martyrdom to perfection; it lightens the care of the poor, teaches moderation to the rich, lifts the burdens of the sick, delights the believer, welcomes the unbeliever, commends the servant to his master and his master to God, adorns women and gives grace to men; patience is loved in children, praised in youth, admired in the elderly. It is beautiful in either sex and at every age of life.... Her countenance is tranquil and peaceful, her brow serene.... Patience sits on the throne of the most gentle and peaceful Spirit.... For where God is there is his progeny, patience. When God's Spirit descends patience is always at his side.3o
”
”
Robert L. Wilken (The Spirit of Early Christian Thought: Seeking the Face of God)
“
Listening to him, Beatrice experienced the afternoon all over again, but this time there was no real danger. There was a boy who'd had a terrific idea that went a little off the rails and a girl who was a good sport and just the kind of sidekick you'd like to have along. Beatrice heard herself laugh when Benedick described her shooting off a man's hat, but it hadn't seemed that funny when it actually happened.
There was a sunniness in his words that somehow even disguised his appearance, erasing the boy shaking with exhaustion, flattening all his mercurial layers into one outfit of razzle-dazzle. But the razzle-dazzle was also real. That was the most baffling part of all. He was this, too.
She let him do it, not only because she came out looking all right in his story, not a clock-throwing ruin of a girl, but also because Benedick's talking about her as if she were already one of them made her one of them.
Words.
What a tricky, tangled science.
”
”
McKelle George (Speak Easy, Speak Love)
“
The voice of the crowd rises into one universal scream as we roll into the fading evening light, but neither one of us reacts. I simply fix my eyes on a point far in the distance and pretend there is no audience, no hysteria. I can’t help catching glimpses of us on the huge screens along the route, and we are not just beautiful, we are dark and powerful. No, more. We star-crossed lovers from District 12, who suffered so much and enjoyed so little the rewards of our victory, do not seek the fans’ favour, grace them with our smiles, or catch their kisses. We are unforgiving. And I love it. Getting to be myself at last. As we curve around into the loop of the City Circle, I can see that a couple of the other stylists have tried to steal Cinna and Portia’s idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from District 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
“
On Claud, though, the look is very cool.) For example, today she was wearing a neon green tank top under a white oversized man’s shirt and fuschia pink stirrup pants. The shirt was rolled at the sleeves and belted with a colorful woven belt. Claud finished the outfit with dangly ceramic-bead earrings she’d made herself in pottery class. She’s super artistic. She paints, sketches, draws, sculpts. You name it! Besides art and cool clothing, Claudia loves junk food. Her parents disapprove of Ho-Ho’s and Twinkies and stuff like that, so she hides them all over her room. You never know when you’re going to pick up a pillow and find a bag of potato chips or something behind it. The other thing she stashes away are her Nancy Drew books. Her parents don’t approve of those, either. They don’t think the mysteries are “intellectual” enough. Claudia couldn’t care less if the books are “intellectual.” One thing Claud is not interested in is school work. Although she can’t spell for anything, she’s definitely not dumb. She just doesn’t like school. And, unfortunately, her grades show it. She’s the complete
”
”
Ann M. Martin (Jessi and the Awful Secret (The Baby-Sitters Club, #61))
“
Suddenly, he wanted some credit for it. He wanted someone to thank him for not crapping on the institution of love. He wanted someone to thank him for not being yet another dilettante. He wanted someone to thank him for quitting poetry. He wanted some great poet to thank him for quitting poetry instead of desecrating it with his amateurishness. He wanted some unborn child to thank him for not conceiving her and not leaving her a hope chest full of mawkish villanelles. He wanted some sort of organization of martyrs to give him an award. He wanted to be decorated for not putting up a fuss. He wanted to be the president of forgettable people. He wanted there to be a competition for the least competitive person, and he wanted to win that competition. He wanted some sort of badge or outfit or medal or key or hat. He wanted to be asked to stand. He wanted to be considered. He wanted to be considered in earnest before being ignored. He wanted all the insane and beautiful and passionate people in the world to take one moment of silence in gratitude for the ones who had ceded them the stage-- he, the unread poet, the sacrifice, the schoolteacher-- he wanted one goddamned moment of appreciation.
”
”
Amity Gaige (The Folded World)
“
Release him or else.”
Remy groaned as he couldn’t help imagining the jests he’d have to put up with. What male allowed himself to get saved by his woman?
“What are you doing, Ysabel? I have this under control.”
“Really, because from here it looks like you’re all tied up.”
She strode into view with a cool smile, wearing an outfit that would look even better on the floor.
“Bah, as if something like rope could hold me.”
He yanked his arms apart and showed her his freed hands, a moment before a sharp point pressed against the back of his neck.
“Move and he dies!” Francisco yelled.
Cocking a hip, and crossing her arms, a smirk crossed his witch’s lips. “I don’t think so. That demon belongs to me, and I’d prefer him in one piece. So move the dagger away before I hurt you. Or don’t. But know this, if you even so much as scratch him, I’ll make sure your return to Hell is even more painful.”
“I knew you cared,” Remy exclaimed.
“Apparently, the insanity in your family is contagious,” she replied dryly. “Besides, you already forced me into admitting I loved you. As such, I realized I couldn’t exactly let Francisco kill you. That should be my pleasure alone.”
“You say the sweetest things,” Remy teased.
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
I turned my focus to clothes, immediately endeavoring to find just the right dress for the occasion. This was huge--my debut as the girlfriend of Marlboro Man--and I shopped with that in mind. Should I go for a sleek, sexy suit? That might seem too confident and brazen. A floral silk skirt? Too obvious for a wedding. A little black dress? Too conservative and safe. The options pummeled my brain as I browsed the choices on the racks. I tried on dress after dress, suit after suit, outfit after outfit, my frustration growing more acute with each zip of the zipper. I wanted to be a man. Men don’t agonize over what to wear to a wedding. They don’t spend seven hours trying on clothes. They don’t think of wardrobe choices as life-or-death decisions.
That’s when I found it: a drop-dead gorgeous fitted suit the exact color of a stick of butter. It was snug, with just a slight hint of sexy, but the lovely, pure color made up for it. The fabric was a lightweight wool, but since the wedding would be at night, I knew it would be just fine. I loved the suit--not only would I feel pretty for Marlboro Man, but I’d also appear moderately, but not overly, confident to all his cousins, and appropriate and proper to his elderly grandmothers.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Back in L.A., I’d remained friends with my freshman-year boyfriend, Collin, and we’d become even closer after he confided in me one dark and emotional night that he’d finally come to terms with his homosexuality. Around that time, his mother was visiting from Dallas, and Collin invited me to meet them at Hotel Bel Air for brunch. I wore the quintessential early-1990s brunch outfit: a copper-brown silk tank with white, dime-size polka dots and a below-the-knee, swinging skirt to match. A flawless Pretty Woman--Julia Roberts polo match replica. I loved that outfit.
It was silk, though, and clingy, and the second I sat down at the table I knew I was in trouble. My armpits began to feel cool and wet, and slowly I noticed the fabric around my arms getting damper and damper. By the time our mimosas arrived, the ring of sweat had spread to the level of my third rib; by mealtime, it had reached the waistline of my skirt, and the more I tried to will it away, the worse it got. I wound up eating my Eggs Florentine with my elbows stuck to my hip bones so Collin and his mother wouldn’t see. But copper-brown silk, when wet, is the most unforgiving fabric on the planet. Collin had recently come out to his parents, so I’d later determined I’d experienced some kind of sympathetic nervousness on Collin’s behalf. I never wore that outfit again. Never got the stains out.
Nor would I ever wear this suit again.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Years later I saw a film - poignantly sad, and for me unbearably so - about a scientist who had invented a kind of total sense recorder, not just video but audio and smellio and touchio and the rest, which he set to play every afternoon in a given place a given time, for as long as the mechanism lasted. The scene he projected was that of a dozen or so young couples dancing on a terrace in the same holiday house, on the same island, where the recorder itself was kept. Then this young man comes across it while it is playing and at first is convinced he is watching a real occurrence: he sees this beautiful girl, in her slinky 1930s outfit, dancing and laughing and chattering with her friends, and he falls in love with her on the spot. Second day, same time around, he comes to the island at a slightly different time so he sees a slightly different excerpt, and still doesn't twig and falls deeper in love. And so on and so forth for various days until he happens on a duplicate bit and realises something is wrong. But by then, of course, he is irretrievably hooked. So what does he do? He digs out the machine, fiddles with its insides until he has grasped its workings, and then sets it up in recording mode and records himself into the scene in a desperate last-ditch attempt to join the dancers. Which works, and there he stays: trapped there amongst them in a virtual dimension, forever young, forever re-enacting the same little loop of life, over and over.
”
”
A.P. . (Sabine)
“
Legs? Check. I am five foot seven, after all. They’re slender but not too skinny. I run every morning, so my legs have always been slightly muscled, but in a feminine way — at least I hope they look feminine; bulky is not a word I’d want someone to use. I think the not too short, but short enough to still be very stylish, pleated and thickly cuffed navy blue shorts show my legs off nicely. My cork and white wedges with a cute little bow at each ankle are the perfect finishing touch. A simple dove-gray ribbed tank completes the outfit and hugs my curves. Maybe there is something to Mel’s theory after all. My golden-blonde hair is sun-kissed in the summer, and its soft waves cascade to the middle of my back. I usually have it up, but tonight Melanie insisted that I leave it down and wavy. I let her play Barbie, and I can’t say I hate it. The real show-stopper, though, is my eyes. They’re a bright, vibrant green. They look almost fake, but as I lean into the mirror to get a closer look, I catch small little flecks of gold around the outside that I know no contact lens could replicate. I have always loved my eyes. I have my mother’s eyes. I’ve seen them in the few pictures I have from my childhood. Even if my eyes were the murkiest, dingiest, dullest brown, I still would have loved them, as long as they were my mother’s. It’s really the only thing I have left of her. I gave in on the hair and let Melanie have a field day, but I insisted on keeping my makeup simple — a soft pale pink blush, clear lip gloss, and a light dusting of gold eye shadow is all I need. A quick swipe of some mascara, and the look is complete.
”
”
Melissa Collins (Let Love In (Love, #1))
“
Even so, most of the stories people told about Amos [Tversky] had less to do with what came out of his mouth than with the unusual way he moved through the world. He kept the hours of a vampire. He went to bed when the sun came up and woke up at happy hour. He ate pickles for breakfast and eggs for dinner. He minimized quotidian tasks he thought a waste of time—he could be found in the middle of the day, having just woken up, driving himself to work while shaving and brushing his teeth in the rearview mirror. “He never knew what time of the day it was,” said his daughter, Dona. “It didn’t matter. He’s living in his own sphere and you just happened to encounter him there.” He didn’t pretend to be interested in whatever others expected him to be interested in—God help anyone who tried to drag him to a museum or a board meeting. “For those who like that sort of thing, that is the sort of thing they like,” Amos liked to say, plucking a line from the Muriel Spark novel The Prime of Miss Jean Brodie. “He just skipped family vacations,” says his daughter. “He’d come if he liked the place. Otherwise he didn’t.” The children didn’t take it personally: They loved their father and knew that he loved them. “He loved people,” said his son Oren. “He just didn’t like social norms.
A lot of things that most human beings would never think to do, to Amos simply made sense. For instance, when he wanted to go for a run he . . . went for a run. No stretching, no jogging outfit or, for that matter, jogging: He’d simply strip off his slacks and sprint out his front door in his underpants and run as fast as he could until he couldn’t run anymore. “Amos thought people paid an enormous price to avoid mild embarrassment,” said his friend Avishai Margalit, “and he himself decided very early on it was not worth it.”
What all those who came to know Amos eventually realized was that the man had a preternatural gift for doing only precisely what he wanted to do. Varda Liberman recalled visiting him one day and seeing a table with a week’s worth of mail on it. There were tidy little stacks, one for each day, each filled with requests and entreaties and demands upon Amos’s time: job offers, offers of honorary degrees, requests for interviews and lectures, requests for help with some abstruse problem, bills. When the new mail came in Amos opened anything that interested him and left the rest in its daily pile. Each day the new mail arrived and shoved the old mail down the table. When a pile reached the end of the table Amos pushed it, unopened, off the edge into a waiting garbage can. “The nice thing about things that are urgent,” he liked to say, “is that if you wait long enough they aren’t urgent anymore.” “I would say to Amos I have to do this or I have to do that,” recalled his old friend Yeshu Kolodny. “And he would say, ‘No. You don’t.’ And I thought: lucky man!
”
”
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
“
I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges.
“Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.”
She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.”
A low chuckle. “Well, this was a special circumstance, so they helped me out.”
“I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”.
“Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.”
“Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?”
“Not gonna give away my hand this early on, but I’ll take those into consideration.”
“And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.”
“What thing is that? Refresh my memory,” he said, a teasing note in his voice.
She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.”
He gave a low groan. “I loved every second of it. But think simpler.”
Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled.
“That works too, but it’s still not the key.”
“Then what?”
“You.”
She blinked, her heart squeezing at the conviction behind his answer. “Me?”
“Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable.
“So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay.
A masculine rumble filled her ears. “God, yeah.”
She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.”
“I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?”
She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.”
“Oh, baby, I’ll be so good to you, you have no idea.
”
”
Kaylea Cross (Avenged (Hostage Rescue Team, #5))
“
A group of laughing girls, heads out the window, toasted passers-by with glasses full of champagne. ‘Yee ha, cowgirl!’ one of the girls shouted from the limo window. For a second Emma was confused, before remembering what she was wearing. The Wild West outfits had been Lizzy’s idea. And dressing up was compulsory, especially for the bride-to-be. She took off her cowgirl hat and held it under her arm. ‘We
”
”
Paul Pilkington (The One You Love (Emma Holden Suspense Mystery, #1))
“
I hung my belly-dancing outfit on a hook in my room, rather than on the outside of the door where it usually stayed. That would be a painfully obvious ploy for Hunter’s attention. I made myself a gourmet dinner by opening a pack of peanut butter crackers, and I settled on my bed to study.
Listened for Hunter in the outer room.
Waited for him to burst in.
Of course he didn’t. It bothered me that he didn’t come in to bother me, and he knew this. However, I had vowed to close my heart to him, and I meant it this time. I tried my best to throw myself into my history reading.
But come on, it was history. Versus Hunter.
”
”
Jennifer Echols (Love Story)
“
What types of looks are you drawn to in others? What is your current go-to outfit, and what do you love about it? Do you consider yourself more modest, or do you like to push boundaries? What three adjectives would you use to describe the spirit that you want your clothes to help you embody? (fiery, serious, warm, and so on) What accessories do you gravitate toward? What colors inspire you? Are there particular brands that you love? What celebrity or influencer style speaks to you most? Which parts of your body do you want to accentuate?
”
”
Latham Thomas (Own Your Glow: A Soulful Guide to Luminous Living and Crowning the Queen Within)
“
I don't know a single person who loves everything about their career all the time because no aspect of life is perfect all the time. No friendship, no relationship, no family dynamic, no outfit, no movie ending. No job.
”
”
Anne T. Donahue (Nobody Cares)
“
He pushed the bag toward her. “I get out of work at eleven. I’ll be at your house by eleven thirty. Leave the front door unlocked. Put the black outfit on and lie on the bed at eleven fifteen with your legs as far apart as you can get them. Make sure the ceiling fan is set to high.
”
”
Marie Force (Longing For Love (Gansett Island, #7))
“
To her further surprise, she found a breakfast tray waiting for her on the table with bagels, cheese and an assortment of fruit.
But what caught her eye was the tiny pair of yellow baby booties.
She picked up the soft, fuzzy little booties, her throat knotting as she read the accompanying card.
Because you said you didn’t have a pair yet. Love, Ryan.
She sank into the seat, her eyes stinging with tears. She held the booties to her cheek and then touched the card, tracing the scrawl of his signature.
“I shouldn’t love you this much,” she whispered. God, but she couldn’t help herself. She craved him. He was her other half. She didn’t feel whole without him.
And so began a courting ritual that tugged on her heartstrings.
Every morning when she crawled out of bed, there was a new present waiting for her from Ryan.
There was a baby book that outlined everything she could expect from birth through the first year of life. One morning he left her two outfits. One for a boy and one for a girl. Just in case, he had written.
On the fifth morning, he simply left her a note that told her a gift was waiting in the extra bedroom.
Excited, she hurried toward the bedroom she’d once occupied and threw open the door to see not one present but a room full of baby things.
A stroller. A crib that was already put together. A little bouncy thing. An assortment of toys. A changing table. She couldn’t take in all the stuff that was there. She didn’t even know what all of it was for.
How on earth had he managed to sneak this in without her hearing?
And there by the window was a rocking chair with a yellow afghan lying over the arm. She walked over and reverently touched the wood, giving the chair an experimental push.
It creaked once and then swayed gently back and forth.
”
”
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
“
Certainly I remember feeling that it was his dream world, his symbol world, that we were dragged into during those first arguments, and it frightened me, being given--as I saw it--the part of a training dummy, outfitted in colours, slogans, that I could not see.
”
”
Gwendoline Riley (First Love)
“
Ode to Charlie
THE DOG OF A LIFETIME
We got a pup named Charlie
One year at Christmastime.
He changed our lives completely
So I’ll share this dog rhyme.
His ears were long and dangly,
His legs were short and fat,
His naps were almost constant,
’Cept when he chased the cat.
I dressed him up in outfits,
In dresses, shirts, and jeans,
In boots and leather loafers--
The dapp’rest pup I’d seen!
He started working cattle
With Ladd and all the crew.
He thought this was his purpose.
Oh, if he only knew!
That he was just a Bassett
And bred for not so much.
But Charlie rose above it
And learned that cowdog touch.
But man, that short dog syndrome…
He thought he was in charge
And ruled the other doggies
His bravado, always large!
But deep down, all he wanted
Were tummy rubs all day
And sausage, ham, and burgers
And bacon, I would say.
He snored just like an engine,
His breath was not so great,
His ears were always crusty
From hanging in his plate.
But Charlie Boy was perfect
And loyal through and through.
He knew what we were thinking,
He sensed what we would do.
We thought he’d live forever
But cancer came and stayed,
Then left with our dear Charles
And left us all dismayed.
And yet, we feel so lucky
He got to be our friend.
We have a million memories
Right up until the end.
We loved you, Charlie, you were the best
We never will forget you
And the very second we get to Heaven…
We’re coming straight to get you!
”
”
Ree Drummond (The Pioneer Woman Cooks: Come and Get It! Simple, Scrumptious Recipes for Crazy Busy Lives)
“
If we exercise, however, we do look and feel much better in our outfits, not to mention how we look out of our outfits. And we’ve found we’re happiest when we are not too fat to walk.
”
”
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
“
Awakening humanity one person at a time seems like a tall order. Balancing your masculine and feminine aspects is one specific guidance for how to do this. First, you acknowledge that you have both a feminine and masculine aspect, regardless of your gender or gender identity. We are all both. You just wear different outfits. Until you as individuals have the balance within you to love and honor and cherish each part of you, you will not reach the love and peace that humanity needs to achieve. Then, you can do a practice to balance your masculine and feminine energies. I experienced this reconciliation process for myself before hearing that message. It was an incredible process that left me in a state of profound peace and bliss. You can explore balancing your masculine and feminine aspects if it is right for you with this channeled practice. Practice knowing yourself through meditation if you wish. Sit quietly and ask for the masculine and feminine parts of you to come forth. They will come forth. Let them introduce themselves to you. Become familiar with the male part of you and the female part of you. Make peace with both parts because through time with your own experience, one is stronger than the other, or the human part of you fears one or the other. Practice becoming aware of those parts. And if you bring those parts forth, let them talk to each other while you observe. Journal about your experience with this exercise. The synthesis of different parts of us is not a new concept. Robert Assagioli created a process to integrate various aspects of ourselves, called psychosynthesis.38 This work aims to integrate the different aspects of ourselves into a purposeful personality, connect to our higher self, and realize the spiritual self, moving from self-identity to a transpersonal understanding of oneself (Hastings 1991, 89). Because this is the most common channeled content category, you will likely receive specific or general guidance and personal messages for living your life through your own channeling or from others. Awakening humanity, our true nature not being limited by our physical bodies, and balancing our masculine and feminine aspects are just a few topics in this channeled content category.
”
”
Helané Wahbeh (The Science of Channeling: Why You Should Trust Your Intuition and Embrace the Force That Connects Us All)
“
It’s each one of our jobs to reject that comparison of what we think beauty is and realize we are the motherfucking beauty. What we see on the outside doesn’t always reflect what is inside, and vice versa. The only thing that matters is keeping your facts straight about how worthy you are of your own acceptance and love. Confidence is more about having courage to say you don’t always feel on and poppin’. You’re like, I’m not sure about how this outfit totally is working but damn it, I came to slay. Because I’m just so grateful for this moment.
”
”
Jonathan Van Ness (Over the Top: A Raw Journey to Self-Love)
“
Tori offered. “But, and please don’t hate me for saying this, that was a different organization than the AHC. I’ve got no love for capes in my heart, either, but it’s not like it was when they did that to your grandfather.” “You know you’re talking about the same organization that has a member who flies around in a robotic Klansman’s outfit, right?
”
”
Drew Hayes (Forging Hephaestus (Villains' Code, #1))
“
My outfit is part of my armor,” I told him even though it exposed a vulnerability. “I’ll be out in two minutes. Just give me time to change.” “You don’t understand this yet, but you do not need your armor all the time now. Not when you have me.” He lipped the edge of my jaw all the way up to my ear, where he spoke his next words on a purr. “I will be your sword.
”
”
Giana Darling (When Villains Rise (Anti-Heroes in Love, #2))
“
HOW TO BE MISERABLE In my younger days dodging the draft, I somehow wound up in the Marine Corps. There’s a myth that Marine training turns baby-faced recruits into bloodthirsty killers. Trust me, the Marine Corps is not that efficient. What it does teach, however, is a lot more useful. The Marine Corps teaches you how to be miserable. This is invaluable for an artist. Marines love to be miserable. Marines derive a perverse satisfaction from having colder chow, crappier equipment, and higher casualty rates than any outfit of dogfaces, swab jockeys or flyboys, all of whom they despise. Why? Because these candy-asses don’t know how to be miserable. The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation. The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.
”
”
Steven Pressfield (The War of Art)