Out To Pasture Quotes

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As I have read the Gospels over the years, the belief has grown in me that Christ did not come to found an organized religion but came instead to found an unorganized one. He seems to have come to carry religion out of the temples into the fields and sheep pastures, onto the roadsides and the banks of the rivers, into the houses of sinners and publicans, into the town and the wilderness, toward the membership of all that is here. Well, you can read and see what you think.
Wendell Berry (Jayber Crow)
He was born in fury and he lived in lightning. Tom came headlong into life. He was a giant in joy and enthusiasms. He didn't discover the world and its people, he created them. When he read his father's books, he was the first. He lived in a world shining and fresh and as uninspected as Eden on the sixth day. His mind plunged like a colt in a happy pasture, and when later the world put up fences, he plunged against the wire, and when the final stockade surrounded him, he plunged right through it and out. And as he was capable of giant joy, so did he harbor huge sorrow.
John Steinbeck (East of Eden)
It was Leslie who had taken him from the cow pasture into Terabithia and turned him into a king. He had thought that was it. Wasn't king the best you could be? Now it occurred to him that perhaps Terabithia was like a castle where you came to be knighted. After you stayed for a while and grew strong you had to move on. For hadn't Leslie, even in Terabithia, tried to push back the walls of his mind and make him see beyond to the shining world—huge and terrible and beautiful and very fragile? (Handle with care—everything—even the predators.) Now it was time for him to move out. She wasn't there, so he must go for both of them. It was up to him to pay back to the world in beauty and caring what Leslie had loaned him in vision and strength. As for the terrors ahead—for he did not fool himself that they were all behind him—well, you just have to stand up to your fear and not let it squeeze you white. Right, Leslie? Right.
Katherine Paterson (Bridge to Terabithia)
I am, and always have been - first, last, and always - a child of America. You raised me. I grew up in the pastures and hills of Texas, but I had been to thirty-four states before I learned how to drive. When I caught the stomach flu in the fifth grade, my mother sent a note to school written on the back of a holiday memo from Vice President Biden. Sorry, sir—we were in a rush, and it was the only paper she had on hand. I spoke to you for the first time when I was eighteen, on the stage of the Democratic National Convention in Philadelphia, when I introduced my mother as the nominee for president. You cheered for me. I was young and full of hope, and you let me embody the American dream: that a boy who grew up speaking two languages, whose family was blended and beautiful and enduring, could make a home for himself in the White House. You pinned the flag to my lapel and said, “We’re rooting for you.” As I stand before you today, my hope is that I have not let you down. Years ago, I met a prince. And though I didn’t realize it at the time, his country had raised him too. The truth is, Henry and I have been together since the beginning of this year. The truth is, as many of you have read, we have both struggled every day with what this means for our families, our countries, and our futures. The truth is, we have both had to make compromises that cost us sleep at night in order to afford us enough time to share our relationship with the world on our own terms. We were not afforded that liberty. But the truth is, also, simply this: love is indomitable. America has always believed this. And so, I am not ashamed to stand here today where presidents have stood and say that I love him, the same as Jack loved Jackie, the same as Lyndon loved Lady Bird. Every person who bears a legacy makes the choice of a partner with whom they will share it, whom the American people will “hold beside them in hearts and memories and history books. America: He is my choice. Like countless other Americans, I was afraid to say this out loud because of what the consequences might be. To you, specifically, I say: I see you. I am one of you. As long as I have a place in this White House, so will you. I am the First Son of the United States, and I’m bisexual. History will remember us. If I can ask only one thing of the American people, it’s this: Please, do not let my actions influence your decision in November. The decision you will make this year is so much bigger than anything I could ever say or do, and it will determine the fate of this country for years to come. My mother, your president, is the warrior and the champion that each and every American deserves for four more years of growth, progress, and prosperity. Please, don’t let my actions send us backward. I ask the media not to focus on me or on Henry, but on the campaign, on policy, on the lives and livelihoods of millions of Americans at stake in this election. And finally, I hope America will remember that I am still the son you raised. My blood still runs from Lometa, Texas, and San Diego, California, and Mexico City. I still remember the sound of your voices from that stage in Philadelphia. I wake up every morning thinking of your hometowns, of the families I’ve met at rallies in Idaho and Oregon and South Carolina. I have never hoped to be anything other than what I was to you then, and what I am to you now—the First Son, yours in actions and words. And I hope when Inauguration Day comes again in January, I will continue to be.
Casey McQuiston (Red, White & Royal Blue)
I travelled the old road every day, I took my fruits to the market, my cattle to the meadows, I ferried my boat across the stream and all the ways were well known to me. One morning my basket was heavy with wares. Men were busy in the fields, the pastures crowded with cattle; the breast of earth heaved with the mirth of ripening rice. Suddenly there was a tremor in the air, and the sky seemed to kiss me on my forehead. My mind started up like the morning out of mist. I forgot to follow the track. I stepped a few paces from the path, and my familiar world appeared strange to me, like a flower I had only known in bud. My everyday wisdom was ashamed. I went astray in the fairyland of things. It was the best luck of my life that I lost my path that morning, and found my eternal childhood.
Rabindranath Tagore
James's critical genius comes out most tellingly in his mastery over, his baffling escape from, Ideas; a mastery and an escape which are perhaps the last test of a superior intelligence. He had a mind so fine that no idea could violate it. [...] In England, ideas run wild and pasture on the emotions; instead of thinking with our feelings (a very different thing) we corrupt our feelings with ideas; we produce the public, the political, the emotional idea, evading sensation and thought. [...] James in his novels is like the best French critics in maintaining a point of view, a view-point untouched by the parasite idea. He is the most intelligent man of his generation." (Little Review, 1918)
T.S. Eliot
A Blessing Just off the highway to Rochester, Minnesota, Twilight bounds softly forth on the grass. And the eyes of those two Indian ponies Darken with kindness. They have come gladly out of the willows To welcome my friend and me. We step over the barbed wire into the pasture Where they have been grazing all day, alone. They ripple tensely, they can hardly contain their happiness That we have come. They bow shyly as wet swans. They love each other. There is no loneliness like theirs. At home once more, They begin munching the young tufts of spring in the darkness. I would like to hold the slenderer one in my arms, For she has walked over to me And nuzzled my left hand. She is black and white, Her mane falls wild on her forehead, And the light breeze moves me to caress her long ear That is delicate as the skin over a girl's wrist. Suddenly I realize That if I stepped out of my body I would break Into blossom.
James Wright (Above the River: The Complete Poems)
You lean back against the door with bowed head making ready to set out. By the time you open your eyes your feet have disappeared and the skirt of your great coat come to rest on the surface of the snow. The dark scene seems lit from below. You see yourself at the last outset leaning against the door with closed eyes waiting for the word from you to go. To be gone.Then the snowlit scene. You lie in the dark with closed eyes and see yourself there as described making ready to strike out and away across the expanse of light. You hear again the click of the door pulled gently to and the silence before the steps can start. Next thing you are on your way across the white pasture afrolic with lambs in spring and strewn with red placantae.
Samuel Beckett (Nohow On: Company, Ill Seen Ill Said, Worstward Ho)
As far as food is concerned, the great extravagance is not caviar or truffles, but beef, pork and poultry. Some 38 percent of the world's grain crop is now fed to animals, as well as large quantities of soybeans. There are three times as many domestic animals on this planet as there are human beings. The combined weight of the world's 1.28 billion cattle alone exceeds that of the human population. While we look darkly at the number of babies being born in poorer parts of the world, we ignore the over-population of farm animals, to which we ourselves contribute...[t]hat, however, is only part of the damage done by the animals we deliberately breed. The energy intensive factory farming methods of the industrialised nations are responsible for the consumption of huge amounts of fossil fuels. Chemical fertilizers, used to grow the feed crops for cattle in feedlots and pigs and chickens kept indoors in sheds, produce nitrous oxide, another greenhouse gas. Then there is the loss of forests. Everywhere, forest-dwellers, both human and non-human, can be pushed out. Since 1960, 25 percent of the forests of Central America have been cleared for cattle. Once cleared, the poor soils will support grazing for a few years; then the graziers must move on. Shrub takes over the abandoned pasture, but the forest does not return. When the forests are cleared so the cattle can graze, billions of tons of carbon dioxide are released into the atmosphere. Finally, the world's cattle are thought to produce about 20 percent of the methane released into the atmosphere, and methane traps twenty-five times as much heat from the sun as carbon dioxide. Factory farm manure also produces methane because, unlike manured dropped naturally in the fields, it dies not decompose in the presence of oxygen. All of this amounts to a compelling reason...for a plant based diet.
Peter Singer (Practical Ethics)
Huh,” she said in a neutral voice, then looked out over the pasture again, at the sheep racing through the grass like frantic clouds. A defiant expression crossed her face, and she took a breath. “Razor!” she barked, making Keirran jump. “No! Bad gremlin! You stop that, right now!” The gremlin, shockingly, looked up from where he was bouncing on a rock, sheep scattering around him. He blinked and cocked his head, looking confused. Kenzie pointed to the ground in front of her. “I want to see you. Come here, Razor,. Now!” And, he did. Blipping into sight at her feet, he gazed up expectantly, looking like a mutant Chihuahua awaiting commands. Keirran blinked in astonishment as she snapped her fingers and pointed at him, and Razor scurried up his arm to perch on his shoulder. She smiled, giving us both a smug look, and crossed her arms. “Dog training classes,” She explained.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
The Trial By Existence Even the bravest that are slain Shall not dissemble their surprise On waking to find valor reign, Even as on earth, in paradise; And where they sought without the sword Wide fields of asphodel fore’er, To find that the utmost reward Of daring should be still to dare. The light of heaven falls whole and white And is not shattered into dyes, The light for ever is morning light; The hills are verdured pasture-wise; The angel hosts with freshness go, And seek with laughter what to brave;— And binding all is the hushed snow Of the far-distant breaking wave. And from a cliff-top is proclaimed The gathering of the souls for birth, The trial by existence named, The obscuration upon earth. And the slant spirits trooping by In streams and cross- and counter-streams Can but give ear to that sweet cry For its suggestion of what dreams! And the more loitering are turned To view once more the sacrifice Of those who for some good discerned Will gladly give up paradise. And a white shimmering concourse rolls Toward the throne to witness there The speeding of devoted souls Which God makes his especial care. And none are taken but who will, Having first heard the life read out That opens earthward, good and ill, Beyond the shadow of a doubt; And very beautifully God limns, And tenderly, life’s little dream, But naught extenuates or dims, Setting the thing that is supreme. Nor is there wanting in the press Some spirit to stand simply forth, Heroic in its nakedness, Against the uttermost of earth. The tale of earth’s unhonored things Sounds nobler there than ’neath the sun; And the mind whirls and the heart sings, And a shout greets the daring one. But always God speaks at the end: ’One thought in agony of strife The bravest would have by for friend, The memory that he chose the life; But the pure fate to which you go Admits no memory of choice, Or the woe were not earthly woe To which you give the assenting voice.’ And so the choice must be again, But the last choice is still the same; And the awe passes wonder then, And a hush falls for all acclaim. And God has taken a flower of gold And broken it, and used therefrom The mystic link to bind and hold Spirit to matter till death come. ‘Tis of the essence of life here, Though we choose greatly, still to lack The lasting memory at all clear, That life has for us on the wrack Nothing but what we somehow chose; Thus are we wholly stripped of pride In the pain that has but one close, Bearing it crushed and mystified.
Robert Frost
Then the sun broke above the crest of the hills and the entire countryside looked soaked in blood, the arroyos deep in shadow, the cones of dead volcanoes stark and biscuit-colored against the sky. I could smell pinion trees, wet sage, woodsmoke, cattle in the pastures, and creek water that had melted from snow. I could smell the way the country probably was when it was only a dream in the mind of God.
James Lee Burke (Jesus Out to Sea)
In the loveliest town of all where the houses were white and high and the elm trees were green and higher than the houses where the front yards were wide and pleasant and the back yards were bushy and worth finding out about, where the streets sloped down to the stream and the stream flowed quietly under the bridge, where the lawns ended in orchards and the orchards ended in fields and the fields ended in pastures and the pastures climbed the hill and disappeared over the top toward the wonderful wide sky, in this loveliest of all towns Stuart stopped to get a drink of sarsaparilla.
E.B. White (Stuart Little)
I hate Diane. I fling her cinnamon roll out into the pasture—I will not eat the bread of my enemies,
R.S. Grey (The Foxe & the Hound)
Each day we live is a glass room Until we break it with the thrusting Of the spirit and pass through The splintered walls to the green pastures Where the birds and buds are breaking Into fabulous song and hue By the still waters. - Each Day We Live is a Glass Room
Mervyn Peake (Collected Poems)
He rode out in the dark long before daylight and he rode the sun up and he rode it down again. In the oncoming years a terrible drought struck west Texas. He moved on. There was no work in that country anywhere. Pasture gates stood open and sand drifted in the roads and after a few years it was rare to see stock of any kind and he rode on. Days of the world. Years of the world. Till he was old.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
When dawn spread its cool clear flush over the meadows and fields and thorny pastures to the north and east, Duane pulled an old lawn chair out of the cabin and sat down to watch, cradling a cup of coffee in his hands. It was chilly enough that he threw an old poncho over his lap.
Larry McMurtry
The mullein had finished blooming, and stood up out of the pastures like dusty candelabra. The flowers of Queen Anne's lace had curled up into birds' nests, and the bee balm was covered with little crown-shaped pods. In another month -- no, two, maybe -- would come the season of the skeletons, when all that was left of the weeds was their brittle architecture. But the time was not yet. The air was warm and bright, the grass was green, and the leaves, and the lazy monarch butterflies were everywhere.
Elizabeth Enright
‎I love even to see the domestic animals reassert their native rights — any evidence that they have not wholly lost their original wild habits and vigor; as when my neighbor's cow breaks out of her pasture early in the Spring and boldly swims the river, a cold grey tide, twenty-five or thirty rods wide, swollen by the melted snow. It is the Buffalo crossing the Mississippi.
Henry David Thoreau (Walking)
Most of the afternoons I would pass looking out at the pasture. I soon began seeing things. A figure emerging from the birch woods and running straight in my direction. Usually it was the Sheep Man, but sometimes it was the Rat, sometimes my girlfriend. Other times it was the sheep with the star on it's back.
Haruki Murakami (A Wild Sheep Chase (The Rat, #3))
A Match If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf. If I were what the words are, And love were like the tune, With double sound and single Delight our lips would mingle, With kisses glad as birds are That get sweet rain at noon; If I were what the words are, And love were like the tune. If you were life, my darling, And I your love were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath; If you were life, my darling, And I your love were death. If you were thrall to sorrow, And I were page to joy, We'd play for lives and seasons With loving looks and treasons And tears of night and morrow And laughs of maid and boy; If you were thrall to sorrow, And I were page to joy. If you were April's lady, And I were lord in May, We'd throw with leaves for hours And draw for days with flowers, Till day like night were shady And night were bright like day; If you were April's lady, And I were lord in May. If you were queen of pleasure, And I were king of pain, We'd hunt down love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were queen of pleasure, And I were king of pain.
Algernon Charles Swinburne
An old lady had an Alderney cow, which she looked upon as a daughter. ....The whole town knew and kindly regarded Miss Betsy Barker's Alderney, therefore great was the sympathy and regret when, in an unguarded moment, the poor cow fell into a lime-pit. She moaned so loudly that she was soon heard and rescued; but meanwhile the poor beast had lost most of her hair and came out looking naked, cold and miserable, in a bare skin. Everybody pitied the animal, though a few could not restrain their smiles at her droll appearance. Miss Betsy Barker absolutely cried with sorrow and dismay; and it was said she thought of trying a bath of oil. This remedy, perhaps, was recommended by some one of the number whose advice she asked; but the proposal, if ever it was made, was knocked on the head by Captain Brown's decided "Get her a flannel waistcoat and flannel drawers, ma'am, if you wish to keep her alive, But my advice is, kill the poor creature at once." Miss Betsy Barker dried her eyes, and thanked the Captain heartily; she set to work, and by-and-by all the town turned out to see the Alderney meekly going to her pasture, clad in dark grey flannel.I have watched her myself many a time. Do you ever see cows dressed in grey flannel in London?
Elizabeth Gaskell (Cranford)
I am, maybe, the ultimate Protestant, the man at the end of the Protestant road, for as I have read the Gospels over the years, the belief has grown in me that Christ did not come to found an organized religion but came instead to found an unorganized one. He seems to have come to carry religion out of the temples into the fields and sheep pastures, onto the roadsides and the banks of rivers, into the houses of sinners and publicans, into the town and the wilderness, toward the membership of all that is here. Well, you can read and see what you think.
Wendell Berry (Jayber Crow)
But while admiring my neighbour, I don't think I shall ever try to follow in her steps, my talents not being of the energetic and organising variety, but rather of that order which makes their owner almost lamentably prone to take up a volume of poetry and wander out to where the kingcups grow, and, sitting on a willow trunk beside a little stream, forget the very existence of everything but green pastures and still waters, and the glad blowing of the wind across the joyous fields.
Elizabeth von Arnim (Elizabeth and Her German Garden)
... Up telephone poles, Which rear, half out of leavage As though they would shriek Like things smothered by their own Green, mindless, unkillable ghosts. In Georgia, the legend says That you must close your windows At night to keep it out of the house The glass is tinged with green, even so, As the tendrils crawl over the fields. The night the Kudzu has Your pasture, you sleep like the dead. Silence has grown oriental And you cannot step upon the ground... ALL: Kudzu by James Dickey
James Dickey
After the boy at the supermarket had called her those names, Evelyn Couch had felt violated. Raped by words. Stripped of everything. She had always tried to keep this from happening to her, always been terrified of displeasing men, terrified of the names she would be called if she did. She had spent her life tiptoeing around them like something lifting her skirt stepping through a cow pasture. She had always suspected that if provoked, those names were always close to the surface, ready to lash out and destroy her.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Because my readers, perhaps more than anyone else’s, might be inspired to head out to the pasture with a lighter in their pocket and bovine malfeasance in their heart,
Mary Roach (Gulp: Adventures on the Alimentary Canal)
She just knew that she felt weird – but literally every teenager feels weird. Who doesn't feel weird? All the music she listened to was about feeling weird. All the books she read were about feeling weird. So when she was seventeen it didn't seem strange to hang out with, like, a kid who was really into racism and another, a future truck stop mechanic, in a tent, with a ton of flannel and a bottle of Everclear or a dozen hits of acid. In a cow pasture. That was just, like, what you did. On one level you just went along with what was going on but on another you mythologized what a cool outlier you were and so you internalized a sense of your own weirdness as a badge of pride even as you emotionally dissociated yourself from it. Everybody cool is weird. This is how she mythologized her sense of being trans without understanding that she was trans.
Imogen Binnie (Nevada)
When Ronan was young and didn’t know any better, he thought everyone was like him. He made rules for humanity based upon observation, his idea of the truth only as broad as his world was. Everyone must sleep and eat. Everyone has hands, feet. Everyone’s skin is sensitive; no one’s hair is. Everyone whispers to hide and shouts to be heard. Everyone has pale skin and blue eyes, every man has long dark hair, every woman has long golden hair. Every child knows the stories of Irish heroes, every mother knows songs about weaver women and lonely boatmen. Every house is surrounded by secret fields and ancient barns, every pasture is watched by blue mountains, every narrow drive leads to a hidden world. Everyone sometimes wakes with their dreams still gripped in their hands. Then he crept out of childhood, and suddenly the uniqueness of experience unveiled itself. Not all fathers are wild, charming schemers, wiry, far-eyed gods; and not all mothers are dulcet, soft-spoken friends, patient as buds in spring. There are people who don’t care about cars and there are people who like to live in cities. Some families do not have older and younger brothers; some families don’t have brothers at all. Most men do not go to Mass every Sunday and most men do not fall in love with other men. And no one brings dreams to life. No one brings dreams to life. No one brings dreams to life.
Maggie Stiefvater (Call Down the Hawk (Dreamer Trilogy, #1))
If the weather isn't bad and it's a clear night, I spend fifteen or twenty minutes before bedtime out on the deck looking skyward, or, using a flashlight, I pick my way along the dirt road to the open pasture at the peak of my hill, from where I can see, from above the treeline, the whole heavenly inventory, stars unfurled in every direction, and, just this week, the planets Jupiter in the east and Mars in the west. It is beyond belief and also a fact, a plain and indisputable face: that we are born, that this is here. I can think of worse ways to end my day.
Philip Roth (I Married a Communist (The American Trilogy, #2))
Like sheep which, having been driven to a pasture, can now spread out at their leisure, the clouds began to drift. Afternoon sunlight sliced through into the still waters. The boomerang hung in the sky, and the boy thought he would have to find a new word for the way the colours glowed. In the meantime, he looked down at the water and tried out the word he'd been taught by his grandfather, who'd been taught it by his grandfather, and which had been kept for thousands of years for when it would been needed. It meant the smell after rain. It had, he thought, been well worth waiting for.
Terry Pratchett (The Last Continent (Discworld, #22; Rincewind, #6))
The main skill is to keep from getting lost. Since the roads are used only by local people who know them by sight nobody complains if the junctions aren’t posted. And often they aren’t. When they are it’s usually a small sign hiding unobtrusively in the weeds and that’s all. County-road-sign makers seldom tell you twice. If you miss that sign in the weeds that’s your problem, not theirs. Moreover, you discover that the highway maps are often inaccurate about county roads. And from time to time you find your “county road” takes you onto a two-rutter and then a single rutter and then into a pasture and stops, or else it takes you into some farmer’s backyard. So we navigate mostly by dead reckoning, and deduction from what clues we find. I keep a compass in one pocket for overcast days when the sun doesn’t show directions and have the map mounted in a special carrier on top of the gas tank where I can keep track of miles from the last junction and know what to look for. With those tools and a lack of pressure to “get somewhere” it works out fine and we just about have America all to ourselves.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
I try to remember when time's measure painfully chafes, for instance when autumn flares out at the last, boisterous and like us longing to stay - how everything lives, shifting from one bright vision to another, forever in these momentary pastures.
Mary Oliver (American Primitive)
It is a stubble field, where a black rain is falling. It is a brown tree, that stands alone. It is a hissing wind, that encircles empty houses. How melancholy the evening is. A while later, The soft orphan garners the sparse ears of corn. Her eyes graze, round and golden, in the twilight And her womb awaits the heavenly bridegroom. On the way home The shepherd found the sweet body Decayed in a bush of thorns. I am a shadow far from darkening villages. I drank the silence of God Out of the stream in the trees. Cold metal walks on my forehead. Spiders search for my heart. It is a light that goes out in my mouth. At night, I found myself on a pasture, Covered with rubbish and the dust of stars. In a hazel thicket Angels of crystal rang out once more.
Georg Trakl
I woke up from a deep sleep to find everybody sleeping like lambs and the car parked God knows where, because I couldn't see out the steamy windows. I got out of the car. We were in the mountains: there was a heaven of sunrise, cool purple airs, red mountainsides, emerald pastures in valleys, dew, and transmuting clouds of gold; on the ground gopher holes, cactus, mesquite. It was time for me to drive on.
Jack Kerouac (On the Road)
Yes, he had made a good choice after all when he had chosen the God of the green pasture and the still waters! He was very powerful, and the fact that He expected you to think for yourself and do something in return for His help did not matter, as long as you could work things out.
Anne Holm
When we got more houses than we can live in, more cars than we can ride in, more food than we can eat ourselves, the only way of getting richer by cutting off those who don't have enough. If everybody has more than enough, what good is my more-than-enough? What good is a wide meadow open to everyone? It isn't until others are fenced out that the open pasture begins to have real value. What good is being a major if you can't have more than a second lieutenant? What good is a second lieutenant for that matter?
Nelson Algren (A Walk on the Wild Side)
...everyone knows that road, the one leading out of town into a deep green expanse of pastures and old farmhouses, which at first makes it seem like you're entering a fairy tale, something sweet and old fashioned and lost in time. But, like all fairy tales, the beginning is always beautiful, a ruse to draw you into something you aren't anticipating.
Sarah Addison Allen (First Frost (Waverley Family, #2))
I have always loved the big, brick house in Iowa where my mother grew up. From its windows, you can look out and see beautiful fields and pastures. But when I was young, I was always ignoring what was in front of me and wishing for something more exciting, and from those windows I could imagine the ocean stretching out to the Iowa horizon. -Kristin Kladstrup
Kristin Kladstrup (The Book of Story Beginnings)
She didn't throw you, she pushed you and you fell out the window. And there aren't any window in the pasture back there.
Jane Timm Baxter
Time rippling out. It’s like a lake that won’t ever calm after a stone skips across it. I
Michael Wehunt (Greener Pastures)
Favorite pots showed their dark bottoms from hooks and gaily colored flowers from the pasture leaned out of thin glassware.
Colson Whitehead (The Underground Railroad)
Everything seemed so clear to him now that he could not stop wondering how it was that everybody did not see it, and that he himself had for such a long while not seen what was so clearly evident. The people were dying out, and had got used to the dying-out process, and had formed habits of life adapted to this process...And so gradually had the people come to this condition that they did not realize the full horrors of it, and did not complain. Therefore, we consider their condition natural and as it should be. Now it seemed as clear as daylight that the chief cause of the people's great want was one that they themselves knew and always pointed out, i.e., that the land which alone could feed them had been taken from them by the landlords. And how evident it was that the children and the aged died because they had no milk, and they had no milk because there was no pasture land, and no land to grow corn or make hay on...The land so much needed by men was tilled by these people, who were on the verge of starvation, so that the corn might be sold abroad and the owners of the land might buy themselves hats and canes, and carriages and bronzes, etc.
Leo Tolstoy (Resurrection)
Quietly, as night shuts down the uncertain prospect of the road ahead, the wheels sink to stillness in the dust of the halting-place, and the reins drop from the driver’s loosened hands. Staying each his hunger on what pasture the place affords them, neither the white horse nor the black reproaches his fellow for drawing their master out of the way. They are far, both of them, from home and lonely, and lengthened by their strife the way has been hard. Now their heads droop side by side till their long manes mingle, and when the voice of the charioteer falls silent they are reconciled for a night in sleep.
Mary Renault (The Charioteer)
Can we give up all for the love of God? When the surrender of ourselves seems too much to ask, it is first of all because our thoughts about God Himself are paltry. We have not really seen Him, we have hardly tested Him at all and learned how good He is. In our blindness we approach Him with suspicious reserve. We ask how much of our fun He intends to spoil, how much He will demand from us, how high is the price we must pay before He is placated. If we had the least notion of His loving-kindness and tender mercy, His fatherly care for His poor children, His generosity, His beautiful plans for us; if we knew how patiently He waits for our turning to Him, how gently He means to lead us to green pastures and still waters, how carefully He is preparing a place for us, how ceaselessly He is ordering and ordaining and engineering His Master Plan for our good-if we had any inkling of all this, could we be reluctant to let go of our smashed dandelions or whatever we clutch so fiercely in our sweaty little hands? If with courage and joy we pour ourselves out for Him and for others for His sake, it is not possible to lose, in any final sense, anything worth keeping. We will lose ourselves and our selfishness. We will gain everything worth having.
Elisabeth Elliot (The Path of Loneliness: Finding Your Way Through the Wilderness to God)
Fall Song" Another year gone, leaving everywhere its rich spiced residues: vines, leaves, the uneaten fruits crumbling damply in the shadows, unmattering back from the particular island of this summer, this NOW, that now is nowhere except underfoot, moldering in that black subterranean castle of unobservable mysteries — roots and sealed seeds and the wanderings of water. This I try to remember when time's measure painfully chafes, for instance when autumn flares out at the last, boisterous and like us longing to stay — how everything lives, shifting from one bright vision to another, forever in these momentary pastures.
Mary Oliver (American Primitive)
The Goatherd and the Wild Goats A GOATHERD, driving his flock from their pasture at eventide, found some Wild Goats mingled among them, and shut them up together with his own for the night. The next day it snowed very hard, so that he could not take the herd to their usual feeding places, but was obliged to keep them in the fold. He gave his own goats just sufficient food to keep them alive, but fed the strangers more abundantly in the hope of enticing them to stay with him and of making them his own. When the thaw set in, he led them all out to feed, and the Wild Goats scampered away as fast as they could to the mountains. The Goatherd scolded them for their ingratitude in leaving him, when during the storm he had taken more care of them than of his own herd. One of them, turning about, said to him: “That is the very reason why we are so cautious; for if you yesterday treated us better than the Goats you have had so long, it is plain also that if others came after us, you would in the same manner prefer them to ourselves.” Old friends cannot with impunity be sacrificed for new ones.
Aesop (Aesop's Fables)
Behaviors may shift temporarily, but the core issues will remain. The feelings will also shift and change every day. After your time served, and years spent trying to make it work, it can be quite galling to have your partner pick up and leave. Many times, the narcissist does decide to head out for greener pastures— typically a new partner—and even though getting rid of him is ultimately healthier and better for you, it still stings. The sting of being rejected. The sting of not feeling good enough. The sting that no matter how hard you tried, it was never enough. While that has nothing to do with you, it is a difficult pill to swallow when they decide to pack it in and leave.
Ramani Durvasula (Should I Stay or Should I Go?: Surviving a Relationship with a Narcissist)
But while admiring my neighbour, I don't think I shall ever try to follow in her steps, my talents not being of the energetic and organising variety, but rather that of that order which makes their owner almost lamentably prone to take up a volume of poetry and wander out to where the kingcups grow, and, sitting on a willow trunk beside a little stream, forget the very existence of everything but green pastures and still waters, and the glad blowing of the wind across the joyous fields.
Elizabeth von Arnim (Elizabeth and Her German Garden)
I made a mental note to write starlings in my "Southern Speak" notebook. I'd already started the second page, thanks to Faye and Bobbie. One corner of his mouth turned up in a smile. "I try. So, Churchville. Let me see the map." I followed his directions, asking questions, until he drew a big circle around the funeral home. "That's it right there, just off 42. Or Buffalo Gap Highway. But you might not see any road signs. Out there things are a little...well, less posted. People just sort of know where they are. So look for these things." He drew in some more notes and--I'm not making this up--something like bugs with stick legs. "What are those?" I asked, not intending to sound rude. "Roaches?" "Those are cows. There's a pasture here." "Oh.
Jennifer Rogers Spinola (Southern Fried Sushi (Southern Fried Sushi #1))
Christ is our Way; we walk in Him. He is our Truth; we embrace Him. He is our Life; we live in Him. He is our Lord; we choose Him to rule over us. He is our Master; we serve Him. He is our Teacher, instructing us in the way of salvation. He is our Prophet, pointing out the future. He is our Priest, having atoned for us. He is our Advocate, ever living to make intercession for us. He is our Saviour, saving to the uttermost. He is our Root; we grow from Him. He is our Bread; we feed upon Him. He is our Shepherd, leading us into green pastures. He is our true Vine; we abide in Him. He is the Water of Life; we slake our thirst from Him. He is the fairest among ten thousand: we admire Him above all others. He is 'the brightness of the Father's glory, and the express image of His person;' we strive to reflect His likeness. He is the upholder of all things; we rest upon Him. He is our wisdom; we are guided by Him. He is our Righteousness; we cast all our imperfections upon Him. He is our Sanctification; we draw all our power for holy life from Him. He is our Redemption, redeeming us from all iniquity. He is our Healer, curing all our diseases. He is our Friend, relieving us in all our necessities. He is our Brother, cheering us in our difficulties.
Dwight L. Moody (The Way to God and How to Find It)
What force had buttercups and earthworms and cabbages against the need of human beings for dwelling places, against developers’ chances to make money? Alive as a strange creature in an aquarium, the city stretched out its tentacles, grew and swelled, gobbling the pastures and hedgerows that lay in its path. Fields were bought, and new rows of houses built, and then the process repeated. Teams of workmen dug up hedges, filled in ponds and streams, put up neat streets of flat-fronted brick dwellings with steps and railings.
Michèle Roberts (The Walworth Beauty)
JOH10.9 I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture. JOH10.10 The thief cometh not, but for to steal, and to kill, and to destroy: I am come that they might have life, and that they might have it more abundantly.
Anonymous (Holy Bible: King James Version)
But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.
Stephen King ('Salem's Lot)
If the weather isn't bad and it's a clear night, I spend fifteen or twenty minutes before bedtime out on the deck looking skyward, or, using a flashlight, I pick my way along the dirt road to the open pasture at the peak of my hill, from where I can see, from above the treeline, the whole heavenly inventory, stars unfurled in every direction, and, just this week, the planets Jupiter in the east and Mars in the west. It is beyond belief and also a fact, a plain and indisputable fact: that we are born, that this is here. I can think of worse ways to end my day.
Philip Roth (I Married a Communist (The American Trilogy, #2))
From a Berkeley Notebook' ~Denis Johnson One changes so much from moment to moment that when one hugs oneself against the chill air at the inception of spring, at night, knees drawn to chin, he finds himself in the arms of a total stranger, the arms of one he might move away from on the dark playground. Also, it breaks the heart that the sign revolving like a flame above the gas station remembers the price of gas, but forgets entirely this face it has been looking at all day. And so the heart is exhausted that even the face of the dismal facts we wait for the loves of the past to come walking from the fire, the tree, the stone, tangible and unchanged and repentant but what can you do. Half the time I think about my wife and child, the other half I think how to become a citizen with an apartment, and sex too is quite on my mind, though it seems the women have no time for you here, for which in my larger, more mature moments I can’t blame them. These are the absolute Pastures I am led to: I am in Berkeley, California, trapped inside my body, I am the secret my body is going to keep forever, as if its secret were merely silence. It lies between two mistakes of the earth, the San Andreas and Hayward faults, and at night from the hill above the stadium where I sleep, I can see the yellow aurora of Telegraph Avenue uplifted by the holocaust. My sleeping bag has little cowboys lassoing bulls embroidered all over its pastel inner lining, the pines are tall and straight, converging in a sort of roof above me, it’s nice, oh loves, oh loves, why aren’t you here? Morgan, my pyjamas are so lonesome without the orangutans—I write and write, and transcend nothing, escape nothing, nothing is truly born from me, yet magically it’s better than nothing—I know you must be quite changed by now, but you are just the same, too, like those stars that keep shining for a long time after they go out—but it’s just a light they touch us with this evening amid the fine rain like mist, among the pines.
Denis Johnson (The Incognito Lounge: And Other Poems)
He was, as I’d expected, sitting on the most precarious slope of the roof, knees drawn up, arms around them, his expression unreadable as he gazed out over the stonewalled pastures, the barns and byres and cottages, to the smoke gray and velvet green and misty blue of the forest. Not so far away the waters of the lake glinted silver. The breeze was quite chill, catching at my skirts as I came up the slates and settled myself down next to him. Finbar was utterly still. I did not need to look at him to read his mood, for I was tuned to this brother’s mind like the bow to the string.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
We drove a couple of miles to a pasture near his parents’ house and met up with the other early risers. I rode along with one of the older cowboys in the feed truck while the rest of the crew followed the herd on horseback, all the while enjoying the perfect view of Marlboro Man out the passenger-side window. I watched as he darted and weaved in the herd, shifting his body weight and posture to nonverbally communicate to his loyal horse, Blue, how far to move from the left or to the right. I breathed in slowly, feeling a sudden burst of inexplicable pride. There was something about watching my husband--the man I was crazy in love with--riding his horse across the tallgrass prairie. It was more than the physical appeal, more than the sexiness of his chaps-cloaked body in the saddle. It was seeing him do something he loved, something he was so good at doing. I took a hundred photos in my mind. I never wanted to forget it as long as I lived.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
We woke up before the sun, hitched the oxen to the wagon, herded the cattle out of the Platt’s pasture where they had spent the night, and started off again on the road toward Peekskill. Peekskill was on the Hudson River. We would turn south there and go down the river about five miles to Verplancks Point. From North Salem to Peekskill was more than twenty miles. It would take us all day to make fifteen miles to our next stop, Father’s friends south of Mohegan. We were supposed to pick up another escort. I hoped we would find it soon. I didn’t like traveling through this country alone, and I kept looking around all the time for galloping horsemen.
James Lincoln Collier (My Brother Sam is Dead)
And because I had the latest advanced mathematical training, I was given the job of analyzing the retractable landing gear for Jimmy Doolittle’s Lockheed Orion 9-D, a modification of the basic Orion. That was my first contact with any of the famous early aviators who would frequent the Lockheed plant. Others included Amelia Earhart, Wiley Post, Sir Charles Kingsford-Smith, and Roscoe Turner. Doolittle, of course, was an early record-setting pilot, both military and civilian, with a master’s degree and doctorate in science from M.I.T. Then he was flying for Shell Oil Company, landing in out-of-the-way fields, cow pastures, and other unprepared strips.
Clarence L. Johnson (Kelly: More Than My Share of It All)
There was once a Horse who used to graze in a meadow which he had all to himself. But one day a Stag came into the meadow, and said he had as good a right to feed there as the Horse, and moreover chose all the best places for himself. The Horse, wishing to be revenged upon his unwelcome visitor, went to a man and asked if he would help him to turn out the Stag. “Yes,” said the man, “I will by all means; but I can only do so if you let me put a bridle in your mouth and mount on your back.” The Horse agreed to this, and the two together very soon turned the Stag out of the pasture: but when that was done, the Horse found to his dismay that in the man he had got a master for good.
Aesop (Aesop's Fables)
Those same three factors applied to human beings. Like bees, our ancestors were (1) territorial creatures with a fondness for defensible nests (such as caves) who (2) gave birth to needy offspring that required enormous amounts of care, which had to be given while (3) the group was under threat from neighboring groups. For hundreds of thousands of years, therefore, conditions were in place that pulled for the evolution of ultrasociality, and as a result, we are the only ultrasocial primate. The human lineage may have started off acting very much like chimps,48 but by the time our ancestors started walking out of Africa, they had become at least a little bit like bees. And much later, when some groups began planting crops and orchards, and then building granaries, storage sheds, fenced pastures, and permanent homes, they had an even steadier food supply that had to be defended even more vigorously. Like bees, humans began building ever more elaborate nests, and in just a few thousand years, a new kind of vehicle appeared on Earth—the city-state, able to raise walls and armies.49 City-states and, later, empires spread rapidly across Eurasia, North Africa, and Mesoamerica, changing many of the Earth’s ecosystems and allowing the total tonnage of human beings to shoot up from insignificance at the start of the Holocene (around twelve thousand years ago) to world domination today.50 As the colonial insects did to the other insects, we have pushed all other mammals to the margins, to extinction, or to servitude. The analogy to bees is not shallow or loose. Despite their many differences, human civilizations and beehives are both products of major transitions in evolutionary history. They are motorboats.
Jonathan Haidt (The Righteous Mind: Why Good People are Divided by Politics and Religion)
THE PASTURE I’m going out to clean the pasture spring; I’ll only stop to rake the leaves away (And wait to watch the water clear, I may): I sha’n’t be gone long. – You come too. I’m going out to fetch the little calf That’s standing by the mother. It’s so young, It totters when she licks it with her tongue. I sha’n’t be gone long. – You come too.
Robert Frost (Frost: Poems: Edited by John Hollander (Everyman's Library Pocket Poets Series))
To think of food as a weapon, or of a weapon as food, may give an illusory security and wealth to a few, but it strikes directly at the life of all. The concept of food-as-weapon is not surprisingly the doctrine of a Department of Agriculture that is being used as an instrument of foreign political and economic speculation. This militarizing of food is the greatest threat so far raised against the farmland and the farm communities of this country. If present attitudes continue, we may expect government policies that will encourage the destruction, by overuse, of farmland. This, of course, has already begun. To answer the official call for more production -- evidently to be used to bait or bribe foreign countries -- farmers are plowing their waterways and permanent pastures; lands that ought to remain in grass are being planted in row crops. Contour plowing, crop rotation, and other conservation measures seem to have gone out of favor or fashion in official circles and are practices less and less on the farm. This exclusive emphasis on production will accelerate the mechanization and chemicalization of farming, increase the price of land, increase overhead and operating costs, and thereby further diminish the farm population. Thus the tendency, if not the intention, of Mr. Butz confusion of farming and war, is to complete the deliverance of American agriculture into the hands of corporations.
Wendell Berry (The Unsettling of America: Culture and Agriculture)
Old Time heaved a moldy sigh from tomb and arch and vault; and gloomy shadows began to deepen in corners; and damps began to rise from green patches of stone; and jewels, cast upon the pavement of the nave from stained glass by the declining sun, began to perish. Within the grill-gate of the chancel, up the steps surmounted loomingly by the fast darkening organ, white robes could be dimly seen, and one feeble voice, rising and falling in a cracked monotonous mutter, could at intervals be faintly heard. In the free outer air, the river, the green pastures, and the brown arable lands, the teeming hills and dales, were reddened by the sunset: while the distant little windows in windmills and farm homesteads, shone, patches of bright beaten gold. In the Cathedral, all became gee, murky, and sepulchral, and the cracked monotonous mutter went on like a dying voice, until the organ and the choir burst forth, and drowned it in a sea of music. Then, the sea fell, and the dying voice made another feeble effort, and then the sea rose high, and beat its life out, and lashed the roof, and surged among the arches, and pierced the heights of the great tower; and then the sea was dry, and all was still.
Charles Dickens (The Mystery of Edwin Drood)
According to Mr Walt, there once was a place so utterly desolate, lacking in natural resources, and devoid of charm and beauty that nobody wanted to live there. And because it was such a miserable stink hole, no one bothered to name it. Then one day came a man and wife so utterly down and out that when their wagon broke there was nothing for them to do but stay, like Job on his ash heap, and wait for the end. With nothing to do they established the place as a trash dump, taking refuse from better-off pioneers on their way to greener pastures. In this way they eked a poor but bearable existence. The man's name is not remembered but the woman was called Alice and over time this bleak barren tract of worthless soil became known as the Dump of Alice. Through contraction, it has passed down to us today as Dallas.
James Hold (Out of Texas 14 : The Iron Claw of Destiny, Part 2)
Colter searched for original Mexican tiles to use as patterns for copies, and during the search, a barrel of old tile letters was found in a cellar corner. She decided to use the letters on the walls of the Cocina Cantina to spell out old Spanish proverbs about eating and drinking. Above the bar was "A vuestra salud" [to your health], and in another room, "Not with whom you were born, but with whom you pasture.
Virginia L. Grattan (Mary Colter - Builder upon the Red Earth)
In this garden, the air was sweet and clean, like the cool water running in the creek. Beyond the garden was the rainforest, a damp cathedral of fragrant myrtle and sassafras, sprawling mosses and ancient lichen... There was only one road into Vanishing Falls... the road meandered through hilly green pastures where black-and-white cows grazed, past pretty weatherboard farmhouses with splendid man ferns out front, thick hedges, and rose gardens.
Poppy Gee (Vanishing Falls)
Animals" Have you forgotten what we were like then when we were still first rate when the day came fat with an apple in its mouth it's no use worrying about Time but we did have a few tricks up our sleeves and turned a few sharp corners the whole pasture looked like our meal we didn't need speedometers we could manage cocktails out of ice and water I wouldn't want to be faster or greener than now if you were with me O you were the best of my days.
John O'Hara
One day in the spring of 1894 or so, Amanda Cobb looked out her kitchen window and saw Tyrus and a bunch of Negro boys merrily hauling a cart laden with scrap metal, broken furniture, and other things they’d found in backyards and vacant lots around town. They were headed toward the junkyard to try to make a few dollars, and Mrs. Cobb knew for what. “He was always thinking up ways of earning money to buy baseball supplies,” she would tell a writer for the Springfield (Massachusetts) Sunday Union and Republican in 1928. “He was always playing when he was a child. In fact, we had a hard time getting him to go to school. I remember that the first money he earned he spent for a mitt. He couldn’t have been more than six years old when a neighbor asked him to take his cow to the pasture and gave Ty some change for doing it. Ty didn’t buy candy or ice cream. He knew what he wanted, and he got it—a baseball glove.
Charles Leerhsen (Ty Cobb: A Terrible Beauty)
Several times Tam paused to engage one man or another in brief conversation. Since he and Rand had not been off the farm for weeks, everyone wanted to catch up on how things were out that way. Few Westwood men had been in. Tam spoke of damage from winter storms, each one worse than the one before, and stillborn lambs, of brown fields where crops should be sprouting and pastures greening, of ravens flocking in where songbirds had come in years before. Grim talk, with preparations for Bel Tine going on all around them, and much shaking of heads. It was the same on all sides. Most of the men rolled their shoulders and said, “Well, we’ll survive, the Light willing.” Some grinned and added, “And if the Light doesn’t will, we’ll still survive.” That was the way of most Two Rivers people. People who had to watch the hail beat their crops or the wolves take their lambs, and start over, no matter how many years it happened, did not give up easily. Most of those who did were long since gone.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
He suddenly felt the intense sad loveliness of being as being, apart from right or wrong: that, indeed, the mere fact of being was the ultimate right. He began to love the land under him with a fierce longing, not because it was good or bad, but because it was: because of the shadows of the corn stocks on a golden evening; because the sheep’s tails would rattle when they ran, and the lambs, sucking, would revolve their tails in little eddies; because the clouds in daylight would surge it into light and shade; because the squadrons of green and golden plover, worming in pasture fields, would advance in short, unanimous charges, head to wind; because the spinsterish herons, who keep their hair up with fish bones according to David Garnett, would fall down in a faint if a boy could stalk them and shout before he was seen; because the smoke from homesteads was a blue beard straying into heaven; because the stars were brighter in puddles than in the sky; because there were puddles, and leaky gutters, and dung hills with poppies on them; because the salmon in the rivers suddenly leaped and fell; because the chestnut buds, in the balmy wind of spring, would jump out of their twigs like jacks-in-boxes, or like little spectres holding up green hands to scare him; because the jackdaws, building, would hang in the air with branches in their mouths, more beautiful than any ark-returning dove; because, in the moonlight there below, God’s greatest blessing to the world was stretched, the silver gift of sleep.
T.H. White
Often, in the early evening, when the stresses of the day are weighing heavy, I pack it in and head out to the pasture. I’ll sit on my favorite rock, or just stand, with my shoulders slumped, head down, and wait. It’s never long before I feel the magical tickle of whiskers against my neck, or the elixir of warm breath across my ear, a restoring rub against my cheek. I have spoken their language and they have responded. And my problems have vanished. This book is written for everyone who has never experienced this miracle.
Joe Camp (Why Relationship First Works - Why and How It Changes Everything (eBook Nuggets from The Soul of a Horse))
Are you guys going to fly?” “That’s the plan,” Sophie agreed, and Linh let out a giddy squeal. “Can I come too? I’m so over battle training. And Tam just left. And . . . okay, I just really really really want to fly with the pretty, sparkly horses!” Sophie laughed and glanced at Greyfell, transmitting Linh’s request. He sized Linh up for a second, then lowered into a crouch—his way of saying sure, climb aboard—causing a whole lot more squealing as Linh sprinted into the pasture and practically leaped onto Greyfell’s muscled back.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
The drive to Livingston Manor was an hour and a half of snaking backcountry roads. It was already getting dark, the sky fading to a bruised blue. There were no street signs along Benton Hollow Road, no house numbers, no streetlights, not even any lines — just my car’s faded headlights, which didn’t so much push back the advancing dark as nervously rummage through it. To our left was a wall of solid shrubbery, barbed and impenetrable; to our right, vast black land stretched out, rumpled pastures and faded farmhouses, a lone porch light punctuating the night.
Marisha Pessl (Night Film)
[of Jacob's twelve sons]: Shepherds and sons of the steppe they were, running almost wild since infancy, ready with bow and knife, used to encounters with lions and wild bulls and also to brawling with strange herdsmen over pasture rights. Very little of Jacob's pensive piety had come down to them – their concerns were strictly practical, their minds full of the youthful spirit of defiance which forever looks for insults and seeks out quarrels. They were arrogantly proud of their race, though knowing naught of the spiritual nobility on which it's true greatness rested.
Thomas Mann (Joseph and His Brothers)
The table was set for two, as usual, with one exception. Right smack in the middle was an old chipped crock cookie jar. Glazing cracks started at the bottom and wove their way in different directions, some on the sides, with others winding their way around in circles. "Are we having cookies with our waffles?" Jill asked. "Look at it closely," Sawyer grinned, "Pay especially close attention to the lid." "Daisies," She smiled. "I would have gone out into the pasture and picked some wild ones for you, but it's the wrong time of year. That's all I could find with a daisy on it," Sawyer said
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
The article had included an interview with a state trooper who theorized that many of these so-called “foo crashes” resulted from insects in the car. Wasps, a bee, possibly even a spider or moth. The driver gets panicky, tries to swat it or unroll a window to let it out. Possibly the insect stings him. Maybe the driver just loses control. Either way it’s bang!… all over. And the insect, usually completely unharmed, would buzz merrily out of the smoking wreck, looking for greener pastures. The trooper had been in favor of having pathologists look for insect venom while autopsying such victims, Jack recalled.
Stephen King (The Shining (The Shining, #1))
The increasing dependence on the State is anything but a healthy symptom, it means that the whole nation is in a fair way to becoming a herd of sheep, constantly relying on a shepherd to drive them into good pastures. The shepherd’s staff soon becomes a rod of iron, and the shepherds turn into wolves. . . Any man who still possesses the instinct of self-preservation knows perfectly well that only a swindler would relieve him of responsibility. . .[those] who promise everything are sure to fulfil nothing, and everyone who promises too much is in danger of using evil means in order to carry out his promises. . .
C.G. Jung
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
As the Mongol warriors withdrew from the cities of the Jurched, they had one final punishment to inflict upon the land where they had already driven out the people and burned their villages. Genghis Khan wanted to leave a large open land with ample pastures should his army need to return. The plowed fields, stone walls, and deep ditches had slowed the Mongol horses and hindered their ability to move across the landscape in any direction they wished. The same things also prevented the free migration of the herds of antelope, asses, and other wild animals that the Mongols enjoyed hunting. When the Mongols left from their Jurched campaign, they churned up the land behind them by having their horses trample the farmland with their hooves and prepare it to return to open pasture. They wanted to ensure that the peasants never returned to their villages and fields. In this way, Inner Mongolia remained a grazing land, and the Mongols created a large buffer zone of pastures and forests between the tribal lands and the fields of the sedentary farmers. The grassy steppes served as ready stores of pasturage for their horses that allowed them easier access in future raids and campaigns, and they provided a ready store of meat in the herds of wild animals that returned once the farmers and villagers had been expelled.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
For, by this Sin, God loses the Church and the souls that He bought with His precious blood, when Churches are given to those who are not worthy. Into these Churches are put thieves who steal souls from Jesus Christ and destroy His patrimony. By reason of such unworthy Priests and Curates do ignorant men lose all reverence for the sacraments of Holy Church, and such usurpers of Churches put out of the Church the children of Christ and put into the Church the Devil’s own sons. They sell the souls of the lambs they are sworn to save to the wolf that will slay them. And, therefore, these disreputable Priests should never have any part of the pasture of lambs, which is the bliss of Heaven.
Geoffrey Chaucer (The Canterbury Tales)
In some ways Turner had been telling Elwood’s story ever since his friend died, through years and years of revisions, of getting it right, as he stopped being the desperate alley cat of his youth and turned into a man he thought Elwood would have been proud of. It was not enough to survive, you have to live—he heard Elwood’s voice as he walked down Broadway in the sunlight or at the end of a long night hunched over the books. Turner walked into Nickel with strategies and hard-won dodges and a knack for keeping out of scrapes. He jumped over the fence on the other side of the pasture and into the woods and then both boys were gone. In Elwood’s name, he tried to find another way. Now here he was. Where had it taken him?
Colson Whitehead (The Nickel Boys)
I’m a literal reader of the Scriptures, and so I see the difficulties. And yet every Sunday morning I walk up there, over a cobble of quibbles. I am, I suppose, a difficult man. I am, maybe, the ultimate Protestant, the man at the end of the Protestant road, for as I have read the Gospels over the years, the belief has grown in me that Christ did not come to found an organized religion but came instead to found an unorganized one. He seems to have come to carry religion out of the temples into the fields and sheep pastures, onto the roadsides and the banks of rivers, into the houses of sinners and publicans, into the town and the wilderness, toward the membership of all that is here. Well, you can read and see what you think.
Wendell Berry (Jayber Crow)
a man who had fallen among thieves lay by the roadside on his back dressed in fifteenthrate ideas wearing a round jeer for a hat fate per a somewhat more than less emancipated evening had in return for consciousness endowed him with a changeless grin whereon a dozen staunch and leal citizens did graze at pause then fired by hypercivic zeal sought newer pastures or because swaddled with a frozen brook of pinkest vomit out of eyes which noticed nobody he looked as if he did not care to rise one hand did nothing on the vest its wideflung friend clenched weakly dirt while the mute trouserfly confessed a button solemnly inert. Brushing from whom the stiffened puke i put him all into my arms and staggered banged with terror through a million billion trillion stars
E.E. Cummings (100 Selected Poems)
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Is this then a touch? . . . . quivering me to a new identity, Flames and ether making a rush for my veins, Treacherous tip of me reaching and crowding to help them, My flesh and blood playing out lightning, to strike what is hardly different from myself, On all sides prurient provokers stiffening my limbs, Straining the udder of my heart for its withheld drip, Behaving licentious toward me, taking no denial, Depriving me of my best as for a purpose, Unbuttoning my clothes and holding me by the bare waist, Deluding my confusion with the calm of the sunlight and pasture fields, Immodestly sliding the fellow-senses away, They bribed to swap off with touch, and go and graze at the edges of me, No consideration, no regard for my draining strength or mu anger, Fetching the rest of the herd around to enjoy them awhile, Then all uniting to stand of a headland and worry me.
Walt Whitman (Song of Myself)
The few remaining men can exist out their puny days dropped out on drugs or strutting around in drag or passively watching the high-powered female in action, fulfilling themselves as spectators, vicarious liver*, or breeding in the cow pasture with the toadies, or they can go off to the nearest friendly suicide center where they will be quietly, quickly, and painlessly gassed to death. Prior to the institution of automation, to the replacement of males by machines, the male should be of use to the female, wait on her, cater to her slightest whim, obey her every command, be totally subservient to her, exist in perfect obedience to her will, as opposed to the completely warped, degenerate situation we have now of men, not only not only not existing at all, cluttering up the world with their ignominious presence, but being pandered to and groveled before by the mass of females, millions of women piously worshiping the Golden Calf, the dog leading the master on a leash, when in fact the male, short of being a drag queen, is least miserable when his dogginess is recognized – no unrealistic emotional demands are made of him and the completely together female is calling the shots. Rational men want to be squashed, stepped on, crushed and crunched, treated as the curs, the filth that they are, have their repulsiveness confirmed. The sick, irrational men, those who attempt to defend themselves against their disgustingness, when they see SCUM barreling down on them, will cling in terror to Big Mama with her Big Bouncy Boobies, but Boobies won’t protect them against SCUM; Big Mama will be clinging to Big Daddy, who will be in the corner shitting in his forceful, dynamic pants. Men who are rational, however, won’t kick or struggle or raise a distressing fuss, but will just sit back, relax, enjoy the show and ride the waves to their demise.
Valerie Solanas
Luna. Luna! LUNA! “Huh,” Sophie said, “I think she likes it.” “Yeah, I think she does,” Keefe agreed, petting Silveny’s nose again. “And this means we can still have a little Keefster!” Silveny gave him some major alicorn side-eye. “Fine. No Keefster—though you’re missing out.” He went back to thinking. “What about Wynn? Because we all know the little guy is going to be made of win!” “I actually like Wynn,” Sophie admitted, glancing at Silveny as she turned the name over in her mind. Wynn. Wynn! WYNN! Keefe smirked. “Feels like it’s Wynn for the win!” “Wynn and Luna,” Sophie said. “I like it.” So did Silveny and Greyfell, who kept repeating both names over and over as Greyfell settled next to Silveny for more alicorn snuggling. And Sophie shot Keefe a grateful smile as they made their way out of the pasture. “Thanks,” she whispered. “You really got Silveny out of her funk.” “That’s what I’m here for. To de-funk all the . . . You know what? I’m actually not sure where I’m going with that sentence.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
When we came out of the cookhouse, we found the boy's father, the Indian man who had been grazing the horses in the pasture, waiting for us. He wanted someone to tell his troubles to. He looked about guardedly, afraid that the Señora might overhear him. 'Take a look at me' he said. I don't even know how old I am. When I was young, the Señor brought me here. He promised to pay me and give me a plot of my own. 'Look at my clothes' he said, pointing to the patches covering his body. 'I can't remember how many years I've been wearing them. I have no others. I live in a mud hut with my wife and sons. They all work for the Señor like me. They don't go to school. They don't know how to read or write; they don't even speak Spanish. We work for the master, raise his cattle and work his fields. We only get rice and plantains to eat. Nobody takes care of us when we are sick. The women here have their babies in these filthy huts.' 'Why don't you eat meat or at least milk the cows?' I asked. 'We aren't allowed to slaughter a cow. And the milk goes to the calves. We can't even have chicken or pork - only if an animal gets sick and dies. Once I raised a pig in my yard' he went on. 'She had a litter of three. When the Señor came back he told the foreman to shoot them. That's the only time we ever had good meat.' 'I don't mind working for the Señor but I want him to keep his promise. I want a piece of land of my own so I can grow rice and yucca and raise a few chickens and pigs. That's all.' 'Doesn't he pay you anything?' Kevin asked. 'He says he pays us but he uses our money to buy our food. We never get any cash. Kind sirs, maybe you can help me to persuade the master . Just one little plot is all I want. The master has land, much land.' We were shocked by his tale. Marcus took out a notebook and pen. 'What's his name?'. He wrote down the name. The man didn't know the address. He only knew that the Señor lived in La Paz. Marcus was infuriated. 'When I find the owner of the ranch, I'll spit right in his eye. What a lousy bastard! I mean, it's really incredible'. 'That's just the way things are,' Karl said. 'It's sad but there's nothing we can do about it.
Yossi Ghinsberg (Jungle: A Harrowing True Story of Survival)
were more than mere insects. Over time I realized the bees could tell my emotional or energetic state. When I embodied kindness around them, they treated me with the same. A cloud of exuberance surrounded us, as though the bees were templating euphoria into the air. I want you to know I didn’t just tear off my bee suit one day and “become one with the bees.” That took years. But eventually I did retire my bee suit. The first time I walked right up to the hives wearing only a T-shirt and shorts, I felt a bit anxious and self-absorbed, but then I remembered to turn my thoughts away from myself, to open myself to the bees and let them feel me out — which they did. They landed on my bare arms and licked my skin for the salty minerals. When I held a finger next to the entrance, a sweet little bee delicately walked onto my fingertip and faced me. She looked right into my eyes, and for the first time, we saw each other. And so I became part of bee life. Becoming Kin I soon found myself having more intuition about the hives. One morning in early spring, before the flowers had come into bloom, I suddenly had the idea that I should check one of my hives. I found the bees unexpectedly out of food; so I fed them honey saved from the year before. That call I intuitively heard from the hive likely saved its life. Another time I had the feeling that a distant hive in the east pasture was on the verge of swarming. When I walked up to see, sure enough, they were. Events like this taught me to trust my intuition more, and listening to my intuition continues to bring me into a closer relationship with all the hives. In my sixth year with bees, something new happened. I had begun a morning practice of contemplation, quieting my mind and opening my heart. I entered this prayerful state, asking for guidance, direction, courage, and truth. Even though I didn’t mention honeybees, they immediately began appearing in my thoughts and passing me information I had never read or learned from other sources. I believe the sincerity of my questions opened a door. When the information began coming to me, I listened with attentiveness, respect, and gratitude. The more I listened, the more information they shared. Since my first intuitive conversation with the bees, I have had many others. At first I didn’t know how to explain where the information came from, and that bothered me. I told my husband’s
Jacqueline Freeman (Song of Increase: Listening to the Wisdom of Honeybees for Kinder Beekeeping and a Better World)
APRIL 30 EXECUTE JUDGMENT AGAINST MY OPPRESSORS MY CHILD, HEAR my words, for I am the Lord your God. I will execute judgment in the morning and deliver those who have been plundered out of the hand of the oppressor. I will punish them according to the fruit of their doings and will judge them according to My righteousness. I will hold you up in mercy, and in the multitude of the anxieties within you, My comfort will delight your soul. I will seek what was lost and bring back what was driven away. I will bind up the broken and strengthen what was sick. I will make a covenant of peace with you and cause showers of blessing to come down in your season. You will know that I am the Lord who has broken the bands of your yoke and delivered you from the hand of those who oppressed you. JEREMIAH 21:12; EZEKIEL 34:16, 25–27 Prayer Declaration Father, because I am Your sheep, You will deliver me from all the places where my oppressors have scattered me. You will feed me in good pasture and shelter me on the high mountains of Your grace. I will no longer be a prey for the wicked but will dwell safely, and no one will make me afraid. For You are my Lord, and You have broken the yoke of oppression and delivered me from my oppressors.
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
Cwe give up all for the love of God? When the surrender of ourselves seems too much to ask, it is first of all because our thoughts about God Himself are paltry. We have not really seen Him, we have hardly tested Him at all and learned how good He is. In our blindness we approach Him with suspicious reserve. We ask how much of our fun He intends to spoil, how much He will demand from us, how high is the price we must pay before He is placated. If we had the least notion of His loving-kindness and tender mercy, His fatherly care for His poor children, His generosity, His beautiful plans for us; if we knew how patiently He waits for our turning to Him, how gently He means to lead us to green pastures and still waters, how carefully He is preparing a place for us, how ceaselessly He is ordering and ordaining and engineering His Master Plan for our good-if we had any inkling of all this, could we be reluctant to let go of our smashed dandelions or whatever we clutch so fiercely in our sweaty little hands? If with courage and joy we pour ourselves out for Him and for others for His sake, it is not possible to lose, in any final sense, anything worth keeping. We will lose ourselves and our selfishness. We will gain everything worth having.
Elisabeth Elliot (The Path of Loneliness: Finding Your Way Through the Wilderness to God)
. . . everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. These halcyons may be looked for with a little more assurance in that pure October weather which we distinguish by the name of the Indian summer. The day, immeasurably long, sleeps over the broad hills and warm wide fields. To have lived through all its sunny hours, seems longevity enough. The solitary places do not seem quite lonely. At the gates of the forest, the surprised man of the world is forced to leave his city estimates of great and small, wise and foolish. The knapsack of custom falls off his back with the first step he takes into these precincts. Here is sanctity which shames our religions, and reality which discredits our heroes. Here we find Nature to be the circumstance which dwarfs every other circumstance, and judges like a god all men that come to her. Nature, Ralph Waldo Emerson Aye, and poets send out the sick spirit to green pastures, like lame horses turned out unshod to the turf to renew their hoofs. A sort of yarb-doctors in their way, poets have it that for sore hearts, as for sore lungs, nature is the grand cure. But who froze to death my teamster on the prairie? And who made an idiot of Peter the Will Boy? The Confidence Man, Herman Melville
John Williams (Butcher's Crossing)
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
I looked around and realized we were headed down a different road than Marlboro Man would normally take. “I have to give you your wedding present,” Marlboro Man said before I could ask where we were going. “I can’t wait a month before I give it to you.” Butterflies fluttered in my stomach. “But…,” I stammered. “I haven’t gotten yours yet.” Marlboro Man clasped my hand, continuing to look forward at the road. “Yes you have,” he said, bringing my hand to his lips and turning me to a pool of melted butter right in his big Ford truck. We wound through several curves in the road, and I tried to discern whether I’d been there before. My sense of direction was lousy; everything looked the same to me. Finally, just as the sun was dipping below the horizon, we came upon an old barn. Marlboro Man pulled up beside it and parked. Confused, I looked around. He got me a barn? “What…what are we doing here?” I asked. Marlboro Man didn’t answer. Instead, he just turned off the pickup, turned to me…and smiled. “What is it?” I asked as Marlboro Man and I exited the pickup and walked toward the barn. “You’ll see,” he replied. He definitely had something up his sleeve. I was nervous. I always hated opening gifts in front of the person who gave them to me. It made me uncomfortable, as if I were sitting in a dark room with a huge spotlight shining on my head. I squirmed with discomfort. I wanted to turn and run away. Hide in his pickup. Hide in the pasture. Lie low for a few weeks. I didn’t want a wedding present. I was weird that way. “But…but…,” I said, trying to back out. “But I don’t have your wedding present yet.” As if anything would have derailed him at that point. “Don’t worry about that,” Marlboro Man replied, hugging me around the waist as we walked. He smelled so good, and I inhaled deeply. “Besides, we can share this one.” That’s strange, I thought. Any fleeting ideas I’d had that he’d be giving me a shiny bracelet or sparkly necklace or other bauble suddenly seemed far-fetched. How could he and I share the same tennis bracelet? Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
His months of teaching experience were now a lost age of youth and innocence. He could no longer sit in his office at Fort McNair, look out over the elm trees and the golf course, and encompass the world within "neat, geometric patterns" that fit within equally precise lectures. Policy planning was a very different responsibility, but explaining just how was "like trying to describe the mysteries of love to a person who has never experienced it." There was, however, an analogy that might help. "I have a largish farm in Pennsylvania."...it had 235 acres, on each of which things were happening. Weekends, in theory, were days of rest. But farms defied theory: Here a bridge is collapsing. No sooner do you start to repair it than a neighbor comes to complain about a hedge row which you haven't kept up half a mile away on the other side of the farm. At that very moment your daughter arrives to tell you that someone left the gate to the hog pasture open and the hogs are out. On the way to the hog pasture, you discover that the beagle hound is happily liquidating one of the children's pet kittens. In burying the kitten you look up and notice a whole section of the barn roof has been blown off and needs instant repair. Somebody shouts from the bathroom window that the pump has stopped working, and there's no water in the house. At that moment, a truck arrives with five tons of stone for the lane. And as you stand there hopelessly, wondering which of these crises to attend to first, you notice the farmer's little boy standing silently before you with that maddening smile, which is halfway a leer, on his face, and when you ask him what's up, he says triumphantly 'The bull's busted out and he's eating the strawberry bed'. Policy planning was like that. You might anticipate a problem three or four months into the future, but by the time you'd got your ideas down on paper, the months had shrunk to three to four weeks. Getting the paper approved took still more time, which left perhaps three or four days. And by the time others had translated those ideas into action, "the thing you were planning for took place the day before yesterday, and everyone wants to know why in the hell you didn't foresee it a long time ago." Meanwhile, 234 other problems were following similar trajectories, causing throngs of people to stand around trying to get your attention: "Say, do you know that the bull is out there in the strawberry patch again?
John Lewis Gaddis (George F. Kennan: An American Life)
In 1931, amid that incredible transformation, a brilliant young Russian psychologist named Alexander Luria recognized a fleeting “natural experiment,” unique in the history of the world. He wondered if changing citizens’ work might also change their minds. When Luria arrived, the most remote villages had not yet been touched by the warp-speed restructuring of traditional society. Those villages gave him a control group. He learned the local language and brought fellow psychologists to engage villagers in relaxed social situations—teahouses or pastures—and discuss questions or tasks designed to discern their habits of mind. Some were very simple: present skeins of wool or silk in an array of hues and ask participants to describe them. The collective farmers and farm leaders, as well as the female students, easily picked out blue, red, and yellow, sometimes with variations, like dark blue or light yellow. The most remote villagers, who were still “premodern,” gave more diversified descriptions: cotton in bloom, decayed teeth, a lot of water, sky, pistachio. Then they were asked to sort the skeins into groups. The collective farmers, and young people with even a little formal education, did so easily, naturally forming color groups. Even when they did not know the name of a particular color, they had little trouble putting together darker and lighter shades of the same one. The remote villagers, on the other hand, refused, even those whose work was embroidery. “It can’t be done,” they said, or, “None of them are the same, you can’t put them together.” When prodded vigorously, and only if they were allowed to make many small groups, some relented and created sets that were apparently random. A few others appeared to sort the skeins according to color saturation, without regard to the color. Geometric shapes followed suit. The greater the dose of modernity, the more likely an individual grasped the abstract concept of “shapes” and made groups of triangles, rectangles, and circles, even if they had no formal education and did not know the shapes’ names. The remote villagers, meanwhile, saw nothing alike in a square drawn with solid lines and the same exact square drawn with dotted lines. To Alieva, a twenty-six-year-old remote villager, the solid-line square was obviously a map, and the dotted-line square was a watch. “How can a map and a watch be put together?” she asked, incredulous. Khamid, a twenty-four-year-old remote villager, insisted that filled and unfilled circles could not go together because one was a coin and the other a moon.
David Epstein (Range: Why Generalists Triumph in a Specialized World)
He moved his lips to my cheek, to my ear, back to my mouth. I had never been kissed like this in my life. Each time I thought I should protest because there were so many unsettled matters between us, Hunter kissed me harder, forcing those concerns out of my mind. The cold air heated up around us. He unsnapped the top of my jacket and slipped his hand inside. His warm palm cupped my breast beneath my shirt. Then he straightened, blinking at me, and pulled his hand away. “What is it?” I asked. “Okay,” he panted. “I’m going to kick myself for this in the morning, but I don’t want to do this while I’m drunk. And I don’t want to do it behind the stable. I want everything to be perfect between you and me.” He stroked my hair away from my face. “Are you mad?” “Mad?” I squeaked. “No. Horny? Yes. Frustrated?” “Yes.” He set his forehead against mine. “Yes,” I agreed. “Mad? No.” He watched me with serious eyes. His gaze fell to my chest. He fastened the snaps he’d unfastened a few moments before, then put his hands on my shoulders. “I’m just so thankful we’re finally together.” “Me, too,” I whispered. I felt uncomfortable saying this. I wished I had a cell phone so I could call Summer for verification that I was not making a terrible mistake. But she would yell at me and tell me to stop being stupid. I did not need her permission to fall in love. He kissed me on the forehead, then stood, holding out his hand to me. “I’ll walk you home.” I took his hand and swung it as we rounded the stable again, back the way we’d come. “I’ll walk you home,” I said. With his other hand he gestured toward the top of my grandmother’s mansion, just visible over the rise. “I’m not leaving you wandering around in the night with all these drunk people and, my God, Whitfield Farrell and his fucking bowl.” I giggled. It made me insanely happy that he was jealous of Whitfield Farrell. “You’re drunk, though. You might stumble into the road and get hit by a car.” “They will be sorry,” he said. “I will dent their car. I am strong like an ox.” I burst into laughter, and he laughed with me. He was so handsome in the gentle starlight, and he looked so happy. I couldn’t remember ever being this happy myself. I was still nearly broke and my grandmother hated me and I had a history paper due Monday that I hadn’t started writing, but I could handle all of this with Hunter laughing beside me. I squeezed his warm hand. “I’ll cross back through the pasture if it makes you feel better.” Dropping my hand, he draped his arm around me and pulled me close for another kiss on the forehead. He walked me all the way down to his house, backed me against the front door, and thoroughly kissed me good night.
Jennifer Echols (Love Story)
This Compost" Something startles me where I thought I was safest, I withdraw from the still woods I loved, I will not go now on the pastures to walk, I will not strip the clothes from my body to meet my lover the sea, I will not touch my flesh to the earth as to other flesh to renew me. O how can it be that the ground itself does not sicken? How can you be alive you growths of spring? How can you furnish health you blood of herbs, roots, orchards, grain? Are they not continually putting distemper'd corpses within you? Is not every continent work'd over and over with sour dead? Where have you disposed of their carcasses? Those drunkards and gluttons of so many generations? Where have you drawn off all the foul liquid and meat? I do not see any of it upon you to-day, or perhaps I am deceiv'd, I will run a furrow with my plough, I will press my spade through the sod and turn it up underneath, I am sure I shall expose some of the foul meat. 2 Behold this compost! behold it well! Perhaps every mite has once form'd part of a sick person—yet behold! The grass of spring covers the prairies, The bean bursts noiselessly through the mould in the garden, The delicate spear of the onion pierces upward, The apple-buds cluster together on the apple-branches, The resurrection of the wheat appears with pale visage out of its graves, The tinge awakes over the willow-tree and the mulberry-tree, The he-birds carol mornings and evenings while the she-birds sit on their nests, The young of poultry break through the hatch'd eggs, The new-born of animals appear, the calf is dropt from the cow, the colt from the mare, Out of its little hill faithfully rise the potato's dark green leaves, Out of its hill rises the yellow maize-stalk, the lilacs bloom in the dooryards, The summer growth is innocent and disdainful above all those strata of sour dead. What chemistry! That the winds are really not infectious, That this is no cheat, this transparent green-wash of the sea which is so amorous after me, That it is safe to allow it to lick my naked body all over with its tongues, That it will not endanger me with the fevers that have deposited themselves in it, That all is clean forever and forever, That the cool drink from the well tastes so good, That blackberries are so flavorous and juicy, That the fruits of the apple-orchard and the orange-orchard, that melons, grapes, peaches, plums, will none of them poison me, That when I recline on the grass I do not catch any disease, Though probably every spear of grass rises out of what was once a catching disease. Now I am terrified at the Earth, it is that calm and patient, It grows such sweet things out of such corruptions, It turns harmless and stainless on its axis, with such endless successions of diseas'd corpses, It distills such exquisite winds out of such infused fetor, It renews with such unwitting looks its prodigal, annual, sumptuous crops, It gives such divine materials to men, and accepts such leavings from them at last.
Walt Whitman