“
Stars, too, were time travelers. How many of those ancient points of light were the last echoes of suns now dead? How many had been born but their light not yet come this far? If all the suns but ours collapsed tonight, how many lifetimes would it take us to realize we were alone? I had always known the sky was full of mysteries—but not until now had I realized how full of them the earth was.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
I looked at the campers, all of them grim and determined. I tried not to feel like this was the last time I'd ever see them all together. 'You're the greatest heroes of this millennium,' I told them. 'It doesn't matter how many monsters come at you. Fight bravely, and we will win.' I raised Riptide and shouted, 'FOR OLYMPUS!' They shouted in response, and our forty voices echoed off the buildings of Midtown.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
He left that morning, the last words still echoing in my head, and though he said he’d come back one day I know a broken promise from a right one for I have used them myself and there is no coming back. Minds like ours are can’t be tamed and the price for freedom is the price we pay.
”
”
Charlotte Eriksson
“
The stars are brilliant at this time of night
and I wander these streets like a ritual I don’t dare to break
for darling, the times are quite glorious.
I left him by the water’s edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well.
There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said he’d come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are can’t be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now I’m writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until they’re all gone.
Nothing left to hold me back.
You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
it’s my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
And we held each other in the dark hall and laughed, with the tears running down our cheeks and echoes of our laughter going up the ruined stairway to the sky.
'I am so happy,' Constance said at last, gasping. 'Merricat, I am so happy.'
'I told you that you would like it on the moon.
”
”
Shirley Jackson (We Have Always Lived in the Castle)
“
[...]we are all as full of echoes as a rocky wood--echoes of the past, reflex echoes of the future, and echoes of the soil (these last reverberating through our filmiest dreams, like the sound of thunder in a blossoming orchard).
”
”
Mary Webb (Gone to Earth)
“
Anyway, those things would not have lasted long.
The experience of the years shows it to me.
But Destiny arrived in some haste and stopped them.
The beautiful life was brief.
But how potent were the perfumes,
On how splendid a bed we lay,
To what sensual delight we gave our bodies.
An echo of the days of pleasure,
An echo of the days drew near me,
A little of the fire of the youth of both of us,
Again I took in my hands a letter,
And I read and reread till the light was gone.
And melancholy, I came out on the balcony
Came out to change my thoughts at least by looking at
A little of the city that I loved,
A little movement on the street and in the shops.
Translated by Rae Dalven
”
”
Constantinos P. Cavafy
“
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
”
”
Shannon L. Alder
“
To His Coy Mistress
Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Thorough the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
”
”
Andrew Marvell (The Complete Poems)
“
The problem is that our world and our education remain focused exclusively on external, materialistic values. We are not concerned enough with inner values. Those who grow up with this kind of education live in a materialistic life and eventually the whole society becomes materialistic. But this culture is not sufficient to tackle our human problems. The real problem is here," the Dalai Lama said, pointed to his head.
The Archbishop tapped his chest with his fingers to emphasize the heart as well.
"And here," the Dalai Lama echoed. "Mind and heart..
”
”
Dalai Lama XIV (The Book of Joy: Lasting Happiness in a Changing World)
“
This doesn't just involve you, honey. If it did, then what you suggest might be the best option. But it involves Shea and, by proxy, everyone at KGI because now you and your sister both are part of us. We don't run from a fight. It's not what KGI is about. KGI is about family. It's about protecting what matters the most to us. It's about never letting anyone take what is ours. You and Shea are ours now, we'll protect you with our last breaths.
”
”
Maya Banks (Echoes at Dawn (KGI, #5))
“
Stars, too, were time travelers. How many of those ancient points of light were the last echoes of suns now dead? If all the suns but ours collapsed tonight, how many lifetimes would it take us to realize we were alone?
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
The universe is full of echoes and shadows, the afterimages and last words of dead civilizations that have lost the struggle against entropy. Fading ripples in the cosmic background radiation, it is doubtful if most, or any, of these messages will ever be deciphered. Likewise, most of our thoughts and memories are destined to fade, to disappear, to be consumed by the very act of choosing and living. That is not a cause for sorrow, sweetheart. It is the fate of every species to disappear into the void that is the heat death of the universe. But long before then, the thoughts of any intelligent species worthy of the name will become as grand as the universe itself.
”
”
Ken Liu (The Paper Menagerie and Other Stories)
“
Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of--something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possesed your soul have been but hints of it--tantalizing glimspes, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest--if there ever came an echo that did not die away but swelled into the sound itself--you would know it. Beyond all possibility of doubt you would say 'Here at last is the thing I was made for.' We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the things we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
”
”
C.S. Lewis (The Problem of Pain)
“
Last night meant as much to me as it did to her and she painted it, capturing it in a way unique to Echo. […] Up close all those colors would look like chaos, but when viewed as a whole it creates this beautiful picture. In the end, that’s the best way to describe me and Echo, our relationship. Our love.
”
”
Katie McGarry (Breaking the Rules (Pushing the Limits, #1.5))
“
We will fight for our world to the last echo of our souls
”
”
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
“
You know the rest. In the books you have read
How the British Regulars fired and fled,---
How the farmers gave them ball for ball,
From behind each fence and farmyard wall,
Chasing the redcoats down the lane,
Then crossing the fields to emerge again
Under the trees at the turn of the road,
And only pausing to fire and load.
So through the night rode Paul Revere;
And so through the night went his cry of alarm
To every Middlesex village and farm,---
A cry of defiance, and not of fear,
A voice in the darkness, a knock at the door,
And a word that shall echo for evermore!
For, borne on the night-wind of the Past,
Through all our history, to the last,
In the hour of darkness and peril and need,
The people will waken and listen to hear
The hurrying hoof-beats of that steed,
And the midnight message of Paul Revere.
”
”
Henry Wadsworth Longfellow (The Midnight Ride of Paul Revere)
“
Journeying over many seas & through many countries
I came dear brother to this pitiful leave-taking
The last gestures by your graveside
The futility of words over your quiet ashes.
Life cleft us from each other
Pointlessly depriving brother of brother
Accept then, our parents' custom
These offerings, this leave-taking
Echoing forever, brother, through a brother's tears
”
”
Catullus
“
We talk of strong personalities, and they are strong, until the not-every-day when we see them as we might see one woman alone in a desert, and know that all the strength we thought we knew was only courage, only her lone song echoing among the stones; and then at last when we have understood this and made up our minds to hear the song and admire its courage and its sweetness, we wait for the next note and it does not come. The last word, with its pure tone, echoes and fades and is gone, and we realize—only then—that we do not know what it was, that we have been too intent on the melody to hear even one word. We go then to find the singer, thinking she will be standing where we last saw her. There are only bones and sand and a few faded rags.
”
”
Gene Wolfe (Peace)
“
But the sun will rise the day after tomorrow
A millennium without us silences our last echo
To tiny fragments even our plastics are reduced
In Eden Reincarnate all life but ours is renewed
”
”
A.A. Patawaran
“
Stories don’t change much across continents and centuries. Hearts are broken. Pride is wounded. Souls wander too far from home and become lost. The wrong roads are taken. The incorrect choice is made. Stories echo with loneliness. Grief. Longing. Redemption. Forgiveness. Hope. And love.” Now it was her turn to point at the bookstore. “That building is stuffed with books that, once opened, reveal our communal story. And, if you’re lucky, the words in those books will force you to grapple with the hardest truths of your life. After reducing you to a puddle of tears, they’ll raise you to your feet again. The words will pull you up, higher and higher, until you feel the sun on your face again. Until you’re suddenly humming on the way to the mailbox. Or you’re buying bouquets of gerbera daisies because you crave bright colors. And you’ll laugh again—as freely as champagne bubbling in a tall, glass flute. When’s the last time you laughed like that?
”
”
Ellery Adams (The Secret, Book, & Scone Society (Secret, Book, & Scone Society, #1))
“
Once I am sure there's nothing going on
I step inside, letting the door thud shut.
Another church: matting, seats, and stone,
And little books; sprawlings of flowers, cut
For Sunday, brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense, musty, unignorable silence,
Brewed God knows how long. Hatless, I take off
My cycle-clips in awkward reverence.
Move forward, run my hand around the font.
From where I stand, the roof looks almost new -
Cleaned, or restored? Someone would know: I don't.
Mounting the lectern, I peruse a few
Hectoring large-scale verses, and pronounce
'Here endeth' much more loudly than I'd meant.
The echoes snigger briefly. Back at the door
I sign the book, donate an Irish sixpence,
Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do,
And always end much at a loss like this,
Wondering what to look for; wondering, too,
When churches will fall completely out of use
What we shall turn them into, if we shall keep
A few cathedrals chronically on show,
Their parchment, plate and pyx in locked cases,
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?
Or, after dark, will dubious women come
To make their children touch a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort will go on
In games, in riddles, seemingly at random;
But superstition, like belief, must die,
And what remains when disbelief has gone?
Grass, weedy pavement, brambles, buttress, sky,
A shape less recognisable each week,
A purpose more obscure. I wonder who
Will be the last, the very last, to seek
This place for what it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber, randy for antique,
Or Christmas-addict, counting on a whiff
Of gown-and-bands and organ-pipes and myrrh?
Or will he be my representative,
Bored, uninformed, knowing the ghostly silt
Dispersed, yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation - marriage, and birth,
And death, and thoughts of these - for which was built
This special shell? For, though I've no idea
What this accoutred frowsty barn is worth,
It pleases me to stand in silence here;
A serious house on serious earth it is,
In whose blent air all our compulsions meet,
Are recognized, and robed as destinies.
And that much never can be obsolete,
Since someone will forever be surprising
A hunger in himself to be more serious,
And gravitating with it to this ground,
Which, he once heard, was proper to grow wise in,
If only that so many dead lie round.
”
”
Philip Larkin
“
We could fall and not break. We could alchemize music, make it physical, let it touch our unsettled souls. Our youth was so powerful it could not possibly last, or it would consume us whole.
That's why magic kissed our bruises, coddled our hearts, and then sent us on our way. Magic hoped we would carry its echo into the world, for we were never meant to stay there.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
We are going to win our freedom because both the sacred heritage of our nation and the eternal will of the Almighty God are embodied in our echoing demands. So however difficult it is during this period, however difficult it is to continue to live with the agony and the continued existence of racism, however difficult it is to live amidst the constant hurt, the constant insult and the constant disrespect, I can still sing we shall overcome. We shall overcome because the arc of the moral universe is long but it bends towards justice.
We shall overcome because Carlisle is right. "No lie can live forever." We shall overcome because William Cullen Bryant is right. "Truth crushed to earth will rise again." We shall overcome because James Russell Lowell is right. "Truth forever on the scaffold, wrong forever on the throne." Yet that scaffold sways the future. We shall overcome because the Bible is right. "You shall reap what you sow." With this faith we will be able to hew out of the mountain of despair, a stone of hope. With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith we will be able to speed up the day when all of God's children all over this nation - black men and white men, Jews and Gentiles, Protestants and Catholics will be able to join hands and sing in the words of the old negro spiritual, "Free at Last, Free at Last, Thank God Almighty, We are Free At Last.
”
”
Martin Luther King Jr.
“
We are ever seeking more certainty, more hope,” Rhiada replied at last, his voice humming, an echo of a song in it. “The less we hae, the more we wish for it. But were times none so dire as these, were life none so fragile, we would perhaps nae hold to it so, like a shining light in the midst of darkness. The greater the darkness, the more precious that hope becomes. Were our lives, our homes, our country, our freedoms, our princess—were these none so dear to us, we would nae risk it all to keep them. Men donnae die fer something they donnae believe in. Because we risk it, then it must be worth it in the end. Should that no’ give us hope?
”
”
Cheyenne van Langevelde (Dìlseachd - A Stolen Crown (Princess of the Highlands, #1))
“
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
”
”
Frédéric Gros (A Philosophy of Walking)
“
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands.
Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap.
I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death.
But today, vigor and grace have forsaken me and left me crippled.
Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own.
My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever.
But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path?
No, everything and everyone we love will vanish, one day.
So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship.
Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last.
Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character.
Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing.
My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know.
So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have.
But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib.
My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
”
”
Shakieb Orgunwall
“
I took one last look at the man who owned my body and soul for so many years. His face twisted into a mask of sheer devastation. I wanted to reach out and console him, to say everything would work out. It wouldn’t though, not until he put his family before his career.
“I never thought our love story had an end,” Luke said faintly.
Clicking the door shut, I slid down the wooden frame into a heap on the floor. Sobs racked my body as I echoed the same sentiments in my head. Our love story shouldn’t have had an end. Only a beginning.
”
”
Nicole Simone (Love of a Rockstar (Love of a Rockstar, #1))
“
Do you have someone in mind, Galen?" Toraf asks, popping a shrimp into his mouth. "Is it someone I know?"
"Shut up, Toraf," Galen growls. He closes his eyes, massages his temples. This could have gone a lot better in so many ways.
"Oh," Toraf says. "It must be someone I know, then."
"Toraf, I swear by Triton's trident-"
"These are the best shrimp you've ever made, Rachel," Toraf continues. "I can't wait to cook shrimp on our island. I'll get the seasoning for us, Rayna."
"She's not going to any island with you, Toraf!" Emma yells.
"Oh, but she is, Emma. Rayna wants to be my mate. Don't you, princess?" he smiles.
Rayna shakes her head. "It's no use, Emma. I really don't have a choice."
She resigns herself to the seat next to Emma, who peers down at her, incredulous. "You do have a choice. You can come live with me at my house. I'll make sure he can't get near you."
Toraf's expression indicates he didn't consider that possibility before goading Emma. Galen laughs. "It's not so funny anymore is it, tadpole?" he says, nudging him.
Toraf shakes his head. "She's not staying with you, Emma."
"We'll see about that, tadpole," she returns.
"Galen, do something," Toraf says, not taking his eyes off Emma.
Galen grins. "Such as?"
"I don't know, arrest her or something," Toraf says, crossing his arms.
Emma locks eyes with Galen, stealing his breath. "Yeah, Galen. Come arrest me if you're feeling up to it. But I'm telling you right now, the second you lay a hand on me, I'm busting this glass over your head and using it to split your lip like Toraf's." She picks up her heavy drinking glass and splashes the last drops of orange juice onto the table.
Everyone gasps except Galen-who laughs so hard he almost upturns his chair.
Emma's nostrils flare. "You don't think I'll do it? There's only one way to find out, isn't there, Highness?"
The whole airy house echoes Galen's deep-throated howls. Wiping the tears from his eyes, he elbows Toraf, who's looking at him like he drank too much saltwater. "Do you know those foolish humans at her school voted her the sweetest out of all of them?"
Toraf's expression softens as he looks up at Emma, chuckling. Galen's guffaws prove contagious-Toraf is soon pounding the table to catch his breath. Even Rachel snickers from behind her oven mitt.
The bluster leaves Emma's expression. Galen can tell she's in danger of smiling. She places the glass on the table as if it's still full and she doesn't want to spill it. "Well, that was a couple of years ago."
This time Galen's chair does turn back, and he sprawls onto the floor. When Rayna starts giggling, Emma gives in, too. "I guess...I guess I do have sort of a temper," she says, smiling sheepishly.
She walks around the table to stand over Galen. Peering down, she offers her hand. He grins up at her. "Show me your other hand."
She laughs and shows him it's empty. "No weapons."
"Pretty resourceful," he says, accepting her hand. "I'll never look at a drinking glass the same way." He does most of the work of pulling himself up but can't resist the opportunity to touch her.
She shrugs. "Survival instinct, maybe?"
He nods. "Or you're trying to cut my lips off so you won't have to kiss me." He's pleased when she looks away, pink restaining her cheeks.
"Rayna tries that all the time," Toraf chimes in. "Sometimes when her aim is good, it works, but most of the time kissing her is my reward for the pain.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Persistence in the face of repeated failure is an admirable trait in a scientist, even if it is absurdly irritating on a personal level.
”
”
Kate Alice Marshall (Our Last Echoes)
“
Then Deborah stood at the wicket gate, the boundary, and there was a woman with outstretched hand, demanding tickets.
"Pass through," she said when Deborah reached her. "We saw you coming." The wicket gate became a turnstile. Deborah pushed against it and there was no resistance, she was through.
"What is it?" she asked. "Am I really here at last? Is this the bottom of the pool?"
"It could be," smiled the woman. "There are so many ways. You just happened to choose this one."
Other people were pressing to come through. They had no faces, they were only shadows. Deborah stood aside to let them by, and in a moment they had gone, all phantoms.
"Why only now, tonight?" asked Deborah. "Why not in the afternoon, when I came to the pool?"
"It's a trick," said the woman. "You seize on the moment in time. We were here this afternoon. We're always here. Our life goes on around you, but nobody knows it. The trick's easier by night, that's all."
"Am I dreaming, then?" asked Deborah.
"No," said the woman, "this isn't a dream. And it isn't death, either. It's the secret world."
The secret world... It was something Deborah had always known, and now the pattern was complete. The memory of it, and the relief, were so tremendous that something seemed to burst inside her heart.
"Of course..." she said, "of course..." and everything that had ever been fell into place. There was no disharmony. The joy was indescribable, and the surge of feeling, like wings about her in the air, lifted her away from the turnstile and the woman, and she had all knowledge. That was it - the invasion of knowledge. ("The Pool")
”
”
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
“
Were you there?”
She shook her head. “No. I was here in Nain having a
child.”
“Then why do you weep as though you had part in his
crucifixion? You had no part in it.”
“I’d like nothing better than to think I would have
remained faithful. But if those closest to him—his
disciples, his own brothers—turned away, who am I to
think I’m better than they and would have done
differently? No, Marcus. We all wanted what we
wanted, and when the Lord fulfilled his purpose rather
than ours, we struck out against him. Like you. In anger.
Like you. In disappointment. Yet, it is God’s will that
prevails.”
He looked away. “I don’t understand any of this.”
“I know you don’t. I see it in your face, Marcus. You
don’t want to see. You’ve hardened your heart against
him.” She started to walk again.
“As should all who value their lives,” he said, thinking of
Hadassah’s death.
“It is God who has driven you here.”
He gave a derisive laugh. “I came here of my own
accord and for my own purposes.”
“Did you?” Marcus’ face became stony.
Deborah pressed on. “We were all created incomplete
and will find no rest until we satisfy the deepest hunger
and thirst within us. You’ve tried to satisfy it in your own
way. I see that in your eyes, too, as I’ve seen it in so
many others. And yet, though you deny it with your last
breath, your soul yearns for God, Marcus Lucianus
Valerian.”
Her words angered him. “Gods aside, Rome shows
the world that life is what man makes of it.”
“If that’s so, what are you making of yours?”
“I own a fleet of ships, as well as emporiums and
houses. I have wealth.” Yet, even as he told her, he
knew it all meant nothing. His father had come to that
realization just before he died. Vanity. It was all vanity.
Meaningless. Empty.
Old Deborah paused on the pathway. “Rome points the
way to wealth and pleasure, power and knowledge. But
Rome remains hungry. Just as you are hungry now.
Search all you will for retribution or meaning to your life,
but until you find God, you live in vain.
”
”
Francine Rivers (An Echo in the Darkness (Mark of the Lion, #2))
“
[Robert's eulogy at his brother, Ebon C. Ingersoll's grave. Even the great orator Robert Ingersoll was choked up with tears at the memory of his beloved brother]
The record of a generous life runs like a vine around the memory of our dead, and every sweet, unselfish act is now a perfumed flower.
Dear Friends: I am going to do that which the dead oft promised he would do for me.
The loved and loving brother, husband, father, friend, died where manhood's morning almost touches noon, and while the shadows still were falling toward the west.
He had not passed on life's highway the stone that marks the highest point; but, being weary for a moment, he lay down by the wayside, and, using his burden for a pillow, fell into that dreamless sleep that kisses down his eyelids still. While yet in love with life and raptured with the world, he passed to silence and pathetic dust.
Yet, after all, it may be best, just in the happiest, sunniest hour of all the voyage, while eager winds are kissing every sail, to dash against the unseen rock, and in an instant hear the billows roar above a sunken ship. For whether in mid sea or 'mong the breakers of the farther shore, a wreck at last must mark the end of each and all. And every life, no matter if its every hour is rich with love and every moment jeweled with a joy, will, at its close, become a tragedy as sad and deep and dark as can be woven of the warp and woof of mystery and death.
This brave and tender man in every storm of life was oak and rock; but in the sunshine he was vine and flower. He was the friend of all heroic souls. He climbed the heights, and left all superstitions far below, while on his forehead fell the golden dawning, of the grander day.
He loved the beautiful, and was with color, form, and music touched to tears. He sided with the weak, the poor, and wronged, and lovingly gave alms. With loyal heart and with the purest hands he faithfully discharged all public trusts.
He was a worshipper of liberty, a friend of the oppressed. A thousand times I have heard him quote these words: 'For Justice all place a temple, and all season, summer!' He believed that happiness was the only good, reason the only torch, justice the only worship, humanity the only religion, and love the only priest. He added to the sum of human joy; and were every one to whom he did some loving service to bring a blossom to his grave, he would sleep to-night beneath a wilderness of flowers.
Life is a narrow vale between the cold and barren peaks of two eternities. We strive in vain to look beyond the heights. We cry aloud, and the only answer is the echo of our wailing cry. From the voiceless lips of the unreplying dead there comes no word; but in the night of death hope sees a star and listening love can hear the rustle of a wing.
He who sleeps here, when dying, mistaking the approach of death for the return of health, whispered with his latest breath, 'I am better now.' Let us believe, in spite of doubts and dogmas, of fears and tears, that these dear words are true of all the countless dead.
And now, to you, who have been chosen, from among the many men he loved, to do the last sad office for the dead, we give his sacred dust.
Speech cannot contain our love. There was, there is, no gentler, stronger, manlier man.
”
”
Robert G. Ingersoll (Some Mistakes of Moses)
“
Mom used to say that the thoughts in our heads were nothing more than electrical impulses. I remember Dad and her talking about this over dinner. It frustrated Dad that the human brain can fire electrical sparks and think, but that the electricity he’d pump into an android brain would never give it independent thought. The body isn’t that different from a machine. Humans and androids both run on electricity.
That lightning spark of energy I saw in the reverie.
That was my mother’s last thought, an echo of electricity, something that sparked when I entered her dreamscape.
That spark is gone now. Her life is gone now. Everything that made her, her, is gone now. Faded into nothing.
”
”
Beth Revis (The Body Electric)
“
Sometimes on late summer nights, when the sky is perfect and our parents are in a good enough mood to let us, we meet up to take a midnight walk through the field beyond our houses. It’s always peaceful and quiet, a perfect time to stargaze into the velvety black sky dotted with millions of crystals that make up the Milky Way. The warm summer night’s breeze ripples the tall grass and makes a small brushing sound that echoes throughout the valley. In the distance, the Appalachian Mountains loom like giant gray ghosts cast in the silvery glow of the midnight Moon. They wrap around our little valley like a scarf, and the hollers that seem close in the daytime seem like a lifetime away in the dark. We become engulfed by the thousands of fireflies that dance around in the steamy mist that radiates off of the ground because of the humidity. Those are the beautiful midsummer nights in Valia Springs that I will never forget.
”
”
Jacquelyn Eubanks (The Last Summer (Last Summer Series, #1))
“
Fine,” Lily said. “Just don’t flirt in front of me. I’m entirely too cynical for teenage love.” “Aren’t you, like, twenty-three?” Kenny asked. “Yes, but I tested out of my teenage years and went straight to middle age,” Lily replied.
”
”
Kate Alice Marshall (Our Last Echoes)
“
By the way,” Etan began as we entered the hall, our footsteps echoing in the grand entryway, “I realize I said I’d never go near an altar, and I maintain that you are an obnoxious brat . . . but I will love you to the very last beat of my heart.
”
”
Kiera Cass (The Betrayed (The Betrothed, #2))
“
Shame ruptures our connection with life and with our soul. It is, indeed, a sickness of the soul. When feelings of shame arise, we pull back from the world, avoiding contact that could cause or risk exposure. The last thing we want in times of excruciating self-consciousness is to be seen. We find ourselves avoiding the gaze of others, we become silent and withdrawn, all in hopes of slipping under the radar. I remember sharing with the audience that the goal of the shame-bound person was to get from birth to death without ever being an echo on the radar of life. My tombstone was going to read “Safe at Last.” Gershon Kaufman, one of the most important writers on shame, has said that shame leaves us feeling “unspeakably and irreparably defective.”29 It is unspeakable because we do not want anyone to know how we feel inside. We fear it is irreparable because we think it is not something we have done wrong—it is simply who we are. We cannot remove the stain from our core. We search and search for the defect, hoping that that, once found, it can be exorcised like some grotesque demon. But it lingers, remaining there our entire lives, anxious that it will be seen and simultaneously longing to be seen and touched with compassion.
”
”
Francis Weller (The Wild Edge of Sorrow: Rituals of Renewal and the Sacred Work of Grief)
“
Tonight, we’ll sleep one last time in the hills of shivers and shadows, where I made a bargain with the devil, killed the monster, lost my Wolf, died in a lake, and fell in love twice. Tomorrow, we’ll attempt our most dangerous journey yet. Tomorrow, the lion will fly.
”
”
Pam Godwin (Cage of Ice and Echoes (Frozen Fate, #2))
“
I didn't go far, just around the perimeter of the neat yard in a slow shuffle, watching the sky, clear now, a billion stars spread across it. Stars, too were time travelers. How many of those ancient points of light were the last echoes of suns now dead? How many of them had been born but their light had not yet come this far? If all the suns but ours collapsed tonight, how many lifetimes would it take us to realize that we were alone? I had always known the sky was full of mysteries- but not until now had I realized how full of them the earth was.
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
Stars, too, were time travelers. How many of those ancient points of light were the last echoes of suns now dead? How many had been born but their light not yet come this far? If all the suns but ours collapsed tonight, how many lifetimes would it take us to realize that we were alone?
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
Patriotism,” said Lymond, “like honesty is a luxury with a very high face value which is quickly pricing itself out of the spiritual market altogether.
[...] It is an emotion as well, and of course the emotion comes first. A child’s home and the ways of its life are sacrosanct, perfect, inviolate to the child. Add age; add security; add experience. In time we all admit our relatives and our neighbours, our fellow townsmen and even, perhaps, at last our fellow nationals to the threshold of tolerance. But the man living one inch beyond the boundary is an inveterate foe.
[...] Patriotism is a fine hothouse for maggots. It breeds intolerance; it forces a spindle-legged, spurious riot of colour.… A man of only moderate powers enjoys the special sanction of purpose, the sense of ceremony; the echo of mysterious, lost and royal things; a trace of the broad, plain childish virtues of myth and legend and ballad. He wants advancement—what simpler way is there? He’s tired of the little seasons and looks for movement and change and an edge of peril and excitement; he enjoys the flowering of small talents lost in the dry courses of daily life. For all these reasons, men at least once in their lives move the finger which will take them to battle for their country.…
“Patriotism,” said Lymond again. “It’s an opulent word, a mighty key to a royal Cloud-Cuckoo-Land. Patriotism; loyalty; a true conviction that of all the troubled and striving world, the soil of one’s fathers is noblest and best. A celestial competition for the best breed of man; a vehicle for shedding boredom and exercising surplus power or surplus talents or surplus money; an immature and bigoted intolerance which becomes the coin of barter in the markets of power—
[...] These are not patriots but martyrs, dying in cheerful self-interest as the Christians died in the pleasant conviction of grace, leaving their example by chance to brood beneath the water and rise, miraculously, to refresh the centuries. The cry is raised: Our land is glorious under the sun. I have a need to believe it, they say. It is a virtue to believe it; and therefore I shall wring from this unassuming clod a passion and a power and a selflessness that otherwise would be laid unquickened in the grave.
[...] “And who shall say they are wrong?” said Lymond. “There are those who will always cleave to the living country, and who with their uprooted imaginations might well make of it an instrument for good. Is it quite beyond us in this land? Is there no one will take up this priceless thing and say, Here is a nation, with such a soul; with such talents; with these failings and this native worth? In what fashion can this one people be brought to live in full vigour and serenity, and who, in their compassion and wisdom, will take it and lead it into the path?
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Perched upon the stones of a bridge
The soldiers had the eyes of ravens
Their weapons hung black as talons
Their eyes gloried in the smoke of murder
To the shock of iron-heeled sticks
I drew closer in the cripple’s bitter patience
And before them I finally tottered
Grasping to capture my elusive breath
With the cockerel and swift of their knowing
They watched and waited for me
‘I have come,’ said I, ‘from this road’s birth,
I have come,’ said I, ‘seeking the best in us.’
The sergeant among them had red in his beard
Glistening wet as he showed his teeth
‘There are few roads on this earth,’ said he,
‘that will lead you to the best in us, old one.’
‘But you have seen all the tracks of men,’ said I
‘And where the mothers and children have fled
Before your advance. Is there naught among them
That you might set an old man upon?’
The surgeon among this rook had bones
Under her vellum skin like a maker of limbs
‘Old one,’ said she, ‘I have dwelt
In the heat of chests, among heart and lungs,
And slid like a serpent between muscles,
Swum the currents of slowing blood,
And all these roads lead into the darkness
Where the broken will at last rest.
‘Dare say I,’ she went on,‘there is no
Place waiting inside where you might find
In slithering exploration of mysteries
All that you so boldly call the best in us.’
And then the man with shovel and pick,
Who could raise fort and berm in a day
Timbered of thought and measured in all things
Set the gauge of his eyes upon the sun
And said, ‘Look not in temples proud,
Or in the palaces of the rich highborn,
We have razed each in turn in our time
To melt gold from icon and shrine
And of all the treasures weeping in fire
There was naught but the smile of greed
And the thick power of possession.
Know then this: all roads before you
From the beginning of the ages past
And those now upon us, yield no clue
To the secret equations you seek,
For each was built of bone and blood
And the backs of the slave did bow
To the laboured sentence of a life
In chains of dire need and little worth.
All that we build one day echoes hollow.’
‘Where then, good soldiers, will I
Ever find all that is best in us?
If not in flesh or in temple bound
Or wretched road of cobbled stone?’
‘Could we answer you,’ said the sergeant,
‘This blood would cease its fatal flow,
And my surgeon could seal wounds with a touch,
All labours will ease before temple and road,
Could we answer you,’ said the sergeant,
‘Crows might starve in our company
And our talons we would cast in bogs
For the gods to fight over as they will.
But we have not found in all our years
The best in us, until this very day.’
‘How so?’ asked I, so lost now on the road,
And said he, ‘Upon this bridge we sat
Since the dawn’s bleak arrival,
Our perch of despond so weary and worn,
And you we watched, at first a speck
Upon the strife-painted horizon
So tortured in your tread as to soak our faces
In the wonder of your will, yet on you came
Upon two sticks so bowed in weight
Seeking, say you, the best in us
And now we have seen in your gift
The best in us, and were treasures at hand
We would set them humbly before you,
A man without feet who walked a road.’
Now, soldiers with kind words are rare
Enough, and I welcomed their regard
As I moved among them, ’cross the bridge
And onward to the long road beyond
I travel seeking the best in us
And one day it shall rise before me
To bless this journey of mine, and this road
I began upon long ago shall now end
Where waits for all the best in us.
―Avas Didion Flicker
Where Ravens Perch
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
The idea of freedom is complex and it is all-encompassing. It’s the idea that the economy must remain free of government persuasion. It’s the idea that the press must operate without government intrusion. And it’s the idea that the emails and phone records of Americans should remain free from government search and seizure. It’s the idea that parents must be the decision makers in regards to their children's education — not some government bureaucrat.
But most importantly, it is the idea that the individual must be free to pursue his or her own happiness free from government dependence and free from government control. Because to be truly free is to be reliant on no one other than the author of our destiny. These are the ideas at the core of the Republican Party, and it is why I am a Republican. So my brothers and sisters of the American community, please join with me today in abandoning the government plantation and the Party of disappointment. So that we may all echo the words of one Republican leader who famously said, "Free at last, free at last, thank God Almighty, we are free at last.
”
”
Elbert Guillory
“
How are things going with your brothers?”
“The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.”
“That is awesome!”
“Yeah.”
“What’s wrong?”
“Carrie and Joe hired a lawyer and I lost visitation.”
Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry."
I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law."
"Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls."
I lowered my voice. "Not that it matters. I only care what one girl thinks about me."
She relaxed her fingers into mine and stroked her thumb over my skin.
Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?”
“No.”
If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.”
Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.”
“Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better.
I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.”
“I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.”
“That’s awesome, Echo. Sounds like you’re fitting into your future perfectly.
Where did you decide to go to school?”
“I don’t know if I’m going to school.”
Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know?
You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?”
My damned little siren laughed at me. “I see your language has improved.”
Poof—like magic, the anger disappeared.
“If you’re not going to school, then what are your plans?”
"I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.”
“I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?”
Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.”
"I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
At Last
At last, when all the summer shine
That warmed life’s early hours is past,
Your loving fingers seek for mine
And hold them close—at last—at last!
Not oft the robin comes to build
Its nest upon the leafless bough
By autumn robbed, by winter chilled,—
But you, dear heart, you love me now.
Though there are shadows on my brow
And furrows on my cheek, in truth,—
The marks where Time’s remorseless plough
Broke up the blooming sward of Youth,—
Though fled is every girlish grace
Might win or hold a lover’s vow,
Despite my sad and faded face,
And darkened heart, you love me now!
I count no more my wasted tears;
They left no echo of their fall;
I mourn no more my lonesome years;
This blessed hour atones for all.
I fear not all that Time or Fate
May bring to burden heart or brow,—
Strong in the love that came so late,
Our souls shall keep it always now!
Do not hesitate to walk into the life with love
”
”
Elizabeth Akers Allen
“
I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.”
“You can’t swim,” broke in Armand. “You told me that you can’t.”
“Maybe I can now. If I’m a dragon.”
“Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?”
I stood again. “Yes! If I must! I don’t hear you coming up with a better-“
“You’ll die out there!”
“Or we’ll all die here!”
“We’re going to find another way!”
“You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me.
Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you.
Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“
“No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.”
Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self.
Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him.
“Armand will take me to the shore. I’ll handle the U-boat.”
“How?” demanded Armand at once.
But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him.
I felt myself shaking my head. Above us, the airship propellers thumped louder and louder.
“Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch.
I felt misery.
“Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.”
I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?”
“I-yes, I will. I do.”
I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
The guard locks the gates of the turbeh, letting the heavy sound of the lock fall into the dark interior, as though leaving the name of the key inside. Dispirited, like me, he sits down on the stone beside me and closes his eyes. Just when I think he has dozed off in his part of the shade, the guard lifts his hand and points to a moth fluttering above the entrance to the tomb, having come out of our clothes or the Persian carpets in the turbeh.
"You see," he says to me casually, "the moth is way up there by the white wall of the doorway, and it is visible only because it moves. From here it almost looks like a bird in the sky. That's probably how the moth sees the wall, and only we know it is wrong. But it doesn't know that we know. It doesn't even know we exist. You try to communicate with it if you can. Can you tell it anything in a way it understands; can you be sure it understood you completely?"
"I don't know," I replied. "Can You?"
"Yes," the old man said quietly, and with a clap of his hands he killed the moth, then profered its crushed body on the palm of his hand.
"Do you think it didn't understand what I told it?"
"You can do the same thing with a candle, extinguish it with your two fingers to prove you exist," I commented.
"Certainly, if a candle is capable of dying... Now, imagine," he went on, "that there is somebody who knows about us what we know about the moth. Somebody who knows how, with what, and why this space that we call the sky and assume to be boundless, is bounded-- somebody who cannot approach us to let us know that he exists except in one way-- by killing us. Somebody, on whose garments we are nourished, somebody who carries our death in his hand like a tongue, as a means of communicating with us. By killing us, this anonymous being informs us about himself. And we, through our deaths, which may be no more than a warning to some wayfarer sitting alongside the assassin, we, I say, can at the last moment perceive, as through an opened door, new fields and other boundaries. This sixth and highest degree of deathly fear (where there is no memory) is what holds and links us anonymous participants in the game. The hierarchy of death is, in fact, the only thing that makes possible a system of contacts between the various levels of reality in an otherwise vast space where deaths endlessly repeat themselves like echoes within echoes...
”
”
Milorad Pavić
“
The red woman walked round the fire three times, praying once in the speech of Asshai, once in High Valyrian, and once in the Common Tongue. Davos understood only the last. “R’hllor, come to us in our darkness,” she called. “Lord of Light, we offer you these false gods, these seven who are one, and him the enemy. Take them and cast your light upon us, for the night is dark and full of terrors.” Queen Selyse echoed the words. Beside her, Stannis watched impassively, his jaw hard as stone under the blue-black shadow of his tight-cropped beard. He had dressed more richly than was his wont, as if for the sept.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Remembering the life of Robert F. Kennedy
45 years after his life was tragically taken by a senseless act of violence.
His final campaign of peace and justice (that sadly last only 85 days) still echoes true near a half a century later. His words will speak truth to the end of time: Humanity must strive to chose peace over war, love over hated, nonviolence over discord and violence. We must continue caring for those in need. Remembering that in spirit we are one. When we use our energy to destroy others...in the end we destroy ourselves and a piece of humanity in the process.
www.bullyingben.com
www.robertfkennedycenter.org
”
”
Timothy Pina (Bullying Ben: How Benjamin Franklin Overcame Bullying)
“
This accounted not only for the habit of abbreviating whenever possible, but also for the almost exaggerated care that was taken to make every word easily pronounceable. In Newspeak, euphony outweighed every consideration other than exactitude of meaning. Regularity of grammar was always sacrificed to it when it seemed necessary. And rightly so, since what was required, above all for political purposes, were short clipped words of unmistakable meaning which could be uttered rapidly and which roused the minimum of echoes in the speaker’s mind. The words of the B vocabulary even gained in force from the fact that nearly all of them were very much alike. Almost invariably these words—goodthink, Minipax, prolefeed, sexcrime, joy camp, Ingsoc, bellyfeel, thinkpol, and countless others—were words of two or three syllables, with the stress distributed equally between the first syllable and the last. The use of them encouraged a gabbling style of speech, at once staccato and monotonous. And this was exactly what was aimed at. The intention was to make speech, and especially speech on any subject not ideologically neutral, as nearly as possible independent of consciousness. For the purposes of everyday life it was no doubt necessary, or sometimes necessary, to reflect before speaking, but a Party member called upon to make a political or ethical judgment should be able to spray forth the correct opinions as automatically as a machine gun spraying forth bullets. His training fitted him to do this, the language gave him an almost foolproof instrument, and the texture of the words, with their harsh sound and a certain willful ugliness which was in accord with the spirit of Ingsoc, assisted the process still further. So did the fact of having very few words to choose from. Relative to our own, the Newspeak vocabulary was tiny, and new ways of reducing it were constantly being devised.
”
”
George Orwell (1984)
“
I shoot up out of my chair. “It’s Bree. Hide the board!”
Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!”
His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!”
“LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat.
Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”.
Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me.
“Erase it!” Price whispers frantically.
“No, we didn’t write it down anywhere else! We’ll lose all the ideas.”
I can hear Bree’s footsteps getting closer. “Nathan? Are you home?”
“Uh—yeah! In the kitchen.”
Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet.
“Just flip it over!” I tell anyone who’s not running in a circle chasing his tail.
As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit.
Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?”
Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply.
We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine.
“What’s with the whiteboard?” she asks, taking a step toward it.
I hop off the table and get in her path. “Huh? Oh, it’s…nothing.”
She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.”
“Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.”
She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment?
My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me.
Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.”
Her eyes narrow.
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
“
The Last Words of Jesus Some of the most profound lessons of the scriptures are contained in the brief but poignant words Jesus uttered from the cross. There is a sermon in each, but let us focus on Jesus’ words when he said, “It is finished” (John 19:30). I see a number of meanings in these words. He had finished the bitter cup, the cup of trembling, right down to the last taste of vinegar on his lips, offered mockingly in response to his request “I thirst” (John 19:28). He had completed his mission, his Father’s will; the grand moment in the Father’s plan of mercy and happiness had been accomplished. But that grand moment also included his suffering. No other throughout the long ages of man has ever—nor will ever—suffer to the degree he did, yet there came a time in that suffering when he could say, “It is finished.” It was finished, and that will likewise be true of each human soul. No matter what we have suffered, are now suffering, or may yet suffer, there will come a time when we will all echo his words: “It is finished!” Our tears will be changed, and though they will continue to flow, they will be tears of relief, tears of gratitude, tears of joy. The former things will have passed away. That passing away will be so complete and the rejoicing so full that we will not remember, save for the lessons we have learned, our past pain. Isaiah, who was specifically enjoined to speak words of comfort to the people, recorded the Lord’s words: “For, behold, I create new heavens and a new earth: and the former shall not be remembered, nor come into mind. But be ye glad and rejoice” (Isaiah 65:17–18).
”
”
S. Michael Wilcox (What the Scriptures Teach Us About Adversity)
“
WON!” They beamed up at him as he passed; there was a scrum at the door of the castle and Ron’s head got rather badly bumped on the lintel, but nobody seemed to want to put him down. Still singing, the crowd squeezed itself into the entrance hall and out of sight. Harry and Hermione watched them go, beaming, until the last echoing strains of “Weasley Is Our King” died away. Then they turned to each other, their smiles fading. “We’ll save our news till tomorrow, shall we?” said Harry. “Yes, all right,” said Hermione wearily. “I’m not in any hurry . . .” They climbed the steps together. At the front doors both instinctively looked back at the Forbidden Forest. Harry was not sure whether it was his imagination or not, but he rather thought he saw a small cloud of birds erupting into the air over the treetops in the distance, almost as though the tree in which they had been nesting had just been pulled up by the roots.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
So what are you scared of?' he asks me at our last appointment. 'I mean really scared of.'
I try to think about it. 'I'm scared that if I can't even handle this right now, how will I be able to handle bigger things in the future?'
He nods. He scrapes his moustache against his thumbs. 'Bigger things in the future. What's bigger than this? Your mother dies suddenly. It echoes her previous abandonment of you thus making her death a double whammy. Your father proved to be incapable of being your father. You owe money to several large corporations who will squeeze you indefinitely. You spent six years writing a novel that may or may not get published. You got fired from your job. You say you want a family of your own but there doesn't seem to be a man in your life, and you may have fertility problems. I don't know, my friend. This is not nothing.'
Of all his strange responses, this is the one that helps me the most. This is not nothing.
”
”
Lily King (Writers & Lovers)
“
No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.
”
”
Jane Austen (Northanger Abbey)
“
Self-consciousness is the curse of the city and all that sophistication implies. It is the glimpse of oneself in a storefront window, the unbidden awareness of reactions on the faces of other people- the novelist’s world, not the poet’s. I’ve lived there. I remember what the city has to offer; human companionship, major league baseball, and a clatter of quickening stimulus like a rush from strong drugs that leaves you drained. I remember how you bide your time in the city, and think, if you stop to think, “next year, I’ll start living…next year I’ll start my life.” Innocence is a better world.
Innocence sees that this is it, and finds it world enough, and time. Innocence is not the prerogative of infants and puppies, and far less of mountains and fixed stars, which have no prerogatives at all. It is not lost to us; the world is a better place than that. Like any other of the spirit’s good gifts, it is there if you want it, free for the asking, as has been stressed by stronger words than mine. It is possible to pursue innocence as hounds pursue hares; singlemindledly, driven by a kind of love, crashing over creeks, keening and lost in fields and forests, circling, vaulting over hedges and hills wide-eyed, giving loud tongue all unawares to the deepest, most incomprehensible longing, a root-flame in the heart, and that warbling chorus resounding back from the mountains, hurling itself from ridge to ridge over the valley, now faint, now clear ringing the air through which the hounds tear, open-mouthed, the echoes of their own wails dimly knocking in their lungs.
What I call innocence is the spirit’s unselfconscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration. One needn’t be, shouldn’t be reduced to a puppy. If you wish to tell me that the city offers galleries, I’ll pour you a drink and enjoy your company while it lasts; but I’ll bear with me to my grave those pure moments at the Tate (was it the Tate?) where I stood planted, open-mouthed, born, before that one particular canvas, that river, up to my neck, gasping, lost, receding into watercolor depth and depth to the vanishing point, buoyant, awed, and had to be literally hauled away. These are our few live seasons. Let us live them as purely as we can, in the present.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Macbeth breathed deeply and calmly. And what if death came now? It would of course be a meaningless end, but isn't that the case with all ends? We're interrupted in mid-sentence in the narrative about ourselves, and the end hangs in the air, with no meaning, no conclusion, no unravelling final act. A short echo of the last, semi-articulated word and you're forgotten. Forgotten, forgotten, not even the biggest statue can change that. The person you were, the person you really were, disappears faster than concentric rings in water. And what was the point of this short, interrupted guest appearance? Of playing along as best you can, seizing the pleasures and happiness life has to offer while it lasts? Or leaving a mark, changing the direction of things, making the world a slightly better place before you yourself have to leave it? Or perhaps the point is to reproduce, to put more suitable small creatures on the earth in the hope that humans will at some point become the demi-gods they imagine they are? Or is there simply no meaning? Perhaps we're just detached sentences in an eternal chaotic babble in which everyone talks and no one listens, and our worst premonition finally turns out to be correct: you are alone. All alone.
”
”
Jo Nesbø (Macbeth)
“
A chair down the row from mine shifted and my mouth watered from the aroma of hot cinnamon rolls. I snuck a peek and noticed red, silky, curly hair. I knew her. Echo Emerson.
Not a cinnamon roll in sight, but damn if she didn’t smell like one. We had several of our main courses together and last semester one of our free periods. I didn’t know much about her other than she kept to herself, she was smart, a redhead and she had big tits. She wore large, long-sleeved shirts that hung off her shoulders and tank tops underneath that revealed just enough to get the fantasies flowing.
Like always, she stared straight ahead as if I didn’t exist. Hell, I probably didn’t exist in her mind. People like Echo Emerson irritated the crap out of me.
“You’ve got a f*cked-up name,” I mumbled. I didn’t know why I wanted to rattle her, I just did.
“Shouldn’t you be getting high in the bathroom?”
So she did know me. “They installed security cameras. We do it in the parking lot now.”
“My bad.” Her foot rocked frantically back and forth.
Good, I’d succeeded in getting under that perfect facade. “Echo … echo … echo …”
Her foot stopped rocking and red curls bounced furiously as she turned to face me. “How original. I’ve never heard that before.” She swept up her backpack and left the office. Her tight ass swayed side to side as she marched down the hallway.
”
”
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
“
For example, the idea that Owen Meany is God’s instrument, or that he believes he is—and so does the narrator—is specifically connected not only to Owen’s diminutive size but to the illusion of his weightlessness. That image of how the children can lift Owen over their heads in Sunday school—how he is light enough so they can easily pass him back and forth when the teacher is out of the room—is not only as near to the beginning of the novel as I could find a place for it; that image is echoed at the end of the novel, where Owen’s seeming weightlessness is interpreted to mean that he was always in God’s hands. But the penultimate paragraph of the novel is naturally the passage I wrote first. “When we held Owen Meany above our heads, when we passed him back and forth—so effortlessly—we believed that Owen weighed nothing at all. We did not realize that there were forces beyond our play. Now I know they were the forces that contributed to our illusion of Owen’s weightlessness; they were the forces we didn’t have the faith to feel, they were the forces we failed to believe in—and they were also lifting up Owen Meany, taking him out of our hands.” I added the last paragraph, only two sentences long, a day later. “O God—please give him back! I shall keep asking You.” I didn’t arrive at the first sentence (“I am doomed to remember . . .”) until a year or eighteen months after that.
”
”
John Irving (A Prayer for Owen Meany)
“
Cal stares at me, eyes full of accusation. And longing. This time he takes me by surprise when he steps closer, and I fall back on my heels. “Did your mother destroy you entirely? Is there anything left of you?” he asks, searching my face. “Anything that isn’t hers?”
He won’t tell me what he’s looking for, but I know. Despite the walls my mother built around me, Cal always manages to weasel through. His hunting eyes fill me with sorrow. Even now, he thinks there’s something in me left to save—and to mourn. There is no escaping our fate, not for either of us. He must sentence me to die. And I must accept death. But Cal wants to know if he’s killing his brother along with the monster—or if the brother died long ago.
Cut for cut, my mother whispers, louder now, taunting. The words slice like a razor.
It would hurt him deeply, wound him forever, if I let him glimpse what little is left of me. That I’m still here, in some forgotten corner, just waiting to be found. I could ruin him with one glance, one echo of the brother he remembers. Or I could free him of me. Make the choice for him. Give my brother one last proof of the love I can no longer feel, even if he never knows it.
I weigh the choice in my heart, each side heavy and impossible. For one terrifying moment, I don’t know what to do.
Despite all my mother’s fine work, I can’t find it in myself to land that final blow.
I drop my gaze, forcing a detached smirk to my lips.
“I would do it all again, Cal,” I tell him, lying with such grace. It feels easy, after so many years behind a mask. “If given the choice to go back, I would let her change me. I would watch you kill him. I’d send you to the arena. And I’d get it right. I’d give you what you deserve. I’d kill you now if I could. I’d do it a thousand times.”
My brother is simple, easy to manipulate. He sees only what lies in front of him, only what he can understand. The lie does its job well. His eyes harden, that undying ember in him almost extinguished entirely. One hand twitches, wanting to form a fist. But the Silent Stone affects him too, and even if he had the strength to make me burn, he could not.
“Good-bye, Maven,” Cal says, his voice broken. He isn’t really speaking to me.
The farewell is for another boy, lost years ago, before he became what I am now. Cal lets go of him, the Maven I was. The Maven I still am, somewhere inside, unable or unwilling to step into the light.
This will be the last time we speak to each other alone. I can feel that in my marrow. If I see him again, it will be before the throne, or beneath the cold steel of the executioner’s blade.
“I look forward to the sentencing,” I drawl in reply, watching him flee the room. The door slams behind him, shaking paintings in their frames.
Despite all the difference between us, we have this in common. We use our pain to destroy.
“Good-bye, Cal,” I say to no one.
Weakness, my mother answers.
”
”
Victoria Aveyard (Broken Throne (Red Queen, #4.5))
“
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
”
”
Alaya Dawn Johnson (The Summer Prince)
“
You know that I am one of the foremost living experts on the ways of the Folk," I said. I was not worried about bragging, for this was a simple statement of fact.
"That is the problem," Lilja replied. "Yes, I know that you know the Folk, but there is a difference between knowing and feeling. Those of us who live among them would never trust the tall ones. For all you have read about and studied the Folk, you have never truly lived with them, dear. They are like--- like nature. Can you understand the feeling of a winter night, or a spring wind, if you have only read about it?"
This was an uncomfortable echo of something Farris had said to me once. I pursed my lips and replied, "All right. Let us accept for the sake of argument that you possess a truer understanding of the Folk than I, that books and academic knowledge are secondary to lived experience. What then would you have me fear?"
She hesitated. "Power," she said at last. "In our stories, it is the great ones--- the lords and ladies, the monarchs and generals, that one must avoid above all else. They are the true monsters lurking in the night."
This again! I thought. Aloud I said, "I have heard a similar opinion recently from another friend of mine, who seems to think Wendell will abandon me to die of exposure or some such, I suppose when he becomes tired of me."
"Oh, no!" Lilja said. "That is not what I meant--- I don't believe for a second that Wendell would harm you. But I worry there will come a day when you no longer recognize him. And what hurt is worse than that?
”
”
Heather Fawcett (Emily Wilde's Compendium of Lost Tales (Emily Wilde, #3))
“
My oral tradition has gradually been overlaid and is in danger of vanishing: at the age of eleven or twelve I was abruptly ejected from this theatre of feminine confidences - was I thereby spared from having to silence my humbled pride? In writing of my childhood memories I am taken back to those bodies bereft of voices. To attempt an autobiography using French words alone is to lend oneself to the vivisector's scalpel, revealing what lies beneath the skin. The flesh flakes off and with it, seemingly, the last shreds of the unwritten language of my childhood. Wounds arc reopened, veins weep, one's own blood flows and that of others, which has never dried. As the words pour out, inexhaustible, maybe distorting, our ancestral night lengthens. Conceal the body and its ephemeral grace. Prohibit gestures - they arc too specific. Only let sounds remain.
Speaking of oneself in a language other than that of the elders is indeed to unveil oneself, not only to emerge from childhood but to leave it, never to return. Such incidental unveiling is tantamount to stripping oneself naked, as the demotic Arabic dialect emphasizes. But this stripping naked, when expressed in the language of the former conquerer (who for more than a century could lay his hands on everything save women's bodies), this stripping naked takes us back oddly enough to the plundering of the preceding century. When the body is not embalmed by ritual lamentations, it is like a scarecrow decked in rags and tatters. The battle-cries of our ancestors, unhorsed in long-forgotten combats, re-echo across the years; accompanied by the dirges of the mourning-women who watched them die.
”
”
Assia Djebar (Fantasia: An Algerian Cavalcade)
“
He takes me by the hand to the bathroom in the hallway. He turns the knob in the tub, and a rush of water shoots from the showerhead. We both shed our clothes in silent unison. There's no need for words right now.
Callum steps in the shower before I can get a proper look at him. It doesn't matter how many times I see him naked. I'm forever in awe. Under the brightness of the overhead light and the sheen of water, he is stunning. Like always.
I claw at the wet muscle in front of me, and he captures my mouth in his. We're kissing so hard, so rabidly that I can hardly breathe. The only air I get is through tiny gaps between our mouths when our movements are too rough.
I breathe, he breathes, and we do it over and over.
He's grabbing my waist, the fleshy curve of my hips, my generously rounded backside. I give his chiseled chest one last eager grope with both hands. And then I always stroke along his always impressive length, speeding up with every groan and grunt he gives me. It's two minutes until he's done for.
I rinse my hand in the stream surrounding us, but then he grips my hips and directs me to sit on the ledge at the far end of the shower. I watch him kneel down in front of me, biting my lip to suppress a groan. The water is lukewarm right now and that's a good thing. I'll need to cool off soon.
He pushes his face between my legs and works his magic. Endless swirls and licks and sucks. I'm howling. It echoes against the walls of the bathroom, the only appropriate soundtrack to the filthy actions taking place in this steamy haven. Legs shaking and muscles twitching, I explode. He doesn't dare let up, digging his fingers in my thighs.
”
”
Sarah Smith (Simmer Down)
“
Information or allegations reflecting negatively on individuals or groups seen less sympathetically by the intelligentsia pass rapidly into the public domain with little scrutiny and much publicity. Two of the biggest proven hoaxes of our time have involved allegations of white men gang-raping a black woman-- first the Tawana Brawley hoax of 1987 and later the false rape charges against three Duke University students in 2006. In both cases, editorial indignation rang out across the land, without a speck of evidence to substantiate either of these charges. Moreover, the denunciations were not limited to the particular men accused, but were often extended to society at large, of whom these men were deemed to be symptoms or 'the tip of the iceberg.' In both cases, the charges fit a pre-existing vision, and that apparently made mundane facts unnecessary.
Another widely publicized hoax-- one to which the President of the United States added his sub-hoax-- was a 1996 story appearing in USA Today under the headline, 'Arson at Black Churches Echoes Bigotry of the Past.' There was, according to USA Today, 'an epidemic of church burning,' targeting black churches. Like the gang-rape hoaxes, this story spread rapidly through the media. The Chicago Tribune referred to 'an epidemic of criminal and cowardly arson' leaving black churches in ruins.
As with the gang-rape hoaxes, comments on the church fire stories went beyond those who were supposed to have set these fires to blame forces at work in society at large. Jesse Jackson was quoted was quoted in the New York Times as calling these arsons part of a 'cultural conspiracy' against blacks, which 'reflected the heightened racial tensions in the south that have been exacerbated by the assault on affirmative action and the populist oratory of Republican politicians like Pat Buchanan.' Time magazine writer Jack White likewise blamed 'the coded phrases' of Republican leaders for 'encouraging the arsonists.' Columnist Barbara Reynolds of USA Today said that the fires were 'an attempt to murder the spirit of black America.' New York Times columnist Bob Herbert said, "The fuel for these fires can be traced to a carefully crafted environment of bigotry and hatred that was developed over the last century.'
As with the gang-rape hoaxes, the charges publicized were taken as reflecting on the whole society, not just those supposedly involved in what was widely presumed to be arson, rather than fires that break out for a variety of other reasons. Washington Post columnist Dorothy Gilliam said that society in effect was 'giving these arsonists permission to commit these horrible crimes.' The climax of these comments came when President Bill Clinton, in his weekly radio address, said that these church burnings recalled similar burnings of black churches in Arkansas when he was a boy. There were more that 2,000 media stories done on the subject after the President's address.
This story began to unravel when factual research showed that (1) no black churches were burned in Arkansas when Bill Clinton was growing up, (2) there had been no increase in fires at black churches, but an actual decrease over the previous 15 years, (3) the incidence of fires at white churches was similar to the incidence of fires at black churches, and (4) where there was arson, one-third of the suspects were black. However, retractions of the original story-- where there were retractions at all-- typically were given far less prominence than the original banner headlines and heated editorial comments.
”
”
Thomas Sowell (Intellectuals and Society)
“
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
”
”
Lauren Royal (Alexandra (Regency Chase Brides #1))
“
And you know what else they probably pray for every night?” I paused for a moment before saying, “Someone to save them. We could be that someone. We could end this plague. We could save the world. But I can’t do it alone. I’m gonna need your help, specifically the help of our tier 1s and tier 2s.” The crowd started murmuring to each other. “So, that’s what this speech is about—I’m asking for volunteers for this final mission. Now, I know what I’m asking, and I know it’s a lot. I’m basically asking you to risk your lives to help me fight the hardest battle ever. And I can’t guarantee your safety, nor can I guarantee our success… but still, we have to try. For the greater good, we have to try. Because we’ve come too far to give up now. That’s why we’re gonna give this one last mission our best effort. We’re gonna all come together and push hard through the finish line. And with our newly crafted dragon equipment and all the new class upgrades, I believe our chance of success is higher than ever before. So, with that in mind, what say you, my friends? Who’s with me? Who’s gonna help me put an end to the nightly plagues?” There was a brief moment of silence as my final words echoed through the night. But then Devlin spoke up. “I’m with you, Steve! Always.” “Me, too!” yelled Bob. “An epic fight between good and evil?! Can’t miss out on that!” shouted Arthur. “I got your back, bro!” yelled Obsidian Fist. Dozens of more tier 1s and 2s volunteered and made themselves heard. As I watched their hands shot up into the air, I smiled and let out a breath of relief. “Were you worried that there wouldn’t be enough volunteers?” the mayor whispered to me. “Yeah, kinda…” I whispered back. Then he smiled at me. “You’re their general, Steve. They’re not going to let you go off into battle alone… and neither would I.” He shook my hand. “Great speech, by the way. I’ll take it from here.” “Thank you, sir,” I said as I handed him the microphone. The mayor’s voice boomed over the speakers. “Alright, well said. Let’s give it up for General Steve!” Everyone clapped and cheered. “For those of you that volunteered, we’ll be heading out in a day or two. We still need to make preparations for the trip, and Cole still needs to fit the new armor to the golem suits, so all that is going to take some time. I’d suggest you use this time wisely—spend it with family, friends and loved ones. Eat with them, relax with them, be merry and carefree. Because when it is time to go, we’ll be in it to fight the battle of our lives.” The tier 1s and 2s in the crowd nodded.
”
”
Steve the Noob (Diary of Steve the Noob 45 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
“
The phone rang and Chassie excused herself to answer it. Silence hung between them as heavy as snow clouds in a winter sky.
Eventually, Edgard said, "She doesn't know anything about me. Not even that we were roping partners. Not that we were..."
He looked at Trevor expectantly.
"No." Trevor quickly glanced at the living room where Chassie was chattering away. "You surprised?"
"Maybe that she isn't aware of our official association as roping partners. There was no shame in that. We were damn good together, Trev." The word shame echoed like a slap. As good as they were together, it'd never been enough, in an official capacity or behind closed doors.
"What are you really doin' here?"
Edgard didn't answer right away. "I don't know. Feeling restless. Had the urge to travel."
"Wyoming ain't exactly an exotic port of call." "You think I don't realize that? You think I wouldn't rather be someplace else? But something..." Edgard lowered his voice. "Ah, fuck it."
"What?"
"Want the truth? Or would you rather I lie?" "The truth."
"Truth between us? That's refreshing."
Edgard's gaze trapped his. "I'm here because of you."
Trevor's heart alternately stopped and soared, even when his answer was an indiscernible growl. "For Christsake, Ed. What the hell am I supposed to say to that? With my wife in the next room?"
"You're making a big deal out of this. She thinks we're friends, which ain't a lie. We were partners before we were..." Edgard gestured distractedly. "If she gets the wrong idea, it won't be from me."
"Maybe I'm gettin' the wrong idea. The last thing you said to me when you fuckin' left me was that you weren't ever comin' back. And you made it goddamn clear you didn't want to be my friend. So why are you here?"
Pause. He traced the rim of his coffee cup with a shaking fingertip. "I heard about you gettin' married." "That happened over a year ago and you came all the way from Brazil to congratulate me in person? Now?"
"No." Edgard didn't seem to know what to do with his hands. He raked his fingers through his hair. His voice was barely audible. "Will it piss you off if I admit I was curious about whether you're really happy, meu amore?"
My love. My ass. Trevor snapped, "Yes."
"Yes, you're pissed off? Or yes, you're happy?"
"Both."
"Then this is gonna piss you off even more."
"What?"
"Years and miles haven't changed anything between us and you goddamn well know it."
Trevor looked up; Edgard's golden eyes were laser beams slicing him open. "It don't matter. If you can't be my friend while you're in my house, walk out the fuckin' door. I will not allow either one of us to hurt my wife. Got it?"
"Yeah."
"Good. And I'm done talkin' about this shit so don't bring it up again. Ever.
”
”
Liz Andrews
“
You have to go rescue Gabe before he does something foolish. Chetwin is here and they’re near to coming to blows over that stupid race. They’re in the card room.”
“Oh, for God’s sake, I can’t believe Foxmoor invited that idiot.” He hurried off.
As soon as Oliver disappeared into the house, Celia and Minerva tugged Maria inside, grinning. “Hurry, before he gets back.”
They were met by Lord Gabriel and Lord Jarret, who strode up with several young men in tow.
“Lord Gabriel!” Maria exclaimed. “Your brother-“
“Yes, I know. And while he’s gone…”
He and Jarret introduced the other gentlemen to her. By the time Oliver returned, she’d promised dances to all of his brothers’ friends.
Oliver’s frown deepened as he saw Gabe standing there, blithe as could be. He raised an eyebrow at his sister. “Was running me off in search of Chetwin your idea of a joke?”
“I got confused, that’s all,” Celia said brightly. “We’ve been introducing Maria around while you were gone.”
“Thank you for making her feel welcome,” he said, though he eyed the other gentlemen warily. Then he held out his arm to Maria. “Come, my dear, let me introduce you to our hosts, so we can dance.”
“Sorry, old chap.” Gabe said, stepping between them, “but she’s already promised the first dance to me.”
Oliver’s gaze swung to her, dark and accusing, “You didn’t.”
She stared to feel guilty, then caught herself. What did she have to feel guilty about? He was the one who’d spent last night at a brothel. He was the one who’d been so caught up in his battle with his grandmother that he hadn’t even bothered to ask her for a dance. He’d just assumed that she would give him one, because he’d “paid” for her services. Well, a pox on him.
Meeting his gaze steadily, she thrust out her chin. “You never mentioned it. I had no idea you wanted the first dance.”
A black scowl formed on his brow. “Then I get the second dance.”
“I’m afraid that one’s mine,” Jarret put in. “Indeed, I believe Miss Butterfield is engaged for every single dance. Isn’t that right, gentlemen?”
A male swell of assent turned Oliver’s scowl into a glower. “The hell she is.”
Mrs. Plumtree slapped his arm with her fan. “Really, Oliver, you must watch your language around young ladies. This is a respectable gathering.”
“I don’t care. She’s my fi-“ He caught himself just in time. “Maria came with me. I deserve at least one dance.”
“Then perhaps you should have asked for one before she became otherwise engaged,” Celia said with a mischievous smile.
Gabe held out his arm to Maria. “Come, Miss Butterfield,” he said in an echo of his older brother’s words, “I’ll introduce you to our hosts.” As she took his arm, he grinned at Oliver. “You’d better start hoping you draw her name in the lottery for the supper waltz, old boy. Because that’s the only way you’re going to get to dance with her tonight.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
…yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in;
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple’s self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o’ercast,
They alway must be with us, or we die.
For ‘twas the morn: Apollo’s upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
Man’s voice was on the mountains; and the mass
Of nature’s lives and wonders puls’d tenfold,
To feel this sun-rise and its glories old.
With a faint breath of music, which ev’n then
Fill’d out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,—ere their death, oer-taking
The surgy murmurs of the lonely sea.
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear’d to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver’d o’er
A shell for Neptune’s goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent—
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais’d
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?
”
”
John Keats
“
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
”
”
Jenetta Penner (Configured (Configured, #1))
“
Adventists urged to study women’s ordination for themselves Adventist Church President Ted N. C. Wilson appealed to members to study the Bible regarding the theology of ordination as the Church continues to examine the matter at Annual Council next month and at General Conference Session next year. Above, Wilson delivers the Sabbath sermon at Annual Council last year. [ANN file photo] President Wilson and TOSC chair Stele also ask for prayers for Holy Spirit to guide proceedings September 24, 2014 | Silver Spring, Maryland, United States | Andrew McChesney/Adventist Review Ted N. C. Wilson, president of the Seventh-day Adventist Church, appealed to church members worldwide to earnestly read what the Bible says about women’s ordination and to pray that he and other church leaders humbly follow the Holy Spirit’s guidance on the matter. Church members wishing to understand what the Bible teaches on women’s ordination have no reason to worry about where to start, said Artur A. Stele, who oversaw an unprecedented, two-year study on women’s ordination as chair of the church-commissioned Theology of Ordination Study Committee. Stele, who echoed Wilson’s call for church members to read the Bible and pray on the issue, recommended reading the study’s three brief “Way Forward Statements,” which cite Bible texts and Adventist Church co-founder Ellen G. White to support each of the three positions on women’s ordination that emerged during the committee’s research. The results of the study will be discussed in October at the Annual Council, a major business meeting of church leaders. The Annual Council will then decide whether to ask the nearly 2,600 delegates of the world church to make a final call on women’s ordination in a vote at the General Conference Session next July. Wilson, speaking in an interview, urged each of the church’s 18 million members to prayerfully read the study materials, available on the website of the church’s Office of Archives, Statistics, and Research. "Look to see how the papers and presentations were based on an understanding of a clear reading of Scripture,” Wilson said in his office at General Conference headquarters in Silver Spring, Maryland. “The Spirit of Prophecy tells us that we are to take the Bible just as it reads,” he said. “And I would encourage each church member, and certainly each representative at the Annual Council and those who will be delegates to the General Conference Session, to prayerfully review those presentations and then ask the Holy Spirit to help them know God’s will.” The Spirit of Prophecy refers to the writings of White, who among her statements on how to read the Bible wrote in The Great Controversy (p. 598), “The language of the Bible should be explained according to its obvious meaning, unless a symbol or figure is employed.” “We don’t have the luxury of having the Urim and the Thummim,” Wilson said, in a nod to the stones that the Israelite high priest used in Old Testament times to learn God’s will. “Nor do we have a living prophet with us. So we must rely upon the Holy Spirit’s leading in our own Bible study as we review the plain teachings of Scripture.” He said world church leadership was committed to “a very open, fair, and careful process” on the issue of women’s ordination. Wilson added that the crucial question facing the church wasn’t whether women should be ordained but whether church members who disagreed with the final decision on ordination, whatever it might be, would be willing to set aside their differences to focus on the church’s 151-year mission: proclaiming Revelation 14 and the three angels’ messages that Jesus is coming soon. 3 Views on Women’s Ordination In an effort to better understand the Bible’s teaching on ordination, the church established the Theology of Ordination Study Committee, a group of 106 members commonly referred to by church leaders as TOSC. It was not organized
”
”
Anonymous
“
[...] Kevin had grown up playing left-handed. Seeing him take on Andrew right-handed was ballsy enough, seeing him actually score was surreal.
Kevin kicked them off the court [...], but instead of following [...] he stayed behind with Andrew to keep practicing. Neil watched them over his shoulder.
"I saw him first," Nicky said.
"I thought you had Erik," Neil said.
"I do, but Kevin's on the List," Nicky said. When Neil frowned, Nicky explained. "It's a list of celebrities we're allowed to have affairs with. Kevin is number three."
Neil pretended to understand and changed the topic.
"How does anyone lose against the Foxes with Andrew in your goal?"
"He's good, right? [...] Coach bribed Andrew into saving our collective asses with some really nice booze."
"Bribed?" Neil echoed.
"Andrew's good," Nicky said again, "but it doesn't really matter to him if we win or lose. You want him to care, you gotta give him incentive."
"He can't play like that and not care."
"Now you sound like Kevin. You'll find out the hard way, same as Kevin did. Kevin gave Andrew a lot of grief this spring [...]. Up until then they were fighting like cats and dogs. Now look at them. They're practically trading friendship bracelets and I couldn't fit a crowbar between them if it'd save my life."
"But why?" Neil asked. "Andrew hates Kevin's obsession with Exy."
"The day they start making sense to you, let me know," Nicky said [...]. "I gave up trying to sort it all out weeks ago. [...] But as long as I'm doling out advice? Stop staring at Kevin so much. You're making me fear for your life over here."
"What do you mean?"
"Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats."
"Can you take the creepy down a level?" Aaron asked.
"What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push."
"I don't need a push," Neil said. "I'm fine on my own."
"Seriously, how are you not bored of your hand by now?"
"I'm done with this conversation," Neil said. "This and every future variation of it [...]."
The stadium door slammed open as Andrew showed up at last. [...]
"Kevin wants to know what's taking you so long. Did you get lost?"
"Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later."
[...] "Wow, Nicky," Andrew said. "You start early."
"Can you really blame me?"
Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall.
[...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?"
"You know I'd never hurt him. If he says yes-"
"I said no."
"Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-"
He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey.
[...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it.
[...] "Hey, are we playing or what?" Neil asked. "Kevin's waiting."
[...] Andrew let go of Nicky and spun away. [...] Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all.
"On second thought, you're not my type after all [...].
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
we also have a few bottles of sixteen-year Lagavulin we keep aside.” “You mean, like, actual scotch from Scotland?” “From the island of Islay, to be precise,” the waiter replied. “It’s twelve hundred a bottle.” “I want that.” “Yes sir, and four glasses.” The waiter tipped his head and headed off to the bar. “We’re going to play blackjack now,” Naomi said, laughing. Amos was pulling a stack of chips out of his tray and pushing them across the table to her. “Want to come?” The band in the next room stopped playing, and the background noise dropped to an almost tolerable level for a few seconds before someone started piping Muzak across the casino PA. “Guys, wait a few minutes,” Holden said. “I’ve bought a bottle of something nice, and I want to have one last toast before we go our separate ways for the night.” Amos looked impatient right up until the bottle arrived, and then spent several seconds cooing over the label. “Yeah, okay, this was worth waiting for.” Holden poured out a shot for each of them, then held his glass up. “To the best ship and crew anyone has ever had the privilege of serving with, and to getting paid.” “To getting paid!” Amos echoed, and then the shots disappeared
”
”
James S.A. Corey (Abaddon's Gate (Expanse, #3))
“
So I was privileged to see the last rites of the Bokononist faith. We made an effort to find someone among the soldiers and the household staff who would admit that he knew the rites and would give them to "Papa".
We got no volunteers. That was hardly surprising, with a hook and an oubliette so near. So Dr. von Koenigswald said that he would have a go at the job. He had never administered the rites before, but he had seen Julian Castle do it hundreds of times.
"Are you a Bokononist?" I asked him.
"I agree with one Bokononist idea. I agree that all religions, including Bokononism, are nothing but lies."
"Will this bother you as a scientist," I inquired, "to go through a ritual like this?"
"I am a very bad scientist. I will do anything to make a human being feel better, even if it's unscientific. No scientist worthy of the name could say such a thing."
And he climbed into the golden boat with "Papa". He sat in the stern. Cramped quarters obliged him to have the golden tiller under one arm. He wore sandals without socks, and he took these off. And then he rolled back the covers at the foot of the bed, exposing "Papa's" bare feet. He put the soles of his feet against "Papa's" feet, assuming the classical position for boko-maru.
"Gott mate mutt," crooned Dr. von Koenigswald.
"Dyot meet mat," echoed "Papa" Monzano.
"God made mud," was what they'd said, each in his own dialect. I will here abandon the dialects of the litany.
"God got lonesome," said Von Koenigswald.
"God got lonesome."
"So God said to some of the mud, 'Sit up!'" - "So God said to some of the mud, 'Sit up!'"
"'See all I've made,' said God, 'the hills, the sea, the sky, the stars.'" - "'See all I've made,' said God, 'the hills, the sea, the sky, the stars.'"
"And I was some of the mud that got to sit up and look around." - "And I was some of the mud that got to sit up and look around."
"Lucky me; lucky mud."
"Lucky me, lucky mud." Tears were streaming down "Papa's" cheeks.
"I, mud, sat up and saw what a nice job God had done." - "I, mud, sat up and saw what a nice job God had done."
"Nice going, God!"
"Nice going, God!" "Papa" said it with all his heart.
"Nobody but You could have done it, God! I certainly couldn't have." - "Nobody but You could have done it, God! I certainly couldn't have."
"I feel very unimportant compared to You." - "I feel very unimportant compared to You."
"The only way I can feel the least bit important is to think of all the mud that didn't even get to sit up and look around." - "The only way I can feel the least bit important is to think of all the mud that didn't even get to sit up and look around."
"I got so much, and most mud got so little." - "I got so much, and most mud got so little."
"Deng you vore da on-oh!" cried Von Koenigswald.
"Tz-yenk voo vore lo yon-yo!" wheezed "Papa". What they had said was, "Thank you for the honor!"
"Now mud lies down again and goes to sleep." - "Now mud lies down again and goes to sleep."
"What memories for mud to have!" - "What memories for mud to have!"
"What interesting other kinds of sitting-up mud I met!" - "What interesting other kinds of sitting-up mud I met!"
"I loved everything I saw!" - "I loved everything I saw!"
"Good night." - "Good night."
"I will go to heaven now." - "I will go to heaven now."
"I can hardly wait..." - "I can hardly wait..."
"To find out for certain what my wampeter was..." - "To find out for certain what my wampeter was..."
"And who was in my karass..." - "And who was in my karass..."
"And all the good things our karass did for you." - "And all the good things our karass did for you."
"Amen." - "Amen.
”
”
Kurt Vonnegut Jr. (Cat’s Cradle)
“
There are echoes today of the same nationalism, protectionism, and xenophobia that led to last century’s world wars. Icons of heinous civil wars are being torn down, and those same acts are being protested by those who think our ugliest times were our best times. There are world leaders today whose rhetoric reminds us of speeches we thought we would never tolerate again.
”
”
Gary Whitta (Resist: Tales from a Future Worth Fighting Against)
“
You’ve really got a thing for watching me, don’t you?” Tylin’s voice echoes around the small space. “I think the real question is why do you like that I watch?” I tilt my head to him. “He definitely likes you watching.” Mase bumps his hip against my leg, and I can’t help but smirk at him. “How many fucking people are in here?” Tylin tilts his head to look past the curtain, finding only Mason and myself in the small—slightly overcrowded—bathroom. Our new home isn’t as fabulous as our last.
”
”
A.K. Koonce (An Assassin's Deception (The Huntress #2))
“
Max spread my legs and knelt between them. The tip of his cock pressed against my hole and a shiver ran down my spine. “Oh, fuck. I’ve been thinking about this since the last time.” I had been. The thought of his dick up my ass was firmly rooted in the back of my mind no matter my task. “You mean last night?” He snorted. I lifted my head and saw his reflection; he was smiling. “I…” Max pressed his tip inside me. Yeah, I completely forgot what I was going to say. My whole body clenched up and then relaxed as he gently coaxed his length deeper. “Fuck it all to Earth, that feels amazing.” He kept pushing forward, slowly piercing me. “Yes, yes it does.” I grunted when he went deeper, spreading, filling, overpowering. Then Max leaned over me. He practically laid on me, his front pressed along my back. His hands stretched out, falling over mine and our hands twined together. Being that I was shorter it was the perfect position to hold my hands and fuck me. He softly placed kisses along my shoulder and licked my earlobe. “Elric. I love you.” Those words made me smile as wide as I could. He loved me! Max eased his cock out and then back in. His pace was completely controlled, forcing me to experience unending pleasure as his words swirled in my head. “Max,” I muttered against the blankets. Each thrust made my dick slid against the pants under my hips. I squeezed his hands harder as he humped me. His teeth grazed the back of my neck. He was breathing heavier. His movements were a bit more rushed. My cock was swelling to the brim. Between his beautiful length stabbing me and my dick rubbing along that material, I was going to blow. I could feel the tension building. My balls were tight to my body, the pressure too much. I moaned, meeting Max thrust for thrust. He groaned in my ear. Our warm bodies squirmed against each other. “Oh, yes. Please. Yes.” It felt so good. I had to come. Please, I’m so close. Almost. Almost there. Max went deep in one long, slightly painful move. The mixture sent me right over the edge. I let out a moan too low to hear as my orgasm spilled out. Even as I rutted against the pants Max held still, holding my hands and letting me ride the wave of pleasure. I was in sensation overload as cum sprayed out of my slit. Warm and sticky, I thrusted one last time and then collapsed. Max started again, slowly working his way deeper and then pulling out. Once, twice, then three times. I counted each move as I closed my eyes and savored the feeling of his body over mine. He was like a cocoon of warmth and … cock. Yeah, that sounded accurate. “Max.” He started moving faster, his length slipping in and out of my ass. “Max.” He squeezed my hands and kissed my shoulder. “Max.” He came, his body erupting behind me as he started in a fit of groans. They echoed in the room as he emptied into me. When he slowed to a stop, we both laid there a moment.
”
”
James Cox (All That Shatters (Sons of Outlaws, #5))
“
Brothers,” he continues, “are lifelong. And though you take that field tonight, you have also taken that field before, just as you will tomorrow, and the next day, and the next. That field is your home—your battlefield—and those other men are intruders. They don’t respect it. They’re trespassing—unwanted guests..“I can assure you they didn’t,” my father says. Again, the room chants, “Hoorah!” I hold my breath because this next part, more than anything that led up to it, is what I’ve been waiting for. I check the camera, my father still centered in my frame and his face as serious as I’ve ever seen it. Our team has won the first two games of the year, but he knows that two is not ten. A loss, at this point, will be unforgiveable. “What’s that word on your backs?” His question echoes, and the answer is swift. “Honor, sir!” they all shout in unison. They always do. It’s more than memorization, and it’s always made me sit in awe of how it all plays out. “Honor! That’s right. There are no individuals in here. We all have one name. It isn’t the mascot. It isn’t your nickname or some fad that will be forgotten the second the yearbook is printed. It’s a word that means heart, that means drive and ambition, that means giving your all and leaving the best of every goddamned thing you’ve got out there on that field. Turn to your right!” They all do, seated in a circle on the benches, looking at the helmets and heads of their teammates. My dad should have been a preacher, or perhaps a general. He was born to stand before boys and make them believe that for two and a half hours, they are men. “Turn to your left!” All heads shift, the sound swift, but mouths quiet. “Honor. Brotherhood. Tradition.” He pauses, his team still sitting with heads angled and eyes wide on the dark blue sheen of the helmets and sweat-drenched heads next to them. “Again…” he says, and this time they say it with him. “Honor. Brotherhood. Tradition.” “Whose house is this?” my father asks, quiet and waiting for a roar. “Our house!” “Whose house is this?” He’s louder now. “Our house!” “Whose house…” My dad’s face is red and his voice is hoarse by the time he shouts the question painted above the door that the Cornwall Tradition runs through to the field. The final chant back is loud enough that it can be heard through the cinderblock walls. I know, because last week, I filmed the speech from outside. With chests full, egos inflated, voices primed and muscles ready for abuse, this packed room of fifty—the number that always takes the field, even though less than half of them will play—stands, each putting a hand on the back of everyone in front of them.
”
”
Ginger Scott (The Hard Count)
“
In earnest, I shall echo your earlier proclamation, my friend, and state that in my mind the acquaintance of not only Cyprian Wythe, but any lover of King George is a grave displeasure.” Thomas raised his glass. “Hear, hear, my friend.” “Then I am surprised that you are able to abide my presence.” Kitty’s stiff response blasted a hole through Nathaniel’s middle and the resulting silence choked the merriment from their little circle like thick black smoke. He looked up only to be censured from the shock that drained the light from her eyes. Her lips pressed tight, turning them colorless. The blood drained from his face. Idiot! He couldn’t bring himself to look away from her wounded expression, aching for words that would soothe the pain he’d inflicted. The pleasant tune from the quartet and the quiet hum of voices continued around them, each guest blissfully unaware of his thoughtless remark. Thomas reached out to her, his brow pinching. “Kitty, you must know our comments are no reflection on you.” “Are they not?” She handed her glass to Eliza. “If you’ll excuse me, I shall take my leave so as not to injure you with my presence any longer.” Kitty brushed between them before facing them one last time. “Forgive me, Eliza.” She darted from the room, holding her skirts as she wove through the tangle of party-goers toward the exit. The hollow chill her absence created smacked Nathaniel on the back of the head like an irritated father. He exchanged a narrow glance with Thomas before slamming his eyes shut. How could he be so foolish? How could he have allowed himself to say something so hurtful to someone so gracious? The temperature of the room went hot, then instantly cold. So much for your famous charm, Nathaniel. You’ve proven your lack of it with amazing skill. “I’m
”
”
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
“
Luca’s tongue slides into my mouth, slow, drowsy, intoxicating. I hear myself make a little involuntary moaning noise, and I’d be embarrassed to my core if he didn’t echo it almost immediately, his hands cupping the back of my neck, his fingers caressing my skull now, as I caressed his. It’s the most delicious feeling. Everything is exploratory; everything we do seems to feel better than the last thing, which was as wonderful as I thought it was possible to feel. I run my hand around his neck to the collar of his shirt, slide my fingers under to feel the skin I can’t see, impossibly smooth, and one of his hands joins mine, covering it, to move my palm even farther under his shirt, at the open neck, sliding it to cover his collarbone, his skin so warm above and below mine that I gasp, and he does too.
“Violetta,” he whispers into my mouth. “Violetta, cosa mi fai?”
I open my eyes just a fraction, to peep, and see his are still closed, his lashes trembling long and black on his cheeks, silky as his hair. There’s something thrilling about seeing him like this, so carried away, when he doesn’t know I’m looking; it feels illicit, almost like spying on him.
And I’m obviously not a very good spy, because I linger too long, watching his closed eyelids, a vein pulsing in his forehead, the color in his cheeks, like a wash of pink under the smooth pale skin, like blood seen through fine china. Luca senses something, perhaps that my attention has drifted from kissing him to watching him kiss me; he pulls back, his eyes flutter open, their blue shocking against his white skin and black lashes.
“Oh!” he exclaims crossly, the sound that Italians make a lot, and is actually more like saying “O!” because there isn’t an h in it, and their mouths round perfectly when they’re saying it. “Non è giusto! You look at me! Cattiva!”
“What does ‘cattiva’ mean?” I ask.
“Bad,” he says instantly, shaking his head in disapproval. “You are bad.”
Our knees are pressed tightly together; we’re mirroring each other, leaning toward each other from the waist. And I stare at Luca, his face titled at just the same angle as mine. It really is as if we’re looking into a mirror, or like a film I saw where one lover visits the other in prison, and though there’s a big sheet of glass between them, they place their palms in exactly the same spot on the glass, as if they’re touching, the closest they can get.
“You look so sad,” Luca says very softly. “Come mai?
”
”
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
“
Within several minutes, we’re at the front of the line. I assume we’re going to keep walking, but the young English couple in front of us has me take their picture, and then they offer to take ours. I open my mouth to decline, but Bruno bursts out with a “Grazie!” and unhooks the camera from my neck, handing it to the woman.
He leads me to the bench and we sit, the sides of our legs touching. My stomach clenches. This is the kissing bench. Not a single couple before us has smiled for the camera. They kiss for the camera.
My eyes lock on the lens like a deer in the headlights. I force a smile, a big one, with teeth. My head nearly vibrates with the strain. This is fine. We’re going to break the trend and smile. Absolutely no kissing.
The woman lifts my camera to her face. “One, two--”
On two, Bruno reaches behind me and cups the back of my head in his hand, turning me to face him. His other hand is on my cheek. His lips press onto mine. The camera clicks.
“WOOOOOO!” echoes around us. One person claps. Bruno pulls away but stares into my eyes for a moment before hopping up and getting my camera back for me.
My head is spinning. I’ve been kissed. In Italy. By an Italian!
I remain seated, stupefied, until a couple shoos me away for their turn, and soon we’re walking the next section of the path along with the English couple. Bruno chats with them--heavy accent enforced--but their words turn to garble. All I hear is He kissed me. Bruno I-don’t-even-know-how-to-pronounce-his-last-name kissed me!
And it was short. Too short.
No. Too long. Shouldn’t have happened. Chiara will kill us if she finds out. But she won’t find out. I’ll hide the picture from her. I’ll delete the picture! No, I have to show Morgan. And I want proof for myself. I’ll just make sure Chiara doesn’t see it. It only happened because it’s what you do at the kissing bench when you’re sitting next to the hottest Italian boy you’ve ever seen.
I just have to stay away from that bench.
”
”
Kristin Rae (Wish You Were Italian (If Only . . . #2))
“
Stars, too, were time travelers. How many of those ancient points of light were the last echoes of suns now dead? How many had been born but their light not yet come this far? If all the suns but ours collapsed tonight
”
”
Ransom Riggs (Miss Peregrine's Home For Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
The universe is full of echoes and shadows, the afterimages and last words of dead civilizations that have lost the struggle against entropy. Fading ripples in the cosmic background radiation, it is doubtful if most, or any, of these messages will ever be deciphered.
Likewise, most of our thoughts and memories are destined to fade, to disappear, to be consumed by the very act of choosing and living.
That is not a cause for sorrow, sweetheart. It is the fate of every species to disappear into the void that is the heat death of the universe. But long before then, the thoughts of any intelligent species worthy of the name will become as grand as the universe itself.
”
”
Ken Liu
“
There are moments in life when you collide with something that sends you careening down a path from which you can never return. We are ping-pong balls, paddled about by fate and coincidence, doing our best to wrestle back some agency from the forces that move our lives. On our deathbeds, our last thoughts a faint echo: what if, what if, what if.
”
”
Janelle Brown (I'll Be You)
“
The bodiless dead are much harder to grab. But they also can’t hurt you, usually.”
“Usually?”
“Never say never.”
The last syllable of never echoed for much too long, er…er…er… And then Marra realized it wasn’t an echo at all. She took a step back from the mouth of the hallway behind her.
…un…un…un…run…run…!
“Did an echo just tell us to run?” asked Agnes, adjusting Finder and looking rather calmer than Marra felt.
“Do ghostly echos have our best interests at heart?” asked Fenris, also remarkably calm.
“Rarely,” said the dust-wife.
Marra thought, I’m surrounded by lunatics, and I love them all, but maybe we should be running away. She took another step back.
”
”
T. Kingfisher (Nettle & Bone)
“
Like everyone, I have my own, maybe obsessive, futile, maybe in some way authentic, vision: all of a sudden, I will imagine the entire homogenous world as it is revealed to us—the streets, the cities, the rooms, those intelligent beasts of a sad and predatory nature, who have learnt to stand on their hind legs, who have built all this but are fated to disappear, who, despite this, still try to cling to something solid and lasting, still try to ward off the inevitability of death, who dreamt up fairy tales and, now that these stories have been disproved, are disconsolate —and for me the only means of defending myself from our terrible fate is love, my love—Lyolya. Without love we fall into a stupor or despair, it covers our naked animal essence; with the fear of death, with deliberate attempts to grab hold of some kind of eternity, one that is at once a mystery to us and yet devised by us, even the remains of love, even its very echo in music, imbues us with a semblance of fearlessness, dignity and the spiritual range to disregard death. Only by loving, by knowing about love, hoping for love, are we inspired and meaningfully engaged in life, able to banish the sovereignty of petty day-to-day cares, to stop waiting for the end to come;
”
”
Yuri Felsen (Deceit)
“
She has been on my mind these last few days, her voice in my ear, reminding me of all the Roussels stretching back through time. Cursed in love, or so the story went. We were told from an early age what we were allowed to have—and what we weren’t. Told not to long for what others have, because somewhere along the way, one of us had broken someone else’s rules. But I’ve come to believe we create our own curses and carry them through life because we’ve been told it’s our lot. We’re taught to relive our mothers’ heartaches, to accept their sufferings as our own, and pass them on to the next generation, again and again, until one of us at long last says no, and the curse is finally broken. Because we’ve discovered a new kind of magick—the kind that comes with choosing for ourselves, with saying I will do something else, be something else, have something else. This was the lesson Maman was trying to teach me the night she slipped away. There are no curses. Only patterns meant to be broken. Dreams to chase. Hearts to hold. Magick to make. Another glance at the clock. It’s time. I repeat the charm once more for good luck, the words so similar to the ones I composed so many years ago, for another dress. Over distance, over time, Whatever trials might come, May the echoes of these once lost hearts Be forever joined as one.
”
”
Barbara Davis (The Keeper of Happy Endings)
“
Stars too, were time travelers.
How many of those ancient points of light were the last echoes of suns now dead? How many had been born but their light not yet come this far? If all the suns but ours collapsed tonight, how many lifetimes would it take us to realize that we're alone?
”
”
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
“
We are born screaming, and all our lives we continue that scream. We translate the scream to song and poetry, modulate it into words of wisdom and defiance. And when at last we see the teeth coming for us, when we no longer are to consume but be consumed... we give our final scream. Of pain, or defiance, of prayer or poetry. Hell, even a brave laugh. But all these shrieks are mere echoes of the explosive cry we made coming into this life. Echoes of the Great Scream itself, when the stars were born.
”
”
Raymond St. Elmo (In Theory, it Works)
“
Why’re you still here?” She yawned. “Go away. Jared will be here any moment, and I’ll be nothing but an unfortunate memory.”
I should go.
Pivot and leave.
To my relief, I started doing just that.
The echo of my footsteps bounced on the bare walls. I did not look back. Knew that if I caught a glimpse of her again, I’d make a mistake.
This was for the best.
It was time to cut my losses, admit my one mistake in my thirty-one years of life, and move on. My life would return to normal.
Peaceful. Tidy. Noiseless.
Unexpensive.
My hand curled around the doorknob, about to push it open.
“Hey, asshole.”
I stopped but didn’t turn around.
I refused to answer to the word.
“What do you say—one last time for the road?”
I glanced behind my shoulder, knowing I shouldn’t, and found my soon-to-be ex-wife propped on the hood of my Maybach, her dress hiked up her waist, revealing she’d worn no panties.
Her bare pussy glistened, ready for me.
A dare.
I never shied away from those.
Throwing caution to the wind (and the remaining few brain cells she hadn’t fried with her mindless conversation), I marched to her.
When I reached the car, she lifted her hand to stop me, slapping her palm against my chest. “Not so fast.”
It is going to be fast and a half, seeing as I’m about to come just from watching you like this.
I arched an eyebrow. “Cold feet?”
“Nah, low temperature is your thing. Don’t wanna steal your thunder. Either we go all the way, or we go nowhere at all. It’s all or nothing.”
It infuriated me that each time I gave her a choice, she fabricated another.
If I gave her an option, she swapped it with one of her creation. And now, on the heels of my ultimatum, she’d dished out her own.
And like a doomed fool, I chose everything.
I chose my downfall.
We exploded together in a filthy, frustrated kiss full of tongue and teeth. She latched on to my neck, half-choking me, half-hugging me.
I fumbled with the zipper of my suit pants, freeing my cock, which by this point gleamed with precum, so heavy and so hard it was uncomfortable to stand.
My teeth grazed down her chin, trailing her throat before I did what I hadn’t done in five fucking years and pushed into her, all at once.
Bare.
My cock disappeared inside her, hitting a hot spot, squeezed to death by her muscles.
Oh, fuck.
My forehead fell against hers. A thin coat of sweat glued us together. Never in my life had anything felt quite so good.
I wanted to evaporate into mist, seep into her, and never come back.
I wanted to live, breathe, and exist inside my beautiful, maddening, conniving, infuriating curse of a wife.
She was the one thing I never wanted and the only thing I craved. Worst, still, was the fact that I knew I couldn’t deny her a single thing she desired, be it a frock or piece of jewelry.
Or, unfortunately, my heart on a platter, speared straight through with a skewer for her to devour. Still beating and as vibrant red as candied apples.
I retreated, then slammed into her harder. Pulled and rushed back in.
My fingers gripped her by the waist, pinning her down, wild with lust and desire. I drove into her in jerky, frenzied movements of a man starved for sex, fucking the ever-living shit out of her.
Now that I’d officially filed a restraining order against my logic, I grabbed the front of her throat, sinking my teeth onto her lower lip. My spearmint breath skated over her face.
The hood of the car warmed her thighs, still hot from the engine, jacking up the temperature between us even further.
Small, desperate yelps fled her mouth.
The only sounds in the cavernous space came from my grunts, our skin slapping together, and her tiny gasps of pleasure. The car rocked back and forth to the rhythm of my thrusts...
(chapter 44)
”
”
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
“
I leaned back in my chair, pulling Roxy closer so that I could steal a moment with her for myself and brushing her hair away from her ear so that I could speak to her alone.
She leaned in to listen to me and my grip on her waist shifted so that I could hold her even closer, the fingers of my other hand stroking against the bare skin of her shoulder where I'd smoothed her black hair aside.
“Do you want to tell me about what happened in that alley?” I asked, wondering if I really should have been worrying about Nymphs or not.
A shiver moved across her skin and I was filled with a protective kind of anger as I felt that echo of her fear.
“Is this the part where you laugh at us for falling for some prank you set up?” she asked. “Was that one of your friends back there? Did you get someone to send the messages too?”
I was tempted to push her for more information, but Lance and Francesca were already hunting for any signs of a Nymph and I didn't want to fall into the trap of arguing with her again while I was holding her like this. I just wanted to steal this moment from the universe and forget about all the shit that was hanging between us outside of right now.
“I don’t need to recruit anyone to do my handy work,” I replied dismissively, dropping the subject. “Maybe I’m concerned for your wellbeing.”
She snorted in disbelief, shifting away so that she wasn't pressed against my chest anymore and I fought a sigh at how quickly I'd managed to fuck that up. Though as she was currently still in my arms, I had to think it wasn't a total lost cause yet, not that I had any real idea what I was trying to achieve with her here.
The bartender returned and I pulled a roll of auras from my pocket which was more than enough to cover our tab, pressing them into her hand as she finished laying the drinks out for us. We'd been planning to move on after this drink anyway and I was keen to get Roxy and her sister away from the place.
Roxy reached out to claim her drink, my gaze moving to her mouth as she lifted the glass to it and tipped the whole thing back, swallowing over and over until every last drop was gone.
“There you go,” she announced. “One drink.”
She pushed out of my lap so suddenly that for a moment all I could do was blink up at her in confusion before my brain caught up to what was happening and I reached out to pull her back again. But she stepped aside, offering me a mocking smile which made it more than clear how much she disliked me.
Darcy smirked as she got to her feet too, not even bothering to touch her drink. “See you later, guys,” she agreed and the two of them turned to walk away.
Caleb shot into Roxy's way with his Vampire speed before she could actually escape and I was glad when she cut him a glare just as acidic as the one she'd offered me, even while he tried to throw the pretty boy charm on with his gleaming smile.
“I guess your word means shit then?” she demanded as he gave her throat a look which said he was thinking about biting her.
“No. I said I won’t bite you tonight and I meant it,” he promised, acting all alluring and pissing me the hell off as she hesitated. “I’m just wondering where you’re going now?”
“Dancing,” Roxy replied moving to brush past him, her hands landing on his waist for a moment as she nudged him aside and irritation flared through me at the contact. “You can always join us if you think you can keep up.”
My anger grew as she offered him that invitation and I scowled at the two of them openly, wondering why she was so much more willing to fall for his bullshit than she was for mine.
Roxy gave Cal a flirtatious look and I ground my teeth before shoving to my feet the moment she was out of sight.
My fist slammed into his bicep as he turned to look at me and he barked a laugh as he shoved me in return.
"Come on, assholes, if the two of you waste time in a dick measuring contest then we'll lose them before you finish,” Max said.(Darius POV)
”
”
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
“
Never forgotten
Never forgotten, not even for a while,
That laughter, that holding hands and that sudden smile,
Out to face the reality of a Sunny day,
With you it just seemed a lovely and a beautiful day,
As the day advanced and we walked unto a far away land,
Away from the town, away from every occupying bustle, feeling the touch of your hand,
I looked at you and then at our shadows,
Frolicking and walking past the happy meadows,
Then at the top of a hill as we rested,
I realised with you life’s every moment is so well spent and nothing is wasted,
As we watched the Sun set behind those ebbing and rising sequences of peaks,
We stood silent as we heard the voice of our hearts and we understood how love speaks,
Just like the Sun, silently perishing behind those mountains and hills,
It was then I realised Irma that your presence like this Sun, my landscape of life fills,
With brightness, with joys, with your beautiful memories,
Today, I remember the last kiss and I tell my still beating heart our love stories,
You holding my hand, the sky, the mountains, the hills and the Sun,
I still go the top of the hill, the sun still sets, the meadows look the same, but beside me there is no hand to hold. None,
And the horizon turns blood red seeing me there thinking of you,
Your hand, your smile, your kiss, everything else and you,
Then when the horizon turns dark and night falls,
I get up, take a long look at the once red sky and I ignore my heart’s calls,
I walk away, back to the town, to the bustle, to the place that was familiar but now appears unknown,
And I wait for the night to pass, so that I return again to the hill, to the meadow, to the setting sun, and once again feel the sensation of the only place that seems known,
To the old echoes of our heart beats, to the hand, to the surroundings, to everything,
It is this feeling of love, your memories, that for now is my world, my everything,
And whenever I am here Irma I feel certain you shall hold my hand someday,
And I hope the Sun, the mountains, the hills and the meadows last till that day!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
All different, except of course
the wish to go back. Inevitably
last or first, repeated
over and over-
So the echo lingered. And the wish
held us and tormented us
though we knew in our own bodies
it was never granted.
We knew, and on dark nights, we acknowledged this.
How sweet the night became then,
once the wish released us,
how utterly silent.
”
”
Louise Glück (The Seven Ages)
“
If every moment of the day is full of the sounds of cars, drive-through lines, and paper pushing, we won’t have to hear the echo chamber of our worst fears.
”
”
K.J. Ramsey (This Too Shall Last: Finding Grace When Suffering Lingers)
“
What a lesson for us! How few of us ever finish the tasks assigned to us. The world is full of souls that are like unfinished symphonies, and half-completed Gothic Cathedrals – souls who have begun the poem of their life but have never written the last line; souls that paint pictures and leave out the borders; souls that never have the joy of looking on a perfect work, seeing that it is good, and then, catching an echo from the Cross, crying out the song of victory: “It is finished”. Calvary is a place of great impatience. Many souls follow Our Lord to the Mount of Beatitudes, but refuse to follow Him to Calvary; some carry their cross to Calvary, but when they get there, they lay it down; some are stripped of the garments of doubt, but refuse to be nailed in the fullness of sacrifice; others are nailed but unfasten themselves before the elevation of the cross; others are crucified but answer the challenge of the world and come down after one hour, after two hours, within a minute of the sound of three. The world is full of half-crucified souls. Few there are who stay until the very end; few there are who know what it is to give all, to see the work well done, and experience the thrill of a victory won. Would that there were a single day in our life, in which we could honestly say – I have given God all! “It is finished.
”
”
Fulton J. Sheen (The Seven Last Words of Christ Explained)
“
While Jesus does set a high bar, he's incredibly in tune with the limits of our humanity. Jesus assumes that we will lust and want to get a divorce and call people names and love money and worry about our future. But what's easy to miss is that Jesus also assumes that living his Way is going to take practice.
One of the first things Jesus says, right before his opening command, is: "Whoever practices and teaches these commands will be called great in the kingdom of heaven."
And the literal last thing Jesus says is an echo: "Therefore everyone who hears these words of mine and puts them into practice..."
Jesus begins and ends the Sermon on the Mount with a call to practice.
”
”
John Mark Comer (Practicing the Way: Be with Jesus, Become Like Him, Do As He Did)