Oui We Quotes

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The chef turned back to the housekeeper. “Why is there doubt about the relations between Monsieur and Madame Rutledge?” The sheets,” she said succinctly. Jake nearly choked on his pastry. “You have the housemaids spying on them?” he asked around a mouthful of custard and cream. Not at all,” the housekeeper said defensively. “It’s only that we have vigilant maids who tell me everything. And even if they didn’t, one hardly needs great powers of observation to see that they do not behave like a married couple.” The chef looked deeply concerned. “You think there’s a problem with his carrot?” Watercress, carrot—is everything food to you?” Jake demanded. The chef shrugged. “Oui.” Well,” Jake said testily, “there is a string of Rutledge’s past mistresses who would undoubtedly testify there is nothing wrong with his carrot.” Alors, he is a virile man . . . she is a beautiful woman . . . why are they not making salad together?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
Oui, oui, he snapped with an obvious lack of awe. "Ding dong the demon's dead, now can we admire our delightful handiwork someplace where the ceiling is not about to cave in and your oh-so-handsome vampire is not about to become a dust bunny? (Levet)
Alexandra Ivy (Embrace the Darkness (Guardians of Eternity, #2))
I am so satiated with the great number of detestable books with which we are inundated that I am reduced to punting at faro.
Voltaire (Candide)
Now, I believe the best way for you to learn is immersion and since we can't teleport you all to France," he grinned at me, and there were once again sighs from the girls. "I'll be speaking only in French and will expect you to do the same. Is anyone here already proficient in the language?" I narrowed my eyes at him. He knew darn well I was fluent in French and several other languages. "Eveline, I believe your dad mentioned at dinner the other night that you are?" What was he doing? "Umm. Yes-" He shook his head at me. "En français s'il vous plait." More sighs from the class. I clenched my jaw and spoke rapidly. "Oui, Monsieur Smith. Je parle français. Qu'est-ce que tu veux?" Yes, Mr.Smith. I speak French. What do you want? His eyes smoldered and caressed my face as he delivered his swift reply, "Je veux plus de toi que vous imaginez, ma petit lueur.
Heather Self (The One (The Portal Trilogy, #1))
It’s only that we have vigilant maids who tell me everything. And even if they didn’t, one hardly needs great powers of observation to see that they do not behave like a married couple.” The chef looked deeply concerned. “You think there’s a problem with his carrot?” “Watercress, carrot—is everything food to you?” Jake demanded. The chef shrugged. “Oui.” “Well,” Jake said testily, “there is a string of Rutledge’s past mistresses who would undoubtedly testify there is nothing wrong with his carrot.” “Alors, he is a virile man . . . she is a beautiful woman . . . why are they not making salad together
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
J’ai besoin de langage autant que j’ai besoin de me nourrir. Les lexèmes, les morphèmes, tous ces petits éclats de sens m’alimentent en me montrant que oui, il existe un mot pour dire cela. Que quelqu’un d’autre a déjà éprouve la même chose.
M. L. Rio (If We Were Villains)
In wars, there are battles and skirmishes. Losses along the way. But our men will never let the Germans win. We will never give up.” She moved closer to her students. “But we have a part to play, too; those of us left behind. We have to be brave and strong, too, and not believe the worst. We have to keep on with our lives so our fathers and brothers and … husbands have lives to come home to, oui?
Kristin Hannah (The Nightingale)
We are all changed by this war, Soph. Daniel is your brother now that Rachel is ... gone. Truly your brother. And this baby, he or she is innocent of ... his or her creation.' 'It's hard to forget,' she said quietly. 'And I'll never forgive.' 'But love has to be stronger than hate, or there is no future for us.' Sophie sighed. 'I suppose,' she said, sounding too adult for a girl of her age. Vianne placed a hand on top of her daughter's. 'We will remind other, oui? On the dark days. We will be strong for each other.
Kristin Hannah (The Nightingale)
Let’s go home,” she said. He arched his brows. “Already? I thought you would want to stay for a while.” Dark eyes flashed. “No, I want to take you home where women can’t stare at you like hyenas after a baby chick.” He laughed-loudly, which caught a fair bit of attention. “Surely I’m more threatening than a chick?” She smiled, ruining her petulant expression. “A puppy perhaps.” Grey stepped closer so that their torsos touched. It was totally improper behavior, but the gossips already had so much to talk about, one more thing would hardly matter. “Is that all you want to take me home for? To protect me?” Her gaze turned coy. “I received the newest edition of Voluptuous today. I thought I might read to you.” Was it just him or had the temperature in the room suddenly climbed ten degrees. “Let’s go.” He grabbed her by the hand and started weaving their way toward the door. People stopped hi to say hello, and he was forced to speak to them rather than be as rude as he wanted. A good fifteen minutes passed before he and Rose finally made it to the entrance of the ballroom, only to have Vienne La Rieux descend upon them. “Monsieur et Madame le Duc!” she cried, clasping her hands together in front of her breast-abundantly displayed above a peacock-colored gown that must have cost a small fortune. “Finally, you leave my club together, non?” Grey winked at her. “At last, madam. But we may want a room again someday.” The French woman grinned, delighting in Rose’s obvious embarrassment. “Mais oui! An anniversary present, Your Grace. On the house.” He thanked her and bade her farewell. “She knew?” Rose’s tone was incredulous as they made their way closer to the exit. “How could she know?” Grey shrugged. “The woman seems to know deuced near everything that happens here.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Do you think death is the end of everything, Marie-Anne?” “I hope so,” whispered Marieanne. “Here on the Brittany coast we believe something different. Death is not something that is coming, but rather something that is all around us. Here.” Clara pointed at the air. “There.” She gestured toward the trees. Then she bent forward and took a little white sand in her hands. “Death is like this.” She let the sand trickle from her left hand into her right. “One life goes in and takes a break in death.” Now she let the sand run out of her right hand onto the ground. “Another life comes out. It makes a journey, oui? Like flowing water. Water in a moulin. In a mill. Death is that short break.
Nina George (The Little French Bistro)
Did being associated with Gwendu increase Antoine’s sexual chemistry? Mais oui! While about 10% of the women gave him their phone numbers when he was by himself, nearly 30% of them fell for Antoine’s line when he was accompanied by le chien.
Hal Herzog (Some We Love, Some We Hate, Some We Eat: Why It's So Hard to Think Straight About Animals)
The old man smiled at me, dark eyes twinkling over his spectacles. ‘I think God has already sent us angels enough, mon ami. But I shall pray he watch over us this night nevertheless.’ “‘And what’s the point of that, priest?’ “Rafa blinked. ‘What is the point of—’ “‘Praying. Oui.’ “The old man looked at me as if I’d asked the point of breathing. ‘I…’ “‘Two soldiers stand on a field of battle,’ I told him. ‘Both are convinced God is on their side. Both pray to their Lord and Redeemer to smite their enemy low, and to the Mothermaid to protect them from all harm. But somebody’s going to lose. Somebody’s wasting their fucking time. Maybe, just maybe … it’s both of them?’ “The priest frowned. ‘God cannot be said to be on the side of the Dead.’ “‘You’re missing the point, old man. All on earth below and hea’en above is the work of my hand…’ “‘… And all the work of my hand is in accord with my plan.’ “‘You think those refugees we met on the road didn’t pray with everything they had to not lose their homes? You think Lachlunn á Cuinn didn’t pray for his wife and son to stay alive? See, that divine plan shite is what the pulpit-hucksters feed you when things start to go wrong. After they’ve passed around the collection plate, of course. When your crops fail or your cancer spreads or whatever else you’ve begged him for doesn’t come to pass. That’s the solace they’ll offer. It’s God’s will, they’ll tell you. Part of the divine plan. “‘What they don’t point out is, if he has a plan? There’s no sense praying for anything. If His will be done is the golden rule, then God’s going to do what he wants, regardless of how hard you beg him. And imagine, just for a second, the sense of entitlement it takes to ask him for anything in the first place. The fucking ego you’d need to think that this is somehow all for you. What if you ask for something that’s not his will? You want him to alter the course of the divine plan? For you? See, that’s the grift of it all. That’s the genius. You get what you pray for? Huzzah, God fucking loves you. But your prayers go unanswered?’ I snapped my fingers. ‘Just wasn’t part of the plan.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
Montreal October 1704 Temperature 55 degrees “Remember how in Deerfield there was nobody to marry? Remember how Eliza married an Indian? Remember how Abigail even had to go and marry a French fur trader without teeth?” Mercy had to laugh again. It was such a treat to laugh with English friends. “Your man doesn’t have teeth?” “Pierre has all his teeth. In fact, he’s handsome, rich and an army officer. But what am I to do about the marriage?” Sarah was not laughing. She was shivering. “I do not want that life or that language, Mercy, and above all, I do not want that man. If I repeat wedding vows, they will count. If I have a wedding night, it will be real. I will have French babies and they will be Catholic and I will live here all my life.” Sarah rearranged her French scarf in a very French way and Mercy thought how much clothing mattered; how changed they were by what they put on their bodies. “The Catholic church won’t make you,” said Mercy. “You can refuse.” “How? Pierre has brought his fellow officers to see me. His family has met me and they like me. They know I have no dowry, but they are being very generous about their son’s choice. If I refuse to marry Pierre, he and the French family with whom I live will be publicly humiliated. I won’t get a second offer of marriage after mistreating this one. The French family will make me a servant. I will spend my life waiting on them, curtseying to them, and saying ‘Oui, madame.’” “But surely ransom will come,” said Mercy. “Maybe it will. But what if it does not?” Mercy stared at her feet. Her leggings. Her moccasins. What if it does not? she thought. What if I spend my life in Kahnawake? “What if I stay in Montreal all my life?” demanded Sarah. “A servant girl to enemies of England.” The world asks too much of us, thought Mercy. But because she was practical and because there seemed no way out, she said, “Would this Frenchman treat you well?” Sarah shrugged as Eben had over the gauntlet, except that when Eben shrugged, he looked Indian, and when Sarah shrugged, she looked French. “He thinks I am beautiful.” “You are beautiful,” said Eben. He drew a deep breath to say something else, but Nistenha and Snow Walker arrived beside them. How reproachfully they looked at the captives. “The language of the people,” said Nistenha in Mohawk, “is sweeter to the ear when it does not mix with the language of the English.” Mercy flushed. This was why she had not been taken to Montreal before. She would flee to the English and be homesick again. And it was so. How she wanted to stay with Eben and Sarah! They were older and would take care of her…but no. None of the captives possessed the freedom to choose anything or take care of anyone. It turned out that Eben Nims believed otherwise. Eben was looking at Sarah in the way every girl prays some boy will one day look at her. “I will marry you, Sarah,” said Eben. “I will be a good husband. A Puritan husband. Who will one day take us both back home.” Wind shifted the lace of Sarah’s gown and the auburn of one loose curl. “I love you, Sarah,” said Eben. “I’ve always loved you.” Tears came to Sarah’s eyes: she who had not wept over her own family. She stood as if it had not occurred to her that she could be loved; that an English boy could adore her. “Oh, Eben!” she whispered. “Oh, yes, oh, thank you, I will marry you. But will they let us, Eben? We will need permission.” “I’ll ask my father,” said Eben. “I’ll ask Father Meriel.” They were not touching. They were yearning to touch, they were leaning forward, but they were holding back. Because it is wrong? wondered Mercy. Or because they know they will never get permission? “My French family will put up a terrible fuss,” said Sarah anxiously. “Pierre might even summon his fellow officers and do something violent.” Eben grinned. “Not if I have Huron warriors behind me.
Caroline B. Cooney (The Ransom of Mercy Carter)
These yellow stars,” Rachel said, opening her fist, revealing the ugly little flower of ragged fabric, with its black marking. “We have to wear them on our clothes at all times now.” Sarah frowned. “But … why?” “We’re Jews,” Rachel said. “And we’re proud of that. You have to remember how proud we are of it, even if people—” “Nazis,” Vianne said more sharply than intended. “Nazis,” Rachel added, “want to make us feel … bad about it.” “Will people make fun of me?” Sarah asked, her eyes widening. “I will wear one, too,” Sophie said. Sarah looked pathetically hopeful at that. Rachel reached out for her daughter’s hand and held it. “No, baby. This is one thing you and your best friend can’t do together.” Vianne saw Sarah’s fear and embarrassment and confusion. She was trying her best to be a good girl, to smile and be strong even as tears glazed her eyes. “Oui,” she said at last. It was the saddest sound Vianne had heard in nearly three years of sorrow.
Anonymous
Sarah lifted her head. “Did we make it across the frontier?” Blood bubbled up from her colorless lips, slid down her chin. “We did,” Rachel said. “We did. We are all safe now.” “I was brave,” Sarah said, “wasn’t I?” “Oui,” Rachel said brokenly. “So brave.” “I’m cold,” Sarah murmured. She shivered. Sarah drew in a shuddering breath, exhaled slowly. “We are going to go have some candy now. And a macaron. I love you, Sarah. And Papa loves you. You are our star.” Rachel’s voice broke. She was crying now. “Our heart. You know that?” “Tell Sophie I…” Sarah’s eyelids fluttered shut. She drew a last, shuddering breath and went still. Her lips parted, but no breath slipped past them. Vianne knelt down beside Sarah. She felt for a pulse and found none. The silence turned sour, thick; all Vianne could think about was the sound of this child’s laughter and how empty the world would be without it. She knew about death, about the grief that ripped you apart and left you broken forever. She couldn’t imagine how Rachel was still breathing. If this was any other time, Vianne would sit down beside Rachel, take her hand, and let her cry. Or hold her. Or talk. Or say nothing. Whatever Rachel needed, Vianne would have moved Heaven and Earth to provide; but she couldn’t do that now. It was another terrible blow in all of this: They couldn’t even take time to grieve.
Anonymous
A great many ideas are coming to me now: you see, it’s just like our Russia. These demons who come out of the sick man and enter the swine — these are all the sores, all the contagions, all the uncleanness, all the demons, large and small, who have accumulated in our great and beloved sick man, our Russia, over the course of centuries, centuries! Oui, cette Russie, que j’aimais toujours. But she will be protected by a great idea and a great will from on high, just like that madman possessed by demons, and all these demons, all the uncleanness, all this filth that has festered on the surface… all this will beg to enter the swine. And perhaps they have already entered them! That’s us, us and them, and my son Petrusha… et les autres avec lui, and I perhaps am the first, standing at the very head; and we shall throw ourselves, the madmen and the possessed, from a rock into the sea and we shall all drown, and that’s no more than we deserve, because that’s precisely what we’re fit for.
Fyodor Dostoevsky (Demons)
We’re still friends, then?’ “‘The strangest sort. But oui.’ I breathed deep and sighed. ‘Still friends.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
Soline flicked through the hangers with military efficiency, pausing now and then to study a collar or a sleeve, clucking and tsking as she went. Finally, she pivoted to look at Rory. “A nightmare,” she pronounced flatly. “Aren’t they hideous?” “On the contrary. They’re quite lovely. Your mother has exquisite taste.” “I thought you said they were a nightmare.” “Oui. For you, they are a nightmare. I see why you haven’t worn most of them. These clothes are meant for une femme menue—a petite woman. You are not petite.” “Yes,” Rory said, ducking her head. “I’m aware.” “It’s not meant as a criticism, chérie. Only the truth. And when it comes to clothes, we must always tell ourselves the truth.
Barbara Davis (The Keeper of Happy Endings)
Beyond the possibility of disturbing the monks within the chapel, he said, “It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
English French Pronunciation Hi Salut SAH-loo What’s up? Ça va? SAH-vah? Yes Oui We No Non Noh OK D’accord DA-core Let’s go On y va OHN-e-vah Wait Attends AH-tahn I’m hungry J’ai faim JAY-fah What Quoi Kwah I don’t understand Je n’ai pas compris Jeh-NAY-paw-COHM-pree Sorry Pardon PAHR-don Repeat Répétez REH-peh-tay
Dawn Michelle Baude (The Everything Kids' Learning French Book: Fun exercises to help you learn francais (Everything® Kids Series))
Have you noticed nothing odd about their relationship, Valentine?” “No, and it’s not appropriate for us to discuss it.” Monsieur Broussard regarded Mrs. Pennywhistle with keen interest. “I’m French,” he said. “I have no problem discussing it.” Mrs. Pennywhistle lowered her voice, mindful of the scullery maids who were washing pots in the adjoining room. “There is some doubt as to whether they’ve had conjugal relations yet.” “Now see here—” Jake began, outraged at this violation of his employer’s privacy. “Have some of this, mon ami,” Broussard said, shoving a pastry plate at him. As Jake sat and picked up a spoon, the chef gave Mrs. Pennywhistle an encouraging glance. “What gives you the impression that he has not yet, er . . . sampled the watercress?” “Watercress?” Jake repeated incredulously. “Cresson.” Broussard gave him a superior look. “A metaphor. And much nicer than the metaphors you English use for the same thing.” “I never use metaphors,” Jake muttered. “Bien sur, you have no imagination.” The chef turned back to the housekeeper. “Why is there doubt about the relations between Monsieur and Madame Rutledge?” “The sheets,” she said succinctly. Jake nearly choked on his pastry. “You have the housemaids spying on them?” he asked around a mouthful of custard and cream. “Not at all,” the housekeeper said defensively. “It’s only that we have vigilant maids who tell me everything. And even if they didn’t, one hardly needs great powers of observation to see that they do not behave like a married couple.” The chef looked deeply concerned. “You think there’s a problem with his carrot?” “Watercress, carrot—is everything food to you?” Jake demanded. The chef shrugged. “Oui.” “Well,” Jake said testily, “there is a string of Rutledge’s past mistresses who would undoubtedly testify there is nothing wrong with his carrot.” “Alors, he is a virile man . . . she is a beautiful woman . . . why are they not making salad together?
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
After I’d accepted his proposal, he’d offered to help me get back into fighting shape. We’d both gotten hot and sweaty on my brothers’ weight set, grunting and groaning with effort. He’d been beside me, helping correct my squat form, and behind me, saying, “Harder. Harder!”, and in front of me, murmuring, “Oui, that’s it”, and under me, egging me on as I rose and fell. … Okay, okay, I’ll stop.
Shaye Marlow (Two Brutes, One Barista (Alaskan Romance, #3))
Je t’aime means I love you. I do, means you love me too. Let ‘I’ become a ‘we’. My love, please answer oui. He bent down on one knee and presented Maude with a dazzling amethyst ring.
Anna Adams (A French Song in New York (The French Girl #6))
Beauty itself is the language to which we have no key; it is the mute cipher, the cryptogram, the uncracked, unbroken code. And it could be that for beauty, as it turned out to be for French, that there is no key, that “oui” will never make sense in our language but only in its own, and that we need to start all over again, on a new continent, learning the strange syllables one by one.
Annie Dillard (Pilgrim at Tinker Creek)
We want more than chocolate cake," said Rachel. "We need your help." Jacques seemed unflustered by the girl's sudden impatience. "But chocolate cake is a good starting point, oui?
Colin Meloy (Wildwood Imperium (Wildwood Chronicles, #3))
Isn't this Michigan?" She laughed, "Oh oui monsieur, but the French came to Paradis more than cent ans...a hundred years ago." "And they still speak French?" "But we are French." "Aren’t you American?" She shrugged, "No one truly conquers the French, Monsieur." Josette, The Last Lord of Paradise––Generation Four
Vivian LeMay
Now I am not ashamed of my defeat. One murky island with its barking seals Or a parched desert is enough To make us say: yes, oui, si. "Even asleep we partake in the becoming of the world." Endurance comes only from enduring. With a flick of the wrist I fashioned an invisible rope, And climbed it and it held me.
Czesław Miłosz (Hymn O Perle)
Now, when I die, bury me in my straight-leg britches, Put on a box-back coat and a Stetson hat, They sang the old blues song slowly, their robes swaying, their eyes closed as though in a sort of ecstasy. An’ give me six crap-shooting pall bearers, Let a chorus girl sing me a song. Put a red hot jazz band at the top of my head So we can raise Hallelujah as we go along. It was beautiful, soulful, but not wise. “I’m thinking their robes and that article in the local paper might not have been the only problems,” said Gamache, handing the phone back. “It looks like Robert is the leader of the group.” “Oui. So I wonder why Sébastien was the one made to leave.” “So do I.” “Want me to come with you, patron?” “To Blanc-Sablon? Non, merci. I want you to coordinate the investigation into Paolo Parisi. I’ll send you what the head of the Anti-Mafia task force in Italy passes along, as soon as I get it.” Though Gamache was beginning to wonder if the fellow would actually send anything. It had been a couple of hours since their conversation. “And see what you can find out about the woman who signaled Parisi at Open Da Night.” “And probably killed him. I’m on it.” They were almost at Gamache’s gate. “Parisi must’ve had help getting across the border. Either a fake ID or…” “The frontier is a federal responsibility,” said Beauvoir. “Caron?” “Maybe. I want to know his movements once he got here.” “I’ll go to The Mission.” They could hear the final boarding call for Gamache’s flight and picked up their pace. “Why?” “He had to stay somewhere. So far the hotels are a bust, so where better than a place where you don’t need to register or pay, and they ask no questions. If he was working for Caron, she’d have told him to go there.” “And where her showing up
Louise Penny (The Grey Wolf (Chief Inspector Armand Gamache, #19))