Otter Quotes

We've searched our database for all the quotes and captions related to Otter. Here they are! All 100 of them:

You want to know what it feels like to be castrated? Try having your nine-year-old brother protect you from your ex-girlfriend after you've told her you're in love with a man.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Parry Otter, the Chosen Boy Who — well — something of that sort..
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
There's nothing like being admonished by a nine-year-old ecoterrorist in training.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
I’ll never understand why people just won’t let others be who they are. It’s not like it’s affecting them in any way
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
You were the only thing that made me feel safe when the earthquakes threatened to break me. I needed you here because when you're not here, I don't have a home.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Otter! Otter! Otter! Don’t lead cows to slaughter! I love you, and I know I should’ve told you soon-a But you didn’t buy the dolphin-safe tuna!
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
The strongest must seek a way, say you? But I say: let a ploughman plough, but choose an otter for swimming, and for running light over grass and leaf, or over snow- an Elf!
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
The rhythmic motion of the silent paddlers carried her, with a sense of inevitability, to her new life as she heard the Twin Otter take off behind her. There was no turning back now, and Connie gripped the sides of the canoe, her heart beating and her hands sweating.
Sheena Billett (From Manchester to the Arctic: Nurse Sanders embarks on an adventure that will change her life)
Step aside? I step aside for nobeast, whether it be a hallowed hedgehog, an officious otter, a seasoned squirrel, a mutterin' mole or a befuddled badger!
Brian Jacques (Taggerung (Redwall, #14))
The more 'otter it is, the more 'otter otters likes it
Brian Jacques
It’s not like I tease people with the things I’m doing,” the Kid continues. He deepens his voice. “Coming soon, I may or may not go outside. What will I choose? Find out… in another month.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Well, then, Otter, of course I don’t like Bundt cake. It has eggs in it. Baby chicken eggs. You don’t see chickens standing outside of maternity wards waiting to get our babies to make their Bundt cake, do you?
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
I was walking along the bank of a stream when I saw a mother otter with her cubs, a very endearing sight, I'm sure you'll agree. And even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett
I know that," the Kid says smartly. "Some people are just not meant to be together. But that doesn't mean you can't love them.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
It'll be all right, my fine fellow," said the Otter. "I'm coming along with you, and I know every path blindfold; and if there's a head that needs to be punched, you can confidently rely upon me to punch it.
Kenneth Grahame (The Wind in the Willows)
it's not about where you come from. It's about who you are
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
The nineteen-seater Twin Otters offer three significant advantages: one, they can take off and land on the short runways common in mountainous terrains; two, they are economical to operate in low-traffic routes; three, they help people overcome claustrophobia. You have only two options—to cure yourself or jump into the woods below. And only one of those options guarantees survival.
Merlin Franco (Saint Richard Parker)
If someone can care about me that deeply, despite all my faults, despite all my refutations, despite all my everythings, then that makes all the storms and all the oceans worth it.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
The fight for you was all I've ever known.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
But the ugliness of the world does not fade, and fear and grief are not made less by time. We are only made stronger. We can only float together on their tides, as otters do, hand in hand.
Christopher Ruocchio (Howling Dark (Sun Eater, #2))
Bear. It’s always been you. It will always be you. I love you, and that’s why it will always be enough.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Juliet laughed. “You all are crazy, you know that?” “Oh, for sure,” he said with a nod. “Does it rub off?” “If you’re lucky.
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
Nothing's too fast if it means forever.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Why are you crying?" shivered the otter. "Because I am cold!" shouted the gnome. "Then why are you shouting?" chattered the otter. "Because," yelled the gnome, "when I shout it gets part of the cold from the inside out.
Stephen Cosgrove (The Gnome from Nome)
Wait until you meet the therapist. That bad? Let's just say i can't believe he's a real person. Like Santa Claus? More like if Santa Claus and Ron Jeremy had a child and then that child had a child with Richard Simmons. So, like a leprechaun? Yes, Otter, exactly like a leprechaun. I'm going to tell him I believe in Santa Claus, just to see what happens. I dare you.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Legolas watched them for awhile with a smile upon his lips, and then he turned to the others. 'The strongest must seek a way, say you? But I say: let a ploughman plough, but choose an otter for swimming, and for running light over grass and leaf, or over snow--an Elf.' With that he sprang forth nimbly, and then Frodo noticed as if for the first time, though he had long known it, that the Elf had no boots, but wore only light shoes, as he always did, and his feet made little imprint in the snow. 'Farewell!' he said to Gandalf. 'I go to find the Sun!' Then swift as a runner over firm sand he shot away, and quickly overtaking the toiling men, with a wave of his hand he passed them, and sped into the distance, and vanished round the rocky turn.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
There are enough people out there that will be more than willing to knock you down. There's no reason for you to do it to yourself.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Expecto Patronum!” She poured every drop of emotion she had into the spell. White light exploded from her wand, growing larger and larger until her Patronus fully corporalized. Not her otter. Not a blur. Hermione stared up as a full-sized Antipodean Opaleye emerged from her wand. It filled the sky. It threw back its head, roaring and unfurling enormous wings. It opened its mouth, and white flames poured from it.
SenLinYu (Manacled)
We are game-playing, fun-having creatures, we are the otters of the universe.
Richard Bach (Illusions: The Adventures of a Reluctant Messiah)
Round 5: Telling him I felt bad about the puppy-shirt thing, I told him we could go pick out a dog at the pound now that we had a yard for it. Instead, I took him to the dentist. Winner: Bear “Rock Star” McKenna.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
You can’t tell a little kid that you swear to God over something and then not do it. You may effectively ruin my childhood.” He looks off into nothing, a wistful expression on his face. “Gosh, think of the therapy bills. Not to mention how I’ll probably never be able to have a normal relationship when I’m an adult. I’ll live with you forever and become a cat lady.” I cock an eyebrow at him. “You hate cats.” He rolls his eyes. “Well, yeah, now I do. But I won’t have a choice. It’ll be inevitable. And I’ll probably have to throw birthday parties for my feline companions where I bake them cakes out of Fancy Feast. All because you went back on your God swear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
L'union libre [Freedom of Love]" My wife with the hair of a wood fire With the thoughts of heat lightning With the waist of an hourglass With the waist of an otter in the teeth of a tiger My wife with the lips of a cockade and of a bunch of stars of the last magnitude With the teeth of tracks of white mice on the white earth With the tongue of rubbed amber and glass My wife with the tongue of a stabbed host With the tongue of a doll that opens and closes its eyes With the tongue of an unbelievable stone My wife with the eyelashes of strokes of a child's writing With brows of the edge of a swallow's nest My wife with the brow of slates of a hothouse roof And of steam on the panes My wife with shoulders of champagne And of a fountain with dolphin-heads beneath the ice My wife with wrists of matches My wife with fingers of luck and ace of hearts With fingers of mown hay My wife with armpits of marten and of beechnut And of Midsummer Night Of privet and of an angelfish nest With arms of seafoam and of riverlocks And of a mingling of the wheat and the mill My wife with legs of flares With the movements of clockwork and despair My wife with calves of eldertree pith My wife with feet of initials With feet of rings of keys and Java sparrows drinking My wife with a neck of unpearled barley My wife with a throat of the valley of gold Of a tryst in the very bed of the torrent With breasts of night My wife with breasts of a marine molehill My wife with breasts of the ruby's crucible With breasts of the rose's spectre beneath the dew My wife with the belly of an unfolding of the fan of days With the belly of a gigantic claw My wife with the back of a bird fleeing vertically With a back of quicksilver With a back of light With a nape of rolled stone and wet chalk And of the drop of a glass where one has just been drinking My wife with hips of a skiff With hips of a chandelier and of arrow-feathers And of shafts of white peacock plumes Of an insensible pendulum My wife with buttocks of sandstone and asbestos My wife with buttocks of swans' backs My wife with buttocks of spring With the sex of an iris My wife with the sex of a mining-placer and of a platypus My wife with a sex of seaweed and ancient sweetmeat My wife with a sex of mirror My wife with eyes full of tears With eyes of purple panoply and of a magnetic needle My wife with savanna eyes My wife with eyes of water to he drunk in prison My wife with eyes of wood always under the axe My wife with eyes of water-level of level of air earth and fire
André Breton (Poems of André Breton: A Bilingual Anthology)
The multiplicity of forms! The hummingbird, the fox, the raven, the sparrow hawk, the otter, the dragonfly, the water lily! And on and on. It must be a great disappointment to God if we are not dazzled at least ten times a day.
Mary Oliver
Otter pulls me up to the bar and leans over. “What’s wrong? You stink!” he shouts. I glare at him. “I smell fine, you asshole. I used your cologne.” He rolls his eyes and comes closer, his lips against my ear. I shiver. “I said, what do you want to drink?
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
He tethered me to him, my magnetic north, while my mind went here or there. I always knew. Somehow I always knew.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
A WATERY BLISS As busy as an ice cream freezer, On a Sunday getting hotter, Happy is the honey eater- The busy ocean otter, Floating alongside Teter, On a sea full of water.
Giorge Leedy (Uninhibited From Lust To Love)
For a long time I called it Otter as I had called Rontu, Dog. Then I decided to give the otter a name. The name was Mon-a-nee, which means Little Boy with Large Eyes.
Scott O'Dell (Island of the Blue Dolphins)
...there's me, Gurth, Dotti, Grenn an' about a hunnerd shrews. If'n we wants to lie 'round for a day or two then you'll find yore prob'ly outvoted!" Lord Brocktree's eyes told the otter that he was not about to have his decision overruled. Swinging forth his battle blade, he stuck it quivering into the ground. "Lets's be reasonable about this, friend. Let me explain the rules. One Badger Lord carries two hundred votes and his sword carries another hundred. Agreed?" Ruff looked from the sword to the badger. Sunlight gleamed from the blade lighting Brocktree's eyes with a formidable gleam. He smiled nervously at his huge friend. "Reason, that's wot I likes, mate. Vote carried. We go after brekkist tomarrer!
Brian Jacques (Lord Brocktree (Redwall, #13))
I think you are seriously overestimating my dancing abilities. My kind of dancing usually ends up on the Internet, where people watch it so they can stop feeling sorry about their own lives. You know how people say they have two left feet? It's like I have no feet and my stumps are attached to wheels shaped like triangles.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Koan ninety-seven: "Do unto otters as you would have them do unto you." Hmm. No real help there. Besides, he'd occasionally been unsure that he'd written that one down properly, although it certain had worked. He'd always left aquatic mammals well alone, and they had done the same to him.
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
Otter. Otter. Otter,” I mutter. “Yes, Bear?” he says beautifully. “Don’t lead cows to slaughter,” I say. He arches an eyebrow. “Come again?” I take a deep breath. “I… love you and I know I should’ve told ya soon-a.” His eyes widen slightly. “Wait, what? You… me?” I shake my head. “But you didn’t buy the dolphin-safe tuna.” “Bear, what the hell? Did you just… rhyme?
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
...one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I'm sure you'll agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
An otter in a bright yellow vest leapt onto the quay, dripping everywhere. It rose onto its hind legs in front of Tharion, whiskers twitching, spraying droplets of water. Sathia grinned. “Stop it,” Tharion muttered. “It only encourages them to be cuter.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
After that summer, after being friends with Won-a-nee and her young, I never killed another otter. I had an otter cape for my shoulders, which I used until it wore out, but never again did I make a new one. Nor did I ever kill another cormorant for its beautiful feathers, though they have long, think necks and make ugly sounds when they talk to each other. Nor did I kill seals for their sinews, using instead kelp to bind the things that needed it. Nor did I kill another wild dog, nor did I try to speak another sea elephant. Ulape would have laughed at me, and other would have laughed, too -- my father most of all. Yet this is the way I felt about the animals who had become my friends and those who were not, bu in time could be. If Ulape and my father had come back and laughed, and all the other had come back and laughed, still I would have felt the same way, for animals and birds are like people, too, though they do no talk the same or do the same things. Without them the earth would be an unhappy place.
Scott O'Dell (Island of the Blue Dolphins)
Dammit. I hate it when my crazy is right.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
He squints at the screen. “So, would you call yourself a… hmmm, that doesn’t sound appropriate… a ‘nasty come hungry bottom dumpster bitch’?” I wish life was more like cartoons and a piano would fall on him and his teeth would become the piano keys as stars circled his head.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Kid, you may be the smartest person alive, but a master of subtlety you are not.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
There is no death for an otter, only life to the end.
Ursula K. Le Guin (Tales from Earthsea (Earthsea Cycle, #5))
Bear!” he cried into my ear. “What‟s going to happen to me? Oh, Bear, I‟m just a little guy! I‟m not big like you! What‟s going to happen to me?
T.J. Klune
I realized that I love him pure and simple. It's not a matter of logic or function. It's a matter of my heart.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
It’s nice, but it’s also getting to the point where if they keep swooning into each other’s eyes, we’re all going to drown in their saccharine sweetness as rainbows fly out their butts.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
You can't just wipe away your history.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
He sighs and bows his head, burying his face in his hands. I touch his hair. His ears. Bear may be my rock, but Dom is the force that moves me.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
We’re inevitable.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
The Patrician took a sip of his beer. “I have told this to few people, gentlemen, and I suspect I never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining on mother and children. And that’s when I first learned about evil. It is built into the nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
Why is everyone being all quiet?" the Kid asks. "Are we having a staring contest? If so, you should have told me because I wasn't quite ready yet.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
You do everything everyone tells you to do because you’re afraid that if you say no, they won’t like you.
Eliza Gordon (Must Love Otters (Revelation Cove #1))
Did you know that otters sleep holding hands? All night long, so they don't lose each other.
Erica Bauermeister (No Two Persons)
He’s my brother. You don’t turn away from someone like him just because he likes dick instead of the good stuff.” I chuckle. “You certainly haven’t lost your way with words.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
I can definitely imagine a hundred otters.
John Finnemore (Cabin Pressure: From A to Z)
Yeah, ’cause you were so quick to speak up earlier? it mocks. What’s that one guy’s name again? The one who is your heart and soul? Octavius? Othello? Bah. I can’t be bothered to remember, either. How interesting, your hypocrisy.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Hey, remember when you didn’t know that you wanted Otter to spray his man babies all over your face and we didn’t have to talk about our feelings all the time?” “Yeah, those were the good old days.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Wait till it’s my turn to tell the story! They’ll be like ‘Bear who?
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Creed scowls. "Hardly. All he does now is mope like a goddamn teenage girl. Anytime I'm home, he's in his room with the door locked. I'm telling you guys, he got worked over really bad in San Diego. I thought the whole point of having a gay brother was that they were supposed to be all cool and shit. I got a defective gay.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
My name is Bear. I am a reluctant homosexual (or, at least, I resemble one). My boyfr—er, life partner (gag!), is apparently like a forty-year-old woman, and his biological clock is exploding all over the place, and we don’t know how to turn off the alarm. We need a woman (ha!) to allow us to put our sperm into her so that we can create the miracle that is life! You, as the surrogate, must not be crazy!!!!!
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
He knew the terrible tales of sea otters choking on polyethylene rings from beer six-packs; of swans and gulls strangled by nylon nets and fishing lines; of a green sea turtle in Hawaii dead with a pocket comb, a foot of nylon rope, and a toy truck wheel lodged in its gut. His personal worst
Alan Weisman (The World Without Us)
The big kid hasn't said anything yet. 'I do like hearing myself talk,' I say, 'only because I have a lot of neat things to say, but eventually the conversation will run out in, like, four or five years, and then where will we be?' Wonder of all wonders, he cracks a little smile. I don't blame him. I am pretty funny.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
Only about 3 percent of animal species are monogamous. A couple of penguins, some otters and a few other oddball critters. To these select few it comes natural to mate for life and never look at another member of the opposite sex. Humans are not part of that little club. Like the other 97% of species, humans are not monogamous by nature. We just pretend that we are.
Oliver Markus (Why Men And Women Can't Be Friends)
Many of our tribe went to the cliff each night to count the number killed during the day. They counted the dead otter and thought of the beads and other things that each pelt meant. But I never went to the cove and whenever I saw the hunters with their long spears skimming over the water, I was angry, for these animals were my friends. It was fun to see them playing or sunning themselves among the kelp. It more fun than the thought of beads to wear around my neck.
Scott O'Dell (Island of the Blue Dolphins)
Ty grabbed my phone and threatened to tell Otter that I liked being spanked during sex. This proceeded to lead up on a long tangent where I had to have him explain to me how he knows about stuff like people getting spanked during sex. He said he might have heard it mentioned while watching MSNBC. I told him he was grounded from watching the news channels for a week. That's where this whole sidebar should have ended, but then I was forced to explain S & M and bondage to my little brother, who was persistent on the topic, and who kept staring at me with mounting horror when I finally /did/ explain, and I realized I had maybe gone too far, and we had to spend the next five minutes swearing to God that I had never nor would I ever attempt to do anything like that. He might now be the only nine-year-old who has heard the terms "cock ring" and "fisting". My parenting skills are unparalleled.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Otter says nothing and as I turn to look at him, he’s watching me, that gold-green shining with that regard that always leaves me breathless. I don’t know what he’s thinking right now. I don’t think I want to know. Are you sure? the voice in my head asks. Are you absolutely sure you don’t want to know?]
T.J. Klune
You've broken my heart, but it was mine to give.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
The crafty otter produced a flat pebble from his helmet, spat on one side of it, and held it up for the bird to see. 'Right, I'll spin ye. Dry side, I win, wet side, you lose. Good?' The honey buzzard nodded eagerly... Buteo's keen eyes watched every spin of the stone until it clacked down flat on the deck. Garfo grinned from ear to ear. 'Wet side! You lose!
Brian Jacques (Loamhedge (Redwall, #16))
There's a seagull eating our food,' he told me, and it was the most romantic thing I'd ever heard.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Tyson,” he breathes. My name on his lips is like a revelation, and I want to break. I want to shatter. I want to tell him things I can’t even admit to myself. “What?” I croak. “You know I love you, right?” His gaze searches mine. “Yeah.” Because I do. I’ve known since the beginning. It’s inevitable—our word of the day, the word of our friendship.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
Because you’re worried, Bear. And it makes me nervous. You know when you worry, I worry. It’s just something we do.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
She might be the Archive, but she's still a kid, Kincaid." He frowned and looked at me. "So?" "So? Kids like cute." He blinked at me. "Cute?" "Come on." I led him downstairs. On the lower level of the Oceanarium there's an inner ring of exhibits, too, containing both penguins and--wait for it--sea otters. I mean, come on, sea otters. They open abalone with rocks while floating on their backs. How much cuter does it get than small, fuzzy, floating, playful tool users with big, soft brown eyes?
Jim Butcher (Small Favor (The Dresden Files, #10))
Life can suck. It can hurt. It has teeth and won’t hesitate to bite you. But if you pick yourself back up every time it knocks you down, it’ll start to hurt less, because you’ll be stronger.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
Quick as a flash, Sawney Rath's eyes hardened. "Then I'm ordering you to skin Felch alive!" He took the otter's paw, closing it over the knife handle. "Obey me!" The crowded clearing became as silent as a tomb. All eyes were upon the Taggerung, awaiting his reaction to the order. Tagg turned his back on Sawney and strode to the side of the fox strung up to the beech bough. He raised the blade. Felch shut his eyes tight, his head shaking back and forth as his nerves quivered uncontrollably. With a sudden slash Tagg severed the thongs that bound him. Felch slumped to the ground in a shaking heap. Tagg's voice was flat and hard as he turned to face Sawney. "I'm sorry to disobey your order. The fox is a sorry thief, but I will not take the life of a helpless beast.
Brian Jacques (Taggerung (Redwall, #14))
We’ll count it, even if it’s so incredibly gay that it should come with its own packet of fairy dust that you could sprinkle in the air when you say it.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
You can only get knocked down so many times before you start shying away from a raised hand, even if it's extended in kindness.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
He hesitates, then says, "You don't think Otter... gets offended by what I say?" He begins to speak faster. "I mean, I don't care who Otter sleeps with. I don't care that he's a fa- gay. I don't care that he's gay. Why would I ?" He grins thinly. "He's my brother. You don't turn away from someone like him just because he likes sick instead if the good stuff.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
For within himself, be he clairvoyant and articulate, he will find latent the divisions of the mind of European man, and their opposing impulses.
Henry Williamson (Lucifer Before Sunrise (Chronicle of Ancient Sunlight))
family is not defined by blood. It’s not always who you’re born to that you’re stuck with. It’s what you want it to be, what you make of it. It’s the people around you who see you at your worst and are not afraid to pick up the pieces when you fall apart. It’s the people who can call you on your bullshit. It’s tough to hear, but if you do hear it, it means that someone gives a damn about you and chances are you should probably listen. It’s the people who look at you each time they see you like they haven’t seen you in years. It’s the people who you fight for. It’s the people you’d lay down your life for. It’s the scariest thing in the world, but, if you let it, it’s also the greatest. If I could have you remember anything from our time together, it would be that it’s not about where you come from. It’s about who you are.
T.J. Klune (Who We Are (Bear, Otter, and the Kid #2))
If God is real, I think he might be some kind of masochist. I imagine he sits there up on his cloud, long white robes flowing, drinking a forty of Mickey’s and smoking a Winston as he flips me the bird and plans what he’ll do next to piss me off.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
I don't know if I could deal with a two-armed kid, and now I have to have a kid with only one arm because he wanted to try and feed the gorilla cotton candy? I didn't even want this, but then we're sitting at a restaurant minding our own business when this little boy walks by wearing little checkered Vans, and he was walking and singing a song and dancing. He was dancing and all of a sudden I turned to Otter and DEMANDED he put a baby in me. But I'm a guy, and he's a guy and that's biologically impossible...
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
But what my car needs is gas, not memories! How can you make a car go on memories?' B.D. scratched under her Admiral's hat. 'What'd you think gas was, girl? 'Course there's all sorts of fuel, wind and wishes and chocolate cake and collard greens and water and brawn, but you're wanting the kind that burns in an engine. That kind of gas is nothing more than the past stored up and fermented and kept down in the cellar of the earth till it's wanted. Gas is saved-up sunlight. Giant ferns and apples of immortality and dimetrodons and cyclopses and werewhales drank up the sun as it shone on their backs a million years ago and used it to be a bigger fern or make more werewhales or drop seeds of improbability.' Her otter's paws moved quick and sure, selecting a squat, square bottle here and a round rosy one there. 'It so happens sunshine has a fearful memory. It sticks around even after its favorite dimetrodon dies. Gets hard and wily. Turns into something you can touch, something you can drill, something you can pour. But it still remembers having one eye and slapping the ocean's face with a great heavy tail. It liked making more dinosaurs and growing a frond as tall as a bank. It likes to make things alive, to make things go.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
I sit up straighter and puff out my chest a little bit, unsure why I'm doing so even as I do it. I know when I speak I'll have dropped my voice an octave to make myself seem more manly, and when I shake he hand, my grip will be tight and strong. Stupid, I know, but I'm a guy. It's what we do.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
Hermy, when she was not otter-hunting, could be very sarcastic, and he had a clear month of Hermy in front of him, without any otter-hunting, which, so she had informed him, was not possible in August. This was mysterious to Georgie, because it did not seem likely that all otters died in August, and a fresh brood came in like caterpillars. If Hermy was here in October she would otter-hunt all morning and snore all afternoon, and be in the best of tempers, but the August visit required more careful steering.
E.F. Benson (Queen Lucia)
I can’t wait until we go to dinner. I’ve heard Bear gets loaded on wine and cries, and then the whole thing dissolves into a big case of what-the-fuckery where everyone talks at once, and it usually ends in overshared feelings and hugging.” “That was one time!
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
How soon was it, anyways?” “What?” I know what shes asking, and I attempt to stall. “That you fucked him. How soon was it after we broke up?” Her eyes narrow. “Or were we still together?” she scowls through gritted teeth. “Does it matter?” “Yes.” “Right after.” “I hope it was worth it,” she snarls. I look her in the eye. “It was.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
So while I drove my little and planned his fantasy night of how I was going to give Otter the key to my soul (his words, not mine), I silently panicked and wrote lines of bad poetry. Normally, I am quite adept at writing poems and lyrics to songs I'l never sing, but this stuff was just atrocious. For example: I love you You love me Thank God for that I'm so happy And Ty's personal favorite (which he helped me on): Otter! Otter! Otter! Don't lead cows to slaughter I love you and I know I should've told you soon-a But you didn't buy the dolphin-safe tuna! TY asked me if I got the hidden message in his poem. I told him it was loud and clear.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Mother trees have an effect on the oceans as well, as Katsuhiko Matsunaga and his team in Japan had confirmed. The leaves, when they fall in the autumn, contain a very large, complex acid called fulvic acid. When the leaves decompose, the fulvic acid dissolves into the moisture of the soil, enabling the acid to pick up iron. This process is called chelation. The heavy, iron-containing fulvic acid is now ready to travel, leaving the home ground of the mother tree and heading for the ocean. In the ocean it drops the iron. Hungry algae, like phytoplankton, eat it, then grow and divide; they need iron to activate a body-building enzyme called nitrogenase. This set of relationships is the feeding foundation of the ocean This is what feeds the fish and keeps the mammals of the sea, like the whale and the otter healthy.
Diana Beresford-Kroeger (To Speak for the Trees: My Life's Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest)
I told him God didn’t invent grocery stores. He told me that I had no proof of this, and wouldn’t I feel stupid when I died and went to heaven and saw God’s Food Mart? I told him that was a dumb name for a grocery store. He told me that I couldn’t do any better. I told him God’s grocery store was named God’s Amazing Food Emporium and that they had weekly specials on the Body Of Christ Sourdough bread loaves. He told me I was sacrilegious. I told him we weren’t any kind of religious.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
Dear Mr. Duke, As requested, here is an inventory of the animals in my care: *Bixby, a two-legged terrier. *Marigold, a nanny goat of unimpeachable character, who is definitely not breeding. *Angus, a three-year-old Highland steer. *Regan, Goneril, and Cordelia- laying hens. *Delilah, a parrot. *Hubert, an otter. *Freya, a hedgehog. *Thirteen kittens of varying colors and dispositions. Gabe leafed through the report in disbelief. It went on for pages. She'd given not only the names, breeds, and ages of every misbegotten creature, but she'd appended a chart of temperaments, sleeping schedules, preferred bedding, and a list of dietary requirements that would beggar a moderately successful tradesman. Along with the expected hay, alfalfa, corn, and seed, the animals required several pounds of mince weekly, daily pints of fresh cream, and an ungodly number of sardines. The steer and thee goat, she insisted, must go to the same loving home. Apparently they were tightly bonded, whatever that meant, and refused to eat of parted. The laying hens did not actually lay with any regularity. Their previous owners had grown frustrated with this paltry production, and thus they had come into Her Ladyship's care. And the lucky bastard who accepted a ten-year-old hedgehog? Well, he must not only provide a steady supply of mealworms, but remain ever mindful of certain "traumatic experiences in her youth.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
Somewhere along the line the American love affair with wilderness changed from the thoughtful, sensitive isolationism of Thoreau to the bully, manly, outdoorsman bravado of Teddy Roosevelt. It is not for me, as an outsider, either to bemoan or celebrate this fact, only to observe it. Deep in the male American psyche is a love affair with the backwoods, log-cabin, camping-out life. There is no living creature here that cannot, in its right season, be hunted or trapped. Deer, moose, bear, squirrel, partridge, beaver, otter, possum, raccoon, you name it, there's someone killing one right now. When I say hunted, I mean, of course, shot at with a high-velocity rifle. I have no particular brief for killing animals with dogs or falcons, but when I hear the word 'hunt' I think of something more than a man in a forage cap and tartan shirt armed with a powerful carbine. In America it is different. Hunting means 'man bonding with man, man bonding with son, man bonding with pickup truck, man bonding with wood cabin, man bonding with rifle, man bonding above all with plaid'.
Stephen Fry (Stephen Fry in America)
And I wished I could believe him. I wished with all that I had. And when you're eleven, you're on the cusp between still believing wishing worked if you wanted something hard enough and understanding the world is teeth and sharp edges. I wished. I did. I promise you with all that I have that I did. But I knew the teeth. The sharp edges. And they were bigger than wishing. I was only eleven, but I was the product of my upbringing too. Maybe that's why I was able to be the one to leave. Maybe I'd been looking for a reason and latched on to the first one that came, no matter how hard it was. If there's one thing I've learned in my life, it's that it's easier to leave someone before they leave you. Because eventually, everyone leaves. It's inevitable.
T.J. Klune (The Art of Breathing (Bear, Otter, and the Kid, #3))
I wanted to tell her how that praise had made me feel, how starved I’d felt for any kind of attention, that I’d begun to think of my teacher Mrs. Terrance like she was my friend, like she was my mother, like she would take me home with her one day to her big house that would be warm and smell of fresh bread, and there would be gold stars all over the floors and ceilings, and she would look down at me as we walked through the door and tell me that this was my home too, that I would get to stay with her forever because she loved me too. But I couldn’t. I couldn’t say that to my mother. Even then, I knew the power words had. To heal. To hurt. So I held my mother while she cried, and eventually the tears subsided, and she began to hiccup softly, and this made me giggle, and she almost looked like she was going to smile at me, and I forgot about the house filled with gold stars because one smile from my mother was worth a billion gold stars and a billion Mrs. Terrances and a billion houses that smelled like fresh bread.
T.J. Klune (Who We Are (Bear, Otter, and the Kid, #2))
When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done." But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny. "Stand up," said the teacher. He stood up; his cap fell. The whole class began to laugh. He bent down and picked it up. A boy beside him knocked it down again with his elbow; he picked it up once again. "Will you please put your helmet away?" said the teacher, a witty man.
Gustave Flaubert (Madame Bovary)
I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the
Scott O'Dell (Island of the Blue Dolphins)