Others Opinion Doesn't Matter Quotes

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You see, a conflict always begins with an issue - a difference of opinion, an argument. But by the time it turns into a war, the issue doesn't matter anymore, because now it's about one thing and one thing only: how much each side hates the other.
Neal Shusterman (Unwind (Unwind, #1))
So long as you do no harm to another, change your opinion once in a while. Contradict yourself without being embarrassed. This is your right. It doesn't matter what others think -because that's what they will think, in any case.
Paulo Coelho (Maktub)
It doesn’t matter what other people think. The only opinion that really matters is yours. We are all the writers of our lives. We can make our stories comedies or tragedies. Tales of horror, or of inspiration. Your attitude and your fortitude and courage are what determine your destiny, Nick.… Life is hard and it sucks for all. Every person you meet is waging his or her own war against a callous universe that is plotting against them. And we are all battle-weary. But in the midst of our hell, there is always something we can hold on to, whether it’s a dream of the future or a memory of the past, or a warm hand that soothes us. We just have to take a moment during the fight to remember that we’re not alone, and that we’re not just fighting for ourselves. We’re fighting for the people we love.” -- Acheron
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
It doesn't matter what anyone else thinks. What matters is you can look in the mirror, and love who you see.
B. Dave Walters
A woman is always being taken advantage of in so many situations. To add insult to injury, people always try to belittle a woman—as if her opinion doesn’t matter—and people feel that they can manipulate a woman as if she’s naïve and clueless. Other people will steal a woman’s idea as if they came up with it on their own. It makes my skin crawl when a woman is told to step aside and keep quiet as if her voice doesn’t deserve to be heard, and we all know that women don’t receive as many opportunities as their male counterparts. However, opportunities are endless, and when a woman is given a chance, she makes it a personal mission to execute by always being the seeker and observer.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
See the collateral damage—the suffering—that results when you cling to your desires and opinions or take things personally. Over the long haul, most of what we argue about with others really doesn’t matter that much.
Rick Hanson (Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom)
You see, a conflict always begins with an issue—a difference of opinion, an argument. But by the time it turns into a war, the issue doesn’t matter anymore, because now it’s about one thing and one thing only: how much each side hates the other.
Neal Shusterman (Unwind (Unwind, #1))
To stand alone is to be uncorrupted, innocent, free of all tradition, of dogma, of opinion, of what another says, and so on. Such a mind does not seek because there is nothing to seek; being free, such a mind is completely still without a want, without movement. But this state is not to be achieved; it isn't a thing that you buy through discipline; it doesn't come into being by giving up sex, or practicing a certain yoga. It comes into being only when there is understanding of the ways of the self, the 'me', which shows itself through the conscious mind in everyday activity, and also in the unconscious. What matters is to understand for oneself, not through the direction of others, the total content of consciousness, which is conditioned, which is the result of society, of religion, of various impacts, impressions, memories - to understand all that conditioning and be free of it. But there is no "how" to be free. If you ask how to be free, you are not listening.
J. Krishnamurti (As One Is: To Free the Mind from All Conditioning)
Whose opinion is going to matter more—theirs or yours? Or, in other words, is it worth living a life that doesn’t make you truly happy just to please other people?
Jason Zook (Own Your Weird: An Oddly Effective Way for Finding Happiness in Work, Life, and Love)
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
Prizing elegance, sweet emotions, and fantasy more than morals and truth; wallowing in fleeting romance rather than trying to give meaning to life, when who knows what's going to happen to you anyway; ignoring virtue and conventions to cherish only the pleasures you are definitely experiencing now: this is the Cocoro of Rococo. No matter how much deep thought, hard work, and agonizing effort went into coaxing out some insight, if that insight is boring, or not beautiful, it doesn't matter. And even if something is made just for laughs, if you find it pleasing, it has value. Other people's opinions and labor do not figure into your assessment; choosing things with your own personal sense of "I like this, I don't like that" is the ultimate individualism that sustains the very foundation of Rococo. Rococo, therefore, embodies the spirit of punk rock and anarchism more than any philosophy. Only in Rococo—elegant yet in bad taste, extravagant yet defiant and lawless—can I discover the meaning of life.
Novala Takemoto (Kamikaze Girls)
You don’t need validation or approval from anyone but yourself. Even if the entire world goes against, disagrees with or attempts to crush you, stand up for what you believe in, and stand up alone if you have to! It’s better to die while living your own truth than to live in the truth of another. Lord Krishna in the holy Bhagavad Gita pointed this out when he said; “It is better to live your own destiny imperfectly than to live an imitation of somebody else’s life with perfection.” Integrity is the key to freedom. It’s only your own truth that can ‘set you free.’ It’s perfectly fine if your truth doesn’t match that of others because the experience of physical reality is a completely subjective one. It doesn’t make either of you wrong, as long as you’re both being true to yourselves, that’s all that matters.
Craig Krishna (The Labyrinth: Rewiring the Nodes in the Maze of your Mind)
1. Write. 2. Put one word after another. Find the right word, put it down. 3. Finish what you're writing. Whatever you have to do to finish it, finish it. 4. Put it aside. Read it pretending you've never read it before. Show it to friends whose opinion you respect and who like the kind of thing that this is. 5. Remember: when people tell you something's wrong or doesn't work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong. 6. Fix it. Remember that, sooner or later, before it ever reaches perfection, you will have to let it go and move on and start to write the next thing. Perfection is like chasing the horizon. Keep moving. 7. Laugh at your own jokes. 8. The main rule of writing is that if you do it with enough assurance and confidence, you're allowed to do whatever you like. (That may be a rule for life as well as for writing. But it's definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I'm not sure that there are any other rules. Not ones that matter." [Ten rules for writing fiction (The Guardian, 20 February 2010)]
Neil Gaiman
You and I will converse while Hunt has a cigar,” Westcliff informed him. “Come with us.” The “invitation” didn’t seem to allow the possibility of a refusal, but Matthew tried nonetheless. “Thank you, my lord, but there is a certain matter I wish to discuss with someone, and I—” “That someone would be Mr. Bowman, I expect.” Hell, Matthew thought. He knows. Even if it hadn’t been for those words, he could tell by the way Westcliff was looking at him. Westcliff knew about Bowman’s intention of marrying him off to Daisy…and not surprisingly, Westcliff had an opinion about it. “You will discuss the matter with me first,” the earl continued. Matthew glanced warily at Simon Hunt, who gave him a bland look in return. “I’m certain,” Matthew said, “that Mr. Hunt doesn’t want to be bored by a discussion of someone else’s personal affairs—” “Not at all,” Hunt said cheerfully. “I love hearing about other people’s affairs. Particularly when they’re personal.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Don’t invest in other people’s opinion of you. You can change yourself a hundred different ways to get other people to approve of you and there will still be those who don’t. Your beauty will please some and threaten others. Your intelligence will impress one person and offend another. You will be too tall, too short, too smart, too attractive, too nice, not nice enough, too talented, too poor, and not educated enough for people who are determined to not like you. You must decide that it doesn’t matter what anyone else thinks of you. Their opinions don’t make your bed, pay your bills, or fill your stomach, so stop investing your focus and energy into them.
Emily Maroutian (In Case Nobody Told You: Passages of Wisdom and Encouragement)
He was beautiful when he sat alone, he was like me, he had wide lapels, he was holding the mug in the hardest possible way so that his fingers were all twisted but still long and beautiful, he didn’t like to sit alone all the time, but this time, I swear, he didn’t care on way or the other. I’ll tell you why I like to sit alone, because I’m a sadist, that’s why we like to sit alone, because we’re the sadists who like to sit alone. He sat alone because he was beautifully dressed for the occasion and because he was not a civilian. We are the sadists you don’t have to worry about, you think, and we have no opinion on the matter of whether you have to worry about us, and we don’t even like to think about the matter because it baffles us. Maybe he doesn’t mean a thing to me any more but I think he was like me. You didn’t expect to fall in love, I said to myself and at the same time I answered gently, Do you think so? I heard you humming beautifully, your hum said that I can’t ignore you, that I’d finally come around for a number of delicious reasons that only you knew about, and here I am, Miss Blood. And you won’t come back, you won’t come back to where you left me, and that’s why you keep my number, so you don’t dial it by mistake when you’re fooling with the dial not even dialing numbers. You begin to bore us with your pain and we have decided to change your pain. You said you were happiest when you danced, you said you were happiest when you danced with me, now which do you mean? And so we changed his pain, we threw the idea of a body at him and we told him a joke, and then he thought a great deal about laughing and about the code. And he thought that she thought that he thought that she thought the worst thing a woman could do was to take a man away from his work because that made her what, ugly or beautiful? And now you’ve entered the mathematical section of your soul which you claimed you never had. I suppose that this, plus the broken heart, makes you believe that now you have a perfect right to go out and tame the sadists. He had the last line of each verse of the song but he didn’t have any of the other lines, the last line was always the same, Don’t call yourself a secret unless you mean to keep it. He thought he knew, or he actually did know too much about singing to be a singer; and if there is actually such a condition, is anybody in it, and are sadists born there? It is not a question mark, it is not an exclamation point, it is a full stop by the man who wrote Parasites of Heaven. Even if we stated our case very clearly and all those who held as we do came to our side, all of them, we would still be very few.
Leonard Cohen (Parasites of Heaven)
There's a reason for everything. Every human behaviour, every human thought, every human emotion, every human reaction - doesn't matter what it looks like on the outside - reflects a desire to be loved or to love. And as Marshall Rosenberg who teaches Non-Violent Communication said "very often we make these communications..." he calls it a "the tragic communication of a need". So that it doesn't matter how people behave or speak, underneath it there is a basic human need. That human need was at some point frustrated in their early development. And that person has been all their life trying to have that need met, doesn't matter how they behaved. Even if they behaved in the most agressive and inhuman and obnoxious fashion, there's always a reason for it. So that means when somebody comes for help, then you have to see that need and that real human being underneath the words and underneath the behavior. In other words, you have to see the person more clearly than they see themselves. Not so that you can deliver your opinion to them and have them accept it, but so that you can mirror them back to their true selves.
Gabor Maté
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
If someone doesn't like you because they tell others, "you come off as being" one way or another, they obviously haven't taken time to even know you, much less form a valid reason to dislike you. Bottom line, their opinion does not matter. Focus on the real ones in your life.
Liz Faublas, Million Dollar Pen, Ink.
Isn't that the tie Lily bought for your birthday?" Evan looked down to examine it. It was paisley, a kaleidoscope of color. "Yes it is, as a matter of fact. Good memory. What do you think? Too much?" "It doesn't matter what I think." "But you don't like it." "I think that if you want to wear it, you should wear it." Evan seemed momentarily undecided. "Why do you do that?" "Do what?" "Refuse to answer a simple question." "Because my opinion is irrelevant. You should wear what you want." "Just tell me, okay?" "I don't like your tie." "Really? Why not?" "Because it's ugly." "It's not ugly." Colin nodded. "Okay." "You don't know what you're talking about." "Probably." "You don't even wear ties." "You're right." "So why do I care what you think?" "I don't know." Evan scowled. "Talking to you can be infuriating, you know." "I know. You've said that before." "Of course I've said it before! Because it's true! Didn't we just talk about this the other night? You don't have to say whatever pops into your head." "But you asked." "Just ... Oh, forget it." He turned and started back toward the house. "I'll talk to you later, okay?" "Where are you going?" Evan walked a couple of steps before answering without turning around. "To change my damn tie. And by the way Margolis was right. Your face still looks like it was run through a meat grinder." Colin smiled. "Hey, Evan!" Evan stopped and turned. "What?" "Thanks." "For what?" "For everything." "Yeah, yeah. You're just lucky I won't tell Lily what you said." "You can if you'd like. I already told her." Evan starred. "Of course you did.
Nicholas Sparks (See Me)
The truth is, it doesn’t matter what they think of you; it matters what you think of you. Hard as it is to reconcile, someone else’s opinion only holds power if you allow it to. If you actively take steps and intentionally begin to live without obsessing over what other people think, it will be the most freeing decision of your life.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
[K]eep in mind the big picture, the 1,000-foot view. See the impermanence of whatever is at issue, and the many causes and conditions that led to it. See the collateral damage - the suffering - that results when you cling to your desires and opinions or take things personally. Over the long haul, most of what we argue about with others really doesn't matter that much.
Rick Hanson (Buddha's Brain: The Practical Neuroscience of Happiness, Love, and Wisdom)
Possil — and other areas like it, in other cities — has been in that state for so long that it now gives birth to itself. No chance of revolution now — the anger is muted and turned inwards. Possil picks at its own sores. When somebody manages to get a new car, somebody else is bound to torch it. But it doesn’t occur to them to head out to Bearsden or Newton Meams, the places where the nobs live, and torch a few Mercs or Rolls Royces. They don’t do it to the people whose opinion matters. They only do it to each other. And who in Newton Mearns cares if a bunch of schemies on the other side of town burn their own property? And so Possil, and Maryhill, and Easterhouse, and Drumchapel all stay the same.
Barry Graham (The Book of Man)
Spiritual mindedness releases the flow of God’s life in you, but carnal mindedness shuts it off. Simply stated, carnal mindedness = death, and spiritual mindedness = life and peace (Rom. 8:6). “Death” means “anything that’s a result of sin.” This isn’t limited only to the ultimate physical death of your body but includes all of death’s progressive effects as well (i.e., sadness, loneliness, bitterness, illness, anger, poverty, etc.). In this fallen world, being dominated by your natural senses produces death. But spiritual mindedness produces life and peace! Jesus declared, “The words that I speak unto you, they are spirit, and they are life” (John 6:63). When your thoughts are dominated by what the Word says, you’re spiritually minded. It doesn’t matter what your physical circumstances might be—God can keep you in perfect peace! “Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee” (Is. 26:3). As your mind stays on Him, your soul agrees with your spirit, and God’s peace is released into your soul and body. Your born-again spirit is always in perfect peace—it’s just a matter of drawing it out! On the other hand, you won’t experience the peace within when your mind stays fixed on your problems. Peace—an emotion—is linked to the way you think! Your lack of peace isn’t because of any circumstance or person; it’s just that you’ve allowed your mind to be dominated by what you can see, taste, hear, smell, and feel. You’re busy thinking about the potential damage, considering what the problem has done to others, and hashing through their opinions on the subject. All the while, God’s peace has been present in your spirit, but you haven’t drawn it out. Open that closed valve and let peace flow!
Andrew Wommack (Spirit, Soul and Body)
Important: Be sure to put the outgoing email addresses in the BCC field of the email, so that each recipient doesn’t see everyone else you’re sending it to. (Or, you can copy and paste, then send the email to each person individually.) Subject Line: This means a lot… Or Would love to get your opinion… Email Text: Dear friends, family, and colleagues:  Thank you so much for reading this email. This isn’t an easy one for me to send, but it is extremely important to me, so I sincerely appreciate you investing your valuable time reading (and hopefully responding to) it.  This email is going out to only a select group of people. Each of you knows me well, and I’m hoping will give me honest feedback about my strengths and most importantly, my weaknesses (aka “areas of improvement.”) I’ve never done anything like this before, but I feel that for me grow and improve as a person, I need to get a more accurate picture of how I’m showing up to the people that matter most to me. In order to become the person I need to be to create the life and contribute to others at the levels that I want, I need your feedback.  So, all I’m asking is that you take just a few minutes to email me back with what you honestly think are my top 2-3 “areas of improvement.” If it will make you feel better to also list my top 2-3 “strengths” (I’m sure it will make me feel better ), you are definitely welcome to. That’s it. And please don’t sugarcoat it or hold back anything. I will not be offended by anything that you share. In fact, the more “brutally” honest you are, the more leverage it will give me to make positive changes in my life.  Thank you again, and if there is anything else I can do to add value to your life, please let me know.  With sincere gratitude, Your Name
Hal Elrod (The Miracle Morning: The Not-So-Obvious Secret Guaranteed to Transform Your Life: Before 8AM)
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
Anne Frank (The Diary Of a Young Girl)
It is already apparent that the word 'Fascist' will be one of the hardest-worked words in the Presidential campaign. Henry Wallace called some people Fascists the other day in a speech and next day up jumped Harrison Spangler, the Republican, to remark that if there were any Fascists in this country you would find them in the New Deal's palace guard. It is getting so a Fascist is a man who votes the other way. Persons who vote your way, of course, continue to be 'right-minded people.' We are sorry to see this misuse of the word 'Fascist.' If we recall matters, a Fascist is a member of the Fascist party or a believer in Fascist ideals. These are: a nation founded on bloodlines, political expansion by surprise and war, murder or detention of unbelievers, transcendence of state over individual, obedience to one leader, contempt for parliamentary forms, plus some miscellaneous gymnastics for the young and a general feeling of elation. It seems to us that there are many New Deal Democrats who do not subscribe to such a program, also many aspiring Republicans. Other millions of Americans are nonsubscribers. It's too bad to emasculate the word 'Fascist' by using it on persons whose only offense is that they vote the wrong ticket. The word should be saved for use in cases where it applies, as it does to members of our Ku Klux Klan, for instance, whose beliefs and practices are identical with Fascism. Unfortunately (or perhaps fortunately), there is a certain quality in Fascism which is quite close to a certain quality in nationalism. Fascism is openly against people-in-general, in favor of people-in-particular. Nationalism, although in theory not dedicated to such an idea, actually works against people-in-general because of its preoccupation with people-in-particular. It reminds one of Fascism, also, in its determination to stabilize its own position by whatever haphazard means present themselves--by treaties, policies, balances, agreements, pacts, and the jockeying for position which is summed up in the term 'diplomacy.' This doesn't make an America Firster a Fascist. It simply makes him, in our opinion, a man who hasn't grown into his pants yet. The persons who have written most persuasively against nationalism are the young soldiers who have got far enough from our shores to see the amazing implications of a planet. Once you see it, you never forget it.
E.B. White (The Wild Flag: Editorials from the New Yorker on Federal World Government and Other Matters)
Most of my friends put their preferred pronoun in their Instagram bios—he/she, him/her, they/their—but I respond to any and all of them. I like to think of it as collecting pronouns: the more I get, the more fun I’m having. To get the obvious out of the way, because that’s apparently important to people, I think of myself as post-gender. I was trying to figure out how to explain that because sometimes it’s a paragraph and sometimes it’s a term paper depending on who I’m talking to, and I have no idea who will be reading this in the aftermath. Then I noticed that one of my fellow passengers has a cat with him, and that’s perfect. When you visit a friend and find they have a cat, you just see it as a cat in all its pure catness, it doesn’t require further definition. You’ll probably get a name, and if you ask, whether it was born male or female, but even after you have that information you still don’t think of it any differently. It’s not a He-Cat or a She-Cat or a They-Cat. It’s just a cat. And unless the cat’s name has any gender-specific connotations you’ll probably forget pretty fast which gender it was born into. My name is Theo, and by that logic, I am a cat. What I was or was not born into has nothing to do with how I see myself. It’s not about going from one gender to another, or suggesting that they don’t exist. Some of my friends say that the moment you talk about gender you invalidate the conversation because you’re accepting the limits of outmoded paradigms, but I’m not sure I agree with that. I just think gender shouldn’t matter. If you’re a man, aren’t there moments when you feel more female, like when you’re listening to music, or your cheek is being gently stroked, or you see a spectacularly handsome man walk into the room? If you’re a woman, aren’t there moments when you feel more male, when you have to be strong in the face of conflict, or stand behind your opinion, or when a spectacularly beautiful woman walks into the room? Well, in those moments, you are all of those things, so why deny that part of yourself? For me, it’s not about being binary or non-binary. It’s about moving the needle to the center of the dial and accepting all definitions as equally true while remaining free to shift in emphasis from moment to moment. It’s about being a Person, not a She-Person or a He-Person or a They-Person. (...) When you go into a clothing store, you don’t just go to the “one size fits all” rack. You look for clothes that fit your waist, hips, legs, chest, and neck, clothes that complement your form and shape, and reflect not just how you see yourself but how you want to be seen by others. If it’s still not quite right, and you can afford it, you get the clothes tailored to fit exactly who you are. That’s what I’m doing. Post-gender is one term for it. Another might be tailored gender. Maybe bespoke gender. But definitely not one-size-fits-all. The world doesn’t get to decide what best fits who I am and how I choose to be seen. I do.
J. Michael Straczynski (Together We Will Go)
Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
You know," he said, 'for what it's worth, the justice system is supposed to be this purveyor of right and wrong, good and had. But sometimes, I think it gets it wrong almost as much as it gets it right. I've had to learn that, too, and it's hard to accept. What do you do when the things that are supposed to protect you, fail you like that?? 'I was so naïve,' Pip said. 'I practically handed Max Hastings to them, after everything came out last year. And I truly believed it was some kind of victory, that the bad would be punished. Because it was the truth, and the truth was the most important thing to me. It's all I believed in, all I cared about: finding the truth, no matter the cost. And the truth was that Max was guilty and he would face justice. But justice doesn't exist, and the truth doesn't matter, not in the real world, and now they've just handed him right back. 'Oh, justice exists,' Charlie said, looking up at the rain. 'Maybe not the kind that happens in police stations and courtrooms, but it does exist. And when you really think about it, those words - good and bad, right and wrong- they don't really matter in the real world. Who gets to decide what they mean: those people who just got it wrong and let Max walk free? No,' he shook his head. 'I think we all get to decide what good and bad and right and wrong mean to us, not what we're told to accept. You did nothing wrong. Don't beat yourself up for other people's mistakes.' She turned to him, her stomach clenching. But that doesn't matter now. Max has won.' 'He only wins if you let him.' 'What can I do about it?' she asked. 'From listening to your podcast, sounds to me like there's not much you can't do.' 'I haven't found Jamie.' She picked at her nails. "And now people think he's not really missing, that I made it all up. That I'm a liar and I'm bad and -' 'Do you care?' Charlie asked. 'Do you care what people think, if you know you're right?' She paused, her answer sliding back down her throat. Why did she care? She was about to say she didn't care at all, but hadn't that been the feeling in the pit of her stomach all along? The pit that had been growing these last six months. Guilt about what she did last time, about her dog dying, about not being good, about putting her family in danger, and every day reading the disappointment in her mum's eyes. Feeling bad about the secrets she was keeping to protect Cara and Naomi. She was a liar, that part was true. And worse, to make herself feel better about it all, she'd said it wasn't really her and she'd never be that person again. That she was different now... good. That she'd almost lost herself last time and it wouldn't happen again. But that wasn't it, was it? She hadn't almost lost herself, maybe she'd actually been meeting herself for the very first time. And she was tired of feeling guilty about it. Tired of feeling shame about who she was. She bet Max Hastings had never felt ashamed a day in his life. 'You're right,' she said. And as she straightened up, untwisted, she realized that the pit in her stomach, the one that had been swallowing her from inside out, it was starting to go, Filling in until it was hardly there at all. "Maybe I don't have to be good, or other people's versions of good. And maybe I don't have to be likeable.' She turned to him, her movements quick and light despite her water-heavy clothes. "Fuck likeable You know who's likeable? People like Max Hastings who walk into a courtroom with fake glasses and charm their way out. I don't want to be like that." 'So don't, Charlie said. 'And don't give up because of him. Someone's life might depend on you. And I know you can find him, find Jamie. He turned a smile to her. "Other people might not believe in you but, for what it's worth, your neighbour from four doors down does.
Holly Jackson (Good Girl, Bad Blood (A Good Girl's Guide to Murder, #2))
After watching Vaughn and Judd dump the body and cover it with lye, I followed Cooper back to the cabin. “How are things going with Winnie?” he asked as we waited for the others to finish. “Good. We’re moving into one of the houses I’ve remodeled. I’m planning to propose too.” “Did you ask Tad for permission?” Frowning, I shook my head. “Give the guy a break. You show up, bang his daughter, steal her away, and don’t even fake like his opinion matters. You’re lucky he doesn’t beat you with a stick just for the hell of it.” My frown darkened then I remembered Cooper was having a baby girl soon. “I’ll ask Tad before I propose.
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
My bout with the Marquis was much like the others. Even more than usual I was hopelessly outclassed, but I stuck grimly to my place, refusing to back up, and took hit after hit, though my parrying was steadily improving. Of course I lost, but at least it wasn’t so easy a loss as I’d had when I first began to attend practice--and he didn’t insult me with obvious handicaps, such as never allowing his point to hit me. Bran and Savona finished a moment later, and Bran was just suggesting we exchange partners when the bells for third-gold rang, causing a general outcry. Some would stay, but most, I realized, were retreating to their various domiciles to bathe and dress for open Court. I turned away--and found Shevraeth beside me. “You’ve never sampled the delights of Petitioners’ Court,” he said. I thought of the Throne Room again, this time with Galdran there on the goldenwood throne, and the long lines of witnesses. I repressed a shiver. Some of my sudden tension must have exhibited itself in my countenance because he said, “It is no longer an opportunity for a single individual to practice summary justice such as you experienced on your single visit.” “I’m certain you don’t just sit around happily and play cards,” I muttered, looking down at the toes of my boots as we walked. “Sometimes we do, when there are no petitioners. Or we listen to music. But when there is business, we listen to the petitioners, accept whatever they offer in the way of proof, and promise a decision at a later date. That’s for the first two greens. The last is spent in discussing impressions of the evidence at hand; sometimes agreement is reached, and sometimes we decide that further investigation is required before a decision can be made.” This surprised me so much I looked up at him. There was no amusement, no mockery, no threat in the gray eyes. Just a slight question. I said, “You listen to the opinions of whoever comes to Court?” “Of course,” he said. “It means they want to be a part of government, even if their part is to be merely ornamental.” I remembered that dinner when Nee first brought up Elenet’s name, and how Shevraeth had lamented how most of those who wished to give him advice had the least amount worth hearing. “Why should I be there?” I asked. “I remember what you said about worthless advisers.” “Do you think any opinion you would have to offer would be worthless?” he countered. “It doesn’t matter what I think of my opinion,” I retorted, and then caught myself. “I mean to say, it is not me making the decisions.” “So what you seem to be implying is that I think your opinion worthless.” “Well, don’t you?” He sighed. “When have I said so?” “At the inn in Lumm, last year. And before that. About our letter to Galdran, and my opinion of courtiers.” “It wasn’t your opinion I pointed up, it was your ignorance,” he said. “You seem to have made truly admirable efforts to overcome that handicap. Why not share what you’ve learned?” I shrugged, then said, “Why don’t you have Elenet there?”--and hated myself for about as stupid a bit of pettiness as I’d ever uttered. But he took the words at face value. “An excellent suggestion, and one I acted on immediately after she arrived at Athanarel. She’s contributed some very fine insights. She’s another, by the way, who took her own education in hand. Three years ago about all she knew was how to paint fans.” I had talked myself into a corner, I realized--all through my own efforts. So I said, “All right, then. I’ll go get Mora to dig out that Court dress I ordered and be there to blister you all with my brilliance.” He bowed, lifted his gray-gloved hand in a casual salute, and walked off toward the Royal Wing. I retreated in quick order to get ready for the ordeal ahead.
Sherwood Smith (Court Duel (Crown & Court, #2))
Leslie, it doesn’t matter how other people feel about your spouse! Don’t you see? You chose him, you had to live with him, he was your package to adore or be fed up with! Once you made your choice, I didn’t have a right to an opinion.
Robyn Carr (Hidden Summit (Virgin River, #15))
You don't have to concern yourself with other people's points of view. Once you can see that nothing others say or do is about you, it doesn't matter who gossips about you, who blames you, who rejects you, who disagree with your point of view. All the gossip doesn't affect you. You don't even bother to defend your point of view. You let the dogs bark, and surely they will bark, and bark, and bark. So what? Whatever people say doesn't affect you because you are immune to their opinions and their emotional poison.
Janet Mills
You’ve probably experienced the phenomenon when someone close to you (maybe your spouse, child, parent, friend, etc.) revealed something that you didn’t know when the two of you were talking to someone else. You might have even said, “I didn’t know that!” This likely occurred because the other person was listening differently than you previously had. Maybe that person showed more interest, asked the right questions, was less judging, or was less apt to interrupt. Think of how you, yourself, might tell different people different things. It doesn’t necessarily have to do with the type of relationship you have with them or degree of closeness. You might have once told a stranger something you hadn’t told anyone else. What you tell, and how much you tell, depends on how you perceive the listener at that moment. And if someone is listening superficially, listening to find fault, or only listening to jump in with an opinion, then you’re unlikely to make any kind of meaningful disclosure and vice versa.
Kate Murphy (You're Not Listening: What You're Missing and Why It Matters)
You find something that works for you. It doesn’t matter what it looks like to everyone else.
Melanie A. Smith (Bad Boys Don't Make Good Boyfriends (Life Lessons #2))
I can totally understand why someone in Paris or London or Berlin might not like the president; I don't like the president, either. But don't those people read the newspaper? It's not like Bush ran unopposed. Over 57 million people voted against him. Moreover, half of this country doesn't vote at all; they just happen to live here. So if someone hates the entire concept of America—or even if someone likes the concept of America—based solely on his or her disapproval (or support) of some specific US policy, that person doesn't know much about how the world works. It would be no different that someone in Idaho hating all of Brazil, simply because their girlfriend slept with some dude who happened to speak Portuguese. In the days following the election, I kept seeing links to websites like www(dot)sorryeverybody(dot)com, which offered a photo of a bearded idiot holding up a piece of paper that apologized to the rest of the planet for the election of George W. Bush. I realize the person who designed this website was probably doing so to be clever, and I suspect his motivations were either (a) mostly good or (b) mostly self-serving. But all I could think when I saw it was, This is so pathetic. It's like this guy on this website is actually afraid some anonymous stranger in Tokyo might not unconditionally love him (and for reasons that have nothing to do with either of them)...now I am not saying that I'm somehow happy when people in other countries blindly dislike America. It's just that I'm not happy if they love us, either. I don't think it matters. The kind of European who hates the United States in totality is exactly like the kind of American who hates Europe in totality; both people are unsophisticated, and their opinions aren't valid. But our society will never get over this fear; there will always be people in this country who are devastated by the premise of foreigners hating Americans in a macro sense. And I'm starting to think that's because too many Americans are dangerously obsessed with being liked.
Chuck Klosterman (Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas)
parents may have told you that you are stupid, or they made you feel in some way that your opinion doesn't matter from a very young age. You have been told explicitly or implicitly that your natural impulses and true desires are not acceptable. The process of learning to trust yourself means that you find a place within you that knows what is true for you. This again requires taking time to be alone. And to reflect on your truth.
Julia Lang (Codependency Recovery Plan: How to Stop Being Controlled and Controlling Others, Start Healing From Emotional Abuse as You Learn to Cure Codependent Behavior and Build Happy, Healthy Relationships)
Take your time,” Harry responded. “Boy, I’m going to enjoy this,” he chuckled, rubbing his hands together. “It seems like every other time I’ve tried to talk about the Jews to someone he’s either been a person who instinctively hates them and is willing to believe anything bad about them without question, or he’s been one of those soulless bastards without a center, one of those… those,” he sputtered for a second, trying to think of the right words. “You know, one of those Mr. Everyman types, who’s never read a book that wasn’t on the New York Times list of best sellers and never had an opinion that wasn’t approved by all three TV networks. I’m sure you’ve met plenty of them yourself there are a hundred million of ‘em out there. They know that people who don’t like Jews are frowned on by all of their favorite talk-show hosts, and so they are absolutely determined not to believe anything bad about Jews. It doesn’t matter how much proof you show them.
Andrew MacDonald (Hunter)
White privilege--the idea that whiteness, for white Americans, provides an imperishable benefit of the doubt and a flexible and perpetually renewable get-out-of-jail-free card-- is often dismissed by critics and even spoken of by believers in it as an abstract and academic term with no basis of reality. But it doesn't exist without the cultural, social, political, and legal reinforcement that white people's feelings, thoughts, desires, and opinions matter more than the feelings, thoughts, desires, and opinions of non-white people (black people, specifically). It's not so much that blacks are thought to be subhuman--although that belief festers too. It's that the humanity of whites is the only humanity that matters. Their humanity is the standard all other humanities are judged by. This ceaseless homage toward whiteness also affects how physical pain and discomfort are assessed and treated. (p. 243)
Damon Young (What Doesn't Kill You Makes You Blacker: A Memoir in Essays)
Do not try to dress for the other women who will verbally and otherwise judge your appearance. Their opinion doesn’t matter.
Gary Yarbrough (Wisdom For A Woman)
Making a frustrated noise, Ryan tapped James’s neck, another silent order to look at him, and James did. Ryan said, “You know I hate that Arthur is pressuring you into this—it’s none of his business when and who you marry—but you sure as hell don’t need my approval, either. You shouldn’t give a shit about it as long as you want her. Arthur ’s opinion doesn’t matter, but neither does mine, you tosser.” “Of course your opinion matters,” James said with a laugh. “It would be awkward if you hate her, because you’ll be around all the time.” He hated how the last part of the sentence sounded more like a question. Ryan, who knew him better than anyone, didn’t miss it, of course. Ryan’s eyes narrowed. Shit. Sloppy. He was getting sloppy. “Jamie—” “Here you two are!” a familiar voice interrupted whatever Ryan was going to say. Partly relieved, partly annoyed by the interruption— intrusion, his inner voice couldn’t help but whisper—James turned to Ryan’s girlfriend. Ryan let go of his neck. Hannah was smiling as she took the seat on the other side of Ryan. She really was a lovely girl: blond, pale and pretty serene—not the type Ryan usually went for. “Hey, babe,” she said, leaning in to kiss the corner of Ryan’s mouth. “Miss me?” “I dropped you off half an hour ago,” Ryan said, but he was pulling her close to kiss her properly. It was a public place, but that never stopped Ryan. James wrapped his hands around his cup of tea and stared down at the dark surface of the liquid.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
I want what I see when my parents look at each other. I want a man who will stand by me, no matter what, who will never let me down. A man who keeps his promises and honours his wife and family, a man who is proud of me for having opinions, even if he doesn’t always agree with them and never tries to silence me. I want a man who will discuss instead of arguing, who will seek my counsel before deciding on things that affect our family, who will allow me to make decisions for myself instead of telling me what I must do. Someone who will love me for who I am, the good and the bad, not just the pretty face I must present to society and the fat purse marrying me will give him. That is what I want.
Emma V. Leech (Dare It All for Love (Daring Daughters, #5))
don’t ever let other people define you. Their opinion doesn’t matter.
Rebecca Ley (For When I'm Gone)
the Nines’ need to avoid conflict at all costs. Nines fear that expressing their preferences or asserting their agenda will put important relationships at risk and upset the calm surface of their inner sea. What if their priorities and wants compete with the agenda of someone they care about and this difference leads to conflict and relational disconnection? What if asserting their own opinions, needs and desires creates disharmony between them and the people they love? Nines so value feeling comfortable and tranquil, maintaining the status quo, and preserving connections with others that they set aside their own viewpoints and aspirations to merge with those of others. This doesn’t seem like a big deal for Peacemakers, who often grew up feeling like neither their presence nor priorities matter much to others.
Ian Morgan Cron (The Road Back to You: An Enneagram Journey to Self-Discovery)
As long as it doesn’t harm anyone, change your opinions now and then and be unashamedly contradictory. You have that right; it doesn’t matter what other people think, because they’re going to think something anyway.
Paulo Coelho (Like the Flowing River)
You are not just the sum of your success, subtracted by your failures. Your worth is not just an equation of how much you can offer to the world. Your value does not just come from what you give, say, or do; there is more to you than just output. The sun doesn’t have to run laps around the horizon, the days do not have to pass to purchase your worth, you are not worth it in some future plane. You are not worthy only in the innocence of your past because it is not what you have done or do that makes you worthy. Your worth does not come just by your doing, it comes through the perfect God who created you. Stop calculating your worth with finite numbers when you were created by an infinite God who brought you to life with an everlasting spirit of light. Stop dividing who you are by the denominator of other people’s opinions. Remember, infinity divided by any number is still infinite. Remember forever cannot be reduced no matter how much you subtract. Remember you are not currency to fall and rise in value.
A. Helwa (Secrets of Divine Love: A Spiritual Journey into the Heart of Islam (Inspirational Islamic Books Book 2))
99 percent of the world's warzones are the legacy of white, western imperialism. Until you get your head around this simple fact, your views, your opinion, your advocacy, all are worthless to the peace struggles of these "westsploited" nations. In the modern age no other country has wrecked more nations than America. Like father, like son - first it was England, then it's its rebellious runaway child America. That's why China is such an enemy in the westwashed narrative of the world - because when one nation has somewhat maintained an autocratic control over the planet since the 1800s (under the banner of "Manifest Destiny"), it would never want that control be undermined by another budding power - particularly when that power is far superior in infrastructure. Sure, the state of China tries to influence every move of its people, that's the first unwritten rule in the handbook of "democracy" - but Uncle Sam has been manipulating the moves of every single state for over two hundred years. Now tell me, which state should you be more cautious of? No country is free from human rights violation, but America's share in global transgressions is right at the very top. America is the top exporter of humanitarian crisis in the world, and as such, US is the least qualified nation to be the moral guardian on anything. It doesn't matter whether you are white, colored or martian - denial never solves nothing. To treat a disease we must first acknowledge the disease. And what is the disease? Is it white people - is it whiteness? No - whiteness is not the disease, but white imperialism is. And how do you treat this disease? You gotta strip yourself of all the privileges of skin, and make yourself one with the world - you gotta denounce the privilege of your whiteness and embrace the responsibility of your humanness. Only then, shall there be peace in the world - only then, shall there be integration - only then, shall there be a civilized world to begin with.
Abhijit Naskar (Tum Dunya Tek Millet: Greatest Country on Earth is Earth)
Your opinion doesn't make you money! Look at you sell to...it's not you! It's others. Let their opinion matter the most.
Kyle Draper (Rethink Everything: You “Know" About Social Media)
Does What I Think Really Matter? Ronnie Littleton Pause for just a moment and try to not think. Keep trying. It appears to be impossible to stop thinking, doesn’t it? Thinking is a necessary and unavoidable part of life. Not only that, our thoughts actually shape who we are, what we believe, what we do, and how we treat others. If our thoughts are this powerful, it seems obvious that we should avoid incorrect thoughts, for incorrect thoughts will lead to problems as we make decisions and form opinions based on bad information. On the other hand, correct thoughts will lead to good outcomes. This is why the Apostle Paul commands believers to transform their thinking (Rm 12:2). George Washington, our first president, became ill in 1799. One of the treatments prescribed for his illness was bloodletting—cutting open a vein to allow a specific amount of blood to flow out. Bloodletting was a fairly common practice at the time. It was believed that bad blood was the cause of fever, and that by letting some out, the fever would be relieved. We now know that this was not just incorrect thinking, it was dangerous. A wrong belief led to a wrong practice that may have actually hastened Washington’s death. The treatment was intended to heal, but was actually harmful. The physician who treated Washington had a good motive for his actions, and no doubt his course of treatment would have been supported by his medical colleagues; good motives and consensus of opinion, however, cannot make up for bad ideas. Since our ideas, opinions, and feelings have a big impact on what we do, and since they may be mistaken even if they match what everyone around us believes, where can we turn to know for certain what is right? One thing we can do is train ourselves to think logically. Logic is the study of reasoning principles—in other words, how we make valid inferences. In many cases it allows us to identify where our thinking has gone wrong and where we have bought into beliefs that are false. Nothing that is true can be illogical, so the use of logic is a filter for untruth. Logic and truth are not the same things, however. Think of logic as the plastic container that holds the milk in your refrigerator. The milk represents truth (a belief that corresponds to reality). If the plastic jug is full of holes, it could never hold the milk. On the other hand, if the container is sound, it will hold the milk. Now, just because the milk jug is valid does not necessarily mean that it has any milk in it, or that the milk is okay to drink. In a similar way, you can be a very logical person and yet miss the truth because of biases or inadequate information. In such cases, your wrong ideas may lead to bad consequences, such as wrong beliefs about God. Thus, we must always think logically and consult the sure source of ultimate truth: the Bible. Since what you think matters now and forever, you cannot afford to do otherwise.
Sean McDowell (Apologetics Study Bible for Students)
The most visible feature of self-oriented perfectionism is this hypercompetitive streak fused to a sense of never being good enough. Hypercompetitiveness reflects a paradox because people high in self-oriented perfectionism can recoil from competition due to fear of failure and fear of losing other people's approval. Socially-prescribed perfectionism makes for a hugely pressured life, spent at the whim of everyone else's opinions, trying desperately to be somebody else, somebody perfect. Perfectionism lurks beneath the surface of mental distress. Someone who scores high on perfectionism also scores high on anxiety. The ill-effects of self-oriented perfectionism correlate with anxiety and it predicts increases in depression over time. There are links between other-oriented perfectionism and higher vindictiveness, a grandiose desire for admiration and hostility toward others, as well as lower altruism, compliance with social norms and trust. People with high levels of socially-prescribed perfectionism typically report elevated loneliness, worry about the future, need for approval, poor-quality relationships, rumination and brooding, fears of revealing imperfections to others, self-harm, worse physical health, lower life satisfaction and chronically low self-esteem. Perfectionism makes people extremely insecure, self-conscious and vulnerable to even the smallest hassles. Perfection is man's ultimate illusion. It simply doesn't exist in the universe. If you are a perfectionist, you are guaranteed to be a loser in whatever you do. Socially-prescribed perfectionism has an astonishingly strong link with burnout. What I don't have - or how perfectionism grows in the soil of our manufactured discontent. No matter what the advertisement says, you will go on with your imperfect existence whether you make that purchase or not. And that existence is - can only ever be - enough. Make a promise to be kind to yourself, taking ownership of your imperfections, recognizing your shared humanity and understanding that no matter how hard your culture works to teach you otherwise, no one is perfect and everyone has an imperfect life. Socially-prescribed perfectionism is the emblem of consumer culture. Research shows that roaming outside, especially in new places, contributes to enhanced well-being. Other benefits of getting out there in nature include improved attention, lower stress, better mood, reduced risk of psychiatric disorders and even upticks in empathy and cooperation. Perfection is not necessary to live an active and fulfilling life.
Thomas Curran (The Perfection Trap: Embracing the Power of Good Enough)
He looked at his mother. He did not want to hear what she thought of this; he knew that his only chance to decide was to make the decision before he heard her; she had stopped, looking at him, ready to turn and leave the room; he knew it was not a pose—she would leave if he wished it; he wanted her to go; he wanted it desperately. He said: “Why, Mother, how can you say that? Of course I want your opinion. What ... what do you think?” She ignored the raw irritation in his voice. She smiled. “Petey, I never think anything. It’s up to you. It’s always been up to you.” “Well ...” he began hesitantly, watching her, “if I go to the Beaux-Arts ...” “Fine,” said Mrs. Keating, “go to the Beaux-Arts. It’s a grand place. A whole ocean away from your home. Of course, if you go, Mr. Francon will take somebody else. People will talk about that. Everybody knows that Mr. Francon picks out the best boy from Stanton every year for his office. I wonder how it’ll look if some other boy gets the job? But I guess that doesn’t matter.” “What ... what will people say?” “Nothing much, I guess. Only that the other boy was the best man of his class. I guess he’ll take Shlinker.” “No!” he gulped furiously. “Not Shlinker!” “Yes,” she said sweetly. “Shlinker.” “But...” “But why should you care what people will say? All you have to do is please yourself.” “And you think that Francon ...” “Why should I think of Mr. Francon? It’s nothing to me.” “Mother, you want me to take the job with Francon?” “I don’t want anything, Petey. You’re the boss.” He wondered whether he really liked his mother. But she was his mother and this fact was recognized by everybody as meaning automatically that he loved her, and so he took for granted that whatever he felt for her was love. He did not know whether there was any reason why he should respect her judgment. She was his mother; this was supposed to take the place of reasons.
Ayn Rand (The Fountainhead)
I realize now that worrying about what others think of me doesn’t matter and shouldn’t have been so concerned about others' opinions. I am now at the point in my life, where if you are black, white, gay, straight, or somewhere in between, I don’t care…unless you are a fucking asshole and then go fuck yourself.
Michael J. Mantsourani (Life is Staged: A Memoir on Finding Myself in High School Theater)
He's gotten into your head, too. Richard. You're a part of his insanity now.” I shook my head. “The plan was my idea. My uncle wouldn't go along with it, so he put me in touch with Richard. Richard said he didn't have an opinion on way or the other, he just said he didn't see a problem with a man taking his own vengeance.” Now it was her turn to shake her head. “Two men who've both seen terrible things in their lives, and they let a young man, with his whole future ahead of him, throw away any chance at a normal life, and you don't think you're being manipulated?” I was taken aback by this. “I can't imagine my uncle would let me get manipulated by someone like Richard. It doesn't make sense.” She leaned in to me now, only inches away. Her stare was shocking, piercing in its intensity. “Richard has made a pact with Death. He sold his soul, and to keep the Grim Reaper from collecting on the deal, Richard keeps feeding people into the mouth of Hell. It doesn't matter if he pulls the trigger, if you do it for him, or even if it's you who dies. Everyone who comes into contact with him gets sucked into oblivion. You, your uncle, everyone.” There was the beginning of a laugh in me, but it died when I realized she wasn't kidding. “Sold his soul?” I said. “You can't really mean that. No one makes a pact with Death. That doesn't even make sense.” She sat back. “There are certain men, certain violent men, who live through the blood and the death all around them, surviving when they should’ve died a hundred times. These men have made a deal, a pact, with Death. In exchange for their lives, they must offer up lives in return. It is an old magic. A dark magic, a warrior's magic. That is the magic of blood and murder, and Richard has practiced it all his life. He’s a sorcerer. A vampire. He may never die, he has seen and caused so much death.” She was breathing hard now, her eyes wild. For no reason I could fathom, the skin at the back of my neck and along my arms prickled, the hairs standing on end. An idea came to me. “The brotherhood,” I said.
Jack Badelaire (Killer Instincts)
In a letter written to the play's director, Peter Wood, on 30th March 1958, just before the start of rehearsals, Pinter rightly refused to add extra lines explaining or justifying Stanley's motives in withdrawing from the world into a dingy seaside boarding-house: 'Stanley cannot perceive his only valid justification - which is he is what he is - therefore he certainly can never be articulate about it.' But Pinter came much closer than he usually does to offering an explanation of the finished work: We've agreed: the hierarchy, the Establishment, the arbiters, the socio- religious monsters arrive to affect censure and alteration upon a member of the club who has discarded responsibility (that word again) towards himself and others. (What is your opinion, by the way, of the act of suicide?) He does possess, however, for my money, a certain fibre - he fights for his life. It doesn't last long, this fight. His core being a quagmire of delusion, his mind a tenuous fuse box, he collapses under the weight of their accusation - an accusation compounded of the shit- stained strictures of centuries of 'tradition'. This gets us right to the heart of the matter. It is not simply a play about a pathetic victim brainwashed into social conformity. It is a play about the need to resist, with the utmost vigour, dead ideas and the inherited weight of the past. And if you examine the text, you notice how Pinter has toughened up the original image of the man in the Eastbourne digs with 'nowhere to go'. Pinter's Stanley Webber - a palpably Jewish name, incidentally - is a man who shores up his precarious sense of self through fantasy, bluff, violence and his own manipulative form of power-play. His treatment of Meg initially is rough, playful, teasing: he's an ersatz, scarpegrace Oedipus to her boardinghouse Jocasta. But once she makes the fateful, mood-changing revelation - 'I've got to get things in for the two gentlemen' - he's as dangerous as a cornered animal. He affects a wanton grandeur with his talk of a European concert tour. He projects his own fear on to Meg by terrorising her with stories of nameless men coming to abduct her in a van. In his first solo encounter with McCann, he tries to win him over by appealing to a shared past (Maidenhead, Fuller's tea shop, Boots library) and a borrowed patriotism ('I know Ireland very well. I've many friends there. I love that country and I admire and trust its people... I think their policemen are wonderful'). At the start of the interrogation he resists Goldberg's injunction to sit down and at the end of it he knees him in the stomach. And in the panic of the party, he attempts to strangle Meg and rape Lulu. These are hardly the actions of a supine victim. Even though Stanley is finally carried off shaven, besuited, white-collared and ostensibly tamed, the spirit of resistance is never finally quelled. When asked how he regards the prospect of being able to 'make or break' in the integrated outer world, he does not stay limply silent, but produces the most terrifying noises.
Michael Billington (Harold Pinter)
I’m not belittling the trauma we hold from our childhoods. It’s so incredibly harmful to walk through trauma, particularly at a time in life when we’re so malleable to other people’s opinions. But here’s the deal. High school’s over. Junior high was a long time ago. You are not a little girl anymore, and you cannot keep living your life with a seventh grader’s mentality, no matter how painful seventh grade was. You have to decide right now that you’re going to take hold of your life, and you are going to let all of that other crap fall away because it doesn’t matter. Because whoever said the thing to you, your mom or your sister or the mean girl or the mean boy in high school or whoever it was, they don’t get an opinion on your life. They’re not in the ring. They’re not in the game. They’re not the one taking the punches. That’s you.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
1/4/1/1 Why the 1/4/1/1 structure works so well is because now your single-sentence conclusion packs two punches instead of one. Here’s how it works: This first sentence is your opener. This second sentence clarifies your opener. This third sentence reinforces the point you’re making with some sort of credibility or amplified description. This fourth sentence rounds out your argument. And this fifth sentence speaks to the emotional benefit of the reader. This sixth sentence is your conclusion. And this seventh sentence is why that conclusion matters so much. If you notice, the only difference between the 1/3/1 structure and 1/4/1/1 is rhythm. One more sentence doesn’t really change the content of the introduction. But the way the sentences are separated elicits a different response in the reader. The 1/3/1 structure feels strong, but 1/4/1/1 feels stronger, and even more opinionated—there are two punchlines instead of one. In fact, just by moving a single sentence up or down in any of these paragraphs can dramatically change the rhythm of your introduction. Here’s an example of the 1/4/1/1 structure from my article, “6 Important Life Lessons You Can Only Learn Through Failure.” Nobody learns the hard lessons in life without some element of failure. When we let someone down, we learn why. When we fall short of our own expectations, we become aware of our growth edge. When we crumble under pressure, we become attuned to our weaknesses. There is a “lesson” inside each and every defeat — and those who ultimately reach their goals see these moments as valuable opportunities, not punishments. Unfortunately, that doesn’t make the learning process any less painful. There are some lessons in life you just can’t learn without falling down, scraping both knees, and getting back up again. Like the other structures above, you can elongate your introduction by adding a bit more text in the first major paragraph. 1/5/1/1 works, and so does 1/6/1/1. But once you start getting up into 1/7/1/1, you’re asking a bit much of your reader—meaning they’re less likely to make it through your introduction.
Nicolas Cole (The Art and Business of Online Writing: How to Beat the Game of Capturing and Keeping Attention)