Othello Shakespeare Quotes

For she had eyes and chose me.

Men in rage strike those that wish them best.

O, beware, my lord, of jealousy; It is the green-ey'd monster, which doth mock The meat it feeds on. That cuckold lives in bliss, Who, certain of his fate, loves not his wronger: But O, what damnèd minutes tells he o'er Who dotes, yet doubts, suspects, yet strongly loves!

The robb'd that smiles, steals something from the thief; He robs himself that spends a bootless grief.

Reputation is an idle and most false imposition, oft got without merit and lost without deserving. You have lost no reputation at all unless you repute yourself such a loser.

But I will wear my heart upon my sleeve For daws to peck at: I am not what I am.

I would not put a thief in my mouth to steal my brains.

She loved me for the dangers I had passed, And I loved her that she did pity them. This only is the witchcraft I have used.

Men should be what they seem.

How poor are they that have not patience! What wound did ever heal but by degrees? Iago

Good name in man and woman, dear my lord, Is the immediate jewel of their souls: Who steals my purse steals trash; ’tis something, nothing; ’twas mine, ’tis his, and has been slave to thousands; But he that filches from me my good name Robs me of that which not enriches him, And makes me poor indeed.

Excellent wretch! Perdition catch my soul But I do love thee! and when I love thee not, Chaos is come again.

I kissed thee ere I killed thee. No way but this, Killing myself, to die upon a kiss.

It is silliness to live when to live is torment, and then have we a prescription to die when death is our physician.

Rude am I in my speech, And little blessed with the soft phrase of peace.

I hold my peace, sir? no; No, I will speak as liberal as the north; Let heaven and men and devils, let them all, All, all, cry shame against me, yet I'll speak.

Thou weigh'st thy words before thou givest them breath.

And his unkindness may defeat my life, But never taint my love.

If after every tempest come such calms, May the winds blow till they have waken'd death!

I understand a fury in your words But not your words.

So will I turn her virtue into pitch, And out of her own goodness make the net That shall enmesh them all.

Trifles light as air are to the jealous confirmations strong as proofs of holy writ.

And what’s he then that says I play the villain?

what cannot be saved when fate takes, patience her injury a mockery makes

Suppose, for instance, that men were only represented in literature as the lovers of women, and were never the friends of men, soldiers, thinkers, dreamers; how few parts in the plays of Shakespeare could be allotted to them; how literature would suffer! We might perhaps have most of Othello; and a good deal of Antony; but no Caesar, no Brutus, no Hamlet, no Lear, no Jaques--literature would be incredibly impoverished, as indeed literature is impoverished beyond our counting by the doors that have been shut upon women.

O God, that men should put an enemy in their mouths to steal away their brains!" - Cassio (Act II, Scene iii)

Virtue? A fig! 'Tis in ourselves that we are thus or thus.

She gave me for my pains a world of sighs.

Drown thyself? Drown cats and blind puppies.

This look of thine will hurl my soul from heaven.

Tis in ourselves that we are thus or thus. Our bodies are our gardens, to the which our wills are gardeners: so that if we will plant nettles, or sow lettuce, set hyssop and weed up thyme, supply it with one gender of herbs, or distract it with many, either to have it sterile with idleness, or manured with industry, why, the power and corrigible authority of this lies in our wills. If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness of our natures would conduct us to most preposterous conclusions: but we have reason to cool our raging motions, our carnal stings, our unbitted lusts, whereof I take this that you call love to be a sect or scion.

When devils will the blackest sins put on They do suggest at first with heavenly shows

I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am; nothing extenuate, Nor set down aught in malice. Then must you speak Of one that loved not wisely but too well; Of one not easily jealous, but being wrought, Perplexed in the extreme. . .

I am one, sir, that comes to tell you your daughter and the Moor are now making the beast with two backs.

Reputation, reputation, reputation! Oh, I have lost my reputation! I have lost the immortal part of myself, and what remains is bestial.

Were I the Moor I would not be Iago. In following him I follow but myself; Heaven is my judge, not I for love and duty, But seeming so for my peculiar end. For when my outward action doth demonstrate The native act and figure of my heart In compliment extern, ’tis not long after But I will wear my heart upon my sleeve For daws to peck at. I am not what I am

You are a villain!" Iago: "You are a senator!

But jealous souls will not be answered so. They are not ever jealous for the cause, But jealous for they’re jealous. It is a monster Begot upon itself, born on itself.

They met so near with their lips that their breaths embraced together.

They are all but stomachs, and we all but food. To eat us hungerly, and when they are full, They belch us.

Come, be a man. Drown thyself? Drown cats and blind puppies!

It is the very error of the moon. She comes more nearer earth than she was wont. And makes men mad.

Poor and content is rich, and rich enough; But riches fineless is as poor as winter To him that ever fears he shall be poor;– Good heaven, the souls of all my tribe defend From jealousy!

So sweet was ne'er so fatal. I must weep. But they are creul tears. This sorrow's heavenly; it strikes where it doth love.

willow trees, willow trees they remind me of Desdemona I'm so damned literary and at the same time the waters rushing past remind me of nothing

Look to her, Moor, if thou has eyes to see. She has deceived her father, and may thee.

To be now a sensible man, by and by a fool, and presently a beast!

CASSIO: Dost thou hear, my honest friend? CLOWN: No, I hear not your honest friend, I hear you. CASSIO: Prithee, keep up thy quillets.

When remedies are past, the griefs are ended By seeing the worst, which late on hopes depended. To mourn a mischief that is past and gone Is the next way to draw new mischief on. What cannot be preserved when fortune takes, Patience her injury a mockery makes. The robb'd that smiles steals something for the thief; He robs himself that spends a bootless grief.

Speak of me as I am; nothing extenuate, Nor set down aught in malice: then must you speak Of one that loved not wisely but too well; Of one not easily jealous, but being wrought

Then must you speak Of one that loved not wisely but too well, Of one not easily jealous but, being wrought, Perplexed in the extreme; of one whose hand, Like the base Indian, threw a pearl away Richer than all his tribe; of one whose subdued eyes, Albeit unused to the melting mood, Drop tears as fast as the Arabian trees Their medicinable gum. Set you down this, And say besides that in Aleppo once, Where a malignant and a turbaned Turk Beat a Venetian and traduced the state, I took by th' throat the circumcised dog And smote him thus.

Goats and monkies!

Put money in thy purse.

Demand me nothing: what you know, you know.

When devils do the worst sins, they first put on the pretense of goodness and innocence, as I am doing now.

I never yet did hear, That the bruis'd heart was pierced through the ear

Hell and night Must bring this monstrous birth to the world's light.

Heaven is my judge, not I for love and duty, but seeming so, for my peculiar end: for when my outward action doth demonstrate the native act and figure of my heart in compliment extern, 'tis not long after but I will wear my heart upon my sleeve for daws to peck at: I am not what I am.

I can again thy former light restore, Should I repent me: but once put out thy light, Thou cunning'st pattern of excelling nature, I know not where is that Promethean heat That can thy light relume.

Have not we affections and desires for sport, and frailty, as men have?

To be poor but content is actually to be quite rich. But you can have endless riches and still be as poor as anyone if you are always afraid of losing your riches.

As I am an honest man, I thought you had received some bodily wound. There is more sense in that than in reputation. Reputation is an idle and most false imposition, oft got without merit and lost without deserving.

There are many events in the womb of time which will be delivered.

Mere prattle without practice

There is magic in the web" Shakespeare (Othello, Act 3, Scene 4)

Assure thee, if I do vow a friendship, I'll perform it to the last article." --Othello, Act III, Scene iii

Her stare fixed me. Without rancour and without regret; without triumph and without evil; as Desdemona once looked back on Venice. On the incomprehension, the baffled rage of Venice. I had taken myself to be in some way the traitor Iago punished, in an unwritten sixth act. Chained in hell. But I was also Venice; the state left behind; the thing journeyed from.

But jealous souls will not be answered so. They are not ever jealous for the cause, But jealous for they're jealous. It is a monster Begot upon itself, born on itself.

No, my heart is turn'd to stone: I strike it, and it hurts my hand.

I know a lady in Venice would have walked barefoot to Palestine for a touch of his nether lip.

Tis not a year or two shows us a man. They are all but stomachs, and we all but food; They eat us hungerly, and when they are full, They belch us.

For when my outward action doth demonstrate The native act and figure of my heart In complement extern 'tis not long after But I will wear my heart upon my sleeve For daws to peck at I am not what I am.

My noble father, I do perceive here a divided duty. To you I am bound for life and education. My life and education both do learn me How to respect you. You are the lord of my duty, I am hitherto your daughter. But here’s my husband, And so much duty as my mother showed To you, preferring you before her father, So much I challenge that I may profess Due to the Moor my lord.

Though in the trade of war I have slain men, Yet do I hold it very stuff o' the conscience To do no contrived murder: I lack iniquity Sometimes to do me service: nine or ten times I had thought to have yerk'd him here under the ribs.

We cannot all be masters, nor all masters Cannot be truly follow’d.

Когато в най-черно дело дяволът ни тласка, той слага си най-ангелската маска.

She that was ever fair and never proud, Had tongue at will and yet was never loud, Never lack'd gold and yet went never gay, Fled from her wish and yet said 'Now I may,' She that being anger'd, her revenge being nigh, Bade her wrong stay and her displeasure fly, She that in wisdom never was so frail To change the cod's head for the salmon's tail; She that could think and ne'er disclose her mind, See suitors following and not look behind, She was a wight, if ever such wight were,-- DESDEMONA: To do what? IAGO: To suckle fools and chronicle small beer.

Why, the wrong is but a wrong i'th'world; and having the world for your labour, 'tis a wrong in your own world, and you might quickly make it a right.

I think the sun where he were born drew all such humours from him.

The Moor is of a free and open nature, That thinks men honest that but seem to be so; And will as tenderly be led by the nose As asses are.

He that is robb'd, not wanting what is stol'n, Let him not know't and he's not robb'd at all.

jealous souls need no evidence. They aren't jealous because of a reason, but merely because they are jealous people. Jealousy is a monster that gives birth to itself.

Do it not with poison. Strangle her in her bed, even the bed she hath contaminated.

if I were the Moor I wouldn't want to be Iago.

Slipping in blood, by his own hand, through pride, Hamlet, Othello, Coriolanus fall. Upon his bed, however, Shakespeare die, Having endured them all.

speak to me as to thy thinking As thou dost ruminate, and give thy worst of thoughts The worst of words...

Had it pleased heaven To try me with affliction; had they rain'd All kinds of sores and shames on my bare head. Steep'd me in poverty to the very lips, Given to captivity me and my utmost hopes, I should have found in some place of my soul A drop of patience: but, alas, to make me A fixed figure for the time of scorn To point his slow unmoving finger at! Yet could I bear that too; well, very well: But there, where I have garner'd up my heart, Where either I must live, or bear no life; The fountain from the which my current runs, Or else dries up; to be discarded thence! Or keep it as a cistern for foul toads To knot and gender in! Turn thy complexion there, Patience, thou young and rose-lipp'd cherubin,-- Ay, there, look grim as hell!

I am glad I have found this napkin. This was her first remembrance from the Moor, My wayward husband hath a hundred times Wooed me to steal it, but she so loves the token— For he conjured her she should ever keep it— That she reserves it evermore about her To kiss and talk to. I’ll ha’ the work ta’en out, And give’t Iago. What he will do with it, Heaven knows, not I. I nothing, but to please his fantasy.

Haply for I am black, And have not those soft parts of conversation That chamberers have; or for I am declined Into the vale of years—yet that’s not much— She’s gone. I am abused, and my relief Must be to loathe her. O curse of marriage, That we can call these delicate creatures ours And not their appetites! I had rather be a toad And live upon the vapor of a dungeon Than keep a corner in the thing I love For others’ uses. Yet ’tis the plague of great ones; Prerogatived are they less than the base. ’Tis destiny unshunnable, like death.

I hope my noble lord esteems me honest. OTHELLO: Oh, ay, as summer flies are in the shambles, That quicken even with blowing. O thou weed, Who art so lovely fair and smell’st so sweet That the sense aches at thee, would thou hadst ne'er been born! DESDEMONA: Alas, what ignorant sin have I committed? OTHELLO: Was this fair paper, this most goodly book, Made to write “whore” upon?

Soft you; a word or two before you go. I have done the state some service, and they know't.— No more of that.—I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am; nothing extenuate, Nor set down aught in malice: then must you speak Of one that loved not wisely, but too well; Of one not easily jealous, but,

My story being done, She gave me for my pains a world of sighs: She swore,––in faith, twas strange, 'twas passing strange; 'Twas pitiful, 'twas wondrous pitiful: She wish'd she had not heard it, yet she wish'd That heaven had made her such a man: she thank'd me, And bade me, if I had a friend that lov'd her, I should but teach him how to tell my story. And that would woo her.

Why, why is this? Think'st thou I'ld make a lie of jealousy, To follow still the changes of the moon With fresh suspicions? No; to be once in doubt Is once to be resolved: exchange me for a goat, When I shall turn the business of my soul To such exsufflicate and blown surmises, Matching thy inference. 'Tis not to make me jealous To say my wife is fair, feeds well, loves company, Is free of speech, sings, plays and dances well; Where virtue is, these are more virtuous: Nor from mine own weak merits will I draw The smallest fear or doubt of her revolt; For she had eyes, and chose me. No, Iago; I'll see before I doubt; when I doubt, prove; And on the proof, there is no more but this,-- Away at once with love or jealousy!

Yet she must die, else she'll betray more men. Put out the light, and then put out the light: If I quench thee, thou flaming minister, I can again thy former light restore, Should I repent me: but once put out thy light, Thou cunning'st pattern of excelling nature, I know not where is that Promethean heat That can thy light relume.

This to hear Would Desdemona seriously incline: But still the house-affairs would draw her thence: Which ever as she could with haste dispatch, She'ld come again, and with a greedy ear Devour up my discourse: which I observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate, Whereof by parcels she had something heard, But not intentively: I did consent, And often did beguile her of her tears, When I did speak of some distressful stroke That my youth suffer'd. My story being done, She gave me for my pains a world of sighs: She swore, in faith, twas strange, 'twas passing strange, 'Twas pitiful, 'twas wondrous pitiful: She wish'd she had not heard it, yet she wish'd That heaven had made her such a man: she thank'd me, And bade me, if I had a friend that loved her, I should but teach him how to tell my story. And that would woo her. Upon this hint I spake: She loved me for the dangers I had pass'd, And I loved her that she did pity them. This only is the witchcraft I have used: Here comes the lady; let her witness it.

Shakespeare will not allow Falstaff to die upon stage. We see and hear the deaths of Hamlet, Cleopatra, Antony, Othello, and Lear. Iago is led away to die silently under torture. Macbeth dies offstage but he goes down fighting. Falstaff dies singing the Twenty-third Psalm, smiling upon his fingertips, playing with flowers, and crying aloud to God three or four times. That sounds more like pain than prayer. We do not want Sir John Falstaff to die. And of course he does not. He is life itself.

It’s cruelty that gets to me. Still, it’s important to read about cruelty. “Why is it important?” Because when you read about it, it’s easier to recognize. That was always the hardest thing in the refugee camps—to hear the stories of the people who had been raped or mutilated or forced to watch a parent or a sister or a child be raped or killed. It’s very hard to come face-to-face with such cruelty. But people can be cruel in lots of ways, some very subtle. I think that’s why we all need to read about it. I think that’s one of the amazing things about Tennessee Williams’s plays. He was so attuned to cruelty—the way Stanley treats Blanche in A Streetcar Named Desire. It starts with asides and looks and put-downs. There are so many great examples from Shakespeare—when Goneril torments King Lear or the way Iago speaks to Othello. And what I love about Dickens is the way he presents all types of cruelty. You need to learn to recognize these things right from the start. Evil almost always starts with small cruelties.

How am I, then, a villain To counsel Cassio to this parallel course, Directly to his good? Divinity of hell! When devils will the blackest sins put on, They do suggest at first with heavenly shows, As I do now: for whiles this honest fool Plies Desdemona to repair his fortune, And she for him pleads strongly to the Moor, I’ll pour this pestilence into his ear,— That she repeals him for her body’s lust; And by how much she strives to do him good, She shall undo her credit with the Moor. So will I turn her virtue into pitch; And out of her own goodness make the net That shall enmesh them all.

I do think it is their husbands’ faults if wives do fall: say that they slack their duties and pour our treasures into foreign laps, or else break out in peevish jealousies, throwing restraint upon us, or say they strike us, or scant our former having in despite. Why, we have galls; and though we have some grace, yet have we some revenge. Let husbands know their wives have sense like them: they see and smell and have their palates both for sweet and sour, as husbands have. What is it that they do when they change us for others? Is it sport? I think it is. And doth affection breed it? I think it doth. Is’t frailty that thus errs? It is so too. And have not we affections, desires for sport, and frailty, as men have? Then let them use us well, else let them know the ills we do their ills instruct us so.

In addition, unlike Othello, whose profession of arms is socially honorable, Shylock is a professional usurer who, like a prostitute, has a social function but is an outcast from the community. But, in the play, he acts unprofessionally; he refuses to charge Antonio interest and insists upon making their legal relation that of debtor and creditor, a relation acknowledged as legal by all societies. Several critics have pointed to analogies between the trial scene and the medieval Processus Belial in which Our Lady defends man against the prosecuting Devil who claims the legal right to man’s soul. […] But the differences between Shylock and Belial are as important as their similarities. The comic Devil of the mystery play can appeal to logic, to the letter of the law, but he cannot appeal to the heart or to the imagination, and Shakespeare allows Shylock to do both. In his "Hath not a Jew eyes…" speech in Act III, Scene I, he is permitted to appeal to the sense of human brotherhood, and in the trial scene, he is allowed to argue, with a sly appeal to the fear a merchant class has of radical social evolution: You have among you many a purchased slave Which like your asses and your dogs and mules, You use in abject and in slavish parts, which points out that those who preach mercy and brotherhood as universal obligations limit them in practice and are prepared to treat certain classes of human beings as things.