Ota Benga Quotes

One researcher, J.P. Gump found that the most profound shame results from the destruction of your subjectivity when "what you need, what you desire, and what you feel are of complete and utter insignificance.

Almost everyone, as almost always at such concerts, was white. It is something I can't help noticing; I notice it each time, and try to see past it. Part of that is a quick, complex series of negotiations: chiding myself for even seeing it, lamenting the reminders of how divided our life still remains, being annoyed that these thoughts can be counted on to pass through my mind at some point in the evening. Most of the people around me yesterday were middle-aged or old. I am used to it, but it never ceases to surprise me how easy it is to leave the hybridity of the city, and enter into all-white spaces, the homogeneity of which, as far as I can tell, causes no discomfort to the whites in them. The only thing odd, to some of them, is seeing me, young and black, in my seat or at the concession stand. At times, standing in line for the bathroom during intermission, I get looks that make me feel like Ota Benga, the Mbuti man who was put on display in the Monkey House at the Bronx Zoo in 1906. I weary of such thoughts, but I am habituated to them. But Mahler's music is not white, or black, not old or young, and whether it is even specifically human, rather than in accord with more universal vibrations, is open to question.

In all, the Exposition featured some ten thousand people. They included two thousand Native Americans, among them the famous Apache chief Geronimo, at the time a federal prisoner of war.

In the most notorious case of humans in zoos, a Mbuti man named Ota Benga who was kidnapped from his home in the Congo Basin and sold into slavery was exhibited in the Bronx Zoo's Monkey House in 1906. He was freed after public outcry and moved to Virginia, where he worked in a tobacco factory and hunted alone in the woods. But he struggled with the intense trauma he had endured and in 1916 shot himself in the heart.

Hornaday and other zoo officials had long been subject to a recurring dream in which a man like Ota Benga played a leading role . . . a trap was being prepared, made of Darwinism, Barnumism, pure and simple racism .