“
In life you have to learn to count the good days. You have to tuck them in your pocket and carry them around with you. So I’m putting today in my pocket and I’m off to bed.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
The more Chaotic I am, the more complete I am.
”
”
Austin Osman Spare
“
For I am I: ergo, the truth of myself; my own sphinx, conflict, chaos, vortex—asymmetric to all rhythms, oblique to all paths. I am the prism between black and white: mine own unison in duality.
”
”
Austin Osman Spare
“
...There are silly, proper tears now. I'll let them fall. If you don't cry sometimes, you'll end up crying all the time.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
I'm afraid I don't know WTF. I only discovered LOL from Joyce last week
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
I know the difference between alone and lonely,
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
I know from experience that grief rides alone.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
I don’t know why we’re on this earth,” says Stephen. “Truly I don’t. But if I wanted to find the answer, I would begin with how much I love you.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
It was the perfect trip, and as far as Stephen was concerned, the whole weekend was one magical accident. And that's because he is the weather, and I am the weather forecaster. He believes in fate, while I am fate.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
I would never have therapy, because who wants to unravel all that knitting? Not wroth the risk, thank you. My daughter, Joanna, has a therapist, although you'd be hard-pressed to know why if you saw the size of her house.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
As he continued to talk to me, I realized one of the fundamental points about Islamism that so many people fail to understand. The way Osman was speaking wasn’t in the orthodox, religious way of the imam with a stick; he was talking about politics, about events that were happening now. That’s crucial to understanding what Islamism is all about: it isn’t a religious movement with political consequences, it is a political movement with religious consequences.
”
”
Maajid Nawaz (Radical: My Journey out of Islamist Extremism)
“
I have been Googling, but there’s not much out there. I got so desperate I even used Bing,
”
”
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
“
I don,t just want success for my self ,I want my success to benefit others .
Osman Gulum
”
”
Osman Gulum (How to start your first business)
“
At least I have discovered that online dating is not for me. You can have too much choice in this world. And when everyone has too much choice, it is also much harder to get chosen. And we all want to be chosen.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Thank you so much for reading The Thursday Mystery Club. Unless you haven’t read it yet and have just turned straight to the acknowledgments, which I accept is a possibility. You must live your life as you choose.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
At one point he brushed my hand and there was electricity, but I think that was the combination of the deep carpet outside the restaurant and my new cardigan.
”
”
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
“
Other than damnation I know no magic to satisfy your wishes; for ye believe one thing, desire another, speak unlike, act differently and obtain the living value.
”
”
Austin Osman Spare (Rebels & Devils; A Tribute to Christopher S. Hyatt)
“
I’m involved about as much as I want to be with the Thursday Murder Club. If they can plant cocaine in someone’s cistern, I don’t want to think about what they’d do with my love life.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
You know when you look into someone's eyes for the first time and the whole world breaks apart And you just think, "Of course, of course, this is what I've been waiting for all this time"?
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
The God of Imagination lived in fairytales. And the best fairytales made you fall in love. It was while flicking through "Sleeping Beauty" that I met my first love, Ivar. He was a six-year-old bello ragazzo with blond hair and eyebrows. He had bomb-blue eyes and his two front teeth were missing.
The road to Happily Ever After, however, was paved with political barbed wire. Three things stood in my way.
1. The object of my affection didn't know he was the object of my affection.
2. The object of my affection preferred Action Man to Princess Aurora.
3. The object of my affection was a boy and I wasn't allowed to love a boy.
”
”
Diriye Osman (Fairytales for Lost Children)
“
Do you know how to pick loc–’ Rosie’s question is interrupted by Amy taking a large rock and smashing one of Scroggie’s back windows. ‘Ah, I see you do.
”
”
Richard Osman (We Solve Murders (We Solve Murders, #1))
“
And, by the by, Joanna solved the mystery of my private messages. She went into my account and searched all of them for me. She told me that if I didn't want to be sent an endless tide of photographs of men's genitals, I should really change my username. Needless to say, I haven't changed it.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
So what do I do now?” “You climb the next mountain, of course.” “Oh, yeah, of course,” says Donna. Simple. “And what’s up the next mountain?” “Well, we don’t know, do we? It’s your mountain. No one’s ever climbed it before.” “And what if I don’t want to? What if I just want to go home and cry every night and pretend to everyone that everything’s okay?” “Then do that. Keep being scared, keep being lonely. And spend the next twenty years coming to see me, and I will keep telling you the same thing. Put your boots on and climb the next mountain. See what’s up there. Friends, promotions, babies. It’s your mountain.” “Will there be other mountains after that one?” “There will.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
I'm afraid I don't know WTF. I only discovered LOL from Joyce last week. I'm going to assume that it doesn't refer to the Warsaw Transit Facility, as that was shut down in 1981 when the Russians came sniffing.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Would Ron like a team of officers rooting through his underwear?” “I don’t think anyone would like that,” says Ibrahim. “Least of all the officers.
”
”
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
“
I fear I might be barking up the wrong tree with this one. I just hope I can bark up the right tree one of these days. Before I run out of trees. Or before I stop barking altogether.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
They say that time softens the pain, but that’s a fairy tale. Who would ever love again if anyone actually told the truth? I’m afraid there are some days when I could still rip out my own heart and weep myself hollow for Gerry. Some days? Every day.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
Daughter, I want you to form the most intense, loving relationship with yourself. Only then will you realize your capacity for kindness and emotional expansiveness. Daughter, after you have formed this relationship with yourself, I want you to love others with the openness and humility that you always embodied as a child. Daughter, I want you to forgive easily, laugh loudly and never allow yourself to become the invisible, silent woman that your mother was. Daughter, this is how we soften our hearts and become better human beings.
”
”
Diriye Osman
“
I know many people enjoy your books, and surely they can’t all be wrong?
”
”
Richard Osman (We Solve Murders (We Solve Murders, #1))
“
I would never have therapy, because who wants to unravel all that knitting?
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Home is in my hair, my lips, my arms, my thighs, my feet and my hands. I am my own home. And when I wake up crying in the morning, thinking of how lonely I am, I pinch my skin, tug at my hair, remind myself that I am alive. Remind myself to step outside and greet the morning. Remind myself that it’s all about forward motion. It’s all about change. It’s all about that elusive state.
Freedom.
”
”
Diriye Osman
“
Had she really understood then that those were the best of times? That she was in heaven? She thinks she did understand, yes. Understood she had been given a great gift. Doing the crossword in a train carriage, Stephen with a can of beer ("I will only drink beer on trains, nowhere else, don't ask me why"), glasses halfway down his nose, reading out clues. The real secret was that when they looked at each other, they each thought they had the better deal.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
There is another dating app for gay men called Grindr. Perhaps it’s for gay women too? I don’t know, I didn’t ask. Would they use the same one? That would be nice.
”
”
Richard Osman (The Thursday Murder Club)
“
They can take me as they find me,' says Ron. 'I've earned this face, it tells a story.
”
”
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
“
I keep Gerry in a tight little ball just for me. I think if I let him loose here, it would overwhelm me, and I worry he might just blow away.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Ron, I didn't really know how to ask for just an instant coffee, so I got us Caramel Frappuccinos.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Good to see you, Elizabeth. Are those flowers for me?” “No, I have taken to carrying flowers around with me as an affectation,” says Elizabeth, handing them over as she is ushered in.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
I am learning that it is important to stop sometimes, and just have a drink and a gossip with friends, even as corpses start to pile up around you. Which they have been doing a lot recently.
It's a balancing act, of course, but, by and large, the corpses will still be there in the morning, and you mustn't let it spoil your Domino's.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
I am not a vegan and have no intention of ever becoming one, but I still feel like it's something that should be encouraged. I read that if mankind doesn't stop eating meat, there will be mass starvation by 2050. With respect, I am nearly eighty, and so this won't be my problem, but I do hope they sort it out.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Manic depression — or bipolar disorder — is like racing up to a clifftop before diving headfirst into a cavity. Maintaining a healthy lifestyle is the psychic equivalent of an extreme sport. The manic highs — that exhilarating rush to the top of the cliff — make you feel bionic in your hyper-energized capacity for generosity, sexiness and soulfulness. You feel like you have ingested stars and are now glowing from within. It’s unearned confidence-in-extremis — with an emphasis on the con, because you feel cheated once you inevitably crash into that cavity. I sometimes joke that mania is the worst kind of pyramid scheme, one that the bipolar individual doesn’t even know they’re building, only to find out, too late, that they’re also its biggest casualty.
”
”
Diriye Osman
“
I've always loved being gay. Sure, Kenya was not exactly Queer Nation but my sexuality gave me joy. I was young, not so dumb and full of cum! There was no place for me in heaven but I was content munching devil's pie here on earth.
”
”
Diriye Osman (Fairytales for Lost Children)
“
I volunteer because it makes me look helpful, and it gives me first dibs on the refreshments.
”
”
Richard Osman (The Thursday Murder Club)
“
If you are not like me then you are not me. I am a great philosopher!
”
”
Maher Osman
“
I mean, we have KISSED. sort of. platonically made out.
”
”
Alice Osman
“
Does it hurt?" asks Ibrahim.
"Only when I breathe," says Donna.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
I need you to talk less. I have a low boredom threshold. I was born with it, the doctors can't do nothing.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
I’ve always found that shirts sort of iron themselves while you’re wearing them.
”
”
Richard Osman (The Thursday Murder Club)
“
I’m just organized,’ says Joyce. ‘It’s out of fashion. If I say I’m going to Zumba, I go to Zumba.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Alas!’ he writes, ‘I am morbid,
And have put a purple colour about my brow.
All men seem eating and drinking the
“Joy of the Round Feast,” while I am
Melancholy and silent, as though in a
Gloomy wood, astray.
Strange images of myself did I create,
As I gazed into the seeming pit of others,
Losing myself in the thoughtfulness
Of my unreal self, as humanity saw me.
But alas ! on entering to the consciousness
Of my real being to find fostering
"The all-prevailing woman,”
And I strayed with her, into the path direct.
“Hail! the Jewel in the Lotus.
”
”
Austin Osman Spare
“
I don't think you're supposed to use your mobile telephone in here, Elizabeth," says John.
She gives a kindly shrug. "Well, imagine if we only ever did what we were supposed to, John."
"You have a point there, Elizabeth," agrees John, and goes back to his book.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Let it go. Remember it as a happy time. You were at the top of the mountain, and now you’re in a valley. It will happen to you a number of times.” “So what do I do now?” “You climb the next mountain, of course.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
Chess is easy,' says Bogdan, continuing the walk between the lines of graves and now flicking on a torch. 'Just always make the best move.'
'Well, I suppose,' says Elizabeth. 'I've never quite thought about it like that. But what if you don't know what the best move is?'
'Then you lose.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Like someone reached in and took out my heart and my lungs and told me to keep living. Keep waking up, keep eating, keep putting one foot in front of the other. For what? I don’t think I ever really found an answer to that.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
I’d outlive a dog through pure spite,’ says Ron. ‘We’d just sit in opposite corners of the room, staring each other out, and see who went first. Not me. It’s like when we were negotiating with British Leyland in ’seventy-eight. The moment one of their lot went to the loo first, I knew we had ’em.’ Ron knocks back more wine. ‘Never go to the loo first. Tie a knot in it if you have to.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
If intellectual capacity is a sniper’s foremost qualification, the number two trait is patience. We will take out any enemy we have to when the situation calls for it, whether that means using a rifle, a handgun, a knife, or our bare hands. Yet the sniper’s fundamental craft is not killing a person, but being able to get close enough to do so. Osman and I were on a classic sniper stalking mission: track, sneak up, observe, and disappear again, leaving no trace behind.
”
”
Brandon Webb (The Red Circle: My Life in the Navy SEAL Sniper Corps and How I Trained America's Deadliest Marksmen)
“
The conception of "I am not" must of necessity follow the conception of "I am," because of its grammar, as surely in this world of sorrow night follows day. The recognition of pain as such, implies the idea of pleasure, and so with all ideas. By this duality, let him remember to laugh at all times, recognize all things, resist nothing; then there is no conflict, incompatibility or compulsion as such.
”
”
Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
“
I see,” says Elizabeth, lips pursing. “And what happens if I still choose to say WPC? Will there be a warrant for my arrest?”
“No, but I’ll think a bit less of you,” says Donna. “Because it’s a really simple thing to do, and it’s more respectful to me.”
“Damn, checkmate, okay,” says Elizabeth, unpursing her lips.
“Thank you,” says Donna.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
I think that if I have a special skill, it is that I am often overlooked. Is that the word? Underestimated, perhaps?
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
You may not have recognized me,’ says Max. This, he has learnt, is politer than ‘Don’t you know who I am?
”
”
Richard Osman (We Solve Murders (We Solve Murders, #1))
“
I never take offense,” says Tony. “Saved me a lot of time over the years.
”
”
Richard Osman (We Solve Murders (We Solve Murders, #1))
“
I’m sure,” says Elizabeth. “If murder were easy, none of us would survive Christmas.
”
”
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
“
Bear in mind, also, that this was past ten and I had already said, “Well, this has been lovely,” more than once.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
Joyce turns her face up to the sun and closes her eyes. 'Well, isn't this lovely, Ron? I never knew I liked beer. Imagine if I'd died at seventy? I never would have known.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
I am a dream-wanderer, travelling the universal dream!
”
”
Osman Turkay
“
all I know is that I will be there for her. That’s all I have to give.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
Time for me to turn in now. I know it sounds silly, but I feel less alone when I write. So thank you for keeping me company, whoever you might be.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
Donna, like any modern woman, I am any number of things, as and when the need arises. We have to be chameleons, don’t we?
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Osman and Prideep had been in my employment for some weeks. Every Friday I would take the to lunch. It was the high point of their calender. During the meal I would harangue them as a reminder of what they had been hired for: but my orations never seemed to increase their output. I realised later that, in the East, a commitment to produce does not automatically accompany employment.
”
”
Tahir Shah (Beyond the Devil's Teeth : Journeys in Gondwanaland)
“
Back in Afghanistan, when snipers from the other countries’ Special Operations teams were asking Osman and me over to debrief them after Zhawar Kili, I’d befriended a very sharp Danish sniper named Henning, from the Danish Frogman Corps. Now Henning was running the sniper training in Denmark, and he flew over to the States, went through our advanced courses, then took what he’d learned and implemented it in Denmark.
”
”
Brandon Webb (The Red Circle: My Life in the Navy SEAL Sniper Corps and How I Trained America's Deadliest Marksmen)
“
He who deceives another deceives himself much more. Therefore know the Charlatans by their love of rich robes, ceremony, ritual, magical retirements, absurd conditions, and other stupidity, too numerous to relate. Their entire doctrine a boastful display, a cowardice hungering for notoriety; their standard everything unnecessary, their certain failure assured. Hence it is that those with some natural ability quickly lose it by their teaching. They can only dogmatise, implant and multiply that which is entirely superficial. Were I a teacher I should not act as master, as knowing more, the pupil could lay no claim to discipleship. Assimilating slowly, he would not be conscious of his learning, he would not repeat the vital mistake; without fear he would accomplish with ease. The only teaching possible is to show a man how to learn from his own wisdom, and to utilise his ignorance and mistakes. Not by obscuring his vision and intention by righteousness.
”
”
Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
“
I texted "Happy New Year" to Joanna, and she texted back "HNY," as if the effort of spelling out the words was a bit too much. I texted "Happy New Year" to Victor too, and he texted back. "May you be granted health and wealth and wisdom, and may you see your beauty reflected in those around you," which was much more like it.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
Connie leans forward again, getting as close to Ron as she possibly can. She hisses, “When I get out, you’re a dead man.” Ron looks back at her. “Well, I’m seventy-five, and you’ll be doing thirty years so, yeah, agreed.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
Can I say, by the way, that Poppy had put a Post-it note on the front of the file, and had put a little kiss and a smiley face on that Post-it note? And I just wonder if that’s really the sort of thing a murderer would do?
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
As a young gay African, I have been conditioned from an early age to consider my sexuality a dangerous deviation from my true heritage as a Somali by close kin and friends. As a young gay African coming of age in London, there was another whiplash of cultural confusion that one had to recover from again and again: that accepting your sexual identity doesn’t necessarily mean that the wider LGBT community, with its own preconceived notions of what constitutes a "valid" queer identity, will embrace you any more welcomingly than your own prejudiced kinsfolk do.
”
”
Diriye Osman
“
There may not be any romance to mental illness but who needs romance when the preferable route is agency? The prevailing conversation around mental health issues is agency and the lack thereof on the part of the mentally ill. But what do you do if you’re a paid-up member of the mentally ill populace in question? Do you curl up into a ball and give up? No, you look for solutions. Ultimately, it’s about keeping despair at bay and sometimes simple things like running, taking up a hobby, doing charity work, painting or, in my case, writing can be a galvanizing part of the recovery process. Keeping the brain and the body active can give life a semblance of pleasure and hope. This is what writing has done for me. I took every traumatic element of my condition and channelled it into something useful.
”
”
Diriye Osman
“
Stephen shrugs. “We all go at some point, my Viking friend. I’d rather she wasn’t killed by a cowardly Swede, but best to bow out doing something decent. I’m sure I’d miss her, but someone else would turn up soon enough. Beautiful spies everywhere you look. Falling out of trees.
”
”
Richard Osman (The Bullet That Missed (Thursday Murder Club, #3))
“
Everything I’ve done and everything I’ve been is present in the same place. But we still think the thing that has just happened, or is about to happen, we think that’s the most important thing. My memories aren’t my memories, my present isn’t present, it’s all the same thing . . .
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
Dear Stephen,’ he begins. ‘This is a difficult letter to write, but I know it will be a great deal more difficult to read. I will come straight to it. I believe you are in the early stages of dementia, possibly Alzheimer’s.’ Elizabeth can hear her heart beating through her chest. Who on earth has chosen to shatter their privacy this way? Who even knows? Her friends? Has one of them written? They wouldn’t dare, not without asking. Not Ibrahim, surely? He might dare. ‘I am not an expert, but it is something I have been looking into. You are forgetting things, and you are getting confused. I know full well what you will say – “But I’ve always forgotten things. I’ve always been confused!” – and you are right, of course, but this, Stephen, is of a different order. Something is not right with you, and everything I read points in just one direction.’ ‘Stephen,’ says Elizabeth, but he gently gestures for hush. ‘You must also know that dementia points in just one direction. Once you start to descend the slope, and please believe me when I say you have started, there is no return. There may be footholds here and there, there may be ledges on which to rest, and the view may still be beautiful from time to time, but you will not clamber back up.’ ‘Stephen, who wrote you this letter?’ Elizabeth asks. Stephen holds up a finger, asking her to be patient a few moments more. Elizabeth’s fury is decreasing. The letter is something she should have written to him herself. This should not have been left to a stranger. Stephen starts
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
Ah, čijem si se zahvalila,
tašta ljudska oholasti?
Sve što više stereš krila,
sve ćeš paka niže pasti!
Vjekovite i bez svrhe
nije pod suncem krepke stvari,
a u visocijeh gora vrhe
najprije ognjen trijes udari.
Bez pomoći višnje s nebi
svijeta je stavnos svijem bjeguća:
satiru se sama u sebi
silna carstva i moguća.
Kolo od sreće uokoli
vrteći se ne pristaje:
tko bi gori, eto je doli,
a tko doli gori ustaje.
Sad vrh sablje kruna visi,
sad vrh krune sablja pada,
sad na carstvo rob se uzvisi,
a tko car bi, rob je sada.
”
”
Ivan Gundulić (Osman)
“
Farewell antithesis. I have suffered. All is paid. Let me go forth to recreate my sleep
”
”
Austin Osman Spare (Anathema of Zos: The Sermon to the Hypocrites)
“
I suppose that's how people get away with forging things? It suits everybody to pretend it's real.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
If you know what a chemical engineer is, then you are a better woman than me. Don’t get me wrong, I know what an engineer is and I know what chemicals are, but I can’t join the dots.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
she read a couple of passages from the Bible, which I know is the done thing. I’ve been to many funerals now, and an awful lot of people have walked through the valley of the shadow of death.
”
”
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
“
Home is in my hair, my lips, my arms, my thighs, my feet and my hands. I am my own home. And when I wake up crying in the morning, thinking of how lonely I am, I pinch my skin, tug at my hair, remind myself that I am alive. Remind myself to step outside and greet the morning. Remind myself that it’s all about forward motion. It’s all about change. It’s all about that elusive state. Freedom.
”
”
Diriye Osman
“
i have been told many times by family, friends, colleagues and strangers that I, a black African Muslim lesbian, am not included in this vision; that my dreams are a reflection of my upbringing in a decadent, amoral Western society that has corrupted who I really am. But who am I, really? Am I allowed to speak for myself or must my desires form the battleground for causes I do not care about? My answer to that is simple: ‘no one allows anyone anything.’ By rejecting that notion you discover that only you can give yourself permission on how to lead your life, naysayers be damned. In the end something gives way. The earth doesn’t move but something shifts. That shift is change and change is the layman’s lingo for that elusive state that lovers, dreamers, prophets and politicians call ‘freedom’.
”
”
Diriye Osman (Fairytales for Lost Children)
“
The village is nearly dark now. In life you have to learn to count the good days. You have to tuck them in your pocket and carry them around with you. So I'm putting today in my pocket and I'm off to bed.
”
”
Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
“
Joanna has bought me Netflix,’ says Joyce, finishing her last slice of pizza. Where does she put it all, Ibrahim wonders. ‘There’s all sorts on it, but I can’t work out what’s on when. It doesn’t have the times anywhere.
”
”
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
“
Hidden treasure does not come at your word or by digging with your hands in the main road. Even with the proper implements and accurate knowledge of place, etc., you may just end up re-acquiring what you possessed long ago. There is a great doubt as to whether it is hidden, except by the strata65 of your experiences and atmospheres of your belief. So how does one become a genius? My reply is like the mighty germ: it is in agreement with the Universe, is simple and full of deep import, yet it is for a time extremely objectionable in terms of your ideas of good and beauty. So listen attentively, O aspirant, to my answer, for by living its meaning you shall surely become freed from the bondage of constitutional ignorance. You must live it yourself: I cannot live it for you. The chief cause of genius is the realization of ‘I’ by an emotion that allows the instant assimilation of what is perceived. This emotion could be called ‘immoral’ in that it allows the free association of knowledge without being encumbered by belief. Its condition is therefore ignorance of ‘I am’ and ‘I am not’: instead of believing, there is a kind of absentmindedness. Its most excellent state is the ‘NeitherNeither’, the free or atmospheric ‘I’.
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Austin Osman Spare (Book of Pleasure in Plain English)
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Elizabeth takes her glass as the man sits in the armchair opposite her. ‘You seem to think that’s a stunning feat of memory, to remember the wine I drank for the twenty-odd years we knew each other?’ ‘I’m nearly seventy, darling, everything is a stunning feat of memory these days. Cheers!’ He raises his glass.
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Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
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If the "supreme belief" remains unknown, believing is fruitless. If "the truth" has not yet been ascertained, the study of knowledge is unproductive. Even if "they" were known their study is useless. We are not the object by the perception, but by becoming it. Closing the gateways of sense is no help. Verily I will make common-sense the foundation of my teaching. Otherwise, how can I convey my meaning to the deaf, vision to the blind, and my emotion to the dead? In a labyrinth of metaphor and words, intuition is lost, therefore without their effort must be learned the truth about one's self from him who alone knows the truth . . . . yourself.
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Austin Osman Spare (The Writings of Austin Osman Spare: Automatic Drawings, Anathema of Zos, The Book of Pleasure, and The Focus of Life)
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By the way, earlier, when I said Elizabeth is a terrible flirt, I didn’t mean she’s a terrible flirt like I’m a terrible flirt. I mean that when she flirts she’s terrible at it. Really all over the place. I like to see things Elizabeth is bad at. There aren’t many, but at least it levels the playing field a bit for the rest of us.
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Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
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I honestly don't know what to do with the Tupperware I used. If you used two Tupperware containers to mix the ashes of a dear friend and a woman he loved, without letting their children know, is it more disrespectful to keep them, or throw them away? This is honestly not the sort of thing I had to worry about before I moved to Cooper's Chase.
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Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
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The first trip I ever went on with Stephen was to Venice. He wanted to look at the art and the churches for a weekend, and I wanted to look at him for a weekend.’ ‘That’s romantic,’ says Joyce. ‘Looking at a man you love isn’t romantic, Joyce,’ says Elizabeth. ‘It’s just the sensible thing to do. Like watching a television programme you like.
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Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
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It must be fun doing all the training, I suppose, and creeping around with no one knowing, but blowing a man’s head off from four feet away probably doesn’t suit everyone. It wouldn’t suit me, and it doesn’t suit Poppy. Actually, perhaps it would suit me? You never know until you try, do you? I never thought I would like dark chocolate, for example.
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Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
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As black people, our lives are not tragedies. I will keep fighting against that narrative. Our lives are survival stories that have been passed down from generation to generation. These stories are about joy and celebration and our inherent power. No-one has the capacity to steal our joy. We must resist, resist and keep resisting. We refuse to be annihilated.
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Diriye Osman
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My eldest daughter, Suldana, is in love with another woman. She is eighteen and she spends her days working at our kiosk selling milk and eggs, and at night she sneaks out and goes down to the beach to see her lover. She crawls back into bed at dawn, smelling of sea and salt and perfume. Suldana is beautiful and she wraps this beauty around herself like a shawl of stars. When she smiles her dimples deepen and you can’t help but be charmed. When she walks down the street men stare and whistle and ache. But they cannot have her. Every day marriage proposals arrive with offers of high dowries but I wave them away. We never talk about these things like mothers and daughters should; but I respect her privacy and I allow her to live.
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Diriye Osman (Fairytales for Lost Children)
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belief, to be true, must be organic and sub-conscious. The desire to be great can only become organic at a time of vacuity, and by giving it (Sigil) form. When conscious of the Sigil form (any time but the Magical) it should be repressed, a deliberate striving to forget it, by this it is active and dominates at the unconscious period, its form nourishes and allows it to become attached to the sub-consciousness and become organic, that accomplished, is its reality and realization. He becomes his concept of greatness. So belief becomes true and vital by striving against it in consciousness and by giving it form. Not by the striving of faith. Belief exhausts itself by confession and non-resistance, i.e., consciousness. Believe not to believe, and in degree you will obtain its existence.
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Austin Osman Spare (The Book of Pleasure (Self-Love): The Psychology of Ecstasy)
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desire are united to his purpose by the use of Sigils, or sacred letters. By projecting consciousness into one object, sensation becomes intensified because not dissipated by the usual distractions.This intensification is attained by abstaining from desire in anything but the object [i.e. the Sigil]. By non-resistance (involuntary thought and action), any worry or apprehension of it not working, being transient, find no permanent abode, and the practitioner desires everything. Anxiety defeats the purpose, because it retains and exposes the desire; desire is non-attraction. When the mind is quiet and focused, and undisturbed by external images, there is no distortion of the sense impression (there should be no hallucination: that could end in fulfilment of whatever it is that is imagined). Instead, the mind magnifies the existing desire, and joins it to the object in secret.
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Austin Osman Spare (Book of Pleasure in Plain English)
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And how long, impossible question I know, but how long until we’re not capable of having this discussion? How many windows like this do we have left?’ Elizabeth can fool herself no more, can keep Stephen to herself no longer. The day she knew must arrive is here. She has been losing him a paragraph at a time, but the chapter is done. And the book is close to its end. Stephen, fully dressed and shaved, stands among his books. The urns and sculptures from his travels, things he found significant and beautiful, gathered over a lifetime. The awards, the photographs, old friends smiling on boats, boys at school dressed like men, Stephen on mountains, on desert digs, raising a glass in a far-off bar, kissing his wife on their wedding day. This room, this cocoon, every inch of it is his brain, his smile, his kindness, his friendships, his lovers, his jokes. His mind, fully on display. And he knows it is now lost.
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Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
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In what way can it act as master? Through scores of incarnations, the ‘self ’ we end up with is derived from the attributes with which we endow our God, the abstract Ego or conceptive principles. All conception is a denial of the Kiã, and hence we human beings are its opposition, our own evil. As we are the offspring of ourselves, we are the conflict between whatever we deny and assert of the Kiã. It would seem that we cannot be too careful in our choice, for it determines the body we inhabit. Thus forever from ‘self ’ do I fashion the Kiã, which may be without likeness, but which may be regarded as the truth. From this process is the bondage made, and not through intellect shall we be free from it. The law of Kiã is always its own original purpose, undetermined by anything else, and its emanations are unchanging. Through our own conceptive process things materialize, and take their nature from that duality. Human beings take their law from this refraction, and their ideas create their reality. With what do they balance their ecstasy? They pay measure for measure with intense pain, sorrow, and miseries. With what do they balance their rebellion? Of necessity, with slavery! Duality is the law, and realization by experience relates and opposes by units of time. Ecstasy for any length of time is difficult to obtain, and takes a lot of work. The conditions of consciousness and existence would seem to be various degrees of misery alternating with gusts of pleasure and some more subtle emotions. Consciousness of existence consists of duality in some form or other. From it are created the illusions of time, size, entity, etc.: the world’s limit. The dual principle is the quintessence of all experience, and no ramification has enlarged its primordial simplicity, but can only be its repetition, modification or complexity: its evolution can never be complete. It can never go further than the experience of self, so returns and unites again and again, ever an anti-climax. Its evolution consists of forever returning to its original simplicity by infinite complication. No man shall understand its ‘reason why’ by looking at its workings. Know it as the illusion that embraces the learning of all existence. It is the most aged one who grows no wiser, and is the mother of all things. Therefore believe all ‘experience’ to be an illusion, and the result of the law of duality. Just as space pervades an object both inside and outside it, similarly within and beyond this ever-changing cosmos, there is this single principle.
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Austin Osman Spare (Book of Pleasure in Plain English)