Ortega Y Gasset Quotes

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Tell me what you pay attention to and I will tell you who you are.
José Ortega y Gasset
Life is a series of collisions with the future; it is not the sum of what we have been, but what we yearn to be.
José Ortega y Gasset
The type of human being we prefer reveals the contours of our heart.
José Ortega y Gasset
Living is a constant process of deciding what we are going to do.
José Ortega y Gasset
I am I and my circumstance; and, if I do not save it, I do not save myself.
José Ortega y Gasset (Meditations on Quixote)
The metaphor is probably the most fertile power possessed by man
José Ortega y Gasset
Yo soy yo y mi circunstancia.
José Ortega y Gasset
We do not live to think, but, on the contrary, we think in order that we may succeed in surviving.
José Ortega y Gasset
Our firmest convictions are apt to be the most suspect; they mark our limitations and our bounds. Life is a petty thing unless it is moved by the indomitable urge to extend its boundaries.
José Ortega y Gasset
There is no doubt; even a rejection can be the shadow of a caress”.
José Ortega y Gasset
I have long since learned, as a measure of elementary hygiene, to be on guard when anyone quotes Pascal.
José Ortega y Gasset
The metaphor is perhaps the most fruitful power of man. Its efficacy verges on magic, and it seems a tool for creation which God forgot inside one of His creatures when He made him.
José Ortega y Gasset
To remain in the past means to be dead.
José Ortega y Gasset
We fall in love when our imagination projects nonexistent perfection upon another person. One day, the fantasy evaporates and with it, love dies.
José Ortega y Gasset
Romantic poses aside, let us recognize that "falling in love"...is an inferior state of mind, a form of transitory imbecility.
José Ortega y Gasset
To be surprised, to wonder, is to begin to understand. This is the sport, the luxury, special to the intellectual man. The gesture characteristic of his tribe consists in looking at the world with eyes wide open in wonder. Everything in the world is strange and marvelous to well-open eyes.
José Ortega y Gasset (The Revolt of the Masses)
Thinking is the desire to gain reality by means of ideas.
José Ortega y Gasset
Every life is, more or less, a ruin among whose debris we have to discover what the person ought to have been.
José Ortega y Gasset
Effort is only effort when it begins to hurt.
José Ortega y Gasset
To be surprised, to wonder, is to begin to understand.
José Ortega y Gasset
tragedy in the theater opens our eyes so that we can discover and appreciate the heroic in reality.
José Ortega y Gasset
The characteristic note of our time is the dire truth that, the mediocre soul, the commonplace mind, knowing itself to be mediocre, has the gall to assert its right to mediocrity, and goes on to impose itself where it can.
José Ortega y Gasset
The poet begins where the man ends. The man's lot is to live his human life, the poet's to invent what is nonexistent.
José Ortega y Gasset
From my point of view it is immoral for a being not to make the most intense effort every instant of his life.
José Ortega y Gasset (On Love: Aspects of a Single Theme)
Cosa farei senza libri? Ne ho la casa piena, eppure non mi bastano mai. Vorrei avere una giornata di trentasei ore per poter leggere a mio piacere. Tengo libri di tutte le dimensioni: da tasca, da borsa, da valigia, da taschino, da scaffale, da tavolo. E ne porto sempre uno con me. Non si sa mai: se trovo un momento di tempo, se mi fanno aspettare in un ufficio, che sia alla posta o dal medico, tiro fuori il mio libro e leggo. Quando ho il naso su una pagina non sento la fatica dell'attesa. E, come dice Ortega y Gasset, in un libro mi "impaeso", a tal punto che mi è difficile spaesarmi. Esco dai libri con le pupille dilatate. Lo considero il piacere più grande, più sicuro, più profondo della mia vita.
Dacia Maraini (Chiara di Assisi: Elogio della disobbedienza)
Ser de la izquierda es, como ser de la derecha, una de las infinitas maneras que el hombre puede elegir para ser un imbécil.
José Ortega y Gasset
In their choice of lovers both the male and the female reveal their essential nature. The type of human being we prefer reveals the contours of our heart. Love is an impulse which springs from the most profound depths of our beings, and upon reaching the visible surface of life carries with it an alluvium of shells and seaweed from the inner abyss. A skilled naturalist, by filing these materials, can reconstruct the oceanic depths from which they have been uprooted.
José Ortega y Gasset
For there is no doubt that the most radical division that it is possible to make of humanity is that which splits it into two classes of creatures: those who make great demands on themselves, piling up difficulties and duties; and those who demand nothing special of themselves, but for whom to live is to be every moment what they already are, without imposing on themselves any effort towards perfection; mere buoys that float on the waves.
José Ortega y Gasset (The Revolt of the Masses)
Personality is composed of two fundamentally different types of traits: those of 'character;' and those of 'temperament.' Your character traits stem from your experiences. Your childhood games; your family's interests and values; how people in your community express love and hate; what relatives and friends regard as courteous or perilous; how those around you worship; what they sing; when they laugh; how they make a living and relax: innumerable cultural forces build your unique set of character traits. The balance of your personality is your temperament, all the biologically based tendencies that contribute to your consistent patterns of feeling, thinking and behaving. As Spanish philosopher, Jose Ortega y Gasset, put it, 'I am, plus my circumstances.' Temperament is the 'I am,' the foundation of who you are.
Helen Fisher
Persistent ill-humour is all too clear an indication that someone is living contrary to his[her] intended purpose.
José Ortega y Gasset
a quotation from the Spanish philosopher Ortega y Gasset as an epigraph for Stoner: “A hero is one who wants to be himself.
John Williams (Stoner)
just because of its promise of unlimited possibilities technology is an empty form like the most formalistic logic and is unable to determine the content of life.that is why our time,being the most intensely technical,is also the emptiest in all human history.
José Ortega y Gasset
The combinations of these two elements, enchantment and surrender, is, then, essential to the love which we are discussing... What exists in love is surrender due to enchantment.
José Ortega y Gasset (Love)
Man's real treasure is the treasure of his mistakes, piled up stone by stone through thousands of years
José Ortega y Gasset
He who does not really feel himself lost, is lost without remission; that is to say, he never finds himself, never comes up against his own reality.
José Ortega y Gasset
There are, above all, times in which the human reality, always mobile, accelerates, and bursts into vertiginous speeds. Our time is such a one, for it is made of descent and fall.
José Ortega y Gasset
…falling in love is a state of mental misery which has a restricting, impoverishing, and paralyzing effect upon the development of our consciousness.
José Ortega y Gasset
Lo que diferencia al hombre del animal es que el hombre es un heredero y no un mero descendiente. José Ortega y Gasset
Almudena Grandes (El corazón helado)
I am myself and my circumstance. I live therefore I think.
José Ortega y Gasset
El buen lector es que tiene casi constantemente la impresión de que no se ha enterado bien.
José Ortega y Gasset
In a way the philosopher and the barber are of the same guild; the barber cuts hair and the philosopher splits hairs.
José Ortega y Gasset (Man and People (Norton Library (Paperback)))
The abstract is no more than an instrument, an organ, to see the concrete clearly.
José Ortega y Gasset
Nada de lo que el hombre ha sido, es o será, lo ha sido, lo es ni lo será de una vez para siempre, sino que ha llegado a serlo un buen día y otro buen día dejará de serlo.
José Ortega y Gasset
In order to be enchanted we must be, above all, capable of seeing another person—simply opening one’s eyes will not do.
José Ortega y Gasset (On Love: Aspects of a Single Theme)
Fascism, as Ortega y Gasset says, is always ‘A and not A’.
Kevin Passmore (Fascism: A Very Short Introduction (Very Short Introductions Book 77))
All we are given is possibilities— to make ourselves one thing or another. JOSÉ ORTEGA Y GASSET
Adele Faber (How to Talk So Kids Will Listen & Listen So Kids Will Talk (The How To Talk Series))
Among his various possible beings each man always finds one which is his genuine and authentic being. The voice which calls him to that authentic being is what we call “vocation.” But the majority of men devote themselves to silencing that voice of the vocation and refusing to hear it. They manage to make a noise within themselves … to distract their own attention in order not to hear it; and they defraud themselves by substituting for their genuine selves a false course of life. —JOSÉ ORTEGA Y GASSET
Robert Greene (Mastery (The Modern Machiavellian Robert Greene Book 1))
We live at a time when man believes himself fabulously capable of creation, but he does not know what to create.
José Ortega y Gasset
Men play at tragedy because they do not believe in the reality of the tragedy which is actually being staged in the civilised world.
José Ortega y Gasset
What I have said, and still believe with ever-increasing conviction, is that human society is always, whether it will or no, aristocratic by its very essence, to the extreme that it is a society in the measure that it is aristocratic, and ceases to be such when it ceases to be aristocratic
José Ortega y Gasset (The Revolt of the Masses)
Why write, if this too easy activity of pushing a pen across paper is not given a certain bull-fighting risk and we do not approach dangerous, agile, and two-horned topics?
José Ortega y Gasset (On Love: Aspects of a Single Theme)
Let others think what they like: for me, the culmination of life consists of a pure and subtly dramatic passion.
José Ortega y Gasset (On Love: Aspects of a Single Theme)
[...] rationalism is a form of intellectual bigotry which, in thinking about reality, tries to take it into account as little as possible.
José Ortega y Gasset
Yo soy yo y mi circunstancia, y si no la salvo a ella no me salvo yo
José Ortega y Gasset
In the disturbances caused by scarcity of food, the mob goes in search of bread, and the means it employs is generally to wreck the bakeries. This may serve as a symbol of the attitude adopted, on a greater and more complicated scale, by the masses of today towards the civilization by which they are supported … Civilization is not "just here," it is not self-supporting.
José Ortega y Gasset
No viven juntás las gentes sin más ni más y porque sí; esa cohesion a priori sólo existe en la familia. Los grupos que integran un Estado viven juntos para algo: son una comunidad de propósitos, de anhelos, de grandes utilidades. No conviven por estar juntos, sino para hacer juntos algo.
José Ortega y Gasset
Oswald Spengler's Decline of the West, Ernst Bloch's Spirit of Utopia, Hermann Hesse's Glimpse Into Chaos, Edmund Husserl's The Crisis in European Science, Karl Kraus's The Last Days of Mankind, Arthur Koestler's The Ghost in the Machine, Robert Musil's The Man Without Qualities, José Ortega y Gasset's The Revolt of the Masses, Martin Heidegger's Being and Time, René Guenon's The Reign of Quantity, Thomas Mann's The Magic Mountain, Colin Wilson's The Outsider—the list could go on.
Gary Lachman (A Secret History of Consciousness)
Liberalism - it is well to recall this today - is the supreme form of generosity; it is the right which the majority concedes to minorities and hence it is the noblest cry that has ever resounded in this planet. It announces the determination to share existence with the enemy; more than that, with an enemy that is weak. It was incredible that the human species should have arrived at so noble an attitude, so paradoxical, so refined, so acrobatic, so antinatural. Hence, it is not to be wondered at that this same humanity should soon appear anxious to get rid of it. It is a discipline too difficult and complex to take firm root on earth.
José Ortega y Gasset (The Revolt of the Masses)
On the Bigotry of Culture: : it presented us with culture, with thought as something justified in itself, that is, which requires no justification but is valid by it's own essence, whatever its concrete employment and content maybe. Human life was to put itself at the service of culture because only thus would it become charged with value. From which it would follow that human life, our pure existence was, in itself, a mean and worthless thing.
José Ortega y Gasset (The Dehumanization of Art and Other Essays on Art, Culture and Literature)
So many things fail to interest us, simply because they don’t find in us enough surfaces on which to live, and what we have to do is to increase the number of planes in our mind, so that a much larger number of themes can find a place in it at the same time
José Ortega y Gasset
In a highly popular statement, we are told that the family has progressed from institution to companionship. But, as Ortega y Gasset has written, “people do not live together merely to be together. They live together to do something together”. To suppose that the present family, or any other group, can perpetually vitalize itself through some indwelling affectional tie, in the absence of concrete, perceived functions, is like supposing that the comradely ties of mutual aid which grow up incidentally in a militar unit will along outlast a condition in which war is plainly and irrevocably banished . Applied to the family, the argument suggests that affection and personality cultivation can somehow exist in a social vacum, unsupported by the determining goals and ideals of economic and political society.
Robert A. Nisbet (The Quest for Community: A Study in the Ethics of Order & Freedom)
The mass crushes beneath it everything that is different, that is excellent, individual, qualified, and select. Anybody who is not like everybody, who does not think like everybody, runs the risk of being eliminated. And it is clear that this "everybody" is not "everybody." "Everybody" was normally the complex unity of the mass and the divergent, specialized elite groups. Nowadays, "everybody" is the mass alone.
José Ortega y Gasset (The Revolt of the Masses)
Love is that splendid triggering of human vitality... the supreme activity which nature affords anyone for going out of himself toward someone else.
José Ortega y Gasset
Da grima escuchar las inepcias que a toda hora se dicen.
José Ortega y Gasset (The Revolt of the Masses)
Sólo cabe progresar cuando se piensa en grande, sólo es posible avanzar cuando se mira lejos.
José Ortega y Gasset
The mass-man would never have accepted authority external to himself had not his surroundings violently forced him to do so. As to-day, his surroundings do not so force him, the everlasting mass-man, true to his character, ceases to appeal to other authority and feels himself lord of his own existence. On the contrary the select man, the excellent man is urged, by interior necessity, to appeal from himself to some standard beyond himself, superior to himself, whose service he freely accepts...Contrary to what is usually thought, it is the man of excellence, and not the common man who lives in essential servitude. Life has no savour for him unless he makes it consist in service to something transcendental. Hence he does not look upon the necessity of serving as an oppression. When, by chance, such necessity is lacking, he grows restless and invents some new standard, more difficult, more exigent, with which to coerce himself. This is life lived as a discipline — the noble life.
José Ortega y Gasset (The Revolt of the Masses)
We feel that we actual men have suddenly been left alone on the earth; that the dead did not die in appearance only but effectively; that they can no longer help us. Any remains of the traditional spirit have evaporated. Models, norms, standards are no use to us. We have to solve our problems without any active collaboration of the past, in full actuality, be they problems of art, science, or politics. (...) It is not easy to formulate the impression that our epoch has of itself; it believes itself more than all the rest, and at the same time feels that it is a beginning. What expression shall we find for it? Perhaps this one: superior to other times, inferior to itself. Strong, indeed, and at the same time uncertain of its destiny; proud of its strength and at the same time fearing it.
José Ortega y Gasset (The Revolt of the Masses)
The few individuals who are capable of spontaneous and joyous effort stand out. These are the select men, the nobles, the only ones who are active and not merely reactive, for whom life is a perpetual striving, an incessant course of training.
José Ortega y Gasset
Recall what used to be the theme of poetry in the romantic era. In neat verses the poet lets us share his private, bourgeois emotions: his sufferings great and small, his nostalgias, his religious or political pre-occupations, and, if he were English, his pipe-smoking reveries. On occasions, individual genius allowed a more subtle emanation to envelope the human nucleus of the poem - as we find in Baudelaire for example. But this splendour was a by-product. All the poet wished was to be a human being. When he writes, I believe today's poet simply wishes to be a poet.
José Ortega y Gasset (The Dehumanization of Art and Other Essays on Art, Culture and Literature)
To meditate is to sail a course, to navigate, among problems many of which we are in the process of clearing up. After each one looms another, whose shores are even more attractive, more suggestive. Certainly, it requires strength and perseverance to get to windward of problems, but there is no greater delight than to reach new shores, and even to sail, as Camoëns says, “through seas that keel has never cut before.” If you will now open a bank-account of attention for me, I foretell sun-smitten landscapes and promise archipelagoes.
José Ortega y Gasset (Man and People (Norton Library (Paperback)))
The existence of language is, in a way, a continual denigration of words.
José Ortega y Gasset
Fue siempre Madrid predilecta y víctima de la burocracia.
José Ortega y Gasset
A hero is one who wants to be himself .
José Ortega y Gasset
The idea of beauty, like a slab of magnificent marble, has crushed all possible refinement and vitality from the psychology of love.
José Ortega y Gasset (On Love: Aspects of a Single Theme)
Marxian Socialism and Bolshevism are two historical phenomena which have hardly a single common denominator.
José Ortega y Gasset (The Revolt of the Masses)
Aşa e mereu viaţa, şi acesta e cel mai mare farmec al ei: naturaleţea cu care ea, marea ţesătoare, ne întreţese în fiecare clipă splendoarea şi mizeria.
José Ortega y Gasset, Studii despre iubire
Since love is the most delicate and total act of a soul, it will reflect the state and nature of the soul. The characteristics of the person in love must be attributed to love itself.
José Ortega y Gasset (On Love: Aspects of a Single Theme)
The specialist serves as a striking concrete example of the species, making clear to us the radical nature of the novelty. For, previously, men could be divided simply into the learned and the ignorant, those more or less the one, and those more or less the other. But your specialist cannot be brought in under either of these two categories. He is not learned , for he is formally ignorant of all that does not enter into his speciality; but neither is he ignorant, because he is "a scientist," and "knows" very well his own tiny portion of the universe. We shall have to say that he is a learned ignoramus, which is a very serious matter, as it implies that he is a person who is ignorant, not in the fashion of the ignorant man, but with an the petulance of one who is learned in his own special line.
José Ortega y Gasset
Life is, in itself and forever, shipwreck. To be shipwrecked is not to drown. The poor human being, feeling himself sinking into the abyss, moves his arms to keep afloat. This movement of the arms which is his reaction against his own destruction, is culture — a swimming stroke.... But ten centuries of cultural continuity brings with it — among many advantages the great disadvantage that man believes himself safe, loses the feeling of shipwreck, and his culture proceeds to burden itself with parasitic and lymphatic matter. Some discontinuity must therefore intervene, in order that man may renew his feeling of peril, the substance of his life. All his life-saving equipment must fail, then his arms will once again move redeemingly.
José Ortega y Gasset
Desiring something is, without doubt, a move toward possession of that something ("possession" meaning that in some way or other the object should enter our orbit and become part of us). For this reason, desire automatically dies when it is fulfilled; it ends with satisfaction. Love, on the other hand, is eternally unsatisfied. Desire has a passive character; when I desire something, what I actually desire is that the object come to me. Being the center of gravity, I await things to fall down before me. Love ... is the exact reverse of desire, for love is all activity. Instead of the object coming to me, it is I who go to the object and become part of it.
José Ortega y Gasset
The novel, then, provides a reduction of the world different from that of the treatise. It has to lie. Words, thoughts, patterns of word and thought, are enemies of truth, if you identify that with what may be had by phenomenological reductions. Sartre was always, as he explains in his autobiography, aware of their being at variance with reality. One remembers the comic account of this antipathy in Iris Murdoch Under the Net, one of the few truly philosophical novels in English; truth would be found only in a silent poem or a silent novel. As soon as it speaks, begins to be a novel, it imposes causality and concordance, development, character, a past which matters and a future within certain broad limits determined by the project of the author rather than that of the characters. They have their choices, but the novel has its end. * ____________________ * There is a remarkable passage in Ortega y Gasset London essay ' History as a System' (in Philosophy and History, ed. Klibansky and Paton, 1936) which very clearly states the issues more notoriously formulated by Sartre. Ortega is discussing man's duty to make himself. 'I invent projects of being and doing in the light of circumstance. This alone I come upon, this alone is given me: circumstance. It is too often forgotten that man is impossible without imagination, without the capacity to invent for himself a conception of life, to "ideate" the character he is going to be. Whether he be original or a plagiarist, man is the novelist of himself... Among... possibilities I must choose. Hence, I am free. But, be it well understood, I am free by compulsion, whether I wish to be or not... To be free means to be lacking in constitutive identity, not to have subscribed to a determined being, to be able to be other than what one was...' This 'constitutive instability' is the human property lacking in the novels condemned by Sartre and Murdoch. Ortega differs from Sartre on the use of the past; but when he says that his free man is, willy-nilly, 'a second-hand God,' creating his own entity, he is very close to Sartre, who says that to be is to be like the hero in a novel. In one instance the eidetic image is of God, in the other of the Hero.
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
When this reality, the one and only power that checks and disciplines man from within, vanishes because belief in it is slackening, the social domain falls prey to passions. The ensuing vacuum is filled by the gas of emotion. Everyone proclaims what best suits his interests, his whims, his intellectual manias. To escape the void and the perplexities of his own soul, a man will rush to join any party standard that is being carried through the streets. With society gone there remain only parties.
José Ortega y Gasset (Concord and Liberty)
Yo siento mucho no coincidir con el pacifismo contemporáneo en su antipatía hacia la fuerza; sin ella no habría habido nada de lo que más nos importa en el pasado, y si la excluimos del porvenir sólo podremos imaginar una humanidad caótica. Pero también es cierto que con sólo la fuerza no se ha hecho nunca cosa que merezca la pena.
José Ortega y Gasset
The only thing that interests the physicist is finding out on what assumptions a framework of things can be constructed which will enable us to know how to use them mechanically. Physics, as I have said on another occasion, is the technique of techniques and the ars combinatoria for fabricating machines. It is a knowledge which has scarcely anything to do with comprehension.
José Ortega y Gasset
Más de una vez me he entretenido imaginando qué habría acontecido si, en lugar de hombres de Castilla, hubieran sido encargados, mil años hace, los "unitarios" de ahora, catalanes y vascos, de formar esta enorme cosa que llamamos España. Yo sospecho que, aplicando sus métodos y dando con sus testas en el yunque, lejos de arribar a la España una, habrían dejado la Península convertida en una pululación de mil cantones.
José Ortega y Gasset (España invertebrada)
A poco que vivimos hemos palpado ya los confines de nuestra prisión. Treinta años cuando más tardamos en reconocer los límites dentro de los cuales van a moverse nuestras posibilidades. Tomamos posesión de lo real, que es como haber medido los metros de una cadena prendida en nuestros pies. Entonces decimos: «¿Esto es la vida? ¿Nada más que esto? ¿Un ciclo concluso que se repite, siempre idéntico?» He aquí una hora peligrosa para todo hombre.
José Ortega y Gasset (Meditations on Quixote)
Thinking of things" is but a special way of dealing with them; but, as is obvious, it is a secondary manner of doing so and thus presupposes another [i.e., the primordial one]. The fundamental error—the "intellectualist" error—committed in Greece and modern Europe is tantamount to presupposing the opposite and to regarding one's intellectual manner of relating to things as one's primordial way of living. Descartes thus dared to define a human being, that is, the one living or "self," as une chose qui pense d'autres choses ["a thing that thinks of other things"]. That's done it! As if living were just being engaged in thinking of things! What about stumbling on them?
José Ortega y Gasset (What Is Knowledge? (Suny Series in Latin American and Iberian Thought and Culture))
If the European grows accustomed not to rule, a generation and a half will be sufficient to bring the old continent, and the whole world along with it, into mortal inertia, intellectual sterility, universal barbarism. It is only the illusion of rule, and the discipline of responsibility which it entails, that can keep Western minds in tension. Science, art, technique, and all the rest live on the tonic atmosphere created by the consciousness of authority. If this is lacking, the European will gradually become degraded. Minds will no longer have the radical faith in themselves which impels them, energetic, daring, tenacious, towards the capture of great new ideas in every order of life. The European will inevitably become a day-to-day man. Incapable of creative, specialized effort, he will always be falling back on yesterday, on custom, on routine. He will turn into a commonplace, conventional, empty creature, like the Greeks of the decadence and those of the Byzantine epoch.
José Ortega y Gasset
For the first time after so many years I come back to cry aloud in the desert. Because this is the mission of the intellectual who is truly a prophet—to cry in the desert. The greatest of the prophets, Isaiah, made it notable, of course, when he spoke of himself as the voice of one "crying in the wilderness." Because the mission of the intellectual is to be the man who, from his desert, his basic solitude—and man is only man amid his truth, only himself when he is alone—cries aloud to others and invites them to each into his own solitude.
José Ortega y Gasset (An Interpretation of Universal History)
So it happens that we must ask ourselves, with regard to truth, not for a new criterion for it, which will be better polished than earlier ones, but, peremptorily and seizing it by the lapels, "what is truth as such," and with regard to reality, not what things are or what and how is that which is, but for what reason that X which we call Being is in the Universe, and with regard to knowledge we must not ask for its bases and limits—as Plato, Aristotle Descartes, Kant did—but for something which comes before all this: for what reason we concern ourselves with trying to know.
José Ortega y Gasset (La Idea De Principio En Leibniz Y La Evolución De La Teoría Deductiva)
... we live at a time when man believes himself fabulously capable of creation, but he does not know what to create. Lord of all things, he is not lord of himself. He feels lost amid his own abundance. With more means at its disposal, more knowledge, more technique than ever, it turns out that the world today goes the same way as the worst of worlds that have been; it simply drifts. Hence the strong combination of a sense of power and a sense of insecurity which has taken up its abode in the soul of modern man. To him is happening what was said of the Regent during the minority of Louis XV: he had all the talents except the talent to make use of them. To the XIX Century many things seemed no longer possible, firm-fixed as was its faith in progress. Today, by the very fact that everything seems possible to us, we have a feeling that the worst of all is possible: retrogression, barbarism, decadence.
José Ortega y Gasset (The Revolt of the Masses)
Man is a fantastic animal; he was born of fantasy, he is the son of "the mad woman of the house." And universal history is the gigantic and thousand-year effort to go on putting order into that huge, disorderly, anti-animal fantasy. What we call reason is no more than fantasy put into shape. Is there anything in the world more fantastic than that which is the most rational? Is there anything more fantastic than the mathematical point, and the infinite line, and, in general, all mathematics and all physics? Is there a more fantastic fancy than what we call "justice" and the other thing that we call "happiness"?
José Ortega y Gasset (An Interpretation of Universal History)
For life is at the start a chaos in which one is lost. The individual suspects this, but he is frightened at finding himself face to face with this terrible reality, and tries to cover it over with a curtain of fantasy, where everything is clear. It does not worry him that his "ideas" are not true, he uses them as trenches for the defense of his existence, as scarecrows to frighten away reality. The clear-headed man is the man who frees himself from those fantastic "ideas" and looks life in the face, realizes that everything in it is problematic, and feels himself lost. As this is the simple truth —that to live is to feel oneself lost— he who accepts it has already begun to find himself, to be on firm ground.
José Ortega y Gasset (The Revolt of the Masses)
And such in fact is the behaviour of the specialist. In politics, in art, in social usages, in the other sciences, he will adopt the attitude of primitive, ignorant man; but he will adopt them forcefully and with self-sufficiency, and will not admit of- this is the paradox- specialists in those matters. By specialising him, civilisation has made him hermetic and self-satisfied within his limitations; but this very inner feeling of dominance and worth will induce him to wish to predominate outside his speciality. The result is that even in this case, representing a maximum of qualification in man- specialisation- and therefore the thing most opposed to the mass-man, the result is that he will behave in almost all spheres of life as does the unqualified, the mass-man.
José Ortega y Gasset (The Revolt of the Masses)
Scientific truth is characterized by its exactness and the rigorous quality of its assumptions. But experimental science wins these admirable qualities at the cost of maintaining itself on a plane of secondary problems and leaving the decisive and ultimate questions intact. Out of this renunciation it makes its essential virtue, and for this, if for nothing else, it deserves applause. But experimental science is only a meager portion of the mind and the organism. Where it stops, man does not stop. If the physicist stays the hand with which he delineates things at the point where his methods end, the human being who stands behind every physicist prolongs the line and carries it on to the end, just as our eye, seeing a portion of a broken arch, automatically completes the missing airy curve.
José Ortega y Gasset (What Is Philosophy?)
I know well that many of my readers do not think as I do. This also is most natural and confirms the theorem. For although my opinion turn out erroneous, there will always remain the fact that many of those dissentient readers have never given five minutes' thought to this complex matter. How are they going to think as I do? But by believing that they have a right to an opinion on the matter without previous effort to work one out for themselves, they prove patently that they belong to that absurd type of human being which I have called the "rebel mass." It is precisely what I mean by having one's soul obliterated, hermetically closed. Here it would be the special case of intellectual hermetism. The individual finds himself already with a stock of ideas. He decides to content himself with them and to consider himself intellectually complete.
José Ortega y Gasset
Self-reflection or autognosis reveals that what is given in consciousness is, first and foremost, integral connectedness and organic unity of all thinking, feeling, and desiring. At the same time, self-reflection reveals that this connected unity is the ultimate reality that can be reached. "Consciousness cannot go behind itself." Whatever we propose to think forms part of this organic unity of our mind and is a result or consequence of it. There is no means of jumping beyond consciousness, and any attempt to explain with the help of any other imaginary system the radical connectedness in which we live and that is our mind would be absurd. Our mind is the very presupposition of all explanation. For to explain a phenomenon means, in the last instance, to point out its place and its part within the living economy of consciousness, and to determine the "meaning" it has in the original source of all meaning: life.
José Ortega y Gasset
We see, then, that even from the zoological point of view, which is the least interesting and—note this—not decisive, a being in such condition can never achieve a genuine equilibrium; we also see something that differs from the idea of challenge-response in Toynbee and, in my judgement, effectively constitutes human life: namely, that no surroundings or change of surroundings can in itself be described as an obstacle, a difficulty, and a challenge for man, but that the difficulty is always relative to the projects which man creates in his imagination, to what he customarily calls his ideals; in short, relative to what man wants to be. This affords us an idea of challenge-and-response which is much deeper and more decisive than the merely anecdotal, adventitious, and accidental idea which Toynbee proposes. In its light, all of human life appears to us as what it is permanently: a dramatic confrontation and struggle of man with the world and not a mere occasional maladjustment which is produced at certain moments.
José Ortega y Gasset (An Interpretation of Universal History)
Eliot's own reflections on the primitive mind as a model for nondualistic thinking and on the nature and consequences of different modes of consciousness were informed by an excellent education in the social sciences and philosophy. As a prelude to our guided tour of the text of The Waste Land, we now turn to a brief survey of some of his intellectual preoccupations in the decade before he wrote it, preoccupations which in our view are enormously helpful in understanding the form of the poem. Eliot entered Harvard as a freshman in 1906 and finished his doctoral dissertation in 1916, with one of the academic years spent at the Sorbonne and one at Oxford. At Harvard and Oxford, he had as teachers some of modern philosophy's most distinguished individuals, including George Santayana, Josiah Royce, Bertrand Russell, and Harold Joachim; and while at the Sorbonne, he attended the lectures of Henri Bergson, a philosophic star in Paris in 1910-11. Under the supervision of Royce, Eliot wrote his dissertation on the epistemology of F. H. Bradley, a major voice in the late-nineteenth-, early-twentieth-century crisis in philosophy. Eliot extended this period of concentration on philosophical problems by devoting much of his time between 1915 and the early twenties to book reviewing. His education and early book reviewing occurred during the period of epistemological disorientation described in our first chapter, the period of "betweenness" described by Heidegger and Ortega y Gasset, the period of the revolt against dualism described by Lovejoy. 2 Eliot's personal awareness of the contemporary epistemological crisis was intensified by the fact that while he was writing his dissertation on Bradley he and his new wife were actually living with Bertrand Russell. Russell as the representative of neorealism and Bradley as the representative of neoidealism were perhaps the leading expositors of opposite responses to the crisis discussed in our first chapter. Eliot's situation was extraordinary. He was a close student of both Bradley and Russell; he had studied with Bradley's friend and disciple Harold Joachim and with Russell himself. And in 1915-16, while writing a dissertation explaining and in general defending Bradley against Russell, Eliot found himself face to face with Russell across the breakfast table. Moreover, as the husband of a fragile wife to whom both men (each in his own way) were devoted, Eliot must have found life to be a kaleidoscope of brilliant and fluctuating patterns.
Jewel Spears Brooker (Reading the Waste Land: Modernism and the Limits of Interpretation)
Human life, by its very nature, has to be dedicated to something, an enterprise glorious or humble, a destiny illustrious or trivial. We are faced with a condition, strange but inexorable, involved in our very existence. On the one hand, to live is something which each one does of himself and for himself. On the other hand, if that life of mine, which only concerns myself, is not directed by me towards something, it will be disjointed, lacking in tension and in "form." In these years we are witnessing the gigantic spectacle of innumerable human lives wandering about lost in their own labyrinths, through not having anything to which to give themselves. All imperatives, all commands, are in a state of suspension. The situation might seem to be an ideal one, since every existence is left entirely free to do just as it pleases- to look after itself. The same with every nation. Europe has slackened its pressure on the world. But the result has been contrary to what might have been expected. Given over to itself, every life has been left empty, with nothing to do. And as it has to be filled with something, it invents frivolities for itself, gives itself to false occupations which impose nothing intimate, sincere. To-day it is one thing, to-morrow another, opposite to the first. Life is lost at finding itself all alone. Mere egoism is a labyrinth. This is quite understandable. Really to live is to be directed towards something, to progress towards a goal.
José Ortega y Gasset