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For all too many of these high-born revolutionaries, the main attraction of 'the cause' lay not so much in the satisfaction which they might derive from seeing the people's daily lives improved, as in their own romantic search for sense of 'wholeness' which might give higher meaning to their lives and to end alienation from the world.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The link between literacy and revolutions is a well-known historical phenomenon. The three great revolutions of modern European history -- the English, the French and the Russian -- all took place in societies where the rate of literacy was approaching 50 per cent. Literacy had a profound effect on the peasant mind and community. It promotes abstract thought and enables the peasant to master new skills and technologies, Which in turn helps him to accept the concept of progress that fuels change in the modern world.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Convinced that their own ideas were the key to the future of the world, that the fate of humanity rested on the outcome of their own doctrinal struggles, the Russian intelligentsia divided up the world into the forces of 'progress' and 'reaction', friends and enemies of the people's cause, leaving no room for doubters in between. Here were the origins of the totalitarian world-view. Although neither would have liked to admit it, there was much in common between Lenin and Tolstoy.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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For the Romanov regime fell under the weight of its own internal contradictions. It was not overthrown.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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On the news that the Tsar had sent the troops icons to boost their morals, General Dragomirov quipped: 'The Japanese are beating us with machine-guns, but never mind: we'll beat them with icons.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The remarkable thing about the Bolshevik insurrection is that hardly any of the Bolshevik leaders had wanted it to happen until a few hours before it began.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Lenin was always prone to overestimate the physical danger to himself: in this respect he was something of a coward.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Their notion of training was to march the men up and down in parades and reviews: these were nice to look at and gave them the impression of military discipline and precision, but as a preparation for a modern war they had no value whatsoever.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The worst violence was reserved for the Jews. There were 690 documented pogroms -- with over 3,000 reported murders -- during the two weeks following the deceleration of the October Manifesto. The Rightist groups played a leading role in these programs, either by inciting the crowed against the Jews or by planning them from the start.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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It was not Marxism that made Lenin a revolutionary but Lenin who made Marxism revolutionary.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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To the less privileged it was this arbitrariness that made the regime's power feel so oppressive. There were no clear principles or regulations which enabled the individual to challenge authority or the state.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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This was a cruelty made by history. Long after serfdom had been abolished the land captains exercised their right to flog the peasants for petty crimes. Liberals rightly warned about the psychological effects of this brutality. One physician, addressing the Kazan Medical Society in 1895 said that it 'not only debases but even hardens and brutalizes human nature'. Chekhov, who was also a practising physician, denounced corporal punishment, adding that 'it coarsens and brutalizes not only the offenders but also those who execute the punishments and those who are present at it'.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The Provisional Government had lost effective military control of the capital a full two days before the armed uprising began. This was the essential fact of the whole insurrection: without it one cannot explain the ease of the Bolshevik victory.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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These romantic visions of the peasantry were constantly undone by contact with reality, often with devastating consequences for their bearers. The populists, who invested much of themselves in their conception of the peasants, suffered the most in this respect, since the disintegration of that conception threatened to undermine not only their radical beliefs but also their own self-identity.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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...from the perspective of the individual, it could be said that the single greatest difference between Russia and the West, both under Tsarism and Communism, was that in Western Europe citizens were generally free to do as they pleased so long as their activities had not been specifically prohibited by the state, while the people of Russia were not free to do anything unless the state had given them specific permission to do it. No subject of the Tsar, regardless of his rank or class, could sleep securely in his bed in the knowledge that his house would not be subject to a search, or he himself to arrest.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The only way, they argued, to prevent a revolution was to rule Russia with an iron hand. This meant defending the autocratic principle, the unchecked powers of the police, the hegemony of the nobility, and the moral domination of the Church, against the liberal and secular challenges of the urban-industrialize order.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The peasant also found another use for this sacred object. 'He says of the icon: "It's good for praying -- and you can cover the pots with it too.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Everybody cursed the Bolsheviks but nobody was prepared to do anything about them.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Whereas land reform was the first act of the Bolsheviks, it was the last act of the Whites: that, in a peasant country, says it all.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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There is no sadder symbol of the crippling poverty in which millions of peasants were forced to live than the image of a peasant and his son struggling to drag a plough through the mud.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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In the mind of the ordinary peasant the Tsar was not just a kingly ruler but a god on earth. He thought of him as a father-figure who knew all the peasants personally by name, understood their problems in all their minute details, and, if it were not for the evil boyars who surrounded him, would satisfy their demands. Hence the peasant tradition of sending direct appeals to the Tsar.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The currents of modern civilization had somehow passed it by, and as he returned to it now, fresh from the sides of England and France, Sergei Semenov saw only familiar signs of backwardness and decay.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Lenin's Personal life was extraordinarily dull. He dressed and lived like a middle-aged provincial clerk, with precisely fixed hours for meals, sleep, work and leisure. He liked everything to be neat and orderly.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The 'noble savage' whom the Populists had seen in the simple peasant was, as Gorky now concluded, no more than a romantic illusion. And the more he experienced the everyday life of the peasant, the more he denounced them as savage and barbaric.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Whereas in Western countries the constitution merely had to guarantee the rights of a per-existing civil society and culture, in Russia it also had to create these. It had to educate society - and the state itself - into the values and ideas of liberal constitutionalism.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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With the Russian Empire teetering on the brink of collapse, the tsarist regime responded to the crises with its usual incompetence and obstinacy. The basic problem was that Nicholas himself remained totally oblivious to the extremity of the situation. While the country sank deeper into chaos he continued to fill his diary with terse and trivial notes on the weather, the company at tea and the number of birds he had shot that day. When Bulygin suggested that political concessions might be needed to calm the country, Nicholas was taken aback and told the Minister: 'One would think you are afraid a revolution will break out.' 'Your majesty,' came the reply, 'the revolution has already begun.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The ancient bond between the tsarist state and Russian nationalism could be used to create powerful emotions when the enemy came from the heathen east. The Mongol invasion had left a powerful mark on the Russian psyche. It was expressed in a deep anxiety about the mixed Eurasian roots of the people and it's culture, which made it easy for an educated liberal to convince themselves that this war was nothing less than a defense of Russia's European identity against the Asian hordes.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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We, the workers and inhabitants of St Petersburg, of various estates, our wives, our children, and our aged, helpless parents, come to THEE, O SIRE to seek justice and protection. We are impoverished; we are oppressed, overburdened with excessive toil, contemptuously treated . . . We are suffocating in despotism and lawlessness. O SIRE we have no strength left, and our endurance is at an end. We have reached that frightful moment when death is better than the prolongation of our unbearable sufferings. . .
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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Only a few miles from any city centre one would find oneself already in the backwoods, where there were bandits living in the forests, where roads turned into muddy bogs in spring, and where the external signs of life in the remote hamlets had remained essentially unchanged since the Middle Ages. Yet, despite living so close to the peasants, the educated classes of the cities knew next to nothing about their world. It was as exotic and alien to them as the natives of Africa were to their distant colonial rulers.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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The deeper the Whites moved into the steppe, the more they resorted to terror against a hostile population. Their Ice March left a trail of blood. It was perhaps unavoidable, given the Volunteers' desperate need for food and the reluctance of the peasants to give it to them. The Whites were stranded in a Red peasant sea. But there was also an element of sheer class war and revenge in their violence, as in so many acts of the White Terror, which was a mirror image of the class resentment and hatred that drove the Red Terror. Terror lay at the heart of both regimes.
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Orlando Figes (A People's Tragedy: The Russian Revolution, 1891 - 1924)
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As in 1917, the drift towards authoritarian government under Putin was enabled by the weakness of the middle classes and public institutions in post-Soviet Russia. Subjected
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Orlando Figes (A People's Tragedy: The Russian Revolution: 1891-1924)
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For the majority of ordinary Russians, especially for those of a certain age who identified themselves as βSovietβ, the 1990s were little short of a catastrophe. They lost everything: a familiar way of life; an economic system that guaranteed security; an ideology that gave them moral certainties, perhaps even hope; a huge empire with superpower status and an identity that covered over ethnic divisions; and national pride in Soviet achievements in culture, science and technology. Struggling
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Orlando Figes (A People's Tragedy: The Russian Revolution: 1891-1924)
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According to a poll of 2005, 42 per cent of the Russian people, and 60 per cent of those over 60 years of age, wanted the return of a βleader like Stalinβ.
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Orlando Figes (A People's Tragedy: The Russian Revolution: 1891-1924)