Orks Quotes

We've searched our database for all the quotes and captions related to Orks. Here they are! All 19 of them:

Trazyn. Our ships are without atmosphere, unpressurised,’ Orikan said. ‘Do orks… breathe?’ A pause. ‘They have lungs.’ Prepare to repel boarders, Orikan signalled. In case.
Robert Rath (The Infinite and the Divine (Warhammer 40,000))
Orks ir tas, kurš priecājas, kad bērns cieš, bet vēl laimīgāks tas ir, ja bērns mirst.
Silvana De Mari (L'ultimo orco (L'ultimo elfo, #2))
Cinta tak menafikan dan menghapuskan batas dan jarak di antara kalian. Batas dan jarak itu tetap ada. Namun batas itu tidak membelenggu dan jarak itu tidak memisahkan kalian. Elaborasinya serupa orkestra yang tercipta dari gabungan berbagai alat musik. Ada instrumen gesek; biola, viola, cello dan kontra bass. Alat musik tiup; flute, oboe, clarinet, dan bassoon. Alat musik petik; gitar, harpa, ukulele, kecapi. Alat musik perkusi; drum, piano, marimba, timpani. Namun demikian, gabungan dari semua instrumen yang berbeda beda itu bisa membentuk sebuah orkes simfoni yang indah, karena mereka tidak bermain sendiri sendiri. Mereka menyelaraskan bunyi dan nada dalam sebuah kesatuan harmoni yang padu, merdu, indah dan menyentuh hati.
Titon Rahmawan
They said later that Mrs. Merriweather was putting her all into the grand finale, that she had crooned, "Po-ork," with a confidence born of pine trees and butterbeans entering on cue. She waited a few seconds, then called, "Po-ork?" When nothing materialized, she yelled, "Pork!
Harper Lee (To Kill a Mockingbird)
Their feathers make soft beds,' asserted Pessim. 'And my skin would make excellent drumheads,' retorted the Ork. 'Nevertheless, a plucked bird or a skinned Ork would be of no value to himself, so we needn't brag of our usefulness after we are dead. But for the sake of argument, friend Pessim, I'd like to know what good YOU would be, were you not alive?
L. Frank Baum (The Scarecrow of Oz (Oz, #9))
Eleştirmenler Tolkien'ı 'basitleştirmeciliğinden', Orta Dünya'nın sakinlerini iyiler ve kötüler diye ikiye ayırmasından ötürü çok suçladılar. Tolkien gerçekten de bunu yapıyor. [...] öyküye ruhsal bir yolculuk olarak baktığınızda ise çok farklı ve tuhaf bir şeyle karşılaşıyorsunuz. O zaman karşınıza çıkan, her birinin kara bir gölgesi olan parlak figürler topluluğu. Elf'lere karşı Ork'lar. Aragorn'a karşı Kara Süvari. Gandalf'a karşı Saruman. Ve hepsinden öte, Frodo'ya karşı Gollum. Ona karşı ve onunla birlikte. [...] Bu açıdan baktığınızda Yüzüklerin Efendisi'ne basit bir öykü diyebilir miyiz? Bence diyebiliriz. Kral Oedipus da oldukça basit bir öyküdür. Ancak basitleştirici değildir. Ancak dönüp gölgesiyle yüzleşmiş, karanlığa bakmış birinin anlatabileceği bir öyküdür. Yüzüklerin Efendisi'nin fantazi dilinde yazılmış olması tesadüf değildir; bunun nedeni Tolkien'ın bir gerçeklik kaçağı olması değildir, çocuklar için yazması da değildir. Neden, fantazinin ruhsal yolculuğun 'ruhta' iyiyle kötünün mücadelesinin doğal, en uygun dili olmasıdır.
Ursula K. Le Guin (Kadınlar, Rüyalar, Ejderhalar)
orking with serious mental illness, criminal behavior and substance addiction over the years has forced us to travel into interpersonal realms where few have gone. Over and over, we have had to face our own feelings of vulnerability, helplessness, fear and despair, only to find that, in the end, there is hope. Our experiences, although sometimes terrifying, compelled us to look deep inside ourselves, where we found an unexpected peace. It is through this upheaval and self-scrutiny that we have come to know joy. As therapists, it was a surprise to find out that so much of what we learned academically had so little to do with the reality of working with severely disturbed people. Not once during our academic careers were we ever realistically prepared for the roller-coaster nature of the professional path we were setting out on. We were not told of the horror, the helplessness or the elation we would feel in treating maladies of the human heart. So, when we launched our practice, it was trial by fire. When we were finally faced with patients in the depths of despair or the throes of violence-a humbling experience-we learned we had to drop the professional persona and rely on our own intuition. There
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
orking with serious mental illness, criminal behavior and substance addiction over the years has forced us to travel into interpersonal realms where few have gone. Over and over, we have had to face our own feelings of vulnerability, helplessness, fear and despair, only to find that, in the end, there is hope. Our experiences, although sometimes terrifying, compelled us to look deep inside ourselves, where we found an unexpected peace. It is through this upheaval and self-scrutiny that we have come to know joy. As therapists, it was a surprise to find out that so much of what we learned academically had so little to do with the reality of working with severely disturbed people. Not once during our academic careers were we ever realistically prepared for the roller-coaster nature of the professional path we were setting out on. We were not told of the horror, the helplessness or the elation we would feel in treating maladies of the human heart. So, when we launched our practice, it was trial by fire. When
Adele von Rust McCormick (Horse Sense and the Human Heart: What Horses Can Teach Us About Trust, Bonding, Creativity and Spirituality)
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Orked binti Ahmad (Yasmin How You Know?)
The entire life is exam that never ends until the life itself ends.
R.H Ork
We've been through this, Orm. Orks have no... reproductive anatomy, and consequently no understanding of sex or gender.' 'Some of us understand sexangender', interrupted Biter, keen as ever to demonstrate their unusual expertise in humans. 'I find it all... quite funny.
Nate Crowley (Ghazghkull Thraka: Prophet of the Waaagh! (Warhammer 40,000))
As luck would have it, I’d been carrying the big metal bucket when it happened, and that’s what saved me. A bullet had pinged off it, right back into the shin of the ork who’d fired it, and I’d legged it while the ork was busy shouting at the bucket.
Nate Crowley (Ghazghkull Thraka: Prophet of the Waaagh! (Warhammer 40,000))
Orks, thought Oltyx, feeling pure hatred. Only they could enter the ancient tomb of a culture so might it had defeated gods, get massacred in the process, and then have a party.
Nate Crowley (The Twice-Dead King: Ruin)
Ufthak would be the first to admit that ork accuracy wasn’t exactly brilliant, as a rule, but that was because aiming was for cowards.
Mike Brooks (Brutal Kunnin' (Warhammer 40,000))
he started yelping out ‘Ork! Ork! Ork!’ and slapping his hands together, then he was back to normal.
Melanie James (Haunting Leigh (Literal Leigh Romance Diaries, #4))
I can tell in the morning, just by looking at him, how our day’s going to go. Sometimes he’s yummy, sort of like Tom Cruise. Others he’s more Robin Williams, you know, Mork from Ork. When Freddy Krueger’s on the pillow next to me, I know it’s not going to be a good day.” —Sam, Olympia, WA
Merry Bloch Jones (I Love Him, But . . .)
Sjølvingen sa goddag og spurte om det samme som betjenten. - Si meg nu, Thomas, er noen syk på Slottet? - Næi. Men han far er så rar og ho mor er sint og ho besta ho gret. - Noe er vel i veien da? - Ork ja, svarte vesle Thomas. - Det er hypoteken og tvangskusjon. (...) Vesle Thomas var nesten vaksen i øynene. Og der var en bekymring i dem, som handelsmannen visste ikke skulle fins i så unge øyne. Han så inntrengende liksom på småtassen: - Og så er du kommet hele den lange veien alene til meg da, Thomas? (...) Røsten var meget liten og ynkelig. For du skjønner at det er mi skyld, for æg eter så altfor mykje. (...) Var det en handsrekning om å gjøre, så skulle vel faren din ha kommet. - Å nei, han far kjem ikkje. Ikkje denna gongen, sa han. Men har du ikkje nokke arbeid åt mæg, slik at æg fikk til hypoteken?
John Giæver (Langt der oppe mot nord)
The door opened. I stopped. Beyond it, orks lined both sides of the corridor. They had been watching for me. The moment I appeared, they roared their approval. They did not attack. They simply stood, clashed guns against blades, and hooted brute enthusiasm. I had been subjected to too many celebratory parades on Armageddon not to recognise one when it confronted me. I went numb from the unreality before me. I stepped forward, though. I had no choice. I walked. It was the most obscene victory march of my life. I moved through corridor, hold and bay, and the massed ranks of the greenskins hailed my passage. I saw the evidence of the destruction I had caused around every bend. Scorch marks, patched ruptures, buckled flooring, collapsed ceilings. But it hadn’t been enough. Not nearly enough. Only enough for this… this… At length, I arrived at a launch bay. There was a ship on the pad before the door. It was human, a small in-system shuttle. It was not built for long voyages. No matter, as long as its vox-system was still operative. I knew that it would be. Ghazghkull Mag Uruk Thraka awaited me beside the ship’s access ramp. I did not let my confusion or the sense that I had slipped into an endless waking nightmare slow my stride. I did not hesitate as I strode towards the monster. I stopped before him. I met his gaze with all the cold hatred of my soul. He radiated delight. Then he leaned forward, a colossus of armour and bestial strength. Our faces were mere centimetres apart. My soul bears many scars from the days and months of my defeat and captivity. But there is one memory that, above all others, haunts me. By day, it is a goad to action. By night, it murders sleep. It lives with me always, the proof that there could hardly be a more terrible threat to the Imperium than this ork. Thraka spoke to me. Not in orkish. Not even in Low Gothic. In High Gothic. ‘A great fight,’ he said. He extended a huge, clawed finger and tapped me once on the chest. ‘My best enemy.’ He stepped aside and gestured to the ramp. ‘Go to Armageddon,’ he said. ‘Make ready for the greatest fight.’ I entered the ship, my being marked by words whose full measure of horror lay not in their content, but in the fact of their existence. I stumbled to the cockpit, and discovered that I had a pilot. It was Commander Rogge. His mouth was parted in a scream, but there was no sound. He had no vocal cords any longer. There was very little of his body recognisable. He had been opened up, reorganised, fused with the ship’s control and guidance systems. He had been transformed into a fully aware servitor. ‘Take us out of here,’ I ordered. The rumble of the ship’s engines powering up was drowned by the even greater roar of the orks. I knew that roar for what it was: the promise of war beyond description.
David Annandale (Yarrick: The Omnibus)