Organ Donation After Death Quotes

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Once I am sure there's nothing going on I step inside, letting the door thud shut. Another church: matting, seats, and stone, And little books; sprawlings of flowers, cut For Sunday, brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense, musty, unignorable silence, Brewed God knows how long. Hatless, I take off My cycle-clips in awkward reverence. Move forward, run my hand around the font. From where I stand, the roof looks almost new - Cleaned, or restored? Someone would know: I don't. Mounting the lectern, I peruse a few Hectoring large-scale verses, and pronounce 'Here endeth' much more loudly than I'd meant. The echoes snigger briefly. Back at the door I sign the book, donate an Irish sixpence, Reflect the place was not worth stopping for. Yet stop I did: in fact I often do, And always end much at a loss like this, Wondering what to look for; wondering, too, When churches will fall completely out of use What we shall turn them into, if we shall keep A few cathedrals chronically on show, Their parchment, plate and pyx in locked cases, And let the rest rent-free to rain and sheep. Shall we avoid them as unlucky places? Or, after dark, will dubious women come To make their children touch a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort will go on In games, in riddles, seemingly at random; But superstition, like belief, must die, And what remains when disbelief has gone? Grass, weedy pavement, brambles, buttress, sky, A shape less recognisable each week, A purpose more obscure. I wonder who Will be the last, the very last, to seek This place for what it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber, randy for antique, Or Christmas-addict, counting on a whiff Of gown-and-bands and organ-pipes and myrrh? Or will he be my representative, Bored, uninformed, knowing the ghostly silt Dispersed, yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation - marriage, and birth, And death, and thoughts of these - for which was built This special shell? For, though I've no idea What this accoutred frowsty barn is worth, It pleases me to stand in silence here; A serious house on serious earth it is, In whose blent air all our compulsions meet, Are recognized, and robed as destinies. And that much never can be obsolete, Since someone will forever be surprising A hunger in himself to be more serious, And gravitating with it to this ground, Which, he once heard, was proper to grow wise in, If only that so many dead lie round.
Philip Larkin
After I die if I am buried I will rot. If I am burnt I will become ash but if my body is donated I will live to give life and happiness to many." "Live life after death - pledge to donate your body.
Amit Abraham
The final wishes of an atheist are ultimately meaningless. I mean, I would like to be cremated after any salvageable organs have been donated to right-wing Republicans and religious fundamentalists because I'm really not bitter after all). But ultimately it isn't my concern
David B. Feinberg (Queer and Loathing: Rants and Raves of a Raging AIDS Clone)
intense and accurate shelling by enemy ships of the line. * To the believers—and the terrified—it was natural to look for salvation from the storm inside one of the town’s forty churches or other edifices associated with God’s work on earth. This was especially true regarding Galveston’s Negro population, to whom religion was an elemental life-force and not a conveyance for social or sartorial prestige. Organized worship for the blacks of Galveston began in the 1840s on a three-shift basis; in the town’s then-only church the white masters gathered for service in the mornings, the slaves occupied the pews in the afternoons, exiting in time for the seignoral class to move back in for evening worship. According to an aged former slave known to all as “Auntie Ellen Roe,” it was her one-time master Gail Borden—chief customs collector, later city property agent and prime mover of a dairy fortune—who was responsible for creating separate-but-equal religious facilities on the island. Auntie Ellen recalled how the Bordens “trained her carefully as to body, mind and soul after buying her, at the age of seven, from cruel slave speculators who stole little children and sold them upon the block.” In 1851, Borden secured title to a lot on Broadway, near the booming business district, and helped collect donations for a new all-Negro church. Ellen Roe contributed the first dollar, painfully earned by reciting perfectly her Sunday-School lessons, in which she was strenuously coached by Mrs. Borden and later rewarded at the rate of twenty-five cents per recitation.
Herbert Molloy Mason (Death from the Sea)