Orchid Beauty Quotes

I hated roses. I hated them for being so trite, so clichéd, a default, all-purpose flower that said I love you, I'm sorry, and get well soon. Give me peonies and tulips, orchids or gardenia. Those were flowers with character.

Lord Illingworth told me this morning that there was an orchid there as beautiful as the seven deadly sins.

You're a quiet, beautiful woman in a loud, ugly place. An orchid among weeds. You define obvious.

Because -' she looked up at Bill and gave him a smile that lit up her face, granting him a sudden flash of her true beauty - 'love never die, Mister Bill. It never die.

Orchid hunting is a mortal occupation.

Look at these wildflowers.” Hannah sweeps her arm around. “They’re not fancy, they’re not prizewinning orchids or roses. But they don’t care. They’re just wildflowers, doing their thing, and they’re beautiful. Be like them, sweet pea. Just be you and be happy.

IT’S THE LESSON YOUNG GIRLS EVERYWHERE were taught their entire lives—don’t be seduced by the men you meet, protect your virtue—until, of course, their entire lives depended on seduction by the right man. It was an impossible situation, a trick of society as a whole: force women to live at the mercy of whichever man wants them but shame them for anything they might do to get a man to want them. Passivity was the ultimate virtue. Heaven forbid you turn into someone like Hyacinth Coldwater. Be patient, be silent, be beautiful and untouched as an orchid, and then and only then will your reward come: a bell jar to keep you safe.

When the Devil was a woman, When Lilith wound Her ebony hair in heavy braids, And framed Her pale features all 'round With Botticelli's tangled thoughts, When she, smiling softly, Ringed all her slim fingers In golden bands with brilliant stones, When she leafed through Villiers And loved Huysmans, When she fathomed Maeterlinck's silence And bathed her Soul In Gabriel d'Annunzio's colors, She even laughed And as she laughed, The little princess of serpents sprang Out of her mouth. Then the most beautiful of she-devils Sought after the serpent, She seized the Queen of Serpents With her ringed finger, So that she wound and hissed Hissed, hissed And spit venom. In a heavy copper vase; Damp earth, Black damp earth She scattered upon it. Lightly her great hands caressed This heavy copper vase All around, Her pale lips lightly sang Her ancient curse. Like a children's rhyme her curses chimed, Soft and languid Languid as the kisses, That the damp earth drank From her mouth, But life arose in the vase, And tempted by her languid kisses, And tempted by those sweet tones, From the black earth slowly there crept, Orchids - When the most beloved Adorns her pale features before the mirror All 'round with Botticelli's adders, There creep sideways from the copper vase, Orchids- Devil's blossoms which the ancient earth, Wed by Lilith's curse To serpent's venom, has borne to the light Orchids- The Devil's blossoms- "The Diary Of An Orange Tree

[Jürgen Habermas' obituary to friend and philosopher, Richard Rorty] One small autobiographical piece by Rorty bears the title 'Wild Orchids and Trotsky.' In it, Rorty describes how as a youth he ambled around the blooming hillside in north-west New Jersey, and breathed in the stunning odour of the orchids. Around the same time he discovered a fascinating book at the home of his leftist parents, defending Leon Trotsky against Stalin. This was the origin of the vision that the young Rorty took with him to college: philosophy is there to reconcile the celestial beauty of orchids with Trotsky's dream of justice on earth. Nothing is sacred to Rorty the ironist. Asked at the end of his life about the 'holy', the strict atheist answered with words reminiscent of the young Hegel: 'My sense of the holy is bound up with the hope that some day my remote descendants will live in a global civilization in which love is pretty much the only law.

God created an awesome world. God intentionally loaded the world with amazing things to leave you astounded. The carefully air-conditioned termite mound in Africa, the tart crunchiness of an apple, the explosion of thunder, the beauty of an orchid, the interdependent systems of the human body, the inexhaustible pounding of the ocean waves, and thousands of other created sights, sounds, touches, and tastes—God designed all to be awesome. And he intended you to be daily amazed.

Then think of this as an adventure." I kissed hi cheek. "So which flower should I be?" He curled me close to his chest, nuzzling his face into my hair. "Mmmm, can't you be all of them? My own bouquet of beauty? Like daisies opening their friendly petals." He brushed his fingertips over my eyelids. "Or marigolds that burn like the summer sun." He rubbed his hands over my back. "Or orchids-rare and exotic." He traced a finger across my collarbone down to rest lightly on the locket I wore all the time. "Roses for passion." He kissed me.

When I was suddenly thrust into what everyone calls menopause (Orchids) earlier than my body planned, I decided someone needed to take charge on so many levels. It was time to not only change the vernacular, but to speak up and say "Hey! This isn't an old lady's disease! We aren't old! We are strong and dammit, we are beautiful and sexy too!

Patriotic to the point of arrogance, quick to take offense at any seeming slight of his beloved country and government

It's ok to want it. It's beautiful to be different. It takes strength and courage, and those are never things to be afraid of.

We humans think we are smart, but an orchid, for example, knows how to produce noble, symmetrical flowers, and a snail knows how to make a beautiful, well-proportioned shell. Compared with their knowledge, ours is not worth much at all. We should bow deeply before the orchid and the snail and join our palms reverently before the monarch butterfly and the magnolia tree. The feeling of respect for all species will help us recognize the noblest nature in ourselves. Thich Nhat Hanh

ON THE DEATH OF THE BELOVED Though we need to weep your loss, You dwell in that safe place in our hearts Where no storm or night or pain can reach you. Your love was like the dawn Brightening over our lives, Awakening beneath the dark A further adventure of color. The sound of your voice Found for us A new music That brightened everything. Whatever you enfolded in your gaze Quickened in the joy of its being; You placed smiles like flowers On the altar of the heart. Your mind always sparkled With wonder at things. Though your days here were brief, Your spirit was alive, awake, complete. We look toward each other no longer From the old distance of our names; Now you dwell inside the rhythm of breath, As close to us as we are to ourselves. Though we cannot see you with outward eyes, We know our soul’s gaze is upon your face, Smiling back at us from within everything To which we bring our best refinement. Let us not look for you only in memory, Where we would grow lonely without you. You would want us to find you in presence, Beside us when beauty brightens, When kindness glows And music echoes eternal tones. When orchids brighten the earth, Darkest winter has turned to spring; May this dark grief flower with hope In every heart that loves you. May you continue to inspire us: To enter each day with a generous heart. To serve the call of courage and love Until we see your beautiful face again In that land where there is no more separation, Where all tears will be wiped from our mind, And where we will never lose you again.

But what the world remembered was her beauty. She was not just beautiful like some people think of beautiful, for her beauty was not just for herself. It was the kind of beauty that didn't kill or isolate. She made everything and everyone that saw her or that she saw, touched or walked over want to live a little longer just from the hope of seeing her again. The world flowered and grew wherever she passed. When she brushed by them, wild orchids and lilies mutated into forms and colors never seen before. Even rocks would sparkle, split and crumble into smaller chunks, then grow their ecstatic fragments back into cliffs, defying time and geology, and all because they felt her sueded feet step upon them.

Be patient, be silent, be beautiful and untouched as an orchid, and then and only then will your reward come: a bell jar to keep you safe.

As we delight in the strange and exotic beauty of orchid flowers, it is salutary to reflect that we are, in essence, looking at their genitalia.

Aidan laughed for the joy of the frog orchids. He cried, too, for their beauty. His melancholy was cured. And a prayer was answered that he hadn’t been able to pray.

Misery is the work of the mind," Nuharoo said as she took a sip of her tea. "Master it and you will feel nothing but happiness. The beauty of my nails has not been damaged, because they stayed inside the protectors.

The girl could have been Sleeping Beauty with a creamy, pale complexion waiting for her prince to kiss her and resurrect her to life—if not for the numerous stab wounds in her torso. And the black orchid that lay on her chest.

Besides, I think the real reason is that life has no meaning. I mean, no obvious meaning. You wake up, you go to work, you do stuff. I think everybody’s always looking for something a little unusual that can preoccupy them and help pass the time.

After the hardy baldness of the Norfolk landscape, which Julia appreciated had its own raw beauty, the Cote d'Azur offered spectacular, colorful intricacy. It was rather like comparing a rough diamond to an exquisitely fashioned and polished sapphire, yet they both had their own unique charms.

May 27, 1941 Sunday we encountered specimens of the rarely appearing yellow lady's slipper. This orchis is fragilely beautiful. One tends to think of it almost as a phenomenon, without any roots or place in the natural world. And yet it, too, has had its tough old ancestors which have eluded fires and drought and freezes to pass on in this lovely form the boon of existence. If a plant so delicately lovely can at the same time be so toughly persistent and resistant to all natural enemies, can we doubt that hopes for a better an more rational world may not also withstand all assaults, be bequeathed from generation to generation, and come ultimately to flower? President Roosevelt says he has not lost faith in democracy; nor have I lost faith in the transcendent potentialities of LIFE itself. One has but to look about him to become almost wildly imbued with something of the massive, surging vitality of the earth.

George thrust into Alma's hand a lithograph of a spotted 'Catasetum.' The orchid had been rendered so magnificently that it seemed to grow off the page. Its lips were spotted red against yellow, and appeared moist, like living flesh. Its leaves were lush and thick, and its bulbous roots looked as though one could shake actual soil off them. Before Alma could thoroughly take in the beauty, George handed her another stunning print- a 'Peristeria barkeri,' with its tumbling golden blossoms so fresh they nearly trembled. Whoever had tinted this lithograph had been a master of texture as well as color; the petals resembled unshorn velvet, and touches of albumen on their tips gave each blossom a hint of dew. Then George handed her another print, and Alma could not help but gasp. Whatever this orchid was, Alma had never seen it before. Its tiny pink lobes looked like something a fairy would don for a fancy dress ball.

flowers, they are both endowed and burdened with an exquisite sensitivity to the inhabited, living world, and, also like the orchid, have both frailties that can threaten their existence and health, as well as hidden capacities for lives of beauty, honesty, and notable achievement. Make no mistake, however, that

By such subtle signs, like an orchestra tuning up, the daily event that is central to life on the Coromandel Coast announces itself: the evening breeze. The Madras evening breeze has a body to it, its atomic constituents knitted together to create a thing of substance that strokes and cools the skin in the manner of a long, icy drink or a plunge into a mountain spring. It pushes through on a broad front, up and down the coast; unhurried, reliable, with no slack until after midnight, by which time it will have lulled them into beautiful sleep. It doesn’t know caste or privilege as it soothes the expatriates in their pocket mansions, the shirtless clerk sitting with his wife on the rooftop of his one-room house, and the pavement dwellers in their roadside squats. Digby has seen the cheery Muthu become distracted, his conversation clipped and morose, as he waits for the relief that comes from the direction of Sumatra and Malaya, gathering itself over the Bay of Bengal, carrying scents of orchids and salt, an airborne opiate that unclenches, unknots, and finally lets one forget the brutal heat of the day. “Yes, yes, you are having your Taj Mahal, your Golden Temple, your Eiffel Tower,” an educated Madrasi will say, “but can anything match our Madras evening breeze?

Orchids are considered the most highly evolved flowering plants on earth. They are unusual in form, uncommonly beautiful in color, often powerfully fragrant, intricate in structure, and different from any other family of plants. The reason for their unusualness has always been puzzled over. One guess is that orchids might have evolved in soil that was naturally irradiated by a meteor or mineral deposit, and that the radiation is what mutated them into thousands of amazing forms... In 1678 the botanist Jakob Breyne wrote: "The manifold shape of these flowers arouses our highest admiration. They take on the form of little birds, of lizards, of insects. They look like a man, like a woman, sometimes like an austere, sinister figure, sometimes like a clown who excites our laughter. They represent the image of a lazy tortoise, a melancholy toad, an agile, ever-chattering monkey." Orchids have always been thought of as beautiful but strange. A wildflower guide published in 1917 called them "our queer freaks.

The night was as perfect as she could possibly have hoped. Only on nights like this did Wharton Park rival the beauty of her childhood home in Provence. The softness of an English country evening, when land and sky seemed to melt into each other, the smell of freshly mown grass, mingling with the scent of roses, had its own special magic.

Our garden was large and beautiful as that garden in the Bible - the tree of life grew there. But it had gone wild. The paths were overgrown and a smell of dead flowers mixed with the fresh living smell. Underneath the tree ferns, tall as forest tree ferns, the light was green. Orchids flourished out of reach or for some reason not to be touched. One was snaky looking, another like an octopus with long thing brown tentacles bare of leaves hanging from a twisted root. Twice a year the octopus orchid flowered - then not an inch of tentacle showed. It was a bell-shaped mass of white, mauve, deep purples, wonderful to see. The sent was very sweet and strong. I never went near it.

At present I am undecided whether nature tried 'her 'prentice hand' on them in her earliest youth, or whether, having got thoroughly tired of making the delicately beautiful antelopes, corallines, butterflies,and orchids, she just said 'Goodness! I am quite worn out with this finicking work. Here, just put these other viscera into big bags - I can't bother any more.

Weak sunlight slanted across the table, flecked with glimmering, floating dust motes, some of them swirling around the light blue petals. Confusion spread through her as she saw the inflorescence of glowing blooms. The broad ovoid leaves were clan and glossy, and the roots anchored among the crushed clay pottery shards had been carefully trimmed and kept damped. The Blue Vanda hadn't sickened in Winterborne's care... it had thrived. Helen leaned over the orchid, touching the beautiful arc of its stem with a single fingertip. Shaking her head in wonder, she felt a tickle at the edge of her chin, and didn't realize it was a tear until she saw it drop onto one of the Vanda's leaves. "Oh, Mr. Winterborne," she whispered, and reached up to wipe at her wet cheeks. "Rhys. There's been a mistake.

extraordinary, biologically embedded sensitivities that render such children so unduly susceptible to the hazards and adversities of life make them also more receptive to the gifts and promises of life. Therein lies an intriguing and life-giving secret: that orchids are not broken dandelions but a different, more subtle kind of flower. Within the struggles and frailties of orchids lies an unimagined strength and redemptive beauty.

My four things I care about are truth, meaning, fitness and grace. [...] Sam [Harris] would like to make an argument that the better and more rational our thinking is, the more it can do everything that religion once did. [...] I think about my personal physics hero, Dirac – who was the guy who came up with the equation for the electron, less well-known than the Einstein equations but arguably even more beautiful...in order to predict that, he needed a positively-charged and a negatively-charged particle, and the only two known at the time were the electron and the proton to make up, let's say, a hydrogen atom. Well, the proton is quite a bit heavier than the electron and so he told the story that wasn't really true, where the proton was the anti-particle of the electron, and Heisenberg pointed out that that couldn't be because the masses are too far off and they have to be equal. Well, a short time later, the anti-electron -- the positron, that is -- was found, I guess by Anderson at Caltech in the early 30s and then an anti-proton was created some time later. So it turned out that the story had more meaning than the exact version of the story...so the story was sort of more true than the version of the story that was originally told. And I could tell you a similar story with Einstein, I could tell it to you with Darwin, who, you know, didn't fully understand the implications of his theory, as is evidenced by his screwing up a particular kind of orchid in his later work...not understanding that his theory completely explained that orchid! So there's all sorts of ways in which we get the...the truth wrong the first several times we try it, but the meaning of the story that we tell somehow remains intact. And I think that that's a very difficult lesson for people who just want to say, 'Look, I want to'...you know, Feynman would say, "If an experiment disagrees with you, then you're wrong' and it's a very appealing story to tell to people – but it's also worth noting that Feynman never got a physical law of nature and it may be that he was too wedded to this kind of rude judgment of the unforgiving. Imagine you were innovating in Brazilian jiu-jitsu. The first few times might not actually work. But if you told yourself the story, 'No, no, no – this is actually genius and it's working; no, you just lost three consecutive bouts' -- well, that may give you the ability to eventually perfect the move, perfect the technique, even though you were lying to yourself during the period in which it was being set up. It's a little bit like the difference between scaffolding and a building. And too often, people who are crazy about truth reject scaffolding, which is an intermediate stage in getting to the final truth.

Drake took in the grove of poplar and chestnut trees standing to one side of the cabin, providing a warmer shade than the mountains. At their feet spread a carpet of abundant wildflowers blooming with early color. Chicory with its blue-fringed petals stood proudly on long spindly stems, seeming to wave at them in welcome. Purple spiderwort and common mullein dotted the landscape. Nearer the cabin was a cluster of showy orchids, bloomed out in purple and white.

Do you like flora and fauna? How about plants and animals? Because we have more of that beautiful crap than we know what to do with. Charmingly domesticated troops of monkeys swing freely throughout our orchid-laden property. You’re probably thinking that a lot of all-inclusive resorts have monkeys. True, but only one resort packs a monkey for each of their guests to take home. You’ll be showing off more than a tan to your friends, you’ll be showing off a gibbon.

You're Beautiful Like the green romance of a bud and lily's pink, gentle sway. You: more beautiful than yesterday. Wildflower's blue surprise. Daisy's white, sunny play. You're more beautiful than yesterday. Orchid's purple mystery Mum's bronze ole` You: more beautiful than yesterday. Rose's orange perfume, even tulip's yellow secrets say: You're more beautiful that yesterday. Poppy's red, teasing lips, but YOUR beauty will never fade. You: more lovely than yesterday, You: my dazzling bouquet.

There were orchids for sale, for one and two and three and five hundred dollars, a madhouse of orchids in every color, in every shape, with wide leaves and skinny leaves and no leaves at all, with fat jutting lips and lips cupped like thimbles, and with blackish-red hoods and freckles, with ruffles, with pleats, with corkscrew curls, big as fists, small as fingernails, smelling of honey, grass, citrus, cinnamon, or of nothing, not a smell at all but just the heavy warm quality that air has after it has been sitting in a flower.

I looked up at the moon and stars through the glass roof above and gasped at the stunning sight, like a mural painted by a great artist. No wonder Lady Anna had loved this place. I walked to the orchids and plucked a weed from a small terra-cotta pot that held a speckled pink and white flower. "There you are, beautiful," I whispered, releasing a patch of clover roots from the bark near the orchid's stem. "Is that better?" In the quiet of the night, I could almost hear the flower sigh. I walked to the water spigot and filled a green watering can to the brim, then sprinkled the flower and her comrades. I marveled at how the droplets sparkled in the moonlight.

A far cicada rings high and clear over the river’s heavy wash. Morning glory, a lone dandelion, cassia, orchids. So far from the nearest sea, I am taken aback by the sight of a purple land crab, like a relict of the ancient days when the Indian subcontinent, adrift on the earth’s mantle, moved northward to collide with the Asian landmass, driving these marine rocks, inch by inch, five miles into the skies. The rise of the Himalaya, begun in the Eocene, some fifty million years ago, is still continuing: an earthquake in 1959 caused mountains to fall into the rivers and changed the course of the great Brahmaputra, which comes down out of Tibet through northeastern India to join the Ganges near its delta at the Bay of Bengal.

There is a deep stillness in the Fakahatchee, but there is not a moment of physical peace. Something is always brushing against you or lapping at you or snagging at you or tangling in your legs, and the sun is always pummeling your skin, and the wetness in the air makes your hair coil like a phone cord. You never smell plain air in a swamp - you smell the tang of mud and the sourness of rotting leaves and the cool musk of new leaves and the perfumes of a million different flowers floating by, each distinct but transparent, like soap bubbles. The biggest number in the universe would not be big enough to count the things your eyes see. Every inch of land holds up a thatch of tall grass or a bush or a tree, and every bush or tree is girdled with another plant’s roots, and every root is topped with a flower or a fern or a swollen bulb, and every one of those flowers and ferns is the pivot around which a world of bees and gnats and spiders and dragonflies revolve. The sounds you hear are twigs cracking underfoot and branches whistling past you and leaves murmuring and leaves slopping over the trunks of old dead trees and every imaginable and unimaginable insect noise and every kind of bird peep and screech and tootle, and then all those unclaimed sounds of something moving in a hurry, something low to the ground and heavy, maybe the size of a horse in the shape of a lizard, or maybe the size, shape and essential character of a snake. In the swamp you feel as if someone had plugged all of your senses into a light socket. A swamp is logy and slow-moving about at the same time highly overstimulating. Even in the dim, sultry places deep within it, it is easy to stay awake.

She bore an uncanny resemblance to my mother, but the same beauty bloomed differently in each of them. My mother's fairness was exquisite and untouchable, roaming alone in an abandoned castle. Khalto Bahiya's beauty took you in immediately. Hers was easy and disclosed hordes of laughter stolen from wherever it could be found. Gravity, sun, and time had scrawled on their faces the travails of hard work, childbirth, and destitution. But even these lines disagreed on their faces. Khalto Bahiya's face incorporated them into her joy and her pain, so that lines appeared and hid according to her expressions and provided frames and curves to her tenderness. Gentle folds nestled her lips and made her face open when she smiled - like an orchid. On Mama, the lines had always seemed incongruous - as if her beauty could accept no change or outside interference. The wrinkles on Mama's face had carved her skin like prison bars, behind which one could discern the perpetual plaint of something grand and sad, still alive and wanting to get out.

This Theresa maddened with her messages a scientist on our easily maddened planet; his anagram looking name, Sig Lemanski, had been partly derived by Van from that of Aqua's last doctor. When Leymanski's obsession turned into love, and one's sympathy got focused on his enchanting, melancholy, betrayed wife (nee Antilia Glems), our author found himself confronted with the distressful task of now stamping out in Antilia, a born brunette, all traces of Ada, thus reducing yet another character to a dummy with bleached hair. After beaming Sig a dozen communications from her planet, Theresa flies over to him, and he, in his laboratory, has to place her on a slide under a powerful microscope in order to make out the tiny, though otherwise perfect, shape of his minikin sweetheart, a graceful microorganism extending transparent appendages toward his huge humid eye. Alas, the testibulus (test tube - never to be confused with testiculus, orchid), with Theresa swimming inside like a micromermaid, is "accidentally" thrown away by Professor Leyman's (he had trimmed his name by that time) assistant, Flora, initially an ivory-pale, dark-haired funest beauty, whom the author transformed just in time into a third bromidic dummy with a dun bun.

Large-leafed plants at the edge of the jungle reflected the sun rather than soaking it up, their dark green surfaces sparkling white in the sunlight. Some of the smaller ones had literally low-hanging fruit, like jewels from a fairy tale. Behind them was an extremely inviting path into the jungle with giant white shells for stepping-stones. And rather than the muggy, disease-filled forests of books that seemed to kill so many explorers, here the air was cool and pleasant and not too moist- although Wendy could hear the distant tinkle of water splashing from a height. "Oh! Is that the Tonal Spring? Or Diamond Falls?" Wendy withered breathlessly. "Luna, let's go see!" She made herself not race ahead down the path, but moved at a leisurely, measured pace. Like an adventuress sure of herself but wary of her surroundings. (And yet, as she wouldn't realize until later, she hadn't thought to grab her stockings or shoes. Those got left in her hut without even a simple goodbye.) Everywhere she looked, Wendy found another wonder of Never Land, from the slow camosnails to the gently nodding heads of the fritillary lilies. She smiled, imagining John as he peered over his glasses and the snail faded away into the background in fear- or Michael getting his nose covered in honey-scented lily pollen as he enthusiastically sniffed the pretty flowers. The path continued, winding around a boulder into a delightful little clearing, sandy but padded here and there with tuffets of emerald green grass and clumps of purple orchids. It was like a desert island vacation of a perfect English meadow.

So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.

Before he could explain further, however, Rhys happened to catch sight of a slim, dark shape walking past the doorway. It was only a fleeting glimpse... but it was enough to send a jolt of awareness through him. "You," he said in a voice that carried out into the hallway. "Whoever just passed by the door. Come here." In the riveting silence, a young woman appeared at the threshold. Her features were delicately angular, her silver blue eyes round and wide-set. As she stood at the edge of the lamplight, her fair skin and pale blond hair seemed to hold their own radiance, an effect he'd seen in paintings of Old Testament angels. "There's a grain about it," Rhys's father had always said when he'd wanted to describe something fine and polished and perfect, something of the highest quality. Oh, there was a grain about this woman. She was only medium height, but her extreme slenderness gave her the illusion of being taller. Her breasts were high and gently rounded beneath the high-necked dress, and for a pleasurable, disorienting moment Rhys remembered resting his head there as she had given him sips of orchid tea. "Say something," he commanded gruffly. The shy glow of her smile gilded the air. "I'm glad to see you in better health, Mr. Winterborne." Helen's voice. She was more beautiful than starlight, and just as unattainable. As he stared at her, Rhys was bitterly reminded of the upper-class ladies who had looked at him with contempt when he was a shop boy, holding their skirts back if he passed near them on the street, the way they would seek to avoid a filthy stray dog. "Is there something I can do for you?" she asked. Rhys shook his head, still unable to take his gaze from her. "I only wanted a face to go with the voice.

In 1853, Haussmann began the incredible transformation of Paris, reconfiguring the city into 20 manageable arrondissements, all linked with grand, gas-lit boulevards and new arteries of running water to feed large public parks and beautiful gardens influenced greatly by London’s Kew Gardens. In every quarter, the indefatigable prefect, in concert with engineer Jean-Charles Alphand, refurbished neglected estates such as Parc Monceau and the Jardin du Luxembourg, and transformed royal hunting enclaves into new parks such as enormous Bois de Boulogne and Bois de Vincennes. They added romantic Parc des Buttes Chaumont and Parc Montsouris in areas that were formerly inhospitable quarries, as well as dozens of smaller neighborhood gardens that Alphand described as "green and flowering salons." Thanks to hothouses that sprang up in Paris, inspired by England’s prefabricated cast iron and glass factory buildings and huge exhibition halls such as the Crystal Palace, exotic blooms became readily available for small Parisian gardens. For example, nineteenth-century metal and glass conservatories added by Charles Rohault de Fleury to the Jardin des Plantes, Louis XIII’s 1626 royal botanical garden for medicinal plants, provided ideal conditions for orchids, tulips, and other plant species from around the globe. Other steel structures, such as Victor Baltard’s 12 metal and glass market stalls at Les Halles in the 1850s, also heralded the coming of Paris’s most enduring symbol, Gustave Eiffel’s 1889 Universal Exposition tower, and the installation of steel viaducts for trains to all parts of France. Word of this new Paris brought about emulative City Beautiful movements in most European capitals, and in the United States, Bois de Boulogne and Parc des Buttes Chaumont became models for Frederick Law Olmsted’s Central Park in New York. Meanwhile, for Parisians fascinated by the lakes, cascades, grottoes, lawns, flowerbeds, and trees that transformed their city from just another ancient capital into a lyrical, magical garden city, the new Paris became a textbook for cross-pollinating garden ideas at any scale. Royal gardens and exotic public pleasure grounds of the Second Empire became springboards for gardens such as Bernard Tschumi’s vast, conceptual Parc de La Villette, with its modern follies, and “wild” jardins en mouvement at the Fondation Cartier and the Musée du Quai Branly. In turn, allées of trees in some classic formal gardens were allowed to grow freely or were interleaved with wildflower meadows and wild grasses for their unsung beauty. Private gardens hidden behind hôtel particulier walls, gardens in spacious suburbs, city courtyards, and minuscule rooftop terraces, became expressions of old and very new gardens that synthesized nature, art, and outdoors living.

However much attention you have to give, Histrionics will need it all. They will draw it out of you at first with flattery. They put you in a special category all by yourself. Usually, the last thing you hear before Histrionic vampires start draining away your life force is, “You’re the only person I can talk to.” Ham-it-up Histrionics do have useful talents and abilities. They can be good and entertaining friends and productive workers, especially when the job requires being dramatic and engaging. Histrionics can blossom, but they require as much care as a rare and beautiful orchid. Only you can decide how much a flower is worth.

Hesitantly, I follow her up the steps to a metal door. When she opens it, I let out a gasp. A large dome glitters in the sun. Garrance opens up another door, this one glass, and I'm rendered speechless as a plethora of scents and humid air hit me, wrapping me up in Mother Nature's embrace. I'm in the islands. I'm in heaven. And I'm on a roof in Paris. I need a crane to pick up my jaw. "This is my climate-controlled greenhouse, my pride and joy." This slice of Parisian paradise is filled from floor to ceiling with tropical plants like orchids and flowering trees, moths, butterflies, and bees floating from flower to flower---not to mention the exotic birds---cockatoos, parakeets, and a couple of parrots, their plumage in reds, greens, blues, oranges, and whites.

Where have you been all this time? Were you off somewhere singing, putting cats to sleep on the porch, drifting about in the rapids of time, the glow of the morning sun and the rain of a summer afternoon beating down as you pass by, your lips shut tight like a bloodsucking plant? The me that is nowhere to be found now, the me that will turn to ash and vanish, turn to darkness and rot- -that me extends a squalid hand at the final moment of this crash, having entirely deserted and abandoned my life. In truth, I was not me. The me that was born into an animal body and lived as a slave to poverty and insult was nothing but the emptiness that had been momentarily bewitched out of me by an evil spirit. That distant me is precious and beautiful. No matter how decadent and corrupt my body becomes, I will, like a desert orchid that blooms once every hundred years, come to you bearing this frigidness toward life.

I hope that one day Tung Chih will fall in love with a sword this beautiful.

As Ejarat claimed Sawehl, unlike Herself and yet like, do you promise to take into your being the entirety of one who is not yourself, with all their flaws and virtues, ugliness and beauty, weaknesses and strengths?” “I do,” I confirmed first, tilting my head at Con, giving him the challenge. He pressed his lips together as if tempted to retort. “I do,” he replied immediately, emphasizing it as if his would be the more difficult task. My turn to narrow my eyes. He actually grinned at me. “As Sawehl claimed Ejarat, unlike Himself and yet like, do you promise to nurture and shelter the other, to protect and support, to shed your light so that they might find their best path in life?” Our gazes still locked, I smiled back at Con. Challenge accepted then.

The world is so huge that people are always getting lost in it. There are too many ideas and things and people, too many directions to go. I was starting to believe that the reason it matters to care passionately about something is that it whittles the world down to a more manageable size. It makes the world seem not huge and empty but full of possibility.

Interspersed with the clams were the serpulas, beautiful feathery petals, forever moving round and round, perched on the end of a long, thick, greyish tube. The moving petals, orange-gold and blue, looked curiously out of place on the end of these stubby stalks, like an orchid on a mushroom stem.

The canopy is high, like a cathedral, and I glide through a landscape of light and shadow. Ferns cascade from the trunks amid pink lichens the size of measle spots, and the cypress knees stick up from beneath the surface like the hats of submerged gnomes. I spot a delicate "Florida butterfly" orchid, with a heart-shaped blotch at its center, clinging to a trunk.

Sergeant Joe Washington watched from the southern end of the Victoria Bridge as arm in arm they came, a ribbon of colour braided between the metal arches of the bridge that spanned the oily river. Loose-limbed girls with bobbed hair or tight curls pasted to their foreheads, giggling and nudging each other, arms linked. Bobby-soxers and dames, broads and beauties. Blondes, brunettes, redheads. Long evening dresses shimmered under the weak lights of the evening brownout, short skirts twirled. Every now and then a slim figure was in uniform, the drab green and khaki of the AWAS relieved by a sprig of mimosa or a pink-throated orchid pinned to the collar.

Phragmipedium kovachii. It is a stunningly beautiful orchid from the Amazon rain forest in northeast Peru, with a blue-purple flower that can have a horizontal spread of up to nine and a half inches.

Three times in the wild, you’ve glimpsed cougars. They have the unpredictable beauty of a waterspout, lethal verbs that haven’t yet struck an unsuspecting noun. How many have seen a two hundred–foot waterspout whirl up a glacier-green inlet? The word, terror, isn’t harsh enough.

I often get letters from people who say how they like the programs a lot, but I never give credit to the almighty power that created nature, to which I reply and say, "Well, it's funny that the people, when they say that this is evidence of the almighty, always quote beautiful things, they always quote orchids and hummingbirds and butterflies and roses." But I always have to think, too, of a little boy sitting on the banks of a river in west Africa who has a worm boring through his eyeball, turning him blind before he's five years old, and I reply and say, "Well, presumably the god you speak about created the worm as well," and now, I find that baffling to credit a merciful god with that action.

Like the sun and the moon, they spun in opposition, each one beautiful in his own way.

Carl Fisher, a Detroit automobile mogul who came to Florida right after World War I and poured three million cubic yards of sand onto an expanse of mangrove swamp and created Miami Beach.

The most valued tulips were those with brilliant streaks and stripes of colors, then thought to be the mark of distinction, and now known by botanists to be the evidence of a devastating flower virus spread by aphids.

Melaleucas grow to be fifty feet tall and have spongy white bark and look a little like a eucalyptus tree with long hair. They drink so much water that they can dry out an acre of wetlands a day, so they were also used to help drain what was then considered Florida’s useless swampland.

Lady’s slipper orchids have a special hinged lip that traps bees and forces them to pass through sticky threads of pollen as they struggle to escape through the back of the plant.

As they gazed at the moon and the bright stars in the sky, Wang Kuei-sheng said that if he could use his family's gold bars to build a ladder to the heavens he would climb up and pluck the crescent moon to pin in Snow Beauty's hair. Yin Hsueh-yen just smiled, without a word to him, as she extended her dainty orchid-like hand and slowly conveyed the crescent-shape canapés of black caviar into her mouth.

every other girl in the room pales in comparison to her. They look drab and sallow—wilting dandelions, made utterly ordinary next to the delicate beauty of an orchid. In short, she’s fucking breathtaking.

How many orchids are there in the Amazon? Trillions? They’re beautiful. No one ever sees them, but they’re there. Value is independent of recognition. It must be.

Natural beauty, for Darwin, was not just aesthetic; it always reflected function and adaptation at work. Orchids were not just ornamental, to be displayed in a garden or a bouquet; they were wonderful contrivances, examples of nature’s imagination, natural selection, at work. Flowers required no Creator, but were wholly intelligible as products of accident and selection, of tiny incremental changes extending over hundreds of millions of years. This, for Darwin, was the meaning of flowers, the meaning of all adaptations, plant and animal, the meaning of natural selection.

The gardens surrounding the palace and the Temple of the Emerald Buddha were spectacularly beautiful, full of vibrant colors, the smell of jasmine pervading everything. Harry stopped in front of an exquisite flowering plant with delicate blooms of soft pink and white. "Orchids," he murmured. "They grew in the foliage around Changi, and I've seen them everywhere since I arrived in Bangkok. They are rare in England." "They are like weeds here," said Lidia. "Golly! I wish we had weeds at home like this," Harry said, thinking he must take some back to his mother.

She watched as her sister appeared at the kitchen door and, as always, was struck by her beauty; while she was blonde and fair-skinned, Julia was dark and exotic. Her thick mane of mahogany hair framed her fine-featured face, the weight she had recently lost only serving to highlight her luminous, almond-shaped, amber eyes and high cheekbones.

My Blue Orchid A fragment of dust grow to a droplet All alone... awaiting my turn... Looking from far... Looking at you... My Blue Orchid... As kinship relation of an offspring with earth concluded Not so long clanship, leaving little tuft of grass behind With seven elements, firmed by wild, Outgrow Deeply rooted inside, seeking freedom outside Blossom with the benediction of nature As beautiful as Grundarfjordur sunset Flourish flawless and voluptuous Signatured breeze, merited aroma Charismatic grin in gesture of friendship Reminded my affection for gravity Eternal journey to reach you, To see you smile... My Blue Orchid...

My sister Alex was an Orchid. You know Lex.” “Meeting her was…interesting.” “Yes?” “Okay, more like awkward. She threatened to shoot me in the face.” Avery huffed out of a wry laugh. “Like I said – beautiful and deadly.

Reverend Easter waved her hand dismissively. “It doesn’t matter to God what we call ourselves, or even what we call Him. We’re the only ones who care about that. But as an Episcopalian and not an evangelical,” she said, with a knowing look at Hannah, “I’ll answer your question with another question, or rather, with a bunch of them, which is how we tend to do things. How else do you explain the miracle of your beating heart, the compassion of strangers, the existence of Mozart and Rilke and Michelangelo? How do you account for redwoods and hummingbirds, for orchids and nebulas? How can such beauty possibly exist without God? And how can we see it and know it’s beautiful and be moved by it, without God?” Hannah

It was as Frank said: the Sparrow Sisters Nursery had quite a reputation. Sally told Henry about the Nursery that was now a landmark in the town. The plants that grew in tidy rows, the orchids that swayed delicately in the beautiful glass greenhouses, and the herbs and vegetables sown in knot gardens around the land were much in demand. Sorrel had planted a dense little Shakespeare garden as a tribute to her reading habits. The lavender, rosemary, roses and honeysuckle, clematis and pansies, creeping thyme and sage were not for sale in that garden, but Sorrel would re-create versions of it for clients whose big houses on the water needed the stamp of culture, even if their owners had little idea what their lovely gardens meant.

when a man falls in love with orchids, he’ll do anything to possess the one he wants. It’s like chasing a green-eyed woman or taking cocaine.… it’s a sort of madness.…

Victorian women were forbidden from owning orchids because the shapes of the flowers were considered too sexually suggestive for their shy constitutions, and anyway the expense and danger and independence of collecting in the tropics were beyond any Victorian woman’s ken.

At thirteen, she was already five feet seven, a little hollowed-out by her growth spurt, her chest concave, her eyes with their ineffable violet light enormous, her bangs cut straight across her brow so she looked very young and serious. He realizes only now that as time passed he'd continued to think of Felice as that thirteen-year-old child, preserved like a geranium between the leaves of a book. She is still young and slim, yet changed. Her shoulders are straighter and more refined; the bangs are gone- her hair swings to her shoulders. Her eyes no longer seem overlarge: they are wide, almond-shaped. Nieves stares at her: he'd failed to mention his sister's beauty. Stanley tucks his chin: inside, a ragged blank- the feeling that this couldn't possibly be his sister: 'she' is still out there- a thirteen-year-old, who vanished into the night, a black orchid.

If all of this makes orchids seem smart—well, they do seem smart. There is something clever and un-plantlike about their determination to survive and their knack for useful deception and their genius for seducing human beings for hundreds and hundreds of years.

Orchids are one of the few things in the world that can live forever.

Many people who collect orchids designate an orchid heir in their wills, because they know the plants will outlast them.

In a sense, then, the number of orchid species on the planet is uncountable because it is constantly changing.

To desire orchids is to have a desire that will never be, can never be, fully requited. A collector who wants one of every orchid species on earth will certainly die before even coming close.

Orchid hunting is a mortal occupation. That has always been part of its charm, Laroche loved orchids, but I came to believe he loved the difficulty and fatality of getting them almost as much as the flowers themselves.

Being an orchid hunter has always meant pursuing beautiful things in terrible places.

It was Bacon who proposed the use of observation over speculation, hypothesis testing rather than logic, writing articles not books, detail not generality, constant replication, critical questioning and the public sharing of knowledge – and the notion that anyone could make such contributions, that anyone could be such an analytical observer, could adopt this ‘scientific’ way of thinking. Not just a model for beautiful gardens then, but the very model for a modern naturalist and nature writer.

I think it's pretty common for teenagers to fantasize about dying young. We knew that time would force us into sacrifices - we wanted to flame out before making the choices that would determine who we became. When you were an adult, all the promises of your life was foreclosed upon, every day just a series of compromises mitigated by little pleasures that distracted you from your former wildness, from your truth. Sylvia Plath, Marilyn Monroe, Edie Sedgwick, Janis Joplin. They got to be beautiful forever. And wasn't that the ultimate feminine achievement - to be too gorgeous, too fucked up, too talented and sad and vulnerable to survive, like some kind of freak orchid with a two-minute lifespan? Who else could we look up to? Being young doesn't seem like enough of an excuse - we egged each other on, committed, together, to these poisonous theories, until we reached a point where disagreement would have meant a betrayal of our friendship. How could we have been so wrong and so stupid?

Sam hadn't left New York with Claire, he'd just arrived at the hotel that morning, checked in, put a few things away in his room and went downstairs to the extensive gift shop and saw the beautiful bouquet of island flowers and knew Claire would love them. The orchid in the middle of the arrangement was purple, which he knew was her favorite color.

Jejeune bent to look out the window again. There was not a single body of land between here and the North Pole. In winter, the storms off the North Sea would be punishing, but in the spring, Sand Martins would patrol these cliffs with dazzling feats of aerial acrobatics. The runnels at the cliff’s edge would blaze with the magnificent deep red marsh orchids. It would be a beautiful, spectacular place to spend your days. p. 267

world. I had vowed that I would acquire not even a single orchid on any of my trips down here, but I thought I might die if I couldn’t have this one. The background of the petals was the beigey yellow of a legal pad, and over the yellow background was a spray of hot-pink pinpoint dots, and the flower was attached to the plant by a stem that was twisted like a stick of licorice. The petals were plump and supple and pleasant to touch. The center of the flower looked like the face of a piglet. I felt as if the plant was looking at me as much as I was looking at it.

One magazine recently reported that a customer of one orchid kennel in San Francisco had so many plants that he was paying two thousand dollars in monthly rent.

Sonnet Macabre" I love you for the grief that lurks within Your languid spirit, and because you wear Corruption with a vague and childish air, And with your beauty know the depths of sin; Because shame cuts and holds you like a gin, And virtue dies in you slain by despair, Since evil has you tangled in its snare And triumphs on the soul good cannot win. I love you since you know remorse and tears, And in your troubled loveliness appears The spot of ancient crimes that writhe and hiss: I love you for your hands that calm and bless, The perfume of your sad and slow caress, The avid poison of your subtle kiss.

White Lilies" Flowers rare and sweet I sent, whose delicate white Should, grouping at her corsage, interlace Their purity with her corrupted grace, With the full throat and mouth of my delight. Evil design! To see the pale flowers slight The beauty of the worn and powdered face, Mingling their costly virtue with the trace Of ancient loves that live in time's despite. How soon they died, poor blossoms! at her throat Ere of the last valse died the last sad note No more than love of her meant to endure, For all the savour of her lips, the spice Of her frail spirit steeped in cultured vice, Gracefully bad and delicately impure!

award-winning, other growers will probably start working on hybrids with

As she fretted and paced around the room, Helen’s gaze happened to stray across an object on the table near the parlor window. Her eyes widened as she realized it was the potted Blue Vanda she had given him. The orchid he hadn’t wanted but had taken anyway. He had sent it back. Helen hurried to the orchid, wondering what condition it was in. Weak sunlight slanted across the table, flecked with glimmering, floating dust motes, some of them swirling around the light blue petals. Confusion spread through her as she saw the inflorescence of glowing blooms. The broad ovoid leaves were clean and glossy, and the roots anchored among the crushed clay pottery shards had been carefully trimmed and kept damp. The Blue Vanda hadn’t sickened in Winterborne’s care...it had thrived. Helen leaned over the orchid, touching the beautiful arc of its stem with a single fingertip. Shaking her head in wonder, she felt a tickle at the edge of her chin, and didn’t realize it was a tear until she saw it drop onto one of the Vanda’s leaves. “Oh, Mr. Winterborne,” she whispered, and reached up to wipe at her wet cheeks. “Rhys. There’s been a mistake.

The Blue Vanda hadn’t sickened in Winterborne’s care...it had thrived. Helen leaned over the orchid, touching the beautiful arc of its stem with a single fingertip. Shaking her head in wonder, she felt a tickle at the edge of her chin, and didn’t realize it was a tear until she saw it drop onto one of the Vanda’s leaves. “Oh, Mr. Winterborne,” she whispered, and reached up to wipe at her wet cheeks. “Rhys. There’s been a mistake.

When we stopped to rest and Tony tried to figure out what was wrong with his compass, I asked him what he thought it was about orchids that seduced humans so completely that they were compelled to steal them and worship them and try to breed new and specific kinds of them and then be willing to wait for nearly a decade for one of them to flower. "Oh, mystery, beauty, unknowability, I suppose," he said, shrugging. "Besides, I think the real reason is that life has no meaning. I mean, no obvious meaning. You wake up, you go to work, you do stuff. I think everybody's always looking for something a little unusual that can preoccupy them and help them pass the time.

Orchid hunting is a mortal occupation. That has always been part of its charm. Laroche loved orchids, but I came to believe he loved the difficulty and fatality of getting them almost as much as the flowers themselves. The worse a time he had in the swamp the more enthusiastic he would be about the plants he'd come out with. Laroche's perverse pleasure in misery was traditional among orchid hunters. An article published in a 1906 magazine explained: "Most of the romance in connection with the cult of the orchid is in the collecting of specimens from the localities in which they grow, perhaps in a fever swamp or possibly in a country full of hostile natives ready and eager to kill and very likely eat the enterprising collector." In 1901 eight orchid hunters went on an expedition to the Philippines. Within a month one of them had been eaten by a tiger; another had been drenched with oil and burned alive; five had vanished into thin air; and one had managed to stay alive and walk out of the woods carrying forty-seven thousand Phalaenopsis plants. A young man commissioned in 1889 to find cattleyas for the English collector Sir Trevor Lawrence walked of fourteen days through jungle mud and never was seen again. Dozens of hunters were killed by fever or accidents or malaria or foul play. Others became trophies for headhunters or prey for horrible creatures such as flying yellow lizards and diamondback snakes and jaguars and ticks and stinging marabuntas. Some orchid hunters were killed by other orchid hunters. All of them traveled ready for violence. Albert Millican, who went on an expedition in the northern Andes in 1891, wrote in his diary that the most important supplies he was carrying were his knives, cutlasses, revolvers, daggers, rifles, pistols, and a year's worth of tobacco. Being an orchid hunter has always meant pursuing beautiful things in terrible places. From the mid-1800s to the early 1900s, when orchid hunting was at its prime, terrible places were really terrible places, and any man advertising himself as a hunter needed to be hardy, sharp, and willing to die far from home.

On the other hand, my single most unfavorable thing in life so far has been to touch the mushy bottom of the lake during swimming lessons at summer camp and feel the weedy slime squeeze between my clenched toes, so the idea of walking through the swamp was a little bit extra-horrible to me.