Orchard Home Quotes

My troubles are all over, and I am at home; and often before I am quite awake, I fancy I am still in the orchard at Birtwick, standing with my old friends under the apple trees.

Do you remember the Shire, Mr. Frodo? It'll be spring soon. And the orchards will be in blossom. And the birds will be nesting in the hazel thicket. And they'll be sowing the summer barley in the lower fields... and eating the first of the strawberries with cream. Do you remember the taste of strawberries?

Smell is a potent wizard that transports you across thousands of miles and all the years you have lived. The odors of fruits waft me to my southern home, to my childhood frolics in the peach orchard. Other odors, instantaneous and fleeting, cause my heart to dilate joyously or contract with remembered grief. Even as I think of smells, my nose is full of scents that start awake sweet memories of summers gone and ripening fields far away.

Some keep the Sabbath going to church, I keep it staying at home, with a bobolink for a chorister, and an orchard for a dome.

For you little gardener and lover of trees, I have only a small gift. Here is set G for Galadriel, but it may stand for garden in your tongue. In this box there is earth from my orchard, and such blessing as Galadriel has still to bestow is upon it. It will not keep you on your road, nor defend you against any peril; but if you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there. Then you may remember Galadriel, and catch a glimpse far off of Lórien, that you have seen only in our winter. For our spring and our summer are gone by, and they will never be seen on earth again save in memory.

Mogadishu the beautiful - your white-turbaned mosques, baskets of anchovies as bright as mercury, jazz and shuffling feet, bird-boned servant girls with slow smiles, the blind white of your homes against the sapphire blue of the ocean - you are missed, her dreams seem to say.

After a day spent running around outside, Clara never went home without first slipping through the orchard, where she would stop to pray to the spirits of enclosure to prepare her for her return within four walls.

Have you any unfulfilled dreams, Anne?” asked Gilbert. Something in his tone—something she had not heard since that miserable evening in the orchard at Patty’s Place—made Anne’s heart beat wildly. But she made answer lightly. “Of course. Everybody has. It wouldn’t do for us to have all our dreams fulfilled. We would be as good as dead if we had nothing left to dream about. What a delicious aroma that low-descending sun is extracting from the asters and ferns. I wish we could see perfumes as well as smell them. I’m sure they would be very beautiful.” Gilbert was not to be thus sidetracked. “I have a dream,” he said slowly. “I persist in dreaming it, although it has often seemed to me that it could never come true. I dream of a home with a hearth-fire in it, a cat and dog, the footsteps of friends— and YOU!” Anne wanted to speak but she could find no words. Happiness was breaking over her like a wave. It almost frightened her. “I asked you a question over two years ago, Anne. If I ask it again today will you give me a different answer?” Still Anne could not speak. But she lifted her eyes, shining with all the love-rapture of countless generations, and looked into his for a moment. He wanted no other answer.

I’m going home to an old country farmhouse, once green, rather faded now, set among leafless apple orchards. There is a brook below and a December fir wood beyond, where I’ve heard harps swept by the fingers of rain and wind. There is a pond nearby that will be gray and brooding now. There will be two oldish ladies in the house, one tall and thin, one short and fat; and there will be two twins, one a perfect model, the other what Mrs. Lynde calls a ‘holy terror.’ There will be a little room upstairs over the porch, where old dreams hang thick, and a big, fat, glorious feather bed which will almost seem the height of luxury after a boardinghouse mattress. How do you like my picture, Phil?" "It seems a very dull one," said Phil, with a grimace. "Oh, but I’ve left out the transforming thing," said Anne softly. "There’ll be love there, Phil—faithful, tender love, such as I’ll never find anywhere else in the world—love that’s waiting for me. That makes my picture a masterpiece, doesn’t it, even if the colors are not very brilliant?" Phil silently got up, tossed her box of chocolates away, went up to Anne, and put her arms about her. "Anne, I wish I was like you," she said soberly.

I chose you because you’re an orchard of ripe fruits, and I want to lay my sufferings in the shadows of your arms, of your belly. I chose you because your tears remind me of September rain. Because of the sun I see in your pupils. You cannot run now, can you? You have found your home. Do you feel the darkness in the hollow of your plexus? Don’t you understand? Your darkness was your secret, and she whispers to mine.

Willie always speaks to me when he can, and treats me as his special friend. My ladies have promised that I shall never be sold, and so I have nothing to fear; and here my story ends. My troubles are all over, and I am at home; and often before I am quite awake, I fancy I am still in the orchard at Birtwick, standing with my old friends under the apple-trees.

Now at least you can look clear-eyed into your own future, and choose: stay safe and sane at home, as any rational man would- I swear I'll understand- Or run away with me toward the glimmering, mad horizon. Dance through this eternal green orchard, where ten thousand worlds hang ripe and red for the plucking; wander with me between the trees, tending them, clearing away the weeds, letting in the air. Opening the Doors.

Our Valley We don't see the ocean, not ever, but in July and August when the worst heat seems to rise from the hard clay of this valley, you could be walking through a fig orchard when suddenly the wind cools and for a moment you get a whiff of salt, and in that moment you can almost believe something is waiting beyond the Pacheco Pass, something massive, irrational, and so powerful even the mountains that rise east of here have no word for it. You probably think I'm nuts saying the mountains have no word for ocean, but if you live here you begin to believe they know everything. They maintain that huge silence we think of as divine, a silence that grows in autumn when snow falls slowly between the pines and the wind dies to less than a whisper and you can barely catch your breath because you're thrilled and terrified. You have to remember this isn't your land. It belongs to no one, like the sea you once lived beside and thought was yours. Remember the small boats that bobbed out as the waves rode in, and the men who carved a living from it only to find themselves carved down to nothing. Now you say this is home, so go ahead, worship the mountains as they dissolve in dust, wait on the wind, catch a scent of salt, call it our life.

Orchards of silver trees bore the most delicious fruits that had ever existed. The angels feasted and gave thanks for their first and only home. Their voices joined together in praise of their Creator, forming a blended sound that in humans’ throats would later be known as harmony.

And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep. Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky. 'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and left, lost, down a path--the gloom of love. Maggie, the girl I loved.

Nettie set out a loaf of sourdough bread from Baker's Way Bakers, a wodge of runny Camembert, and a container of leftover lamb, rich with garlic and rosemary, nestled on a bed of spicy arugula from the home garden. She'd plucked two sharp green apples from one of the trees in their tiny orchard, and she placed a waxed bag of caramel shortbread beside them.

Well, Queen Orianna, back home I was like an almond tree growing in an orchard of apples. But here…everybody is nuts!

Sometimes home has nothing to do with family or even with love; sometimes home is simply the place where you feel safe.

I know God has been found by unusual people in unusual places--in a sudden vision in a grove or orchard or grotto, or on a mountain or in a closet, or through saintly service to African lepers or to Calcutta untouchables. But for most of us, most of the time, I am convinced he can be found most surely in 'the natural sequence to the performance' of the duties he has given us that all of us (not just the unusual) can perform in our own homes and neighborhoods.

If you’re some stranger who stumbled over this book by chance—perhaps rotting in some foreign garbage pile or locked in a dusty traveling trunk or published by some small, misguided press and shelved mistakenly under Fiction—I hope to every god you have the guts to do what needs doing. I hope you will find the cracks in the world and wedge them wider, so the light of other suns shines through; I hope you will keep the world unruly, messy, full of strange magics; I hope you will run through every open Door and tell stories when you return. But that’s not really why I wrote this, of course. I wrote it for you. So that you might read it and remember the things you were told to forget. Now at least you can look clear-eyed into your own future, and choose: stay safe and sane at home, as any rational man would—I swear I’ll understand— Or run away with me toward the glimmering, mad horizon. Dance through this eternal green orchard, where ten thousand worlds hang ripe and red for the plucking; wander with me between the trees, tending them, clearing away the weeds, letting in the air. Opening the Doors.

How to choose an orchard plant from the nursery: Bring a stereo, play some Mozart, and whichever one dances the liveliest, that's the one you take back home to meet your ducks. You could play Beethoven, but he was deaf, so his music is a little too Helen Kelleresque for my taste.

Aubade with a Broken Neck" The first night you don’t come home summer rains shake the clematis. I bury the dead moth 1 found in our bed, scratch up a rutabaga and eat it rough with dirt. The dog finds me and presents between his gentle teeth a twitching nightjar. In her panic, she sings in his mouth. He gives me her pain like a gift, and I take it. I hear the cries of her young, greedy with need, expecting her return, but I don’t let her go until I get into the house. I read the auspices the way she flutters against the wallpaper’s moldy roses means all can be lost. How she skims the ceiling means a storm approaches. You should see her in the beginnings of her fear, rushing at the starless window, her body a dart, her body the arrow of longing, aimed, as all desperate things are, to crash not into the object of desire, but into the darkness behind it.

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.

COME HOME, TENAR! COME HOME!” In the deep valley, in the twilight, the apple trees were on the eve of blossoming; here and there among the shadowed boughs one flower had opened early, rose and white, like a faint star. Down the orchard aisles, in the thick, new, wet grass, the little girl ran for the joy of running; hearing the call she did not come at once, but made a long circle before she turned her face toward home. The mother waiting in the doorway of the hut, with the firelight behind her, watched the tiny figure running and bobbing like a bit of thistledown blown over the darkening grass beneath the trees.

The music swells and I recognize the brilliance of it. As the notes overlap, they complement one another, forming a lovely, unearthly harmony. It was this sound then, thanks to Rue, that sent the orchard workers of District 11 home each night. Does someone start it at quitting time, I wonder, now that she is dead?

Those same three factors applied to human beings. Like bees, our ancestors were (1) territorial creatures with a fondness for defensible nests (such as caves) who (2) gave birth to needy offspring that required enormous amounts of care, which had to be given while (3) the group was under threat from neighboring groups. For hundreds of thousands of years, therefore, conditions were in place that pulled for the evolution of ultrasociality, and as a result, we are the only ultrasocial primate. The human lineage may have started off acting very much like chimps,48 but by the time our ancestors started walking out of Africa, they had become at least a little bit like bees. And much later, when some groups began planting crops and orchards, and then building granaries, storage sheds, fenced pastures, and permanent homes, they had an even steadier food supply that had to be defended even more vigorously. Like bees, humans began building ever more elaborate nests, and in just a few thousand years, a new kind of vehicle appeared on Earth—the city-state, able to raise walls and armies.49 City-states and, later, empires spread rapidly across Eurasia, North Africa, and Mesoamerica, changing many of the Earth’s ecosystems and allowing the total tonnage of human beings to shoot up from insignificance at the start of the Holocene (around twelve thousand years ago) to world domination today.50 As the colonial insects did to the other insects, we have pushed all other mammals to the margins, to extinction, or to servitude. The analogy to bees is not shallow or loose. Despite their many differences, human civilizations and beehives are both products of major transitions in evolutionary history. They are motorboats.

She looked down and saw Genji on his warhorse, and it was he who was out of place, not herself. The incongruity of a samurai in her orchard made her laugh. Her own laughter brought her back. Coming back, she began to weep. “My home was in Apple Valley,” Emily said. “Another Apple Valley.” After a time, Genji said, “This place was yours before you ever saw it.

Parents, do your daughters come home smelling like an orchard? Is their giggle quotient higher than usual? They may be in thrall to the dangerous wine cooler. Gateway drug of the terminally insecure, its usage results in excessive clumsiness and the condition ‘trophy wife-itis.’ The lethalness of which only manifests after age thirty-five and ends in gutter living and suicide.

It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then. 'I do,' she said. 'I do,' he said. They did. They would. Our children will be so fucking beautiful, he thought, looking at her. Home, she thought, looking at him. 'You may kiss,' said the officiant. They did, would. Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness. The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared. Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard. Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him. These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...

VI: A SERVICE OF SONG. Some keep the Sabbath going to church; I keep it staying at home, With a bobolink for a chorister, And an orchard for a dome. Some keep the Sabbath in surplice; I just wear my wings, And instead of tolling the bell for church, Our little sexton sings. God preaches, — a noted clergyman, — And the sermon is never long; So instead of getting to heaven at last, I’m going all along!

Some keep the Sabbath going to Church Some keep the Sabbath going to Church – I keep it, staying at Home – With a Bobolink for a Chorister – And an Orchard, for a Dome – Some keep the Sabbath in Surplice – I, just wear my Wings – And instead of tolling the Bell, for Church, Our little Sexton – sings. God preaches, a noted Clergyman – And the sermon is never long, So instead of getting to Heaven, at last – I’m going, all along.

AT DAY’S END, when I leave the rectory for home, I prefer to walk through the orchard on the hill rather than go by the road and risk meeting people. After all we’ve been through together, it’s just not possible to pass with a polite, “Good night t’ye.” And yet I haven’t the strength for more. Sometimes, not often, the orchard can bring back better times to me. These memories of happiness are fleeting things, reflections in a stream, glimpsed all broken for a second and then swept away in the current of grief that is our life now. I can’t say that I ever feel what it felt like then, when I was happy. But sometimes something will touch the place where that feeling was, a touch as slight and swift as the brush of a moth’s wing in the dark. In the orchard of a summer night, if I close my eyes, I can hear the small voices of children: whispers and laughter, running feet and rustling leaves.

The house belongs to us. James and I grew up here. That mansion is our home," Mia replied with a sweet smile. "Or, well, it was. James and Lily have their own little cottage now." The Dursleys looked dumbfounded, which Mia discovered was not very difficult for them. "Grew up here?" Petunia gaped at Mia. "So, it's just you here, then? That big house all to yourself?" Mia could tell by the tone of voice that the woman was trying to be polite now that she was aware the Potters had money. "Oh no, I moved to London." She then pointed to Sirius and Remus standing beside James, pouring drinks for one another. "I live with those two handsome men." Petunia blushed furiously, looking scandalised. "You live with two men?" Mia grinned, half tempted to tell her, in detail, what she and those two men had done right here in this very orchard. The particular shade of red on Petunia's face was intriguing, to say the least, but nowhere near as amusing as the purple that Vernon was turning as he muttered, "shameful" and "scandalous" under his breath.

He never forgot. From somewhere in the darkness came the sound of a banjo, tentative chords … a message … what news? Old loves reconsummated, sickness, a child’s crying. Silence now in the houses. Repose. Even to those for whom no end of night could bring rest enough. And silence, the music fled in the seeping amber warmth of innumerable dreams laid to death upon the hearth, ghostly and still … The morning is yet to the nether end of the earth, and he is weary. Bowing the grass in like sadness the dew followed him home and sealed his door.

Israel’s basic law defines the country as a “state of the Jewish people.” The law accords the “right of return” to any Jewish person living anywhere in the world. The overwhelming majority of Jewish people have lived outside of Palestine for nearly 20 centuries. At the same time, Israel has blocked the return of the 750,000 Palestinians driven out of their homeland in 1948-1949 and their more than 6 million descendants. Their homes, farms, orchards, shops and other property were seized without compensation. They have been denied the right of return despite scores of U.N. resolutions upholding that right.

The Story Girl was written in 1910 and published in 1911. It was the last book I wrote in my old home by the gable window where I had spent so many happy hours of creation. It is my own favourite among my books, the one that gave me the greatest pleasure to write, the one whose characters and landscape seem to me most real. All the children in the book are purely imaginary. The old "King Orchard" was a compound of our old orchard in Cavendish and the orchard at Park Corner. "Peg Bowen" was suggested by a half-witted, gypsy-like personage who roamed at large for many years over the Island and was the terror of my childhood.

Every Saturday I would go to the library and choose my books for the week. One late-autumn morning, despite menacing clouds, I bundled up and walked as always, past the peach orchards, the pig farm and the skating rink to the fork in the road that led to our sole library. The sight of so many books never failed to excite me, rows and rows of books with multicolored spines. I’d spent an inordinate amount of time choosing my stack of books that day, with the sky growing more ominous. At first, I wasn’t worried as I had long legs and was a pretty fast walker, but then it became apparent that there was no way I was going to beat the impending storm. It grew colder, the winds picked up, followed by heavy rains, then pelting hail. I slid the books under my coat to protect them, I had a long way to go; I stepped in puddles and could feel the icy water permeate my ankle socks. When I finally reached home my mother shook her head with sympathetic exasperation, prepared a hot bath and made me go to bed. I came down with bronchitis and missed several days of school. But it had been worth it, for I had my books, among them The Tik-Tok Man of Oz, Half Magic and The Dog of Flanders. Wonderful books that I read over and over, only accessible to me through our library.

Ascent To The Sierras poet Robinson Jeffers #140 on top 500 poets Poet's PagePoemsCommentsStatsE-BooksBiographyQuotationsShare on FacebookShare on Twitter Poems by Robinson Jeffers : 8 / 140 « prev. poem next poem » Ascent To The Sierras Beyond the great valley an odd instinctive rising Begins to possess the ground, the flatness gathers to little humps and barrows, low aimless ridges, A sudden violence of rock crowns them. The crowded orchards end, they have come to a stone knife; The farms are finished; the sudden foot of the slerra. Hill over hill, snow-ridge beyond mountain gather The blue air of their height about them. Here at the foot of the pass The fierce clans of the mountain you'd think for thousands of years, Men with harsh mouths and eyes like the eagles' hunger, Have gathered among these rocks at the dead hour Of the morning star and the stars waning To raid the plain and at moonrise returning driven Their scared booty to the highlands, the tossing horns And glazed eyes in the light of torches. The men have looked back Standing above these rock-heads to bark laughter At the burning granaries and the farms and the town That sow the dark flat land with terrible rubies... lighting the dead... It is not true: from this land The curse was lifted; the highlands have kept peace with the valleys; no blood in the sod; there is no old sword Keeping grim rust, no primal sorrow. The people are all one people, their homes never knew harrying; The tribes before them were acorn-eaters, harmless as deer. Oh, fortunate earth; you must find someone To make you bitter music; how else will you take bonds of the future, against the wolf in men's hearts?

Sam scanned the orchards. U-Pickers laughed and posed for photos with apples on their heads, babies in the baskets, hugging trees. She lifted her head to study the sky, blue as her eyes. The clouds moved across the sun, blocking it out for long distances at a time, causing the landscape in front of her to become illuminated one patchwork piece at a time: the rolling hills lined with grass and endless rows of trees, peach, tart cherry, apples of every variety; blueberry bushes sitting at the bottom of the hill where the rain pooled; the old red barn where high school kids doled out baskets for fruit, which Sam's father weighed when they returned; the old shed where more high schoolers handed out free donut samples and sips of apple cider to arriving cars; the farmhouse with shutters- designed with apple cutouts- where her grandparents, Willo and Gordon, lived; the blue-green waters of Suttons Bay stretching out beyond the trees, the Old Mission Peninsula jutting into it; the family cornfields that sat across M-22 and would soon be cut into an intricate corn maze filled with spooks and goblins to scare fall visitors. This slice of northern Michigan was Sam's home, her whole world.

She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  

God took His time to carve out the perfect place, Sam remembered her grandma always saying. Indeed, the hilltop was akin to a real cherry on top of a stunningly picturesque sundae. Bayview Point was home to two of northern Michigan's most popular orchards and tourist stops: Very Cherry Orchards and her family's Orchard and Pie Pantry. The first half of the hill was dense with rows of tart cherry trees, and the limbs of the small, bushy trees were bursting with cherries, red arms waving at Sam as if to greet her home. In the spring, these trees were filled with white blossoms that slowly turned as pink as a perfect rosé, their beauty so tender that it used to make Sam's heart ache when she would run through the orchards as part of her high school cross-country training. Often, when Sam ran, the spring winds would tear at the tender flowers and make it look as though it were snowing in the midst of a beautiful warm day. Like every good native, Sam knew cherries had a long history in northern Michigan. French settlers had cherry trees in their gardens, and a missionary planted the very first cherry trees on Old Mission Peninsula. Very Cherry Orchards grew nearly 100 acres of Montmorency tart cherries in addition to Balaton cherries, black sweet cherries, plums, and nectarines. They sold their fruit to U-Pickers as well as large companies that made pies, but they had also become famous for their tart cherry juice concentrate, now sold at grocery and health food stores across the United States. People loved it for its natural health benefits, rich in antioxidants.

A little later, strolling about the town, I, stopped into a shop near the museum, where they sold souvenirs and post-cards. I looked over the cards leisurely; the ones I liked best were soiled and wrinkled. The man, who spoke French fluently, offered to make the cards presentable. He asked me to wait a few minutes while he ran over to the house and cleaned and ironed them. He said he would make them look like new. I was so dumbfounded that before I could say anything he had disappeared, leaving me in charge of the shop. After a few minutes his wife came in. I thought she looked strange for a Greek woman. After a few words had passed I realized that she was French and she, when she learned that I hailed from Paris, was overjoyed to speak with me. We got along beautifully until she began talking about Greece. She hated Crete, she said. It was too dry, too dusty, too hot, too bare. She missed the beautiful trees of Normandy, the gardens with the high walls, the orchards, and so on. Didn't I agree with her? I said NO, flatly. "Monsieur!" she said, rising up in her pride and dignity, as if I had slapped her in the face. "I don't miss anything," I said, pressing the point home. "I think this is marvellous. I don't like your gardens with their high walls, I don't like your pretty little orchards and your well-cultivated-fields. I like this …" and I pointed outdobrs to the dusty road on which a sorely-laden donkey was plodding along dejectedly. "But it's not civilized," she said, in a sharp, shrill voice which reminded me of the miserly tobacconiste in the Rue de la Tombe-Issoire. "Je m'en fous da la civilisation européenne!" I blurted out. "Monsieur!" she said again, her feathers ruffled and her nose turning blue with malice. Fortunately her husband reappeared at this point with the post-cards which he had given a dry-cleaning.

That night, Marjan dreamt of Mehregan. The original day of thanksgiving, the holiday is celebrated during the autumn equinox in Iran. A fabulous excuse for a dinner party, something that Persians the world over have a penchant for, Mehregan is also a challenge to the forces of darkness, which if left unheeded will encroach even on the brightest of flames. Bonfires and sparklers glitter in the evening skies on this night, and in homes across the country, everyone is reminded of their blessings by the smell of roasting 'ajil', a mixture of dried fruit, salty pumpkin seeds, and roasted nuts. Handfuls are showered on the poor and needy on Mehregan, with a prayer that the coming year will find them fed and showered with the love of friends and family. In Iran, it was Marjan's favorite holiday. She even preferred it to the bigger and brasher New Year's celebrations in March, anticipating the festivities months in advance. The preparations would begin as early as July, when she and the family gardener, Baba Pirooz, gathered fruit from the plum, apricot, and pear trees behind their house. Along with the green pomegranate bush, the fruit trees ran the length of the half-acre garden. Four trees deep and rustling with green and burgundy canopies, the fattened orchard always reminded Marjan of the bejeweled bushes in the story of Aladdin, the boy with the magic lamp. It was sometimes hard to believe that their home was in the middle of a teeming city and not closer to the Alborz mountains, which looked down on Tehran from loftier heights. After the fruit had been plucked and washed, it would be laid out to dry in the sun. Over the years, Marjan had paid close attention to her mother's drying technique, noting how the fruit was sliced in perfect halves and dipped in a light sugar water to help speed up the wrinkling. Once dried, it would be stored in terra-cotta canisters so vast that they could easily have hidden both both young Marjan and Bahar. And indeed, when empty the canisters had served this purpose during their hide-and-seek games.

Still, he could feel a fine cord stretched between them, a thin luminous fiber that ran from his chest all the way across the continent and forked into theirs. Never before had he lived through a fever without his mother; when he’d been sick in Debrecen she’d taken the train to be with him. Never had he finished a year at school without knowing that soon he’d be home with his father, working beside him in the lumberyard and walking through the fields with him in the evening. Now there was another filament, one that linked him to Klara. And Paris was her home, this place thousands of kilometers from his own. He felt the stirring of a new ache, something like homesickness but located deeper in his mind; it was an ache for the tie when his heart had been a simple and satisfied thing, small as the green apples that grew in his father’s orchard.

If you cannot come, if you fear What music might wind your feet In the moss and migrant roots, What drink will score your throat Like a sky scratched By the claw-end of leaves What wheels will drive you Home at dawn, where the dew-blades Bear up the infancies of light— Then send, in the tremble Of your own cold hand, Regrets only, nothing but regrets.

It will produce branches and bear fruit and become a splendid cedar….” —Ezekiel 17:23 (NIV) I e-mailed my siblings: “Prayers appreciated for a talk I’m giving on Thursday afternoon.” Several responded, relaying the sentiment “God is with you, and so are we.” At the appointed hour, I encouraged participants to compare their prayers to trees. I displayed photographs and artists’ renderings of gnarly olive trees, weeping willows, deserted palms, orange-laden orchards…. I handed out colored pencils and suggested they draw a tree that represented their recent prayers. “Imagine Jesus as the trunk—the core ‘vine’—and your prayers as the branches. Then consider the big picture: Whom is your prayer tree shading or protecting? Where is it in the seasonal cycles—producing hopeful spring blossoms or mature fruit? Do your prayer-branches reach for the sky in praise or bend close to the ground with requests? Is your tree in a solitary setting, or do you prefer praying when you’re surrounded by peers, as in a grove?” Eventually I asked them to explain their pictures. A husband had sketched two leafy trees side by side, representing his prayers with his wife. A mother had envisioned a passel of umbrella-shaped twigs, symbolizing parental prayers of protection. When I was packing up, a woman who’d held back earlier showed me a nearly hidden detail of her flourishing tree. At the base of the trunk, underneath grassy cover, she’d outlined deep roots. “They represent the grounding of my family, my upbringing.” “Oh my!” I smiled. “You introduced a whole new dimension.” I drove home with a revitalized prayer—like limbs stretching upward with thanksgiving—for my natal family and many others who have enriched my relationship with God. Lord, thank You for the grounding of my faith through my family and the family of God. —Evelyn Bence Digging Deeper: Ps 103:17–18; Prv 22:6

like?” “Sophia?

We had been looking at some land adjoining the zoo and decided to purchase it in order to expand. There was a small house on the new property, nothing too grand, just a modest home built of brick, with three bedrooms and one bathroom. We liked the seclusion of the place most of all. The builder had tucked it in behind a macadamia orchard, but it was still right next door to the zoo. We could be part of the zoo yet apart from it at the same time. Perfect. “Make this house exactly the way you want it,” Steve told me. “This is going to be our home.” He dedicated himself to getting us moved in. I knew this would be our last stop. We wouldn’t be moving again. We laid new carpet and linoleum and installed reverse-cycle air-conditioning and heat. Ah, the luxury of having a climate-controlled house. I installed stained-glass windows in the bathroom with wildlife-themed panes, featuring a jabiru, a crocodile, and a big goanna. We also used wildlife tiles throughout, of dingoes, whales, and kangaroos. We made the house our own. We worked on the exterior grounds as well. Steve transplanted palm trees from his parents’ place on the Queensland coast and erected fences for privacy. He designed a circular driveway. As he laid the concrete, he put his own footprints and handprints in the wet cement. Then he ran into the house to fetch Bindi and me. “Come on,” he said. “Let’s all do it.” We grabbed Sui, too, and put her paw prints in, and then did Bindi, who was just eight months old. It took a couple of tries, but we got her handprints and her footprints as well, and then my own. We stood back and admired the time capsule we had created. That afternoon the rains came. The Sunshine Coast is usually bright and dry, but when it rains, the heavens open. We worried about all the concrete we had worked on getting pitted and ruined. “Get something,” Steve shouted, scrambling to gather up his tools. I ran into the house. I couldn’t find a plastic drop cloth quickly enough, so I grabbed one of my best sheets off the bed. As I watched the linen turn muddy and gray in the rain, I consoled myself. In the future I won’t care that I ruined the sheet, I thought. I’ll just be thankful that I preserved our footprints and handprints. “It’s our cave,” Steve said of our new home. We never entertained. The zoo was our social place. Living so close by, we could have easily gotten overwhelmed, so we made it a practice never to have people over. It wasn’t unfriendliness, it was simple self-preservation. Our brick residence was for our family: Steve and me, Bindi, Sui, and Shasta.

I was enchanted as soon as I stepped off the train. As were the hundreds of others who got off the train with me who were now in the process of climbing into buggies and wagons, en route to the dozens of resorts, enclaves, and tent campgrounds in the area, where they would soak up the sun, get drunk on Cabernet, swim and picnic in the druidy redwood groves while reciting Shakespeare. I climbed into a wagon and was driven off by a Mr. Lars Magnusson to view the old Olson farm. We traveled a mile or so into the hills, past oak glens, brooks, and pools of water, past manzanitas, madrones, and trees dripping with Spanish moss. Sonoma Mountain was to the west; its shadow cast everything in a soft purple light. When we finally reached the farm and I saw the luscious valley spread out in front of me, I knew this was it. Greengage. It would be a home for me and Martha at first, but I hoped it would soon be something more. A tribute to my mother and her ideals; a community in which she would have flourished, where she would have lived a good long life. Greengage.The burbling creek that ran smack down the middle of the property. The prune, apple, and almond orchards: the fields of wheat, potatoes, and melons. The pastures for cows and sheep. The chicken house and pigsty. The gentle, sloping hills, mounds that looked like God's knuckles, where I would one day plant a vineyard.

Sanna measured the apple juice into a large glass beaker and added it to the carboy, swirling a cheery red- like Santa's suit. She wrote down the amount in her notebook and did the same with the next juice, this one a bold sapphire blue, which mixed with the red into a vivid purple. When it came to cider, colors and flavors blended together for her. She knew she had the right blend when it matched the color she had envisioned. It wasn't scientific- and it didn't happen with anything else Sanna tasted- but here, with her beloved trees, it worked. She carefully tracked the blends in her journal. The sun streamed through the window, lighting up the colors in the carboy like Christmas lights. She was close- one more juice should do it. She closed her eyes, calling to mind all the juices in the barn's cooler and their corresponding colors. Every juice she tasted from their apples had a slightly different hue, differing among individual varieties, but even varying slightly from tree to tree. When she was twenty-four, she had stood at the tall kitchen counter tasting freshly pressed juices she had made for the first time with the press she had unearthed from the old barn. Her plan had originally been to sell them in the farm stand, but she wanted to pick the best. As she sipped each one, an unmistakable color came to mind- different for each juice- and she finally understood the watercolor apple portraits above the fireplace. They were proof she wasn't the only family member who could see the colors. After she explained it to her dad, he smiled. "I thought you might have the gift." "You knew about this?" "It's family legend. My dad said Grandpa could taste colors in the apples, but no one in my lifetime has been able to, so I thought it might be myth. When you returned home after college- the way you were drawn to Idun's- I thought you might have it." He had put his hands on the side of her face. "This means something good, Sanna." "Why didn't you say anything? Why didn't I know before?" "Would you have believed me?" "I've had apple juice from the Rundstroms a thousand times. Why can't I see that with theirs?" "I think it has something to do with apples from our land. We're connected to it, and it to us." Sanna had always appreciated the sanctuary of the orchard, and this revelation bonded Sanna like another root digging into the soil, finding nourishment. She'd never leave. After a few years of making and selling apple juice, Sanna strolled through the Looms wondering how these older trees still produced apples, even though they couldn't sell them. They didn't make for good eating or baking- Einars called them spitters. Over the years, the family had stopped paying attention to the sprawling trees since no one would buy their fruit- customers only wanted attractive, sweet produce. Other than the art above the mantel, they had lost track of what varieties they had, but with a bit of research and a lot of comparing and contrasting to the watercolors and online photos, Sanna discovered they had a treasure trove of cider-making apples- Kingston Black, Ashton Bitter, Medaille d'Or, Foxwhelp, her favorite Rambo tree, and so many more. The first Lunds had brought these trees to make cider, but had to stop during Prohibition, packing away the equipment in the back of their barn for Sanna to find so many years later. She spent years experimenting with small batches, understanding the colors, using their existing press and carboys to ferment. Then, last year, Einars surprised her with plans to rebuild the barn, complete with huge fermentation tanks and modern mills and presses. Sanna could use her talent and passion to help move their orchard into a new phase... or so they had hoped.

For you little gardener and lover of trees,’ she said to Sam, ‘I have only a small gift.’ She put into his hand a little box of plain grey wood, unadorned save for a single silver rune upon the lid. ‘Here is set G for Galadriel,’ she said; ‘but also it may stand for garden in your tongue. In this box there is earth from my orchard, and such blessing as Galadriel has still to bestow is upon it. It will not keep you on your road, nor defend you against any peril; but if you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there. Then you may remember Galadriel, and catch a glimpse far off of Lórien, that you have seen only in our winter. For our Spring and our Summer are gone by, and they will never be seen on earth again save in memory.

Daniel Mas Masumoto: The blade slices into the soil. My muscles tense and push the shovel into the moist ground. Dark and damp, the sweet warm smell of wet earth…I can’t count the thousands of shovelfuls of earth I have moved in my life. But I like to think of the thousands that lie in my future, if I am fortunate. Spring irrigation brings life to the orchards and vineyards. Peaches ripen and the scent of bloom lingers in the air…I guide the water into my fields in an act of renewal, I think of Paul, a farmer and oil painter friend. He enjoys experimenting with green, capturing the subtle nuances of a fresh leaf or the thriving growth of mid-spring or the weak yellow green of a cover crop on bad soil… Paul knows his paintings work when the farmers gravitate toward a few, attracted by the colors, and begin talking about his greens. The true green of a field has depth, like the mysterious colors of a clear by deep lake. Each shade has meaning we interpret differently. Paul says farmers are his best art critics, we know more of greens than anyone else. I’ve lost raisin crops, peach harvests, whole trees and vines. I’ve lost money, my time, and my labor. I’ve lost my temper, my patience, and, at time, hope. Most of the time, it’s due to things beyond my control, like the weather, market prices, or insects or disease. Ironically, the moment I step off my farm I enter a world where it seems that everything, life and nature, is regulated and managed. Homes are built to insulate families from the outside weather. People work in climate controlled environments designed to minimize the impact of weather. In America, a lack of control means failure…I’ve abandoned my attempts to control and compete with nature, but letting go has been a challenge. I’m trying to listen to my farm. Before I had not reason to hear the sounds of nature. The sole strategy of conventional farming seems to be dominance. Now, with each passing week, I venture into fields full of life and change, clinging to a belief in my work and a hope that it’s working.

Amelia went to the parlor windows and watched the two distant figures proceed through the orchard toward the forest. The apple trees, frosted with light green buds and white blossoms, soon conspired to hide the pair from view. She puzzled over the way Beatrix had behaved with the stern-faced soldier, pecking and chirping at him, almost as if she were trying to remind him of something he’d forgotten. Cam joined her at the window, standing behind her. She leaned back against him, taking comfort in her husband’s steady, strong presence. One of his hands glided along her front. She shivered in pleasure at the casual sensuality of his touch. “Poor man,” Amelia murmured, thinking of Phelan’s haunting eyes. “I didn’t recognize him at first. I wonder if he knows how much he has changed?” Cam’s lips played lightly at her temple as he replied. “I suspect he is realizing it now that he’s home.” “He was very charming before. Now he seems so austere. And the way he stares sometimes, as if he’s looking right through one…” “He’s spent two years burying his friends,” Cam replied quietly. “And he’s taken part in the kind of close combat that makes a man as hard as nails.” He paused reflectively. “Some of it you can’t leave behind. The faces of the men you kill stay with you forever.” Knowing that he was remembering a particular episode of his own past, Amelia turned and hugged herself close to him. “The Rom don’t believe in war,” Cam said against her hair. “Conflict, arguing, fighting, yes. But not in taking the life of a man with whom one has no personal grievance. Which is one of many reasons why I would not make a good soldier.” “But for those same reasons, you make a very good husband.” Cam’s arms tightened around her, and he whispered something in Romany. Although she didn’t understand the words, the rough-soft sound of them caused her nerves to tingle. Amelia nestled closer. With her cheek against his chest, she reflected aloud, “It’s obvious that Beatrix is fascinated by Captain Phelan.” “She’s always been drawn to wounded creatures.” “The wounded ones are often the most dangerous.” His hand moved in a soothing stroke along her spine. “We’ll keep a close watch on her, monisha.

Mom and Dad decided to drive out into the country to get some apple cider at Whipple’s Orchard. They asked if we wanted to come along. We said we’d rather stay home with Grandma. Then, as soon as they pulled out of the driveway, we begged Grandma to take us somewhere. “My turn! My turn! I want to visit her!” “Why, Liz, what a great choice! That’s Remember Allerton. She was your grandpa’s great-great-great-great-well, I forget exactly how many greats it was--aunt. She was one of the Pilgrims who came over on the Mayflower.” “Remember? What a weird name!” “That’s nothing! I know a dog named Sparkplug.” When you travel back in time, you have to put on the kind of clothes that people wore back then. If you don’t, they’ll think you’re really strange. “I have to wear three layers? I’ll bake!” “Trust me, Lenny. You’ll be happy to have them. No central heating, you know.” “Hey, I thought Pilgrims always wore black suits and big hats with buckles on them.” “Nope. They dressed like ordinary working people of their time--and they liked to wear colors, same as anybody else. Of course, on Sundays they put on their best suits and fancy collars.

I’ve been a passionate adventurer in the solar industry and the sustainability movement my whole life. I try hard to walk my talk. My wife, Nantzy, and I live in an off-the-grid home (see page 70) built of recycled and green materials, powered by solar (passive and active) and hydroelectric energy, with gorgeous biodynamic gardens and fruit orchards that provide most of our food, a 15-acre biodynamic olive orchard, an 8-acre biodynamic vineyard, and a dozen beehives. I’m fortunate to benefit from the fruits of all our collective labors. As the solar industry continues to grow and mature, and as our cultural consciousness evolves, I remain hopeful that, once and for all, we will get things right in

Men were odd creatures. The ones with war injuries could ride and dance more gracefully than they walked; the ones who’d never laid an improper hand on her could bestow a first kiss more sweet and intriguing than she’d ever imagined. The ones who bore the scent of home and happiness could be untitled, socially retiring, and raising orchard hogs in the shires. She

Lydia had devoted herself- and her husband's money- toward making their home a "destination." She fancied herself floating through a household of the East Coast elite, dazzling them with continental cuisine, priceless art and antiques, and a perfectly stocked wine cellar. They would tour her gardens and marvel at her ability to create such a cultural oasis in the southern desert. In reality, every evening Lydia watched her guests meander across her yard to the Belles', where they delighted in such southern delicacies as moonshine in Mason jars, bawdy conversation, and shoofly pie.

After several hours of preparing, cooking, eating, and laughing together, the kitchen was now lit by the glow of candlelight, and the entire house filled with the glorious aroma of freshly roasted heritage turkey. While Dylan had readied the bird with a few sprigs of chopped rosemary, ground black peppercorn, and a splash of maple syrup, Grace and Carter gathered fall beans and bush squash and a few little sugar pie pumpkins, and cooked the vegetables along with the sweet corn that Carter had brought home.

And whose very snug-looking place is this? said Charlotte as, in a sheltered dip within two miles of the sea, they passed close by a moderate-sized house, well fenced and planted, and rich in the garden, orchard and meadows which are the best embellishments of such a dwelling. (This is basically the description of my maternal great grandparents on Prince Edward Island who lived closer to the sea than two miles. <3)

A book is a gift you can open again and again." – Garrison Kellor "Some books leave us free and some books make us free." – Ralph Waldo Emerson "Books are the quietest and most constant of friends; they are the most accessible and wisest of counselors, and the most patient of teachers." – Charles W. Eliot "A book is a garden, an orchard, a storehouse, a party, a company by the way, a counselor, a multitude of counselors." – Charles Baudelaire "There are some books that reached through the noise of life to grab you by the collar and speak only of the truest things." – Jeffrey Eugenides, The Marriage Plot "Books are mirrors: You only see in them what you already have inside you." – Carlos Ruiz Zafón, The Shadow of the Wind "Reading was my escape and my comfort, my consolation, my stimulant of choice: reading for the pure pleasure of it, for the beautiful stillness that surrounds you when you hear an author's words reverberating in your head." – Paul Auster, The Brooklyn Follies "A reader lives a thousand lives before he dies... The man who never reads lives only one." – George R.R. Martin, A Dance with Dragons "Reading is an active, imaginative act; it takes work." – Khaled Hosseini "Reading is an exercise in empathy; an exercise in walking in someone else’s shoes for a while." – Malorie Blackman "That is part of the beauty of all literature. You discover that your longings are universal longings, that you’re not lonely and isolated from anyone. You belong." – F. Scott Fitzgerald "Once you learn to read, you will be forever free." – Frederick Douglass "Reading makes immigrants of us all. It takes us away from home, but more important, it finds homes for us everywhere." – Jean Rhys "We tell ourselves stories in order to live." – Joan Didion, The White Album

The summer sun glowed on the white clapboards, which were in desperate need of a coat of paint. The air was sweet with the scents of salt water and a jumble of untended rosebushes in riotous bloom along one side of the house. The garden was vivid with greenery, though it seemed all the plants had grown into a tangled mass. Rich, well-dug black soil showed here and there. I looked over my shoulder and saw an aging apple orchard at the end of an empty field and beyond it an enticing glimpse of sapphire water. "Is that Hood Canal?" Will followed my gaze. "Yes!" He jumped down from the porch and started back to the garden gate. "Let's go see it." My sandals weren't the best shoes for tramping through the long grass of the field or for navigating the root-choked earth beneath the apple trees. I had to slip-slide my way down the cut in the bank to the gravelly beach beside the canal. There was no wind, and the smooth water glistened like satin.

If we moved to Bonk we could get a big apartment for the cost of this place—' 'This is our home, Irina,' said the oldest sister. 'Ah, a home of lost illusions and thwarted hopes...' 'We could go out dancing and everything.' 'I remember when we lived in Bonk,' said the middle sister dreamily. 'Things vere better then.' 'Things vere alvays better then,' said the oldest sister. The youngest sister sighed and looked out of the window. She gasped. 'There's a man running through the cherry orchard!' 'A man? Vot could he possibly vant?' The youngest sister strained to see. 'It looks like he wants... a pair of trousers...' 'Ah,' said the middle sister dreamily. 'Trousers ver better then.

I often think about what Claire said to me in the apple orchard in Cold Creek. How when she asked me why I was looking for Sadie, I told her I had a daughter of my own because it felt like the most noble thing I could offer her at the time. Claire got mad at me, rightfully, for using my daughter as a reason to see the pain and suffering in her world, and as an excuse for my fumbling attempt to fix it. But I was lying at the time. I told Danny I didn’t want this story because I didn’t think it was one, and that was a lie too. I don’t know that the truth is much better. Girls go missing all the time. And ignorance is bliss. I didn’t want the story because I was afraid. I was afraid if what I wouldn’t find and I was afraid of what I would. I still am. I never got to meet Sadie Hunter, but I feel in some small though significant way, I’ve gotten to know her. Twenty years ago, she was born and placed in her mother’s arms, and six years after that her sister Mattie was placed in hers, and her whole world came alive. In Mattie, Sadie found a sense of purpose, a place to put her love. But love is complicated, it’s messy. It can inspire selflessness, selfishness, our greatest accomplishments and our hardest mistakes. It brings us together and it can just as easily drive us apart. It can drive us. When Sadie lost Mattie, it drove her to leave her home in Cold Creek, to take on the loneliness and pain of all those miles, just to find her little sister’s murderer and make the world right again, even, possibly, at expense of herself. We may never know exactly what happened between Sadie and Jack, but I know what I want to believe. And in this aftermath, it’s Sadie’s love for Mattie that remains, to fill in those gaps until - if, when - Sadie returns to tell us in her own words. And Sadie, if you’re out there, please let me know. Because I can’t take another dead girl

Frank’s findings caught the eye of J.R.R. Tolkien, who had a well-known fondness for plants, and trees in particular. Mycorrhizal fungi soon found their way into The Lord of the Rings. “For you little gardener and lover of trees,” said the elf Galadriel to the hobbit Sam Gamgee, “I have only a small gift…In this box there is earth from my orchard…if you keep it and see your home again at last, then perhaps it may reward you. Though you should find all barren and laid waste, there will be few gardens in Middle-earth that will bloom like your garden, if you sprinkle this earth there.” When he finally returned home to find a devastated Shire: Sam Gamgee planted saplings in all the places where specially beautiful or beloved trees had been destroyed, and he put a grain of the precious dust from Galadriel in the soil at the root of each…All through the winter he remained as patient as he could, and tried to restrain himself from going round constantly to see if anything was happening. Spring surpassed his wildest hopes. His trees began to sprout and grow, as if time was in a hurry and wished to make one year do for twenty.

Some days - some early mornings - when the wind smells of blossoms I'll never see, and there are fawns playing in the misty orchards, and you're yawning and mumbling and scratching your head, and growling that we'll see rain before nightfall, and probably hail as well, on such mornings I wish with all my heart that we could both live forever, and I think you were a great fool to give it up.

In Oregon, my home backs up to lush green fields, horses, stunning sunsets, and hazelnut orchards.

I walked my horse in a circle, looking at everything Charles had pointed to and declared his. He was right about it, which was all the more infuriating. Edenbrooke was beautiful. It was home. It was everything I loved most in my childhood. And yet I would one day be a foreigner here. I would one day have no more claim to walk through these doors than a stranger would. And so I looked around at the beloved house and orchard and stables and gardens and river and trees and thought, "Not mine. Not mine. Not mine." It felt like shaving off little pieces of my heart.

She did not pine for her father, Laura, the familiar beloved faces of home. It was her home itself she missed, Valtorsa, the high cool rooms, the orchards and vineyards and fields, the line of the mountains on the sky, the lake, the stones of the lake-shore. Piera was one to whom the thing, not its use nor its meaning, but the thing itself mattered; she knew the thing only, as a lark knows the sun or a wolf the rain. What was given her she accepted, willingly. But what was taken from her she missed, and did not cease to miss.

Food. Super!” Bess said. “I vote for that.” She drove the car to the restaurant, turned into its driveway, and parked in the rear. There was a side entrance so the three friends entered through this door. The first floor of the farmhouse had been converted into a charming, old-fashioned dining room. A pleasant-faced woman, who reminded Nancy of Hannah Gruen, showed them to a table next to a window. It overlooked a low hedge between the two properties. “We have no printed menus,” the restaurant owner said. “Tonight we have homemade vegetable soup, baked ham or pot roast, sweet potatoes, and some of my home-canned peaches with chocolate cake for dessert. Maybe you noticed my orchards. The peaches grew right here.” Bess sighed. “It must be heavenly living on a farm and raising all your own produce. Do you have chickens and cows and everything?” The woman, who said her name was Mrs. Ziegler, beamed. “Yes, everything.

The only thing Birdie was ever interested in was home. There was nothing Birdie loved more than to curl up in her window seat and watch the orchard. She knew what animals burrowed where, and what flowers bloomed when, and what trees produced the best fruit. She listened to the farm’s rhythms through the screen like the beat of the heart of someone she loved.

Birdie was up before dawn. She’d left her window open all night, and the orchard had filled her room with the smells of swelling green peaches, shaggy pecan bark, and magnolia leaves. Birdie wasn’t sure why, but it was all mixed up with the memory of jacarandas, dry sand, cactus, cayenne, cinnamon.

But the last time they were all at the orchard together, Birdie only found one lone blossom, drying up. She took it with her and tucked it in her hair. What mattered was still there. That was what they all felt, and it was what surprised them all. What mattered couldn't be shaken.

Vittorio, Pasquale, and Rocco had gotten into the habit of lowering the shades and huddling around one of the café tables with a bottle. As the radio played late into the night, they talked quietly—or not at all—until the broadcasts stopped altogether and the three of them stumbled home. Sometimes when I came in early in the mornings to inspect the milk deliveries, I found the wireless still on, spitting static. “Can I show you how we can save money?” I said, opening the ledger. Vittorio put up his hand as if to signal, Stop. “Is it legal?” he said, staring at the bottle in the center of the table. “Of course.” I laughed. “Do I need to sign anything?” “Perhaps later.” “Then just let me know if I do. Leave it for me on the

Norah, her younger sister, had managed to call her in Italy nearly a week ago about their father’s heart attack. The connection had been bad and she’d had difficulty hearing, but Norah’s sense of urgency had come clearly over the wire. Their father was gravely ill, and Steffie needed to hurry home—something that turned out to be much easier said than done.

They basked in the sweet-scented breeze, and felt the sunshine warming their bare heads. Petals drifted from the gnarled apple and cherry trees, creating a pretty storm, like confetti. They lay together in the grass, watching a beetle trundling through the blades, its clumsy movements reminiscent of the soldiers' giant transport trucks. Birdsong filled the air, horse buses clopped through the street, and somewhere along the city docks, a ship's whistle blew. When it was time to go home, they packed everything into the basket and walked together, their clasped hands swinging between them. Annalise loved these perfect days with her mother, when the air was warm and the tulips and daffodils were coming up.

Inside the wall were the large homes of the wealthy, with terraces, orchards, and vineyards. Pointed arches were everywhere—arched doorways, arched windows, arched garden gates.

Lately, she'd been waking up early every day, too excited to sleep. She was working on the biggest project she'd ever dared to undertake- transforming her family home into a destination cooking school. The work was nearing completion, and if everything went according to schedule, she would welcome the first guests of the Bella Vista Cooking School at harvest time. The big rambling mission-style hacienda, with its working apple orchard and kitchen gardens, was the perfect venue for the project. The place had long been just too much for just her and her grandfather, and Isabel's dreams had always been too big for her budget. She was passionate about cooking and in love with the idea of creating a place for other dreamers to come and learn the culinary arts.

Hill House was not the oldest home in Kidron, but because it was one of the few plots of elevated land in this part of the valley and the orchard was still family owned, it was one of the stops on the tourism route drawn up by the town. The brochure, which Anna had hanging on her refrigerator, called it Kidron’s own San Simeon. It was, of course, not even a third of the size of that mansion,

windfalls in the orchard; the boy told you he’d had the Sandersons’ permission, but you went on . . . well, you know what happened better than meself.’ By now they had reached the road and Scotty gave a bark of laughter. ‘They’ve fooled you nicely, I can see,’ he said derisively. ‘They’d say anything to keep Millie and me apart.’ ‘Shut up,’ Martin said brusquely. ‘You’ve told me a grosh o’ lies . . . just shut your mouth, d’you hear me?’ The journey back to Rhyl was largely conducted in silence, but when they were in the train once more Martin spoke, though coldly. ‘When we get home, you can find yourself different lodgings because there’s no point in even pretending that I want to be in your

She'd been sent up to the field to fetch the mare, although perhaps "sent" was too strong a word. Her father had done nothing more than ask her if she'd go, because the mare would not come willingly to any of the men but led them all a tiring chase, whereas for Lydia she came directly, took the halter quietly, and let herself be led downhill as meekly as a lamb. To Lydia, it was a welcome chore. These first days of October had been busy ones that kept her in the garden cutting squash to dry and harvesting the beans for seed and digging her potatoes. There'd been pies to bake and pickles to be scalded- she had left the last to Violet, who made pickles best of any she had tasted- but the garden on its own had wanted more hours in the day than she could give it, and the digging left her shoulders sore, so it had been a great relief to start this day by simply walking up along the orchard wall into the upper field to find the mare. Her father had a mind to go to Hempstead to Aunt Hannah's, and the mare would take him there and back more swiftly than the wagon team. She was a gray, a four-year-old with something of a filly's mischief glinting in her eyes as she stopped grazing, raising her fine head, and watched Lydia approach. "There'd be no point," was Lydia's advice. "I've neither will nor energy to chase you so you'd have to play the game alone, which would be little fun." The mare flicked one ear in acknowledgement of this and gave in gracefully, and although she did not step forward, she at least stood still and did not run. Lydia wasn't entirely sure herself why the mare favored her, but they had shared this rapport from the very first day that her father had brought the mare home as a yearling. Just as a horse could sense a nervous rider or a cruel one, it appeared that the mare could sense Lydia already carried a full share of troubles and did not need more. Whatever the reason, the mare bent her head to the halter and made no complaint and submitted herself to be led.

This is prime real estate—once the home of orchards filled with apples, cornfields, and berry farms, it is now home to successful suburbanites, nearly all with blue-collar roots, who made it out of the city in the 1970s on more than just sheer willpower; they worked two jobs, they worked overtime, they took out loans; in short, they did everything they legally could to move out and up. Macomb

My mother would come home late a night, tired after a long day of teaching or clients, and look around for what wasn't working. With the final bit of energy she had, she fixed problems. Sometimes she yelled in frustration or anger. There was no time to enjoy what might be going on. Even today, my mother scans for problems. If something is done there is no acknowledgement, thanks, or praise; done means one less thing to worry about. It's the problems that draw her. Maybe she just needs to be useful. If something is going right it's no longer her concern. My mother's spent her life in triage, as if on a battle field. It's efficient, but it's a hard way to live. It's almost impossible to live with.

Sometimes I wondered if my mother's unconventional choices were her billboard to a cruel world: I DON'T CARE WHAT YOU THINK OF ME. Had she chosen to walk away, or did she withdraw early to avoid failure? Were my mother's eccentricities a strength or just the way she covered up her own vulnerabilities? I knew from my own life that it's easier to pretend you don't want the thing you cannot have. I feared rejection as well. The isolation and lack of communication I had been raised with made me feel—not that I was doing things wrong, but that I was wrong. I feared opening up by home would reveal all my messy, broken bits, all the ways I continually failed. If anyone got close enough to see, I was sure they wouldn't want to know me. After years of shutting people out, how could I possibly let them in?

Sometimes a kitchen-table chat with a friend is exactly what you need to soothe the barbs of the day. We all have our small but significant heartbreaks. We all need help in hard times. But sometimes help works in mysterious ways. I might have been helping my friend, bu she was helping me just as much. That is the mark of a good friendship, I thought . . . . When you each give all you have and you both think you are getting the better deal; when walking through the door of a house that is not your own feels like coming home.

In the garden of my childhood my mother grew corn and asparagus, beans, zucchini, and more, but the thing I remember most is the cherry tomatoes, bushy in their cages, the leaves slightly sticky, funny smelling. My mother wore long-sleeve shirts to weed the tomatoes. I remember her plucking them off the bush, my brother and me opening our mouths like baby birds for her to pop them in. I closed my eyes to experience the exact moment my teeth pierced the smooth skin and the tomato exploded in a burst of acid sweet, the seeds slightly bitter in their jelly pouches. The sensation was so unexpected each time it happened that my eyes flew open. And there was my mother, smiling at me. That is what I remember. My mother did not smile often. We have pictures where she is smiling, me or my brother nestled on her lap. You can tell she loves us. Her body language shows it. But mostly we knew she loved us because of how hard she worked for us. Usually elsewhere. But the garden—the garden was her project. In the little time she had not devoted to work and cleaning and trying to hold her small world together, my mother grew food. My brother and I didn't help in the garden, but we were usually playing nearby. We always wanted to be nearby when she was home. I remember her letting us crawl through the dried cornstalks after the ears had been harvested. I remember running my hands through the asparagus that had been allowed to go to seed. I remember eating plums from the old tree that lived in the corner of the yard. I remember her feeding us tomatoes fresh off the vine and still warm from the sun. When I think of those tomatoes, it is not the flavor that moves me. They were shockingly sweet and tangy, but that is not what I remember the most. It is not what I yearned for. Eating cherry tomatoes meant my mother was home; it meant she was smiling at me.

could focus on nothing except the jagged edges and shuddering aftershocks and pitch-black abyss within.

Just as the oil had continued to burn beyond all reasonable explanation, so too would she persist—in hope, in dedication, and most importantly, in love.

indisputably divine.

Their smiles became shared, secretive, quietly agreeing to a plan for the rest of their lives. A commitment the like of which would’ve scared Noa a few months earlier, but now felt as natural and welcome and gladly inevitable as the unobtrusive

Georgia held the jar up to the light, gazing at the dark golden color of the honey, remembering the buzzing of the bees, the fragrance of the apple orchard laced with the briny scent of the sea. On impulse, she twisted the lid off the jar and swirled her finger through the honey. She licked it clean. She could just catch a hint of lavender in the creamy goodness. She scooped up another little dollop. Strange. Somehow, the honey tasted like love, like the answer to a question, like coming home.

He gets on his knees. His knees. “These flowers don’t even begin to scratch the surface to show how sorry I am. I want to earn your trust back if you’ll let me. If you want me to leave you alone, I’ll leave you alone. If you want me to prove my love for you, I’ll prove my love for you. I already bought you a nectarine orchard in South Africa, but I’ll buy you a vacation home out there, too. I’ll build you your own personal library, so you never run out of books. I’ll⁠—” Emotion garbles my words. “I forgive you.” And just like that, the war is over.