“
We were never friends. Not for a second. I loved you.
”
”
Piper Kerman (Orange Is the New Black)
“
We have a racially based justice system that overpunishes, fails to rehabilitate, and doesn't make us safer.
”
”
Piper Kerman (Orange Is the New Black)
“
Two hundred women, no phones, no washing machines, no hair dryers--it was like Lord of the Flies on estrogen.
”
”
Piper Kerman (Orange Is the New Black)
“
Do you have to find the evil in yourself in order to truly recognize it in the world?
”
”
Piper Kerman (Orange Is the New Black)
“
When you are deep in misery, you reach out to those who can help, people who can understand.
”
”
Piper Kerman (Orange Is the New Black)
“
Faggots make the best friends," she said philosophically. "They're very loyal.
”
”
Piper Kerman (Orange Is the New Black)
“
I knew that I would have to be brave. Not foolhardy, not in love with risk and danger, not making ridiculous exhibitions of myself to prove that I wasn't terrified--really genuinely brave. Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn't want to go, brave enough to stand my ground quietly.
”
”
Piper Kerman (Orange Is the New Black)
“
From a young age I had learned to get over--to cover my tracks emotionally, to hide or ignore my problems in the belief that they were mine alone to solve.
”
”
Piper Kerman (Orange Is the New Black)
“
Prison is quite literally a ghetto in the most classic sense of the world, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
I imagined Martha Stewart trying to take over Pops kitchen. That would be better than Godzilla vs. Mothra
”
”
Piper Kerman (Orange Is the New Black)
“
Maybe, because all these good people loved me enough to help me, maybe I wasn't quite as bad as I felt. Maybe there was a part of me that was worthy of their love.
”
”
Piper Kerman (Orange Is the New Black)
“
If I could forgive, it meant I was a strong good person who could take responsibility for the path I had chosen for myself, and all the consequences that accompanied that choice. And it gave me the simple but powerful satisfaction of extending a kindness to another person in a tough spot.
”
”
Piper Kerman (Orange Is the New Black)
“
how important it is to stay true to yourself even in the midst of an adventure or experiment.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right for the people they have harmed. Instead, our system of "corrections" is about arm's-length revenge and retribution, all day and all night.
”
”
Piper Kerman (Orange Is the New Black)
“
I’m not going to prison,” I blurt out. “I’m too soft. I watched Orange is the New Black. I don’t want to eat tampon sandwiches.
”
”
Lila Monroe (Get Lucky)
“
In the federal system alone there were 90,000 prisoners locked up for drug offenses, compared with about 40,000 for violent crimes. A federal prisoner costs at least $30,000 a year to incarcerate, and females actually cost more.
”
”
Piper Kerman (Orange Is the New Black)
“
In my travels I had encountered all kinds of people whose dignity seemed to have a price -- widely variable -- and I thought that next time I had better set my price higher than anyone would pay.
”
”
Piper Kerman (Orange Is the New Black)
“
Now I was a for-real, hardened con. I felt infinitely better." Piper Kerman, Orange is the New Black, page 54
”
”
Piper Kerman (Orange Is the New Black)
“
Every human being makes mistakes and does things they’re not proud of. They can be everyday, or they can be catastrophic. And the unfortunate truth of being human is that we all have moments of indifference to other people’s suffering. To me, that’s the central thing that allows crime to happen: indifference to other people’s suffering. If you’re stealing from someone, if you’re hurting them physically, if you’re selling them a product that you know will hurt them—the thing that allows a person to do that is that they somehow convince themselves that that’s not relevant to them. We all do things that we’re not proud of, even though they might not have as terrible consequences.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
All this freedom, but I still feel like I’m locked up.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Sarah Cynthia Sylvia Stout
Would not take the garbage out!
She'd scour the pots and scrape the pans,
Candy the yams and spice the hams,
And though her daddy would scream and shout,
She simply would not take the garbage out.
And so it piled up to the ceilings:
Coffee grounds, potato peelings,
Brown bananas, rotten peas,
Chunks of sour cottage cheese.
It filled the can, it covered the floor,
It cracked the window and blocked the door
With bacon rinds and chicken bones,
Drippy ends of ice cream cones,
Prune pits, peach pits, orange peel,
Gloppy glumps of cold oatmeal,
Pizza crusts and withered greens,
Soggy beans and tangerines,
Crusts of black burned buttered toast,
Gristly bits of beefy roasts. . .
The garbage rolled on down the hall,
It raised the roof, it broke the wall. . .
Greasy napkins, cookie crumbs,
Globs of gooey bubble gum,
Cellophane from green baloney,
Rubbery blubbery macaroni,
Peanut butter, caked and dry,
Curdled milk and crusts of pie,
Moldy melons, dried-up mustard,
Eggshells mixed with lemon custard,
Cold french fried and rancid meat,
Yellow lumps of Cream of Wheat.
At last the garbage reached so high
That it finally touched the sky.
And all the neighbors moved away,
And none of her friends would come to play.
And finally Sarah Cynthia Stout said,
"OK, I'll take the garbage out!"
But then, of course, it was too late. . .
The garbage reached across the state,
From New York to the Golden Gate.
And there, in the garbage she did hate,
Poor Sarah met an awful fate,
That I cannot now relate
Because the hour is much too late.
But children, remember Sarah Stout
And always take the garbage out!
”
”
Shel Silverstein
“
My work on Orange has taught me this: Human beings are not categorically bad because of their mistakes. They can learn from their errors and get back on track. No one should be forever written off because of one part of his or her history.
”
”
Diane Guerrero (In the Country We Love: My Family Divided)
“
IF YOU are a relatively small woman, and a man at least twice your size is bellowing at you in anger, and you’re wearing a prisoner’s uniform, and he has a pair of handcuffs on his belt, I don’t care how much of a badass you think you are, you’ll be fucking scared
”
”
Piper Kerman (Orange Is the New Black)
“
Nothing about the daily workings of the prison system focuses its inhabitants’ attention on what life back on the outside, as a free citizen, will be like. The life of the institution dominates everything. This is one of the awful truths of incarceration, the fact that the horror and the struggle and the interest of your immediate life behind prison walls drives the “real world” out of your head. That makes returning to the outside difficult for many prisoners.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn’t want to go, brave enough to stand my ground quietly.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
The multicolored leaves were softly glowing against the black sky, creating an untimely nocturnal rainbow which scattered its spectral tints everywhere and dyed the night with a harvest of hues: peach gold and pumpkin orange, honey yellow and winy amber, apple red and plum violet. Luminous within their leafy shapes, the colors cast themselves across the darkness and were splattered upon our streets and our fields and our faces. Everything was resplendent with the pyrotechnics of a new autumn.
”
”
Thomas Ligotti (The Nightmare Factory)
“
I had learned to hasten the days by chasing the enjoyment in them, no matter how elusive. Some people on the outside look for what is amiss in every interaction, every relationship, and every meal; they are always trying to hang their mortality on improvement. It was incredibly liberating to instead tackle the trick of making each day fly more quickly. "Time, be my friend," I repeated every day.
”
”
Piper Kerman (Orange Is the New Black)
“
I certainly didn't look like a gangster, but I had a gangster mentality. Gangsters only care about themselves and theirs.
”
”
Piper Kerman (Orange Is the New Black)
“
do your time, don’t let the time do you.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
It was more the idea that my intimate moments—changing clothes, lying in bed, reading, crying—were all in fact public, available for observation by these strange men.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
It occurred to me that I had never seen my mother defeated, even when life presented difficulties and disappointments.
”
”
Piper Kerman (Orange Is the New Black)
“
Instead, our system of “corrections” is about arm’s-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken than when they went in.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Prison is quite literally a ghetto in the most classic sense of the world, a place where the U.S. government now puts not only the dangerous but also the inconvenient-people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled.
”
”
Piper Kerman (Orange Is the New Black)
“
The public expects sentences to be punitive but also rehabilitative; however, what we expect and what we get from our prisons are very different things. The lesson that our prison system teaches its residents is how to survive as a prisoner, not as a citizen - not a very constructive body of knowledge for us or the communities to which we return.
”
”
Piper Kerman (Orange Is the New Black)
“
But time was a beast, a big, indolent immovable beast that wasn’t interested in my efforts at hastening it in any direction.
”
”
Piper Kerman (Orange Is the New Black: My Time in a Women's Prison)
“
you’re looking for logic in all the wrong places.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
If there was one silver lining to this whole mess, it was the reminder of my family’s greatness. I had a lovely visit with my mother that
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
had long recognized that faith helped people understand their relationship to their community.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
There was no continuity at all between the prison economy, including prison jobs, and the mainstream economy.
”
”
Piper Kerman (Orange Is the New Black)
“
So for all my scoffing at “holy rollers,” was it such a bad thing if faith helped someone understand what others needed from them, rather than just thinking about themselves?
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
...she was a junkie. But she wasn't locked up for a drug crime, so she wasn't getting any kind of treatment for her addictions.
”
”
Piper Kerman (Orange Is the New Black)
“
He told us that it was important to eat right, exercise, and treat your body as a temple. But he didn't tell us how to get health care services that people with no money could afford. He didn't tell us how we could quickly obtain birth control and other reproductive health services. He didn't recommend any solutions for behavioral or psychiatric care, and for sure some of those broads needed it. He didn't say what options there might be for people who had struggled with substance abuse, sometimes for decades, when they were confronted by old demons on the outside.
”
”
Piper Kerman (Orange Is the New Black)
“
I was a well-educated young lady from Boston with a thirst for bohemian counterculture and no clear plan. But I had no idea what to do with all my pent-up longing for adventure, or how to make my eagerness to take risks productive.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
I no longer thought of myself in the terms that D. H. Lawrence used to observe on our national character: "The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted.
”
”
Piper Kerman (Orange Is the New Black)
“
The formal relationship, enforced by the institution, is that one person’s word means everything and the other’s means almost nothing; one person can command the other to do just about anything, and refusal can result in total physical restraint.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
considered my time abroad with Nora as a crash course on the realities of the world, how ugly things can get, and how important it is to stay true to yourself even in the midst of an adventure or experiment.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled. Meanwhile the ghetto in the outside world is a prison as well, and a much more difficult one to escape from than this correctional compound. In fact, there is basically a revolving door between our urban and rural ghettos and the formal ghetto of our prison system.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
I had encountered all kinds of people whose dignity seemed to have a price—widely variable—and I thought that next time I had better set my price higher than anyone would pay.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Great institutions have leaders who are proud of what they do, and who engage with everyone who makes up those institutions, so each person understands their role.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
We’ll figure it out.” He said, “It will all work out. Because I love you.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
I vowed that I would never relinquish my sense of self again, to anything or anyone.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
What is the point, what is the reason, to lock people away for years, when it seems to mean so very little, even to the jailers who hold the key? How can a prisoner understand their punishment to have been worthwhile to anyone, when it’s dealt in a way so offhand and indifferent?
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Very close by the CMS shops, hidden about a quarter mile away in the woods, was the prison’s rifle range. Correctional officers could spend quality time with their firearms down there, and the hammering of multiple rounds was typical background noise during our workdays. There was something unsettling about toiling away for a prison while listening to your jailers practice shooting you.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
the government’s drug laws were at best proven ineffectual every day and at worst were misguidedly focused on supply rather than demand, randomly conceived and unevenly and unfairly enforced based on race and class, and thus intellectually and morally bankrupt. And those things all were true.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn’t want to go, brave enough to stand my ground quietly. I waited an unquantifiable amount of time while trying to be brave.
”
”
Piper Kerman (Orange Is the New Black: My Time in a Women's Prison)
“
This is one of the awful truths of incarceration, the fact that the horror and the struggle and the interest of your immediate life behind prison walls drives the ‘real world’ out of your head. That makes returning to the outside difficult for many prisoners.
”
”
Piper Kerman (Orange Is the New Black: My Time in a Women's Prison)
“
I looked down at the doors of the forbidden Dorms and studiously examined the bulletin boards covered with incomprehensible information about events and rules I didn’t understand—laundry schedules, inmate appointments with various staffers, crochet permits, and the weekend movie schedule. This weekend’s film was Bad Boys II.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
...our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. Instead, our system of 'corrections' is about arm's-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken then when they went in.
”
”
Piper Kerman (Orange Is the New Black)
“
We ain't felt the rain for two years, said Jae, the black woman. In Brooklyn there's a little rec deck they take us up on, but it's covered over, barbed wire and shit, and you don't really see the sky, she explained. So we don't mind the rain. We love it. And she put her head back again, face up, as close to the sky as it could get.
”
”
Piper Kerman (Orange Is the New Black)
“
The women I met in Danbury helped me to confront the things I had done wrong, as well as the wrong things I had done. It wasn’t just my choice of doing something bad and illegal that I had to own; it was also my lone-wolf style that had helped me make those mistakes and often made the aftermath of my actions worse for those I loved.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
The female guard in R&D explained that they had no women's street clothes, so she gave me the smallest pair of men's jeans they had, a green polo shirt, a windbreaker, and a cheap pair of fake-suede lace-up shoes with thin plastic soles. They also provided me with what she called "a gratuity": $28.30. I was ready for the outside world.
”
”
Piper Kerman (Orange Is the New Black)
“
Mandatory minimum sentences for drug offenses are the primary reason that the U.S. prison population has ballooned since the 1980s to over 2.5 million people, a nearly 300 percent increase. We now lock up one out of every hundred adults, far more than any other country in the world.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
I am confident that someday in the future The Rock, who was once a professional wrestler, will run for president of the United States, and I think that he will win. I have seen with my own eyes the power of The Rock. The Rock is a uniter, not a divider. When the BOP showed Walking Tall, the turnout for every screening all weekend long was unprecedented. The Rock has an effect on women that transcends divisions of race, age, cultural background - even social class, the most impenetrable barrier in America. Black, white, Spanish, old, young, all women are hot for The Rock. Even the lesbians agreed that he was mighty easy on the eyes.
”
”
Piper Kerman (Orange Is the New Black)
“
The hours I would spend in the prison visiting room were among the most comforting of my life. They sped by, the only occasion at the Camp in which time seemed to move quickly. I could completely forget about the human stew that lay on the other side of the visiting room doors, and I carried that feeling with me for many hours after each visit was over.
”
”
Piper Kerman (Orange Is the New Black)
“
There was less bulimia and more fights than I had known as an undergrad, but the same feminine ethos was present—empathetic camaraderie and bawdy humor on good days, and histrionic dramas coupled with meddling, malicious gossip on bad days.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
..."Emeninemletters," Caucasian girls from the wrong side of the tracks with big mouths and big attitudes, who weren't taking shit from anyone(except the men in their lives). They had thinly plucked eyebrows, corn-rowed hair, hip-hop vocabularies, and baby daddies, and they thought Paris Hilton was the ne plus ultra of feminine beauty."
-Piper Kerman, page 137
”
”
Piper Kerman (Orange Is the New Black)
“
I am confident that someday in the future The Rock, who was once a professional wrestler, will run for president of the United States, and I think that he will win. I have seen with my own eyes the power of The Rock. The Rock is a uniter, not a divider.
”
”
Piper Kerman (Orange Is the New Black)
“
According to Bertrand Russell, the virtuous stoic was one whose will was in agreement with the natural order. He described the basic idea like this: In the life of the individual man, virtue is the sole good; such things as health, happiness, possessions, are of no account. Since virtue resides in the will, everything really good or bad in a man’s life depends only upon himself. He may become poor, but what of it? He can still be virtuous. A tyrant may put him in prison, but he can still persevere in living in harmony with Nature. He may be sentenced to death, but he can die nobly, like Socrates. Therefore every man has perfect freedom, provided he emancipates himself from mundane desires.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Great institutions have leaders who are proud of what they do, and who engage with everyone who makes up those institutions, so each person understands their role. But our jailers are generally granted near-total anonymity, like the cartoon executioner who wears a hood to conceal his identity. What is the point, what is the reason, to lock people away for years, when it seems to mean so very little, even to the jailers who hold the key? How can a prisoner understand their punishment to have been worthwhile to anyone, when it's dealt in a way so offhand and indifferent?
”
”
Piper Kerman (Orange Is the New Black)
“
Even with this disaster I had dragged us all into, she was still proud to be my mother. It occurred to me that I had never seen my mother defeated, even when life presented difficulties and disappointments. I hoped that our resemblance extended beyond our blue eyes.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
According to the CDC, cigarettes kill over 435,000 people a year in the United States. Most of us in Danbury were locked away for trading in illegal drugs. The annual death toll of illegal drug addicts, according to the same government study? Seventeen thousand. Heroin
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
As a child, a teen, a young adult, I developed a firm belief in my solitude, the not-novel concept that we are each alone in the world. Some parts self-reliance, some parts self-protection, this belief offers a binary perspective - powerhouse or victim, complete responsibility or total divorcement, all in or out the door. Carried to its extreme, the idea gives license to the belief that one's own actions do not matter much; we traverse the world in our own bubbles, occasionally breaking through to one another but largely and ultimately alone.
”
”
Piper Kerman (Orange Is the New Black)
“
But I could see how awful and scary it was for my family to see me in my khaki uniform and get a tiny taste of what I was experiencing, surrounded by guards, strangers, and powerful systems of control. I felt terrible for exposing them to this world. Every week I needed to renew my promises to my mother and Larry that I was going to make it, that I was okay. I felt more guilt and shame witnessing their worry than when I stood in front of the judge—and it had been terrible standing in that courtroom.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
what was striking about Ms. Wilson, and was also true of the other outsiders who volunteered their time that day, was that she spoke to us prisoners with great respect, as if our lives ahead had hope and meaning and possibility. After all these months at Danbury, this was a shocking novelty.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
A lengthy term of community service working with addicts on the outside would probably have driven the same truth home and been a hell of a lot more productive for the community. But our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
On the other hand, some people were way too comfortable in prison. They seemed to have forgotten the world that exists on the outside. You try to adjust and acclimate, yet remain ready to go home every single day. It’s not easy to do. The truth is, the prison and its residents fill your thoughts, and it’s hard to remember what it’s like to be free, even after a few short months.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
I had long recognized that faith helped people understand their relationship to their community. In the best cases it helped women in Danbury focus on what they had to give instead of what they wanted. And that was a good thing. So for all my scoffing at "holy rollers," was it such a bad thing if faith helped someone understand what others needed from them, rather than just thinking about themselves?
”
”
Piper Kerman (Orange Is the New Black)
“
Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled. Meanwhile the ghetto in the outside world is a prison as well, and a much more difficult one to escape from than this correctional compound.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
She didn’t want to admit to herself, let alone to the outside world, that she had been placed in a ghetto, just as ghetto as they had once had in Poland. Prison is quite literally a ghetto in the most classic sense of the word, a place where the U.S. government now puts not only the dangerous but also the inconvenient—people who are mentally ill, people who are addicts, people who are poor and uneducated and unskilled.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Some of the faithful had a distinct aspect of roostering, loudly proclaiming that they were going to pray on any number of topics, how God was walking beside them through their incarceration, how Jesus loved sinners, and so on. Personally, I thought that one could thank the Lord at a lower volume and perhaps with less self-congratulation. You could worship loudly and still act pretty lousy, abundant evidence of which was running around the Dorms.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
In the life of the individual man, virtue is the sole good; such things as health, happiness, possessions, are of no account. Since virtue resides in the will, everything really good or bad in a man’s life depends only upon himself. He may become poor, but what of it? He can still be virtuous. A tyrant may put him in prison, but he can still persevere in living in harmony with Nature. He may be sentenced to death, but he can die nobly, like Socrates. Therefore every man has perfect freedom, provided he emancipates himself from mundane desires.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. (I was lucky to get there on my own, with the help of the women I met.) Instead, our system of “corrections” is about arm’s-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken than when they went in.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Every time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various heights, but each one of them is admirably proportioned. Each is sound of tooth, smooth of skin. No ripples of fat around their waists, no bulges, no dimpled orange-skin cellulite on their thighs. No body hair, no bushiness. They look like retouched fashion photos, or ads for a high priced workout program.
Maybe this is the reason that these women arouse in Snowman not even the faintest stirrings of lust. It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. These were the places he'd single out, putting his mouth on them. Was it consolation he'd had in mind, kissing the wound to make it better? There was always an element of melancholy involved in sex. After his indiscriminate adolescence he'd preferred sad women, delicate and breakable, women who'd been messed up and who needed him. He'd liked to comfort them, stroke them gently at first, reassure them. Make them happier, if only for a moment. Himself too, of course; that was the payoff. A grateful woman would go the extra mile. But these new women are neither lopsided nor sad: they're placid, like animated statues. They leave him chilled.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
A lengthy term of community service working with addicts on the outside would probably have driven the same truth home and been a hell of a lot more productive for the community. But our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. (I was lucky to get there on my own, with the help of the women I met.) Instead, our system of “corrections” is about arm’s-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken than when they went in.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
In the life of the individual man, virtue is the sole good; such things as health, happiness, possessions, are of no account. Since virtue resides in the will, everything really good or bad in a man's life depends only upon himself. He may become poor, but what of it? He can still be virtuous. A tyrant may put him in prison, but he can still persevere in living in harmony with Nature. He may be sentenced to death, but he can die nobly, like Socrates. Therefore every man has perfect freedom, provided he emancipates himself from mundane desires.
”
”
Piper Kerman (Orange Is the New Black)
“
Some of the faithful had a distinct aspect of roostering, loudly proclaiming that they were going to pray on any number of topics, how God was walking besides them through their incarceration, how Jesus loved sinners, and so on. Personally, I thought that one could thank the Lord at a lower volume and perhaps with less self-congratulation. You could worship loudly and still act pretty lousy, abundant evidence of which was running around the Dorms.
”
”
Piper Kerman (Orange Is the New Black)
“
Great institutions have leaders who are proud of what they do, and who engage with everyone who makes up those institutions, so each person understands their role. But our jailers are generally granted near-total anonymity, like the cartoon executioner who wears a hood to conceal his identity. What is the point, what is the reason, to lock people away for years, when it seems to mean so very little, even to the jailers who hold the key? How can a prisoner understand their punishment to have been worthwhile to anyone, when it’s dealt in a way so offhand and indifferent?
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Vanessa was deprived of her hormones in prison and thus retained several male characteristics that would have been less evident otherwise, most notably her voice. While she spoke in a high, little-girl voice most of the time, she could switch at will to a booming, masculine Richard-voice. She loved to sneak up behind people and scare the crap out of them this way, and she was very effective at quieting a noisy dining hall, roaring, "Y'all hush up!" Best of all were her Richardian encouragements on the softball field, where she was a sought-after teammate. That bitch could hit.
”
”
Piper Kerman (Orange Is the New Black)
“
In the life of the individual man, virtue is the sole good; such things as health, happiness, possessions, are of no account. Since virtue resides in the will, everything really good or bad in a man’s life depends only upon himself. He may become poor, but what of it? He can still be virtuous. A tyrant may put him in prison, but he can still persevere in living in harmony with Nature. He may be sentenced to death, but he can die nobly, like Socrates. Therefore every man has perfect freedom, provided he emancipates himself from mundane desires. Stoicism sure comes in handy when they take away your underpants.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Most changes in perception are gradual: we grow to hate or love an idea, a person, or a place over a period of time. I had certainly nursed a hatred of Nora Jansen over many years, placing much of the blame for my situation on her. This was not one of those instances. Sometimes, rarely, the way we see something is subject to alchemy. My emotions changed so rapidly, and I felt so strongly all the things I had in common with these two women, there was no way not to take immediate notice and stock of what was happening. Our troubled history was suddenly matched by our more immediate shared experience as prisoners on an exhausting journey. We huddled together
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
One hobby I did not pick up was crocheting, an obsession among prisoners throughout the system. Some of the handiwork was impressive. The inmate who ran the laundry was a surly rural white woman named Nancy whose dislike for anyone but “northerners” was hardly a secret. Her personality left a lot to be desired, but she was a remarkable crochet artist. One day in C Dorm I happened upon Nancy standing with my neighbor Allie B. and mopey Sally, all howling with laughter. “What?” I asked, innocently. “Show her, Nancy!” giggled Allie. Nancy opened her hand. Perched there in her palm was an astonishingly lifelike crochet penis. Average in size, it was erect, fashioned of pink cotton yarn, with balls and a smattering of brown cotton pubic hair, and a squirt of white yarn ejaculate at the tip.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
THE AMERICAN League Championship was so hotly contentious that year, I could barely stand to watch the games. The tension of being a Red Sox fan as they battled back from 0–3 made my stomach hurt, and my surroundings didn’t make it any easier. The running joke in the Camp was that half the population of the Bronx was residing in Danbury, and of course they were all ferocious Yankees fans. But the Red Sox had plenty of partisans too; a significant percentage of the white women were from Massachusetts, Maine, New Hampshire, and the always-suspect border state of Connecticut. Daily life was usually racially peaceful in the Camp, but the very obvious racial divide between Yankees and Sox fans made me nervous. I remembered the riot at UMass in 1986 after the Mets defeated the Sox in the World Series, when black Mets fans were horribly beaten.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Being helpful did make us more popular, and I got a lot more smiles and nods around the Camp, which made me a little less shy. After almost four months in prison I was still cautious, supercautious, and kept most people at arm’s length. Many times I fielded the sly question, ‘What is the All-American Girl doing in a place like this?’ Everyone assumed I was doing time on a financial crime, but actually I was like the vast majority of the women there: a nonviolent drug offender. I did not make any secret of it, as I knew I had lots of company; in the federal system alone (a fraction of the U.S. prison population), there were over 90,000 prisoners locked up for drug offenses, compared with about 40,000 for violent crimes. A federal prisoner costs at least $30,000 a year to incarcerate, and females actually cost more.
”
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Piper Kerman (Orange Is the New Black: My Time in a Women's Prison)
“
The fact is, that people cannot come to heartily like Florida till they accept certain deficiencies as the necessary shadow to certain excellences. If you want to live in an orange-orchard, you must give up wanting to live surrounded by green grass. When we get to the new heaven and the new earth, then we shall have it all right. There we shall have a climate at once cool and bracing, yet hot enough to mature oranges and pine-apples. Our trees of life shall bear twelve manner of fruit, and yield a new one every month. Out of juicy meadows green as emerald, enamelled with every kind of flower, shall grow our golden orange-trees, blossoming and fruiting together as now they do. There shall be no mosquitoes, or gnats, or black-flies, or snakes; and, best of all, there shall be no fretful people. Everybody shall be like a well-tuned instrument, all sounding in accord, and never a semitone out of the way. Meanwhile, we caution everybody coming to Florida, Don't hope for too much. Because you hear that roses and callas blossom in the open air all winter, and flowers abound in the woods, don't expect to find an eternal summer. Prepare yourself to see a great deal that looks rough and desolate and coarse; prepare yourself for some chilly days and nights; and, whatever else you neglect to bring with you, bring the resolution, strong and solid, always to make the best of things.
”
”
Harriet Beecher Stowe (Palmetto-Leaves)
“
Big and little they went on together to Molalla, to Tuska, to Roswell, Guthrie, Kaycee, to Baker and Bend. After a few weeks Pake said that if Diamond wanted a permanent traveling partner he was up for it. Diamond said yeah, although only a few states still allowed steer roping and Pake had to cover long, empty ground, his main territory in the livestock country of Oklahoma, Wyoming, Oregon and New Mexico. Their schedules did not fit into the same box without patient adjustment. But Pake knew a hundred dirt road shortcuts, steering them through scabland and slope country, in and out of the tiger shits, over the tawny plain still grooved with pilgrim wagon ruts, into early darkness and the first storm laying down black ice, hard orange-dawn, the world smoking, snaking dust devils on bare dirt, heat boiling out of the sun until the paint on the truck hood curled, ragged webs of dry rain that never hit the ground, through small-town traffic and stock on the road, band of horses in morning fog, two redheaded cowboys moving a house that filled the roadway and Pake busting around and into the ditch to get past, leaving junkyards and Mexican cafes behind, turning into midnight motel entrances with RING OFFICE BELL signs or steering onto the black prairie for a stunned hour of sleep.
”
”
Annie Proulx (Close Range: Wyoming Stories)
“
Yet for the first time I really understood how my choices made me complicit in their suffering. I was the accomplice to their addiction. A lengthy term of community service working with addicts on the outside would probably have driven the same truth home and been a hell of a lot more productive for the community. But our current criminal justice system has no provision for restorative justice, in which an offender confronts the damage they have done and tries to make it right to the people they have harmed. (I was lucky to get there on my own, with the help of the women I met.) Instead, our system of “corrections” is about arm’s-length revenge and retribution, all day and all night. Then its overseers wonder why people leave prison more broken than when they went in.
”
”
Piper Kerman (Orange Is the New Black: My Year in a Women's Prison)
“
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down.
Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
”
”
John Steinbeck (Cannery Row (Cannery Row, #1))
“
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved.
What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now.
Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Now let me tell you something.
I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously.
I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten.
I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes.
I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things.
But—
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
”
”
Gerald Durrell