Ooh Baby Quotes

We've searched our database for all the quotes and captions related to Ooh Baby. Here they are! All 46 of them:

Um, Dr. Alexander, there’s a couple out here who say they’re related to you. They…um…they’re biker people. (Nurse) Hey, Julian. Tell Attila the Hun here that we’re okay so we can come and ooh and aah over the babies. (Eros)
Sherrilyn Kenyon (Fantasy Lover (Hunter Legends, #1))
I thought I was a fool for no one; But ooh baby I'm a fool for you; You're the queen of the superficial; how long before you tell the truth?
Matthew Bellamy
Boom, boom, boom, Even brighter than the moon, moon, moon, It's always been inside of you, you, you And now it's time to let it through, ooh, ooh. Cause, baby, you're a firework Come on, show 'em what you're worth Make 'em go, "Oh! Oh! Oh!" As you shoot across the sky-y-y. Baby, you're a firework Come on, let your colors burst Make 'em go, "Oh! Oh! Oh!" You're gonna leave 'em fallin' down-own-own.
Katy Perry
There's always that one person that will always have your heart You never see it coming cause you're blinded from the start Know that you're that one for me, it's clear for everyone to see Ooh baby, you will always be my boo
Usher (Selections from Usher - Confessions)
I’ll take a ride…ooh-rah.
Aaron B. Powell (Sugar Baby)
Lils, you've barely even planned Sneak yet. Give it time. He'll get there." "He did ask me out on Saturday." "OMG, you two are totally getting married and having a litter of babies. Ooh, what if that's literally true?" -Scout and Lily about werewolf Jason
Chloe Neill (Hexbound (The Dark Elite, #2))
You're sitting with some guys, and you're playing and you go, "Ooh, yeah!" That feeling is worth more than anything. There's a certain moment when you realize that you've actually just left the planet for a bit and that nobody can touch you. You're elevated because you're with a bunch of guys that want to do the same thing as you. And when it works, baby, you've got wings. You know you've been somewhere most people will never get; you've been to a special place.
Keith Richards (Life)
Lucky" (feat. Colbie Caillat) Do you hear me, I'm talking to you Across the water across the deep blue ocean Under the open sky, oh my, baby I'm trying Boy I hear you in my dreams I feel your whisper across the sea I keep you with me in my heart You make it easier when life gets hard I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again Ooohh ooooh oooh oooh ooh ooh ooh ooh They don't know how long it takes Waiting for a love like this Every time we say goodbye I wish we had one more kiss I'll wait for you I promise you, I will I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again Lucky we're in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday And so I'm sailing through the sea To an island where we'll meet You'll hear the music fill the air I'll put a flower in your hair Though the breezes through trees Move so pretty you're all I see As the world keeps spinning round You hold me right here right now I'm lucky I'm in love with my best friend Lucky to have been where I have been Lucky to be coming home again I'm lucky we're in love every way Lucky to have stayed where we have stayed Lucky to be coming home someday
Jason Mraz
Ian stepped closer to her, gritting his teeth. “We’re no’ babies. We’re seasoned warriors.” She affected a big shudder ” Ooh, I’m scared
Kerrelyn Sparks (All I Want for Christmas is a Vampire (Love at Stake, #5))
I like to pretend the storks deliver the babies. Ooh, I see flamingos.
Suzanne Wright (The Favor)
Yes, contractions can be intense,' Noura continues. 'But your bodies are designed to handle it. And what you must remember is, it's a positive pain. I'm sure you'll both agree?' She looks over at Mum and Janice. POSITIVE?' Janice looks up, horrified. 'Ooh, no, dear. Mine was agony. 24 hours in the cruel summer heat. I wouldn't wish it on any of you poor girls.' But there are natural methods you can use,' Noura puts in quickly. 'I'm sure you found that rocking and changing position helped with the contractions. I wouldn't have said so,' Mum says kindly. Or a warm bath?' Noura suggets, smile tightening. A bath? Dear, when you're gripped by agony and wanting to die, a bath doesn't really help!' As I glance around the room I can see that all the girls' faces have frozen. Most of the mens' too.
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
Hey baby love I need a girl like you But tell me if you feel it too I'm in delusion every minute every hour My heart is crying out for you [Bridge:] I feel in heaven when I look in your eyes I know that you are the one for me (one for me) You drive me crazy cuz You're one of a kind I want your lovin' And I want it right now [Refrain:] Ooh baby you're so fine I'm gonna make you mine Your lips they taste so sweet You're the one for me You're my ecstasy You're the one I need
Backstreet Boys (Backstreet Boys -- Backstreet's Back: Piano/Vocal/Guitar)
Little Girl Blue" Sit there, hmm, count your fingers. What else, what else is there to do ? Oh and I know how you feel, I know you feel that you're through. Oh wah wah ah sit there, hmm, count, Ah, count your little fingers, My unhappy oh little girl, little girl blue, yeah. Oh sit there, oh count those raindrops Oh, feel 'em falling down, oh honey all around you. Honey don't you know it's time, I feel it's time, Somebody told you 'cause you got to know That all you ever gonna have to count on Or gonna wanna lean on It's gonna feel just like those raindrops do When they're falling down, honey, all around you. Oh, I know you're unhappy. Oh sit there, ah go on, go on And count your fingers. I don't know what else, what else Honey have you got to do. And I know how you feel, And I know you ain't got no reason to go on And I know you feel that you must be through. Oh honey, go on and sit right back down, I want you to count, oh count your fingers, Ah my unhappy, my unlucky And my little, oh, girl blue. I know you're unhappy, Ooh ah, honey I know, Baby I know just how you feel.
Janis Joplin
I see trees of green Red roses too I see them bloom For me and you And I think to myself What a wonderful world I see skies of blue And clouds of white The bright blessed day The dark sacred night And I think to myself What a wonderful world The colors of the rainbow So pretty in the sky Are also on the faces Of people going by I see friends shaking hands Saying how do you do They're really saying I love you I hear babies cry I watch them grow They'll learn much more Than I'll ever know And I think to myself What a wonderful world Yes, I think to myself What a wonderful world Ooh, yes
Louis Armstrong
Louder than words Why do we play with fire? Why do we run our finger through the flame? Why do we leave our hand on the stove Although we know we're in for some pain? Oh, why do we refuse to hang a light When the streets are dangerous? Why does it take an accident Before the truth gets through to us? Cages or wings Which do you prefer? Ask the birds Fear or love, baby? Don't say the answer Actions speak louder than words Why should we try to be our best When we can just get by and still gain? Why do we nod our heads Although we know The boss is wrong as rain? Why should we blaze a trail When the well worn path Seems safe and so inviting? How as we travel, can we See the dismay And keep from fighting? Cages or wings? Which do you prefer? Ask the birds Fear or love, baby? Don't say the answer Actions speak louder than words What does it take To wake up a generation? How can you make someone Take off and fly? If we don't wake up And shake up the nation We'll eat the dust of the world Wondering why, why Why do we stay with lovers Who we know, down deep Just aren't right? Why would we rather Put ourselves through Hell Than sleep alone at night? Why do we follow leaders who never lead? Why does it take catastrophe to start a revolution? If we're so free, tell me why? Someone tell me why So many people bleed? Cages or wings? Which do you prefer? Ask the birds Fear or love, baby? Don't say the answer Actions speak louder than Louder than, louder than Louder than, louder than Cages or wings? Which do you prefer? Ask the birds Fear or love baby? Don't say the answer Actions speak louder Louder than, louder than, ooh They speak louder Louder than, louder than, ooh Actions speak louder than
Jonathan Larson (tick, tick ... BOOM!)
...Women have preserved this `baby look' for as long as possible so as to make the world continue to believe in the darling, sweet little girl she once was, and she relies on the protective instinct in man to make him take care of her. As with everything a woman undertakes on her own initiative, this whole maneuvre is as incredible as it is stupid. It is amazing, in fact, that it succeeds. It would appear very shortsighted to encourage such an ideal of beauty. For how can any woman hope to maintain it beyond the age of twenty-five? Despite every trick of the cosmetics industry, despite magazine advice against thinking or laughing (both tend to create wrinkles), her actual age will inevitably show'- through in the end. And what on earth is a man to do with a grown-up face when he has been manipulated into considering only helpless, appealing little girls to be creatures of beauty? What is a men to do with a woman when the smooth curves have become flabby tires of flesh, the skin slack and pallid, when the childish tones have grown shrill and the laughter sounds like neighing? What is to become of this shrew when her face no longer atones for her ceaseless inanities and when the cries of `Ooh' and Ah' begin to drive him out of his mind? This mummified `child' will never fire a man's erotic fantasy again. One might think her power broken at last. But no, she still manages to get her own way - and for two reasons. The first is obvious: she now has children, who enable her to continue feigning helplessness. As for the second - there are simply not enough young women to go around. It is a safe bet that, given the choice, man would trade in his grown-up child-wife for a younger model, but, as the ratio between the sexes is roughly equal, not every man can have a younger woman. And as he has to have a wife of some sort. he prefers to keep the one he already possesses. This is easy to prove. Given the choice, a man will always choose a younger woman.
Esther Vilar (The Manipulated Man)
Quiet, you.” Ash turned to address Rosa. “So because he’s gay, he can get all up in your boobs and that’s okay? What is it with gay guys and boobs? You don’t even enjoy them!” “Not true,” Dex said, snuggling against Rosa. “They’re very comfortable.” Rosa rolled her eyes, her attention returning to Dex. “Aw, poor baby. What’s the matter?” Dex threw a hand toward the bar. “My life is ruined.” “Is that your ex talking to Sloane?” “Yep.” “They’re laughing together.” “Yep.” Rosa cringed. “Ooh, your ex is spilling the beans, isn’t he?” “Apparently, in exchange for being my friend, Lou gets to tell Sloane whatever he wants to know. Sloane knows about the Waking Dead, Rosa! The Waking Dead!” “I…
Charlie Cochet (Blood & Thunder (THIRDS, #2))
If Daddy got fired,” Claire began thoughtfully, “what would... what would change? I’m not sure …” “We would have to be very careful with our money,” said Mom. “We couldn’t buy extras or go on trips. And your dad would stay at home and look for a new job. He wouldn’t be happy about that,” she added. “Why not?” asked Margo. “Because looking for a new job, especially when you’ve been fired, is not easy. Dad will have to hear people say no to him a lot. He might start applying for jobs that are below the level of the one he’s got now, and people still might say no. He’ll call companies and hear other people say that there aren’t any jobs at all. It would be like going over to your friends’ houses and hearing each one of them say they don’t want to play with you.” “Ooh,” said Claire softly. That had hit home.
Ann M. Martin (Poor Mallory! (The Baby-Sitters Club, #39))
So in case you were wondering, I had no idea her friend was you,” Gael said. “I wouldn’t have tried to rope you into babysitting, I promise.” “I believe you,” Sammy said. “Don’t worry. We’re hardly even friends, really, I just met her yesterday—ooh, look,” she squealed, interrupting herself. “There’s a baby elephant!” Gael laughed. “I wouldn’t have expected you to go ape-shit for baby animals.” Sammy raised an eyebrow. “Name one person with a soul who doesn’t go apeshit for baby animals. They’re, like, animals who are tiny. Who are you, the devil?” Gael shook his head. “I like them, too. Obviously. But your voice went about a million levels higher just then.” Sammy crossed her arms. “Maybe you should question your ability to maintain an even tone of voice in the face of”—she smiled one of those weird upside-down smiles that little kids do when they’re excited—“BABY ELEPHANTS.
Leah Konen (The Romantics)
Bohemian Rhapsody" Is this the real life? Is this just fantasy? Caught in a landslide No escape from reality Open your eyes Look up to the skies and see I'm just a poor boy, I need no sympathy Because I'm easy come, easy go Little high, little low Any way the wind blows Doesn't really matter to me, to me Mama, just killed a man Put a gun against his head Pulled my trigger, now he's dead Mama, life had just begun But now I've gone and thrown it all away Mama, ooh Didn't mean to make you cry If I'm not back again this time tomorrow Carry on, carry on as if nothing really matters Too late, my time has come Sends shivers down my spine Body's aching all the time Goodbye, everybody, I've got to go Gotta leave you all behind and face the truth Mama, ooh (Any way the wind blows) I don't wanna die I sometimes wish I'd never been born at all I see a little silhouetto of a man Scaramouche, Scaramouche, will you do the Fandango? Thunderbolt and lightning very, very frightening me (Galileo) Galileo (Galileo) Galileo Galileo Figaro Magnifico-o-o-o-o I'm just a poor boy, nobody loves me He's just a poor boy from a poor family Spare him his life from this monstrosity Easy come, easy go, will you let me go? Bismillah! No, we will not let you go (Let him go!) Bismillah! We will not let you go (Let him go!) Bismillah! We will not let you go (Let me go!) Will not let you go (Let me go!) Never let you go (Never, never, never, never let me go) Oh oh oh oh No, no, no, no, no, no, no Oh, mamma mia, mamma mia (Mamma mia, let me go) Beelzebub has a devil put aside for me, for me, for me So you think you can stone me and spit in my eye? So you think you can love me and leave me to die? Oh, baby, can't do this to me, baby Just gotta get out, just gotta get right outta here Ooh, ooh yeah, ooh yeah Nothing really matters Anyone can see Nothing really matters Nothing really matters to me Any way the wind blows Freddie Mercury, A Night At The Opera (1975)
Freddie Mercury (Bohemian Rhapsody (Piano/Vocal/Guitar))
She put her hands on her hips, the fool, and Ernestine moved between us, and said, very sweetly, “Adrienne? Baby? May I tell you something, lumps? Sweetie? Sweetiepie?” She put one hand very lightly against Adrienne’s cheek. Adrienne quivered but did not move. Ernestine let her hand rest and play for a moment. “Oh, sugar. From the very first day I laid eyes on your fine person, I got hung up on your Adam’s apple. I been dreaming about it. You know what I mean—? When you get hung up on something? You ain’t never really been hung up on anything or anybody, have you? You ain’t never watched your Adam’s apple move, have you? I have. I’m watching it right now. Oh. It’s delicious. I just can’t tell, sweetie, if I want to tear it out with my fingers or my teeth—ooh!—or carve it out, the way you carve a stone from a peach. It is a thing of beauty. Can you dig where I’m coming from, sugar?—But if you touch my sister, I’m going to have to make up my mind pretty quick. So”—she moved away from Adrienne—“touch her. Go on, please. Take these chains from my heart and set me free.
James Baldwin (If Beale Street Could Talk)
Jyo offered Isae a fried feathergrass stalk with a big smile, but Akos snatched it before she could take it. “You don’t want to eat that,” he said. “Unless you want to spend the next six hours hallucinating.” “Last time Jyo slipped someone one of those, they wandered around this house talking about giant dancing babies,” Jorek said. “Yeah, yeah,” Teka said. “Laugh all you want, but you would be scared too if you hallucinated giant babies.” “It was worth it, whether I will ever be forgiven or not,” Jyo said, winking. He had a soft, slippery way of talking. “Do they work on you?” Cisi asked Akos, nodding to the stalk in his hand. In answer, Akos bit into the stalk, which tasted like earth and salt and sour. “Your gift is odd,” Cisi said. “I’m sure Mom would have some kind of vague, wise thing to say about that.” “Ooh. What was he like as a child?” Jorek said, folding his hands and learning close to Akos’s sister. “Was he actually a child, or did he just sort of appear one day as a fully grown adult, full of angst?” Akos glared at him. “He was short and chubby,” Cisi said. “Irritable. Very particular about his socks.” “My socks?” Akos said. “Yeah!” she said. “Eijeh told me you always arranged them in order of preference from left to right. Your favorite ones were yellow.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Bob came back just in time to see us getting ready to leave. “O-oh, h-hey, I’m back from the restroom. D-did you find a volunteer already? Oh, okay, darn, I-I’m too late...Good luck out there…” said Bob nervously. “Oh, Bob…” I replied. Cindy and I exited the mayor’s house and headed towards the nearby trench. From there we dug tunnels towards the giant cube. “Hey, Cindy!” I yelled through the dirt wall tunnel. “Yeah?” she answered. “If you need anything just yell, ‘kay? I’m only a few feet away.” She laughed. “Oh, you’re worried about me, Steve?” “Of course! I care about you.” “Y-you do…?” I blushed. “A-ahem…I meant I care about your well-being.” “A-ah…right,” she said shyly. We proceeded to dig and placed the items until nearly sunrise with no incident. Then suddenly I heard a sharp scream coming through the dirt. AHHHHH!!!! I smashed through the dirt wall to find Cindy cornered by a brain-hungry zombie. “No worries, Cindy! I got you.” I pulled out my stone sword and drove it into the zombie. Raggggghhhhhh! I whacked it a few more times until it dropped some rotten flesh. “Whew! Thanks for saving me, Steve. I’ve never seen a zombie so up close before. They are actually quite stinky.” I laughed. “No problem. I’m here for you, Cindy.” She smiled. “The sun will be up soon, we should probably head back,” I said. She nodded. I stayed in her tunnel and led the way back. On the way back, we encountered a baby zombie. That thing was lightning quick. The tunnel was narrow, so I couldn’t really maneuver anywhere. No circle strafing technique for me. Suddenly, I heard Cindy scream from behind me. I turned around to see another zombie behind her. It must have fallen through the holes we made topside. Oh, no! We’re trapped with nowhere to go! This isn’t good, I thought to myself.
Steve the Noob (Diary of Steve the Noob 4 (An Unofficial Minecraft Book))
The store smells of roasted chicken and freshly ground coffee, raw meat and ripening stone fruit, the lemon detergent they use to scrub the old sheet-linoleum floors. I inhale and feel the smile form on my face. It's been so long since I've been inside any market other than Fred Meyer, which smells of plastic and the thousands of people who pass through every day. By instinct, I head for the produce section. There, the close quarters of slim Ichiban eggplant, baby bok choy, brilliant red chard, chartreuse-and-purple asparagus, sends me into paroxysms of delight. I'm glad the store is nearly empty; I'm oohing and aahing with produce lust at the colors, the smooth, shiny textures set against frilly leaves. I fondle the palm-size plums, the soft fuzz of the peaches. And the berries! It's berry season, and seven varieties spill from green cardboard containers: the ubiquitous Oregon marionberry, red raspberry, and blackberry, of course, but next to them are blueberries, loganberries, and gorgeous golden raspberries. I pluck one from a container, fat and slightly past firm, and pop it into my mouth. The sweet explosion of flavor so familiar, but like something too long forgotten. I load two pints into my basket. The asparagus has me intrigued. Maybe I could roast it with olive oil and fresh herbs, like the sprigs of rosemary and oregano poking out of the salad display, and some good sea salt. And salad. Baby greens tossed with lemon-infused olive oil and a sprinkle of vinegar. Why haven't I eaten a salad in so long? I'll choose a soft, mild French cheese from the deli case, have it for an hors d'oeuvre with a beautiful glass of sparkling Prosecco, say, then roast a tiny chunk of spring lamb that I'm sure the nice sister will cut for me, and complement it with a crusty baguette and roasted asparagus, followed by the salad. Followed by more cheese and berries for dessert. And a fruity Willamette Valley Pinot Noir to wash it all down. My idea of eating heaven, a French-influenced feast that reminds me of the way I always thought my life would be.
Jennie Shortridge (Eating Heaven)
During the taxi ride on the way to the hotel, I had to laugh to myself as I experienced another special moment between the Universe and I. I have been referring to this trip as a journey into my heart, and have been envisioning Tulum as a physical symbol of heaven on earth. So what do you think is the first song that plays once the taxi driver turns on his tape cassette? As I hear the lyrics fill up the van, I almost can’t believe the synchronicity myself. It is the most perfect, fitting song in the world to be playing at this moment in time: “When you walk into the room You pull me close and we start to move, And we’re spinning with the stars above, And you lift me up in a wave of love… (Wait for it…) Ooh, baby, do you know what that’s worth? Ooh heaven is a place on earth They say in heaven, love comes first We’ll make heaven a place on earth Ooh heaven is a place on earth.
Heather Anne Talpa (The Lighthouse: A Journey Through 365 Days of Self-Love)
Phillipa placed one tray of appetizers after the other on the table---the jambon sec-wrapped chipotle figs with the cocoa-balsamic glaze; the crab cakes with the rémoulade dipping sauce; the varying star-shaped canapés, the bottoms buttery, toasted bread topped with different ingredients and garnished with chopped fresh herbs; the verrines filled with bœuf bourguignon and baby carrots; and the smoke salmon, beet carpaccio, and mascarpone bites served on homemade biscuits and sprinkled with capers. Everybody dug in, oohing and aahing. "I don't know which one I like best," exclaimed Marie, licking her lips. "They're all so delicious. I can't choose a favorite child." Phillipa winked. "Just wait until you see and taste Sophie's plat principal," she said, turning on her heel. She returned with a large pressure cooker, placing it on the table. She lifted the lid, and everybody breathed in the aromas, noses sniffing with anticipation. "This is Sophie's version of pot-au-feu de la mer, but with grilled lobster, crab, abalone, mussels, and large shrimp, along with a variety of root and fresh vegetables, a ginger-lemongrass-infused sauce, and garnished with borage, or starflowers, a smattering of sea salt, a dash of crème fraîche, fresh herbs, and ground pepper.
Samantha Verant (Sophie Valroux's Paris Stars (Sophie Valroux #2))
Beside me, Mike was sleeping peacefully, cuddling his pillow with a blissful smile on his face. “Ooh!” he murmured. “I’ve always wanted a baby panda!
Stuart Gibbs (Spy School Project X)
Summer Rain" Whispering our goodbyes Waiting for a train I was dancing with my baby In the summer rain I can hear him saying Nothing will change Come dancing with me baby In the summer rain I remember the rain on our skin And his kisses hotter than the Santa Ana winds Whispering our goodbyes Waiting for a train I was dancing with my baby In the summer rain I remember laughing til we almost cried (There at station that night) I remember looking in his eyes Oh my love, it's you and that I dream of Oh my love, since that day Somewhere in my heart I'm always Dancing with you in the summer rain Doesn't matter what I do now Doesn't matter what I say Somewhere in my heart I'm always Dancing with you in the summer rain I can hear the whistle Military train I was dancing with my baby In the summer rain I can here him singing Ooh "Love Is Strange" Come dance with me baby In the summer rain I remember the rain pouring down And we poured our hearts out As the train pulled out I can see my baby Waving from the train It was last time that I saw him In the summer rain Every time I see the lightening Every time I hear the thunder Every time I close the window When this happens in the summer Oh the night is so inviting I can feel that you are so close I can feel you when the wind blows Blows right through my heart Every night and every day now Though I know you've gone away Somewhere in my heart I'm always Dancing with you in the summer rain
Belinda Carlisle
Sweet Jane" Standing on the corner, suitcase in my hand Jack is in his corset, and Jane is in her vest, and, me I'm in a rock'n'roll band. Huh Ridin' in a Stutz-Bearcat, Jim Y'know, those were different times Oh, all the poet, they studied rules of verse And the ladies, they rolled their eyes Sweet Jane! Whoa! Sweet Jane, oh-oh-a! Sweet Jane I'll tell you something Jack, he is a banker And Jane, she is a clerk Both of them save their monies, ha And when, when they come home from work Ooh! Sittin' down by the fire, oh The radio does play The classical music there, Jim "The March of the Wooden Soldiers" All you protest kids You can hear Jack say, get ready, ah Sweet Jane! Come on baby! Sweet Jane! Oh-oh-a! Sweet Jane Some people, they like to go out dancing And other peoples, they have to work. Just watch me now And there's even some evil mothers Well they're gonna tell you that everything is just dirt Y'know that, women, never really faint And that villains always blink their eyes, woo And that, y'know, children are the only ones who blush And that, life is, just to die And, everyone who ever had a heart, oh That wouldn't turn around and break it And anyone who ever played a part, whoa And wouldn't turn around and hate it Sweet Jane! Whoa-oh-oh! Sweet Jane! Sweet Jane. Sweet Jane Sweet Jane. Sweet Jane
Velvet Underground
What You Pray Toward “The orgasm has replaced the cross as the focus of longing and the image of fulfillment.” —Malcolm Muggeridge, 1966 I. Hubbie 1 used to get wholly pissed when I made myself come. I’m right here!, he’d sputter, blood popping to the surface of his fuzzed cheeks, goddamn it, I’m right here! By that time, I was in no mood to discuss the myriad merits of my pointer, or to jam the brakes on the express train slicing through my blood, It was easier to suffer the practiced professorial huff, the hissed invectives and the cold old shoulder, liver-dotted, quaking with rage. Shall we pause to bless professors and codgers and their bellowed, unquestioned ownership of things? I was sneaking time with my own body. I know I signed something over, but it wasn’t that. II. No matter how I angle this history, it’s weird, so let’s just say Bringing Up Baby was on the telly and suddenly my lips pressing against the couch cushions felt spectacular and I thought wow this is strange, what the hell, I’m 30 years old, am I dying down there is this the feel, does the cunt go to heaven first, ooh, snapped river, ooh shimmy I had never had it never knew, oh i clamored and lurched beneath my little succession of boys I cried writhed hissed, ooh wee, suffered their flat lapping and machine-gun diddling their insistent c’mon girl c’mon until I memorized the blueprint for drawing blood from their shoulders, until there was nothing left but the self-satisfied liquidy snore of he who has rocked she, he who has made she weep with script. But this, oh Cary, gee Katherine, hallelujah Baby, the fur do fly, all gush and kaboom on the wind. III. Don’t hate me because I am multiple, hurtling. As long as there is still skin on the pad of my finger, as long as I’m awake, as long as my (new) husband’s mouth holds out, I am the spinner, the unbridled, the bellowing freak. When I have emptied him, he leans back, coos, edges me along, keeps wondering count. He falls to his knees in front of it, marvels at my yelps and carousing spine, stares unflinching as I bleed spittle unto the pillows. He has married a witness. My body bucks, slave to its selfish engine, and love is the dim miracle of these little deaths, fracturing, speeding for the surface. IV. We know the record. As it taunts us, we have giggled, considered stopwatches, little laboratories. Somewhere beneath the suffering clean, swathed in eyes and silver, she came 134 times in one hour. I imagine wires holding her tight, her throat a rattling window. Searching scrubbed places for her name, I find only reams of numbers. I ask the quietest of them: V. Are we God?
Patricia Smith (Teahouse of the Almighty)
Successful breastfeeding take courage, resilience, patience, and support and it always has. If your partner or support group hasn't piled on the accolades for your heroism, then let them know you will expect oohs and has when you make it through the first two to three months (no matter how you got there) and your baby is happy and healthy -- because you are awesome!
Cassi Clark (Breastfeeding Is a Bitch: But We Lovingly Do it Anyway)
Young Turks Billy left his home with a dollar in his pocket and a head full of dreams. He said somehow, some way, it's gotta get better than this. Patti packed her bags, left a note for her momma, she was just seventeen, there were tears in her eyes when she kissed her little sister goodbye. They held each other tight as they drove on through the night they were so exited. We got just one shot of life, let's take it while we're still not afraid. Because life is so brief and time is a thief when you're undecided. And like a fistful of sand, it can slip right through your hands. Young hearts be free tonight. Time is on your side, Don't let them put you down, don't let 'em push you around, don't let 'em ever change your point of view. Paradise was closed so they headed for the coast in a blissful manner. They took a tworoom apartment that was jumping ev'ry night of the week. Happiness was found in each other's arms as expected, yeah Billy pierced his ears, drove a pickup like a lunatic, ooh! Young hearts be free tonight.Time is on your side, Don't let them put you down, don't let 'em push you around, don't let 'em ever change your point of view. Young hearts be free tonight.Time is on your side. Billy wrote a letter back home to Patti's parents tryin' to explain. He said we're both real sorry that it had to turn out this way. But there ain't no point in talking when there's nobody list'ning so we just ran away Patti gave birth to a ten pound baby boy, yeah! Young hearts be free tonight, time is on your side. Young hearts be free tonight, time is on your side. Young hearts be free tonight, time in on your side. Young hearts gotta run free, be free, live free Time is on, time is on your side Time, time, time, time is on your side is on your side is on your side is on your side Young heart be free tonight tonight, tonight, tonight, tonight, tonight, yeah
Rod Stewart
Electric Feel" All along the western front People line up to receive She got the power in her hand To shock you like you won't believe Saw her in the amazon With the voltage running through her skin Standing there with nothing on She gonna teach me how to swim I said ooh girl Shock me like an electric eel Baby girl You turn me on with your electric feel I said ooh girl Shock me like an electric eel Baby girl Turn me on with your electric feel All along the eastern shore Put your circuits in the sea This is what the world is for Making electricity You can feel it in your mind Oh you can do it all the time Plug it in and change the world You are my electric girl Said ooh girl Shock me like an electric eel Baby girl Turn me on with your electric feel I said ooh girl Shock me like an electric eel Baby girl Turn me on with your electric feel Do what you feel now Electric feel now Do what you feel now Electric feel now Do what you feel now Electric feel now Do what you feel now Electric feel now Do what you feel now Electric feel now
MGMT
Kokomo Aruba, Jamaica, ooh I want to take ya Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go, Jamaica Off the Florida Keys, there's a place called Kokomo That's where you want to go to get away from it all Bodies in the sand, tropical drink melting in your hand We'll be falling in love to the rhythm of a steel drum band Down in Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to Kokomo, we'll get there fast and then we'll take it slow That's where we want to go, way down in Kokomo. Martinique, that Montserrat mystique We'll put out to sea and we'll perfect our chemistry And by and by we'll defy a little bit of gravity Afternoon delight, cocktails and moonlit nights That dreamy look in your eye, give me a tropical contact high Way down in Kokomo [Chorus] Port au Prince, I want to catch a glimpse Everybody knows a little place like Kokomo Now if you want to go and get away from it all Go down to Kokomo [Chorus] Aruba, Jamaica, ooh I want to take you to Bermuda, Bahama, come on pretty mama Key Largo, Montego, baby why don't we go Ooh I want to take you down to
Beach Boys
Woods Haha haa hahaha... By myself, in the woods just the sound of the distant water and Eryka Badu Just a scent just the word the vibrations you sending baby they're not good Just a scent ooh - just the smell ooh - just the feeling oooh - I can't help it and now Creativity in my veins the multiplicity, it speaks to me in my brain Oooh... oooh... o-oooh... mmh!... Alone! in the woods nothing else but the sound of water and Eryka Badu Just a taste! mmh! just a taste ooh - just the peak of the higher state of being (Hahahaha...)
Willow Smith
Love Of My Life (feat. Common) Bring it over here and let's go back Way back Ooh... Way back, yeah I met him when I was a Little girl, he gave me He gave me poetry And he was my first But in my heart I knew I Wasn't the only one 'Cause when the tables turned He had to break up Whenever I got lonely Or needed some advice He gave me his shoulder His words were very nice But that is all behind me 'Cause now there is no other My love is his and his is mine A friend became the Love of my life You are my friend Love of my life I can depend Love of my life Without you, baby It feels like a simple true love Hope this s*** ain't clear A freak-freak, y'all, and ya don't stop To the beat y'all and ya don't stop A freak-freak Or could it be that it was All just so simple then A teenage lover who said He's just a friend He moved around and we kept In touch through his friend Mike The world was young and he knew We couldn't rush but Whenever I got lonely Or needed some advice He gave me his shoulder His words were very nice But that is all behind me 'Cause now there is no other My love is his and his is mine A friend became the Love of my life You are my friend Love of my life A dude I can depend, yeah, yeah Love of my life Feels like a simple true love, yeah Hope this s*** ain't clear Y'all know how I met her We broke up and got back together To get her back I had to sweat her Thought she roll with bad boys forever in many ways Them boys may be better, to I had to let her (Never) She needed cheddar and I understood that Lookin' for cheese, that don't make her a hood rat (Rat) In fact she's a queen to me, her light beams on me I love it when she sings to me It's like that now Love of my life Ooh, you know you rock my world and Love of my life You be boy and I'll be girl and Love of my life We don't stop until the break of dawn, ooh... Love of my life Ooh, you know you rock my world and Love of my life You be boy and I'll be girl and Love of my life Yeah...
Eryka Badu
Got To Be Real What you find-ah What you feel now What you know-a To be real What you find, ah (I think I love you, baby) What you feel now (I feel I need you, baby) What you know-a To be real Ooh, your love's for real now You know that your love is my love My love is your love Our love is here to stay What you find-ah What you feel now What you know-a To be real Ooh, your love's for real now You know that your love is my love My love is your love Our love is here to stay What you find, ah (I think I love you, baby) What you feel now (I feel I need you, baby) What you know-a To be real What you find, ah (I think I love you, baby) What you feel now (I feel I need you) What you know-a To be real...
Cheryl Lynn
Ooh…Khan,” I whined. “I feel it, baby. Cum on this dick for daddy,” he encouraged.
Tacarra (Khan's Choice)
Ooh! This is going to be so much fun! I thought when Benji brought Liv and Knox home, that was our group’s final drama. Everyone’s all paired off and making babies.” She made a gagging sound. “What were we all supposed to do? Live happily ever after? Bor-ring.” “I have no objections to the happily ever after and babies.” Jaxon raised his hand. “Me too,” Benji declared. Spinning in her seat, Hannah pinned Cal with a glare. “Don’t you be getting any ideas.” Nipping at her lower lip, Cal smiled as he pulled away. “Baby, it took ten years off my life when I saw you buying a basket full of pregnancy tests for the girls. We’re on the same page.
Siena Trap (Second-Rate Superstar (Connecticut Comets Hockey, #3))
It was a pretty great picnic, if I do say so myself. I’d helped Mrs. B prepare it, and I enjoyed listening to Karina and my father ooh and ah as I took out tiny cherry tomatoes stuffed with spicy cheese filling; avocado, spinach, and red onion sandwiches with walnut oil vinaigrette on seven grain bread; mozzarella sandwiches with roasted red peppers and pickled mushrooms on Italian bread; peanut butter and apple butter sandwiches on whole wheat bread; new potato salad with dill; and grapes and strawberries and kiwi fruit salad with poppy seed dressing. Plus granola bars for snacks. “And for dessert we have cheesecake with raspberry sauce,” I announced, taking the last bottle of sparkling water out of the cooler.
Ann M. Martin (Dawn and Whitney, Friends Forever (The Baby-Sitters Club, #77))
Ooh-eee-ooh,” wailed Nicky helpfully
Ann M. Martin (Dawn's Wicked Stepsister (The Baby-Sitters Club, #31))
(Horses like boys…?) I had to remind myself that I gave up riding before I started eighth grade. I said that because I knew the same tired Jokes were going to roll in soon, about me riding horse-ie’s from the day I was like seven until then.’ ‘I don’t think I could ride now to save my life.’ Jenny said- ‘It’s just like riding a bike you never forget how too.’ ‘How would you know,’ I asked? Jenny said- ‘I still ride from time to time, I just got second place in a jumping competition two weeks ago.’ I whispered- ‘O-oh.’ (On the inside- I was crushed, thinking it okay for you to ride but I can’t. My horse died not long after, I stopped riding her, thinking I didn’t love her anymore. I didn’t want to stop.) I think if she starts making fun of me now, I would bust out crying. And if I cry then I’ll be a BABY! Yet it okay for her to cry to us over stupid boys or her time of the month drama. I could never clear the truth to her: that riding was my favorite thing in this whole wide world. It wasn’t about winning with me, no- it was about having my freedom, my happiness, and my relaxation. The way I could escape from all of them that put me down, back them. I loved it more than boys, more than friends, more than family even. I was the best I could be back then. I was strong then, now I am nothing but a week p*ssy that lets everyone crap on me. I can’t believe that I wanted this life. I loved to be alone in the barn, or out on the fields particularly in the late summer when everything is crunchy and golden, and the plants show off all their wonderful different colors, and it smells of hay, is what made my day complete, racing past all the trees, down the wooded trails, it was more than just jumping her at compassion. We had a bond- I loved brushing my horse down, braiding her main, and being her best friend, feeding her carrots sticks, I loved it all. I gave up my best friends for ones that I can’t always trust. Your horse’s always your trusting best friend. And if I am crying now, it’s not that I am sad, it’s that I am happy. I have to lie…! I am nothing- nothing, but a complete liar, a wide-ranging slut, and a total baby! #- hostage: (Galloping, Groping, Gulping)
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Oh ooh love They'll never break the shape we take Oh ooh Baby let all them voices slip away
Perfume Genius
Is the Enjoli Woman in Therapy? As a teenager, I was fascinated by a commercial that advertised a particular brand of perfume. It seemed that if a woman wore this product, handling the challenges of womanhood would be as fragrant as the product itself. I’ll never forget the jingle that accompanied the beautiful, svelte blonde as she whirled across the television screen: “I can bring home the bacon, fry it up in a pan, and never, never, never let you forget you’re a man.”[1] Ooh, baby, what a woman. That song played in my head for years. That’s me, my inner self would chant. I can do it all, have it all, and be it all. Aren’t Christian women encouraged to be perfect at everything in the name of Jesus? To witness to others as holy, unblemished, fragrant saints? I couldn’t wait for the chance to prove that I, too, was an Enjoli woman. Reality check. Where is that perfect chick when I need her the most? I’m in the throws of wife and motherhood. I need to ask her so many questions. Is it okay to give my children leftover lasagna for breakfast? Can I ask Thomas to turn his underwear inside out and wear it one more time? Can Sunday be considered a real day of rest, like staying in bed all day? Remember the jingle? “I can bring home the
Jane Jenkins Herlong (Bury Me with My Pearls (Humor & Entertainment, Comedy))
Ooh baby, the ways we hurt each other in my dreams would straighten those pretty curls of yours.
Mari Carr (Scoring (Lowell High School #2.5))
The arrow imagery evokes Cupid’s arrow, but with a darker turn: “Ooh baby, you couldn’t have done a worse thing to me / If you’d have taken an arrow and run it right through me.” Its most striking aspect is that it sounds as though it was built around a bass guitar riff, but that full, rounded bass tone is actually a Fender Rhodes electric piano. Paul recorded the piano track and a rough vocal with Steve drumming, and then, at Chris Thomas’s suggestion, Steve added a second snare part, recorded at half speed—a trick from the Beatle days—so that when played back at normal speed the drum is pitched an octave higher and has an unusual timbre.
Allan Kozinn (The McCartney Legacy: Volume 2: 1974 – 80: A comprehensive look at Paul McCartney's life and work post-Beatles.)