Only Way Is Essex Quotes

We've searched our database for all the quotes and captions related to Only Way Is Essex. Here they are! All 7 of them:

There's only two ways to be completely alone in this world, lost in a crowd or in total isolation...
Jeff Lemire (Essex County, Vol. 2: Ghost Stories)
Sometimes I think I sold my soul, so that I can live as I must. Oh, I don't mean without morals or conscience- I only mean with freedom to think the thoughts that come, to send them where I want them to go, not to let them run along tracks someone else set, leading only this way or that...
Sarah Perry (The Essex Serpent)
The windows in her room were open and light was fading on the wall. She said, ‘There may be blood,’ and he said, ‘Better that way – better’; and it was Cora’s mouth he kissed, and Cora’s hand she placed where she wanted it most. Each was only second best: they wore each other like hand-me-down coats.
Sarah Perry (The Essex Serpent)
[...] The idea of honor in battle has been passed down for generations. It went from Greece to Rome, to the medieval world and the Crusades. It was beloved of Sir Philip Sidney, Essex and Southampton [...]. In many ways, the British Empire was founded on it [...] The idea came to a halt in the First World War [...] The poets, led by Wilfred Owen, told the truth about it "[...] The old lie : 'Dulce el decorum est pro patria mori'. [...]Henry IV Part I is a play with much "honor". Honor is its central theme. So let's examine Henry IV Part I for a moment, to understand the ingredients of "honor". [...] You will notice there are not many women in these plays [about honor]-and when they appear, they are usually whores or faifthful wives. Honor is not a woman's story[...] 'What is honour? A word', (...) a mere scutcheon" [says] Falstaff's iconoclasm and truthful vision about honor. {...]There are several things we can see in all this. The first is that war is a man´s game, it is intolerable, and the only way you can get people to do it is to make the alternative seem a hundred times worse [...] Therefore, valor must be glorified, if not deified. [...]
Tina Packer (Women of Will: Following the Feminine in Shakespeare's Plays)
This morning as I walked for the train I saw a dying bird on the road — something about the way it flailed blindly on the path made me feel sick. Then I realised it was just a clump of wet leaves blowing about, but it was a while before the nausea passed — and it struck me that if my body had responded as if it had been the bird, was my perception of it really false, even if it had only been the leaves?
Sarah Perry (The Essex Serpent)
So, The Knight of the Rose?  It’s about a girl named Miranda who becomes a knight, who has a bunch of really wonderful adventures…who falls in love with a princess, and marries her at the end of the book.  A girl knight.  Marries a princess.  And is the heroine of the book. Everyone does need a heroine like them.  I’d never realized how much, until I read that story.  And it saved my life.  It changed me, in a way that only books can.  It gave me a sense of strength, of place in the world, because I was no longer “Holly the homo” (as charmingly unoriginal as it was), what they chanted at me in the hallways of my stupid little school.  I was just me.  Just Holly.  And I could do or be anything, because there was a story about someone like me.  And hey, the heroine of that story had done pretty all right for herself.  So maybe I could, too. I
Bridget Essex (A Knight to Remember (Knight Legends, #1))
POLLARD had known better, but instead of pulling rank and insisting that his officers carry out his proposal to sail for the Society Islands, he embraced a more democratic style of command. Modern survival psychologists have determined that this “social”—as opposed to “authoritarian”—form of leadership is ill suited to the early stages of a disaster, when decisions must be made quickly and firmly. Only later, as the ordeal drags on and it is necessary to maintain morale, do social leadership skills become important. Whalemen in the nineteenth century had a clear understanding of these two approaches. The captain was expected to be the authoritarian, what Nantucketers called a fishy man. A fishy man loved to kill whales and lacked the tendency toward self-doubt and self-examination that could get in the way of making a quick decision. To be called “fishy to the backbone” was the ultimate compliment a Nantucketer could receive and meant that he was destined to become, if he wasn’t already, a captain. Mates, however, were expected to temper their fishiness with a more personal, even outgoing, approach. After breaking in the green hands at the onset of the voyage—when they gained their well-deserved reputations as “spit-fires”—mates worked to instill a sense of cooperation among the men. This required them to remain sensitive to the crew’s changeable moods and to keep the lines of communication open. Nantucketers recognized that the positions of captain and first mate required contrasting personalities. Not all mates had the necessary edge to become captains, and there were many future captains who did not have the patience to be successful mates. There was a saying on the island: “[I]t is a pity to spoil a good mate by making him a master.” Pollard’s behavior, after both the knockdown and the whale attack, indicates that he lacked the resolve to overrule his two younger and less experienced officers. In his deference to others, Pollard was conducting himself less like a captain and more like the veteran mate described by the Nantucketer William H. Macy: “[H]e had no lungs to blow his own trumpet, and sometimes distrusted his own powers, though generally found equal to any emergency after it arose. This want of confidence sometimes led him to hesitate, where a more impulsive or less thoughtful man would act at once. In the course of his career he had seen many ‘fishy’ young men lifted over his head.” Shipowners hoped to combine a fishy, hard-driving captain with an approachable and steady mate. But in the labor-starved frenzy of Nantucket in 1819, the Essex had ended up with a captain who had the instincts and soul of a mate, and a mate who had the ambition and fire of a captain. Instead of giving an order and sticking with it, Pollard indulged his matelike tendency to listen to others. This provided Chase—who had no qualms about speaking up—with the opportunity to impose his own will. For better or worse, the men of the Essex were sailing toward a destiny that would be determined, in large part, not by their unassertive captain but by their forceful and fishy mate.
Nathaniel Philbrick (In the Heart of the Sea: The Tragedy of the Whaleship Essex (National Book Award Winner))