One Day It Clicks Quotes

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I wait for the fist of devestation, the collapse of a year's worth of hopes, the roar of sadness. And I do feel it. The pain of losing him. Or the idea of him. But along with that pain is something else, something quiet at first, so I have to strain for it. but when I do, I hear the sound of a door quietly clicking shut. And then the most amazing thing happens: The night is calm, but I feel a rush of wind, as if a thousand other doors have just simultaneously flung open. I give one last glance towards Willem. Then I turn to Wolfgang. "Finished," I say. But I suspect the opposite is true. That really, I'm just beginning.
Gayle Forman (Just One Day (Just One Day, #1))
After tail spinning into chaos, one needs a bolt-hole, to resource and ‘challenge’ oneself, break free from the haunting constrictions, squirrel back into bouncy and buoyant surroundings and enjoy the many laugh-out-loud-moments of the day. As soon as one manages to wobble out of one’s shell, everything may click into place again and the radiance and glare of the bright side of life might show again. ("Imbroglio")
Erik Pevernagie
No matter how much crap you gotta plow through to stay alive as a photographer, no matter how many bad assignments, bad days, bad clients, snotty subjects, obnoxious handlers, wigged-out art directors, technical disasters, failures of the mind, body, and will, all the shouldas, couldas, and wouldas that befuddle our brains and creep into our dreams, always remember to make room to shoot what you love. It’s the only way to keep your heart beating as a photographer.
Joe McNally (The Moment It Clicks: Photography Secrets from One of the World's Top Shooters)
Walter Issacson biographer of Steve Jobs: I remember sitting in his backyard in his garden, one day, and he started talking about God. He [Jobs] said, “ Sometimes I believe in God, sometimes I don’t. I think it’s 50/50, maybe. But ever since I’ve had cancer, I’ve been thinking about it more, and I find myself believing a bit more, maybe it’s because I want to believe in an afterlife, that when you die, it doesn’t just all disappear. The wisdom you’ve accumulated, somehow it lives on.” Then he paused for a second and said, “Yea, but sometimes, I think it’s just like an On-Off switch. Click. And you’re gone.” And then he paused again and said, “ And that’s why I don’t like putting On-Off switches on Apple devices.” Joy to the WORLD! There IS an after-life!
Walter Isaacson (Steve Jobs)
At lunch I turned my phone on to check my messages. Georgia always sent me a few inane texts during the day, and sure enough there were two messages from her: one complaining about her physics teacher and a second, also obviously sent from her phone: I love you, baby. V. I wrote her back: I thought I told you to buzz off last night, you creep-o French stalker guy. Her response came back immediately: As if! Your beet-red cheeks this morning suggest otherwise ... liar! You're so into him. I groaned and was about to turn my phone off when I saw that there was a third text from UNKNOWN. Clicking on it, I read: Can I pick you up from school? Same place, same time? I texted back: How'd you get my number? Called myself from your phone while you were in the restaurant's bathroom last night. Warned you we were stalkers!
Amy Plum (Die for Me (Revenants, #1))
In the beginning it was always the same. But. I kept trying. Then one day I accidentally moved as the shutter clicked. A shadow appeared. The next time I saw the outline of my face, and a few weeks later my face itself. It was the opposite of disappearing.
Nicole Krauss (The History of Love)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.
Richard Powers (The Overstory)
You'd think that even a bad doctor on a bad day would feel better than a good drug dealer on a good day, but I suspect that this might not be true. I suspect that drug dealers have days when everything clicks, and it's all buzz buzz buzz, and they chalk off their jobs one by one, and they return home with a sense of accomplishment.
Nick Hornby (How to Be Good)
You've seen those pictures of couples kissing in front of a Christmas tree, or clasping hands on their wedding day, or holding a newborn baby between them-a snapshot of joy. But what do you really know about them? Just that at the second the shutter clicked, they loved each other. You have no idea what trials came before, or after. You don't know if one of them cheated, if they grew apart, if a divorce loomed on the horizon. You simply see that in one static moment, they were happy.
Jodi Picoult (Off the Page (Between the Lines, #2))
I mean it wasn’t an empty hole, there was al­ways some­thing in it, but it was never right. It never fit. I went to col­lege for a short time, until I sat back one day and said to my­self: An­drew, what the fuck are you doing here? And it clicked in my head that I wasn’t there be­cause it’s what I wanted, I was there be­cause it’s what peo­ple ex­pected, even peo­ple I don’t know, so­ci­ety. It’s what peo­ple do.
J.A. Redmerski
My memory is coming back. It is curious how it comes. Each day, a rush of pieces, loosely connected, unimportant bits, snake through me. They click, click, click into my brain, like links being snapped together. And then they are done. A small chain of memories that fill in one tiny part of my life. They come out of nowhere, and most are not important.
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
An old girlfriend is a gun in your belly. It's no longer loaded, so when you see her, all you feel is the hollow mechanical click in your gut, and possibly the ghost of an echo, sense memory from when it used to carry live rounds. Occasionally, though, there's a bullet you missed, lying dormant in its overlooked chamber, and when that trigger gets pulled, the unexpected gunshot is deafening even as the forgotten bullet rips its way through the tissue and muscle of your midsection and out into the light of day. Seeing Carly is like that. Even though we haven't spoken in almost ten years, it's an explosion, and in that one instant every memory, every feeling, comes flooding back as fresh as if it were yesterday.
Jonathan Tropper (The Book of Joe)
Then, one day, it clicks. The pain you had turns into peace as you accept that everything had to happen exactly as it did for you to be exactly who you are now. You hold no blame, bitterness, or resentment toward the experience, person, or yourself. Instead, you see it as the catalyst that led to your change and development. The very storm that shook so much in you also worked to clear your path.
Morgan Richard Olivier (The Tears That Taught Me)
Nobody needed to get all that educated for being a miner, so they let the schools go to rot. And they made sure no mills or factories got in the door. Coal only. To this day, you have to cross a lot of ground to find other work. Not an accident, Mr. Armstrong said, and for once we believed him, because down in the dark mess of our little skull closets some puzzle pieces were clicking together and our world made some terrible kind of sense. The dads at home drinking beer in their underwear, the moms at the grocery with their SNAP coupons. The army recruiters in shiny gold buttons come to harvest their jackpot of hopeless futures. Goddamn. The trouble with learning the backgrounds is that you end up wanting to deck somebody, possibly Bettina Cook and the horse she rode in on. (Not happening. Her dad being head of the football boosters and major donor.) Once upon a time we had our honest living that was God and country. Then the world turns and there’s no God anymore, no country, but it’s still in your blood that coal is God’s gift and you want to believe. Because otherwise it was one more scam in the fuck-train that’s railroaded over these mountains since George Washington rode in and set his crew to cutting down our trees. Everything that could be taken is gone. Mountains left with their heads blown off, rivers running black. My people are dead of trying, or headed that way, addicted as we are to keeping ourselves alive. There’s no more blood here to give, just war wounds. Madness. A world of pain, looking to be killed.
Barbara Kingsolver (Demon Copperhead)
A lot of habitually creative people have preparation rituals linked to the setting in which they choose to start their day. By putting themselves into that environment, they start their creative day. The composer Igor Stravinsky did the same thing every morning when he entered his studio to work: He sat at the piano and played a Bach fugue. Perhaps he needed the ritual to feel like a musician, or the playing somehow connected him to musical notes, his vocabulary. Perhaps he was honoring his hero, Bach, and seeking his blessing for the day. Perhaps it was nothing more than a simple method to get his fingers moving, his motor running, his mind thinking music. But repeating the routine each day in the studio induced some click that got him started. In the end, there is no ideal condition for creativity. What works for one person is useless for another. The only criterion is this: Make it easy on yourself. Find a working environment where the prospect of wrestling with your muse doesn't scare you, doesn't shut you down. It should make you want to be there, and once you find it, stick with it. To get the creative habit, you need a working environment that's habit-forming. All preferred working states, no matter how eccentric, have one thing in common: When you enter into them, they compel you to get started.
Twyla Tharp (The Creative Habit: Learn It and Use It for Life)
In the course of this one day, several things have taken a decisive step forward. The gears have turned forward with a click. And gears that have turned forward never turn back. That is one of the world's rules.
Haruki Murakami (1Q84 (1Q84, #1-3))
When I came into his presence, he was seated, and in his lap was a fat yellow cat. He told me that one of the captains had brought the beast to him, from an island beyond the sunrise. 'Have you ever seen her like?' he asked of me. And to him I said, 'Each night in the alleys of Braavos I see a thousand like him,' and the Sealord laughed, and that day I was named the first sword." Arya screwed up her face. "I don't understand." Syrio clicked his teeth together. "The cat was an ordinary cat, no more. The others expected a fabulous beast, so that is what they saw. How large it was, they said. It was no larger than any other cat, only fat from indolence, for the Sealord fed it from his own table. What curious small ears, they said. Its ears had been chewed away in kitten fights. And it was plainly a tomcat, yet the Sealord said 'her', and that is what the others saw. Are you hearing?" Arya thought about it. "You saw what was there." "Just so. Opening your eyes is all that is needing. the heart lies and the head plays tricks with us, but the eyes see true. Look with your eyes. Hear with your ears. Taste with your mouth. Smell with your nose. Feel with your skin. Then comes the thinking, afterward, and in that way knowing the truth." "Just so," said Arya, grinning.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
If we fast forward through the journey, like Adam Sandler in the movie, Click, we’ll look up one day and see that we missed our lives.
Suzette R. Hinton
Own nothing! Possess nothing! Buddha and Christ taught us this, and the Stoics and the Cynics. Greedy though we are, why can't we seem to grasp that simple teaching? Can't we understand that with property we destroy our soul? So let the herring keep warm in your pocket until you get to the transit prison rather than beg for something to drink here. And did they give us a two-day supply of bread and sugar? In that case, eat it in one sitting. Then no one will steal it from you, and you won't have to worry about it. And you'll be free as a bird in heaven! Own only what you can always carry with you: know languages, know countries, know people. Let your memory be your travel bag. Use your memory! Use your memory! It is those bitter seeds alone which might sprout and grow someday. Look around you-there are people around you. Maybe you will remember one of them all your life and later eat your heartout because you didn't make use of the opportunity to ask him questions. And the less you talk, the more you'll hear. Thin strands of human lives stretch from island to island of the Archipelago. They intertwine, touch one another for one night only in just such a clickety-clacking half-dark car as this and then separate once and for all. Put your ear to their quiet humming and the steady clickety-clack beneath the car. After all, it is the spinning wheel of life that is clicking and clacking away there. What strange stories you can hear! What things you will laugh at!
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
You can complain about every dropped sock, every dirty dish left behind, every piece of dirt tracked through the house, or you can deal with it and spend that time you would’ve spent complaining giving him a kiss.  Or maybe a tight hug.  Or even jotting down a little note for him to find.  So here’s the truth—marriage sucks because one day it will end.  It’s inevitable.  The beginning is usually a fairy tale; the end hurts more than you could ever comprehend.  It’s what you do with the middle that’s the most important.  Make the most of it.  Now I’m going to walk up front to give Stanley a kiss before I get on the phone with the water company.”  Click.
Rhonda R. Dennis (Yours Always)
It’s like I have this demon inside of me, and I want it gone, but the idea of removing it via pill is . . . I don’t know . . . weird. But a lot of days I get over that, because I do really hate the demon.” “You often try to understand your experience through metaphor, Aza: It’s like a demon inside of you; you’ll call your consciousness a bus, or a prison cell, or a spiral, or a whirlpool, or a loop, or a—I think you once called it a scribbled circle, which I found interesting.” “Yeah,” I said. “One of the challenges with pain—physical or psychic—is that we can really only approach it through metaphor. It can’t be represented the way a table or a body can. In some ways, pain is the opposite of language.” She turned to her computer, shook her mouse to wake it up, and then clicked an image on her desktop. “I want to share something Virginia Woolf wrote: ‘English, which can express the thoughts of Hamlet and the tragedy of Lear, has no words for the shiver and the headache. . . . The merest schoolgirl, when she falls in love, has Shakespeare or Keats to speak her mind for her; but let a sufferer try to describe a pain in his head to a doctor and language at once runs dry.’ And we’re such language-based creatures that to some extent we cannot know what we cannot name. And so we assume it isn’t real. We refer to it with catch-all terms, like crazy or chronic pain, terms that both ostracize and minimize. The term chronic pain captures nothing of the grinding, constant, ceaseless, inescapable hurt. And the term crazy arrives at us with none of the terror and worry you live with. Nor do either of those terms connote the courage people in such pains exemplify, which is why I’d ask you to frame your mental health around a word other than crazy.
John Green (Turtles All the Way Down)
I regret a lot of things, like believing that Joe and I would have grandchildren together one day. But here's the truth: I don't want to "feel it". I'm tired of "feeling it". I need my outer protective layers to click shut, quickly.
Sophie Kinsella (The Party Crasher)
We are, in many ways, opposites. Still, we seemed to click. One day on the phone he was asking what I thought made us compatible. I decided to tell him some of the things that drew me to him. “I think you’re a really good guy,” I told him, “really nice. And sensitive.
Chris Kyle (American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History)
She inhaled the steam rising from the coffee without touching it. “I’m very picky about my coffee.” “White chocolate peppermint latte, half skim, half soy, no whip, extra white chocolate sauce on the bottom and a drizzle on top.” Her gaze shot up, watching me over the rim of the cup with a hint of incredulity. “How’d you know?” I shrugged. “Maybe we like the same drinks.” Or maybe Wendy had told me the other day when she balanced three cups of coffee in the elevator. Liya clamped her mouth shut but covered the warm cup with her petite hands. Her glossy red nails clicked against the sturdy paper cup, drowning out the muted sounds of others in the hallway beyond the open door. “It’s okay,” I assured her. “I don’t think you did anything to the coffee.” “I mean it’s okay to smile because someone brought you your picky-ass latte.” She took a sip. “We’re not friends, you know?” “No one forgets being told they’re not friends,” I said teasingly, knowing full well she didn’t want to be friends but yet, here we were. A smile crept across her lips, even though she tried hard to stop it.
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
Her dreams felt so far out of reach. She’d faced one of them tonight, faced him in four-inch heels. But four-inch heels didn’t make her any younger. She couldn’t click her four-inch heels together and find her true way home. Four inches didn’t bring her any closer to happiness. Four inches didn’t erase the past.
Jill Barnett (The Days of Summer)
helicopters? The gunships? Always beating that particular drum?” “Was?” I said. “He died the day before New Year’s Eve. Car versus pedestrian in Heidelberg, Germany. Hit-and-run.” I clicked the phone off. “Swan mentioned that,” I said. “In passing. Now that I think about it.” “The check mark,” Summer said. I nodded. “One down, seventeen to go.” “What does T.E.P. mean?” “It’s old CIA jargon,” I said. “It means terminate with extreme prejudice.” She said nothing. “In other words, assassinate,” I said. We sat quiet for a long, long time. I looked at the ridiculous quotations again. The enemy. When your back is to the wall. The
Lee Child (The Enemy (Jack Reacher, #8))
A few days later, I found myself back in the cellar. But this time, I was involved in an activity way more fun than cataloging magic junk. “What happened to the promise of making out in castles?” I asked as Archer and I pulled back for a breather. I was leaning back against one of the shelves, my hands clutching Archer’s waist. Over his shoulder, there was a jar of eyeballs staring at me, and I nodded toward it. “Because, see, things like that? Kind of a mood killer.” He glanced at the jar and then turned back to me, waggling his eyebrows. “Really? I find it has the opposite effect.” Giggling, I elbowed him in the stomach and pushed myself off the shelf. “You’re sick.” He smiled and ducked his head to kiss me again, but I skirted around him. “Come on, Cross, we came down here for a reason, and it wasn’t fooling around.” Smirking, Archer folded his arms over his chest. “May not have been your reason, but-“ I cut him off. “No. Don’t distract me with your sexy talk. We need to search this place, and that spell Elodie did will only last so long.” Elodie had swooped into my body at the cellar door, doing a quick spell to unlock it. She hadn’t even looked at Archer, much less said anything. And the second the lock clicked open, she’d vanished. The smirk disappeared from Archer’s face, and he actually looked kind of sullen. “Are you honestly that bummed about not hooking up right now?” I teased. But he was deadly serious when he shook his head and said, “It’s not that. It’s Elodie.” “What about her?” Archer rolled his eyes. “I don’t know, Mercer. Maybe it’s that I’m not completely crazy about the ghost of my ex-girlfriend occasionally inhabiting the body of my current girlfriend.” I backed up another step and ran into another shelf. Something fell off and thunked against the dirt floor. “Whoa, I’m your girlfriend now?” Archer shrugged. “We’ve tried to kill each other, fought ghouls, and kissed a lot. I’m pretty sure we’re married in some cultures.” Now it was my turn to roll my eyes. “Whatever. Look, the fact of the matter is, I don’t have any magic right now. Elodie does. If her occasionally using me as her puppet means that I have powers again, then I’m fine with it. And you should be, too. My body, my ghost, and all that.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I am scared of snapping. That something, some random day, it will simply make ‘click’ in my mind and all of the sudden I will absolutely lose my mind. In other words having gazed into the abyss for too long. Go completely and totally insane! How does one decent into madness? What makes one click so all of the sudden life is upside down and people don’t know themselves anymore?
Ryan Gelpke (2018: Our Summer of Creeping Boredom and Beautiful Shimmering (Howl Gang Legend Book 3))
Sheila and Hugh Resting in arms Testing your charms Repeating a ritualized “I love you” Sharing a fight Or a kiss in the night Shrugging when friends ask “What’s new?” After the wedding Her hips started spreading His hair line began to recede They remained together Out of habit now And not out of any great need He’ll show up from work Showing signs of strain While her day was spent cleaning Letting the soap operas wash her brain . . . He reads the evening paper She calls him in to eat They share their meal silently She’s bored, he’s just beat Then they climb the stairs Multiplying the monotony With each step they take The hours spent sleeping They find more satisfying Than those spent awake He removes his work clothes She puts on her curlers and cream Hoping the sheets will protect them From the demon of daily routine Then he clicks off the lamp And the darkness holds no noise For in the dark you can be anyone Housewives will be girls And businessmen boys . . . “I love you, Sheila” I love you, Hugh” But she’s deciding on dishes And his thoughts are all askew And the sheets supply refuge For this perpetual pair Neither really knowing anymore Why the other one is there
Carrie Fisher (The Princess Diarist)
I walk back and forth past the bird one hundred and twenty-two times. I think of you and me, us, this elegant architecture called bird. Belly-up, beak to the north, wings splayed to the poles he disintegrates daily. In two days, his eyes are sockets, in four days, his under-feathers scatter to the east. The gentle wind detonates a downy bomb on still, green grass only a few stray flight-feathers cling to the skeleton
Micheline Maylor (Whirr & Click)
Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
[I]t seems that everyone has fallen under the thrall of this idea that we’re all writers and dramatists now, that each of us has a special voice and something very important to say, usually about a feeling we have, and all this gets expressed in the black maw of social media billions of times a day. Usually this feeling is outrage, because outrage gets attention, outrage gets clicks, outrage can make your voice heard above the deafening din of voices squalling over one another in this nightmarish new culture—and the outrage is often tied to a lunacy demanding human perfection, spotless citizens, clean and likable comrades, and requiring thousands of apologies daily. Advocating while creating your own drama and your brand is where the game is now. And if you don’t follow the new corporate rules accordingly you are banished, exiled, erased from history.
Bret Easton Ellis (White)
They came to a destroyed cabin and he pulled up and then went inside. Broken cups and pieces of dress material torn on a nail. A doll’s body without a head. He dug a .50-caliber bullet out of the wall with his knife and then carefully placed it on the windowsill as if for a memento. Here were memories, loves, deep heartstring notes like the place where he had been raised in Georgia. Here had been people whose dearest memories were the sound of a dipper dropped in the water bucket after taking a drink and the click of it as it hit bottom. The quiet of evening. The shade of the Devil’s trumpet vine over a window, scattered shadows gently hypnotic. The smell of a new calf, a long bar of sun falling into the back door over worn planks and every knot outlined. The familiar path to the barn walked for years by one’s father, grandfather, uncles, the way they called out, Horses, horses. How they swung the bucket by the handle as they went at an easy walk down the path between the trees, between here and there, between babyhood and adulthood, between innocence and death, that worn path and the lifting of the heart as the horses called out to you, how you knew each by the sound of its voice in the long cool evening after a day of hard work. Your heart melted sweetly, it slowed, lost its edges. Horses, horses. All gone in the burning.
Paulette Jiles (News of the World)
There were absolutely amazing photographs everywhere, on everyone's Facebook page and everyone's iPhone and Instagram, just floating around in cyberspace for eternity. People took hundreds and thousands of digital pictures; one or two, even twenty or a hundred, were bound to be great. All anyone had to do was click through them all and post the ones they liked, deleting the rest. But using film meant you never knew what was going to be a good picture, let alone a great one, until you were standing there looking at a contact sheet with a magnifying glass and deciding which to print. Maybe nobody cared anymore, but then again, writers probably felt the same way when word processors were invented. Anyone with a story and a keyboard could write their memoir now, write the great American novel, or tweet a 140-character trope that gets retweeted and it read by hundreds of people every hour of every day.
Nora Raleigh Baskin (Subway Love)
A big stash allows me to have a fluid sense of creativity - a looseness that is very much like playing. It opens me up, unlocks things. The creative bit takes all the other pieces - the possibility, the abundance, the connections, and the actual work of making yarn - bundles them, and explodes like a glitter bomb. It gets everywhere, it makes me smile, and a I can't escape it. My stash is the spark. Even if I haven't spun for days or weeks, even when I'm feeling dull-witted or anti-craft, I still spend time with my stash. It pulls on doors that have been locked, slides under the crack and clicks them open from the inside. After an hour tossing my fibers around, I am revitalized for making yarn, yes, but for things well beyond that, too. My sash fees like an extension of me that I sometimes forget about: the part that plays, that connects things that don't seem to go, that experiments and makes things.
Clara Parkes (A Stash of One's Own: Knitters on Loving, Living with, and Letting Go of Yarn)
What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner. Hang-gliding," I said, "accident." Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser." I don't remember how I changed the subject, but I did. I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep. I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser. I knew what he did to them. He turned them into emblems, sigils on the map of his hustler' s life, navigation beacons he could follow through a sea of bars and neon. What else did he have to steer by? He didn't love money, in and of itself , not enough to follow its lights. He wouldn't work for power over other people; he hated the responsibility it brings. He had some basic pride in his skill, but that was never enough to keep him pushing. So he made do with women. When Rikki showed up, he needed one in the worst way. He was fading fast, and smart money was already whispering that the edge was off his game. He needed that one big score, and soon, because he didn't know any other kind of life, and all his clocks were set for hustler's time, calibrated in risk and adrenaline and that supernal dawn calm that comes when every move's proved right and a sweet lump of someone else's credit clicks into your own account.
William Gibson (Burning Chrome (Sprawl, #0))
In this way the extortion game is similar to the economics of sending spam e-mail. When receiving an e-mail promising a share of a lost Nigerian inheritance or cheap Viagra, nearly everyone clicks delete. But a tiny number takes the bait. Computer scientists at the University of California–Berkeley and UC–San Diego hijacked a working spam network to see how the business operated. They found that the spammers, who were selling fake “herbal aphrodisiacs,” made only one sale for every 12.5 million e-mails they sent: a response rate of 0.00001 percent. Each sale was worth an average of less than $100. It doesn’t look like much of a business. But sending out the e-mails was so cheap and easy—it was done using a network of hijacked PCs, which the fraudsters used free of charge—that the spammers made a healthy profit. Pumping out hundreds of millions of e-mails a day, they had a daily income of about $7,000, or more than $2.5 million a year, the researchers figured.3
Tom Wainwright (Narconomics: How to Run a Drug Cartel)
Maybe it wasn’t the right time just then, and maybe it wouldn’t be for the next five years, but I was still in this fight. I was still in this life. I glanced to the man at Liberty House once more, and it all clicked into place. Two lone strangers, passing in the night, we’d both have someone beside us one day. The time just wasn’t now. “One day, I’ll find the rest of my pack. I’m just a lone wolf for now.” One day, both that man in the distant shadows and I would find someone who fit.
Max Monroe (Trick Play (Mavericks Tackle Love, #3))
Every day his team clicked through thousands of posts from around the world, flagging any that broke a rule or crossed a line. It was draining but necessary work, he felt. But over some months in 2017 and 2018 they had noticed the posts growing more hateful, more conspiratorial, and more extreme. And the more incendiary the post, they sensed, the more widely the platforms spread it. It seemed to them like a pattern, one playing out at once in the dozens of societies and languages they were tasked with overseeing.
Max Fisher (The Chaos Machine: The Inside Story of How Social Media Rewired Our Minds and Our World)
AIDS orphans, and while she was there, she felt alive and full of purpose for the first time in years. When she returned, her fiancé wasn’t all that interested in hearing about it. All the things her friends had been saying for years clicked into place, and a few weeks later, she gave back the ring. She’s literally like a new person these days, full of bright energy, hope, clarity. And those things are worth a whole lot more than a diamond from the wrong man, even if he’s a really good man, like this one was. Twenty-five is also a great time to start counseling, if you haven’t already, and it might be a good round two of counseling if it’s been awhile. You might have just enough space from your parents to start digging around your childhood a little bit. Unravel the knots that keep you from living a healthy whole life, and do it now, before any more time passes. Twenty-five is the perfect time to get involved in a church that you love, no matter how different it is from the one you were a part of growing up. Be patient and prayerful, and
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
By the time I got to work, I had this realization that I didn’t have any more goals.”26 For the next two months, he assiduously tended to the task of finding for himself a worthy life goal. “I looked at all the crusades people could join, to find out how I could retrain myself.” What struck him was that any effort to improve the world was complex. He thought about people who tried to fight malaria or increase food production in poor areas and discovered that led to a complex array of other issues, such as overpopulation and soil erosion. To succeed at any ambitious project, you had to assess all of the intricate ramifications of an action, weigh probabilities, share information, organize people, and more. “Then one day, it just dawned on me—BOOM—that complexity was the fundamental thing,” he recalled. “And it just went click. If in some way, you could contribute significantly to the way humans could handle complexity and urgency, that would be universally helpful.”27 Such an endeavor would address not just one of the world’s problems; it would give people the tools to take on any problem.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
Every year or so I like to take a step back and look at a few key advertising, marketing, and media facts just to gauge how far removed from reality we advertising experts have gotten. These data represent the latest numbers I could find. I have listed the sources below. So here we go -- 10 facts, direct from the real world: E-commerce in 2014 accounted for 6.5 percent of total retail sales. 96% of video viewing is currently done on a television. 4% is done on a web device. In Europe and the US, people would not care if 92% of brands disappeared. The rate of engagement among a brand's fans with a Facebook post is 7 in 10,000. For Twitter it is 3 in 10,000. Fewer than one standard banner ad in a thousand is clicked on. Over half the display ads paid for by marketers are unviewable. Less than 1% of retail buying is done on a mobile device. Only 44% of traffic on the web is human. One bot-net can generate 1 billion fraudulent digital ad impressions a day. Half of all U.S online advertising - $10 billion a year - may be lost to fraud. As regular readers know, one of our favorite sayings around The Ad Contrarian Social Club is a quote from Noble Prize winning physicist Richard Feynman, who wonderfully declared that “Science is the belief in the ignorance of experts.” I think these facts do a pretty good job of vindicating Feynman.
Bob Hoffman (Marketers Are From Mars, Consumers Are From New Jersey)
Oh God,was all Keeley could think. Oh God, get me out of here. When they swung through the stone pillars at Royal Meadows,she had to fight the urge to cheer. "I'm so glad our schedules finally clicked. Life gets much too demanding and complicated, doesn't it? There's nothing more relaxing than a quiet dinner for two." Any more relaxed, Keeley thought, and unconsciousness would claim her. "It was nice of you to ask me, Chad." She wondered how rude it would be to spring out of the car before it stopped, race to the house and do a little dance of relief on the front porch. Pretty rude,she decided.Okay, she'd skip the dance. "Drake and Pamela-you know the Larkens of course-are having a little soiree next Sunday evening.Why don't I pick you up at eightish?" It took her a minute to get over the fact he'd actually used the word soiree in a sentence. "I really can't Chad. I have a full day of lessons on Saturday. By the time it's done I'm not fit for socializing.But thanks." She slid her hand to the door handle, anticipating escape. "Keeyley,you can't let your little school eclipse so much of your life." Her and stiffened,and though she could see the lights of home, she turned her head and studied his perfect profile. One day,someone was going to refer to the academy as her little school, and she was going to be very rude.And rip their throat out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
My childhood dream came true, but now I have a new one. I dream that some of these young people, while they're out there clicking around, maybe they'll find out about this book and find a way to get their hands on it - and when they do, they'll know that even if you're a skinny kid from Long Island who's scared of heights, if you dream of walking among the stars you can do it. They'll know that finding a purpose, being dedicated to the service of others and to a calling higher than yourself, that is what's truly important in life. They'll be able to close their eyes and imagine what it's like in space, and when they open them again, they'll look up at the sun and the moon and the Milky Way and see them with the sense of awe and wonder that they deserve. And those young boys and girls, whatever their space dream is, they'll go for it. Whatever hurdles are in their way, they'll get past them. When they fall down, they'll get back up. They'll keep going and going, working harder and harder and running faster and faster until one day, before they know it, they'll find themselves flying through the air. The hand of a giant science fiction monster will reach down and grab them by the chest and hurl them up and up and up, out to the furthest limits of the human imagination, where they'll take the next giant leap of the greatest adventure mankind has ever known.
Mike Massimino (Spaceman: An Astronaut's Unlikely Journey to Unlock the Secrets of the Universe)
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun. "Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now." "Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne. "Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair." My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?" Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too. But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious." "Cautious?" "Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore." I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?" She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?" And it does.Which I hate. Clickclickclickclick. It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
and museums. Have you had your DNA sequenced? No?! What are you waiting for? Go and do it today. And convince your grandparents, parents and siblings to have their DNA sequenced too – their data is very valuable for you. And have you heard about these wearable biometric devices that measure your blood pressure and heart rate twenty-four hours a day? Good – so buy one of those, put it on and connect it to your smartphone. And while you are shopping, buy a mobile camera and microphone, record everything you do, and put in online. And allow Google and Facebook to read all your emails, monitor all your chats and messages, and keep a record of all your Likes and clicks. If you do all that, then the great algorithms of the Internet-of-All-Things will tell you whom to marry, which career to pursue and whether to start a war.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Monday ushers in a particularly impressive clientele of red-eyed people properly pressed into dry-cleaned suits in neutral tones. They leave their equally well-buttoned children idling in SUVs while dashing to grab double-Americanos and foamy sweet lattes, before click-clacking hasty escapes in ass-sculpting heels and polished loafers with bowl-shaped haircuts that age every face to 40. My imagination speed evolves their unfortunate offspring from car seat-strapped oxygen-starved fast-blooming locusts, to the knuckle-drag harried downtown troglodytes they’ll inevitably become. One by one I capture their flat-formed heads between index finger and thumb for a little crush-crush-crushing, ever aware that if I’m lucky one day their charitable contributions will fund my frown-faced found art project to baffle someone’s hallway.
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
For a moment, I thought I heard laughter, the click of one croquet ball striking another, a dog barking. I stared at the empty yard, trying hard to see what Great-grandfather saw, but nothing shifted, nothing changed. If the Tylers were playing croquet, they were visible to him and him alone. The only dog in sight was Binky. Running across the lawn to meet him, I took the stick he carried and threw it as hard as I could. It sailed across the sky, and Binky dashed after it. As the dog disappeared into the bushes, I looked up at the attic window and remembered the flash of white I’d seen the day I arrived--my first glimpse of Andrew. Funny to think I’d been scared. Nothing stirred in the attic now. No one watched, no one waited. Deep in my pocket, I touched the red bull’s-eye, warm as blood and twice as lucky. The marbles were mine for keeps. They were safe, and so was Andrew.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
The cook whistled in the kitchen. She heard the click of the typewriter. It was her life, and, bending her head over the hall table, she bowed beneath the influence, felt blessed and purified, saying to herself, as she took the pad with the telephone message on it, how moments like this are buds on the tree of life, flowers of darkness they are, she thought (as if some lovely rose had blossomed for her eyes only); not for a moment did she believe in God; but all the more, she thought, taking up the pad, must one repay in daily life to servants, yes, to dogs and canaries, above all to Richard her husband, who was the foundation of it—of the gay sounds, of the green lights, of the cook even whistling, for Mrs. Walker was Irish and whistled all day long—one must pay back from this secret deposit of exquisite moments, she thought, lifting the pad, while Lucy stood by her, trying to explain how
Virginia Woolf (Mrs. Dalloway)
You want to know who you really are?’ asks Dataism. ‘Then forget about mountains and museums. Have you had your DNA sequenced? No?! What are you waiting for? Go and do it today. And convince your grandparents, parents and siblings to have their DNA sequenced too – their data is very valuable for you. And have you heard about these wearable biometric devices that measure your blood pressure and heart rate twenty-four hours a day? Good – so buy one of those, put it on and connect it to your smartphone. And while you are shopping, buy a mobile camera and microphone, record everything you do, and put in online. And allow Google and Facebook to read all your emails, monitor all your chats and messages, and keep a record of all your Likes and clicks. If you do all that, then the great algorithms of the Internet-of-All-Things will tell you whom to marry, which career to pursue and whether to start a war.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Get started with the new, happy life you deserve by reading Be Happy! How to Stop Negative Thinking, Start Focusing on the Positive, and Create Your Happiness Mindset today by clicking here! The Stress-Free You: How to Live Stress-Free and Feel Great Every Day, Starting Today – Elizabeth O’Brien Stressors are everywhere. Each and every day, we run into situations that constantly test us, rob us of our patience, strip us of our sanity, impact our focus, and cause us to lose control of our days. Inside The Stres- Free You: How to Live Stress-Free and Feel Great Every Day, Starting Today is an easy-to-implement system which you can use today to knock out the stressors in your life one by one. You’ll also discover why a little stress is good for you and why your body becomes “overloaded” with chronic stress, how to assess your stress level and take definite action steps to tame the wild beast of stress, stress
Colleen Archer (The Power of the Positive - Achieve Fulfillment, Success, and Happiness Using Powerful, Positive Affirmations)
I don't care if you use this phone tomorrow. I don't care if you never use it again. But you are going to keep it on you because one day you might need it." Andrew put a finger to the underside of Neil's chin and forced Neil's head up until they were looking at each other. "On that day you're not going to run. You're going to think about what I promised you and you're going to make the call. Tell me you understand." Neil's voice had left him, but he managed a nod. Andrew let go and snapped his phone shut. Neil closed his own with a quiet click. After looking down at it for another endless minute, he leaned over and put it in his messenger bag. Andrew watched with hooded eyes until Neil sat upright. Neil didn't want to look at him when he wasn't sure he'd gotten his expression back under control, but he couldn't help it. Andrew considered him a minute longer, then sighed and straightened out of Neil's space.
Nora Sakavic (The Raven King (All for the Game, #2))
One bitcoin block is expected to be produced around every ten minutes. Every 210,000 blocks, or roughly four years, the protocol halves the number of coins produced with each block. This means that the daily bitcoin production on any given day is half of what it was four years earlier. Four more years of successful operation will likely increase people’s awareness of bitcoin and increase the chances they place on its continued survival, thus increasing their subjective valuation and demand for it. So as long as bitcoin continues to operate, and its supply drops by half every four years, it is highly likely that marginal demand for it will be higher, and the marginal supply lower, than four years previously. This monetary time bomb keeps clicking with each new block, and it is time for economists to begin to seriously contemplate what its continued clicking means for the world’s monetary and financial system.
Saifedean Ammous (The Fiat Standard: The Debt Slavery Alternative to Human Civilization)
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?” Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously. Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.” Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.” It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.” “Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.” “No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!” Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?” Elizabeth nodded. “There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?” “Yes,” Elizabeth said. “I give you my word.” She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder. Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.” “He ought to be shot!” Bentner said with blazing contempt. Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
Judith McNaught (Almost Heaven (Sequels, #3))
The nurse brought out some knitting, and clicked her needles sharply. She turned to me, very bright, very cheerful. “How are you liking Manderley, Mrs. de Winter?” “Very much, thank you,” I said. “It’s a beautiful spot, isn’t it?” she said, the needles jabbing one another. “Of course we don’t get over there now, she’s not up to it. I am sorry, I used to love our days at Manderley.” “You must come over yourself sometime,” I said. “Thank you, I should love to. Mr. de Winter is well, I suppose?” “Yes, very well.” “You spent your honeymoon in Italy, didn’t you? We were so pleased with the picture-postcard Mr. de Winter sent.” I wondered whether she used “we” in the royal sense, or if she meant that Maxim’s grandmother and herself were one. “Did he send one? I can’t remember.” “Oh, yes, it was quite an excitement. We love anything like that. We keep a scrapbook you know, and paste anything to do with the family inside it. Anything pleasant, that is.
Daphne du Maurier (Rebecca)
Every time a human walks out of a room, something with more feet walks in. For every job a human holds, there is a mouse with the same job and doing it better. You don't see a cat that shocked every day of the week. Even her whiskers looked scandalized. Time you saw a bit of the world, if you're to find your place in it, the horse said. Nobody ever learned who he was by staying in the stable. He was the picture of skepticism. Also pomposity. He was so noble a figure that I could scarcely look at him full on. Every bit of his bearing was living proof of the grandeur mice can rise to. British mice. Of course they would be foreign, being bats. Romanian, Transylvanian, Something. The Belgians followed in a great mob. And hard on their heels the Spanish, their claws clicking like castanets across the marble. Then the Russians in all their barbaric splendor. Romanov rodents in caterpillar-fur caps. Even one of the Gorgonzola princes from Italy, looking very blue-veined.
Richard Peck (The Mouse with the Question Mark Tail)
Here are some practical Dataist guidelines for you: ‘You want to know who you really are?’ asks Dataism. ‘Then forget about mountains and museums. Have you had your DNA sequenced? No?! What are you waiting for? Go and do it today. And convince your grandparents, parents and siblings to have their DNA sequenced too – their data is very valuable for you. And have you heard about these wearable biometric devices that measure your blood pressure and heart rate twenty-four hours a day? Good – so buy one of those, put it on and connect it to your smartphone. And while you are shopping, buy a mobile camera and microphone, record everything you do, and put in online. And allow Google and Facebook to read all your emails, monitor all your chats and messages, and keep a record of all your Likes and clicks. If you do all that, then the great algorithms of the Internet-of-All-Things will tell you whom to marry, which career to pursue and whether to start a war.’ But where do these great algorithms come from? This is the mystery of Dataism. Just as according to Christianity we humans cannot understand God and His plan, so Dataism declares that the human brain cannot fathom the new master algorithms. At present, of course, the algorithms are mostly written by human hackers. Yet the really important algorithms – such as the Google search algorithm – are developed by huge teams. Each member understands just one part of the puzzle, and nobody really understands the algorithm as a whole. Moreover, with the rise of machine learning and artificial neural networks, more and more algorithms evolve independently, improving themselves and learning from their own mistakes. They analyse astronomical amounts of data that no human can possibly encompass, and learn to recognise patterns and adopt strategies that escape the human mind. The seed algorithm may initially be developed by humans, but as it grows it follows its own path, going where no human has gone before – and where no human can follow.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
I'll always remember a certain radio exchange that occurred one day as Walt and I were screaming across southern California 13 miles high. We were monitoring various radio transmissions from other aircraft as we entered Los Angeles Center's airspace. Though they didn't really control us, they did monitor our movement across their scope. I heard a Cessna ask for a readout of its groundspeed. "90 knots," Center replied. Moments later a Twin Beech required the same. "120 knots," Center answered. We weren't the only one proud of our speed that day as almost instantly an F-18 smugly transmitted, "Ah, Center, Dusty 52 requests groundspeed readout." There was a slight pause. "525 knots on the ground, Dusty." Another silent pause. As I was thinking to myself how ripe a situation this was, I heard the familiar click of a radio transmission coming from my back-seater. It was at that precise moment I realized Walt and I had become a real crew, for we were both thinking in unison. "Center, Aspen 20, you got a ground speed readout for us?" There was a longer than normal pause. "Aspen, I show one thousand seven hundred and forty-two knots." No further inquiries were heard on that frequency.
Brian Shul (Sled Driver: Flying the World's Fastest Jet)
We are experiencing an explosion of new products and services vying to help us make effort pacts with our digital devices. Whenever I write on my laptop, for instance, I click on the SelfControl app, which blocks my access to a host of distracting websites like Facebook and Reddit, as well as my email account. I can set it to block these sites for as much time as I need, typically in forty-five-minute to one-hour increments. Another app called Freedom is a bit more sophisticated and blocks potential distractions not only on my computer but also on mobile devices. Forest, perhaps my favorite distraction-proofing app, is one I find myself using nearly every day. Every time I want to make an effort pact with myself to avoid getting distracted on my phone, I open the Forest app and set my desired length of phone-free time. As soon as I hit a button marked Plant, a tiny seedling appears on the screen and a timer starts counting down. If I attempt to switch tasks on my phone before the timer runs out, my virtual tree dies. The thought of killing the little virtual tree adds just enough extra effort to discourage me from tapping out of the app—a visible reminder of the pact I’ve made with myself.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.
Frank H. Wu (Yellow)
whom had long gone to bed. By now the tears that had coursed down his ever-sun-tanned cheeks had gone . . . The question is: What made Charles weep such bitter tears? Sorrow, naturally . . . Shock and nostalgia also at what he had seen, standing there beside an electric fan which made a breeze that lifted the fringe of the dead Princess’s hair. And guilt . . . No one has ever seen him racked with such a sense of frustration and confusion as yesterday. He was distraught, and entirely drained, seeking answers to the unanswerable.’ The first sign of life from Balmoral came on Thursday, the day the Daily Mirror shouted, ‘Your subjects are suffering, speak to us Ma’am’. That day the Union flag was hoisted to half mast over Buckingham Palace – for the first time ever – and the family emerged from the gates of Balmoral. The children had said they would like to go to church again, so Charles took the opportunity to give them a taste of what awaited. The Queen, the Duke of Edinburgh, the Prince of Wales, William, Harry and their cousin Peter Phillips all got out of their cars to look at the messages and floral tributes that had been left there. About sixty members of the public were there, as were some photographers, and apart from the noise of their camera shutters clicking there
Penny Junor (The Duchess: The Untold Story)
We had heard rumours of what people referred to as a ‘phantom accounting system’, also called zappers and phantom ware. This phenomenon was unheard of in South Africa at the time. The more formal term used to describe this kind of criminal financial-management software is a ‘sales-suppression system’. The Organisation for Economic Cooperation and Development (OECD), in which South Africa has observer status, issued a guide on these systems in 2013.10 On the surface, the technology seems like a supposedly normal accounting system, used mainly by retailers. It has all the expected features: it records stock, sales, invoices, receipts and taxes. It can print daily, weekly and monthly accounting records. Yet the software has a feature that can blank out certain sales and receipts. You can set it to suppress, for instance, every fourth sale, or random sales of a particular value, whichever you prefer. The effect is that, on paper, your stock, sales and receipts would balance for tax purposes. All you would have to do is click on a secret place on the screen, or type a particular code on the keyboard, and the unrecorded sales and receipts would reflect. One would then be able to take this money out of the company’s takings for the day, week or month, and people would be none the wiser.
Johann van Loggerenberg (Rogue: The Inside Story of SARS's Elite Crime-busting Unit)
I’m sorry,' [Marty] said unexpectedly. “Huh?” “That we never got to perform that duet together. Don’t you remember? For the Spring Concert?” “Oh, yeah. What was that song we were going to sing?” I asked. She placed her right hand on her hip and mock-pouted at me. “James Garraty, don’t tell me you forgot.” I gave her an impish who, me look. When she smiled, I said in a more serious tone: “‘Somewhere,’ from West Side Story.” I hummed the song’s first measure; it sounded a half-octave off key. Marty frowned. “You haven’t practiced lately,” she said disapprovingly. “No, I haven’t,” I said, and as I said it waves of melancholy washed over me like a cold dark tide. Marty saw my expression change; she walked up to me and placed her arm around my shoulder comfortingly. “I know,” she said softly, “how much you were looking forward to it, Jim. I was looking forward to singing that duet with you, too.” “Really?” I asked. “Really. You’re a terrific singer. Who wouldn’t want to sing a duet with you?” “I bet,” I said, “you say that to all the boys.” She laughed. My heart jumped as it usually did when she laughed. A thought clicked in my brain: What was it I’d written just a while ago? You are the one person who has the ability to brighten up a sour day. You have always managed to make me return a smile to someone else.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
I became expert at making myself invisible. I could linger two hours over a coffee, four over a meal, and hardly be noticed by the waitress. Though the janitors in Commons rousted me every night at closing time, I doubt they ever realized they spoke to the same boy twice. Sunday afternoons, my cloak of invisibility around my shoulders, I would sit in the infirmary for sometimes six hours at a time, placidly reading copies of Yankee magazine ('Clamming on Cuttyhunk') or Reader's Digest (Ten Ways to Help That Aching Back!'), my presence unremarked by receptionist, physician, and fellow sufferer alike. But, like the Invisible Man in H. G. Wells, I discovered that my gift had its price, which took the form of, in my case as in his, a sort of mental darkness. It seemed that people failed to meet my eye, made as if to walk through me; my superstitions began to transform themselves into something like mania. I became convinced that it was only a matter of time before one of the rickety iron steps that led to my room gave and I would fall and break my neck or, worse, a leg; I'd freeze or starve before Leo would assist me. Because one day, when I'd climbed the stairs successfully and without fear, I'd had an old Brian Eno song running through my head ('In New Delhi, 'And Hong Kong,' They all know that it won't be long...'), I now had to sing it to myself each trip up or down the stairs. And each time I crossed the footbridge over the river, twice a day, I had to stop and scoop around in the coffee-colored snow at the road's edge until I found a decent-sized rock. I would then lean over the icy railing and drop it into the rapid current that bubbled over the speckled dinosaur eggs of granite which made up its bed - a gift to the river-god, maybe, for safe crossing, or perhaps some attempt to prove to it that I, though invisible, did exist. The water ran so shallow and clear in places that sometimes I heard the dropped stone click as it hit the bed. Both hands on the icy rail, staring down at the water as it dashed white against the boulders, boiled thinly over the polished stones, I wondered what it would be like to fall and break my head open on one of those bright rocks: a wicked crack, a sudden limpness, then veins of red marbling the glassy water. If I threw myself off, I thought, who would find me in all that white silence? Might the river beat me downstream over the rocks until it spat me out in the quiet waters, down behind the dye factory, where some lady would catch me in the beam of her headlights when she pulled out of the parking lot at five in the afternoon? Or would I, like the pieces of Leo's mandolin, lodge stubbornly in some quiet place behind a boulder and wait, my clothes washing about me, for spring?
Donna Tartt (The Secret History)
more than anything.” He turned to Jean Louise. “Seven-thirty tonight and no Landing. We’ll go to the show.” “Okay. Where’re you all going?” “Courthouse. Meeting.” “On Sunday?” “Yep.” “That’s right, I keep forgetting all the politicking’s done on Sunday in these parts.” Atticus called for Henry to come on. “Bye, baby,” he said. Jean Louise followed him into the livingroom. When the front door slammed behind her father and Henry, she went to her father’s chair to tidy up the papers he had left on the floor beside it. She picked them up, arranged them in sectional order, and put them on the sofa in a neat pile. She crossed the room again to straighten the stack of books on his lamp table, and was doing so when a pamphlet the size of a business envelope caught her eye. On its cover was a drawing of an anthropophagous Negro; above the drawing was printed The Black Plague. Its author was somebody with several academic degrees after his name. She opened the pamphlet, sat down in her father’s chair, and began reading. When she had finished, she took the pamphlet by one of its corners, held it like she would hold a dead rat by the tail, and walked into the kitchen. She held the pamphlet in front of her aunt. “What is this thing?” she said. Alexandra looked over her glasses at it. “Something of your father’s.” Jean Louise stepped on the garbage can trigger and threw the pamphlet in. “Don’t do that,” said Alexandra. “They’re hard to come by these days.” Jean Louise opened her mouth, shut it, and opened it again. “Aunty, have you read that thing? Do you know what’s in it?” “Certainly.” If Alexandra had uttered an obscenity in her face, Jean Louise would have been less surprised. “You—Aunty, do you know the stuff in that thing makes Dr. Goebbels look like a naive little country boy?” “I don’t know what you’re talking about, Jean Louise. There are a lot of truths in that book.” “Yes indeedy,” said Jean Louise wryly. “I especially liked the part where the Negroes, bless their hearts, couldn’t help being inferior to the white race because their skulls are thicker and their brain-pans shallower—whatever that means—so we must all be very kind to them and not let them do anything to hurt themselves and keep them in their places. Good God, Aunty—” Alexandra was ramrod straight. “Well?” she said. Jean Louise said, “It’s just that I never knew you went in for salacious reading material, Aunty.” Her aunt was silent, and Jean Louise continued: “I was real impressed with the parable where since the dawn of history the rulers of the world have always been white, except Genghis Khan or somebody—the author was real fair about that—and he made a killin’ point about even the Pharaohs were white and their subjects were either black or Jews—” “That’s true, isn’t it?” “Sure, but what’s that got to do with the case?” When Jean Louise felt apprehensive, expectant, or on edge, especially when confronting her aunt, her brain clicked to the meter of Gilbertian tomfoolery. Three sprightly figures
Harper Lee (Go Set a Watchman)
Therefore we are always confident and know that as long as we are at home in the body we are away from the Lord. For we live by faith, not by sight. —2 Corinthians 5:6–7 (NIV) I was clicking though my usual Monday morning e-mail glut when I noticed in the reflection of the monitor that I’d missed a spot shaving. Now I was beating myself up about being so careless and felt like the Wolfman himself, transmogrifying from human to beast. I recalled that somewhere deep in the recesses of one of my drawers was a razor. A second later I was ransacking my desk in search of it. That’s when Carlos walked in, a gentleman who shows up once a week with his watering can to check on our office foliage. “What are you looking for?” he asked. “Nothing, really,” I muttered. “You are looking awfully hard for nothing,” he said. His watering can gurgled as he attended to one of my philodendrons. “I’m trying to find a razor. I missed a spot shaving this morning.” “Stubble is fashionable on men these days,” he said. “I look like the Wolfman.” “Maybe people will appreciate what a good job you did on the rest of your face.” I turned from my rummaging and shot Carlos a look. He was laughing, his face crinkled up with mirth. All of a sudden I was laughing too. “Don’t take yourself so seriously, Mr. Edward. It’s only Monday. You have the whole week ahead of you!” Then Carlos and his watering can were off to the next office. He was right: A whole week lay ahead—a good week, if I wanted it to be. Lord, it’s me again, Mr. Edward. Thank You for Carlos and beard stubble and gurgling watering cans and thirsty philodendrons and all the other stray blessings You bestow upon this too often insecure soul. —Edward Grinnan Digging Deeper: Ps 118:24; Mt 6:11
Guideposts (Daily Guideposts 2014)
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
Josh Kilmer-Purcell (I Am Not Myself These Days)
What is WordPress? WordPress is an online, open source website creation tool written in PHP. But in non-geek speak, it’s probably the easiest and most powerful blogging and website content management system (or CMS) in existence today. Many famous blogs, news outlets, music sites, Fortune 500 companies and celebrities are using WordPress. WordPress is web software you can use to create a beautiful website, blog, or app. We like to say that WordPress is both free and priceless at the same time. There are thousands of plugins and themes available to transform your site into almost anything you can imagine. WordPress started in 2003 with a single bit of code to enhance the typography of everyday writing and with fewer users than you can count on your fingers and toes. Since then it has grown to be the largest self-hosted blogging tool in the world, used on millions of sites and seen by tens of millions of people every day. You can download and install a software script called WordPress from wordpress.org. To do this you need a web host who meets the minimum requirements and a little time. WordPress is completely customizable and can be used for almost anything. There is also a servicecalled WordPress.com. WordPress users may install and switch between different themes. Themes allow users to change the look and functionality of a WordPress website and they can be installed without altering the content or health of the site. Every WordPress website requires at least one theme to be present and every theme should be designed using WordPress standards with structured PHP, valid HTML and Cascading Style Sheets (CSS). Themes: WordPress is definitely the world’s most popular CMS. The script is in its roots more of a blog than a typical CMS. For a while now it’s been modernized and it got thousands of plugins, what made it more CMS-like. WordPress does not require PHP nor HTML knowledge unlinke Drupal, Joomla or Typo3. A preinstalled plugin and template function allows them to be installed very easily. All you need to do is to choose a plugin or a template and click on it to install. It’s good choice for beginners. Plugins: WordPress’s plugin architecture allows users to extend the features and functionality of a website or blog. WordPress has over 40,501 plugins available. Each of which offers custom functions and features enabling users to tailor their sites to their specific needs. WordPress menu management has extended functionalities that can be modified to include categories, pages, etc. If you like this post then please share and like this post. To learn more About website design in wordpress You can visit @ tririd.com Call us @ 8980010210
ellen crichton
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Toon Blast Cheats Unlimited Coins Lives Guide
At one in the morning on the 20th. November, radio hams over most of Europe suffered serious interference to their reception, as if a new and exceptionally strong broadcaster was operating. They located the interference at two hundred and three metres; it sounded something like the noise of machinery or rushing water; then the continuous, unchanging noise was suddenly interrupted by a horrible, rasping noise (everyone described it in the same way: a hollow, nasal, almost synthetic sounding voice, made all the more so by the electronic apparatus); and this frog-like voice called excitedly, "Hello, hello, hello! Chief Salamander speaking. Hello, chief Salamander speaking. Stop all broadcasting, you men! Stop your broadcasting! Hello, Chief Salamander speaking!" And then another, strangely hollow voice asked: "Ready?" "Ready." There was a click as if the broadcast were being transferred to another speaker; and then another, unnaturally staccato voice called: "Attention! Attention! Attention!" "Hello!" "Now!" A voice was heard in the quiet of the night; it was rasping and tired-sounding but still had the air of authority. "Hello you people! This is Louisiana. This is Kiangsu. This is Senegambia. We regret the loss of human life. We have no wish to cause you unnecessary harm. We wish only that you evacuate those areas of coast which we will notify you of in advance. If you do as we say you will avoid anything regrettable. In future we will give you at least fourteen days notice of the places where we wish to extend our sea. Incidents so far have been no more than technical experiments. Your explosives have proved their worth. Thank you for them. "Hello you people! Remain calm. We wish you no harm. We merely need more water, more coastline, more shallows in which to live. There are too many of us. Your coastlines are already too limited for our needs. For this reason we need to demolish your continents. We will convert them into bays and islands. In this way, the length of coastline can be increased five-fold. We will construct new shallows. We cannot live in deep ocean. We will need your continents as materials to fill in the deep waters. We wish you no harm, but there are too many of us. You will be free to migrate inland. You will not be prevented from fleeing to the hills. The hills will be the last to be demolished. "We are here because you wanted us. You have distributed us over the entire world. Now you have us. We wish that you collaborate with us. You will provide us with steel for our picks and drills. you will provide us with explosives. You will provide us with torpedoes. You will work for us. Without you we will not be able to remove the old continents. Hello you people, Chief Salamander, in the name of all newts everywhere, offers collaboration with you. You will collaborate with us in the demolition of your world. Thank you." The tired, rasping voice became silent, and all that was heard was the constant noise resembling machinery or the sea. "Hello, hello, you people," the grating voice began again, "we will now entertain you with music from your gramophone records. Here, for your pleasure, is the March of the Tritons from the film, Poseidon.
Karel Čapek (War with the Newts)
The other day I saw my girl walking with some other man They were walking and giggling and having a time And I saw she was holding his hand! I stood back and spied, my eyes filled with tears As I watched this foul display Some overly cheerful bleep with legs Was taking my baby away! As I spied over Dumpsters with feelings of hate I saw them in a close embrace! Now I’m broken-hearted ‘Cause before they parted, I saw her kiss his face. That ended my garbage-can espionage I thought I had seen quite enough I decided to confront that devilish girl Who I had once called my true love. So I typed up an e-mail to that wicked female And gave her a piece of my mind. But I won’t say what I said, in case there’s kids present But I will say my words were unkind. I said it was the end, and right when I clicked send I heard my telephone ring. I picked up the receiver and couldn’t believe her It was my little ex...thing. She said “Sorry babe that I haven’t seen you all day But my older brother’s in town! Did I ever tell you that he is a boxer And one of the biggest around?! “He’d like to meet you but he’s quite protective So behave whatever you do, I’ll just check my e-mail and then we’ll come by And...oh look! Here’s an e-mail from you.
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
We need to learn to give God time to sort out our circumstances. No one is suggesting that God is not concerned about your difficulties. It's just that he won't panic, just because you are in a panic. Don't get angry because God is not moving within your time scale. Don't presume that God does not love you, simply because he did not click his fingers and change your circumstances over night. Recognise that God has your best interests at heart, and his ways are above your ways. Recognise that God is trying to use bad circumstances for your good. Recognise that God can take your circumstances, and teach you things like patience and long suffering. Give God time to turn your circumstances around to benefit your future.
Christopher Roberts (365 Days With God: A Daily Devotional)
I don’t take kindly to any of you shanty boys touching me,” she said. “So unless I give you permission, from now on, you’d best keep your hands off me.” With the last word, she lifted her boot and brought the heel down on Jimmy’s toes. She ground it hard. Like most of the other shanty boys, at the end of a day out in the snow, he’d taken off his wet boots and layers of damp wool socks to let them dry overnight before donning them again for the next day’s work. Jimmy cursed, but before he could move, she brought her boot down on his other foot with a smack that rivaled a gun crack. This time he howled. And with an angry curse, he shoved her hard, sending her sprawling forward. She flailed her arms in a futile effort to steady herself and instead found herself falling against Connell McCormick. His arms encircled her, but the momentum of her body caused him to lose his balance. He stumbled backward. “Whoa! Hold steady!” Her skirt and legs tangled with his, and they careened toward the rows of dirty damp socks hanging in front of the fireplace. The makeshift clotheslines caught them and for a moment slowed their tumble. But against their full weight, the ropes jerked loose from the nails holding them to the beams. In an instant, Lily found herself falling. She twisted and turned among the clotheslines but realized that her thrashing was only lassoing her against Connell. In the downward tumble, Connell slammed into a chair near the fireplace. Amidst the tangle of limbs and ropes, she was helpless to do anything but drop into his lap. With a thud, she landed against him. Several socks hung from his head and covered his face. Dirty socks covered her shoulders and head too. Their stale rotten stench swarmed around her. And for a moment she was conscious only of the fact that she was near to gagging from the odor. She tried to lift a hand to move the sock hanging over one of her eyes but found that her arms were pinned to her sides. She tilted her head and then blew sideways at the crusty, yellowed linen. But it wouldn’t budge. Again she shook her head—this time more emphatically. Still the offending article wouldn’t fall away. Through the wig of socks covering Connell’s head, she could see one of his eyes peeking at her, watching her antics. The corner of his lips twitched with the hint of a smile. She could only imagine what she looked like. If it was anything like him, she must look comical. As he cocked his head and blew at one of his socks, she couldn’t keep from smiling at the picture they both made, helplessly drenched in dirty socks, trying to remove them with nothing but their breath. “Welcome to Harrison.” His grin broke free. “You know how to make a girl feel right at home.” She wanted to laugh. But as he straightened himself in the chair, she became at once conscious of the fact that she was sitting directly in his lap and that the other men in the room were hooting and calling out over her intimate predicament. She scrambled to move off him. But the ropes had tangled them together, and her efforts only caused her to fall against him again. She was not normally a blushing woman, but the growing indecency of her situation was enough to chase away any humor she may have found in the situation and make a chaste woman like herself squirm with embarrassment. “I’d appreciate your help,” she said, struggling again to pull her arms free of the rope. “Or do all you oafs make a sport of manhandling women?” “All you oafs?” His grin widened. “Are you insinuating that I’m an oaf?” “What in the hairy hound is going on here?” She jumped at the boom of Oren’s voice and the slam of the door. The room turned quiet enough to hear the click-click of Oren pulling down the lever of his rifle. She glanced over her shoulder to the older man, to the fierceness of his drawn eyebrows and the deadly anger in his eyes as he took in her predicament.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
day, the trigger was an older woman with deep wrinkles. To this day, I cannot be certain about what caused her to react so strongly. Perhaps she had used up her patience simmering in the sun for hours at the back of the line. Perhaps she had some desperately hungry grandchildren who she needed to get back to. It is impossible to know exactly what happened. But after she received her allocation of wheat, she broke the established rules of the feeding site and moved toward Bubba. She looked up at him and unleashed a verbal attack. Bubba, as gentle as ever, simply smiled at her. The more he smiled, the angrier she got. I noticed the commotion when our Somali guards suddenly tensed and turned toward the disturbance. All I could see was Bubba, head and shoulders above a gathering crowd, seemingly unperturbed, and smiling down at someone. His patient response only fueled the woman’s rage. I heard her sound of fury long before I spotted the source when she launched a long stream of vile curses at Bubba. Thankfully, he didn’t understand a word that she was saying. It was now possible to understand her complaint. She was upset about the quality of the “animal feed” that was being distributed for human consumption. She was probably right in her assessment of the food. These were surplus agricultural products that United Nations contributing members didn’t want, couldn’t sell, and had no other use for. As this hulking American continued to smile, the woman realized that she was not communicating. Now, furious and frustrated, she bent down, set her plastic bag on the ground, grabbed two fistfuls of dirty, broken wheat, grain dust, dirt and chaff. She straightened to her full height and flung the filthy mixture as hard as she could into Bubba’s face. The crowd was deathly silent as I heard a series of loud metallic clicks that indicated that an entire squad of American soldiers had instinctively locked and loaded all weapons in readiness for whatever might happen next. Everything felt frozen in time as everyone waited and watched for Bubba’s reaction. A Somali man might have beaten the woman for such a public insult—and he would have considered his action and his anger entirely justified. I knew that Bubba had traveled half-way around the world at his own expense to spend three months of personal vacation time to help hurting people. And this was the thanks that he received? He was hot, sweaty, and drained beyond exhaustion—and he had just been publicly embarrassed. He had every reason to be absolutely livid. Instead, he raised one hand to rub the grit out of his eyes, and then he gave the woman one more big smile. At that point, he began to sing. And what he sang wasn’t just any song. She didn’t understand the words, of course. But she, and the entire crowd, stood in silent amazement as Bubba belted out the words to the 1950’s Elvis Presley rock-n-roll classic: You ain’t nothin’ but a hound dog Cryin’ all the time You ain’t nothin’ but a hound dog Cryin’ all the time Well, you ain’t never caught a rabbit And you ain’t no friend of mine. By the time he started singing the next verse, the old woman had turned and stomped off in frustration, angrily plowing a path through the now-smiling crowd of Somalis to make her escape. Watching her go, Bubba raised his voice to send her off with rousing rendition of the final verse: Well they said you was high-classed Well, that was just a lie Ya know they said you was high-classed Well, that was just a lie Well, you ain’t never caught a rabbit And you ain’t no friend of mine.
Nik Ripken (The Insanity of God: A True Story of Faith Resurrected)
Trust in the Lord with all your heart and lean not on your own understanding. —Proverbs 3:5 (NIV) LEARNING TO TRUST I clicked my pen against the couch cushion and stared at my husband, waiting for him to respond. So far, the notebook on my lap was empty. “I don’t know,” Ryan finally said. I sighed. Earlier that day, we had officially decided to send out support letters for our adoption. We were sitting in our living room, attempting to make a list of people to whom we should send them. We weren’t sure if many of our aunts and uncles and cousins would understand our heart for the orphan. We had already run into our fair share of interesting reactions when we announced our intention to adopt. Family members didn’t understand why we would take this emotional and financial risk to travel to a war-torn country, just so we could bring some kid we don’t know into our home. Some of them looked at us like we were crazy. Our worries reached their peak, so we put down the notebook and did what we should have done in the beginning. We prayed. And afterward, when we said our amens, Ryan looked at me. “God can work in any heart—even the ones we think are unlikely.” That afternoon, we sent out the letters to everyone. Forgive me, Lord, for all the times I’ve let my fear and doubt limit Your power. Help me to be faithful with what I can control and trust You with the rest. —Katie Ganshert Digging Deeper: Jo 1:9; Ps 56:3–4; 2 Tm 1:7
Guideposts (Daily Guideposts 2014)
Several days later Murray asked me about a tourist attraction known as the most photographed barn in America. We drove twenty-two miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the signs started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were forty cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides--pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced at once by others. "We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. This literally colors our vision. A religious experience in a way, like all tourism." Another silence ensued. "They are taking pictures of taking pictures," he said. 13 He did not speak for a while. We listened to the incessant clicking of shutter release buttons, the rustling crank of levers that advanced the film. "What was the barn like before it was photographed?" he said. "What did it look like, how was it different from other barns, how was it similar to other barns? We can't answer these questions because we've read the. signs, seen the people snapping the pictures. We can't get outside the aura. We're part of the aura. We're here, we're now." He seemed immensely pleased by this.
Don DeLillo
Posts that get the most Number of Repins have the following Features: They are related to trending topics and so have a ninety four percent more chance of being clicked on and then repinned. They have multiple colors and get repinned at a faster pace than pins with a single dominant color. Medium light pins get pinned twenty times more frequently than dark images. It is better to stay natural than pin too light or too dark images. Smooth texture images are repinned seventeen more times than those images that have a rough texture. Images with fifty percent color saturation receive ten percent more repins as compared to those that are de-saturated. Images with a less than ten percent background are able to get two to four more repins than images that have more than forty percent of white space. The winning combination is red, brown and orange. Blue is beaten by red so these images receive two times the number of repins that the blue ones receive. Images without faces receive twenty five percent more repins. On Pinterest, only twenty percent of the whole number of images features faces.
Lucas Jones (How To Make $100 A Day Using Pinterest: Simple Step By Step Methods People Use Everyday To Profit On Pinterest)
Bizarre and Surprising Insights—Consumer Behavior Insight Organization Suggested Explanation7 Guys literally drool over sports cars. Male college student subjects produce measurably more saliva when presented with images of sports cars or money. Northwestern University Kellogg School of Management Consumer impulses are physiological cousins of hunger. If you buy diapers, you are more likely to also buy beer. A pharmacy chain found this across 90 days of evening shopping across dozens of outlets (urban myth to some, but based on reported results). Osco Drug Daddy needs a beer. Dolls and candy bars. Sixty percent of customers who buy a Barbie doll buy one of three types of candy bars. Walmart Kids come along for errands. Pop-Tarts before a hurricane. Prehurricane, Strawberry Pop-Tart sales increased about sevenfold. Walmart In preparation before an act of nature, people stock up on comfort or nonperishable foods. Staplers reveal hires. The purchase of a stapler often accompanies the purchase of paper, waste baskets, scissors, paper clips, folders, and so on. A large retailer Stapler purchases are often a part of a complete office kit for a new employee. Higher crime, more Uber rides. In San Francisco, the areas with the most prostitution, alcohol, theft, and burglary are most positively correlated with Uber trips. Uber “We hypothesized that crime should be a proxy for nonresidential population.…Uber riders are not causing more crime. Right, guys?” Mac users book more expensive hotels. Orbitz users on an Apple Mac spend up to 30 percent more than Windows users when booking a hotel reservation. Orbitz applies this insight, altering displayed options according to your operating system. Orbitz Macs are often more expensive than Windows computers, so Mac users may on average have greater financial resources. Your inclination to buy varies by time of day. For retail websites, the peak is 8:00 PM; for dating, late at night; for finance, around 1:00 PM; for travel, just after 10:00 AM. This is not the amount of website traffic, but the propensity to buy of those who are already on the website. Survey of websites The impetus to complete certain kinds of transactions is higher during certain times of day. Your e-mail address reveals your level of commitment. Customers who register for a free account with an Earthlink.com e-mail address are almost five times more likely to convert to a paid, premium-level membership than those with a Hotmail.com e-mail address. An online dating website Disclosing permanent or primary e-mail accounts reveals a longer-term intention. Banner ads affect you more than you think. Although you may feel you've learned to ignore them, people who see a merchant's banner ad are 61 percent more likely to subsequently perform a related search, and this drives a 249 percent increase in clicks on the merchant's paid textual ads in the search results. Yahoo! Advertising exerts a subconscious effect. Companies win by not prompting customers to think. Contacting actively engaged customers can backfire—direct mailing financial service customers who have already opened several accounts decreases the chances they will open more accounts (more details in Chapter 7).
Eric Siegel (Predictive Analytics: The Power to Predict Who Will Click, Buy, Lie, or Die)
Lazesoft Recover home addition: In this inter connected world of information and communication technology.  It is a must that we need to use different email address and passwords associated to those accounts separately. We give a lot of time and attention to manage them all. Because they are the easiest way to communication these days. Nowadays its very common that most of us do have more than one email address in order to use them indifferent purposes. You cannot use the same password so that all the accounts might not get hacked at the same time. That’s an important and not easy task to handle for many of us. In case of it comes to computers with Windows 8 operating system, we have to use different user accounts like Administrator account, guest account, and so on. So, here is also a race for memorizing the passwords associated to all those accounts. Occasionally, we face the problem accessing into our own personal user account and we cannot afford reinstalling the operating system in fear of losing all of our valuable data stored on behalf of that account. If you still can remember the Administrator account’s password then you have the option to reset the other accounts password through the Administrator account. But if the case is not the one we are expecting, I mean you have forgotten the administrative account’s password, and then the Lazesoft Recover home addition software is there to help you get rid of this unwanted problem. Here I am telling you step by step how to do that: Step 1: Download and burn the CD into your USB flash drive or thumb drive from   another computer. Step 2: Insert the flash drive into the target computer and restart the computer. Step 3: up on restart you will see a dialogue box in DOS window. From there, select Mini windows XP and press Enter key. Step 4: After the live CD boots into windows XP, then open the DB CD menu desktop item. Then go into programs menu bar, then select password and keys and then click on windows log on. After that click on NTPW edit. Step 5: you will see a new dialogue box from there you need to locate the path of SAM file. The SAM file will show all the user account available into the computer and from there you need to the account of which you want to reset the password. Step 6: Once you clicked on the account name a dialogue window will open up saying set your password. You can do two things there, a) you can leave the fields blank, therefore the windows will load directly or b) you can set a new password for the account. And then click on the save changes button. Step 7: exit the program and reboot the system removing the USB flash drive. And the windows will boot directly to the windows desktop. Windows password rescuer advance: The password rescuer advance is also a similar type of software for recovering you windows password. It also requires using a USB flash drive. At first you need to purchase and download the software from the internet page
Stephan Jones (Password Recovery: Unlocking Computer For Windows 8, Windows 7, Windows Vista, Windows XP, Unlock ZIP & RAR Unlock Password In 30 Minutes!)
…Who through faith…whose weakness was turned to strength…. —Hebrews 11:33–34 (NIV) I probably shouldn’t have checked my computer one last time after a very tiring day. One click and I was staring in disbelief at an e-mail from our church prayer planning committee leader with more than one hundred prayer requests attached! The petitions had been gathered at our Ash Wednesday service, and no one thought about who was going to pray for them once they were placed on the altar. Although we weren’t an intercessory prayer group (we plan prayer events), our committee was elected! I was even more overwhelmed when I glanced at the list: chemotherapy, job losses, marriages falling apart, the death of young adults, anger issues, serious child behavior problems… I felt absolutely unable—and unwilling—to tackle the job. So instead of praying, I escaped to the laundry room to take the clothes out of the dryer. As I vigorously shook out a shirt, this thought came to mind: Here you are thinking it’s impossible to pray for one hundred requests. God not only hears billions of requests an hour, He also follows through and acts on them. I printed out the requests and put them by the chair where I do my morning prayers, and each morning I prayed for ten of them until I finally finished all of them. Dear Creator of the universe, help me to say yes to the spiritual tasks You assign me even when I feel unequal to the task. Amen. —Karen Barber Digging Deeper: Mk 10:45; 1 Pt 4:10–11
Guideposts (Daily Guideposts 2014)
I look back at Willem and the girl. Maybe this is the French girl. Or someone altogether new. They are sitting facing each other, knees touching, talking, holding hands. It's like the rest of the world doesn't exist. That's how it felt when I was with him last year. Maybe if an outsider saw us then, that's exactly how we would've looked. But now I'm the one who's the outsider. I look at them again. Even from here, I can tell she is someone special to him. Someone he loves. I wait for the fist of devastation, the collapse of a year's worth of hopes, the roar of sadness. And I do feel it. The pain of losing him. Or the idea of him. But along with the pain is something else, something quiet at first, so I have to strain for it. But when I do, I hear the sound of a door quietly clicking shut. And then the most amazing thing happens: The night is calm, but I feel a rush of wind, as if a thousand other doors have just simultaneously flung open. I give one last glance toward Willem. Then I turn to Wolfgang. "Finished," I say. But I suspect the opposite is true. That really, I'm just beginning.
Gayle Forman (Just One Day (Just One Day, #1))
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She doesn’t realize how easy it is to do these things, to ruin everything. I remember myself at her age, an unhappy girl working a dead-end job in a dead-end town. I wanted to leave, to change, but it seemed so impossible. That I could actually pick up and go, quit my job, give notice to my landlord, break up with my boyfriend, tell my parents, my friends. It seemed overwhelming. And then one day, I did it and realized it’s the easiest thing in the world. To pick up and go. Easier than staying. And then I hated myself for staying as long as I did, for treading water so long, when really what I needed was perched at the end of my legs the whole time. Those ruby slippers, heels clicked together, a simple incantation.
Noah Hawley (Other People's Weddings: A Novel)
Take this link upon the page! And, in clicking from site to site, Thus much let me say — You are not wrong, who think That my domains have been a link; Yet if traffic has flown away In a night, or in a day, In a search result, or in none, Is it therefore the less gone? All that we see or seem Is but a domain within a domain. I stand amid the noise Of a crowded internet, oh joys! And I hold within my hand A subdomain, oh so grand — How few! Yet how they hide In the shadows, far and wide, While I sigh — while I sigh! Oh SEO! Can I not rank Higher with a smarter plan? Oh SEO! can I not save One from the pitiless game? Is all that we see or seem But a domain within a domain?
Devin Schumacher
[Aza Raskin] designed something that distinctly changed how the web works. It's called 'infinite scroll.' Older readers will remember that it used to be that the internet was divided into pages, and when you got to the bottom of one page, you had to decide to click a button to get to the next page. It was an active choice. It gave you a moment to pause and ask: Do I want to carry on looking at this? Aza designed the code that means you don't have to ask that question any more. ...It downloads a chunk of status updates for your to read through ...when you get to the bottom, it will automatically load another chunk for your to flick through. ...'At the outset, it looks like a really good invention,' he told me. He believed he was making life easier for everyone. He had been taught that increased speed and efficiency of access were always advances. his invention quickly spread all over the internet ...But then Aza watched as the people around him changed. They seemed to be unable to pull themselves away from their devices, flicking through and through and through, thanks in part to the code he had designed. He found himself infinitely scrolling through what he often realised afterwards was crap, and he wondered if he was making good use of his life. ...Aza sat down and did a calculation. At a conservative estimate, infinite scroll makes you spend 50 percent more of your time on sites like Twitter. (For many people, Aza believes, it's vastly more.) Sticking with this low-ball percentage, Aza wanted to know what it meant, in practice, if billions of people were spending 50 percent more time on a string of social media sites. When he was done, he stared at the sums. Every day, as a direct result of his invention, the combined total of 200,000 more total human lifetimes - every moment from birth to death - is now spent scrolling through a screen. These hours would otherwise have been spent on some other activity. When he described this to me, he sounded a little stunned. That time is 'just completely gone. It's like their entire life - poof. That time, which could have been used for solving climate change, for spending time with their family, for strengthening social bonds. For whatever is it that makes their life well-lived. It's just...' He trailed off.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
Aza [Raskin] said: 'For instance, Facebook tomorrow could start batching your notifications, so you only get one push notification a day ... They could do that tomorrow.' ....So instead of getting 'this constant drip of behavioural cocaine,' telling you every few minutes that somebody liked your picture, commented on your post, has a birthday tomorrow, and on and on - you would get one daily update, like a newspaper, summarising it all. You'd be pushed to look once a day, instead of being interrupted several times an hour. 'Here's another one,' he said 'Infinite scroll. ...it's catching your impulses before your brain has a chance to really get involved and make a decision.' Facebook and Instagram and the others could simply turn off infinite scroll - so that when you get to the bottom of the screen, you have to make a conscious decision to carry on scrolling. Similarly, these sites could simply switch off the things that have been shown to most polarise people politically, stealing our ability to pay collective attention. Since there's evidence YouTube's recommendation engine is radicalising people, Tristan [Harris] told one interviewer: 'Just turn it off. They can turn it off in a heartbeat.' It's not as if, he points out, the day before recommendations were introduced, people were lost and clamouring for somebody to tell them what to watch next. Once the most obvious forms of mental pollution have been stopped, they said, we can begin to look deeper, at how these sites could be redesigned to make it easier for you to restrain yourself and think about your longer-term goals. ...there could be a button that says 'here are all your friends who are nearby and are indicating they'd like to meet up today.' You click it, you connect, you put down your phone and hang out with them. Instead of being a vacuum sucking up your attention and keeping it away from the outside world, social media would become a trampoline, sending you back into that world as efficiently as possible, matched with the people you want to see. Similarly, when you set up (say) a Facebook account, it could ask you how much time you want to spend per day or per week on the site. ...then the website could help you to achieve your goal. One way could be that when you hit that limit, the website could radically slow down. In tests, Amazon found that even 100 milliseconds of delay in the pace at which a page loads results in a substantial drop-off in people sticking around to buy the product. Aza said: 'It just gives your brain a chance to catch up to your impulse and [ask] - do I really want to be here? No.' In addition, Facebook could ask you at regular intervals - what changes do you want to make to your life? ...then match you up with other people nearby... who say they also want to make that change and have indicated they are looking for the equivalent of gym buddies. ...A battery of scientific evidence shows that if you want to succeed in changing something, you should meet up with groups of people doing the same. At the moment, they said, social media is designed to grab your attention and sell it to the highest bidder, but it could be designed to understand your intentions and to better help you achieve them. Tristan and Aza told me that it's just as easy to design and program this life-affirming Facebook as the life-draining Facebook we currently have. I think that most people, if you stopped them in the street and painted them a vision of these two Facebooks, would say they wanted the one that serves your intentions. So why isn't it happened? It comes back... to the business model.
Johann Hari (Stolen Focus: Why You Can't Pay Attention— and How to Think Deeply Again)
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SmartPro
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POWASAP
Under the pink wash of dawn, an unexpected foot of snow suffocates the landscape. The sight of so much transcendent white causes me to stare for minutes on end, mesmerized. More than mesmerized. In absolute awe. I've experienced this one other time: freshman year of high school, a ten-day trip to Italy with my school.... It was the first and only time I've seen Michelangelo's -La Pietà-. It took a moment to realize what it was, but then it clicked. This was Mary holding the body of her son. I had seen a thousand images of Jesus on the trip, but this sculpture grabbed my heart and squeezed so hard I stopped breathing. At that age, I cared little for art and had no connection with Jesus, but in that moment, I was so transfixed by this sculpture -- -how could it be so smooth?- --that I began to weep. Right there. Tears fell, and I thought I was having some kind of religious experience. But it wasn't that. It was the combination of profound beauty and sadness at such an exquisite level that it left me no option other than to cry. I hadn't experienced anything like that again. Until now. This snowfall. The beauty enveloping the sadness. With the tears welling in my eyes, I think once again about death. The rainbow in the cornfield. It's all so gorgeous, and it's all so tragic. The extremes of human emotion and how ironic that thoughts of dying fill me with such life. I'm still staring transfixed at the world outside when my father's voice resonates behind me. 'What a fuckhole of a mess out there.' And the beauty is gone. The sadness, however, remains. [Rose Yates]
Carter Wilson
He heard her scrambling out of her chair and following behind him with the click of her kitten heels. Those damn shoes will be the death of me one day.
L. Starla (Crystal's Crucible (Phoebe Braddock Books #3))
fight in America would cost him an average of one million dollars a day, at least, plus significant operating expenses from al-Matari’s cell, but if the end result meant America came to Iraq with boots on the ground, pushed back the Iranian hordes encroaching toward the south, ended pro-Iranian Alawite rule in Syria, and brought the price of oil back up to a level that would protect Saudi Arabian leadership’s domestic security . . . well, then, Sami bin Rashid would have done his job, and the King would reward him for life. A moment later INFORMER confirmed he received the money, and he told his customer to watch his mailbox in the dark web portal on his computer, and to wait for the files to come through. True to his word, INFORMER’s files began popping up, one by one. While bin Rashid clicked on the attachments, a smile grew inside his trim gray beard. First, the name, the address, and a photograph of a woman. A map of the area around where the woman lived. A CV of her work with the Defense Intelligence Agency, including foreign and domestic postings that would have her involved in the American campaign in the Middle East. Real-time intel about her daily commute, including the house where she would be watering the plants and checking the mail all week for a friend. Incredible, bin Rashid thought to himself. Where the hell is this coming from? The next file was all necessary targeting info on a recently retired senior CIA operations officer, who continued to work on a contract basis in the intelligence field. He spoke Arabic, trained others in tradecraft, counterintelligence,
Mark Greaney (True Faith and Allegiance (Jack Ryan Universe, #22))
Okay, enough self-pity for the day. Maybe one day I’ll actually go through and click send on every single one of these messages just to flood your inbox. But until then . . . Your son, Felix
Kacen Callender (Felix Ever After)
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Qatar Airways Manage Bookings
I have frequently shown this sequence at my seminars and people all see a great deal of lechery, or lusty appreciation, or male chauvinism, or some erotic response in every male face. Since the heel clicks function to “sell” us this kind of response, I take Orson’s “everything was a fake” rather literally here. I imagine that not one single male in that sequence ever saw Oja Kodor. They all, probably, registered such emotions or thoughts as Two weeks to tax day and I don’t have the money yet — Where in hell did I leave that toothbrush? — I think I’ll use a line from Moliere to open my lecture — About time to stop and have some coffee etc.
Robert Anton Wilson (Cosmic Trigger III: My Life After Death)
It’s that Friday at the end of September when a storm blows in on a warm, muggy morning and it rains all day, but the rain clouds part for a crisp, bracing late afternoon and you know summer has finally lost its grasp. That Friday. It’s been one of those improbably perfect days when all the universe’s tumblers click into place. Every joke of yours kills. Everyone’s a little funnier than usual. Everyone’s a little more insightful and quick. One of those days when you feel like you’re going to be young and live forever. One of those days that feels perpetually like being at the top of the arc while you’re swinging on a swing set.
Jeff Zentner (Goodbye Days)
they’re watching a significant percentage and then taking a specific action, like sharing that piece of content. Use the people who take leading actions, like a share or a click (on a video, image, or link) as the best indicators of your target audience.
Brendan Kane (One Million Followers, Updated Edition: How I Built a Massive Social Following in 30 Days)