On The Island Quotes

We've searched our database for all the quotes and captions related to On The Island. Here they are! All 70 of them:

Lighthouses don’t go running all over an island looking for boats to save; they just stand there shining.
Anne Lamott
Art enables us to find ourselves and lose ourselves at the same time.
Thomas Merton (No Man Is an Island)
To survive, you must tell stories.
Umberto Eco (The Island of the Day Before)
It's only those who do nothing that make no mistakes, I suppose.
Joseph Conrad (An Outcast of the Islands)
The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image. If in loving them we do not love what they are, but only their potential likeness to ourselves, then we do not love them: we only love the reflection of ourselves we find in them
Thomas Merton (No Man Is an Island)
There is more treasure in books than in all the pirates' loot on Treasure Island and best of all, you can enjoy these riches every day of your life.
Walt Disney Company
You must live in the present, launch yourself on every wave, find your eternity in each moment. Fools stand on their island of opportunities and look toward another land. There is no other land; there is no other life but this.
Henry David Thoreau
A library is like an island in the middle of a vast sea of ignorance, particularly if the library is very tall and the surrounding area has been flooded.
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
Little islands are all large prisons; one cannot look at the sea without wishing for the wings of a swallow.
Richard Francis Burton
So, you wrecked Alcatraz Island, made Mount St. Helens explode, and displaced half a million people, but at least you're safe." "Yep, that pretty much covers it.
Rick Riordan
Anne laughed. "I don't want sunbursts or marble halls, I just want you.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
We are like islands in the sea, separate on the surface but connected in the deep.
William James
As mothers and daughters, we are connected with one another. My mother is the bones of my spine, keeping me straight and true. She is my blood, making sure it runs rich and strong. She is the beating of my heart. I cannot now imagine a life without her.
Kristin Hannah (Summer Island)
It was November--the month of crimson sunsets, parting birds, deep, sad hymns of the sea, passionate wind-songs in the pines. Anne roamed through the pineland alleys in the park and, as she said, let that great sweeping wind blow the fogs out of her soul.
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
A home isn’t always the house we live in. It’s also the people we choose to surround ourselves with. You may not live on the island, but you can’t tell me it’s not your home. Your bubble, Mr. Baker. It’s been popped. Why would you allow it to grow around you again?
T.J. Klune (The House in the Cerulean Sea (Cerulean Chronicles, #1))
My way of joking is to tell the truth. It's the funniest joke in the world.
George Bernard Shaw (John Bull's Other Island)
We're all islands shouting lies to each other across seas of misunderstanding.
Rudyard Kipling (The Light That Failed)
The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of the infinity, and it was not meant that we should voyage far.
H.P. Lovecraft (The Call of Cthulhu and Other Weird Stories)
By the Angel," Jace said, looking the demon up and down. "I knew Greater Demons were meant to be ugly, but no one ever warned me about the smell." Abbadon opened its mouth and hissed. Inside its mouth were two rows of jagged glass-sharp teeth. "I'm not sure about this wind and howling darkness business," Jace went on, "smells more like landfill to me. You sure you're not from Staten Island?
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
A daughter without her mother is a woman broken. It is a loss that turns to arthritis and settles deep into her bones.
Kristin Hannah (Summer Island)
I wouldn't want to marry anybody who was wicked, but I think I'd like it if he could be wicked and wouldn't.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
John Donne (No man is an island – A selection from the prose)
All life lessons are not learned at college,' she thought. 'Life teaches them everywhere.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I've loved you ever since that day you broke your slate over my head in school.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
The island is ours. Here, in some way, we are young forever.
E. Lockhart (We Were Liars)
The way I figure it, everyone gets a miracle. Like, I will probably never be struck by lightening, or win a Nobel Prize, or become the dictator of a small nation in the Pacific Islands, or contract terminal ear cancer, or spontaneously combust. But if you consider all the unlikely things together, at least one of them will probably happen to each of us. I could have seen it rain frogs. I could have stepped foot on Mars. I could have been eaten by a whale. I could have married the Queen of England or survived months at sea. But my miracle was different. My miracle was this: out of all the houses in all the subdivisions in all of Florida, I ended up living next door to Margo Roth Spiegelman.
John Green (Paper Towns)
I do know my own mind,' protested Anne. 'The trouble is, my mind changes and then I have to get acquainted with it all over again.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
I feel as if I had opened a book and found roses of yesterday sweet and fragrant, between its leaves.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
When you've learned to laugh at the things that should be laughed at, and not to laugh at those that shouldn't, you've got wisdom and understanding.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Men know that women are an overmatch for them, and therefore they choose the weakest or the most ignorant. If they did not think so, they never could be afraid of women knowing as much as themselves.
Samuel Johnson (A Journey to the Western Islands of Scotland and The Journal of a Tour to the Hebrides)
I love them, they are so nice and selfish. Dogs are TOO good and unselfish. They make me feel uncomfortable. But cats are gloriously human.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.
H.P. Lovecraft (The Call of Cthulhu: With a Dedication by George Henry Weiss)
Oh", she thought, "how horrible it is that people have to grow up-and marry-and change!
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Anne was always glad in the happiness of her friends; but it is sometimes a little lonely to be surrounded everywhere by happiness that is not your own.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
A library is like an island in the middle of a vast sea of ignorance, particularly if the library is very tall and the surrounding area has been flooded.
Daniel Handler
One of the world's most tiresome questions is what object one would bring to a desert island,because people always answer "a deck of cards" or "Anna Karenina" when the obvious answer is "a well equipped boat and a crew to sail me off the island and back home where I can play all the card games and read all the Russian novels I want.
Lemony Snicket
I don't fit in your world." "Neither do I," he said, his expression tender yet resolute. "So let's make our own. We've done it before.
Tracey Garvis Graves (On the Island (On the Island, #1))
It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them. I was so preposterously serious in those days, such a humorless little prig. Lightly, lightly – it’s the best advice ever given me. When it comes to dying even. Nothing ponderous, or portentous, or emphatic. No rhetoric, no tremolos, no self conscious persona putting on its celebrated imitation of Christ or Little Nell. And of course, no theology, no metaphysics. Just the fact of dying and the fact of the clear light. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly my darling, on tiptoes and no luggage, not even a sponge bag, completely unencumbered.
Aldous Huxley (Island)
Every man’s island, Jean Louise, every man’s watchman, is his conscience. There is no such thing as a collective conscious.
Harper Lee (Go Set a Watchman)
This grand show is eternal. It is always sunrise somewhere; the dew is never all dried at once; a shower is forever falling; vapor is ever rising. Eternal sunrise, eternal sunset, eternal dawn and gloaming, on sea and continents and islands, each in its turn, as the round earth rolls.
John Muir (John of the Mountains: The Unpublished Journals of John Muir)
I fear feeling my heart break a second time, because I'm not sure I could survive it. I'd rather live alone than risk the pain.
Nora Roberts (Face the Fire (Three Sisters Island, #3))
People are islands,' she said. 'They don't really touch. However close they are, they're really quite separate. Even if they've been married for fifty years.
Ian Fleming (Casino Royale (James Bond, #1))
It will come sometime. Some beautiful morning she will just wake up and find it is Tomorrow. Not Today but Tomorrow. And then things will happen ... wonderful things.
L.M. Montgomery (Anne of the Island (Anne of Green Gables S.))
Sir, with no intention to take offence, I deny your right to put words into my mouth.
Robert Louis Stevenson (Treasure Island)
It isn't a matter of forgetting. What one has to learn is how to remember and yet be free of the past.
Aldous Huxley (Island)
Which would be worse, to live as a monster or to die as a good man?
Dennis Lehane (Shutter Island)
Huh," Leo said. "Well, if you ever get off this island and want a job, let me know. You're not a total klutz." She smirked. "A job, eh?" Making things in your forge?" "Nah, we could start our own shop," Leo said, surprising himself. Starting a machine shop had always been one of his dreams, but he'd never told anyone about it. "Leo and Calypso's Garage: Auto Repair and Mechanical Monsters.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
A woman's destiny, they say, is not fulfilled until she holds in her arms her own little book.
Caroline Mytinger (Headhunting in the Solomon Islands: Around the Coral Sea)
Bod said, 'I want to see life. I want to hold it in my hands. I want to leave a footprint on the sand of a desert island. I want to play football with people. I want,' he said, and then he paused and he thought. 'I want everything.
Neil Gaiman (The Graveyard Book)
Each of us is a book waiting to be written, and that book, if written, results in a person explained.
Thomas M. Cirignano (The Constant Outsider: Memoirs of a South Boston Mechanic)
It’s dark because you are trying too hard. Lightly child, lightly. Learn to do everything lightly. Yes, feel lightly even though you’re feeling deeply. Just lightly let things happen and lightly cope with them. So throw away your baggage and go forward. There are quicksands all about you, sucking at your feet, trying to suck you down into fear and self-pity and despair. That’s why you must walk so lightly. Lightly my darling...
Aldous Huxley (Island)
We live together, we act on, and react to, one another; but always and in all circumstances we are by ourselves. The martyrs go hand in hand into the arena; they are crucified alone. Embraced, the lovers desperately try to fuse their insulated ecstasies into a single self-transcendence; in vain. By its very nature every embodied spirit is doomed to suffer and enjoy in solitude. Sensations, feelings, insights, fancies—all these are private and, except through symbols and at second hand, incommunicable. We can pool information about experiences, but never the experiences themselves. From family to nation, every human group is a society of island universes.
Aldous Huxley (The Doors of Perception)
Armaments, universal debt, and planned obsolescence—those are the three pillars of Western prosperity. If war, waste, and moneylenders were abolished, you'd collapse. And while you people are overconsuming the rest of the world sinks more and more deeply into chronic disaster.
Aldous Huxley (Island)
Oh, and Drew, honey?” The former counselor looked back reluctantly. “In case you think I’m not a true daughter of Aphrodite,” Piper said, “don’t even look at Jason Grace. He may not know it yet, but he’s mine. If you even try to make a move, I will load you into a catapult and shoot you across Long Island Sound.” Drew turned around so fast, she ran into the doorframe. Then she was gone.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.
Jorge Luis Borges (The Aleph and Other Stories)
A library in the middle of a community is a cross between an emergency exit, a life-raft and a festival. They are cathedrals of the mind; hospitals of the soul; theme parks of the imagination. On a cold rainy island, they are the only sheltered public spaces where you are not a consumer, but a citizen instead
Caitlin Moran
What happened to the alpha-wolf?" "LEGOs." "Legos?" It sounded Greek but I couldn't recall anything mythological with that name. Wasn't it an island? "He was carrying a load of laundry into the basement and tripped on the old set of LEGOs his kids left on the stairs. Broke two ribs and an ankle.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
The girl who'd taken on a Pirate Lord and his entire island, the girl who'd stolen Asterion horses and raced along the beach in the Red Desert, the girl who'd sat on her own rooftop, watching the sun rise over Avery, the girl who'd felt alive with possibility...that girl was gone.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far. The sciences, each straining in its own direction, have hitherto harmed us little; but some day the piecing together of dissociated knowledge will open up such terrifying vistas of reality, and of our frightful position therein, that we shall either go mad from the revelation or flee from the light into the peace and safety of a new dark age.
H.P. Lovecraft
Let's get one thing clear right now, shall we? There is no Idea Dump, no Story Central, no Island of the Buried Bestsellers; good story ideas seem to come quite literally from nowhere, sailing at you right out of the empty sky: two previously unrelated ideas come together and make something new under the sun. Your job isn't to find these ideas but to recognize them when they show up.
Stephen King (On Writing: A Memoir of the Craft)
When you love someone, you do not love them all the time, in exactly the same way, from moment to moment. It is an impossibility. It is even a lie to pretend to. And yet this is exactly what most of us demand. We have so little faith in the ebb and flow of life, of love, of relationships. We leap at the flow of the tide and resist in terror its ebb. We are afraid it will never return. We insist on permanency, on duration, on continuity; when the only continuity possible, in life as in love, is in growth, in fluidity - in freedom, in the sense that the dancers are free, barely touching as they pass, but partners in the same pattern. The only real security is not in owning or possessing, not in demanding or expecting, not in hoping, even. Security in a relationship lies neither in looking back to what was in nostalgia, nor forward to what it might be in dread or anticipation, but living in the present relationship and accepting it as it is now. Relationships must be like islands, one must accept them for what they are here and now, within their limits - islands, surrounded and interrupted by the sea, and continually visited and abandoned by the tides.
Anne Morrow Lindbergh (Gift from the Sea)
Only the man who has had to face despair is really convinced that he needs mercy. Those who do not want mercy never seek it. It is better to find God on the threshold of despair than to risk our lives in a complacency that has never felt the need of forgiveness. A life that is without problems may literally be more hopeless than one that always verges on despair.
Thomas Merton (No Man Is an Island)
Take bread away from me, if you wish, take air away, but do not take from me your laughter. Do not take away the rose, the lance flower that you pluck, the water that suddenly bursts forth in joy, the sudden wave of silver born in you. My struggle is harsh and I come back with eyes tired at times from having seen the unchanging earth, but when your laughter enters it rises to the sky seeking me and it opens for me all the doors of life. My love, in the darkest hour your laughter opens, and if suddenly you see my blood staining the stones of the street, laugh, because your laughter will be for my hands like a fresh sword. Next to the sea in the autumn, your laughter must raise its foamy cascade, and in the spring, love, I want your laughter like the flower I was waiting for, the blue flower, the rose of my echoing country. Laugh at the night, at the day, at the moon, laugh at the twisted streets of the island, laugh at this clumsy fool who loves you, but when I open my eyes and close them, when my steps go, when my steps return, deny me bread, air, light, spring, but never your laughter.
Pablo Neruda
So Caymen..." "So, Xander..." "Like the islands." "What?" "Your name. Caymen. Like the Cayman Islands. Is that your mom's favourite place to visit or something?" "No, it's her third favourite place. I have an older brother named Paris and an older sister named Sydney." "Wow." He opens the bag, takes out a muffin, and hands it to me. The top glistens with sprinkled sugar. "Really?" I gently unwrap it. "No.
Kasie West (The Distance Between Us (Old Town Shops, #1))
Alec flushed. "I think it's more important for you to go than me. You're Valentine's son, I'm sure you're the one the Queen really wants to see. Besides, you're charming." Jace glared at him. "Maybe not at the moment," Alec amended. "But you're usually charming. And faeries are very susceptible to charm." "Plus, if you stay here, I've got the whole first season of Gilligan's Island on DVD," Magnus said. "No one could turn that down," said Jace. He still wouldn't look at Clary.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that as as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands. It had a playful side too, as it enjoyed the crowd, tossed the children about, knocked lilos over, tipped over windsurfers, occasionally gave sailors helping hands; all done with a secret little chuckle
Cecelia Ahern (The Gift)
Your daughter is ugly. She knows loss intimately, carries whole cities in her belly. As a child, relatives wouldn’t hold her. She was splintered wood and sea water. They said she reminded them of the war. On her fifteenth birthday you taught her how to tie her hair like rope and smoke it over burning frankincense. You made her gargle rosewater and while she coughed, said macaanto girls like you shouldn’t smell of lonely or empty. You are her mother. Why did you not warn her, hold her like a rotting boat and tell her that men will not love her if she is covered in continents, if her teeth are small colonies, if her stomach is an island if her thighs are borders? What man wants to lay down and watch the world burn in his bedroom? Your daughter’s face is a small riot, her hands are a civil war, a refugee camp behind each ear, a body littered with ugly things but God, doesn’t she wear the world well.
Warsan Shire
Strange memories on this nervous night in Las Vegas. Five years later? Six? It seems like a lifetime, or at least a Main Era—the kind of peak that never comes again. San Francisco in the middle sixties was a very special time and place to be a part of. Maybe it meant something. Maybe not, in the long run . . . but no explanation, no mix of words or music or memories can touch that sense of knowing that you were there and alive in that corner of time and the world. Whatever it meant. . . . History is hard to know, because of all the hired bullshit, but even without being sure of “history” it seems entirely reasonable to think that every now and then the energy of a whole generation comes to a head in a long fine flash, for reasons that nobody really understands at the time—and which never explain, in retrospect, what actually happened. My central memory of that time seems to hang on one or five or maybe forty nights—or very early mornings—when I left the Fillmore half-crazy and, instead of going home, aimed the big 650 Lightning across the Bay Bridge at a hundred miles an hour wearing L. L. Bean shorts and a Butte sheepherder's jacket . . . booming through the Treasure Island tunnel at the lights of Oakland and Berkeley and Richmond, not quite sure which turn-off to take when I got to the other end (always stalling at the toll-gate, too twisted to find neutral while I fumbled for change) . . . but being absolutely certain that no matter which way I went I would come to a place where people were just as high and wild as I was: No doubt at all about that. . . . There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda. . . . You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning. . . . And that, I think, was the handle—that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting—on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave. . . . So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark—that place where the wave finally broke and rolled back.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
There was a girl, and her uncle sold her. Put like that it seems so simple. No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique. Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children? We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain. Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives. A life that is, like any other, unlike any other. And the simple truth is this: There was a girl, and her uncle sold her.
Neil Gaiman (American Gods (American Gods, #1))
The worst thing is not that the world is unfree, but that people have unlearned their liberty. The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time. Not being able to fall asleep and not allowing oneself to move: the marital bed. If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers. In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty. How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister… Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable. The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened. The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy. A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty. You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you. If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books. By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill. Any new possibility that existence acquires, even the least likely, transforms everything about existence.
Milan Kundera