Oliver Asks For More Quotes

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Er — have the Bludgers ever killed anyone?” Harry asked, hoping he sounded offhand. “Never at Hogwarts. We’ve had a couple of broken jaws but nothing worse than that. You don’t have to worry about the Quaffle or the Bludgers —” “— unless they crack my head open.” “Don’t worry, the Weasleys are more than a match for the Bludgers — I mean, they’re like a pair of human Bludgers themselves.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Capitalist realism insists on treating mental health as if it were a natural fact, like weather (but, then again, weather is no longer a natural fact so much as a political-economic effect). In the 1960s and 1970s, radical theory and politics (Laing, Foucault, Deleuze and Guattari, etc.) coalesced around extreme mental conditions such as schizophrenia, arguing, for instance, that madness was not a natural, but a political, category. But what is needed now is a politicization of much more common disorders. Indeed, it is their very commonness which is the issue: in Britain, depression is now the condition that is most treated by the NHS. In his book The Selfish Capitalist, Oliver James has convincingly posited a correlation between rising rates of mental distress and the neoliberal mode of capitalism practiced in countries like Britain, the USA and Australia. In line with James’s claims, I want to argue that it is necessary to reframe the growing problem of stress (and distress) in capitalist societies. Instead of treating it as incumbent on individuals to resolve their own psychological distress, instead, that is, of accepting the vast privatization of stress that has taken place over the last thirty years, we need to ask: how has it become acceptable that so many people, and especially so many young people, are ill?
Mark Fisher (Capitalist Realism: Is There No Alternative?)
When we did eventually get to the party - me walking next to Dad's Volvo driving at five miles an hour - I had a horrible time. Everyone laughed at first but then more or less ignored me. In a mood of defiant stuffed oliveness I did have a dance by myself but things kept crashing to the floor around me. The host asked if I would sit down. I had a go at that but it was useless. In the end I was at the gate for about an hour before Dad arrived.
Louise Rennison (Angus, Thongs and Full-Frontal Snogging (Confessions of Georgia Nicolson, #1))
Owl Poem One has to say this for the rounds of life that keep coming and going; it has worked so far. The rabbit, after all, has never asked if the grass wanted to live. Any more than the owl consults with the rabbit. Acceptance of the world requires that I bow even to you, Master of the night.
Mary Oliver (Blue Horses)
So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
Robin Williams
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
I never told you that, Dad, but I was drunk out of my mind one night, I had just vomited in front of the statue of the Pasquino and couldn't have been more dazed in my life yet here as I leaned against this very wall, I knew, drunk as I was, that this, with Oliver holding me, was my life, that everything that had come beforehand with others was not even a rough sketch or the shadow of a draft of what was happening to me. And now, ten years later, when I look at this wall under this old streetlamp, I am back with him and I swear to you, nothing has changed. In thirty, forty, fifty years I will feel no differently. I have met many women and more men in my life, but what is watermarked on this very wall overshadows everyone I've known. When I come to be here, I can be alone or with people, with you for instance, but I am always with him. If I stood for an hour staring at this wall, I'd be with him for an hour. If I spoke to this wall, it would speak back." "What would it say?" asked Miranda, totally taken in by the thought of Elio and the wall. "What would it say? Simple: 'Look for me, find me.'" "And what do you say?" "I say the same thing. 'Look for me, find me.' And we were both happy. Now you know.
André Aciman (Find Me (Call Me By Your Name, #2))
You say you can be honest with me?” Hadley asks after a moment, addressing Oliver’s rounded shoulders, and he twists to look at her. “Fine. Then talk to me. Be honest.” “About what?” “Anything you want. To her surprise, he kisses her then. Not like the kiss at the airport, which was soft and sweet and full of farewell. This kiss is something more urgent, something more desperate; he presses his lips hard against hers, and Hadley closes her eyes and leans in, kissing him back until, just as suddenly, he breaks away again, and they sit staring at each other. “That’s not what I meant,” Hadley says, and Oliver gives her a crooked smile. “You said to be honest. That was the most honest thing I’ve done all day.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
Do you think,” she says, the words emerging thickly, “we might have used up all our conversation last night?” “Not possible,” says Oliver, and the way he says it, his mouth turned up in a smile, his voice full of warmth, unwinds the knot in Hadley’s stomach. “We haven’t even gotten to the really important stuff yet.” “Like what?” she asks, trying to arrange her face in a way that disguises the relief she feels. “Like what’s so great about Dickens?” “Not at all,” he says. “More like the plight of koalas. Or the fact that Venice is sinking.” He pauses, waiting for this to register, and when Hadley says nothing, he slaps his knee for emphasis. “Sinking! The whole city! Can you believe it?” She frowns in mock seriousness. “That does sound pretty important.” “It is,” Oliver insists. “And don’t even get me started on the size of our carbon footprint after this trip. Or the difference between crocodiles and alligators. Or the longest recorded flight of a chicken.” “Please tell me you don’t actually know that.” “Thirteen seconds,” he says, leaning forward to look past her and out the window. “This is a total disaster. We’re nearly to Heathrow and we haven’t even properly discussed flying chickens.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
What happens to the leaves after they turn red and golden and fall away? What happens to the singing birds when they can’t sing any longer? What happens to their quick wings? Do you think there is any personal heaven for any of us? Do you think anyone, the other side of that darkness, will call to us, meaning us? Beyond the trees the foxes keep teaching their children to live in the valley. so they never seem to vanish, they are always there in the blossom of light that stands up every morning in the dark sky. And over one more set of hills, along the sea, the last roses have opened their factories of sweetness and are giving it back to the world. If I had another life I would want to spend it all on some unstinting happiness. I would be a fox, or a tree full of waving branches. I wouldn’t mind being a rose in a field full of roses. Fear has not yet occurred to them, nor ambition. Reason they have not yet thought of. Neither do they ask how long they must be roses, and then what. Or any other foolish question.
Mary Oliver (House of Light)
Sean: …………And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
Matt Damon
For most of my life, I would have automatically said that I would opt for conscientious objector status, and in general, I still would. But the spirit of the question is would I ever, and there are instances where I might. If immediate intervention would have circumvented the genocide in Rwanda or stopped the Janjaweed in Darfur, would I choose pacifism? Of course not. Scott Simon, the reporter for National Public Radio and a committed lifelong Quaker, has written that it took looking into mass graves in former Yugoslavia to convince him that force is sometimes the only option to deter our species' murderous impulses. While we're on the subject of the horrors of war, and humanity's most poisonous and least charitable attributes, let me not forget to mention Barbara Bush (that would be former First Lady and presidential mother as opposed to W's liquor-swilling, Girl Gone Wild, human ashtray of a daughter. I'm sorry, that's not fair. I've no idea if she smokes.) When the administration censored images of the flag-draped coffins of the young men and women being killed in Iraq - purportedly to respect "the privacy of the families" and not to minimize and cover up the true nature and consequences of the war - the family matriarch expressed her support for what was ultimately her son's decision by saying on Good Morning America on March 18, 2003, "Why should we hear about body bags and deaths? I mean it's not relevant. So why should I waste my beautiful mind on something like that?" Mrs. Bush is not getting any younger. When she eventually ceases to walk among us we will undoubtedly see photographs of her flag-draped coffin. Whatever obituaries that run will admiringly mention those wizened, dynastic loins of hers and praise her staunch refusal to color her hair or glamorize her image. But will they remember this particular statement of hers, this "Let them eat cake" for the twenty-first century? Unlikely, since it received far too little play and definitely insufficient outrage when she said it. So let us promise herewith to never forget her callous disregard for other parents' children while her own son was sending them to make the ultimate sacrifice, while asking of the rest of us little more than to promise to go shopping. Commit the quote to memory and say it whenever her name comes up. Remind others how she lacked even the bare minimum of human integrity, the most basic requirement of decency that says if you support a war, you should be willing, if not to join those nineteen-year-olds yourself, then at least, at the very least, to acknowledge that said war was actually going on. Stupid fucking cow.
David Rakoff (Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never-Ending Quest for Artisanal Olive Oil, and Other First World Problems)
Greet each man with peace, and leave each man with love. Ask yourself - One more enemy, or one more dove?
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Oliver’s voice said from the window, “It’s about time you returned.” Startled, she dropped the pies. Despite the shadows beneath his eyes, she’d never seen a more welcome sight. Even with his cravat badly tied, his black hair sticking out in all directions, and his expression uncertain, he made her breath catch in her throat. “What are you doing here?” she asked. “You forgot something when you left Halstead Hall,” he said hoarsely. “What?” Her heart leapt into her throat as he strode purposefully toward her. “Me.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Olive was the type of girl who would rather climb a teetering stack of chairs up to a high shelf than ask for help, perhaps because she had a lot more practice at falling down than she did at talking to people.
Jacqueline West (Spellbound (The Books of Elsewhere, #2))
Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
Lauren Oliver (Before I Fall)
Enjoying the view?” I asked, finally, tired of his eyes drilling into the side of my head. “Enjoying isn’t the right word,” he returned, swirling his amaretto. “It’s more a morbid fascination with your spiral into self-destruction.
Abigail C. Edwards (And We All Bled Oil)
Perhaps what I liked far more was the evening. Everything about it thrilled me. Every glance that crossed my own came like a compliment, or like an asking and a promise that simply lingered in midair between me and the world around me. I was electrified — by the chaffing, the irony, the glances, the smiles that seemed pleased I existed, by the buoyant air in the shop that graced everything from the glass door to the petits fours, to the golden ochre spell of plastic glasses filled with scotch whiskey, to Mr. Venga's rolled up sleeves, to the poet himself, down to the spiral staircase where we had congregated with the babe sisters — all seemed to glow with a luster at once spellbound and aroused.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
But, that’s probably why she didn’t tell you. And… I don’t want you to be mad at her.” I try to swallow past the lump forming in my throat. “I’m not mad at Sadie,” I tell him quietly. There’s a hesitancy to his stance, every line of his face, like he wants to say more but he doesn't know how. So, I take a guess. “I’m not gonna leave her, Oliver. Never, okay? She may ask me to go one day, but I will never leave her. Not her, or your brother or you. Tell me you understand that.
Peyton Corinne (Unsteady)
There is so much about him I don’t know—so much past and history buried somewhere inside of him. He has had to learn to hide it, even more than most of us. Somewhere, I think, there is a center to him. It glows like a coal being slowly crushed into diamond, weighed down by layers and layers of surface. So much I haven’t asked him, and so much we never talk about. Yet in other ways I feel like I do know him, and have always known him, without having to be told anything at all.
Lauren Oliver (Delirium (Delirium, #1))
I’m not mad at Sadie,” I tell him quietly. There’s a hesitancy to his stance, every line of his face, like he wants to say more but he doesn't know how. So, I take a guess. “I’m not gonna leave her, Oliver. Never, okay? She may ask me to go one day, but I will never leave her. Not her, or your brother or you. Tell me you understand that.” His cheeks blush as he angles his eyes down to the ground. “I understand.
Peyton Corinne (Unsteady (The Undone, #1))
I WAKE CLOSE TO MORNING Why do people keep asking to see God’s identity papers when the darkness opening into morning is more than enough? Certainly any god might turn away in disgust. Think of Sheba approaching the kingdom of Solomon. Do you think she had to ask, “Is this the place?
Mary Oliver (Devotions: The Selected Poems of Mary Oliver)
By 'stay,' do you mean forever?" I mean to ask but don't. Stay till I die? Till I am too old to take care of myself, like my father? "For now." is my answer, but I don't know, not really. If moving to New York at age forty-eight taught me anything, it is that I am capable of starting over in a new place. And yet, the thought of leaving it, of knowing how much I would miss, is too painful to contemplate. I remember how Wendy once told me she loved New York so much she couldn't bear the thought of it going on without her. It seemed like both the saddest and the most romantic thing one could possibly say—sad because New York can never return the sentiment, and sad because it's the kind of thing said more often about a romantic love—husband, wife, girlfriend, partner, lover. You can't imagine them going on without you. But they do. We do. Every day, we may wake up and say, What's the point? Why go on? And, there is really only one answer: To be alive.
Bill Hayes (Insomniac City: New York, Oliver, and Me)
Oliver Burkeman asks, “What will your life have been, in the end, but the sum total of everything you spent it focusing on?”17
Michael Hyatt (Free to Focus: A Total Productivity System to Achieve More by Doing Less)
the more firmly you believe it ought to be possible to find time for everything, the less pressure you’ll feel to ask whether any given activity is the best use for a portion of your time.
Oliver Burkeman (Four Thousand Weeks: Time and How to Use It)
She could make the bed, do the laundry, feed the dog. But she could not be bothered with any more meals. “What’ll we have for supper?” Henry would ask, coming upstairs from the basement. “Strawberries.
Elizabeth Strout (Olive Kitteridge)
Blood in the courtyard,” said Poirot. “Really!” said Mrs. Oliver. “That’s just like the title of an old-fashioned detective story. The Stain on the Staircase. I mean nowadays you say something more like She Asked for Death.
Agatha Christie (Third Girl (Hercule Poirot, #40))
PEACE OF MAN Greet each man with words of love And peace, And a dove will be placed On an olive tree. Leave a man with feelings Of betrayal Or envy, And a dove gets shot Off the olive tree. Greet each man with peace, And leave each man with love. Ask yourself - One more enemy, Or one more dove? Always choose love. It's time for everybody to Speak love. Let's fill the trees with doves, And spread the leaves of love. So, Always add And never subtract Another peace of man From the olive tree. PEACE OF MAN by Suzy Kassem
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Is it true?” I ask him. “Is what true?” His eyes are the color of honey. These are the eyes I remember from my dreams. “That you still love me,” I say, breathless. “I need to know.” Alex nods. He reaches out and touches my face—barely skimming my cheekbone and brushing away a bit of my hair. “It’s true.” “But . . . I’ve changed,” I say. “And you’ve changed.” “That’s true too,” he says quietly. I look at the scar on his face, stretching from his left eye to his jawline, and something hitches in my chest. “So what now?” I ask him. The light is too bright; the day feels as though it’s merging into dream. “Do you love me?” Alex asks. And I could cry; I could press my face into his chest and breathe in, and pretend that nothing has changed, that everything will be perfect and whole and healed again. But I can’t. I know I can’t. “I never stopped.” I look away from him. I look at Grace, and the high grass littered with the wounded and the dead. I think of Julian, and his clear blue eyes, his patience and goodness. I think of all the fighting we’ve done, and all the fighting we have yet to do. I take a deep breath. “But it’s more complicated than that.” Alex reaches out and places his hands on my shoulders. “I’m not going to run away again,” he says. “I don’t want you to,” I tell him. His fingers find my cheek, and I rest for a second against his palm, letting the pain of the past few months flow out of me, letting him turn my head toward his. Then he bends down and kisses me: light and perfect, his lips just barely meeting mine, a kiss that promises renewal.
Lauren Oliver (Requiem (Delirium, #3))
We know what you are thinking. It is not girls who need lessons in how to talk on the telephone. We are experts at it. Some of us could even medal in it. The problem is the boys. And they need to shape up. True, true, true. However. The boys are not going to shape up. They are not going to read magazines or informational textbooks such as this one that tell them how to talk to girls on the telephone. And they are not going to magically figure out how to converse either. It is a demonstrated fact that even bona fide boyfriends such as Finn and Jackson and Kaleb are hit with paralyzing stupidity and boringness on the telephone, and you, my girlfriends, you are the only ones who can do anything about it. Some tried-and-true tips 1. No feelings. Not if you can possibly avoid it. Feelings in person only. 2. No long silences. The male of the species hates long silences. If he is silent, say, “I gotta go, I’ll see you later.” And hang up. This is mysterious and alluring. And if it is not, at least you don’t have any more awkwardness. 3. Some people will tell you that you shouldn’t call guys, you should wait for them to call you. Hello? This is the twenty-first century. We can call them. 4. But have a reason. Don’t call “just to talk,” because they have nothing to talk about. Have a story to tell them, or ask if they watched some TV show just now, or ask about homework, or make a plan for the weekend.
E. Lockhart (The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them (Ruby Oliver, #2))
I have never heard anyone profess indifference to a boat race. Why should you row a boat race? Why endure long months of pain in preparation of a fierce half hour, or even six minutes, that will leave you all but dead? Does anyone ask the question? Is there anyone who would not go through all its costs, and more, for the moment when anguish breaks into triumph - or even for the glory of having nobly lost? Is life less than a boat race? If a man will give all the blood in his body to win the one, will he not spend all the might of his soul to prevail in the other?
Oliver Wendell Holmes Jr.
fagioli al fiasco sotto la cenere.” She handed him a bowl of what looked like white paste. He didn’t understand the Italian words in her dialect, except that “fagioli” was beans, and this did not look like beans—more like oatmeal. He didn’t think he’d ever seen an oat when he was in Florence, and certainly nobody ate oatmeal for breakfast. “What is this?” he asked. “It is made of white beans cooked in water and then cooked again with olive oil, rosemary, sage, and garlic in the coals of the fire all night. We put it in a Chianti bottle and cook it slowly in the embers. Then we mash
Rhys Bowen (The Tuscan Child)
The harder you struggle to fit everything in, the more of your time you’ll find yourself spending on the least meaningful things. … The reason for this effect is straightforward: the more firmly you believe it ought to be possible to find time for everything, the less pressure you’ll feel to ask whether any given activity is the best use for a portion of your time. Whenever you encounter some potential new item for your to-do list or your social calendar, you’ll be strongly biased in favor of accepting it, because you’ll assume you needn’t sacrifice any other tasks or opportunities in order to make space for it … If you never stop to ask yourself if the sacrifice is worth it, your days will automatically begin to fill not just with more things, but with more trivial or tedious things, because they’ve never had to clear the hurdle of being judged more important than something else.
Oliver Burkeman (Four Thousand Weeks)
Are you still there monsieur Poirot?” Demanded Mrs. Oliver. At the same time, the operator requested more money. With these formalities completed, Poirot spoke once more. “Are you still there Madame?” “I’M still here.” Said Mrs. Oliver. “And don’t let’s waste any more money asking each other if we’re there. What is it?
Agatha Christie (Dead Man's Folly (Hercule Poirot, #35))
Pilots were not excused all these rigorous new checks, and when Woodie Menear’s turn came, the security screener expressed concern about the presence of a pair of tweezers in his cabin baggage. As it happened, tweezers – unlike corkscrews or metal scissors, for example – were not on the list of forbidden items; Menear was not breaching regulations by trying to bring them on board. But the official paused just long enough to spark frustration on the part of the pilot, who, like his colleagues, had been growing ever more exasperated by each new restriction. This time it was too much. Menear did not explode in rage; he merely asked a sarcastic question. But it was one that would lead to his immediate arrest, a night in jail, his suspension by US Airways, and months of legal wranglings before he was finally acquitted of ‘making terroristic threats’ and permitted to return to his job. ‘Why are you worried about tweezers,’ Menear asked, ‘when I could crash the plane?
Oliver Burkeman (The Antidote: Happiness for People Who Can't Stand Positive Thinking)
I thought you were dead,” I say. “It almost killed me.” “Did it?” His voice is neutral. “You made a pretty fast recovery.” “No. You don’t understand.” My throat is tight; I feel as though I’m being strangled. “I couldn’t keep hoping, and then waking up every day and finding out it wasn’t true, and you were still gone. I—I wasn’t strong enough.” He is quiet for a second. It’s too dark to see his expression: He is standing in shadow again, but I can sense that he is staring at me. Finally he says, “When they took me to the Crypts, I thought they were going to kill me. They didn’t even bother. They just left me to die. They threw me in a cell and locked the door.” “Alex.” The strangled feeling has moved from my throat to my chest, and without realizing it, I have begun to cry. I move toward him. I want to run my hands through his hair and kiss his forehead and each of his eyelids and take away the memory of what he has seen. But he steps backward, out of reach. “I didn’t die. I don’t know how. I should have. I’d lost plenty of blood. They were just as surprised as I was. After that it became a kind of game—to see how much I could stand. To see how much they could do to me before I’d—” He breaks off abruptly. I can’t hear any more; don’t want to know, don’t want it to be true, can’t stand to think of what they did to him there. I take another step forward and reach for his chest and shoulders in the dark. This time, he doesn’t push me away. But he doesn’t embrace me either. He stands there, cold, still, like a statue. “Alex.” I repeat his name like a prayer, like a magic spell that will make everything okay again. I run my hands up his chest and to his chin. “I’m so sorry. I’m so, so sorry.” Suddenly he jerks backward, simultaneously finding my wrists and pulling them down to my sides. “There were days I would rather they have killed me.” He doesn’t drop my wrists; he squeezes them tightly, pinning my arms, keeping me immobilized. His voice is low, urgent, and so full of anger it pains me even more than his grip. “There were days I asked for it—prayed for it when I went to sleep. The belief that I would see you again, that I could find you—the hope for it—was the only thing that kept me going.” He releases me and takes another step backward. “So no. I don’t understand.
Lauren Oliver (Requiem (Delirium, #3))
I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut,Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome. It never occurred to me that if one word word from him could make me so happy, another could just as easily crush me, that if I didn’t want to be unhappy, I should learn to beware of such small joys as well.
André Aciman (Call Me by Your Name: A Novel)
Well before she became famous — or infamous, depending on where you cast your vote — Loftus's findings on memory distortion were clearly commodifiable. In the 1970s and 1980s she provided assistance to defense attorneys eager to prove to juries that eyewitness accounts are not the same as camcorders. "I've helped a lot of people," she says. Some of those people: the Hillside Strangler, the Menendez brothers, Oliver North, Ted Bundy. "Ted Bundy?" I ask, when she tells this to me. Loftus laughs. "This was before we knew he was Bundy. He hadn't been accused of murder yet." "How can you be so confident the people you're representing are really innocent?" I ask. She doesn't directly answer. She says, "In court, I go by the evidence.... Outside of court, I'm human and entitled to my human feelings. "What, I wonder are her human feelings about the letter from a child-abuse survivor who wrote, "Let me tell you what false memory syndrome does to people like me, as if you care. It makes us into liars. False memory syndrome is so much more chic than child abuse.... But there are children who tonight while you sleep are being raped, and beaten. These children may never tell because 'no one will believe them.'" "Plenty of "Plenty of people will believe them," says Loftus. Pshaw! She has a raucous laugh and a voice with a bit of wheedle in it. She is strange, I think, a little loose inside. She veers between the professional and the personal with an alarming alacrity," she could easily have been talking about herself.
Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
To Begin With, the Sweet Grass 1. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream? Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift. 2. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another. 4. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs. And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance. 5. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed. 6. Let me ask you this. Do you also think that beauty exists for some fabulous reason? And, if you have not been enchanted by this adventure— your life— what would do for you? 7. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another). And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger. And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.
Mary Oliver
Meeting her sharp glance, which was as sharp as ever when she asked me, I could not on that short challenge answer no, quite frankly. 'Come!' said she, accepting the offer of my hand to help her over the fender, and looking wistfully up into my face, 'you know you wouldn't mistrust me, if I was a full-sized woman!' I felt that there was much truth in this; and I felt rather ashamed of myself. 'You are a young man,' she said, nodding. 'Take a word of advice, even from three foot nothing. Try not to associate bodily defects with mental, my good friend, except for a solid reason.
Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
Suzanne said. “And then she goes in the kitchen and makes herself a martini in an iced-tea glass and she thinks I don’t know. She eats the olives on the side. By the handful.” “Whenever you see her eating olives,” Carrie said, “you can be about one hundred percent positive that there’s gin in her glass.” “What happens when the gin runs low?” I asked. “And the vermouth and olives?” “Well, I go to the liquor store, of course!” Suzanne said. “We just don’t discuss it.” “No! Of course not!” I said. Weren’t they merely doing their part to live up to our hard-earned reputation as eccentric southerners? And of course, the more wine we consumed, the more we revealed about ourselves. Going through Kathryn’s clothes, papers, and books had once again been profoundly unnerving. We were all just wrung out. “You know what was really strange?” Carrie said. “What?” Suzanne said. “Seeing what she read,” Carrie said. “I’d bet you a tooth that I’ve read all the same fiction authors that she did. Ann Patchett, Anne Tyler, Anne Rivers Siddons, Anna Quindlen—all the Anns. But we never talked about books. Not even once.” “Well, she played her cards close,” Suzanne said. “But she read lots of people. She always had a book with her.” “Didn’t
Dorothea Benton Frank (All the Single Ladies)
But more than this - not even, after your victims have been killed, will you eat them just as they are from the slaughter-house. You boil, roast, and altogether metamorphose them by fire and condiments. You entirely alter and disguise the murdered animal by use of ten thousand sweet herbs and spices, that your natural taste may be deceived and be prepared to take the unnatural food. A proper and witty rebuke was that of the Spartan who bought a fish and gave it to his cook to dress. When the latter asked for butter, and olive oil, and vinegar, he replied, 'Why, if I had all these things I should not have bought the fish!
Plutarch (Plutarch's Morals)
They say the world will end soon. They say that the nuclear weapons made, Due to fearing 'the other', Has become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of world’s end? Or will world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic on October 13 at ahewar.org]
Louis Yako
The best thing about the Olive Garden is that when you arrive, they always ask, “Are you celebrating anything today?” The question they should ask is, “What happened to your life that you’re ending up at the Olive Garden? What ailment are these breadsticks and Alfredo sauce attempting to cure?” Please know: I am throwing no shade at anybody who’s thinking, That’s all I can afford. Because let me tell you, Olive Garden ain’t cheap. I swear to Lucifer, you can go to a real Italian restaurant and you’ll pay less than you would at the Olive Garden, and for something more authentic. I’d rather you go to the Cheesecake Factory. At least they know what they are.
Tan France (Naturally Tan)
. . . You've been striking at her ghost, screaming, 'If you didn't want me to turn out like him, you should have stayed to stop me!' As his throat worked convulsively, she covered his hands with hers. 'But she can't hear you. So all you're doing is trudging a path that isn't your own, growing more weary of it by the day, wanting more from your existence but believing you're cursed to having less. That is no sort of life for anyone. . .' 'How can you have such faith in me?' he asked hoarsely. 'How can you believe in me when I’ve given you no reason?' 'You've given me plenty of reasons, but there’s only one that matters. I love you, Oliver. I can’t help myself. That is my reason.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I’ll see you tonight, Oliver.” I turn on my heel with the intention of fleeing the scene, Cooper Price–style, before the adrenaline dies down and either one of us can fully contemplate the audacity of what I just did. Then Oliver’s voice pulls me back. “And after?” he asks. I stop, turning back. The afternoon light is pouring in through the window, casting warm colors on his face, streaming into his eyes. I drink in the sight of him, doing something I’m usually not very good at: taking my time. “And after,” I say quietly. He smiles his Millie smile, and I smile my Oliver one. We’ve said a lot of things to each other over the years, tossed more mean words between us than I could ever count. But making a promise only takes two.
Emma Lord (When You Get the Chance)
Hey, that's weird," Chloe says. "You both have the same color eyes as Emma. I've never seen that before. I always thought it was because she's freakishly pasty. Ow! That's gonna leave a mark, Emma," she says, rubbing her freshly pinched biceps. "Good, I hope it does," I snap. I want to ask them about their eyes-the color seems prettier set against the olive tone of Galen's skin-but Chloe has bludgeoned my chances of recovering from embarrassment. I'll have to be satisfied that my dad-and Google-were wrong all this time; my eye color just can't be that rare. Sure, my dad practiced medicine until the day he died two years ago. And sure, Google never let me down before. But who am I to argue with living, breathing proof that this eye color actually does exist? Nobody, that's who. Which is convenient, since I don't want to talk anymore. Don't want to force Galen into any more awkward conversations. Don't want to give Chloe any more opportunities to deepen the heat of my burning cheeks. I just want this moment of my life to be over. I push past Chloe and snatch up the surfboard. To her good credit, she presses herself against the rail as I pass her again. I stop in front of Galen and his sister. "It was nice to meet you both. Sorry I ran into you. Let's go, Chloe." Galen looks like he wants to say something, but I turn away. He's been a good sport, but I'm not interested in discussing swimmer safety-or being introduced to any more of his hostile relatives. Nothing he can say will change the fact that DNA from my cheek is smeared on his chest. Trying not to actually march, I thrust past them and make my way down the stairs leading to the pristine white sand. I hear Chloe closing the distance behind me, giggling. And I decide on sunflowers for her funeral.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I remembered the scene in the Bible when Jacob asks Rachel for water and on hearing her speak the words that were prophesied for him, throws up his hands to heaven and kisses the ground by the well. Me Jewish, Celan Jewish, Oliver Jewish—we were in a half ghetto, half oasis, in an otherwise cruel and unflinching world where fuddling around strangers suddenly stops, where we misread no one and no one misjudges us, where one person simply knows the other and knows him so thoroughly that to be taken away from such intimacy is galut, the Hebrew word for exile and dispersal. Was he my home, then, my homecoming? You are my homecoming. When I’m with you and we’re well together, there is nothing more I want. You make me like who I am, who I become when you’re with me, Oliver. If there is any truth in the world, it lies when I’m with you, and if I find the courage to speak my truth to you one day, remind me to light a candle in thanksgiving at every altar in Rome.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
Hard weather, Mr. Bumble,' said the matron. 'Hard, indeed, ma'am,' replied the beadle. 'Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented.' 'Of course not. When would they be, Mr. Bumble?' said the matron, sipping her tea. 'When, indeed, ma'am!' rejoined Mr. Bumble. 'Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster.
Charles Dickens (Oliver Twist)
Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew,” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. So many things become beautiful when you really look.
Lauren Oliver (Before I Fall)
You're kidding, right?" Shane asked. "You don't need caffeine. You need sleep." He held out the last cup, and Claire realized she'd been wrong; there was someone else in the shadows. Deeper in the shadows even than Oliver had been. Myrnin. He looked completely different to her now, and not just because he wasn't crazy anymore. He'd remembered how to dress himself, for one thing; gone were the costume coats and Mardi Gras beads and flip-flops. He had on a gray knit shirt, black pants, and a jacket that looked a bit out of period, but not as much as before. All clean. He even had shoes on. "Yes, you must sleep," he agreed, as he accepted the cup and tried the coffee. "I've gone to far too much trouble to train up another apprentice at this late date. We have work to do, Claire. Good, hard work. Some of it may even earn you accolades, once you leave Morganville." She smiled slowly. "You'll never let me leave." Myrnin's dark eyes fixed on hers. "Maybe I will," he said. "But you must give me at least a few more years, my friend. I have a great deal to learn from you, and I am a very slow learner.
Rachel Caine (Carpe Corpus (The Morganville Vampires, #6))
You’re angry at me,” she says. I stop crying at once. My whole body goes cold and still. She squats down beside me, and even though I’m careful not to look up, not to look at her at all, I can feel her, can smell the sweat from her skin and hear the ragged pattern of her breathing. “You’re angry at me,” she repeats, and her voice hitches a little. “You think I don’t care.” Her voice is the same. For years I used to imagine that voice lilting over those forbidden words: I love you. Remember. They cannot take it. Her last words to me before she went away. She shuffles forward and squats next to me. She hesitates, then reaches out and places her palm against my cheek, and turns my head toward hers so I’m forced to look at her. I can feel the calluses on her fingers. In her eyes, I see myself reflected in miniature, and I tunnel back to a time before she left, before I believed she was gone forever, when her eyes welcomed me into every day and shepherded me, every night, into sleep. “You turned out even more beautiful than I’d imagined,” she whispers. She, too, is crying. The hard casement inside me breaks. “Why?” is the only word that comes. Without intending to or even thinking about it, I allow her to draw me against her chest, let her wrap her arms around me. I cry into the space between her collarbones, inhaling the still-familiar smell of her skin. There are so many things I need to ask her: What happened to you in the Crypts? How could you let them take you away? Where did you go? But all I can say is: “Why didn’t you come for me? After all those years—all that time—why didn’t you come?” Then I can’t speak at all; my sobs become shudders. “Shhh.” She presses her lips to my forehead, strokes my hair, just like she used to when I was a child. I am a baby once again in her arms—helpless and needy. “I’m here now.” She rubs my back while I cry. Slowly, I feel the darkness drain out of me, as though pulled away by the motion of her hand. Finally I can breathe again. My eyes are burning, and my throat feels raw and sore. I draw away from her, wiping my eyes with the heel of my hand, not even caring that my nose is running. I’m suddenly exhausted—too tired to be hurt, too tired to be angry. I want to sleep, and sleep. “I never stopped thinking about you,” my mother says. “I thought of you every day—you and Rachel.
Lauren Oliver (Requiem (Delirium, #3))
They say the world will end soon. They say that the nuclear weapons made, Due to fearing ‘the other’, Have become a curse, a plague, a scourge On those who made them Even more than those they were made to scare... And I wonder: Will the nuclear weapons be the cause of the world’s end? Or will the world’s end be caused by humanity’s fear, complicity, and submission? And if what they say is true, Before the world ends and before I die, I wish to drink one last cup of cardamom-flavored tea Taste one last fig, peach, or apricot, Smell a quince, Dip one last piece of bread In Palestinian thyme and olive oil… Before the world ends, I wish to smell a few pine needles, To breathe the smell of the first rain shower After a long, hot, and dry summer… Before the world ends and before I die, I wish to read one more book Out of the thousands of books that I still want to read… Before the world ends and before I die, I ask for one more spring To smell bunches of Iraqi narcissus flowers. I want to live one more autumn, To enjoy the magical colors Of the dying leaves on the trees As they challenge death with beauty Right before falling on the grounds of indifference… But my biggest wish before I die is For my death not to be the end of the world… [Original poem published in Arabic by ahewar.org on October 13, 2022]
Louis Yako
Are they what? And are who what?' said Steerforth. 'That sort of people. - Are they really animals and clods, and beings of another order? I want to know SO much.' 'Why, there's a pretty wide separation between them and us,' said Steerforth, with indifference. 'They are not to be expected to be as sensitive as we are. Their delicacy is not to be shocked, or hurt easily. They are wonderfully virtuous, I dare say - some people contend for that, at least; and I am sure I don't want to contradict them - but they have not very fine natures, and they may be thankful that, like their coarse rough skins, they are not easily wounded.' 'Really!' said Miss Dartle. 'Well, I don't know, now, when I have been better pleased than to hear that. It's so consoling! It's such a delight to know that, when they suffer, they don't feel! Sometimes I have been quite uneasy for that sort of people; but now I shall just dismiss the idea of them, altogether. Live and learn. I had my doubts, I confess, but now they're cleared up. I didn't know, and now I do know, and that shows the advantage of asking - don't it?' I believed that Steerforth had said what he had, in jest, or to draw Miss Dartle out; and I expected him to say as much when she was gone, and we two were sitting before the fire. But he merely asked me what I thought of her.
Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
The people came to Samuel and said: Place a King over us, to guide us. And Samuel said to them: This is what a King will do if he reigns over you: he’ll take your sons and make them run with his chariots and horses. He’ll dispose them however he wants: he’ll make them commanders of thousands or captains of fifties, he’ll send them to plough, to reap, to forge his weapons and his chariots. He’ll take your daughters to make perfume for him, or cook his food or do his baking. He’ll take your fields and your vineyards and your olive groves – oh, he’ll take the very best of those and give them to his cronies. He’ll take much more. A tenth of your grain and your wine – those will go to his favourite aristocrats and faithful servants. Your manservants and your maidservants, your best men, your donkeys – yes, he’ll take those for his own use. He’ll take one tenth of your flocks “and you yourselves will become his slaves. On that day, believe me, you will cry out for relief from this King, the King you asked for, but the Lord will not answer you on that day. But the people would not listen to Samuel. They said: No. Give us a King over us. So that we can be like all the other nations. Give us a King to guide us and lead us into battle. When Samuel heard what the people said, he told it to the Lord. The Lord answered, Give them a King.
1 Samuel 8
He passed into the galley and was greeted by a cloud of fragrant steam. The exotic scent of spices mingled with the tang of roasting meat. Startled, Gabriel choked on a sip from a tankard. In the corner, Stubb quickly shoved something behind his back. The old men’s eyes shone with more than holiday merriment. “Happy Christmas, Gray.” Gabriel extended the tankard to him. “Here. We poured you some wine.” Gray waved it off with a chuckle. “That my new Madeira you’re sampling?” Gabriel nodded as he downed another sip. “Thought I should taste it before you serve it to company. You know, to be certain it ain’t poisoned.” He drained the mug and set it down with a smile. “No, sir. Not poisoned.” “And the figs? The olives? The spices? I assume you checked them all, too? For caution’s sake, of course.” “Of course,” Stubb said, pulling his own mug from behind his back and taking a healthy swallow. “Everyone knows you can’t trust a Portuguese trader.” Gray laughed. He plucked an olive from a dish on the table and popped it into his mouth. Rich oil coated his tongue. “Did you find the crate easily enough?” he asked Stubb, reaching for another olive. The old steward nodded. “It’s all laid out, just so. Candles, too.” “Feels like Christmas proper.” Gabriel tilted his head. “Miss Turner even gave me a gift.” Gray followed the motion, squinting through the steam. I’ll be damned.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
So now Nathan had a new partner, who, by all accounts, was a dour old drudge with nary a daughter to his name. She’d seen Nathan in town once since then. He had not looked happy. But she was insanely happy, especially after what the doctor had hold her yesterday. With only a few days left at home, she and Freddy had dragged Jane and Oliver on a romantic picnic. So far, it wasn’t going all that well. Poor Jane darted up at every sound. Freddy’s mischievous brothers had convinced her that wild Indians might descend upon them any minute, and no amount of Freddy’s posturing with the sword could relieve her fears. Oliver was no help, either. He kept pretending to see feather headdresses behind every bush, though Maria had told him repeatedly that the only tribes in their area had left long ago. He was every bit as devilish as her cousins, who’d embraced him instantly as a man after their own heats. Aunt Rose had pronounced Oliver a smooth-tongued rogue the first time he told her how fetching she looked in her peacock bonnet. Little did she know. “Are you sure there’s a fish pond back there, Freddy?” Jane asked skeptically as Freddy led her around a deserted cabin. “Quite sure.” He puffed out his chest. “I’ve caught many a fine trout in that pond.” “More like trout bait,” Maria told Oliver, who was stretched out on the blanket beside her, reading a letter from Jarret. “I’ve never seen a fish longer than my thumb in that pond.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Precisely how much do you know about hog killing, Mrs. Prescott?” the Captain asked. “I believe the question should be, Captain Winston, how much do I want to know about it?” “And your answer would be?” “As little as possible.” He laughed and she found herself smiling a little, too, sensing an olive branch in his demeanor. “I remember my first hog killing.” He looked down. “My father found me crying behind the barn.” “How old were you?” His brow furrowed. “Twenty-two, I think.” The seriousness of his tone coaxed a laugh from her. And even without addressing the issue wedged squarely between them, she felt the tension between them lessening. “I was about four years old,” he continued. “Maybe five. I don’t remember much more about that day, other than what my father said to me.” She found herself waiting, wanting to hear what he said next. “He told me that, as a boy, he’d had much the same reaction as I’d had. And that while he didn’t cry anymore when it came to the task of the day, he told me it was crucial, before we started anything, that we thank God for those animals’ deaths and what they meant to us as a family. It meant we would eat for the winter. That we wouldn’t go hungry. Although, after that first hog killing, my parents said I refused to eat pork for weeks.” She smiled at the image in her mind of him as a little boy. “But eventually”—a touch of humor tipped one side of his mouth—“bacon won out, and I gave in.” She couldn’t help but laugh. “Bacon is a force to be reckoned with.” “Yes, ma’am, it is. Especially fried up good and crisp.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
Rockton is no more Oliver than Churchgrove is Lord Kirkwood,” Lady Minerva said stoutly. “Then why did you steal my name for him?” Oliver asked. “It’s not quite your name, old chap,” Lord Gabriel said. “And you know perfectly well that Minerva likes to tweak your nose from time to time.” “Stop calling me ‘old,’ blast it,” Oliver grumbled. “I’m not some doddering fool.” “How old are you, anyway?” Maria asked him, amused by his vanity. “Thirty-five.” Mrs. Plumtree had said little until now, but apparently the conversation had piqued her interest. “That’s long past the age when a man should marry, don’t you think, Miss Butterfield?” Aware of Oliver’s gaze on her, Maria chose her words carefully. “I suppose it depends on the man. Papa didn’t marry until he was nearly that age. He was too busy fighting in the Revolutionary War to court anyone.” When the blood drained from Mrs. Plumtree’s face, Oliver’s eyes held a glint of triumph. “Ah, yes, the Revolutionary War. Did I forget to mention, Gran, that Mr. Butterfield was a soldier in the Continental Marines?” The table got very quiet. Lady Minerva focused on eating her soup. Lady Celia took several sips of wine, one after another, and Lord Jarret stared into his soup bowl as if it contained the secret to life. The only real sound punctuating the silence was Lord Gabriel’s muttered “bloody hell.” Clearly, there was some undercurrent here that Maria didn’t understand. Oliver was watching his grandmother again like a wolf about to pounce, and Mrs. Plumtree was clearly contemplating which weapon would best hold the wolf at bay. “Uncle Adam was a hero,” Freddy put in, oblivious as usual to undercurrents of any kind. “At the Battle of Princeton, he held off ten of the British until help could arrive. It was just him and his bayonet, slashing and stabbing-“ “Freddy,” Maria chided under her breath, “our hosts are British, remember?
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
When should you be skeptical? Any time you see a report that a single food, beverage, supplement, food product, or ingredient causes or reduces the risk for obesity, heart disease, type 2 diabetes, or cancer, it is a good idea to envision a red warning flag flying high in the air. The studies may have identified associations between the food factor and the disease, but associations can be due to any number of other causes. Dietary patterns, not single factors, are what matter to health. Look out for words like “miracle” or “breakthrough.” Science tends to proceed in small increments and rarely works that way. And please be especially skeptical of “everything you thought you knew about nutrition is wrong.” Science does not work that way, either. Whenever you see “may” or “might”—as in “may reduce the risk of heart disease” or “might improve cognition in the elderly”—recognize that these also mean “may not” or “might not.” Overall, it is always a good idea to ask whether study results seem plausible in the light of everything else you know. As an eater, you should be wary of media hype about whether fat or sugar is a more important cause of health problems. This question ignores basic principles of nutrition: we eat foods, not nutrients, and how much we eat is often just as important as what we eat. Diets of enormous variety, from Asian diets traditionally based on rice (carbohydrates that convert to sugar in the body) to Mediterranean diets rich in olive oil (fat), can all promote long and healthy lives. The basic principles of eating healthfully have remained remarkably constant over the years: eat a wide variety of relatively unprocessed foods in reasonable amounts. Note that these same dietary principles apply to prevention of the entire range of diet-related chronic diseases. If an industry-funded study claims miraculous benefits from the sponsor’s products, think, “Advertising.
Marion Nestle (Unsavory Truth: How Food Companies Skew the Science of What We Eat)
And don’t call me ‘my lord.’ That’s what servants do. You’re my fiancée, remember?” He sounded irritated. “I’ll call you Maria, and you should probably call me by my Christian name-Oliver.” An unusual name for an English lord. “Where you named after the playwright, Oliver Goldsmith?” “Alas, no. I was named after the Puritan, Oliver Cromwell.” “You’re joking.” “Afraid not. My father thought it amusing, considering his own…er…tendency toward debauchery.” Lord help her, the man’s very name was a jab at respectability. Meanwhile, his estate could probably hold the entire town of Dartmouth! A sudden panic seized her. How could she pretend to be the fiancée of a man who owned a house like that? “I was named after King Frederick,” Freddy put in. “Which one?” asked Lord Stoneville. Oliver. “There’s more than one?” Freddy asked. “There’s at least ten,” the marquess said dryly. Freddy knit his brow. “I’m not sure which one.” When humor glinted in Oliver’s eyes, Maria said, “I think Aunt Rose was aiming for a generally royal-sounding name.” “That’s it,” Freddy put in. “Just a King Frederick in general.” “I see,” Oliver said solemnly, though his lips had a decided twitch. His gaze flicked to her. “What about you? Which Maria are you named after?” “The Virgin Mary, of course,” Freddy said. “Of course,” Oliver said, eyes gleaming. “I should have known.” “We’re Catholic,” Freddy added. “My mother was Catholic,” Maria corrected him. “Papa wasn’t, but since Freddy’s mother is, too, we were both raised Catholic.” Not that she’d ever taken any of it very seriously. Papa had always railed against the foolishness of religion. A devious smile broke over Oliver’s face. “A Catholic, too? Oh, this just gets better and better. Gran will have an apoplectic fit when she meets you.” Tired of his insulting comments about her background, she said, “Really, sir-“ “We’re here,” he announced as the coach pulled to a halt.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Wilcox welcomed our interest; we had bottles brought up from every bin, and it was during those tranquil evenings with Sebastian that I first made a serious acquaintance with wine and sowed the seed of a rich harvest which was to be my stay in many barren years. We would sit, he and I, in the Painted Parlour with three bottles open on the table and three glasses before each of us; Sebastian had found a book on wine-tasting, and we followed its instructions in detail. We warmed the glass slightly at a candle, filled it a third high, swirled the wine round, nursed it in our hands, held it to the light, breathed it, sipped it, filled our mouths with it, and rolled it over the tongue, ringing it on the palate like a coin on a counter, tilted our heads back and let it trickle down the throat. Then we talked of it and nibbled Bath Oliver biscuits, and passed on to another wine; then back to the first then on to another, until all three were in circulation and the order of the glasses got confused, and we fell out over which was which, and passed the glasses to and fro between us until there were six glasses, some of them with mixed wines in them which we had filled from the wrong bottle, till we were obliged to start again with three clean glasses each, and the bottles were empty and our praise of them wilder and more exotic. '...It is a little, shy wine like a gazelle.' 'Like a leprechaun.' 'Dappled, in a tapestry meadow.' 'Like a flute by still water.' '...And this is a wise old wine.' 'A prophet in a cave.' '...And this is a necklace of pearls on a white neck.' 'Like a swan.' 'Like the last unicorn.' And we would leave the golden candlelight of the dining-room for the starlight outside and sit on the edge of the fountain, cooling our hands in the water and listening drunkenly to its splash and gurgle over the rocks. 'Ought we to be drunk every night?' Sebastian asked one morning. 'Yes, I think so.' 'I think so too'.
Evelyn Waugh (Brideshead Revisited)
Step 6. Ensure That Your Environment Supports Your Goals Some people subscribe to the philosophy that if the cure doesn’t hurt, it can’t be working. When it comes to permanent changes in diet and lifestyle, the opposite philosophy is the best: The less painful the program, the more likely it is to succeed. Take steps to make your new life easier. Modify your daily behavior so that your surroundings work for you, not against you. Have the right pots, pans, and utensils to cook with; have the right spices, herbs, and seasonings to make your meals delicious; have your cookbooks handy and review them often to make your dishes lively and appealing. Make sure you give yourself the time to shop for food and cook your meals. Change your life to support your health. Don’t sacrifice your health for worthless conveniences. Avoid temptation. Very few people could quit smoking without ridding their house of cigarettes. Alcoholics avoid bars to stop drinking. Protect yourself by protecting your environment. Decrease the time when you are exposed to rich foods to avoid testing your “willpower.” One of the best ways to do this is to throw all the rich foods out of the house. Just as important is to replace harmful foods with those used in the McDougall Program for Maximum Weight Loss. If many of your meals are eaten away from home, make the situations meet your needs. Go to restaurants that offer at least one delicious, nutritious item. Ask the waiter to remove the butter and olive oil from the table. Accept invitations to dinner from friends who eat and live healthfully. Bring healthful foods with you whenever possible. Keep those people close who support your efforts and do not try to sabotage you. Ask family and friends to stop giving you boxes of candy and cakes as gifts. Instead suggest flowers, a card, or a fruit basket. Tell your mother that if she really loves you she’ll feed you properly, forgoing her traditional beef stroganoff.
John A. McDougall (The Mcdougall Program for Maximum Weight Loss)
Adrian and Sydney, I know each of you have your own ways of figuring out where I am. If that’s the course of action to choose to take, nothing I do can stop you. But, I’m begging you, please don’t. Please let me stay away. Let the guardians think I’ve gone AWOL. Let me wander the world, helping those I can. I know you think I should stay with Declan. Believe me, I wish I could. I wish more than anything that I could stay and raise Olive’s son – my son – and give him all the things he needs. But I can’t shake the feeling that we’d never be safe. Someday, someone might start asking about Olive and her son. Someone might connect the baby I’m raising to him, and then her fears would be realized. News of his conception would change our world. It would excite some people and scare others. Most of all, it’d make Olive’s predictions come true: people wanting to study him like a lab rat. And that’s why I’m proposing that no one finds out he’s my son or Olive’s. From now on, let him be yours. No one would question you two raising a dhampir. After all, your own children will be dhampirs, and from what I’ve seen, you two are smart enough to find a way to convince others he’s your biological child. I’ve also seen the way you two love each other, the way you support each other. Even with as challenging as your relationship has been, you’ve held true to yourselves and each other. That’s what Declan needs. That’s the kind of home Olive wanted for him, the kind I want for him. I know it won’t be easy, and walking away from this is one of the hardest things I’ve had to do. If a day comes when I can feel convinced that it’s safe, beyond a doubt, for me to be in his life, then I will. You can use one of those magical methods of yours to find me, and I swear I’ll be there at his side in an instant. But until then, so long as the shadow of others’ fear and scrutiny hangs over him, I beg you to take him and give him the beautiful life I know you can give him. Best, Neil
Richelle Mead (The Ruby Circle (Bloodlines, #6))
In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale. Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell. Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.
Anthony Capella (The Food of Love)
And all I can think about is that it's not over and I'm tired and I'm ready to go but I'm still here. And I have to do it again and again and again." He leaned back in his chair. "You think about that before you tell me I've got it easy." I stayed silent a while before speaking. "So why don't you end it?" "Suicide?" "If your life is such a hell," I asked, "why bother? Why go through it again and again and all those times?" "Because of..." He stopped and looked at the ceiling. After a moment he shrugged. "Because of children," he said, "because of smiles and sunshine and ice cream." "You've got to be kidding." "You don't like ice cream?" Elijah shook his head, "It's the best. Imagine how excited I was when someone finally invented it. " "Sunshine and smiles don't make all that other stuff go away." I said, "This isn't a fairy land." "No," he said. "It's the real world. And the real world is the most amazing thing any of us will ever experience. Have you ever climbed a mountain? Walked through a garden? Played with a child? This isn't exactly a revelation John. People have been praising the simple pleasures since even before I was born, and that's a very long time." "You don't do any of those things." "But I have my memories," Said Elijah. "And I have even simpler things. Music. Food. Everybody likes bacon." "I'm a vegetarian." "Asparagus then," said Elijah, "roasted in pan. A little olive oil and a little salt - you the get the most incredible flavor - almost like a nut. But deep and rich and the textures just perfect..." "I've tried it." "The world is more than sadness," said Elijah, "i have a hundred thousand memories in my head. I can't remember all of them, or maybe even most of them, but they are so much happier than sad. For every dead mother or brother or child there are a hundred breezes, a hundred sunsets, a hundred memories of falling in love. Have you ever kissed anyone, John?" "I don't see how that's any of your business." "A first kiss is important. Most people only get one. But I can remember a hundred thousand of them. How could I give that up?" he shook his dead, smiling for the first time. "The world never gets old, John.
Dan Wells (The Devil's Only Friend (John Cleaver, #4))
Perhaps we could practice together at Marsbury House sometime,” he said. “I would enjoy that.” She ignored the niggle that said encouraging the duke’s suit was wrong when she wasn’t sure she wanted to marry him. “Yes, Lady Celia always enjoys showing a man how to use his gun,” Mr. Pinter put in. “You couldn’t ask for a better tutor, Your Grace.” When the duke stiffened understandably, she glared at Mr. Pinter. “His Grace needs no tutoring. He shoots quite well. And manages to remain civil at the same time, which is more than I can say for you, sir.” Why was Mr. Pinter being so difficult? Bad enough that he’d goaded her into this competition-must he also make her suitors resent her? So far they’d taken her participation in this competition in stride, but if he kept provoking them… Mr. Pinter scowled as they all halted to reload. “Civility is for you aristocrats.” His voice was sullen. “We mere mortals have no sense of it.” “Then it’s a miracle anyone ever hires you to do anything,” she retorted. “Civility is the bedrock of a polite society, no matter what a man’s station.” “I thought money was the bedrock,” eh countered. “Why else does your grandmother’s ultimatum have all of you dashing about trying to find spouses?” It was a nasty thing to say and he knew it, for he cast her a belligerent look as soon as the words left her mouth. “I don’t know why you should complain about that,” she said archly. “Our predicament has afforded you quite a good chance to plump your own pockets.” “Celia,” Oliver said in a low voice, “sheathe your claws.” “Why? He’s being rude.” The beater’s flushed the grouse. Mr. Pinter brought down another bird, a muscle ticking in his jaw as they all fired. “I beg your pardon, my lady. Sometimes my tongue runs away with my good sense.” “I’ve noticed.” She caught the gentlemen watching them with interest and forced a smile. “But since you were good enough to apologize, let us forget the matter, shall we?” With a taut nod, he acknowledged her request for a truce. After that, they both concentrated on shooting. She was determined to beat him, and he seemed equally determined to beat the other gentlemen. She tried not to dwell on why, but the possibility of another kiss from him made her nervous and excited.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
I can only imagine the sort of havoc Oliver must have wreaked as a boy.” Oliver handed Minerva in, then climbed in to sit beside her. “We weren’t that bad.” “Don’t listen to him,” Minerva exclaimed, her eyes twinkling. “One dull evening, he and his friends went to a ball dressed in the livery of the hired footmen. Then they proceeded to drink up the liquor, flirt and wink at the elderly ladies until they were all blushing, and make loud criticisms of the entertainment. After the lady of the house caught on to their scheme and rounded up some stout young men to throw them out, they stole a small stone cupid she had in her garden and sent her a ransom note for it.” “How the devil do you know that?” Oliver asked. “You were, what, eleven?” “Twelve,” Minerva said. “And it was all Gran’s servants could talk about. Made quite a stir in society, as I recall. What was the ransom? A kiss for each of you from the lady’s daughter?” A faint smile touched Oliver’s lips. “And she never did pay it. Apparently her suitors took issue with it. Not to mention her parents.” “Good heavens,” Maria said. “Come to think of it,” Oliver mused aloud, “I believe Kirkwood still has that cupid somewhere. I should ask him.” “You’re as bad as Freddy and my cousins,” Maria chided. “They put soap on all the windows of the mayor’s carriage on the very day he was supposed to lead a procession through Dartmouth. You should have seen him blustering when he discovered it.” “Was he a pompous idiot?” Oliver asked. “A lecher, actually. He tried to force a kiss on my aunt. And him a married man, too!” “Then I hope they did more than soap his windows,” Oliver drawled. The comment caught Maria by surprise. “And you, of course, have never kissed a married woman?” “Not if they didn’t ask to be kissed,” he said, a strange tension in his voice. “But we weren’t speaking of me, we were speaking of Dartmouth’s dastardly mayor. Did soaping his windows teach him a lesson?” “No, but the gift they left for him in the coach did the trick. They got it from the town’s largest cow.” Oliver and Minerva both laughed. Mrs. Plumtree did not. She was as silent as death beside Maria, clearly scandalized by the entire conversation. “Why do boys always feel an urgent need to create a mess others are forced to clean up?” Minerva asked. “Because they know how it irritates us,” Maria said.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Now, then,” he said, returning to the head of the table, “I think you should know that Gran’s original requirement is still in place. The four of you must marry or she will disinherit the lot of us. I’ve done my part. So I suggest that while Maria and I are in America, you four start looking for mates.” It took a second for that to sink in. Minerva exploded first. “That isn’t fair! Gran, I’m sure you’ll have your heir from Oliver and Maria in no time, given the hours they spend up there in the master bedchamber. Why in heaven’s name must you continue this farce?” “I asked her to continue it,” Oliver said. When his siblings gaped at him, he added, “Gran is right-it’s time that we take our place in the world as more than hellions. We’ve been sleepwalking too long, locked into the past, unable to live fruitful lives. Now that Maria has awakened me, I want to wake you up, too. I want you to stop boxing at shadows and hiding in the dark from the scandal of our parents’ deaths. I want you to find what I’ve found-love.” He gazed at Maria, who cast him an encouraging smile. They’d both agreed that this might be the only way to force his siblings awake. “Speak for yourself,” Minerva answered. “I’m perfectly fine. You’re just using that nonsense as an excuse for joining up with Gran to ruin our lives.” She glanced resentfully at Maria. “Is this the thanks we get for pushing him into your arms?” “Pushing me into her arms?” Oliver echoed. “All that making you jealous and keeping you from her-“ Gabe began. “And lying to you about her inheritance,” Jarret added. “Though that didn’t work out quite as planned.” “You wouldn’t even be together if not for us,” Celia said. “I suspect my wife would beg to differ,” Oliver drawled. “But that’s neither here nor there. Rail at me all you want, but Gran’s deadline is still in place. You have ten months to marry.” He cast them a thin smile. “Given how difficult that may prove, however, I’ve hired someone to help you.” He turned to the door. “Mr. Pinter? Would you step inside, please?” The Bow Street Runner walked in, looking uneasy at facing the entire cadre of scandalous Sharpes. “Mr. Pinter has agreed to help you by researching the backgrounds of your potential spouses. I know it can be difficult, especially for you girls, to sort the legitimate suitors from the fortune hunters.” He knew that firsthand. “So Mr. Pinter will investigate anyone who sparks your interest. That should make the entire process move more quickly.” “And cold-bloodedly,” Celia muttered under her breath. Pinter arched an eyebrow but said nothing.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
You look like a goddess,” he murmured as he raked his eyes down her form. And she melted into a puddle. “Thank you.” She tried to sound cool and sophisticated. “I much prefer wearing a gown that’s not too tight.” “Except where it should be.” He dropped his gaze pointedly to her bosom. The frank admiration in his eyes made her glad that she’d let Betty guide her choice for tonight. After that other scandalous gown, she’d been reluctant to wear anything low cut, but this one did look beautiful on her, even with its décolletage. Salmon had always been a good color for her, and the satin rouleaux trim made her feel pretty and elegant. “So it’s presentable enough for dinner with your family?” she asked. “They don’t even deserve to see you in it.” The low rumble of his voice made her breath catch in her throat. “I only wish that you and I could-“ “You do look lovely,” said another voice. Lord Gabriel came up from behind Oliver, dressed all in black as usual. A look of pure mischief crossed his face. “Sorry I’m late, Miss Butterfield, but thank you, brother, for keeping her company until I arrived.” Oliver glared at him. “What the devil do you mean?” “I’m taking the young lady down to dinner.” “That office should be left to her fiancé, don’t you think?” Oliver bit out. “Pretend fiancé. You have no real claim on her. And since you had her to yourself all day…” Lord Gabriel offered his arm. “Shall we, Miss Butterfield?” Maria hesitated, unsure what to do. But Oliver was a danger to her sanity, and his brother wasn’t. So she was better off with Lord Gabriel. “Thank you, sir,” she said, taking his arm. “Now just wait one blasted minute. You can’t-“ “What? Be friendly to our guest?” Lord Gabriel asked, his face a mask of innocence. “Really, old boy, I didn’t realize it mattered that much. But if it upsets you to see Miss Butterfield on the arm of another man, I’ll certainly yield the field.” Lord Gabriel’s words seemed to give Oliver pause. Glancing from Maria to his brother, he smiled, though it didn’t nearly reach his eyes. “No, it’s fine,” he said tightly. “Perfectly fine.” When they headed down the hall with Oliver following behind, Lord Gabriel flashed her a conspiratorial glance. She wasn’t sure what the conspiracy was, but since it seemed to irritate Oliver, she went along. The incident was only the first in a series that continued throughout the week. Whenever she and Oliver found themselves alone, even for a moment, one of his siblings popped up to offer some entertainment-a stroll in the gardens, a ride into Ealing, a game of loo. With each instance, Oliver grew more annoyed, for no reason that she could see. Unless… No, that was crazy.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
I now understand why you’re determined to thwart her,” Maria went on. “She does have a hateful side.” He stared down into the goblet. “I suppose you’d see it that way. She sees it as protective.” “Yet you’re angry at her.” “Oh, for God’s sake, will you stop harping on that? I’m not angry at Gran.” He stepped closer to her. “And if you intend to stand out here all night and plague me with questions about it, I’ll give you something better to do with your mouth.” She gazed up at him, perplexed. “I don’t under-“ He cut her off with a kiss. Let her knee him in the groin. Let her slap him. Anything was better than having her ask him about things he didn’t want to discuss. Ever. But she didn’t kick him. She stayed very, very still, but she didn’t fight him. He drew back to eye her suspiciously. “Well? Aren’t you going to punch me in the kidney? Pull a knife on me?” A smile curved her lips. “You’d like that, wouldn’t you? I kick your shin and march off in a huff, and you don’t have to answer me. But I’m wise to your tricks now, Oliver. I’m not going to stop asking just because-“ He kissed her again, dropping the goblet so he could drag her close and take advantage of her gasp to plunge his tongue into her mouth. Her sweet, silky mouth. So warm and innocent. So dangerous. Swiftly, he retreated. She did not. “What was that…you just did?” she asked in a breathless voice. Such clear evidence of her arousal made something resonate deep in his chest. And that wasn’t good. “It’s another way of kissing.” He ran his thumb over her lower lip, unable to stop himself. “A very intimate way.” Maria heard his explanation in a daze. Another way of kissing? There was more than one? Was it supposed to make her pulse jump and her heart thunder? And why had Nathan never done it to her? Great heavens, Nathan. She had let the villainous Rockton himself kiss her, without a thought for her fiancé! Still, she wanted to know why kissing was different with Oliver. Was it her? Or was it just that Oliver had experience that the respectable Nathan could never have? “Do it again,” she blurted out. Oliver’s eyes, black as the mouth of hell, glittered in the moonlight. “Why?” “Don’t you want to?” Her heart sank. It was her. She’d been so inept that even a debauched scoundrel like Oliver lacked any urge to kiss her again. “Of course I want to,” he growled. “But I don’t fancy having your knee shoved in my groin.” “I won’t hurt you. I just…want to see what it’s like. That’s all.” He narrowed his gaze on her. “Didn’t your Nathan ever kiss you?” “Not like that.” “Never?” She tipped up her chin. “Not all men are as shamelessly wicked as you.” The faintest of smiles touched his lips. “True.” Then he kissed her again, taking advantage of her slightly parted lips to thrust his tongue inside her mouth. And it was glorious, a hundred times more thrilling than any kiss Nathan had ever given her.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
You do that a great deal, don’t you?” He swallowed the rest of his wine. “What?” “Close up into yourself whenever someone tries to peer into your soul. Make a joke of it.” “If you came out here to lecture me,” he snapped, “don’t bother. Gran has perfected that talent. You can’t possibly compete.” “I only want to understand.” “I want to be consumed by a star, but we don’t all get what we want.” “What?” “Never mind.” Turning for the nearest door into the house, he started to stalk off, but she caught his arm. “Why are you so angry at your grandmother?” Maria asked. “I told you-she’s trying to ruin the lives of me and my siblings.” “By requiring you to marry so you can have children? I thought all lords and ladies were expected to do that. And the five of you are certainly old enough.” Her tone turned teasing. “Some of you are beyond being old enough.” “Watch it, minx,” he clipped out. “I’m not in the mood for having my nose tweaked tonight.” “Because of your grandmother, you mean. It’s not just her demand that has you angry, is it? It goes back longer than that.” Oliver glared at her. “Why do you care? Has she got you fighting her battles for her now?” “Hardly. She just informed me that I was, and I quote, ‘exactly the sort of woman who would not meet my requirements of a wife.’” A smile touched his lips at her accurate mimicking of Gran at her most haughty. “I told you she would think that.” “Yes,” she said dryly. “You both excel at insulting people.” “One of my many talents.” “There you go again. Making a joke to avoid talking about what makes you uncomfortable.” “And what is that?” “What did your grandmother do, besides giving you an ultimatum about marriage, that has you at daggers drawn?” Blast it all, would she not leave off? “How do you know she did anything? Perhaps I’m just contrary.” “You are. But that’s not what has you so angry at her.” “If you plan to spend the next two weeks asking ridiculous questions that have no answers, then I will pay you to return to London.” She smiled. “No, you won’t. You need me.” “True. But since I’m paying for the service you’re providing, I get some say in how it’s rendered. Bedeviling me with questions isn’t part of our bargain.” “You haven’t paid me anything yet,” she said lightly, “so I should think there’s some leeway in the terms. Especially since I’ve been working hard all evening furthering your cause. I just finished telling your grandmother that I have ‘feelings’ for you, and that I know you have ‘feelings’ for me.” “You didn’t choke on that lie?” he quipped. “I do have feelings for you-probably not the sort she meant, though apparently she believed me. But she was suspicious. She’s more astute than you give her credit for. First she accused us of acting a farce, and then, when I denied that, she accused me of thinking to marry you so I could gain a fortune from her down the line.” “And what did you say to that?” “I told her she could keep her precious fortune.” “Did you, indeed? I would have given my right arm to see that.” Maria was proving to be an endless source of amazement. No one ever stood up to Gran-except this American chit, with her naïve beliefs in justice and right and morality. It amazed him that she’d done it, considering how he’d treated her. No one, not even his siblings, had ever defended him with so little reason. It stirred something that had long lain dead inside him. His conscience? No, that wasn’t dead; it was nonexistent.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Jackson gaped at her, wondering how this had all turned so terrible wrong. But he knew how. The woman was clearly daft. Bedlam-witted. And trying to drive him in the same direction. "You can't be serious. Since when do you know anything about investigating people?" She planted her hands on her hips. "You won't do it, so I must." God save him, she was the most infuriating, maddening-"How do you propose to manage that?" She shrugged. "Ask them questions, I suppose. The house party for Oliver's birthday is next week. Lord Devonmont is already coming, and it will be easy to convince Gran to invite my other two. Once they're here, I could try sneaking into their rooms and listening in on their conversations or perhaps bribing their servants-" "You've lost your bloody mind," he hissed. Only after she lifted an eyebrow did he realize he'd cursed so foully in front of her. But the woman would turn a sane man into a blithering idiot! The thought of her wandering in and out of men's bedchambers, risking her virtue and her reputation, made his blood run cold. "You don't seem to understand," she said in a clipped tone, as if speaking to a child. "I have to catch a husband somehow. I need help, and I've nowhere else to turn. Minerva is rarely here, and Gran's matchmaking efforts are as subtle as a sledgehammer. And even if my brothers and their wives could do that sort of work, they're preoccupied with their own affairs. That leaves you, who seem to think that suitors drop from the skies at my whim. If I can't even entice you to help me for money, then I'll have to manage on my own." Turning on her heel, she headed for the door. Hell and blazes, she was liable to attempt such an idiotic thing, too. She had some fool notion she was invincible. That's why she spent her time shooting at targets with her brother's friends, blithely unconcerned that her rifle might misfire or a stray bullet hit her by mistake. The wench did as she pleased, and the men in her family let her. Someone had to curb her insanity, and it looked as if it would have to be him. "All right!" he called out. "I'll do it." She halted but didn't turn around. "You'll find out what I need in order to snag one of my choices as a husband?" "Yes." "Even if it means being a trifle underhanded?" He gritted his teeth. This would be pure torture. The underhandedness didn't bother him; he'd be as underhanded as necessary to get rid of those damned suitors. But he'd have to be around the too-tempting wench a great deal, if only to make sure the bastards didn't compromise her. Well, he'd just have to find something to send her running the other way. She wanted facts? By thunder, he'd give her enough damning facts to blacken her suitors thoroughly. Then what? If you know of some eligible gentleman you can strong-arm into courting me, then by all means, tell me. I'm open to suggestions. All right, so he had no one to suggest. But he couldn't let her marry any of her ridiculous choices. They would make her miserable-he was sure of it. He must make her see that she was courting disaster. Then he'd find someone more eligible for her. Somehow. She faced him. "Well?" "Yes," he said, suppressing a curse. "I'll do whatever you want." A disbelieving laugh escaped her. "That I'd like to see." When he scowled, she added hastily, "But thank you. Truly. And I'm happy to pay you extra for your efforts, as I said." He stiffened. "No need." "Nonsense," she said firmly. "It will be worth it to have your discretion." His scowl deepened. "My clients always have my discretion.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
Emma Carroll (Letters from the Lighthouse)
Sirine smiles back and asks what he would like to have for breakfast. He yawns and sits up, and asks almost timidly, "I don't suppose you could make some more of that frekeh?" The dish of smoked wheat kernels with olive oil and garlic. She sits still, the sunlight from the balcony skimming through the bedroom. There are bags and bags of frekeh at her uncle's house, pounds of it at the café, even the Indian market a few blocks away from Han's apartment sells it in bulk. But she takes a breath and frowns and says, "I'm not sure if I can find any more right now." She tells Han to sleep a little longer and she walks down to the Indian market by herself. But when she comes back with her groceries she doesn't have frekeh. She makes scrambled eggs and bacon for breakfast. She stirs dollops of heavy cream and cheese into the eggs, letting the bacon grease soak into the egg, slicing squares of buttered toast in half, filling the glasses with orange juice. She serves this to Han while he's still in bed and he smiles and eats it and doesn't say anything more about frekeh.
Diana Abu-Jaber (Crescent)
You know, I used to hide out here, too.” I smiled. “Grandfather says ‘you know’ all the time, too,” I said. “So do you. I remember when you didn’t like Grandfather,” said Anna. “I was scared of him.” “Not anymore,” said Anna. “Grandfather knows everything,” I said. “Sometimes that’s scary.” Anna’s long hair was the color of corn. She had caught it back in a blue ribbon. “Why are you here?” I asked. “Just came to visit. I brought some medicine for Grandfather. And to check on Sarah.” Anna lived in town now and worked for Dr. Sam. Once I had hidden behind the Russian olive bushes and had seen her kiss Justin, Dr. Sam’s son. It was a long kiss and I had counted twenty-seven full seconds. “And to see you, Cassie. And to tell you a secret.” “I’m tired of secrets,” I said. “You’re never tired of secrets, Cass, you know.” Anna and I laughed at “you know.
Patricia MacLachlan (More Perfect than the Moon (Sarah, Plain and Tall #4))
What can you tell me about this ship?” “She’s one hundred fifteen feet in length, with a beam of twenty-eight, and a depth of sixteen—” “I meant, more generally, what can you tell me about the ship?” “We were a whaler, came sailing around Cape Horn, where we put in at Paita in Peru. The captain received an urgent letter from the American consulate there, enjoining him to pick up passengers and cargo at Panama and bring them to San Francisco. We sold off or unloaded all our stores right there, and converted the ship as well as we might en route to Panama. Once we got here, the captain decided to run the ship aground at high tide. . . .” Again, not exactly what I need to know. “Maybe it would just be better to take us on a tour.” “I can do that,” he says. “Olive! Andrew!” calls out Becky. “Gather around. We’re going to take a tour of the ship.” Our group, which had been wandering and inspecting independently, converges at the center of the deck. Melancthon points to the front of the ship. “That’s the foaksul . . .” “Pardon me, the what?” asks Tom. “Could you spell that please?” “F-O-R-E-C-A-S-T-L-E.” “Ah,” says Tom, as if this makes perfect sense. “Forecastle?” I ask. “That’s what I said!” Melancthon points in the other direction. “And that’s the quarter deck, and there in the rear, that’s the poop deck.” Olive turns to her mother. “Ma, did he just say poop deck?” “I’m certain you misheard,” Becky says. “It’s from la poupe, the French word for the stern of the ship,” Henry explains. “Which, in turn, is derived from the Latin word puppis.” “La poop, la poop, la poop,” Andrew says. His mother turns scarlet. This is all going terribly off track. “Maybe I can just tell you what I want, and you can tell me if it can be done, and, if so, how fast you can do it.” “Yes, ma’am,” Melancthon says.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
Aubade" I know my leaving in the breakfast table mess. Bowl spills into bowl: milk and bran, bread crust crumbled. You push me back into bed. More “honey” and “baby.” Breath you tell my ear circles inside me, curls a damp wind and runs the circuit of my limbs. I interrogate the air, smell Murphy’s Oil Soap, dog kibble. No rose. No patchouli swelter. And your mouth— sesame, olive. The nudge of your tongue behind my top teeth. To entirely finish is water entering water. Which is the cup I take away? More turning me. Less your arms reaching around my back. You ask my ear where I have been and my body answers, all over kingdom come.
Amber Flora Thomas (Eye of Water (Pitt Poetry Series))
An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Sarah looked down at the partially—perfectly—finished sweater on her lap and found a smile. “Not even close.” “Pull out a strand of your hair. A long one.” Sarah frowned. “What? Why?” Her grandmother didn’t reply, she simply waited for Sarah to do as she asked. The strand of hair came out with a quick tug, probably nine inches long. “Now wrap it around the blue yarn.” Still not understanding, Sarah did as her grandmother directed. “Now knit a row.” Even though she was still wondering what was going on, Sarah followed Olive’s directions once more. Her grandmother didn’t say anything else until she made it to the end of the row. “There’s a knitting superstition that if you knit one of your own hairs into a garment, it will bind the recipient to you forever.
Bella Andre (The Best Is Yet To Come (Summer Lake, #1))
One reason why fundamentalists have such high ACR scores may be due to church doctrine. Many of the fundamentalist theologians who espouse supernatural interpretations of scripture are often the same ones who advocate strict child-rearing practices.20 For example, Rev. James Dobson’s best-selling book, Dare to Discipline, explicitly links its fundamentalist beliefs to having obedient and well-mannered children. And upon reflection, this connection between strict child rearing and fundamentalism is not at all surprising. Many fundamentalist sects demand submission and obedience to the strict will of God. It’s no surprise, then, that obedience and respect are regarded as desirable traits among people who see them as pathways to salvation. That noted, it’s also important to recognize that not all authoritarians are fundamentalists. Indeed, 45 percent of strong authoritarians do not hold fundamentalist beliefs. And some of this difference may have to do with another factor emphasized by the original authors of The Authoritarian Personality: childhood experience. By their account, being raised in an overly harsh or punitive social environment contributes to authoritarianism. These same factors might also contribute to magical thinking. Our research suggests that this is plausible. In our surveys, we asked respondents to describe their childhood in very general terms. Did they grow up in a •  very strict house where all rules had to be followed (31 percent); •  moderate house where only some rules were strictly enforced (59 percent); •  relaxed house where my parents largely let me alone (10 percent). Not surprisingly, these items are correlated with ACR scores. Authoritarians are far more likely to report being raised in strict homes; for example, 42 percent of people raised in strict homes are strong authoritarians, compared with only 23 percent of people from relaxed homes. More important, however, is that the type of home you were raised in is also a big predictor of your Intuitionism score. People from strict homes score four points higher on our Intuitionism scale than people from either moderate or relaxed homes, even when we take their ACR scores into account.
J. Eric Oliver (Enchanted America: How Intuition & Reason Divide Our Politics)
Viet Cong, young men carelessly eating their breakfast, never suspecting the Americans would be out so early. They paid with their lives. Most of us were pretty excited whenever we actually, but rarely, saw the enemy, much less killed them. But Barnes was cool, so cool, no big displays ever. Having reported the incident, and stripping the dead men, he soon had us under way, no credit taken, looking for further action ahead; considering there had already been contact, the likelihood of more that day was in the air. Whereas some of us were not looking forward to such an encounter, the thought excited Barnes. He was a great soldier, probably on his second or third tour — but why? Why would he come back after a facial wound like he had? I never asked, and he never told. You hear things in the army, as in all society, and some kind of narrative emerges; in this case, the story was that he’d been literally shot or sustained shrapnel in the face, skull, head, requiring a major reconstruction job as the scar branched deeply around his eye, nose, and cheek; even his lips were affected. And as he had clearly once been a handsome man, the scars perversely heightened his visage into a Phantom of the Opera echo — a man distorted, perhaps, by anger or revenge, or really a question mark. What was he about? He never hinted in all the time I was around him. I watched him with both curiosity and trepidation; he’d get back to the rear after we’d been out in the field a week or more and relax with booze, poker, cigarettes, sometimes a cigar. It was said he’d been in Japan in the hospital about eight months, rehabbing from the wound. And there he’d “married a Japanese gal.” And now he was back. Sort of an Ahab looking for his White Whale. And here I was, like Ishmael, walking five or ten steps behind him, always expecting that something was going to break because, like a fly, he smelled the blood of war. As good a soldier as he was, I was relieved when he got rid of me as his radio operator.
Oliver Stone (Chasing The Light: How I Fought My Way into Hollywood - From the 1960s to Platoon)
[The Death of Ivan Ilych is] possibly the best short story ever written, depending on whether or not you consider The Leopard [Giuseppe di Lampedusa] to be a short story, but it is only about 50 pages or so. It describes how easy it is to go through life, in the same way as Eliot describes in ‘Prufrock’, trying to please everyone and to be a good person, to conform, without really having any authentic intimacy with anyone. And the great importance really of waking up and smelling the coffee and seeing that the superficial things in life really are superficial and that what actually matters is how you conduct yourself in your relationships with your intimates. Well [Tolstoy]... was [bad at that], yes. And, er, that’s true, of course, of many authors. They can be extraordinarily adept at writing stories about the things that they are unable to do themselves. [Defining authentic intimacy...] ...that’s a whole subject but sincerity is that you feel passionately that something is real and important, as opposed to authenticity where you divine internal truth, your true feeling and also external truth, the true feeling of other people. It’s not about being Tony Blair who is sincere but inauthentic; it’s about being… well, who? It’s very difficult to know, though, because these people are so good at presenting themselves. Somebody who is authentic in the public eye… well, very few people. Most high achievers are not very authentic. Unless you know people very well it’s hard to judge. [I suppose the point of superficiality is that it’s a defence against vulnerability. Being authentic makes you terribly vulnerable.] I don’t think it’s the same thing as telling the truth. My mother, in her later years after my father died, was a good example of someone who became very wise when she got older. If she watched me doing something stupid, she wouldn’t say: ‘Oh, don’t be so stupid,’ but she’d ask a question: ‘I wonder if you’ve thought about this or that?’ If I didn’t want to hear any more she would let it go. She didn’t try to impose her version on me but at the same time she tried to signal what she felt was true. She certainly didn’t tell lies. An authentic person in an inauthentic environment, like a corporate headquarters or a television company, might need to construct quite an elaborate persona and it might entail… well, keeping your mouth shut a lot.
Oliver James
When you’re faced with too many demands, it’s easy to assume that the only answer must be to make better use of time, by becoming more efficient, driving yourself harder, or working for longer—as if you were a machine in the Industrial Revolution—instead of asking whether the demands themselves might be unreasonable.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.
Carole Matthews (The Chocolate Lovers' Club)
The healthiest carbohydrates come from whole grains, legumes, vegetables and whole fruits. The least healthy carbohydrates come from white bread, white rice, past and other refined grains, sugary foods and drinks and potatoes. There is an easy way to tell healthy fats from unhealthy fats. Most of the healthy fats - the monounsaturated and polyunsaturated fats - come from plants and are liquid at room temperature. Rich green olive oil, golden sunflower oil, the oil that rises to the top of a jar of natural nut butter and the oils that come from fatty fish and all examples of healthy unsaturated fats. The unhealthy fats ( saturated fats ) and the very unhealthy fats ( trans fats ) tend to be solid at room temperature, such as the fat that marbles a steak or that is found in a stick of butter. Meat and full fat dairy products are the biggest sources of saturated fat in the western diet. So for good health, enjoy healthy fats, limit saturated fat and avoid trans fat. Mindfulness practice touches the stillness in ourselves. It allows us to calm down and reflect so that we can reconnect with our true self. When we are free from our automatic responses, we can see more clearly things as they are, from moment to moment, without judgment, preconceived notions or bias. We get to know ourselves better. We become more more in tune with our own feelings, actions and thoughts as well as with the feelings, actions and thoughts of others. You need to ask yourself what is it that you really want. Often our habit energy and fear prevent us from identifying what we want and from living healthily. The essential point is that we do not try to repress our afflictions, our negative energies, because the more we resist or fight them, the stronger they will grow in us. We need only to learn to recognize them, embrace them and bathe them in the energy of mindfulness. Once you can be in the present, you will recognize that your fears, anger and despair are all projections from the past. They are not the present reality. Don't just sit there and wait for your negative feelings to pass. Complaining will not change your life. Change your thinking and you can let go of limitations you imposed on yourself. Explore and be proactive. I am aware that happiness depends on my mental attitude and not on external conditions and that I can live happily in the present moment simply by remembering that I already have more than enough conditions to be happy. Aware of the suffering caused by unmindful speech and the inability to listen to others, I am committed to cultivating loving speech and compassionate listening in order to relieve suffering and to promote reconciliation and peace in myself and among other people. I am determined not to try to cover up loneliness, anxiety or other suffering by losing myself in consumption.
Thich Nhat Hanh (Savor: Mindful Eating, Mindful Life)
So what kind of minister do your folks want?” I asked. “Who cares? They’re olds, too. They want someone who will like them more than Tom Fox does. But I think we need someone younger and not some old-school lady minister going on and on with the Mary Oliver and the Annie Dillard.” I liked both writers and said so.
Michelle Huneven (Search)
They had left the buckets of stemmed flowers and now found themselves in the center of the indoor succulent section, an array of miniature plants with whimsical names such as burro's tail and flaming katy. Olive slowed her pace, taking her time perusing metal racks of each variety. She stooped down and plucked a container of a sweet, blossom-shaped plant. "What's that one?" Julia asked. She liked the look of its pink-edged tips, whose color reminded her of a radish. "This guy here is called roseum. It likes the sun, so I'd have to think of a spot near a window. But it's a nice touch of color among all the green. At different times of year, it develops clusters of light-pink star-shaped flowers. I like it because it adds texture next to something like, say, that jade plant, which is more like a stocky little tree. If I place them together, it adds interest." "Wow. That sounds great." Olive brightened. "Thanks. And then, see these here?" She pointed to a miniature plant with chubby, rosette-style leaves. "Yes?" Julia leaned closer and squinted to read the sign. "The one that says 'Sedum Golden Glow'?" "Yes. That one. I'm thinking of getting a few of those guys and placing them on the dining table in these cool little glass-and-gold terrariums I found online. They have delicate little panes of glass set against metal frames that catch your eye, and they're fancy enough for Mom's taste. She's okay if I do rustic, but she always wants a touch of something expensive mixed in. The terrariums do the trick, I think.
Nicole Meier (The Second Chance Supper Club)
Our limited time isn’t just one among various things we have to cope with; rather, it’s the thing that defines us, as humans, before we start coping with anything at all. Before I can ask a single question about what I should do with my time, I find myself already thrown into time, into this particular moment, with my particular life story, which has made me who I am and which I can never get out from under. Looking ahead to the future, I find myself equally constrained by my finitude: I’m being borne forward on the river of time, with no possibility of stepping out of the flow, onward toward my inevitable death—which, to make matters even more ticklish, could arrive at any moment.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
The more questions I had, the more it felt like there was an empty black void I was asking them into. I had no idea how wide or deep it went and was beginning to not want to find out. I didn't feel like yelling and not being heard anymore.
Amanda Oliver (Overdue: Reckoning with the Public Library)
When you’re faced with too many demands, it’s easy to assume that the only answer must be to make better use of time, by becoming more efficient, driving yourself harder, or working for longer—as if you were a machine in the Industrial Revolution—instead of asking whether the demands themselves might be unreasonable
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
{The Death of Ivan Ilych is} possibly the best short story ever written, depending on whether or not you consider The Leopard [Giuseppe di Lampedusa] to be a short story, but it is only about 50 pages or so. It describes how easy it is to go through life, in the same way as Eliot describes in ‘Prufrock’, trying to please everyone and to be a good person, to conform, without really having any authentic intimacy with anyone. And the great importance really of waking up and smelling the coffee and seeing that the superficial things in life really are superficial and that what actually matters is how you conduct yourself in your relationships with your intimates. Well [Tolstoy]... was [bad at that], yes. And, er, that’s true, of course, of many authors. They can be extraordinarily adept at writing stories about the things that they are unable to do themselves. [Defining authentic intimacy...] ...that’s a whole subject but sincerity is that you feel passionately that something is real and important, as opposed to authenticity where you divine internal truth, your true feeling and also external truth, the true feeling of other people. It’s not about being Tony Blair who is sincere but inauthentic; it’s about being… well, who? It’s very difficult to know, though, because these people are so good at presenting themselves. Somebody who is authentic in the public eye… well, very few people. Most high achievers are not very authentic. Unless you know people very well it’s hard to judge. [I suppose the point of superficiality is that it’s a defence against vulnerability. Being authentic makes you terribly vulnerable.] I don’t think it’s the same thing as telling the truth. My mother, in her later years after my father died, was a good example of someone who became very wise when she got older. If she watched me doing something stupid, she wouldn’t say: ‘Oh, don’t be so stupid,’ but she’d ask a question: ‘I wonder if you’ve thought about this or that?’ If I didn’t want to hear any more she would let it go. She didn’t try to impose her version on me but at the same time she tried to signal what she felt was true. She certainly didn’t tell lies. An authentic person in an inauthentic environment, like a corporate headquarters or a television company, might need to construct quite an elaborate persona and it might entail… well, keeping your mouth shut a lot.
Oliver James
the more you believe you might succeed in “fitting everything in,” the more commitments you naturally take on, and the less you feel the need to ask whether each new commitment is truly worth a portion of your time—and so your days inevitably fill with more activities you don’t especially value.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
PARABLE OF DISHONEST MANAGER. [Lk. 16:1–13] Jesus told his disciples: “There was a rich man whose manager was accused of wasting his possessions. So he called him in and asked him, ‘What is this I hear about you? Give an account of your management, because you cannot be manager any longer.’ “The manager said to himself, ‘What shall I do now? My master is taking away my job. I’m not strong enough to dig, and I’m ashamed to beg—I know what I’ll do so that, when I lose my job here, people will welcome me into their houses.’ “So he called in each one of his master’s debtors. He asked the first, ‘How much do you owe my master?’ “ ‘Nine hundred gallons4 of olive oil,’ he replied. “The manager told him, ‘Take your bill, sit down quickly, and make it four hundred and fifty.’ “Then he asked the second, ‘And how much do you owe?’ “ ‘A thousand bushels5 of wheat,’ he replied. “He told him, ‘Take your bill and make it eight hundred.’ “The master commended the dishonest manager because he had acted shrewdly. For the people of this world are more shrewd in dealing with their own kind than are the people of the light. I tell you, use worldly wealth to gain friends for yourselves, so that when it is gone, you will be welcomed into eternal dwellings.
F. LaGard Smith (The Daily Bible® - In Chronological Order (NIV®))
Something wet and cold fell into her lap. Aimee jumped in surprise, jolted out of her sensual daydreams. She stared as a large trout flopped up and down on her legs. Her gaze shot toward the river. Daniel wore a wolfish grin on his face. “You threw a fish at me?” she shouted in false anger. “I can’t believe you threw a fish at me!” In truth, it was hard to believe. Mr. Tall, Dark, and Scowly had actually done something funny. Imagine that. She bent down in pretense of picking up the wiggling fish, and gathered a handful of river mud from the bank, and squeezed it into a ball. As Daniel slowly waded toward her, still grinning from ear to ear, she aimed and threw the mud, hitting him in the shoulder. “Hah! Take that!”  Daniel’s grin faded quickly. “Two can play at that game.” Aimee kept taunting him, her hands on her hips. Daniel emerged from the river, and she swallowed hard. Her eyes roamed over his glistening wet body as he advanced. His feral virility stunned her. Several large jagged scars on his chest stood out against his olive skin. Why hadn’t she noticed them the day before? She swallowed nervously as her gaze traveled lower, and sighed in relief. He wasn’t completely nude. He wore a breechcloth, but it didn’t leave much to the imagination as to what it covered, and only served to accentuate his flat, rippled stomach and muscular thighs. The smoldering look in his eyes as he advanced sent her a few steps backwards, and the smile on her face froze. Oh God! Is he really this angry because I threw some mud at him?  In one lightning fast, predatory move, Daniel grabbed her up and flung her over his shoulder like a sack of potatoes, and turned back to the water. “What are you doing? Put me down!” Aimee shrieked. Her fists pounded his hard back while her feet kicked uselessly in the air. He waded into the water a few feet, and unceremoniously threw her into the river. Before she hit the water, her thought was one of disbelief that he carried the game this far. It seemed so uncharacteristic of him. “You slimeball,” she yelled as her head emerged from the water. She was actually pleasantly surprised at this new, playful side of him. At least it solved her dilemma of wanting to go for a swim earlier. “How dare you!” she squealed in mock anger. Daniel dove into the river after her and came up inches from her face. She splashed water at him to ward him off. Daniel’s hands shot up and encircled her wrists. Flashing a devilish grin, he asked, “What is a slimeball?” She couldn’t keep up her false anger any more. “A slippery snake,” she laughed. “Like you, who preys on helpless women.” Daniel’s eyebrows shot up. “I thought you said you weren’t helpless.” “You’re right, I’m not helpless,” she confirmed, and flapped like a fish to try and free herself from his iron grip.
Peggy L. Henderson (Yellowstone Heart Song (Yellowstone Romance, #1))
Another key to a perfect salad is the sauce, or vinaigrette. Most people don’t think of vinaigrette as a sauce but it is one of the most important in the French repertoire. It always includes mustard, and shallot, garlic, or chives, either vinegar or lemon juice, and most often peanut oil, though olive and canola oil are rapidly becoming more common. The proportions are 1 tablespoon vinegar, 1 teaspoon mustard, ¼ cup (60ml) oil, a pinch of salt. There can be more to a vinaigrette. Try adding a bit of soy sauce (1 teaspoon) when you add the vinegar, mix oils or use just a nut oil—hazelnut and walnut are my favorites, but almond and peanut oil are delicious, too. You can add different herbs aside from the traditional chives—try tarragon, mint, thyme, basil, or fennel fronds—a flavored mustard, a mix of ground peppercorns. One vital tip for making a great salad, whether green, composed, or otherwise, is to thoroughly toss the leaves in the vinaigrette. Some people ask me if they should toss salad with their hands. My resounding response is “Ugh.” Apparently someone at some time said the French do this but I’ve never witnessed this behavior and cannot imagine anything worse. The best utensils for tossing salad are a wooden spoon and fork, though you can use whatever is easiest for you. The point is to fatiguer la salade, tire out the lettuce, by lifting it up and out of the bowl, turning it, and letting it fall back into the bowl as many times as it takes for the lettuce leaves to begin to feel heavy. When they do, they’re perfectly dressed. And finally, toss the lettuce right before you plan to serve the salad. You cannot do this in advance. The acid in the vinaigrette begins to “cook” the leaves almost immediately—they’ll soon be wilted and soft if they’re left to sit.
Susan Herrmann Loomis (In a French Kitchen: Tales and Traditions of Everyday Home Cooking in France)
The vibrations of an addict are of a very specific sort—they ricochet, out of control, mostly out of reach. The energy called up by the drug quickly disperses, leaving a void, a nothingness. Nature abhors a vacuum, so negative forces rush in, take up residence. The only immediate relief is more narcotics. It must be horrific. “Come in, come in. I’m Senator Jonathan Huffman. You’re welcome here,” said a man in his late sixties, with a booming, commanding voice. He was hale and hearty, a ruddy glow under an expensive haircut. Dressed in a navy blue jacket over khaki pants, he wore an honest-to-gosh ascot at his throat. He exuded wealth and privilege, innate confidence. And an overanxious need to be liked. He had one arm wrapped around a woman similar in age, who was fragile and birdlike, almost lost in her Nancy Reagan–style bright red ensemble. She nodded at us and smiled. “You’re friends of Oliver’s, I presume?” asked the senator. “Oh, hey, Gregory,” said Oliver with a
Juliet Blackwell (Hexes and Hemlines (A Witchcraft Mystery, #3))
...but the problem was more fundamental. Powell and the State Department hoped an agreement with North Korea would be a positive step reducing the threat of nuclear war. Bush, Cheney, and the Vulcans, wedded to a view of the world as a Manichean contest between good and evil, rejected the idea of negotiating with a state they deemed immoral. If the United States had brought the evil empire of the Soviet Union to its knees, why deal with a state vastly smaller, weaker, and more repressive? Bush's response to Kim Dae-Jung's visit set the tone for the administration. The United States would not enter into an agreement that kept a brutal regime in power. For Bush, foreign policy was an exercise in morality. That appealed to his religious fervor, and greatly simplified dealing with the world beyond America's borders. 'I've got a visceral reaction to this guy...Maybe it's my religion, but I feel passionate about this.' Bush's personalization of foreign policy and his refusal to deal with North Korea was the first of a multitude of errors that came to haunt his presidency. Instead of bringing a denuclearized North Korea peacefully into the family of nations, as seemed within reach in 2001, the Bush administration isolated the government in Pyongyang hoping for its collapse. In the years following, North Korea continued to be an intractable problem for the administration. By the end of Bush's presidency, North Korea had tested a nuclear device and was believed to have tripled its stock of plutonium, accumulating enough for at least six nuclear weapons. Aside from their attachment to the idea of American hegemony, the worldview of Bush, Cheney, and the Vulcans was predicated on a false reading of history. A keystone belief was that Ronald Reagan's harsh rhetoric and policy of firmness had forced the collapse of the Soviet Union and ended the Cold War. In actuality, Ronald Reagan's harsh rhetoric during his first three years in office actually intensified the Cold War and heightened Soviet resistance. Not until Reagan changed course, replaced Alexander Haig with George Schultz, and held out an olive branch to the Soviets did the Cold War begin to thaw. Beginning with the Geneva summit in 1985, Reagan would meet with Gorbachev five times in the next three years, including a precedent-shattering visit to the Kremlin and Red Square. What about the 'evil empire' the president was asked. 'I was talking about another time, another era,' said Reagan. President Reagan deserves full credit for ending the Cold War. But it ended because of his willingness to negotiate with Gorbachev and establish a relationship of mutual trust. For Bush, Cheney, and the Vulcans, this was a lesson they had not learned. (p.188-189)
Jean Edward Smith (Bush)
You have much sorrow within you. Do you care to speak of it, Warrior?” Baird scarcely knew where to begin. “It’s my bride—our minds have been aligned these six Earth months and I can tell by her scent that she needs me as much as I need her. But I can’t make her see it. She…refuses me over and over again.” The priestess frowned. “And this hurts your pride?” “Hell, yes, it hurts my pride,” Baird burst out. Then he remembered who he was talking too. “Sorry, your holiness. It’s just…it hurts my heart too. I love her so much, need her so much and she wants nothing to do with me.” “Are you kind to her? Do you honor and respect her? Worship her body with your own?” the priestess demanded. “Uh…” Baird squirmed uncomfortably. “As much as she’ll let me. She’s, uh, decided that she doesn’t…doesn’t want me to touch her anymore. At least, no more than necessary.” “She fears you.” It was a statement, not a question. Baird nodded. “Yeah, I guess she does. Or fears what she’ll lose by giving in to me.” “What does she fear to lose?” the priestess asked. “Her family—especially her sister who she loves very much. And her career. She just finished schooling to become some kind of a medic and she wants to be able to use her training.” The priestess nodded regally. “That is much to give up for the love of a male she’s never seen except in her dreams.” “I know it is,” Baird said desperately. “But she’s the only one for me—my one true mate.” “Then what are you prepared to give up for her?” The green-within-green eyes watched him sharply. “Anything I have to. But it’s not like I can move down to Earth to be with her. The Council has forbidden cohabitation on the planet’s surface until the Scourge is taken care of.” “Would you wait for her until the war is over?” She raised an olive green eyebrow inquiringly. “If I had to. But that could take years! And she’s not bonded to me—how could I trust that another wouldn’t win her heart while I was stuck up here without her?” Baird demanded. “I need her—need to bond her to me but she’s determined not to.” “You present a thorny dilemma.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))