Olive Green Quotes

I've never really thought about it before, but it's a miracle how many kinds of light there are in the world, how many skies: the pale brightness of spring, when it feels like the hole world's blushing; the lush, bright boldness of a July noon; purple storm skies and a green queasiness just before lightning strikes and crazy multicolored sunsets that look like someone's acid trip.

But how could anyone who's ever seen a summer - big explosion of green and skies lit up electric with splashy sunsets, a riot of flowers and wind that smells like honey - pick the snow?

Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?

The Poet With His Face In His Hands You want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound. So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself across the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets like crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all you want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.

I'm not with Rob," I say quickly. "Not anymore." "You're not?" He's staring at me so intensely I can see the stripes of gold alternating with the green in his eyes like spokes of a wheel. I shake my head. "That's a good thing." He's still staring at me like that, like he's the first and last person who will ever stare at me. "Because..." His voice trails off, and his eyes travel slowly down to my lips, and there's so much heat roaring through my body I swear I'm going to pass out. "Because?" I prompt him, surprised I can still speak. "Because I'm sorry, but I can't help it, and I really need to kiss you right now.

Anthony Bridgerton leaned back in his leather chair,and then announced, "I'm thinking about getting married." Benedict Bridgerton, who had been indulging in a habit his mother detested—tipping his chair drunkenly on the back two legs—fell over. Colin Bridgerton started to choke. Luckily for Colin, Benedict regained his seat with enough time to smack him soundly on the back, sending a green olive sailing across the table. It narrowly missed Anthony's ear.

Her eyes were olive green―incisive and clear.

Most true is it that 'beauty is in the eye of the gazer.' My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth, — all energy, decision, will, — were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me, — that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me.

Because of the dog's joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?

I want to help you,' I say to Juliet, though I know that I can't make her understand, not like this. 'Don't you get it?' She turns to me, and to my surprise I see she's crying. 'I can't be fixed, do you understand?' I think of standing on the stairs with Kent and saying exactly the same thing. I think of his beautiful light green eyes, and the way he said, You don't need to be fixed and the warmth of his hands and the softness of his lips. I think of Juliet's mask and how maybe we all feel patched and stitched together and not quite right. I am not afraid. Dimly, I have the sense of roaring in my ears and voices so close and faces, white and frightened, emerging from the darkness, but I can't stop staring at Juliet as she's crying, still so beautiful. 'It's too late,' she says. And I say, 'It's never too late.

Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tire and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn't go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought. Grace's life fell apart because of a single word: sympathizer. My world exploded because of a different word: suicide. Correction: That was the first time my world exploded. The second time my world exploded, it was also because of a word. A word that worked its way out of my throat and danced onto and out of my lips before I could think about it, or stop it. The question was: Will you meet me tomorrow? And the word was: Yes.

No wonder Sleeping Beauty looked so good...she took long naps, never got old, and didn't have to do anything but snore to get her Prince Charming.

Name three types of olives." "Olives! I wouldn't know one type!" "Well, there are three. You can get green ones, you can get black ones, or you can get stuffed.

Fuck You Poem #45 Fuck you in slang and conventional English. Fuck you in lost and neglected lingoes. Fuck you hungry and sated; faded, pock marked, and defaced. Fuck you with orange rind, fennel and anchovy paste. Fuck you with rosemary and thyme, and fried green olives on the side. Fuck you humidly and icily. Fuck you farsightedly and blindly. Fuck you nude and draped in stolen finery. Fuck you while cells divide wildly and birds trill. Thank you for barring me from his bedside while he was ill. Fuck you puce and chartreuse. Fuck you postmodern and prehistoric. Fuck you under the influence of opiun, codeine, laudanum, and paregoric. Fuck every real and imagined country you fancied yourself princess of. Fuck you on feast days and fast days, below and above. Fuck you sleepless and shaking for nineteen nights running. Fuck you ugly and fuck you stunning. Fuck you shipwrecked on the barren island of your bed. Fuck you marching in lockstep in the ranks of the dead. Fuck you at low and high tide. And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens. Fuck you in gasps and whispered benedictions. And fuck these curses, however heartfelt and true, that bind me, till I forgive you, to you.

None of your knowledge, your reading, your connections will be of any use here: two legs suffice, and big eyes to see with. Walk alone, across mountains or through forests. You are nobody to the hills or the thick boughs heavy with greenery. You are no longer a role, or a status, not even an individual, but a body, a body that feels sharp stones on the paths, the caress of long grass and the freshness of the wind. When you walk, the world has neither present nor future: nothing but the cycle of mornings and evenings. Always the same thing to do all day: walk. But the walker who marvels while walking (the blue of the rocks in a July evening light, the silvery green of olive leaves at noon, the violet morning hills) has no past, no plans, no experience. He has within him the eternal child. While walking I am but a simple gaze.

What would the world be like without music or rivers or the green and tender grass? Would would this would be like without dogs?

I learned from Whitman that the poem is a temple--or a green field--a place to enter, and in which to feel.

GOING TO WALDEN It isn't very far as highways lie. I might be back by nightfall, having seen The rough pines, and the stones, and the clear water. Friends argue that I might be wiser for it. They do not hear that far-off Yankee whisper: How dull we grow from hurrying here and there! Many have gone, and think me half a fool To miss a day away in the cool country. Maybe. But in a book I read and cherish, Going to Walden is not so easy a thing As a green visit. It is the slow and difficult Trick of living, and finding it where you are.

Nothing like an orange and olive green-striped couch sitting on orange carpet and surrounded by dark wood paneling to get the inspiration rolling.

A small olive-skinned creature who had hit puberty but never hit it very hard, Ben had been my best friend since fifth grade, when we both finally owned up to the fact that neither of us was likely to attract anyone else as a best friend.

She turned back to inspect a bank of greens: olive, jade, leaf, kiwi, lime, a silver-green like the back of birch leaves, a bright pistachio.

Hope was a cancer inside him. He didn't want it; he did not want it. He could not bear these shoots of tender green hope springing up within him any longer. (45)

Sometimes I think maybe they were right all along, the people on the other side in Zombieland. Maybe it would be better if we didn't love. If we didn't lose either. If we didn't get our hearts stomped on, shattered: if we didn't have to patch and repatch until we're like Frankenstein monsters, all sewn together and bound up by who knows what. If we could just float along, like snow. But how could anyone who's ever seen a summer - big explosions of green and skies lit up electric with splashy sunsets, a riot of flowers and wind that smells like honey - pick the snow?

I'm not ugly but I'm not pretty either. Everything is in-between. I have eyes that aren't green or brown, but a muddle. I'm not thin but I'm not fat either. the only thing you could definitely say about me is that: I'm short

Going to Walden is not so easy a thing As a green visit. It is the slow and difficult Trick of living, and finding it where you are.

And two years ago this morning I woke wondering what delightful gift the new day would give me. These are the two years I thought would be filled with fun." "Would you exchange them - now - for two years filled with fun " "No " said Rilla slowly. "I wouldn't. It's strange - isn't it - They have been two terrible years - and yet I have a queer feeling of thankfulness for them - as if they had brought me something very precious in all their pain. I wouldn't want to go back and be the girl I was two years ago not even if I could. Not that I think I've made any wonderful progress - but I'm not quite the selfish frivolous little doll I was then. I suppose I had a soul then Miss Oliver - but I didn't know it. I know it now - and that is worth a great deal - worth all the suffering of the past few years.

Breathless, I gazed into his eyes. “I love you Ollie. No matter what happens, never forget that. I will always love you. You have a piece of my heart forever.” Beaming at me the tip of his nose touched mine as his forehead rested against my own. “I love you too Layla. You’ve had my heart since the moment you looked up at me from the hallway floor. You always will.

Of course I am thinking the Lord was once young and will never in fact be old. And who else could this be, who goes off down the green path, Carrying his sandals, and singing?

Here is an amazement—once I was twenty years old and in every motion of my body there was a delicious ease, and in every motion of the green earth there was a hint of paradise, and now I am sixty years old, and it is the same.

He went through the cupboards, found the olive oil, and started upstairs again. He glanced down at the green and gold label and had to bite back a laugh at the words Extra Virgin. That about summed it up.

And then as the little plane climbed higher and Olive saw spread out below them fields of bright and tender green in this morning sun, farther out the coastline, the ocean shiny and almost flat, tiny white wakes behind a few lobster boats--then Olive felt something she had not expected to feel again: a sudden surging greediness for life. She leaned forward, peering out the window: sweet pale clouds, the sky as blue as your hat, the new green of the fields, the broad expanse of water--seen from up here it all appeared wondrous, amazing. She remembered what hope was, and this was it. That inner churning that moves you forward, plows you through life the way the boats below plowed the shiny water, the way the plane was plowing forward to a place new, and where she was needed.

It's like this," Nana says. "All your life you're yellow. Then one day you brush up against something blue, the barest touch, and voila, the rest of your life you’re green.

Because of the dog's joyfulness, our own is increased... what would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?

Spring flew swiftly by, and summer came; and if the village had been beautiful at first, it was now in the full glow and luxuriance of its richness. The great trees, which had looked shrunken and bare in the earlier months, had now burst into strong life and health; and stretching forth their green arms over the thirsty ground, converted open and naked spots into choice nooks, where was a deep and pleasant shade from which to look upon the wide prospect, steeped in sunshine, which lay stretched out beyond. The earth had donned her mantle of brightest green; and shed her richest perfumes abroad. It was the prime and vigour of the year; all things were glad and flourishing.

I had a ritual—and having any ritual sounded so mature that I told everyone about it, even the regulars. On my days off I woke up late and went to the coffee shop and had a cappuccino and read. Then around five p.m., when the light was failing, I would take out a bottle of dry sherry and pour myself a glass, take out a jar of green olives, put on Miles Davis, and read the wine atlas. I didn't know why it felt so luxurious, but one day I realized that ritual was why I had moved to New York—to eat olives and get tipsy and read about Nebbiolo while the sun set. I had created a life that was bent in service to all my personal cravings.

But first and foremost, I learned from Whitman that the poem is a temple—or a green field—a place to enter, and in which to feel. Only in a secondary way is it an intellectual thing—an artifact, a moment of seemly and robust wordiness—wonderful as that part of it is. I learned that the poem was made not just to exist, but to speak—to be company.

It was like staring into the face of a familiar stranger. You know, that person you see in a crowd and swear you know, but you really don't? Now she was me - the familiar stranger. She had my eyes. They were the same hazel color that could never decide whether it wanted to be green or brown, but my eyes had never been that big and round. Or had they? She had my hair - long and straight and almost as dark as my grandma’s had been before hers had begun to turn silver. The stranger had my high cheekbones, long, strong nose, and wide mouth - more features from my grandma and her Cherokee ancestors. But my face had never been that pale. I’d always been olive-ish, much darker skinned than anyone else in my family. But maybe it wasn’t that my skin was suddenly so white ... maybe it just looked pale in comparison to the dark blue outline of the crescent moon that was perfectly positioned in the middle of my forehead. Or maybe it was the horrid fluorescent lighting. I hoped it was the lighting. I stared at the exotic-looking tattoo. Mixed with my strong Cherokee features it seemed to brand me with a mark of wildness ... as if I belonged to ancient times when the world was bigger ... more barbaric. From this day on my life would never be the same. And for a moment — just an instant—I forgot about the horror of not belonging and felt a shocking burst of pleasure, while deep inside of me the blood of my grandmother’s people rejoiced.

Summer explodes into Portland. In early June the heat was there but not the color--the green were still pale and tentative, the morning had a biting coolness--but by the last week of school everything is Technicolor and splash, outrageous blue skies and purple thunderstorms and ink-black night skies and red flowers as brights as spots of blood.

Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling their eagerness to be wild and perfect for a moment, before they are nothing, forever?

And I thought: I shall remember this all my life. The peril, the running, the howling of the dogs, the smothering. Then the happiness—of action, of leaping. Then the green sweetness of distance. And the trees: their thickness and their compassion, all around.

My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?

Still, the vivid green of the grass-where the grass is actually managing to assert itself through the dirt-seems out of place. This seems like a place where the sun should never shine: a place on the edge, at the limit, a place completely removed from time and happiness and life.

That's what Zombieland is: calm, quiet. It's the world after a blizzard, the peacefulness that comes with it, the muffled silence and the sense that nithig in the world is moving. It's beautiful, in its own way. Maybe we'd be better off. But how could anyone who's ever seen a summer - big explosions of green and skies lit up electric with splashy sunsets, a riot of flowers and wind that smells like honey - pick the snow?

Oliver liked to keep the windows and shutters wide open in the afternoon, with just the swelling sheer curtains between us and life beyond, because it was a 'crime' to block away so much sunlight and keep such a landscape from view, especially when you didn't have it all life long, he said. Then the rolling fields of the valley leading up to the hills seemed to sit in a rising mist of olive green: sunflowers, grapevines, swatches of lavender, and those squat and humble olive trees stooping like gnarled, aged scarecrows gawking through our window as we lay naked on my bed, the smell of his sweat, which was the smell of my sweat, and next to me my man-woman whose man-woman I was, and all around us Mafalda's chamomile-scented laundry detergent, which was the torrid afternoon world of our house.

He sang the brightness of mornings and green rivers, He sang of smoking water in the rose-colored daybreaks, Of colors: cinnabar, carmine, burnt sienna, blue, Of the delight of swimming in the sea under marble cliffs, Of feasting on a terrace above the tumult of a fishing port, Of tastes of wine, olive oil, almonds, mustard, salt. Of the flight of the swallow, the falcon, Of a dignified flock of pelicans above the bay, Of the scent of an armful of lilacs in summer rain, Of his having composed his words always against death And of having made no rhyme in praise of nothingness.

A Dream of Trees There is a thing in me that dreamed of trees, A quiet house, some green and modest acres A little way from every troubling town, A little way from factories, school, laments. I would have time, I thought, and time to spare, With only streams and birds for company, To build out of my life a few wild stanzas. And then it came to me, that so was death, A little way away from everywhere.

What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?

The office's olive green walls with gold accents gave the room the charm of a poker table from the Old West

I am struck by a fascinating thought. Soldiers don’t die when bullets pierce their hearts and heads through their olive green shirts and woollen balaclavas. They don’t die when they fall before an enemy onslaught, or even when they get buried in trenches, staining the earth with their warm crimson blood. It is only when we forget their acts of bravery that soldiers die.

And it seemed that my flesh crawled with the gentleness of those glaucous things evoked by the verse. It was as if fingertips, like cut emeralds or fresh olives, were stroking the palm of my hand.

Los cien enamorados duermen para siempre bajo la tierra seca. Andalucía tiene largos caminos rojos. Córdoba, olivos verdes donde poner cien cruces que los recuerden. Los cien enamorados duermen para siempre. -De Profundis Those hundred lovers are asleep forever beneath the dry earth. Andalusia has long, red-colored roads. Córdoba, green olive trees for placing a hundred crosses to remember them. Those hundred lovers are asleep forever. -De Profundis

I’ll try out the pencils sharpened to the point of infinity which always sees ahead: Green — good warm light Magenta — Aztec. old TLAPALI blood of prickly pear, the brightest and oldest [Brown —] color of mole, of leaves becoming earth [Yellow —] madness sickness fear part of the sun and of happiness [Blue —] electricity and purity love [Black —] nothing is black — really nothing [Olive —] leaves, sadness, science, the whole of Germany is this color [Yellow —] more madness and mystery all the ghosts wear clothes of this color, or at least their underclothes [Dark blue —] color of bad advertisements and of good business [Blue —]distance. Tenderness can also be this blue blood?

I had four blak arrows under my belt, Four for the greefs that I have felt, Four for the number of ill menne That have oppressid me now and then. One is gone; one is wele sped; Old Apulyaird is dead. One is for Maister Bennet Hatch, That burned Grimstone, walls and thatch. One for Sir Oliver Oates, That cut Sir Harry Shelton’s throat. Sir Daniel, ye shull have the fourt; We shall think it fair sport. Ye shull each have your own part, A blak arrow in each blak heart. Get ye to your knees for to pray; Ye are ded theeves, by yea and nay! JON AMEND-ALL Of the Green Wood, And his jolly fellaweship

This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?

Lo, and I have discovered how soft bloom turns to green fruit, which turns to sweet fruit. Lo, and I have discovered all winds blow cold at last, and the leaves, so pretty, so many, vanish in the great, black packet of time

Imagine a wall that's green on one side and red on the other. You stand on one side and only see green. I stand on the other side and only see red. We'll both be right about the color we see, even though we disagree on what color the wall is. Being able to realize that the other person has a valid point, even if you disagree with it, that's maturity.

Do you think of them as decoration? Think again. Here are maples, flashing. And here are the oaks, holding on all winter to their dry leaves. And here are the pines, that will never fail, until death, the instructions to be green.

I want you Layla. And if I have to wait ten years for you to be ready I will. We can take this as slow as you want and there’s no pressure. I just want to be with you

Maybe it would be better if we didn't love. If we didn't lose, either. If we didn't get our hearts stomped on, shattered; if we didn't have to patch and repatch until we're like Frankenstein monsters, all sewn together and bound up by who knows what. If we could just float along, like snow. That's what Zombieland is: frozen, calm, quiet. It's the world after a blizzard, the peacefulness that comes with it, the muffled silence and the sense that nothing in the world is moving. It's beautiful, in it's own way. Maybe we'd be better off. But how could anyone who's ever seen a summer — big explosions of green and skies lit up electric with splashy sunsets, a riot of flowers and wind that smells like honey — pick the snow?

We had never before been to Italy in May, and it is truly the most wonderful month. The Lucchese countryside is a riot of colour and scent. Every road, even the busy autostrada, is lined with brilliant red poppies, making the most mundane street look picturesque. The olive trees dotting the hills are covered with silvery green and the pale cream of new buds, while the grass is tall and soft, every patch threaded with wildflowers.

Oliver, we’ve got something to tell you,” Dad says, dumping a cardboard box full of garden waste into a toad green mangler. Unlike the doctor, when Dad says we, he means we because Mum is omnipotent. “Who’s dead?” I ask, shot-putting a bottle of Richebourg. “No one’s dead.” “You’re getting a divorce?” “Oliver.” “Mum’s preggers?” “No, we—” “I’m adopted.” “Oliver! Please, shit up!

The Sunflowers Come with me into the field of sunflowers. Their faces are burnished disks, their dry spines creak like ship masts, their green leaves, so heavy and many, fill all day with the sticky sugars of the sun. Come with me to visit the sunflowers, they are shy but want to be friends; they have wonderful stories of when they were young-- the important weather, the wandering crows. Don't be afraid to ask them questions! Their bright faces, which follows the sun, will listen, and all those rows of seeds-- each one a new life!-- hope for a deeper acquaintance; each of them, though it stands in a crowd of many, like a separate universe, is lonely, the long work of turning their lives into a celebration is not easy. Come and let us talk with those modest faces, the simple garments of leaves, the coarse roots in the earth so uprightly burning.

It was a meal that we shall never forget; more accurately, it was several meals that we shall never forget, because it went beyond the gastronomic frontiers of anything we had ever experienced, both in quantity and length. It started with homemade pizza - not one, but three: anchovy, mushroom, and cheese, and it was obligatory to have a slice of each. Plates were then wiped with pieces torn from the two-foot loaves in the middle of the table, and the next course came out. There were pates of rabbit, boar, and thrush. There was a chunky, pork-based terrine laced with marc. There were saucissons spotted with peppercorns. There were tiny sweet onions marinated in a fresh tomato sauce. Plates were wiped once more and duck was brought in... We had entire breasts, entire legs, covered in a dark, savory gravy and surrounded by wild mushrooms. We sat back, thankful that we had been able to finish, and watched with something close to panic as plates were wiped yet again and a huge, steaming casserole was placed on the table. This was the specialty of Madame our hostess - a rabbit civet of the richest, deepest brown - and our feeble requests for small portions were smilingly ignored. We ate it. We ate the green salad with knuckles of bread fried in garlic and olive oil, we ate the plump round crottins of goat's cheese, we ate the almond and cream gateau that the daughter of the house had prepared. That night, we ate for England.

Because of the dog’s joyfulness, our own is increased. It is no small gift. It is not the least reason why we should honor as well as love the dog of our own life, and the dog down the street, and all the dogs not yet born. What would the world be like without music or rivers or the green and tender grass? What would this world be like without dogs?

The sky is stained pink and purple, and the shadows are thick, stark brush strokes on the ground. But the air is still warm, and several trees are crowned with tiny green leaves. I like seeing the Wilds this way: skinny, naked, not yet clothed in spring. But reaching, too, grasping and growing, full of want and a thirst for sun that gets slaked a little bit more every day. Soon the Wilds will explode, drunk and vibrant.

I had a really great time tonight. I got to eat great food, meet new people and even play on a stage with you. But you wanna know the best part of the whole night? It was when I got to pretend I was your boyfriend.

The Daffodil-Yellow Villa The new villa was enormous, a tall, square Venetian mansion, with faded daffodil-yellow walls, green shutters, and a fox-red roof. It stood on a hill overlooking the sea, surrounded by unkempt olive groves and silent orchards of lemon and orange trees. ... the little walled and sunken garden that ran along one side of the house, its wrought-iron gates scabby with rust, had roses, anemones and geraniums sprawling across the weed-grown paths ... ... there were fifteen acres of garden to explore, a vast new paradise sloping down to the shallow, tepid sea.

Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city might begin with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tires and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn’t go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought.

I know it must have been hell for you, alone on that island for 5 years, but I'm... -But what? But was there ever a day when you were just... happy to be away from everything? No pressure from your family. No need to be the person everyone else expects you to be, was there ever a day when... -When I didn't feel lost, I felt... free? More than one and uh... Those are the days that I miss. -Huntress and Oliver, S1: E7, Arrow

He went with olive green, because it almost matched his borrowed coat, which was tan. He chose pants with flannel lining, a T-shirt a flannel shirt, and a sweater made of thick cotton. He added white underwear and a pair of black gloves and a khaki watch cap. Total damage was a hundred and thirty bucks. The store owner took a hundred and twenty cash. Four days wear, probably, at the rate of thirty dollars a day. Which added up to more than ten grand a year, just for clothes. Insane, some would say. But Reacher liked the deal. He knew that most folks spent much less than ten grand a year on clothes. They had a small number of good items that they kept in closets and laundered in basements. But the closets and basements were surrounded by houses, and houses cost a whole lot more than ten grand a year, to buy or rent, and to maintain and repair and insure. So who was really nuts ?

Color—that’s another thing people don’t expect. In her imagination, in her dreams, everything has color. The museum buildings are beige, chestnut, hazel. Its scientists are lilac and lemon yellow and fox brown. Piano chords loll in the speaker of the wireless in the guard station, projecting rich blacks and complicated blues down the hall toward the key pound. Church bells send arcs of bronze careening off the windows. Bees are silver; pigeons are ginger and auburn and occasionally golden. The huge cypress trees she and her father pass on their morning walk are shimmering kaleidoscopes, each needle a polygon of light. She has no memories of her mother but imagines her as white, a soundless brilliance. Her father radiates a thousand colors, opal, strawberry red, deep russet, wild green; a smell like oil and metal, the feel of a lock tumbler sliding home, the sound of his key rings chiming as he walks. He is an olive green when he talks to a department head, an escalating series of oranges when he speaks to Mademoiselle Fleury from the greenhouses, a bright red when he tries to cook. He glows sapphire when he sits over his workbench in the evenings, humming almost inaudibly as he works, the tip of his cigarette gleaming a prismatic blue.

I am falling, tumbling through the air, but this time the darkness is alive around me, full of beating things, and I realize that I'm not surrounded by dark but have only had my eyes closed all this time. I open them, feeling silly, and at the same time a hundred thousand butterlies take off around me, so many of them in so many brilliant colors they are like a solid rainbow, temporarily obscuring the sun. But as they wing higher and higher they reveal a landscape below us, all green and gold and sun-drenched fields and pink-tinged clouds drifting underneath me, and the air around me is clear and blue and sweet smelling, and I'm laughing, laughing, laughing as I spin through the air because, of course, I haven't been falling all the time. I've been flying.

He once wore the same T-shirt to school for forty-two days straight. Everyone speculated the reasoning behind the bright orange STAFF shirt—he was protesting unemployment, flipping off commercialization, going green. I think he just did it because he could. To say, “Hey, I’m Oliver Kimball, and when I wear a shirt every day, it’s a statement, but with anyone else, it’s a hygiene issue.

Cinder hurried to join her, eager to see what the boys had done. But when she stepped into the sitting room, it was not the decorations that caught her attention first, but Wolf, standing in front of the fireplace altar in his formal black-and-red tuxedo. Thought it had been made especially for him, the jacket still stretched across his broad chest and shoulders, and the red bow tie was almost humorous against his fierce features and lupine bone structure. Almost. Despite everything Levana had tried to do to him, Cinder had to admit that he was still handsome, with his olive skin and vivid green eyes and unkempt hair. Most of all, though, it was the look he was giving Scarlet, which would have taken away the breath of any girl. Kai and Thorne were there, too, each of them standing with their hands in their pockets, rocking back on their heels with supremely smug looks on their faces, like they were daring anyone to suggest it wasn't the most beautiful impromptu wedding ever created.

Teach the children. We don’t matter so much, but the children do. Show them daisies and the pale hepatica. Teach them the taste of sassafras and wintergreen. The lives of the blue sailors, mallow, sunbursts, the moccasin flowers. And the frisky ones–inkberry, lamb’s quarters, blueberries. And the aromatic ones–rosemary, oregano. Give them peppermint to put in their pockets as they go to school. Give them the fields and the woods and the possibility of the world salvaged from the lords of profit. Stand them in the stream, head them upstream, rejoice as they learn to love this green space they live in, its sticks and leaves and then the silent, beautiful blossoms. Attention is the beginning of devotion.

All at once the hard, cold earth seemed to explode. The brown surface of the world dissolved and in its place was an impossible, an inconceivable, an unbelievable profusion of color: green grass and purple and red flowers; sprays of lily; white baby's breath that covered the hills; nodding fields of bright yellow daffodils; rich purple moss. The trees burst forth with new leaves. The weeping willow tree was a mass of tiny pale green leaves, thousands of them, which whispered and sighed together as the wind moved through its branches. There were fat heads of lettuce in the fields, and cucumbers lying like jewels among them, and enormous red tomatoes surrounded by thick, knotted vines. And for the first time in 1,728 days, the clouds broke apart and there was dazzling blue sky, and light beyond what anyone could remember. The sun had come out at last.

She was like a fox, or an olive tree; like the waves of the sea when you look down upon them from a height; like an emerald; like the sun on a green hill which is yet clouded--like nothing he had seen or known in England. Ransack the language as he might, words failed him. He wanted another landscape, and another tongue. English was too frank, too candid, too honeyed a speech for Sasha. For in all she said, however open she seemed and voluptuous, there was something hidden; in all she did, however daring, there was something concealed.

The banquet proceeded. The first course, a mince of olives, shrimp and onions baked in oyster shells with cheese and parsley was followed by a soup of tunny, cockles and winkles simmered in white wine with leeks and dill. Then, in order, came a service of broiled quail stuffed with morels, served on slices of good white bread, with side dishes of green peas; artichokes cooked in wine and butter, with a salad of garden greens; then tripes and sausages with pickled cabbage; then a noble saddle of venison glazed with cherry sauce and served with barley first simmered in broth, then fried with garlic and sage; then honey-cakes, nuts and oranges; and all the while the goblets flowed full with noble Voluspa and San Sue from Watershade, along with the tart green muscat wine of Dascinet.

Tides Every day the sea blue gray green lavender pulls away leaving the harbor’s dark-cobbled undercoat slick and rutted and worm-riddled, the gulls walk there among old whalebones, the white spines of fish blink from the strandy stew as the hours tick over; and then far out the faint, sheer line turns, rustling over the slack, the outer bars, over the green-furred flats, over the clam beds, slippery logs, barnacle-studded stones, dragging the shining sheets forward, deepening, pushing, wreathing together wave and seaweed, their piled curvatures spilling over themselves, lapping blue gray green lavender, never resting, not ever but fashioning shore, continent, everything. And here you may find me on almost any morning walking along the shore so light-footed so casual.

You can never stay angry too long in the bush though. At least, that's what I think. It's not that it's soothing or restful, because it's not. What it does for me is get inside my body, inside my blood, and take me over. I don't know that I can describe it any better than that. It takes me over and I become part of it and it becomes part of me and I'm not very important, or at least no more important than a tree or a rock or a spider abseiling down a long thread of cobweb. As I wandered around, on that hot afternoon, I didn't notice anything too amazing or beautiful or mindbogglingly spectacular. I can't actually remember noticing anything out of the ordinary: just the grey-green rocks and the olive-green leaves and the reddish soil with its teeming ants. The tattered ribbons of paperbark, the crackly dry cicada shell, the smooth furrow left in the dust by a passing snake. That's all there ever is really, most of the time. No rainforest with tropical butterflies, no palm trees or Californian redwoods, no leopards or iguanas or panda bears. Just the bush.

...the face before him was like nothing he had ever seen before. It was smooth, with a black strip of cloth tied over its forehead, and yet it was deeply furrowed, like the sea, that can have tall waves but not a wrinkle on the surface. The eyes were like dark chasms and yet they were the eyes of a human being and not empty sockets. The skin was a greenish olive colour and looked as if it were made of bronze...

As the year goes on, certain deputies—and others, high in public life—will appear unshaven, without coat or cravat; or they will jettison these marks of the polite man, when the temperature rises. They affect the style of men who begin their mornings with a splash under a backyard pump, and who stop off at their street-corner bar for a nip of spirits on their way to ten hours’ manual labor. Citizen Robespierre, however, is a breathing rebuke to these men; he retains his buckled shoes, his striped coat of olive green. Can it be the same coat that he wore in the first year of the Revolution? He is not profligate with coats. While Citizen Danton tears off the starched linen that fretted his thick neck, Citizen Saint-Just’s cravat grows ever higher, stiffer, more wonderful to behold. He affects a single earring, but he resembles less a corsair than a slightly deranged merchant banker.

I’m starved for different light, a different sun, different sky. I’ve never really thought about it before, but it’s a miracle how many kinds of light there are in the world, how many skies: the pale brightness of spring, when it feels like the whole world is blushing; the lush, bright boldness of a July noon; purple storm skies and a green queasiness just before lightning strikes and crazy multicolored sunsets that look like someone’s acid trip. I

Honey Locust" Who can tell how lovely in June is the honey locust tree, or why a tree should be so sweet and live in this world? Each white blossom on a dangle of white flowers holds one green seed - a new life. Also each blossom on a dangle of flower holds a flask of fragrance called Heaven, which is never sealed. The bees circle the tree and dive into it. They are crazy with gratitude. They are working like farmers. They are as happy as saints. After awhile the flowers begin to wilt and drop down into the grass. Welcome shines in the grass. Every year I gather handfuls of blossoms and eat of their mealiness; the honey melts in my mouth, the seeds make me strong, both when they are crisps and ripe, and even at the end when their petals have turned dully yellow. So it is if the heart has devoted itself to love, there is not a single inch of emptiness. Gladness gleams all the way to the grave.

The celebrations go on for many hours,' said the woman. Above her, in the sky, a firework exploded, showering multi-coloured flames across the stars. 'You can pay fealty at any time.' Another firework tore open the sky, streams of colour painting the woman's shift blue and green, throwing their shadows downwards. For a moment, the woman's shadow self moved against the shadow Fillingham, pressing to him, and then another explosion above them sent them dancing apart, wavering, their edges rimed with yellow and reds, and then the woman was moving again. ("The Cotswold Olimpicks")

Crash took a long drag off his cigarette and gave me a smug little smile. He always looked smug. His hair was dyed Kool-Aid green. Maybe that's what he was looking smug about today, despite the fact that it clashed with his olive drab army duster. Or maybe he knew my ass stung with every step I took- either because he was an empath who hot "feelings" about what everyone was experiencing, or because he'd taken it up the ass from Jacob himself. Crash's smirk widened and I looked away. One day I'd probably slap him. And then I'd regret it, because he was probably into stuff like that.

Huge tureens of puréed chestnut soup with truffles were carried in and served to each guest, filling the air with a rich earthy small. Then the servants brought in ballotine of pheasant, served with cold lobster in aspic and deep-sea oysters brought up the river by boat that morning. Our own foie gras on tiny rounds of bread was followed by 'margret de canard,' the breast meat of force-fed ducks, roasted with small home-grown pears and Armagnac. There was a white-bean cassoulet with wild hare, a haunch of venison cooked in cinnamon and wine, eel pie, and a salad of leaves and flowers from the garden, dressed in olive oil and lemon.

A sampler of England's hottest 'chefs' would include a mostly hairless young blond lad named Jamie Oliver, who is referred to as the Naked Chef. As best as I can comprehend, he's a really rich guy who pretends he scoots around on a Vespa, hangs out in some East End cold-water flat, and cooks green curry for his 'mates'. He's a TV chef, so few actually eat his food. I've never seen him naked. I believe the 'Naked' refers to his 'simple, straightforward, unadorned' food; though I gather that a great number of matronly housewives would like to believe otherwise. Every time I watch his show, I want to go back in time and bully him at school.

The Moths There's a kind of white moth, I don't know what kind, that glimmers by mid-May in the forest, just as the pink moccasin flowers are rising. If you notice anything, it leads you to notice more and more. And anyway I was so full of energy. I was always running around, looking at this and that. If I stopped the pain was unbearable. If I stopped and thought, maybe the world can't be saved, the pain was unbearable. Finally, I had noticed enough. All around me in the forest the white moths floated. How long do they live, fluttering in and out of the shadows? You aren't much, I said one day to my reflection in a green pond, and grinned. The wings of the moths catch the sunlight and burn so brightly. At night, sometimes, they slip between the pink lobes of the moccasin flowers and lie there until dawn, motionless in those dark halls of honey.

Does the Power that runs the universe think us of more importance than we think ants?" "You forget that an infinite Power must be infinitely little as well as infinitely great. We are neither, therefore there are things too little as well as too great for us to apprehend. To the infinitely little an ant is of as much importance as a mastodon. We are witnessing the birth pangs of a new era--but it will be born a feeble, wailing life like everything else. I am not one of those who expect a new heaven and a new earth as the immediate result of this war. That is not the way God works. But work He does, Miss Oliver, and in the end His purpose will be fulfilled.

And two years ago this morning I woke wondering what delightful gift the new day would give me. These are the two years I thought would be filled with fun.' 'Would you exchange them - now - for two years filled with fun?' 'No,' said Rilla slowly. 'I wouldn't. It's strange - isn't it? - They have been two terrible years - and yet I have a queer feeling of thankfulness for them - as if they had brought me something very precious with all their pain. I wouldn't want to go back and be the girl I was two years ago, not even if I could. Not that I think I've made any wonderful progress - but I'm not quite the selfish, frivolous little doll I was then. I suppose I had a soul then Miss Oliver - but I didn't know it. I know it now - and that is worth a great deal - worth all the suffering of the past few years. And still' - Rilla gave a little apologetic laugh, 'I don't want to suffer anymore - not even for the sake of more soul growth. At the end of two more years I might look back and be thankful for the development they had brought me, too; but I don't want it now.' 'We never do,' said Miss Oliver. "That is why we are not left to choose our own means and measure of development, I suppose. No matter how much we value what our lessons have brought us we don't want to go on with the bitter schooling.

I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.

The Snow Cricket Just beyond the leaves and the white faces Of the lilies, I saw the wings Of the green snow cricket As it went flying From vine to vine, Searching, then finding a shadowed place in which To sing and sing… One repeated Rippling phrase Built of loneliness And its consequences: longing And hope… It was trembling With the force of its crying out, And in truth I couldn’t wait to see if another would come to it For fear that it wouldn’t, And I wouldn’t be able to bear it I wished it good luck, with all my heart, And went back over the lawn, to where the lilies were standing On their calm, cob feet, Each in the ease Of a single, waxy body Breathing contentedly in the chill night air; And I swear I pitied them, as I looked down into the theater of their perfect faces- That frozen, bottomless glare.

A strange cold fear gripped him as he looked down at that angelic face resting against his shoulder. Her thick dark lashes lay heavy against her perfect olive skin like two perfect dark crescent moons concealing those glorious starry green eyes burdened with anguish much too raw and intense for a teenager to bear. She was frail and tiny and much too beautiful, light as a feather in his arms, like a pure white dove. Things were only going to get worse before they were going to get better but that was okay because Logan was determined to be there for Sienna every step of the way.

Calling a book "Young Adult" is just a fancy way of saying the book is censored. People used to say they like to read books about romance, true crime, comedy, horror or science fiction. But these days people simply say they like to read "Young Adult" books. As if that were a topic. But that's the thing: Young Adult is not a topic, it's a level of censorship. Saying "I like Young Adult books" is just another way of saying "I like books that have been dumbed down for children. I like books with no big words and no difficult abstract concepts. Nothing that will strain my brain." People like to brag that they used to start reading at an early age, as if that were a badge of honor, a sign of intelligence. Nobody brags about when they started to watch TV. But books are being dumbed down so much these days, it's really not a sign of great intelligence when you're a grown up and you struggle your way through Green Eggs and Ham.

Ohm found that the results could be summed up in such a simple law that he who runs may read it, and a schoolboy now can predict what a Faraday then could only guess at roughly. By Ohm's discovery a large part of the domain of electricity became annexed by Coulomb's discovery of the law of inverse squares, and completely annexed by Green's investigations. Poisson attacked the difficult problem of induced magnetisation, and his results, though differently expressed, are still the theory, as a most important first approximation. Ampere brought a multitude of phenomena into theory by his investigations of the mechanical forces between conductors supporting currents and magnets. Then there were the remarkable researches of Faraday, the prince of experimentalists, on electrostatics and electrodynamics and the induction of currents. These were rather long in being brought from the crude experimental state to a compact system, expressing the real essence. Unfortunately, in my opinion, Faraday was not a mathematician. It can scarcely be doubted that had he been one, he would have anticipated much later work. He would, for instance, knowing Ampere's theory, by his own results have readily been led to Neumann's theory, and the connected work of Helmholtz and Thomson. But it is perhaps too much to expect a man to be both the prince of experimentalists and a competent mathematician.

Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city might begin with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tires and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn’t go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought.

Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.

Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.

I never leave home without my cayenne pepper. I either stash a bottle of the liquid extract in my pocket book or I stick it in the shopping cart I pull around with me all over Manhattan. When it comes to staying right side up in this world, a black woman needs at least three things. The first is a quiet spot of her own, a place away from the nonsense. The second is a stash of money, like the cash my mother kept hidden in the slit of her mattress. The last is several drops of cayenne pepper, always at the ready. Sprinkle that on your food before you eat it and it’ll kill any lurking bacteria. The powder does the trick as well, but I prefer the liquid because it hits the bloodstream quickly. Particularly when eating out, I won’t touch a morsel to my lips ‘til it’s speckled with with cayenne. That’s just one way I take care of my temple, aside from preparing my daily greens, certain other habits have carried me toward the century mark. First thing I do every morning is drink four glasses of water. People think this water business is a joke. But I’m here to tell you that it’s not. I’ve known two elderly people who died of dehydration, one of whom fell from his bed in the middle of the night and couldn’t stand up because he was so parched. Following my water, I drink 8 ounces of fresh celery blended in my Vita-mix. The juice cleanses the system and reduces inflammation. My biggest meal is my first one: oatmeal. I soak my oats overnight so that when I get up all I have to do is turn on the burner. Sometimes I enjoy them with warm almond milk, other times I add grated almonds and berries, put the mixture in my tumbler and shake it until it’s so smooth I can drink it. In any form, oats do the heart good. Throughout the day I eat sweet potatoes, which are filled with fiber, beets sprinkled with a little olive oil, and vegetables of every variety. I also still enjoy plenty of salad, though I stopped adding so many carrots – too much sugar. But I will do celery, cucumbers, seaweed grass and other greens. God’s fresh bounty doesn’t need a lot of dressing up, which is why I generally eat my salad plain. From time to time I do drizzle it with garlic oil. I love the taste. I also love lychee nuts. I put them in the freezer so that when I bite into them cold juice comes flooding out. As terrific as they are, I buy them only once in awhile. I recently bit into an especially sweet one, and then I stuck it right back in the freezer. “Not today, Suzie,” I said to myself, “full of glucose!” I try never to eat late, and certainly not after nine p.m. Our organs need a chance to rest. And before bed, of course, I have a final glass of water. I don’t mess around with my hydration.