Olive Branch Quotes

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Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love
Leonard Cohen
The Journey One day you finally knew what you had to do, and began, though the voices around you kept shouting their bad advice -- though the whole house began to tremble and you felt the old tug at your ankles. "Mend my life!" each voice cried. But you didn't stop. You knew what you had to do, though the wind pried with its stiff fingers at the very foundations, though their melancholy was terrible. It was already late enough, and a wild night, and the road full of fallen branches and stones. But little by little, as you left their voices behind, the stars began to burn through the sheets of clouds, and there was a new voice which you slowly recognized as your own, that kept you company as you strode deeper and deeper into the world, determined to do the only thing you could do -- determined to save the only life you could save.
Mary Oliver
Information is a beacon, a cudgel, an olive branch, a deterrent--all depending on who wields it and how.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
The Poet With His Face In His Hands You want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound. So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself across the forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheets like crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all you want and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touched by the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.
Mary Oliver (New and Selected Poems, Vol. 2)
I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Mary Oliver
I read once about a kind of fungus that grows in trees. The fungus begins to encroach on the systems that carry water and nutrients up from the roots to the branches. It disables them one by one―it crowds them out. Soon, the fungus―and only the fungus―is carrying the water, and the chemicals, and everything else the tree needs to survive. At the same time it is decaying the tree slowly from within, turning it minute by minute to rot. That is what hatred is. It will feed you and at the same time turn you to rot. It is hard and deep and angular, a system of blockades. It is everything and total.
Lauren Oliver (Pandemonium (Delirium, #2))
Last Night the Rain Spoke to Me" Last night the rain spoke to me slowly, saying, what joy to come falling out of the brisk cloud, to be happy again in a new way on the earth! That’s what it said as it dropped, smelling of iron, and vanished like a dream of the ocean into the branches and the grass below. Then it was over. The sky cleared. I was standing under a tree. The tree was a tree with happy leaves, and I was myself, and there were stars in the sky that were also themselves at the moment, at which moment my right hand was holding my left hand which was holding the tree which was filled with stars and the soft rain— imagine! imagine! the wild and wondrous journeys still to be ours.
Mary Oliver (What Do We Know)
It was a bird. A bird struggling through stickiness: a bird coated in paint, floundering in its nest, splashing color everywhere. Red. Red. Red. Dozens of them: black feathers coated thickly with crimson-colored paint, fluttering among the branches. Red means run.
Lauren Oliver (Pandemonium (Delirium, #2))
Sleeping In The Forest I thought the earth remembered me, she took me back so tenderly, arranging her dark skirts, her pockets full of lichens and seeds. I slept as never before, a stone on the river bed, nothing between me and the white fire of the stars but my thoughts, and they floated light as moths among the branches of the perfect trees. All night I heard the small kingdoms breathing around me, the insects, and the birds who do their work in the darkness. All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better.
Mary Oliver (Twelve Moons)
Well, why not just snap my damn olive branch and beat me with it? I was only trying to help.
Carrie Butler (Strength (Mark of Nexus, #1))
If I had another life I would want to spend it all on some unstinting happiness. I would be a fox, or a tree full of waving branches. I wouldn't mind being a rose in a field full of roses. Fear has not yet occurred to them, nor ambition. Reason they have not yet thought of. Neither do they ask how long they must be roses, and then what. Or any other foolish question.
Mary Oliver
It was true. There really was no limit to the ways in which you could say the wrong thing to your children. You offered an olive branch and it was the wrong olive branch at the wrong time.
Mark Haddon (A Spot of Bother)
Information is a beacon, a cudgel, an olive branch, a deterrent—all depending on who wields it and how. Information is so powerful that the assumption of information, even if the information does not actually exist, can have a sobering effect.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
When I Am Among the Trees" When I am among the trees, especially the willows and the honey locust, equally the beech, the oaks and the pines, they give off such hints of gladness. I would almost say that they save me, and daily. I am so distant from the hope of myself, in which I have goodness, and discernment, and never hurry through the world but walk slowly, and bow often. Around me the trees stir in their leaves and call out, “Stay awhile.” The light flows from their branches. And they call again, “It’s simple,” they say, “and you too have come into the world to do this, to go easy, to be filled with light, and to shine.
Mary Oliver (Evidence: Poems)
Foolishness? No, It’s Not Sometimes I spend all day trying to count the leaves on a single tree. To do this I have to climb branch by branch and write down the numbers in a little book. So I suppose, from their point of view, it’s reasonable that my friends say: what foolishness! She’s got her head in the clouds again. But it’s not. Of course I have to give up, but by then I’m half crazy with the wonder of it — the abundance of the leaves, the quietness of the branches, the hopelessness of my effort. And I am in that delicious and important place, roaring with laughter, full of earth-praise.
Mary Oliver (A Thousand Mornings: Poems)
You see what your mother-in-law hasn’t yet realised is that she’s the one who needs to hold out the olive branch, not you, because she’s the one who’s going to want to come around more and more in the future to see her grand-kids. SHE needs to make friends with YOU, not the other way around.
Karl Wiggins (You Really Are Full of Shit, Aren't You?)
After Dickinson and Adams had it out over the Olive Branch Petition, Adams wrote to his wife, Abigail, that he and Dickinson “are not to be on speaking terms.” How sad is it that this tiff sort of cheers me up? If two of the most distinguished, dedicated, and thoughtful public servants in the history of this republic could not find a way to agree to disagree, how can we expect the current crop of congressional blockheads to get along?
Sarah Vowell (Lafayette in the Somewhat United States)
Together, the two began the kind of conversation that flows seamlessly, unstoppably, each fork begetting another branch of common interest, a conversation that continues until this day.
David Oliver Relin (Three Cups of Tea: One Man's Mission to Promote Peace ... One School at a Time)
In 1974, Mahmoud Darwish wrote Yasser Arafat’s speech to the General Assembly of the United Nations: Today I have come bearing an olive branch in one hand and a freedom fighter’s gun in the other. Do not let the olive branch fall from my hand.
Colum McCann (Apeirogon)
I am one of those who has no trouble imagining the sentient lives of trees, of their leaves in some fashion communicating or of the massy trunks and heavy branches knowing it is I who have come, as I always come, each morning, to walk beneath them, glad to be alive and glad to be there.
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
Do Stones Feel? Do stones feel? Do they love their life? Or does their patience drown out everything else? When I walk on the beach I gather a few white ones, dark ones, the multiple colors. Don’t worry, I say, I’ll bring you back, and I do. Is the tree as it rises delighted with its many branches, each one like a poem? Are the clouds glad to unburden their bundles of rain? Most of the world says no, no, it’s not possible. I refuse to think to such a conclusion. Too terrible it would be, to be wrong.
Mary Oliver (Blue Horses)
No doubt Noah offered his wife that olive branch. Forty days in a boat with those animals to clean up after? A peace offering likely all that stood between their marriage and bloody murder.
Gregory Maguire (Egg & Spoon)
Poem (the spirit likes to dress up) The spirit likes to dress up like this: ten fingers, ten toes, shoulders, and all the rest at night in the black branches, in the morning in the blue branches of the world. It could float, of course, but would rather plumb rough matter. Airy and shapeless thing, it needs the metaphor of the body, lime and appetite, the oceanic fluids; it needs the body’s world, instinct and imagination and the dark hug of time, sweetness and tangibility, to be understood, to be more than pure light that burns where no one is – so it enters us – in the morning shines from brute comfort like a stitch of lightning; and at night lights up the deep and wondrous drownings of the body like a star.
Mary Oliver (Dream Work)
Who we really are shows up between extending the olive branch and waiting to see if it is received.
Bonnie Lyn Smith (Not Just on Sundays: Seeking God's Purpose in Each New Day)
Further along, one of Picasso’s doves of peace with an Armalite, not an olive branch, in its mouth.
Colum McCann (Apeirogon)
I went down not long ago to the Mad River, under the willows I knelt and drank from that crumpled flow, call it what madness you will, there's a sickness worse than the risk of death and that's forgetting what we should never forget. Tecumseh lived here. The wounds of the past are ignored, but hang on like the litter that snags among the yellow branches, newspapers and plastic bags, after the rains. Where are the Shawnee now? Do you know? Or would you have to write to Washington, and even then, whatever they said, would you believe it? Sometimes I would like to paint my body red and go into the glittering snow to die. His name meant Shooting Star. From Mad River country north to the border he gathered the tribes and armed them one more time. He vowed to keep Ohio and it took him over twenty years to fail. After the bloody and final fighting, at Thames, it was over, except his body could not be found, and you can do whatever you want with that, say his people came in the black leaves of the night and hauled him to a secret grave, or that he turned into a little boy again, and leaped into a birch canoe and went rowing home down the rivers. Anyway this much I'm sure of: if we meet him, we'll know it, he will still be so angry.
Mary Oliver
Does anyone else have a phone?" said Jason. Nim shook her head. "It was in my clutch at the party." "I never got a new one," said Alia. "And Diana doesn't have a phone." Theo clutched his chest. "No - no phone? How do you function?" Diana cast Theo a haughty glance that looked like it had been pulled straight from Nim's playbook. "I wear practical shoes and avoid the branches of olive trees." "So cold," said Nim with a grin. "So accurate." "Shhhh," Theo said to his pointy-toed shoes. "She didn't mean it.
Leigh Bardugo (Wonder Woman: Warbringer)
With my mother, I lacked the words to tell her what I needed. With my father, I lacked the trust to tell him, the trust that he wouldn't respond with violence or disappointment, the trust that he could give me heartfelt advice, that he could see the olive branch I was extending to him if I shared an intimate and personal experience with him. I didn't believe that he would be anyone different from who he had been (no matter how much I wanted or needed him to be different.
Phuc Tran (Sigh, Gone: A Misfit's Memoir of Great Books, Punk Rock, and the Fight to Fit In)
Sometimes I spend all day trying to count the leaves on a single tree. To do this I have to climb branch by branch and write down the numbers in a little book. So I suppose, from their point of view, it’s reasonable that my friends say: what foolishness! She’s got her head in the clouds again. But it’s not. Of course I have to give up, but by then I’m half crazy with the wonder of it—the abundance of the leaves, the quietness of the branches, the hopelessness of my effort. And I am in that delicious and important place, roaring with laughter, full of earth-praise.
Mary Oliver (A Thousand Mornings)
Crossing the Swamp" Here is the endless wet thick cosmos, the center of everything—the nugget of dense sap, branching vines, the dark burred faintly belching bogs. Here is swamp, here is struggle, closure— pathless, seamless, peerless mud. My bones knock together at the pale joints, trying for foothold, fingerhold, mindhold over such slick crossings, deep hipholes, hummocks that sink silently into the black, slack earthsoup. I feel not wet so much as painted and glittered with the fat grassy mires, the rich and succulent marrows of earth—a poor dry stick given one more chance by the whims of swamp water—a bough that still, after all these years, could take root, sprout, branch out, bud— make of its life a breathing palace of leaves.
Mary Oliver
Every night the owl with his wild monkey-face calls through the black branches, and the mice freeze and the rabbits shiver in the snowy fields— and then there is the long, deep trough of silence when he stops singing, and steps into the air.
Mary Oliver (New and Selected Poems, Volume One)
be the master of any branch of knowledge, you must master those which lie next to it.’”  “Oliver Wendell Holmes,
Douglas E. Richards (Game Changer)
It may be an olive branch that was still attached to a tree. A twisted tree which rotted from the inside out.
Tamara Rose Blodgett (The Savage Series 1-3: Pearl Blood Savage)
How pedestrian.” “Do you ever listen to podcasts?” Meret asks. An olive branch. “No.” “There’s one called The Weirdest Thing I Learned This Week.
Jodi Picoult (The Book of Two Ways)
What happens to the leaves after they turn red and golden and fall away? What happens to the singing birds when they can’t sing any longer? What happens to their quick wings? Do you think there is any personal heaven for any of us? Do you think anyone, the other side of that darkness, will call to us, meaning us? Beyond the trees the foxes keep teaching their children to live in the valley. so they never seem to vanish, they are always there in the blossom of light that stands up every morning in the dark sky. And over one more set of hills, along the sea, the last roses have opened their factories of sweetness and are giving it back to the world. If I had another life I would want to spend it all on some unstinting happiness. I would be a fox, or a tree full of waving branches. I wouldn’t mind being a rose in a field full of roses. Fear has not yet occurred to them, nor ambition. Reason they have not yet thought of. Neither do they ask how long they must be roses, and then what. Or any other foolish question.
Mary Oliver (House of Light)
It was true. There really was no limit to the ways in which you could say the wrong thing to your children. You offered an olive branch and it was the wrong olive branch at the wrong time. “Well?
Mark Haddon (A Spot of Bother)
All at once the hard, cold earth seemed to explode. The brown surface of the world dissolved and in its place was an impossible, an inconceivable, an unbelievable profusion of color: green grass and purple and red flowers; sprays of lily; white baby's breath that covered the hills; nodding fields of bright yellow daffodils; rich purple moss. The trees burst forth with new leaves. The weeping willow tree was a mass of tiny pale green leaves, thousands of them, which whispered and sighed together as the wind moved through its branches. There were fat heads of lettuce in the fields, and cucumbers lying like jewels among them, and enormous red tomatoes surrounded by thick, knotted vines. And for the first time in 1,728 days, the clouds broke apart and there was dazzling blue sky, and light beyond what anyone could remember. The sun had come out at last.
Lauren Oliver (Liesl & Po)
Nevertheless, philosophy has taught him to be grateful for life and yet unafraid of dying—like a ripened olive falling from its branch, thanking both the tree for giving it life and the earth below for receiving its seed as it falls.
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
It was more than a string of letters put together it was a thick cloak in the cold and a strong defense against an enemy It was more than the naked heart on paper it was a way to undress sadness … and sins and an olive branch for the desperate Writing was her prayer and the words were felt.
M.J. Abraham (The Coordinates of a Dream)
In 1974, Mahmoud Darwish wrote Yasser Arafat’s speech to the General Assembly of the United Nations: Today I have come bearing an olive branch in one hand and a freedom fighter’s gun in the other. Do not let the olive branch fall from my hand. 346 I repeat: do not let the olive branch fall from my hand.
Colum McCann (Apeirogon)
I saw the sky descending, black and white, Not blue, on Boston where the winters wore The skulls to jack-o’-lanterns on the slates, And Hunger’s skin-and-bone retrievers tore The chickadee and shrike. The thorn tree waits Its victim and tonight The worms will eat the deadwood to the foot Of Ararat: the scythers, Time and Death, Helmed locusts, move upon the tree of breath; The wild ingrafted olive and the root Are withered, and a winter drifts to where The Pepperpot, ironic rainbow, spans Charles River and its scales of scorched-earth miles. I saw my city in the Scales, the pans Of judgement rising and descending. Piles Of dead leaves char the air— And I am a red arrow on this graph Of Revelations. Every dove is sold. The Chapel’s sharp-shinned eagle shifts its hold On serpent-Time, the rainbow’s epitaph. In Boston serpents whistle at the cold. The victim climbs the altar steps and sings: “Hosannah to the lion, lamb, and beast Who fans the furnace-face of IS with wings: I breathe the ether of my marriage feast.” At the high altar, gold And a fair cloth. I kneel and the wings beat My cheek. What can the dove of Jesus give You now but wisdom, exile? Stand and live, The dove has brought an olive branch to eat.
Robert Lowell
I reached into the pile and pulled out a few connected chips and then was about to shove them into my mouth, when I saw what appeared to be the face of an angel sitting next to me. And, if it was in fact my actual guardian angel, then it probably would have been poor form not to offer a few chips to extend an olive branch.
Phil Wohl (Death Made Me Famous)
There are fights about money, and fights about everything else,
Grace Mattioli (Olive Branches Don't Grow On Trees)
I took the photos with me and heard Lucija making the call. As I closed the door behind me, I caught the scent of death from the patio, carried on the breeze moving the branches of the olive trees.
Bobby Underwood (Eight Blonde Dolls (Seth Halliday #3))
It was on 7 March 1936 that Hitler comprehensivelyviolated the Versailles Treaty by sending troops intothe industrial region of the Rhineland, which under Article 180 had been specifically designated ademilitarized zone. Had the German Army beenopposed by the French and British forces stationednear by, it had orders to retire back to base and sucha reverse would almost certainly have cost Hitler thechancellorship. Yet the Western powers, riven withguilt about having imposed what was described as a‘Carthaginian peace’ on Germany in 1919, allowedthe Germans to enter the Rhineland unopposed. ‘After all,’ said the influential Liberal politician andnewspaper director the Marquis of Lothian, who hadbeen Chancellor of the Duchy of Lancaster in RamsayMacDonald’s National Government, ‘they are onlygoing into their own back garden.’ When Hitler assured the Western powers in March 1936 thatGermany wished only for peace, Arthur Greenwood,the deputy leader of the Labour Party, told the Houseof Commons: ‘Herr Hitler has made a statement…holding out the olive branch… which ought to be takenat face value… It is idle to say that those statementsare insincere.’ That August Germany adopted compulsory two-year military service
Andrew Roberts (The Storm of War: A New History of the Second World War)
The church needs to be revitalized by a new "Jesusism" based upon the old Judaism. Jesus did not seek to destroy the Torah and the Prophets; rather, he came to place these sacred writings on firmer footing by a more precise interpretation. This new focus on Jesus does not mean that Gentile Christians need to convert to Judaism or pretend to be Jews. This would compromise seriously Jewish and Christian identities. Christians masquerading as Jews does note reflect an appropriate response to the reality of the wild olive branch engrafted into the tree. Let Jews live as Jews and let Christians follow Jesus' teachings! A new vision of Jesus does mean that Christians must learn to love the Jewish people and esteem the root which supports the branch. A new vision of Jesus requires a decision to study his teachings and to live the life of a disciple.
Brad H. Young
But now, I’ve come to the conclusion that the “dynamite behind the door” was in plain sight. It was Trump himself. The oversized personality. The failure to organize. The lack of discipline. The lack of trust in others he had picked, in experts. The undermining or the attempted undermining of so many American institutions. The failure to be a calming, healing voice. The unwillingness to acknowledge error. The failure to do his homework. To extend the olive branch. To listen carefully to others. To craft a plan. Mattis, Tillerson and Coats are all conservatives or apolitical people who wanted to help him and the country. Imperfect men who answered the call to public service. They were not the deep state. Yet each departed with cruel words from their leader. They concluded that Trump was an unstable threat to their country. Think about that for a moment: The top national security leaders thought the president of the
Bob Woodward (Rage)
Every year the hatchlings wake in the swaying branches, in the silver baskets, and love the world. Is it necessary to say any more? Have you heard them singing in the wind, above the final fields? Have you ever been so happy in your life?
Mary Oliver (New and Selected Poems, Volume One)
The olive branch, which we have already seen have been one of the symbols of the Chaldean god, had evidently the same hieroglyphical meaning; for, as the olive was the oil-tree, so an olive branch emblematically signified a "son of oil," or an "anointed one" (Zech. iv. 12-14). Hence the reason that the Greeks, in coming before their gods in the attitude of supplicants deprecating their wrath and entreating their favour, came to the temple on many occasions bearing an olive branch in their hands.
Alexander Hislop (The Two Babylons)
was a bird. A bird struggling through stickiness: a bird coated in paint, floundering in its nest, splashing color everywhere. Red. Red. Red. Dozens of them: black feathers coated thickly with crimson-colored paint, fluttering among the branches. Red
Lauren Oliver (Pandemonium (Delirium, #2))
The leaves were half-gone now. The Norway maples still hung on to their yellow, but most of the orangey-red of the sugar maples had found their way to the ground, leaving behind the stark branches that seemed to hang like stuck-out arms and tiny fingers, skeletal and bleak.
Elizabeth Strout (Olive Kitteridge)
For the next eight or ten months, Oliver was the victim of a systematic course of treachery and deception. He was brought up by hand. The hungry and destitute situation of the infant orphan was duly reported by the workhouse authorities to the parish authorities. The parish authorities inquired with dignity of the workhouse authorities, whether there was no female then domiciled in 'the house' who was in a situation to impart to Oliver Twist, the consolation and nourishment of which he stood in need. The workhouse authorities replied with humility, that there was not. Upon this, the parish authorities magnanimously and humanely resolved, that Oliver should be 'farmed,' or, in other words, that he should be dispatched to a branch-workhouse some three miles off, where twenty or thirty other juvenile offenders against the poor-laws, rolled about the floor all day, without the inconvenience of too much food or too much clothing, under the parental superintendence of an elderly female, who received the culprits at and for the consideration of sevenpence-halfpenny per small head per week. Sevenpence-halfpenny's worth per week is a good round diet for a child; a great deal may be got for sevenpence-halfpenny, quite enough to overload its stomach, and make it uncomfortable. The elderly female was a woman of wisdom and experience; she knew what was good for children; and she had a very accurate perception of what was good for herself. So, she appropriated the greater part of the weekly stipend to her own use, and consigned the rising parochial generation to even a shorter allowance than was originally provided for them. Thereby finding in the lowest depth a deeper still; and proving herself a very great experimental philosopher.
Charles Dickens (Oliver Twist)
Mother?” I rested one hand on the doorpost, with its carved pattern of palm branches. “Mother, will you teach me how to hunt?” She gave me a strange look. “Gladly. But why?” “Because if I do choose to go back to the training ground and Father finds out and wants me to stop, I want to bring him a whole cauldron of stewed rabbit so he’ll change his mind.” When Mother stopped laughing, she took me outside, off into the olive grove, and gave me my first archery lesson. I didn’t hit anything, but as Mother told me (with a perfectly straight face), I did manage to scare the olives off a couple of trees.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
For Hindus, banyan trees are sacred. For Buddhists, bodhi trees; for the Arabs, certain date palms. To be stalwart in a ‘tree-like’ way was to approach goodness, according to Confucius. The Normans built chapels in the trunks of yew trees. Many other cultures attached religious significance to particular trees and groves and forests. Adonis was born of a tree. Daphne turned into one. George Washington confessed to cutting one down and the United States, as a result, was all but immaculately conceived. The tree is the symbol of the male organ and of the female body. The Hebrew kabbalah depicts Creation in the form of a tree. In Genesis, a tree holds the key to immortal life, and it is to the branches and fruit of an olive tree that God’s people are likened in both the Old and New Testaments. To celebrate the birth of Christ his followers place trees in their sitting rooms and palm fronds, a symbol of victory, commemorate his entering Jerusalem. A child noted by Freud had fantasies of wounding a tree that represented his mother. The immortal swagman of Australia sat beneath a coolabah tree. In hundreds of Australian towns the war dead are honoured by avenues of trees.
Don Watson (The Bush)
Morning poem Every morning The world Is created. Under the orange Sticks of the sun The heaped Ashes of the night Turn into leaves again And fasten themselves to the high branches- And the ponds appear Like black cloth On which are painted islands Of summer lilies. If it is your nature To be happy You will swim away along the soft trails For hours, your imagination Alighting everywhere. And if your spirit Carries within it The thorn That is heavier than lead- If it’s all you can do To keep on trudging- There is still somewhere deep within you a beast shouting that the earth is exactly what it wanted- each pond with its blazing lilies is a prayer heard and answered lavishly, every morning, whether or not you have ever dared to be happy, whether or not you have ever dared to pray.
Mary Oliver
As a clergyman, moreover, I feel it my duty to promote and establish the blessing of peace in all families within in the reach of my influence; and on these grounds I flatter myself that my present overtures are highly commendable, and that the circumstance of my being next in the entail of Longbourn estate will be kindly overlooked on your side, and not lead you to reject the offered olive-branch.
Jane Austen (Pride and Prejudice)
Such richness flowing through the branches of summer and into the body, carried inward on the five rivers! Disorder and astonishment rattle your thoughts and your heart cries for rest but don’t succumb, there’s nothing so sensible as sensual inundation. Joy is a taste before it’s anything else, and the body can lounge for hours devouring the important moments. Listen, the only way to tempt happiness into your mind is by taking it into the body first, like small wild plums.
Mary Oliver (American Primitive)
O Thebes! garland yourself in all the green there is — ivy green, olive green, fennel green, growing green, yearning green, wet sap green, new grape green, green of youth and green of branches, green of mint and green of marsh grass, green of tea leaves, oak and pine, green of washed needles and early rain, green of weeds and green of oceans, green of bottles, ferns and apples, green of dawn-soaked dew and slender green of roots, green fresh out of pools, green slipped under fools, green of the green fuse, green of the honeyed muse, green of the rough caress of ritual, green undaunted by reason or delirium, green of jealous joy, green of the secret holy violence of the thyrsos, green of the sacred iridescence of the dancе — and let all the land of Thebes dance! with Dionysos leading, to the mountains! to the mountains! where the mob of women waits! They’ve forsaken their shuttles, they’ve left their looms, they’ve dropped their aprons and taken up their stations on Dionysos’ mountain!
Anne Carson (The Bacchae)
Other memories—from different times and places, from my old life—have weasled their way in alongside these. It's transfiguration, the slippery nature of thought. Wine turns to blood and wafer to body, and table legs to church spires white and stark against the summer sky—and the spiderwebs in the old blueberry bushes behind my childhood home in Newport, draped across the branches like fine gray lace—the spare pleasure of a boiled egg and bread, eaten alone for dinner. All of that is the table, too.
Lauren Oliver (Rooms)
Three days before the Garden Extravaganza, the Vanderbeekers walked to the garden to find the sidewalk in front of the gate filled with plants. There were two big pots of bright blue hydrangeas, four filled with peach-colored roses, a small tree with a scattering of green leaves, and twenty pots of lavender. Laney ran to the tree and hugged it. Hyacinth leaned over to smell the roses. Jessie and Oliver noticed ribbons attached to notes on some of the branches. As they peered at the cards, Orlando arrived carrying
Karina Yan Glaser (The Vanderbeekers and the Hidden Garden)
Precisely how much do you know about hog killing, Mrs. Prescott?” the Captain asked. “I believe the question should be, Captain Winston, how much do I want to know about it?” “And your answer would be?” “As little as possible.” He laughed and she found herself smiling a little, too, sensing an olive branch in his demeanor. “I remember my first hog killing.” He looked down. “My father found me crying behind the barn.” “How old were you?” His brow furrowed. “Twenty-two, I think.” The seriousness of his tone coaxed a laugh from her. And even without addressing the issue wedged squarely between them, she felt the tension between them lessening. “I was about four years old,” he continued. “Maybe five. I don’t remember much more about that day, other than what my father said to me.” She found herself waiting, wanting to hear what he said next. “He told me that, as a boy, he’d had much the same reaction as I’d had. And that while he didn’t cry anymore when it came to the task of the day, he told me it was crucial, before we started anything, that we thank God for those animals’ deaths and what they meant to us as a family. It meant we would eat for the winter. That we wouldn’t go hungry. Although, after that first hog killing, my parents said I refused to eat pork for weeks.” She smiled at the image in her mind of him as a little boy. “But eventually”—a touch of humor tipped one side of his mouth—“bacon won out, and I gave in.” She couldn’t help but laugh. “Bacon is a force to be reckoned with.” “Yes, ma’am, it is. Especially fried up good and crisp.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
Nor is it only as a sign of greater gentleness or refinement of mind, but as a proof of the best possible direction of this refinement, that the tendency of the Gothic to the expression of vegetative life is to be admired. That sentence of Genesis, 'I have given thee every green herb for meat,' like all the rest of the book, has a profound symbolical as well as literal meaning. It is not merely the nourishment of the body, but the food of the soul, that is intended. The green herb is, of all nature, that which is most essential to the healthy spiritual life of man. Most of us do not need fine scenery; the precipice and the mountain peak are not intended to be seen by all men, — perhaps their power is greatest. over those who are unaccustomed to them. But trees and fields and flowers were made for all, and are necessary for all. God has connected the labour which is essential to the bodily sustenance with the pleasures which are healthiest for the heart; and while He made the ground stubborn, He made its herbage fragrant, and its blossoms fair. The proudest architecture that man can build has no higher honour than to bear the image and recall the memory of that grass of the field which is, at once, the type and the support of his existence; the goodly building is then most glorious when it is sculptured into the likeness of the leaves of Paradise; and the great Gothic spirit, as we showed it to be noble in its disquietude, is also noble in its hold of nature; it is, indeed, like the dove of Noah, in that she found no rest upon the face of the waters, — but like her in this also, 'Lo, in her mouth was an olive branch, plucked off.
John Ruskin (On Art and Life (Penguin Great Ideas))
But the creator of things,------1890 nature herself, was the first example of sowing seed and the start of grafting, for berries and acorns fell down from trees and, in due season, produced underneath a crowd of seedlings. Then from nature, too, they got the idea of setting young shoots into branches and planting new saplings in the ground through all their fields. After that, they kept trying various ways of tilling pleasant fields and saw that with tender care------1900 and gentle cultivation earth would tame wild fruits. Day by day, men forced the forests to move further up the mountains, yielding------[1370] lower parts to farming, so they could have meadows, lakes, streams, grain fields, and rich vineyards on hills and plains, and dark bands of olives could run between, marking the divisions, spreading over hillocks, plains, and valleys, just as you now see all land divided with various fine things—men make it shine------1910 by arranging sweet orchard trees in rows, and, with fertile shrubs planted all around, keep them fenced in.
Lucretius (On the Nature of Things)
In the landscape of my native land, a stranger in my own fields, --I had a homeland where the Duero flows between gray cliffs and the ghosts of ancient oaks, there in Castile, mystic and warlike, graceful Castile, humble and boastful, Castile of arrogance and power, in the fields of Andalusia where I was born, I long to sing! My childhood memories are here, images of palm trees and sun against a golden brilliance, distant bell towers with storks, city streets without women under an indigo sky, deserted swuares where blazing orange trees ripen with round vermillon fruit, and in a shady garden, the dusty branches of a lemon tree, pale yellow lemons reflected in the clear water of the fountains. The scent of lilies and carnations, pungent odor of basil and mint. images of gloomy olive groves under a torrid sun that blinds and dazes, winding blue mountain ranges under the red glow of an immense afternoon; but if the thread that links memory to the heart is missing, the anchor to the shore, these memories are soulless. In their ragged dress, they are remnants of memory, castoffs the mind drags along. One day, anointed with light from below, our virginal bodies will return to their ancient shore.
Antonio Machado (Campos de Castilla)
Hunsford, near Westerham, Kent, 15th October. “Dear Sir,— “The disagreement subsisting between yourself and my late honoured father always gave me much uneasiness, and since I have had the misfortune to lose him, I have frequently wished to heal the breach; but for some time I was kept back by my own doubts, fearing lest it might seem disrespectful to his memory for me to be on good terms with anyone with whom it had always pleased him to be at variance.—’There, Mrs. Bennet.’—My mind, however, is now made up on the subject, for having received ordination at Easter, I have been so fortunate as to be distinguished by the patronage of the Right Honourable Lady Catherine de Bourgh, widow of Sir Lewis de Bourgh, whose bounty and beneficence has preferred me to the valuable rectory of this parish, where it shall be my earnest endeavour to demean myself with grateful respect towards her ladyship, and be ever ready to perform those rites and ceremonies which are instituted by the Church of England. As a clergyman, moreover, I feel it my duty to promote and establish the blessing of peace in all families within the reach of my influence; and on these grounds I flatter myself that my present overtures are highly commendable, and that the circumstance of my being next in the entail of Longbourn estate will be kindly overlooked on your side, and not lead you to reject the offered olive-branch. I cannot be otherwise than concerned at being the means of injuring your amiable daughters, and beg leave to apologise for it, as well as to assure you of my readiness to make them every possible amends—but of this hereafter. If you should have no objection to receive me into your house, I propose myself the satisfaction of waiting on you and your family, Monday, November 18th, by four o’clock, and shall probably trespass on your hospitality till the Saturday se’nnight following, which I can do without any inconvenience, as Lady Catherine is far from objecting to my occasional absence on a Sunday, provided that some other clergyman is engaged to do the duty of the day.—I remain, dear sir, with respectful compliments to your lady and daughters, your well-wisher and friend, “William Collins
Jane Austen (Pride and Prejudice)
This is the mighty and branching tree called mythology which ramifies round the whole world whose remote branches under separate skies bear like colored birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forest and buried amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths and he who has no sympathy with myths has no sympathy with men. But he who has most Sympathy with myths will most fully realize that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say 'I believe in Jupiter and Juno and Neptune,' etc., as he stands up and says 'I believe in God the Father Almighty' and the rest of the Apostles' Creed.... Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name, or some noble memory in moments that are themselves noble and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice....A child pretending there is a goblin in a hollow tree will do a crude and material thing like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history did come when St. Paul declared to them whom they had worshipped. The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all..... There is nothing in Paganism whereby one may check his own exaggerations.... The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull’s blood, as did Julian the Apostate.
G.K. Chesterton (The Everlasting Man)
That was Clay's olive branch to Quinn, and if the sumbitch weren't as stubborn as a mule, he'd take it.
Alex Morgan (Chasing Midnight (The Darkest Desires of Dixie, #1))
Meditation is the saints’ looking glass, by which they see things invisible. Meditation is the golden ladder by which they ascend to paradise. Meditation is the spy they send abroad to search the land of promise, and it brings a cluster of the grapes of Eshcol with it. Meditation is the dove they send out, and it brings an olive branch of peace in its mouth. But who can tell how sweet honey is, save they that taste it? The excellency of meditation I leave to experienced Christians, who will say the comfort of it may be better felt than expressed.
Thomas Watson (The Thomas Watson Collection: 11 Classic Works)
That was Clay's olive branch to Quinn, and if the sumbitch weren't as stubborn as a mule, he'd take it.
Shyloh Morgan (Chasing Midnight (The Darkest Desires of Dixie, #1))
Poem against War Bonfires burn brightly ”I see what you don’t see” Deathly pale rattles the sky. The children have grown old; Their voices speak of the war – Your dreams are like land mines, One slip, and the game is over. In search of the olive branch, A dove appears in the waters of hatred. ”Scorched Wing” No hope is dawning in the sky.
Kristian Goldmund Aumann (The Seven Deadly Sins)
It will produce branches and bear fruit and become a splendid cedar….” —Ezekiel 17:23 (NIV) I e-mailed my siblings: “Prayers appreciated for a talk I’m giving on Thursday afternoon.” Several responded, relaying the sentiment “God is with you, and so are we.” At the appointed hour, I encouraged participants to compare their prayers to trees. I displayed photographs and artists’ renderings of gnarly olive trees, weeping willows, deserted palms, orange-laden orchards…. I handed out colored pencils and suggested they draw a tree that represented their recent prayers. “Imagine Jesus as the trunk—the core ‘vine’—and your prayers as the branches. Then consider the big picture: Whom is your prayer tree shading or protecting? Where is it in the seasonal cycles—producing hopeful spring blossoms or mature fruit? Do your prayer-branches reach for the sky in praise or bend close to the ground with requests? Is your tree in a solitary setting, or do you prefer praying when you’re surrounded by peers, as in a grove?” Eventually I asked them to explain their pictures. A husband had sketched two leafy trees side by side, representing his prayers with his wife. A mother had envisioned a passel of umbrella-shaped twigs, symbolizing parental prayers of protection. When I was packing up, a woman who’d held back earlier showed me a nearly hidden detail of her flourishing tree. At the base of the trunk, underneath grassy cover, she’d outlined deep roots. “They represent the grounding of my family, my upbringing.” “Oh my!” I smiled. “You introduced a whole new dimension.” I drove home with a revitalized prayer—like limbs stretching upward with thanksgiving—for my natal family and many others who have enriched my relationship with God. Lord, thank You for the grounding of my faith through my family and the family of God. —Evelyn Bence Digging Deeper: Ps 103:17–18; Prv 22:6
Guideposts (Daily Guideposts 2014)
MARCH 17 YOU WILL UPROOT ANY ROOTS OF WICKEDNESS FROM YOUR LIFE TAKE HEED TO walk in the way of goodness and keep to the paths of righteousness. For My upright and blameless children will dwell in My land. But the wicked will be cut off from the earth, and the unfaithful will be uprooted from it. I have this day given you My authority and power over the nations and over the kingdoms, to root out and to pull down, to destroy and to throw down, to build and to plant. My ax is already at the root of the trees, and every tree that does not produce good fruit will be cut down and thrown into the fire. But if your roots are holy, so will be your branches. When I grafted you into the true vine, which is My Son, you now share in the nourishing sap from the olive root. But remember this: you do not support the root; My Son, Jesus, is the root who supports you. JEREMIAH 1:10; ROMANS 11:17–19; HEBREWS 12:15 Prayer Declaration I lay the ax to the root of every evil tree in my life. Let every ungodly generational taproot be cut and pulled out of my bloodline in the name of Jesus. Let the roots of wickedness be as rottenness. I speak to every evil tree to be uprooted and cast into the sea. Let every root of bitterness be cut from my life. Let Your holy fire burn up every ungodly root in the name of Jesus.
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
Do not deprive the foreigner or the fatherless of justice, or take the cloak of the widow as a pledge. Remember that you were slaves in Egypt and the Lord your God redeemed you from there. That is why I command you to do this. “When you are harvesting in your field and you overlook a sheaf, do not go back to get it. Leave it for the foreigner, the fatherless and the widow, so that the Lord your God may bless you in all the work of your hands. When you beat the olives from your trees, do not go over the branches a second time. Leave what remains for the foreigner, the fatherless and the widow. When you harvest the grapes in your vineyard, do not go over the vines again. Leave what remains for the foreigner, the fatherless and the widow. Remember that you were slaves in Egypt. That is why I command you to do this.” “God bless the reading of his Word.
Summer Lee (Quests of the Heart: Six Christian Novels)
The British public first fell in love with Jamie Oliver’s authentic, down-to-earth personality in the late ‘90s when he was featured in a documentary on the River Café. Jamie became a household name because of his energetic and infectious way of inspiring people to believe that anyone can cook and eat well. In his TV shows and cookery books and on his website, he made the concept of cooking good food practical and accessible to anyone. When Jamie Oliver opened a new restaurant in Perth, it naturally caused a bit of a buzz. High-profile personalities and big brands create an air of expectation. Brands like Jamie Oliver are talked about not just because of their fame and instant recognition, but because they have meaning attached to them. And people associate Jamie with simplicity, inclusiveness, energy, and creativity. If you’re one of the first people to have the experience of eating at the new Jamie’s Italian, then you’ve instantly got a story that you can share with your friends. The stories we tell to others (and to ourselves) are the reason that people were prepared to queue halfway down the street when Jamie’s Italian opened the doors to its Perth restaurant in March of 2013. As with pre-iPhone launch lines at the Apple store, the reaction of customers frames the scarcity of the experience. When you know there’s a three-month wait for a dinner booking (there is, although 50% of the restaurant is reserved for walk-ins), it feels like a win to be one of the few to have a booking. The reaction of other people makes the story better in the eyes of prospective diners. The hype and the scarcity just heighten the anticipation of the experience. People don’t go just for the food; they go for the story they can tell. Jamie told the UK press that 30,000 napkins are stolen from branches of his restaurant every month. Customers were also stealing expensive toilet flush handles until Jamie had them welded on. The loss of the linen and toilet fittings might impact Jamie’s profits, but it also helps to create the myth of the brand. QUESTIONS FOR YOU How would you like customers to react to your brand?
Bernadette Jiwa (The Fortune Cookie Principle: The 20 Keys to a Great Brand Story and Why Your Business Needs One)
...but the problem was more fundamental. Powell and the State Department hoped an agreement with North Korea would be a positive step reducing the threat of nuclear war. Bush, Cheney, and the Vulcans, wedded to a view of the world as a Manichean contest between good and evil, rejected the idea of negotiating with a state they deemed immoral. If the United States had brought the evil empire of the Soviet Union to its knees, why deal with a state vastly smaller, weaker, and more repressive? Bush's response to Kim Dae-Jung's visit set the tone for the administration. The United States would not enter into an agreement that kept a brutal regime in power. For Bush, foreign policy was an exercise in morality. That appealed to his religious fervor, and greatly simplified dealing with the world beyond America's borders. 'I've got a visceral reaction to this guy...Maybe it's my religion, but I feel passionate about this.' Bush's personalization of foreign policy and his refusal to deal with North Korea was the first of a multitude of errors that came to haunt his presidency. Instead of bringing a denuclearized North Korea peacefully into the family of nations, as seemed within reach in 2001, the Bush administration isolated the government in Pyongyang hoping for its collapse. In the years following, North Korea continued to be an intractable problem for the administration. By the end of Bush's presidency, North Korea had tested a nuclear device and was believed to have tripled its stock of plutonium, accumulating enough for at least six nuclear weapons. Aside from their attachment to the idea of American hegemony, the worldview of Bush, Cheney, and the Vulcans was predicated on a false reading of history. A keystone belief was that Ronald Reagan's harsh rhetoric and policy of firmness had forced the collapse of the Soviet Union and ended the Cold War. In actuality, Ronald Reagan's harsh rhetoric during his first three years in office actually intensified the Cold War and heightened Soviet resistance. Not until Reagan changed course, replaced Alexander Haig with George Schultz, and held out an olive branch to the Soviets did the Cold War begin to thaw. Beginning with the Geneva summit in 1985, Reagan would meet with Gorbachev five times in the next three years, including a precedent-shattering visit to the Kremlin and Red Square. What about the 'evil empire' the president was asked. 'I was talking about another time, another era,' said Reagan. President Reagan deserves full credit for ending the Cold War. But it ended because of his willingness to negotiate with Gorbachev and establish a relationship of mutual trust. For Bush, Cheney, and the Vulcans, this was a lesson they had not learned. (p.188-189)
Jean Edward Smith (Bush)
Man looks very coward and extremely primitive with an ostentatious big sword and he looks very brave and tremendously sophisticated with a humble olive branch!
Mehmet Murat ildan
An example of this activism was rendered by one of America’s newest and most controversial sects, the Mormons. Joseph Smith, the movement’s founder, was a committed restorationist, and in October 1841 he sent his personal Apostle, Orson Hyde, on a pilgrimage to Jerusalem. Climbing the Mount of Olives, Hyde erected an altar and beseeched God to “restore the kingdom unto Israel—raise up Jerusalem as its capital, and continue her people [as] a distinct nation and government.” Mormons would later integrate that prayer into their liturgy and, on the site of Hyde’s altar, build a branch of Brigham Young University.
Michael B. Oren (Power, Faith, and Fantasy: America in the Middle East: 1776 to the Present)
Is that an olive branch?” “Take it or burn it.” Garcia
T. Frohock (Without Light or Guide (Los Nefilim, #0.2))
It’s not an olive branch. It’s bread.
Alex Raizman (The Wastes of Keldora (Factory of the Gods, #1))
The next ime I am tempted to extend an olive branch of friendship to Corporal Thorne..... Remind me to whack hom over the head with it instead
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
After Zeidy’s heavy footfalls fade down the stairs, and I watch from my second-floor bedroom window as my grandparents get into the taxi, I slide the book out from under the mattress and place it reverently on my desk. The pages are made of waxy, translucent paper, and they are each packed with text: the original words of the Talmud as well as the English translation, and the rabbinical discourse that fills up the bottom half of each page. I like the discussions best, records of the conversations the ancient rabbis held about each holy phrase in the Talmud. On the sixty-fifth page the rabbis are arguing about King David and his ill-gotten wife Bathsheba, a mysterious biblical tale about which I’ve always been curious. From the fragments mentioned, it appears that Bathsheba was already married when David laid his eyes upon her, but he was so attracted to her that he deliberately sent her husband, Uriah, to the front lines so that he would be killed in war, leaving Bathsheba free to remarry. Afterward, when David had finally taken poor Bathsheba as his lawful wife, he looked into her eyes and saw in the mirror of her pupils the face of his own sin and was repulsed. After that, David refused to see Bathsheba again, and she lived the rest of her life in the king’s harem, ignored and forgotten. I now see why I’m not allowed to read the Talmud. My teachers have always told me, “David had no sins. David was a saint. It is forbidden to cast aspersions on God’s beloved son and anointed leader.” Is this the same illustrious ancestor the Talmud is referring to? Not only did David cavort with his many wives, but he had unmarried female companions as well, I discover. They are called concubines. I whisper aloud this new word, con-cu-bine, and it doesn’t sound illicit, the way it should, it only makes me think of a tall, stately tree. The concubine tree. I picture beautiful women dangling from its branches. Con-cu-bine. Bathsheba wasn’t a concubine because David honored her by taking her as his wife, but the Talmud says she was the only woman David chose who wasn’t a virgin. I think of the beautiful woman on the olive oil bottle, the extra-virgin. The rabbis say that God only intended virgins for David and that his holiness would have been defiled had he stayed with Bathsheba, who had already been married. King David is the yardstick, they say, against whom we are all measured in heaven. Really, how bad can my small stash of English books be, next to concubines? I am not aware at this moment that I have lost my innocence. I will realize it many years later. One day I will look back and understand that just as there was a moment in my life when I realized where my power lay, there was also a specific moment when I stopped believing in authority just for its own sake and started coming to my own conclusions about the world I lived in.
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
Give People Space When situations become heated, sometimes all people need is a little space, a little time to cool off. If you’re someone who needs closure on a tense situation, you may need to wait a day or so and apply one of the relationship tips mentioned previously, such as bringing the peace pipe, or breaking bread with someone. When people need space, timing can make the difference between a mended fence and salt in the wound. Remember: If you’re feeling bad about the situation, it’s likely the other person is too. And she may just need a day or two to hide out and lick her wounds—and recover from her own embarrassment about how she also handled the situation. Don’t let the silence bother you too much, but, if the person is still giving you the cold shoulder after a few days, you’ll need to muster up the courage to sit down with him one on one, and smooth things over—as much as is appropriate. You should not extend yourself further than the situation warrants. There is no shame in extending the olive branch. It only shows that you’re open to working things out, and maintaining a productive relationship.
Robert Dittmer (151 Quick Ideas to Improve Your People Skills)
Be the First to Offer the Olive Branch—or the Peace Pipe Ever felt as though you were in a stalemate with someone with whom you’ve had a dust-up? It’s very likely she would like to put the situation behind her too. In most cases, people avoid each other after a wrangling because they are both afraid the other person will either do him more injury, or reject his overtures of apology. So, dig out the olive branch—or a peace pipe—and start that long walk down the company corridors to deliver it. Sometimes you don’t even need to say anything. Getting things back on track with someone might be as simple as dropping off a can of their favorite soda—without any pomp or circumstance. In short, find a way either directly or indirectly—depending on how bad the dustup was—to be the first to mend fences. Your efforts will very likely be rewarded.
Robert Dittmer (151 Quick Ideas to Improve Your People Skills)
This symbol had since migrated to the Greek and Roman Empires, and then to the modern world, and the idiom “extending an olive branch” was now understood across cultures to mean an offer of reconciliation.
Douglas E. Richards (A Pivot In Time (Alien Artifact, #2))
The spell was on the very fist page: a calling for the lost to be found. We wanted our diaries found. So Holly suggested we try it. At first it was like a recipe: gathering moss and branches, raiding our cupboards for olive oil, slipping saints medals out of our nanas' wallets, rooting through the Christmas boxes in the attic, looking for silver string. It was silly and secret and made us feel like kids making mud pies. None of us took it seriously, not even Holly.
Moïra Fowley-Doyle (Spellbook of the Lost and Found)
Since people are animals—especially ones who’ve been encouraged their entire lives to view you as a natural predator who’s constantly seeking to kill, maim, defame, and oppress them—they tend to smell blood with every escalating gesture of compassion. It emboldens them to bite the hand that meekly holds out the olive branch.
Jim Goad (Whiteness: The Original Sin)
Reason is the olive branch of humanity.
Anon Cuk
If she hated them and did the bare minimum, there was no hope of reconciliation. But if she loved them…well, they might not change, but at least she'd be giving them a chance, extending an olive branch.
Dayo Benson (Pressure (Pure Passion Series #4))
The phosphorescence was particularly good that night. By plunging your hand into the water and dragging it along you could draw a wide golden-green ribbon of cold fire across the sea, and when you dived as you hit the surface it seemed as though you had plunged into a frosty furnace of glinting light. When we were tired we waded out of the sea, the water running off our bodies so that we seemed to be on fire, and lay on the sand to eat. Then, as the wine was opened at the end of the meal, as if by arrangement, a few fireflies appeared in the olives behind us – a sort of overture to the show. First of all there were just two or three green specks, sliding smoothly through the trees, winking regularly. But gradually more and more appeared, until parts of the olive-grove were lit with a weird green glow. Never had we seen so many fireflies congregated in one spot; they flicked through the trees in swarms, they crawled on the grass, the bushes and olive-trunks, they drifted in swarms over our heads and landed on the rocks, like green embers. Glittering streams of them flew out over the bay, swirling over the water, and then, right on cue, the porpoises appeared, swimming in line into the bay, rocking rhythmically through the water, their backs as if painted with phosphorus. In the centre of the bay they swam around, diving and rolling, occasionally leaping high in the air and falling back into a conflagration of light. With the fireflies above and illuminated porpoises below it was a fantastic sight. We could even see the luminous trails beneath the surface where the porpoises swam in fiery patterns across the sandy bottom, and when they leapt high in the air drops of emerald glowing water flicked from them, and you could not tell if it was phosphorescence or fireflies you were looking at. For an hour or so we watched this pageant, and then slowly the fireflies drifted back inland farther down the coast. Then the porpoises lined up and sped out to sea, leaving a flaming path behind them flickered and glowed, and then died slowly, like a glowing branch laid across the bay.
Gerald Durrell (My Family and Other Animals: Abridged Version)
The Major sits on a log, whittling at an oak branch. I can’t tell what he’s making, but he goes at it with the same fervor that Nugget and Coney get digging a hole, forgetting the world around them. He’s a man with busy hands, that’s for sure. He’s always carving, hammering, or sewing something. I’ve seen him create tables and benches, shoes, halters, and even a leather tie necklace for Olive, which he made by boring a hole into a bit of quartz and working the leather strap through. Afterward, he declared himself the finest jeweler in all of Glory, California.
Rae Carson (Like a River Glorious (The Gold Seer Trilogy, #2))
Why should I apologize if he’s the one being the asshole?” It’s a fairly common question. I have heard officers (a very few; it’s rare) say that they would never apologize to a criminal, and managers say they would never apologize to their employees. The whole idea is stupid. It is based on a fear of seeming weak or submissive or a parallel fear of being accused of being responsible. “I’m sorry.” Not much as a word thing, huh? Two words, expresses sympathy and nothing else… Here’s the big clue and the Monkey trick on this one:  “I don’t want to apologize because I don’t want to look weak.” Really? Being afraid of looking weak denies reality and our own experience. We have all seen arguments like this. We have all been part of the audience who will “see the weakness.” That’s not what happens. We see two people being unreasonable, not one. And the first person to apologize is clearly the smart one, the mature one, the leader. You gain, not lose, status when you make a reasonable, timely and sincere apology. From your own experience you have seen this time and again. You know this. If the other tries to turn it into a sign of weakness, gets so caught up in the Monkey Dance that he refuses the olive branch or presses for more, the audience identifies him as an ass and he loses status. We know this from our own experience of being the watchers. The very people you might be afraid to seem weak to. We know this. Still, the Monkey convinces us to be afraid of what people will think, even though we know they will not think it. People are not held in check by what people will think. They are held in check by what they imagine people will think. That imagination is patently, provably wrong. How much control will you let it have?
Rory Miller (ConCom: Conflict Communication A New Paradigm in Conscious Communication)
you're the fly on the wall hearing all, seeing all ears of a wall hearing all the secrets perhaps you're the vines creeping over the old abandoned mansion walls dusty, soulless and dead bringing a certain curious life to rubble and I think you're the jewel-eyed gecko sneaking around the warm summer walls between jasmine and olive branches sticky pad toes, clinging to the walls peeking in at lonely summer spicy love-making through silk curtains from the bright orient breathing in incense and tasting decadence climbing the sharply barbed walls the smooth cemented white-washed walls because walls breathe too
Moonie
Time for a history lesson, kids. Back in the olden days, when two clans were at war, they would send their noblemen onto the field before a battle to try and negotiate a nonviolent resolution. If the lords could figure out a compromise, then there wouldn’t be a fight. But if they couldn’t reach an agreement—it was on. And I’m talking old-school battle axes, flaming arrows, cannonballs-that-will-take-your-legs-off-at-the-knee kind of on. Yes, this was a scene in Braveheart. But it’s still historically accurate. My point is, for every goal, there’s two ways of reaching it: the hard way and the easy way. The men back then understood that. And so do I. Which is why I’m standing outside my office building waiting to catch Kate before she walks through the door. To extend the olive branch. To work out a peaceful solution. We’ll call this my “easy way.” And here she comes. See her down the block? Apparently, I’m not the only one who came to work today ready for war. Kate definitely has her armor on.
Emma Chase (Tangled (Tangled, #1))
Sometimes I spend all day trying to count the leaves on a single tree. To do this I have to climb branch by branch and write down the numbers in a little book. So I suppose, from their point of view, it’s reasonable that my friends say: what foolishness! She’s got her head in the clouds again. But it’s not. Of course I have to give up, but by then I’m half crazy with the wonder of it—the abundance of the leaves, the quietness of the branches, the hopelessness of my effort. And I am in that delicious and important place, roaring with laughter, full of earth-praise.
Mary Oliver (A Thousand Mornings: Poems)
the weeks following the war’s end, Truman announced a redesign of the presidential flag—the first since the Wilson years. Chief among the changes was the shifting of the eagle’s head away from the arrows of war instead toward the olive branch of peace, reflecting the nation’s desire for a universal peace.
Garrett M. Graff (Raven Rock: The Story of the U.S. Government's Secret Plan to Save Itself--While the Rest of Us Die)
In his family he kept up a very strict discipline in prayer and exhortation; being in this like Joshua, as the good man expresses it, viz., Whatsoever others did, as for me and my house, we will serve the Lord: and indeed a blessing waited on his labours and endeavours, so that his wife, as the Psalmist says, was like a pleasant vine upon the walls of his house, and his children like olive branches round his table; for so shall it be with the man that fears the Lord, and though by reason of the many losses he sustained by imprisonment and spoil, of his chargeable sickness, etc., his earthly treasure swelled not to excess; he always had sufficient to live decently and creditably, and with that he had the greatest of all treasures, which is content; for as the wise man says, That is a continual feast.
John Bunyan (Grace Abounding to the Chief of Sinners)
She was a coffee-spilling, plate-dropping wreck of a waitress who surprised herself the few times she got an order right.
Grace Mattioli (Olive Branches Don't Grow On Trees)
Sometimes dreams can hurt you.
Grace Mattioli (Olive Branches Don't Grow On Trees)
Deep, fluting emotions were a form of weakness. She'd seen the softening in her work over the years, she'd started making the lazy, homey treats like apple crumble, chocolate muffins, butterscotch pudding, and lemon bars. They were fast and cheap and they pleased her children. But she'd trained at one of the best pastry programs in the country. Her teachers were French. She'd learned the classical method of making fondant, of making real buttercream with its spun-candy base and beating the precise fraction off egg into the pate a choux. She knew how to blow sugar into glassine nests and birds and fountains, how to construct seven-tiered wedding cakes draped with sugar curtains copied from the tapestries at Versailles. When the other students interned at the Four Seasons, the French Laundry, and Dean & Deluca, Avis had apprenticed with a botanical illustrator in the department of horticulture at Cornell, learning to steady her hand and eye, to work with the tip of the brush, to dissect and replicate in tinted royal icing and multihued glazes the tiniest pieces of stamen, pistil, and rhizome. She studied Audubon and Redoute. At the end of her apprenticeship, her mentor, who pronounced the work "extraordinary and heartbreaking," arranged an exhibition of Avis's pastries at the school. "Remembering the Lost Country" was a series of cakes decorated in perfectly rendered sugar olive branches, cross sections of figs, and frosting replicas of lemon leaves. Her mother attended and pronounced the effect 'amusant.
Diana Abu-Jaber (Birds of Paradise)
Grandma Tucci would say, “You can’t help whom you fall in love with.
Grace Mattioli (Olive Branches Don't Grow On Trees)