Oldman Quotes

He'd gone from sixteen to seventy-five in a matter of seconds, but the old-man smell happened instantly, like boom. Congratulations! You stink!

I don't want to see you. I don't like you. I don't like your face. You look like an insufferable egotist. You're impertinent. You're too sure of yourself. Twenty years ago I would have punched your face with the greatest of pleasure.

Let me say right here, if I haven't made it clear, that I have seen as many pale, naked old-man parts in the last twenty-four hours to bruise my delicate psyche for a lifetime, so don't be surprised if you someday find me wandering the moors at midnight, a crazed look in my eye, babbling about albino Tater Tots nesting in Brillo pads and being pursued by sagging man ass, because that shit can happen when you've been traumatized.

O: Hey youngman, you should respect me! Y: Hey oldman, you should understand me!

Billy Whistler: Emotions are like work of art. They can be forged they seem just like the original but they are forgery. Virgil Oldman: Forgery. Billy Whistler: Everything can be fake Virgil: joy, pain, hate, illness, recovery... even love.

By the way, the Harry Potter series is literature, in spite of what some people might say. The way J.K. Rowling worked that world out is quite something.

Now that I am alone, I don't have to hide it; I don't have to hide anything any longer. I can let my face go because no one can see me; because there's twenty-one thousand feet between me and them... No, I don't have to press my teeth together or tighten the muscles of my jaw...

Any actor who tells you that they have become the people they play, unless they’re clearly diagnosed as a schizophrenic, is bullshitting you.

Speaking very generally, I find that women are spiritually, emotionally, and often physically stronger than men.

I've been very lucky at what's happened in my career to date, but playing something as far from me as possible is an ambition of mine - anything from a mutated baddy in a comic book action thriller, to a detective. If anything, I'd like Gary Oldman's career: he's the perfect example of it. I've love to have a really broad sweep of characters - to be able to do something edgy, surprising and unfashionable.

I used to be a poet. My words were traded in marketplaces like pieces of gold. Merchants bought my verses for as much as they paid for saffron and Indian jade. Now I am old... drunk on wine and candle fumes. Alone in this barren room, I speak my psalms to the night air so as to entertain moths before they go off to die. I used to be a poet and my words were gold.

The sand in the hourglass runs from one compartment to the other, marking the passage of moments with something constant and tangible. If you watch the flowing sand, you might see time itself riding the granules. Contrary to popular opinion, time is not an old white-haired man, but a laughing child. And time sings.

I know who the real hero is, and it isn't me or brave Lanaya. It's an old man with a white beard and a walking stick and a heart so big it won't let him stop thinking he can change the world by writing down things in a book no one will ever read.

It is He who makes the lightning flash upon you, inspiring you with fear and hope, and gathers up the heavy clouds. The thunder sounds His praises, and the angels, too, in awe of him. He hurls his thunderbolts at whom He pleases. Yet the unbelievers wrangle about God.

We finally settled on Francis Ford Coppola's version of Dracula, which, unfortunately, Gabriel seemed to think was a comedy. I think it was the combination of Keanu Reeves's British accent and Gary Oldman's elderly Count Dracula hairstyle. They're just misleading.

She looked at his face. So old and wrinkled. So beautiful and just right.

If I told you, you might be forced to lie about it. Not that you aren't really good at it, but why put an old man in that position?

Our own place is mall perhaps, but when your old man is eaten by his own shadow, you realise that maybe in every house, something so savage and sad and brilliant is standing up, without the world even seeing it. Maybe that's what these pages of words are about: Bringing the world to the window.

A young child is a leader to an elderly person once his purpose has a faithful, sincere and trustworthy influence on people. Leadership is not restricted to position and age; it is self-made and influencial. Everyone has this self-leadership quality.

Old man with a young mind is much younger than the young man with an old mind!

He looked ninety years old for thirty years and then he got the notion that he would die, and did so.

Our cellmate stared over his gathered knees at the far wall, drunk as a pickled fish, bony in that old-man way, like he’s easing into his coming skeletonhood.

After the wink, his head moved down and his eyes made a beeline to my chest. Ugh. The old man felt me up with his eyes. Men really are all just alike—no matter the age. He was a flirtatious old fossil.

There's no difference between a madman and a professor...it should be clear to you in the way they dress, act and think.

Antonio José Bolívar se ocupaba de mantenerlos a raya, en tanto los colonos destrozaban la selva construyendo la obra maestra del hombre civilizando: el desierto.

Appreciate youthfulness and empathize with elderly people.

Aoi: "The old-man [referring to himself] has no physical strength… Let me rest a bit longer *laughs*

Thump Milton loomed over Ree, a fabled man, his face a monument of Ozark stone, with juts and angles and cold shaded parts the sun never touched.

... allow me to be an old man for a moment and to remind a young girl who is used to being impulsive that there can be none of that anymore.

How did I get to be this old and still have to put up with so much crap?

Does she ever see him watching her through the picture window? Most likely. Does she think he’s a lecherous old man? Very probably. But he isn’t exactly that. How to convey the mix of longing, wistfulness, and muted regret that he feels? His regret is that he isn’t a lecherous old man, but he wishes he were. He wishes he still could be.

My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him. We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility. ... 'Please don't let Daddy die, Susie,' he whispered. 'I need him.' When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced. I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately? 'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said. I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry. 'Do you remember?' he asked. 'Barber!' 'Adagio for Strings,' he said. But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why. 'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco. When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.

They do say," Mr. Adams said to Old Man Warner, who stood next to him, "that over in  the north village they're talking of giving up the lottery." Old Man Warner snorted. "Pack of crazy fools," he said. "Listening to the young folks, nothing's good enough for them. Next thing you know, they'll be wanting to go back to living in caves, nobody work any more, live hat way for a while. Used to be a saying about 'Lottery in June, corn be heavy soon.' First thing you know, we'd all be eating stewed chickweed and acorns. There's always been a lottery, he added petulantly. "Bad  enough to see young Joe Summers up there joking with everybody." "Some places have already quit lotteries." Mrs. Adams said. "Nothing but trouble in that," Old Man Warner said stoutly. "Pack of young fools.

THE OLD MAN IN THE CORNER The man in the corner Is dying with words He's crying to be heard His days are marked And his only ears are birds He knows the secret to peace And his experience bleeds and hurts Somebody stop and listen Before he departs the earth! Somebody write his thoughts Before he hits the turf! His eyes are closing their shutters And he just dropped his Beads and stick. His breath is leaving us. Please! Somebody hear him out quick! A little girl rushes to him and Picks up his cane of wood. The old man then turns to her And faintly whispers, "The key to peace is To always stay fair And be good.

Next door I could hear the old man’s soul flap its heavy vermillion butterfly wings as the hustler shot a load down his throat.

...a turtle’s heart will beat for hours after he has been cut up and butchered. But the old man thought, I have such a heart too and my feet and hands are like theirs.

When I got back to the apartment, the phone rang. It was Dad, who told me I should try to get work as a model. I told him he was being ridiculous and he said no, he’d just been at the barbershop and saw a GQ magazine with a guy on the cover who looked just like me. So I went to the newsstand and found a copy and the person on the cover was not a model but Gary Oldman.

I could hear an old man in the stall next to ours sucking a hustler’s cock; I thought of animals gathering at a salt lick during the night near a cave: carnivore rubbing shoulders with deer.

Men will always be at battle,” the little girl said with an uncanny maturity. With her stride unbroken, she continued “Whether that battle is on a battlefield like this one, or on the most difficult battlefield of the heart and mind. It really doesn’t matter all that much, men will battle.

In life, growth is imminent. And, growth without change, is unthinkable. And, to make the unthinkable thinkable, new roads need to be carved out by way of old ones. The old stands tall and firm and befriends the new to fall into place, with refined maturity and greater understanding and cultured admiration. It's simply pure Magic.

Sonny shows me his phone. It’s a text message from Rapid, sent this morning, and it consists of one simple-but-not-so-simple question: Wanna meet up? My mouth drops. “Seriously?” “Seriously,” Sonny says. “Holy shit.” There’s one problem though. “Why haven’t you responded?” “I don’t know,” he says. “Part of me is like, hell yeah. The other part feels like this shit is too good to be true. What if he’s really a fifty-year-old man who lives in his mom’s basement and has a malicious plot to murder me and leave my body parts spread out across his backyard, unknown to anyone, until twenty years from now when a stray dog sniffs me out?” I stare at him. “The specifics in your examples are disturbing sometimes.

If you constantly pander to the wishes of others, you will never accomplish anything.

If you constantly pander to the wishes of others, you will never accomplish a thing.

So, this is retirement? This feeling of emptiness?

I remember the man from the Salvation Army handing my father a stack of coupons for Kentucky Fried Chicken, which we called Old-Man Chicken (Colonel Sanders’s face was plastered on every red bucket). I remember tearing into the crispy meat and oil like it was a gift from saints. I remember learning that saints were only people whose pain was notable, noted. I remember thinking you and Lan should be saints.

Testosterone Autism: The person beset by this ailment....develops an interest in various tools and machinery, and he's drawn to the Second World War and the biographies of famous people, mainly politicians and villains.

Her erkeğin, bu arada babamın da, mutluluğu yakalamak için yanlış yollara da sapmaya hakkı olduğunu ancak saçlarıma aklar düştüğü zaman anladım. Ancak o zaman onun yanlışlarına saygı duymaya başladım. Senin de benim yanlışlarıma benzer saygıyı duymanı dilerim oğlum. Senin de kimi zamanlar böyle yanlışlara düşmeni dilerim. Ve umarım sen de acımasızlık noktasına varana dek seversin ve dilerim sen de yaşamın soylu çekiciliklerini uzun süre algılayabilesin.

Grant paused in the act of turning the thing over, to consider the face a moment longer. A judge? A soldier? A prince? Someone used to great responsibility, and responsible in his authority. Someone too-conscientious. A worrier; perhaps a perfectionist. A man at ease in a large design, but anxious over details. A candidate for gastric ulcer. Someone, too, who had suffered ill-health as a child. He had that incommunicable, that indescribable look that childhood suffering leaves behind it; less positive than the look on a cripple’s face, but as inescapable. This the artist had both understood and translated into terms of paint. The slight fullness of the lower eyelid, like a child that has slept too heavily; the texture of the skin; the old-man look in a young face. He turned the portrait over to look for a caption. On the back was printed: Richard the Third. From the portrait in the National Portrait Gallery. Artist Unknown.

Somehow, irresistibly, the prime thing was: nothing mattered. Life in the end seemed a prank of such size you could only stand off at this end of the corridor to note its meaningless length and its quite unnecessary height, a mountain built to such ridiculous immensities you were dwarfed in its shadow and mocking of its pomp. So with death this near he thought numbly but purely upon a billion vanities, arrivals, departures, idiot excursions of boy, boy-man, man and old-man goat.

According to Father O’Dowd’s description, the seminary catered to both ends of the religious life, training the next crop of young men taking holy orders and providing a retirement home for those closer to discovering if they’d backed the right horse.

Repression. Her therapist, Dr. Solomon, loved the word. He'd say it slowly, letting it roll off his tongue. Sometimes he'd add a chin stroke for good measure. He always looked pleased when he did this, like he'd discovered the Caramilk secret or something.

by Gene’s old-man name as I am. I’m less pleased, however, with Lulu’s behavior tonight. Once again, she was on obnoxious overload, teasing me in biting, passive-aggressive ways, buying shots for Calvin and Ramón, sitting on their laps, flirting shamelessly. Lulu’s always been my wild friend, but never this sharp before. Seeing her through Calvin’s eyes is embarrassing; I want her to relax and back off, just the tiniest bit. “She’s so jealous of you,” Calvin says, tugging his shirt up and over his head. He tosses it past the couch;

Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.

Sweeping the dorm soon's it's empty, I'm after dust mice under his bed when I get a smell of something that makes me realize for the first time since I been in the hospital that the big dorm full of beds, sleeps forty grown men, has always been sticky with a thousand other smells - smells of germicide, zinc ointment, and foot powder, smell of piss and sour old-man manure, of Pablum and eyewash, of musty shorts and socks musty even when they're fresh back from the laundry, the stiff odor of starch in the linen, the acid stench of morning mouths, the banana smell of machine oil, and sometimes the smell of singed hair - but never before now, before he came in, the man smell of dust and dirt from the open fields, and sweat, and work.

Her new fever, her anxiety which changed itself to anger was even more of a toy to him. A part of his attention, secret until now, leaned forward to scan every pore of her Halloween face. Somehow, irresistibly, the prime thing was: nothing mattered. Life in the end seemed a prank of such size you could only stand off at this end of the corridor to note its meaningless length and its quite unnecessary height, a mountain built to such ridiculous immensities you were dwarfed in its shadow and mocking of its pomp. So with death this near he thought numbly but purely upon a billion vanities, arrivals, departures, idiot excursions of boy, boy-man, man and old-man goat. He had gathered and stacked all manner of foibles, devices, playthings of his egotism and now, between all the silly corridors of books, the toys of his life swayed. And none more grotesque than this thing named Witch Gypsy Reader-of-Dust, tickling, that’s what! just tickling the air! Fool! Didn’t she know what she was doing!

Her new fever, her anxiety which changed itself to anger was even more of a toy to him. A part of his attention, secret until now, leaned forward to scan every pore of her Halloween face. Somehow, irresistibly, the prime thing was: nothing mattered. Life in the end seemed a prank of such size you could only stand off at this end of the corridor to note its meaningless length and its quite unnecessary height, a mountain built to such ridiculous immensities you were dwarfed in its shadow and mocking of its pomp. So with death this near he thought numbly but purely upon a billion vanities, arrivals, departures, idiot excursions of boy, boy-man, man and old-man goat. He had gathered and stacked all manner of foibles, devices, playthings of his egotism and now, between all the silly corridors of books, the toys of his life swayed. And none more grotesque than this thing named Witch Gypsy Reader-of-Dust, tickling, that’s what! just tickling the air! Fool! Didn’t she know what she was doing!

Me: It took eighty-one years for me to get off that damn plane. Rita: I’m sorry. You really didn’t have to fly back and forth to New York in the same day. I could have survived one night without accosting you. Me: Well, I can’t say the same. However, now that you’re a hundred years old, I’m concerned with how your tits held up over time. Rita: You’ll be happy to know, after having you legally declared dead, I spent all of your money on plastic surgery. I look as good as the day you left. Me: I can’t possibly think of a better use of my money. Rita: Don’t worry. I saved a little so you can have your wrinkly old-man balls tucked. Me: And just when I start to think you aren’t the perfect woman, you go and surprise me. Rita: What in the world gave you the idea that I wasn’t the perfect woman? Me: Uh…you had me declared dead after only eighty-one years! I would have waited for you forever. Rita: And just when I start to think you couldn’t get cornier… Me: Oh, guess what? Rita: You found a workout video that can turn you into Robb Stark? Me: Woman! What the hell is wrong with you?

If you say, ‘Now I look like an old man’, you will start to look like an old man. If you say, ‘No, I look like a young man now’, you will start to look like a young man. What you project is what you will see. Soul is the form of projection and if false projections are done, the worldly life is created! If you come to a state free of false belief (wrong projection), You will be in the state of the ‘Real form of the Self’ (mood swaroop).

During this period, I served many celebrities, including Jennifer Aniston, Vince Vaughn, Gary Oldman, Leonardo DiCaprio, Juliette Lewis, Rob Lowe, Colin Farrell, Tom Selleck, David Spade, Thomas Haden Church, Sharon Osbourne, Brad Pitt, John Malkovich, Tara Reid, Toby Maguire and Diane Keaton. You know all of them, so no explanation needed. The hardest thing about serving such famous Hollywood icons, at least for the first time, is trying not to stare at them. It’s so otherworldly to see someone like Selleck, who’s not just huge -he’s bigger than life- and who you´ve watched on big screen and small for years… they are, invariably, taller or shorter than you’d imagined. And the women are either spectacularly beautiful or very ordinary without screen makeup. But you can’t stare. It’s verbatim by ownership. Brad Pitt was cool and very humble. He had a few Pyramid beers with a producer friend, and then took off on his motorcycle down Sunset Boulevard, heading West towards the Palisades. Am I saying that he was driving drunk? No. He was there for two hours and had two beers, so he wasn’t breaking the law. At least not with my assistance. He had been there many times before, I just hadn’t been the one serving him. I remember when he came in during his filming of Troy. He had long hair and a cast on his leg. Ironically, he had torn his Achilles’ tendon while playing Achilles in the epic film.

It’s not the absence of good. It’s being brave enough to oppose the presence of evil.

Just call him the Oldman," the man said in third person. "For that is all I am.

Now, it’s time for me to lock up and go. Listen to me. Lock up an empty building that’s gonna be torn down. Makes no sense. Like an old man tellin’ a lie to his son from his death bed. What’s the point? Who besides yourself are you fooling?

Muchas veces escuchó decir que con los años llega la sabiduría, y él esperó, confiando en que tal sabiduría le entragara lo que más deseaba: ser capaz de guiar el rumbo de los recuerdos y no caer en las trampas de éstos tendían a menudo.

Well, go in,” said Pandora. “It’s open to the public.” “So, for once, we won’t have to destroy private property,” Uncle Mort said, opening the door. “Look how far we’ve come, gang—” A shriveled, bony fist punched him in the face. Since there wasn’t much force behind the blow, however, it just sort of shoved him off balance for a second. Uncle Mort rubbed his cheek, as if he’d been stung by a mosquito. “Ow.” “Don’t you dare come in here!” a little man in a bow tie and suspenders yelled. He stared out at them from behind a pair of humongous old-man glasses, his wispy white hairs quivering as he shouted. When the Juniors came in anyway, he got even angrier. “Don’t you dare take another step!” They took another step. “Don’t you dare—” “Turlington!” Pandora blared, holding up a balled fist of her own. “You shut that pie hole of yours or I’ll stuff it with a hearty slice of knuckle cobbler!” “Knuckle cobbler?” Lex whispered to Driggs. “Good name for a band,” he replied. The man almost fainted. “Pan—Pandora?” “Damn straight!” She puffed out her chest and trapped him up against the wall. “Now, you’re going to let these friends of mine bunk here for the evening, and you’re going to be real nice and real pleasant about it, and above all, you’re not even going to think of ratting us out. Got it?” “Yes, yes,” he said, shaking. “Whatever you need. I think I might even have some pillows and blankets left over from the last overnight camp, in the closet behind the—” Pandora karate-chopped the side of his head. The Juniors watched as he went down like a sack. “What’d you do that for?” Uncle Mort asked once the poor man stopped twitching. “He would have ratted,” Pandora said with confidence. “Old Turly was my partner for a brief stint back in our younger days. Thick as thieves, we were. But he’s a squirrelly bastard, I know that much.” “So are you,” Uncle Mort pointed out. “That’s why we were such good friends!” Uncle Mort stared at her for a moment more, then rubbed his eyes. “Okay. Fine. Make yourselves at home, kids. Just step right on over the unconscious senior citizen.

ENGLISH: the ultimate body language. If not spoken by the English.

It’s a cliché——but still also a truism——that the victor writes the history; but he also convenes the court——or erects the scaffold, or merely find a convenient wall to stand his victims against.

So what happens when proovs get old?" he asks, as if the subject is close to his heart. "They age gracefully," Lanaya says with a smile. "That's the best we can do.

At a certain price point, one is paying not so much for the actual quality of the wine as “the scarcity, the story behind it, the critical scores,” Mark Oldman, author of How to Drink Like a Billionaire, explained to Forbes. “Or, it could simply be priced higher so we value it more—the luxury good effect.

Somehow I was going to have to get my money back, whatever it took. I didn’t care if I had to make my bed for a month, force lemonade down the throats of every hapless neighbor that happened to walk their dog past our front yard, shamelessly prostitute myself to my grandparents’ creepy friend Norman who would give you 50 cents for sitting on his lap and a dollar for every time you let him kiss you—and there was no turning your head so his slobbery old-man lips landed harmlessly on your hair, either; Norman had paid for skin-to-skin contact with young, firm flesh, and he was determined to get his money’s worth. (Why anyone thought that this behavior was remotely appropriate or that this man should be allowed around small children remains a mystery to me and is a story for another time, or perhaps another Kindle Single. Suffice it to say, all the relevant parties are now long dead, and as I have had no problems throughout adolescence and adulthood having

Nothing was different afterward except for my fresh loser eyes, noticing it all. People steering clear. Not touching me in gym, not even cheering if I sank a shot. Holding up their plate to my face in the lunchroom, like I’d eat off it like a dog. I wanted no sun shining on me now. I erased myself like a chalkboard. In my outgrown high-water jeans and the old-man shoes Mr. Peg had loaned me at Christmas, I joined the tribe of way-back country kids with no indoor plumbing and the Pentecostals that think any style clothes invented since Bible times is a sin. My specialty, acid holes. Who was going to take me shopping for new clothes? Hair over my collar, and who’s going to cut it? Miss Barks had noticed I was getting ratty, and kept reminding Mrs. McCobb how the monthly check from DSS should more than cover those things. And Mrs. McCobb kept saying she meant to get around to it, but just so busy with her kids. I’d been thinking about Emmy moving here in a few months, the walks we were going to take. Hand-holding. Now I just hoped she and June would move to some far-distant part of the county where she’d be in a different school and never find out what I was.

Hey, now, old man. Chill your calcium-deprived bones and stop treating her like crap, or I’ll have to kick your ass.

Me: What has happened to other civilizations? Oldman/Child: The Earth wanted them all dead. Me: What have we done? Oldman/Child: You have become parasites.

The walk to the village is peaceful, and she tests her growing knowledge of the local plant life---there, by the side of the road curl green fronds of stinging nettle, from the hedgerows peer creamy sprouts of meadowsweet. Silver flashes amongst the green: the silky strands of old-man's beard.

It’s pretty amazing to be around the kind of person who envisions a thing they want, and then goes to Menards and figures out how to make it real. I’m the type of person who thinks, “Wow, that table would be gorgeous in a deep teal,” and then walks past it every single day for the rest of my life without once considering going to the hardware store and getting sandpaper and a drop cloth. I would love to replace my kitchen cabinets, but how am I supposed to get the old ones down? And, even if I developed some herculean old-man strength and ripped them clean off the wall, what am I supposed to do with them? How do you throw cabinets away? Who do you get to put up the new ones?!

There’s something vulnerable about the human condition, where people can transmute into something so astonishingly altered that whatever is left is wholly unrecognizable.

Gary Oldman, gave Daniel Radcliffe a bass guitar when they first met.

His body was shriveled like a leaf that has left its tree and that has been curled by time about its natural lines.

Old age is not the flue, Not something you get over

A tribe is like a child,” he said once, in that thin piping old-man’s voice, which every day seemed more like a bird’s—and then he coughed. When he recovered, he spoke again. “Yes, a tribe is like a child. You can show it the way by which it should grow up, and perhaps you can direct it a little, but in the end the child will go his own way, and so will the tribe.

1 tatty old man in jeans—what was he thinking? Jeans are for young people.

Strangest of all is Christian Bale as Moses, raised in the Egyptian royal court as a brother to Ramses and blind to his true heritage. Eventually, of course, Moses discovers his Jewish roots, which means that he stops shaving, starts herding goats and, unless my ears deceive me, takes to peppering his speech with stagy old-man Yiddish inflections, as though preparing to lead his people from the fleshpots of Egypt into a borscht belt Canaan. You think this desert is dry? You should try my wife’s brisket.