Oldest Sibling Quotes

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I've been the oldest child since before you were born
E.L. Konigsburg (From the Mixed-Up Files of Mrs. Basil E. Frankweiler)
She tries to wear her pain on the inside. She always has. It’s the trademark of the oldest sibling, I think.
Laura Miller (Butterfly Weeds (Butterfly Weeds, #1))
She tries to wear her pain on the inside. She always has. It’s the trademark of the oldest sibling, I think.
Laura Miller (My Butterfly (Butterfly Weeds, #2))
The problem with being the eldest of four kids is, I had to get used to sharing everything real fast. Toys. Candy. Pets. Parents. I was an only child for almost twelve months, then Lachie came along. Right after was Sage and Raene. I’ve always been taught to share my stuff. Being the oldest I have to lead by example, show my siblings that we aren’t self-centred savages. But not this. I won’t share Bexley—even if Tommy Bianchi has a prior claim. Mine. Mine.
V. Theia (Manhattan Storm (From Manhattan #3))
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Nothing like cleaning the whole house while my siblings sing "O Canada" - #oldestchildsyndrome.
Michelle N. Onuorah
As they talked, Merritt entertained him with stories of her childhood in Hampshire as the oldest of six siblings. Her father, the earl, loomed large in those stories, as a loving parent and a man of great authority and responsibility. His marriage to Lillian Bowman, an American heiress, had been an improbable match, but the union had turned out to be a remarkably happy one. Merritt's mother was a lively and lighthearted woman, the kind of mother who had romped outside with her children and splashed in puddles with them, and encouraged their flights of fancy.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
My sister’s friend lived in a small duplex with her mother (a welfare queen if one ever existed). She had seven siblings, most of them from the same father—which was, unfortunately, a rarity. Her mother had never held a job and seemed interested “only in breeding,” as Mamaw put it. Her kids never had a chance. One ended up in an abusive relationship that produced a child before the mom was old enough to purchase cigarettes. The oldest overdosed on drugs and was arrested
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
She went around reading everything- the directions on the grits bag, Tate's notes, and the stories from her fairy-tale books she had pretended to read for years. Then one night she made a little oh sound, and took the old Bible from the shelf. Sitting at the table, she turned the thin pages carefully to the one with the family names. She found her own at the very bottom: There it was, her birthday: Miss Catherine Danielle Clark, October 10, 1945. Then, going back up the list, she read the real names of her brothers and sisters: Master Jeremy Andrew Clark, January 2, 1939. "Jeremy," she said out loud. "Jodie, I sure never thought a' you as Master Jeremy." Miss Amanda Margaret Clark, May 17, 1937. Kya touched the name with her fingers. Repeated it several times. She read on. Master Napier Murphy Clark, April 14, 1936. Kya spoke softly, "Murph, ya name was Napier." At the top, the oldest, Miss Mary Helen Clark, September 19, 1934. She rubbed her fingers over the names again, which brought faces before her eyes. They blurred, but she could see them all squeezed around the table eating stew, passing cornbread, even laughing some. She was ashamed that she had forgotten their names, but now that she'd found them, she would never let them go again. Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents' proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans.
Delia Owens (Where the Crawdads Sing)
Lacking older siblings, the oldest or only child identifies primarily with her parents, conforming to their ideals and demands, not the least reason being that she no one with whom to share those demands. Since firstborns try to live up to the expectations of adults- teachers' as well as parents'- rather than that of peers, they are likely to learn more and to bring home better report cards than younger siblings. Thus firstborns pave the way for younger siblings, setting the standards against which they are measured and measure themselves. Middle children tend to be more gregarious and more dependent on the approval of peers than that of adults. For one thing they have the example of the older sibling- who has the credibility of generational sameness- to guide them in their decisions and to teach them the rules of the family road. An older sister who was grounded for a month for coming home late from a date, for instance, is a lesson not lost on her younger sister or brother. At the same time younger children are buffered by birth order from their parents' sole concentration. Hence they are treated with more indulgence and are called upon less to take on responsibilities.
Victoria Secunda (Women and Their Fathers: The Sexual and Romantic Impact of the First Man in Your Life)
Family is everything to him. When he was a young boy, he lost his mother and four sisters to scarlet fever, and was sent away to boarding school. He grew up very much alone. So he would do anything to protect or help the people he cares about." She hefted the album into Keir's lap, and watched as he began to leaf through it dutifully. Keir's gaze fell to a photograph of the Challons relaxing on the beach. There was Phoebe at a young age, sprawling in the lap of a slender, laughing mother with curly hair. Two blond boys sat beside her, holding small shovels with the ruins of a sandcastle between them. A grinning fair-haired toddler was sitting squarely on top of the sandcastle, having just squashed it. They'd all dressed up in matching bathing costumes, like a crew of little sailors. Coming to perch on the arm of the chair, Phoebe reached down to turn the pages and point out photographs of her siblings at various stages of their childhood. Gabriel, the responsible oldest son... followed by Raphael, carefree and rebellious... Seraphina, the sweet and imaginative younger sister... and the baby of the family, Ivo, a red-haired boy who'd come as a surprise after the duchess had assumed childbearing years were past her. Phoebe paused at a tintype likeness of the duke and duchess seated together. Below it, the words "Lord and Lady St. Vincent" had been written. "This was taken before my father inherited the dukedom," she said. Kingston- Lord St. Vincent back then- sat with an arm draped along the back of the sofa, his face turned toward his wife. She was a lovely woman, with an endearing spray of freckles across her face and a smile as vulnerable as the heartbeat in an exposed wrist.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
They entered the summer parlor, where the Ravenels chatted amiably with his sisters, Phoebe and Seraphina. Phoebe, the oldest of the Challon siblings, had inherited their mother's warm and deeply loving nature, and their father's acerbic wit. Five years ago she had married her childhood sweetheart, Henry, Lord Clare, who had suffered from a chronic illness for most of his life. The worsening symptoms had gradually reduced him to a shadow of the man he'd once been, and he'd finally succumbed while Phoebe was pregnant with their second child. Although the first year of mourning was over, Phoebe hadn't yet returned to her former self. She went outdoors so seldom that her freckles had vanished, and she looked wan and thin. The ghost of grief still lingered in her gaze. Their younger sister, Seraphina, an effervescent eighteen-year-old with strawberry-blonde hair, was talking to Cassandra. Although Seraphina was old enough to have come out in society by now, the duke and duchess had persuaded her to wait another year. A girl with her sweet nature, her beauty, and her mammoth dowry would be targeted by every eligible man in Europe and beyond. For Seraphina, the London Season would be a gauntlet, and the more prepared she was, the better.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Shall we play youngest to oldest?” Colin suggested, with a gallant bow in Edwina’s direction. She shook her head. “I should rather go last, so that I might have a chance to observe the play of those more experienced than I.” “A wise woman,” Colin murmured. “Then we shall play oldest to youngest. Anthony, I believe you’re the most ancient among us.” “Sorry, brother dear, but Hastings has a few months on me.” “Why,” Edwina whispered in Kate’s ear, “do I get the feeling I am intruding upon a family spat?” “I think the Bridgertons take Pall Mall very seriously,” Kate whispered back. The three Bridgerton siblings had assumed bulldog faces, and they all appeared rather single-mindedly determined to win. “Eh eh eh!” Colin scolded, waving a finger at them. “No collusion allowed.” “We wouldn’t even begin to know where to collude,” Kate commented, “as no one has seen fit to even explain to us the rules of play.” “Just follow along,” Daphne said briskly. “You’ll figure it out as you go.” “I think,” Kate whispered to Edwina, “that the object is to sink your opponents’ balls into the lake.” “Really?” “No. But I think that’s how the Bridgertons see it.” “You’re still whispering!” Colin called out without sparing a glance in their direction. Then, to the duke, he barked, “Hastings, hit the bloody ball. We haven’t all day.” “Colin,” Daphne cut in, “don’t curse. There are ladies present” “You don’t count.” “There are two ladies present who are not me,” she ground out. Colin blinked, then turned to the Sheffield sisters. “Do you mind?” “Not at all,” Kate replied, utterly fascinated. Edwina just shook her head. “Good.” Colin turned back to the duke. “Hastings, get moving.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
The book of Genesis is a window into what cultures were like before the revelation of the Bible. One thing we see early on is the widespread practice of primogeniture—the eldest son inherited all the wealth, which is how they ensured the family kept its status and place in society. So the second or third son got nothing, or very little. Yet all through the Bible, when God chooses someone to work through, he chooses the younger sibling. He chooses Abel over Cain. He chooses Isaac over Ishmael. He chooses Jacob over Esau. He chooses David over all eleven of his older brothers. Time after time he chooses not the oldest, not the one the world expects and rewards. Never the one from Jerusalem, as it were, but always the one from Nazareth. Another ancient cultural tradition revealed in Genesis is that in those societies, women who had lots of children were extolled as heroic. If you had many children, that meant economic success, it meant military success, and of course it meant the odds of carrying on the family name were secure. So women who could not have children were shamed and stigmatized. Yet throughout the Bible, when God shows us how he works through a woman, he chooses the ones who cannot have children, and opens their wombs. These are despised women, but God chooses them over ones who are loved and blessed in the eyes of the world. He chooses Sarah, Abraham’s wife; Rebecca, Isaac’s wife; Samuel’s mother, Hannah; and John’s mother, Elizabeth. God always works through the men or the boys nobody wanted, through the women or girls nobody wanted.
Timothy J. Keller (The Skeptical Student (Encounters with Jesus Series Book 1))
Sulloway (1996, 2011) proposed that the adaptive problems imposed by parents on children will create different “niches” for children, depending on their birth order. Specifically, because parents often favor the oldest child, the firstborn tends to be relatively more conservative and more likely to support the status quo. Second-borns, however, have little to gain by supporting the existing structure and everything to gain by rebelling against it. Later-borns, especially middle-borns, according to Sulloway, develop a more rebellious personality because they have the least to gain by maintaining the existing order; studies of birth order and personality confirm this prediction (Healey & Ellis, 2007). The youngest, on the other hand, might receive more parental investment than middle children, as parents often let out all the stops to invest in their final direct reproductive vehicle. Salmon and Daly (1998) find support for these predictions. They discovered that middle-borns differ from first- and last-borns in scoring lower on measures of family solidarity and identity. Middle-borns, for example, are less likely to name a genetic relative as the person to whom they feel closest. They are also less likely to assume the role of family genealogist. Middle-borns, compared to firstborns and last-borns, are less positive in attitudes toward their families and less likely to help a family member who needs help (Salmon, 2003). These and other results (Salmon, 1999) lend some support to Sulloway’s theory that birth order affects the niches a person selects. Firstborns are more likely to feel solidarity with parents and perceive them as dependable, whereas middle-borns appear more likely to invest in bonds outside of the family. Interestingly, middle-born children might receive less total investment from parents even if parents treat all their children equally (Hertwig, Davis, & Sulloway, 2002). This result occurs because firstborns receive all of their parents’ investments early in life before other children are born and last-borns receive all of their parents’ investments after all other children leave the house. Middle-borns, in contrast, must share their parents’ investments, because there is rarely a time when other siblings are not around. Even when parents strive to invest equally in their children, middle-borns end up on the short end of the stick—perhaps accounting for why middle-borns are less identified with their families (Hertwig et al., 2002).
David M. Buss (Evolutionary Psychology: The New Science of the Mind)
I haven’t actually met this dude before, but I’m fairly certain it’s Callum Griffin, the oldest of the Griffin siblings.
Sophie Lark (Brutal Prince (Brutal Birthright, #1))
Mr. and Mrs. Miller, probably both in their mid-fifties, were the core of the family. Jerome was their second child; his sister Donella was the oldest. Mr. Miller told them that Jerome had two other siblings, but said nothing else about them. Cruz saw no sign of them in the house, which was clean inside, although a funereal film hung about. The Millers showed Cruz and Martinez to Jerome's old room. Everything was intact four years later. The bed was made. The room vacuumed. Posters of athletes hung taut on the wall. The room shocked Cruz—the Millers hadn't let go at all.
Derek Blass (Enemy in Blue: The Trial (The Cruz Marquez Thrillers #2))
Being the oldest is a tricky thing. Your siblings are annoying as fuck for most of your life, but you still love ‘em. You can’t help it.
Sophie Lark (The Rebel (Kingmakers, #2))
For the six youngest children, from Katherine, who at two, can only toddle after her bigger siblings, imploring them not to leave her behind, through Edward, Margaret, Lionel, Eleanor, and Martha, the oldest of the nursery at ten years, the return of their older brothers and sisters is like an explosion of noise and excitement.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
A boy I know named Michael, the oldest often children, came home one night intoxicated with E. When he saw the family’s pet Labrador in the kitchen he strangled it to death, convinced that it was the devil. The dog bit him and there was blood all over the kitchen. The siblings who ran in to watch the aftermath of the scene were traumatized. Michael is now in drug rehab recovering from addiction.
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
Birth order is a crucial factor. Whereas oldest children tend to identify with their parents and authority and to sustain the status quo, younger children tend to rebel (cf. Averett, Argys, & Rees, 2006). Moreover, the repercussions of sibling rivalry extend beyond individual development to society as a whole
Barbara Engler (Personality Theories)
When I come home, they’re coming with me, Stephen.” She waited for the response. And waited. Meridith’s fist knotted, clutching her cotton nightshirt. Why wasn’t he responding? She continued, “Their uncle hasn’t contacted them. He obviously won’t be interested in guardianship, and frankly, I don’t think he’s fit anyway. And there isn’t anyone else. They’d go to foster care, probably be separated, and I can’t let that happen.” “But—we’re getting married.” He sounded stunned. “They’re my siblings.” “They were strangers two months ago.” “Well, they’re not now. They’re blood relatives, Stephen, and I care about them.” He gave a deep sigh. “I understand you feel a certain obligation. You’re really caught in a bad spot. But where am I in this decision? It’s our future, not just yours, and this isn’t the kind of decision you make alone, Meridith. Not when you’re engaged.” “I should’ve said something sooner, I know. But you were knee deep in taxes, and I—” “We’re talking about raising three children.” “You’ll love them, I know you will. And the oldest is thirteen— four years, and she’ll be off to college.” “You’re missing the point. Don’t I get a say?” He was right, of course. But what if he decided he couldn’t do it? “I’m sorry, Stephen, I know you’re right. But what do you want me to do? They’re my siblings. I can’t abandon them. I thought you’d understand; you know about my childhood. How can I not offer them the stability of a good home?” “It’s very admirable of you, but—” “You’d be a wonderful father, Stephen.” “I’m not ready for that.” The words, so pointedly spoken, made her reel. He hadn’t gotten upset, wasn’t yelling. He was calm and cool like always, but he wasn’t budging. “What am I supposed to do then, Stephen?” Even after three deep breaths, after closing her eyes and counting backward from ten, she wasn’t ready for his response. “I guess you have a choice to make.
Denise Hunter (Driftwood Lane (Nantucket, #4))
our interviews suggest that many rural men migrate to the city precisely to prepare for marriage. Married men who do not already work in the city rarely migrate there (it is different for those who live in towns surrounding cities).     After the death of my parents and oldest brother, I took care of the siblings. In 1997, I came to Bujumbura to do different jobs and then I managed to buy my own bike and I started doing taxi-vélo. I have done this job since 2002 and it allows me to have everything I need. I managed to build a house and I married because of my work. I also managed to buy three goats and five parcels of land to cultivate. I think that with God’s help I will manage the development I wished for when I came to the city. (Twenty-six-year-old migrant, Musaga)     I am saving some money to buy a couple of cows. After that, I will seek a wife. I am busy building a house with a tile roof in my colline to prepare my marriage. (Twenty-year-old male migrant, Musaga)
Peter Uvin (Life after Violence: A People's Story of Burundi (African Arguments))
I hardly know you,” Ellen said in low, miserable tones. “I don’t know who your people are, where you’ve lived, how you come to be a builder of pianos, what you want next in life.” “My name is Valentine Forsythe Windham.” He stepped closer, unwilling to hear Ellen talk herself out of him. “My family is large and settled mostly in Kent. You’ve met my oldest brother, and I will gladly describe each and every sibling and cousin to you. I learned to build pianos while studying in Italy and thought it made business sense to start such an endeavor here. What I want next in life, Ellen Markham, is you.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
I am the oldest of four, so I often felt the brunt of the madness, along with the responsibility of protecting my siblings from the unpredictable swings. When things were bad, I was the protector. When things were great, I was the protector-in-waiting, always on the outside of the fun, easily teased for being too serious, and always knowing that we were one sideways glance or one smart-ass comment from chaos.
Brené Brown (Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience)
I've been waiting for you to use your gavel all evening, Your Honor." God, please, no! Those were the last words on earth Vansh ever, ever, wanted to hear his oldest sister say to her judge husband. Ever. Yash, who was generally not the sort of guy who snorted with laughter, snorted with laughter so violently that Nisha and Neel jumped apart like someone had fired a cannon. Nisha's hands pressed into her face. "No. No. Nononono. What the hell are you all doing here?" "Not waiting for Neel to use his gavel, that's for sure," Yash said, still howling like a hyena. Which, to be fair, Vansh was doing as well. Nisha charged at Yash. Neel grabbed her around her waist. As a circuit court judge (with a gavel), Neel obviously saw enough crazy shit on a daily basis that he was entirely unfazed by any Raje family shenanigans. He held Nisha in check while laughing into her hair, and in the end she broke down and started laughing too, embarrassed though the laughter was. "If either one of you tells anyone, I'm going to chop you into little pieces and pass you through a mulch shredder," their sister threatened. "Who let her watch Fargo?" Vansh asked, and Neel looked heavenward.
Sonali Dev (The Emma Project (The Rajes, #4))
Our entire lives were mapped out in Excel spreadsheets where they calculated various probabilities and formulated a strategy for each one of us. My oldest sister was to become a doctor, as eldest siblings should; my middle sister was to become a lawyer; and I, an engineer.
Ore Agbaje-Williams (The Three of Us)
All summer, her parents treated her like she was made of glass, and she didn’t understand why until it was over and they were packing the car full of pillows and boxes and books. Unlike Ruby, Jane had siblings—two brothers and a sister, all younger than she was. Like Ruby, Jane had had no idea what it meant for her parents to have their oldest child get ready to leave home. Leave home! It sounded so final. At the time, Jane had thought her mother was experiencing some very prolonged kind of stroke, where she was always blinking back tears and staring at Jane like she was the new episode of Dallas. But she understood it now. Children wanted to go. Children knew that they were old enough—it was prehistoric, baked-in knowledge. Only the parents still thought they were kids. Everyone else—tobacco, the voting booth, porn shops—said otherwise. Jane moved
Emma Straub (Modern Lovers)
Among many of the people interviewed for this book, the scapegoated children were either the oldest, more successful, had more friends, or were more intelligent than their siblings (or posed some other threat to the ego of the parent). The parent may even have felt competitive with the child.
Ramani S. Durvasula ("Don't You Know Who I Am?": How to Stay Sane in an Era of Narcissism, Entitlement, and Incivility)
The book of Genesis is a window into what cultures were like before the revelation of the Bible. One thing we see early on is the widespread practice of primogeniture—the eldest son inherited all the wealth, which is how they ensured the family kept its status and place in society. So the second or third son got nothing, or very little. Yet all through the Bible, when God chooses someone to work through, he chooses the younger sibling. He chooses Abel over Cain. He chooses Isaac over Ishmael. He chooses Jacob over Esau. He chooses David over all eleven of his older brothers. Time after time he chooses not the oldest, not the one the world expects and rewards. Never the one from Jerusalem, as it were, but always the one from Nazareth.
Timothy J. Keller (The Skeptical Student (Encounters with Jesus Series Book 1))
How many siblings do you have?” “Three sisters. The oldest is Charity. She’s twenty-eight. Then there’s Serenity, who is twenty-four. And Hope is twenty-two.” Mason’s eyebrow raised slightly, and I knew where his thoughts probably headed. Our names. Yes, we were all named after virtues. And yes, I was fully aware of the ridiculousness. “So…Charity, Serenity, Hope and Felicity?” “Between you and me”—I leaned toward him—“Charity is the most selfish person I know. Serenity is borderline crazy and nobody is more pessimistic than Hope. And me…well, I’m a ball of anger.” He laughed. “I wasn’t going to say a thing.” I stared at him. He grinned. “Okay, I was. And point taken.” I smiled. “My sisters are actually great. But so help me God, I’ll never give my children matching names, nor will I choose ones that will forever be their defining characteristic. I mean, c’mon, it’s like we were set up for failure.” He laughed. “So what’s your full name?” “Felicity Anne Daniels.” “Your initials are—” “Fad. Yes. I know. My parents are awful, and I can never get anything monogrammed.” “Hey, it’s not so bad. I’m named after a jar.” “Doesn’t ‘Mason’ originate from, like, a stoneworker or something?” “Yeah, but my mom literally got it from the jar. Apparently, she loved eating my great-grandma’s homemade preserves while pregnant with me. One day, she’s staring at the canning jar and thinks I should name my baby Mason. The rest is history.” I covered my mouth to hide my laugh. “Well, it could be worse. You could be named after what was in the jar.” “No shit. I’m pretty sure if I’d been a girl I’d be named Strawberry.
Renita Pizzitola (Just a Little Kiss (Crush, #3))
As the oldest of four siblings, I’m the one who goes out of my way to make sure everyone has what they need. I’ve never had anyone do the same for me. The gesture makes me feel unsettled, like I don’t deserve such a gift.
Tessa Bailey (Merry Ever After (Under the Mistletoe Collection, #2))