Old Whiskey Quotes

I don't let anyone touch me," I finally said. Why not?" Why not? Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them then changed their minds. Forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (...) It was a play and I knew how it ended, I didn't want to audition for any of the roles. It was no game, no casual thrill. It was three-bullet Russian roulette.

I wish to live to 150 years old, but the day I die, I wish it to be with a cigarette in one hand and a glass of whiskey in the other.

sometimes i'd wake up at two or three in the morning and not be able to fall asleep again. i'd get out of bed, go to the kitchen, and pour myself a whiskey. glass in hand, i'd look down at the darkened cemetary across teh way and the headlights of the cars on the road. the moments of time linking night and dawn were long and dark. if i could cry, it might make things easier. but what would i cry over? i was too self centered to cry for other people, too old to cry for myself.

...I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn't come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them and then changed their minds.

The room stank of semen and smoke and sweat and whiskey, of old carpet and sour hay, saddle leather, shit and cheap soap.

We drank our whiskeys. It was the good stuff and it tasted of salt, sea, rain, wind and the Old Testament.

Old but contented, the face of a man who had sipped life’s vinegar and found it, by and large, to be mostly whiskey, and good whiskey at that.

What about the whiskey?" Jack said as they ran. "Won't it keep them out?" The Green Maidens don't drink anything but blood." Bob's disembodied voice floated after them. "The whiskey magick won't affect them." Wonderful," the old actor muttered, a tremor of fear in his voice. "I should've poured a Bloody Mary.

It is the burden of the survivor to wake one day and discover in yourself a stranger.

Your bird drinks whiskey and eats tobacco?" The old man frowned."Just be lad he doesn't like eatin' scrawny boys that don't know their way 'round the Otherworld.

Though not untidy, exactly, it verged on being so. Books were stacked on every available surface; the tables were cluttered papers, ashtrays, bottles of whiskey, boxes of chocolates; umbrellas and galoshes made passage difficult in the narrow hall… Camilla’s night table was littered with empty teacups, leaky pens, dead marigolds in a water glass, and at the foot of her bed was a half-played game of solitaire… everywhere I looked was some fresh oddity: an old stereopticon, arrowheads in a dusty glass case, a staghorn fern, a bird’s skeleton…

We could endlessly reminisce, live in the past to an unhealthy degree, then politely kill each other some winter night before bedtime, stirring poison into our cups of whiskey-spiked chamomile tea, wearing party hats. Then, nervous about our double homicide, we could lie in bed together, holding hands again, frightened and waiting, still wondering, after all these years, if we even believed in our own souls.

Less knows so well the pleasures of youth—danger, excitement, losing oneself in a dark club with a pill, a shot, a stranger’s mouth—and, with Robert and his friends, the pleasures of age—comfort and ease, beauty and taste, old friends and old stories and wine, whiskey, sunsets over the water. His entire life, he has alternated between the two.

I always loved that, the first sight of him, the first hit. It was a little jarring, like a slight burn, but the aftertaste was smooth, welcoming, like an old friend calling me home.

She was old enough now to read the secret meaning embedded in all real advice: that the giver has fallen short of it himself, and that falling-short still rings in him and shapes his soul.

This life is cut with trails unrode. There was a time I resented that fact, the cruelty of being stuck to only one. But age like I got teaches you to be grateful for those trails untook. The old mind can wander their lengths and see what the eyes was never allowed, what the eyes would have missed. I’ve had time to wander those trails that interest me.

We live in a modern society. Husbands and wives don't grow on trees, like in the old days. So where does one find love? When you're sixteen it's easy, like being unleashed with a credit card in a department store of kisses. There's the first kiss. The sloppy kiss. The peck. The sympathy kiss. The backseat smooch. The we shouldn't be doing this kiss. The but your lips taste so good kiss. The bury me in an avalanche of tingles kiss. The I wish you'd quit smoking kiss. The I accept your apology, but you make me really mad sometimes kiss. The I know your tongue like the back of my hand kiss. As you get older, kisses become scarce. You'll be driving home and see a damaged kiss on the side of the road, with its purple thumb out. If you were younger, you'd pull over, slide open the mouth's red door just to see how it fits. Oh where does one find love? If you rub two glances, you get a smile. Rub two smiles, you get a warm feeling. Rub two warm feelings and presto-you have a kiss. Now what? Don't invite the kiss over and answer the door in your underwear. It'll get suspicious and stare at your toes. Don't water the kiss with whiskey. It'll turn bright pink and explode into a thousand luscious splinters, but in the morning it'll be ashamed and sneak out of your body without saying good-bye, and you'll remember that kiss forever by all the little cuts it left on the inside of your mouth. You must nurture the kiss. Turn out the lights. Notice how it illuminates the room. Hold it to your chest and wonder if the sand inside hourglasses comes from a special beach. Place it on the tongue's pillow, then look up the first recorded kiss in an encyclopedia: beneath a Babylonian olive tree in 1200 B.C. But one kiss levitates above all the others. The intersection of function and desire. The I do kiss. The I'll love you through a brick wall kiss. Even when I'm dead, I'll swim through the Earth, like a mermaid of the soil, just to be next to your bones.

If voices could be drinks, his was a centuries-old vintage whiskey, rolling off the tongue, down the throat, leaving a trail of fire inside, making every cell in the body aware that it had been consumed.

Old Man River! That seems far too austere a name For something made of mirth and rage. O, roiling red-blood river vein, If chief among your traits is age, You're a wily, convoluted sage. Is "old" the thing to call what rings The vernal heart of wester-lore; What brings us brassy-myth made kings (And preponderance of bug-type things) To challenge titans come before? Demiurge to a try at Avalon-once-more! And what august vitality In your wide aorta stream You must have had to oversee Alchemic change of timber beam To iron, brick and engine steam. Your umber whiskey waters lance The prideful sober sovereignty Of faulty-haloed Temperance And wilt her self-sure countenance; Yes, righteousness is vanity, But your sport's for imps, not elderly. If there's a name for migrant mass Of veteran frivolity That snakes through seas of prairie grass And groves of summer sassafras, A name that flows as roguishly As gypsy waters, fast and free, It's your real name, Mississippi.

The bookstore had no musty “old books” smell, and instead it had a nice oaky aroma, similar to the way Laurence imagined the whiskey casks would be before you put Scotch into them for aging. This was a place where you would age well.

Like my old mentor would always say, "Fool me once, shame on you, fool me twice and I’ll be dead.’’ Okay, she wasn’t a good poet, but that lady could handle her whiskey.

Rossett wondered if the old man was scared, watching his words almost as closely as he watched the whiskey, making sure not to spill too much of either.

Nobody wants to hear that any aspect of my awesome life is bad. I get that. But there are days, maybe two or three times a year, when I get completely overwhelmed by my job and go to my office, lie on the floor, and cry for ten minutes. Then I think: Mindy, you have literally the best life in the world besides that hot lawyer who married George Clooney. This is what you dreamed about when you were a weird, determined little ten-year-old. There are more than a thousand people in one square mile of this studio who would kill to have this job. Get your ass up off the floor and go back into that writers’ room, you weakling. Then I get up, pour myself a generous glass of whiskey and club soda, think about the sustained grit of my parents, and go back to work.

Whoo-oop! I'm the old original iron-jawed, brass-mounted, copper-bellied corpse-maker from the wilds of Arkansaw!—Look at me! I'm the man they call Sudden Death and General Desolation! Sired by a hurricane, dam'd by an earthquake, half-brother to the cholera, nearly related to the small-pox on the mother's side! Look at me! I take nineteen alligators and a bar'l of whiskey for breakfast when I'm in robust health, and a bushel of rattlesnakes and a dead body when I'm ailing! I split the everlasting rocks with my glance, and I squench the thunder when I speak! Whoo-oop! Stand back and give me room according to my strength! Blood's my natural drink, and the wails of the dying is music to my ear! Cast your eye on me, gentlemen!—and lay low and hold your breath, for I'm bout to turn myself loose!

In these days of physical fitness, hair dye, and plastic surgery, you can live much of your life without feeling or even looking old. But then one day, your knee goes, or your shoulder, or your back, or your hip. Your hot flashes come to an end; things droop. Spots appear. Your cleavage looks like a peach pit. If your elbows faced forward, you would kill yourself. You’re two inches shorter than you used to be. You’re ten pounds fatter and you cannot lose a pound of it to save your soul. Your hands don’t work as well as they once did and you can’t open bottles, jars, wrappers, and especially those gadgets that are encased tightly in what seems to be molded Mylar. If you were stranded on a desert island and your food were sealed in plastic packaging, you would starve to death. You take so many pills in the morning you don’t have room for breakfast. You lose close friends and discover one of the worst truths of old age: they’re irreplaceable. People who run four miles a day and eat only nuts and berries drop dead. People who drink a quart of whiskey and smoke two packs of cigarettes a day drop dead. You are suddenly in a lottery, the ultimate game of chance, and someday your luck will run out. Everybody dies. There’s nothing you can do about it. Whether or not you eat six almonds a day. Whether or not you believe in God.

That’s why we all hate ’em, he thought. Those expressionless eyes watch us, those big faces turn to follow us, and doesn’t it just look as if they’re making notes and taking names? If you heard that one had bashed in someone’s head over in Quirm or somewhere, wouldn’t you just love to believe it? A voice inside, a voice which generally came to him only in the quiet hours of the night or, in the old days, half-way down a whiskey bottle, added: Given how we use them, maybe we’re scared because we know we deserve it…

Half asleep in the sun, reassured by the familiar smell of frying fat, I’d make promises to God. If only He’d let me be a singer! I knew I’d probably turn to whiskey and rock ’n’ roll like they all did, but not for years, I promised. Not for years, Lord. Not till I had glorified His name and bought Mama a yellow Cadillac and a house on Old Henderson Road.

You hungry?” asked Silver, who was thus nicknamed because his hair had turned old when he was but twenty-five.

I had been up all night with my old friend Allen Ginsberg, the poet, and we had both slid into the abyss of whiskey madness and full-bore substance abuse. It was wonderful,

She had the handwriting of a three-year-old trying to figure out whether they were right- or left-handed.

He was close enough that Shadow could see his face: old but contented, the face of a man who had sipped life's vinegar and found it, by and large, to be mostly whiskey, and good whiskey at that.

He was close enough that Shadow could see his face: old but contented, the face of a man who had sipped life’s vinegar and found it, by and large, to be mostly whiskey, and good whiskey at that.

I would prefer to be shot, myself, if I get that sick,” Call said. “Once there’s no avoiding death I see no point in lingering.” Augustus smiled at the comment, and poured himself a little more whiskey. “We’re all just lingering, Woodrow,” he said. “None of us can avoid dying—though old Scull did the best job of it of any man I know, while that old bandit had him.

I grew up in the town that received the first distress signal saying the Titanic was going down. It was the only thing we were ever renowned for. In fact, we prided ourselves on our failure to save the sinking, which is maybe part of the reason I prided myself on drinking my first fifth of whiskey at twelve years old. It's cold where I come from. I learned to drown young.

Who dies best, the soldier who falls for your sake, or the fly in my whiskey-glass? The happy agony of the fly is his reward for an adventurous dive in no cause but his own. Gorged and crazed, he touches bottom, knows he's gone as far as he can go, and bravely sticks. I sleep on. In the morning I pour new happiness upon the crust of the old, and only as I raise the glass to my lips descry through that rich brown double inch my flattened hero. I drink around his death, being no angler by any inclination, and leave him in the weird shallows. The glass set down, I idle beneath the fan, while beyond my window-bars a warm drizzle passes silently from clouds to leaves. How to die? How to live? These questions, if we ask the dead fly, are both answered thus: In a drunken state. But drunk on WHAT should we all be? Well, there's love to drink, of course, and death, which is the same thing, and whiskey, better still, and heroin, best of all—except maybe for holiness. Accordingly, let this book, like its characters, be devoted to Addiction, Addicts, Pushers, Prostitutes and Pimps. With upraised needles, Bibles, dildoes and shot glasses, let us now throw our condoms in the fire, unbutton our trousers, and happily commit THIS MULTITUDE OF CRIMES.

Out on the road outside Cheyenne Wells a great argument developed between Pomeray and Old Bull as to whether they were going to buy a little whiskey or lot of wine, one being a wino, the other an alcoholic. Not having eaten for a long time, feverish, they leaped out of the car and started making brawling gestures at each other which were supposed to represent a fistfight between two men...and the next moment they were embracing each other, old Pomeray tearfully, Old Bull raising his eyes with lonely sarcasm at the huge and indefatigable heavens above Colorado...because everybody was in a hole during the Depression, and felt it

Because I was tired of men. Hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. Men who didn’t come to the emergency room with you, men who left on Christmas Eve. Men who slammed the security gates, who made you love them and then changed their minds.

Maybe he never did. Less knows so well the pleasures of youth—danger, excitement, losing oneself in a dark club with a pill, a shot, a stranger’s mouth—and, with Robert and his friends, the pleasures of age—comfort and ease, beauty and taste, old friends and old stories and wine, whiskey, sunsets over

I was intrigued by old Frank, with his books and whiskey breath and the hint of hard-earned knowledge behind the hooded eyes.

Mothers shouldn’t be allowed to get old and fragile.

The gurgle of whiskey pouring into the glass was music to my ears. Like an old friend opening his heart to me.

Seen through the gold of old Scotch, life seems more beautiful.

She was a horse lover and she and Whitey kept a mean old paint, a fancy quarter horse/Arabian mix, a roan Appaloosa with one ghost eye named Spook, and a pony. So along with the whiskey and perfume and smoke, she often exuded faint undertones of hay, dust, and the fragrance of horse, which once you smell it you always miss it. Humans were meant to live with the horse.

THIS book is radioactive. And so are you. Unless you are dead, in which case we can tell how long ago you died by how much of your radioactivity is left. That’s what radiocarbon dating is—the measurement of the reduction of radioactivity of old bones to deduce the time of death. Alcohol is radioactive too—at least the kind we drink. Rubbing alcohol usually isn’t, unless it was made organically—that is, from wood. In fact, the US Bureau of Alcohol, Tobacco, Firearms and Explosives tests wine, gin, whiskey, and vodka for radioactivity. A fifth of whiskey must emit at least 400 beta rays every minute or the drink is considered unfit for human consumption. Biofuels are radioactive. Fossil fuels are not. Of those killed by the Hiroshima atomic bomb, the best estimate is that fewer than 2% died of radiation-induced cancer. These statements are all true. They are not even disputed, at least by experts. Yet they surprise most people.

Passengers drank and smoked. Both; a lot. This was a significant source of profit for Cunard. The company laid in a supply of 150 cases of Black & White Whiskey, 50 cases of Canadian Club Whiskey, and 50 of Plymouth Gin; also, 15 cases each of an eleven-year-old French red wine, a Chambertin, and an eleven-year-old French white, a Chablis, and twelve barrels of stout and ten of ale. Cunard stockpiled thirty thousand “Three Castles” cigarettes and ten thousand Manila cigars. The ship also sold cigars from Havana and American cigarettes made by Phillip Morris. For the many passengers who brought pipes, Cunard acquired 560 pounds of loose Capstan tobacco—“navy cut”—and 200 pounds of Lord Nelson Flake, both in 4-ounce tins. Passengers also brought their own. Michael Byrne, a retired New York merchant and former deputy sheriff traveling in first class, apparently planned to spend a good deal of the voyage smoking. He packed 11 pounds of Old Rover Tobacco and three hundred cigars. During the voyage, the scent of combusted tobacco was ever present, especially after dinner.

How solemn and beautiful is the thought, that the earliest pioneer of civilization, the van-leader of civilization, is never the steamboat, never the railroad, never the newspaper, never the Sabbath-school, never the missionary—but always whiskey! Such is the case. Look history over; you will see. The missionary comes after the whiskey—I mean he arrives after the whiskey has arrived; next comes the poor immigrant, with ax and hoe and rifle; next, the trader; next, the miscellaneous rush; next, the gambler, the desperado, the highwayman, and all their kindred in sin of both sexes; and next, the smart chap who has bought up an old grant that covers all the land; this brings the lawyer tribe; the vigilance committee brings the undertaker. All these interests bring the newspaper; the newspaper starts up politics and a railroad; all hands turn to and build a church and a jail—and

The bookstore had no musty ‘old books’ smell, and instead it had a nice oaky aroma, similar to the way Laurence imagined the whiskey casks would be before you put Scotch into them for ageing. This was a place where you would age well.

Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.

When I was eleven-years-old and tasted my first drop of whiskey, I thought it'd bring me closer to my father. Because I felt empowered. Because I never hit anyone. I never drove. I never lost a fucking job or lost any friends that mattered. Because whenever I drank, I didn't think I was hurting anyone but me

I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.

My lady and I were out getting hammered at the local watering hole on a weeknight and feeling like cool olds, when the waiter asked if it was “moms’ night out,” while offering to explain to us what whiskey is. And now I’m a corpse—please bury me in my L.L.Bean comfort fleece. ME: “Excuse me, I have tattoos, Jeff.” “Oh my goodness, ma’am, I’m so sorry, I just saw the fluid collecting at your ankles and assumed—” HIM: What the fuck is happening to my life? What vibe am I giving off ? Yes, I am wearing soft, pull-on, straight-leg Gloria Vanderbilts, but I also have cool glasses and a motherfucking hand tattoo. Couldn’t it just be middle school art teachers’ happy hour, Jeff ?!

It's the same whether we eat margarine or don't. Dull translation jobs or fraudulent copy, it's basically the same. Sure we're tossing out fluff, but tell me, where does anyone deal in words with substance? C'mon now, there's no honest work anywhere. Just like there's no honest breathing or honest pissing." "You were more innocent in the old days." "Maybe so," I said, crushing out a cigarette in the ashtray. "And no doubt there's an innocent town somewhere where an innocent butcher slices innocent ham. So if you think that drinking whiskey from the middle of the morning is innocent, go ahead and drink as much as you want." The room was treated to an extended pen-on-desktop staccato solo.

John Steinbeck many years later would write in East of Eden, “The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging.” The Scotch-Irish gave the American places where they made whiskey names like Gallows Branch, Cutthroat Gap, or, in one instance, Shitbritches Creek. In Lunenburg County, Virginia, they even named two streams Tickle Cunt Branch and Fucking Creek. They often called themselves “rednecks,” an old Scots border term for Presbyterians. Another title they used for themselves was “crackers,” a term that came from the Scots word craik, which literally means “talk,” but was typically used to describe the kind of loud

Hart having arrived before them, insisted they lift at least one glass to old Mrs. McCray. "May she, her husband, and our father be bullying one another in the great beyond." "I hope they enjoy it", Mac said lifting his glass. His cut crystal goblet held tea, not whiskey. Mac now drank no alcohol of any kind. "Confusion to them all," Cam said, joining the toast.

John Steinbeck many years later would write in East of Eden, “The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging.” The Scotch-Irish gave the American places where they made whiskey names like Gallows Branch, Cutthroat Gap, or, in one instance, Shitbritches Creek. In Lunenburg County, Virginia, they even named two streams Tickle Cunt Branch and Fucking Creek. They often called themselves “rednecks,” an old Scots border term for Presbyterians. Another title they used for themselves was “crackers,” a term that came from the Scots word craik, which literally means “talk,” but was typically used to describe the kind of loud bragging that usually leads to a fight.

And even in the open air the stench of whiskey was appalling. To this fiendish poison, I am certain, the greater part of the squalor I saw is due. Many of these vermin were obviously not foreigners—I counted at least five American countenances in which a certain vanished decency half showed through the red whiskey bloating. Then I reflected upon the power of wine, and marveled how self-respecting persons can imbibe such stuff, or permit it to be served upon their tables. It is the deadliest enemy with which humanity is faced. Not all the European wars could produce a tenth of the havock occasioned among men by the wretched fluid which responsible governments allow to be sold openly. Looking upon that mob of sodden brutes, my mind’s eye pictured a scene of different kind; a table bedecked with spotless linen and glistening silver, surrounded by gentlemen immaculate in evening attire—and in the reddening faces of those gentlemen I could trace the same lines which appeared in full development of the beasts of the crowd. Truly, the effects of liquor are universal, and the shamelessness of man unbounded. How can reform be wrought in the crowd, when supposedly respectable boards groan beneath the goblets of rare old vintages? Is mankind asleep, that its enemy is thus entertained as a bosom friend? But a week or two ago, at a parade held in honour of the returning Rhode Island National Guard, the Chief Executive of this State, Mr. Robert Livingston Beeckman, prominent in New York, Newport, and Providence society, appeared in such an intoxicated condition that he could scarce guide his mount, or retain his seat in the saddle, and he the guardian of the liberties and interests of that Colony carved by the faith, hope, and labour of Roger Williams from the wilderness of savage New-England! I am perhaps an extremist on the subject of prohibition, but I can see no justification whatsoever for the tolerance of such a degrading demon as drink.

I liked looking at things other people had let go of. Maybe the pillowcase I was sniffing had been used on an old man's deathbed. Maybe this lamp had sat on an end table in an apartment for fifty years. I could imagine all the scenes it had lit: a couple making love on the sofa, thousands of TV dinners, a baby's tantrums, the honeyed glow of whiskey in an Elks Lodge tumbler. Goodwill indeed.

One of the very hot topics between Jimmy and Sam Giancana was Senator John F. Kennedy’s upcoming campaign for president. This was very controversial between them. Giancana had been promised by Kennedy’s old man that he could control Bobby and nobody had to worry about Bobby if Jack got in. The Kennedy old man had made his money alongside the Italians as a bootlegger during Prohibition. He brought in whiskey through Canada and distributed it to the Italians. The old man kept his contacts with the Italians over the years as he branched out into more legitimate things, like financing movie stars like Gloria Swanson who he was having affairs with. Sam Giancana was going to help John F. Kennedy against Nixon and so were Giancana’s buddy Frank Sinatra and practically all of Hollywood.

Two naked infants face each other like gladiators. Their hearts have been removed from their chests and placed on their thighs. Their right ventricles are sliced, but left open to the air. They look like the curling, rubber rims of two balloons. The children grab hold of each other’s hearts and begin to drink from them. They throw their heads back like old men downing straight bourbon whiskey.

Need 'nother whiskey. Whiskey chaser. Gotta get two men drunk." Mr. Cohan placed both hands on the bar. "Mr. Walsh," he said severely, "in Gavagan's we will serve a man a drink to wet his whistle, or even because his old woman has pasted him with a dornick, but a drink to get drunk with I do not sell. Now I'm telling you you've had enough for tonight, and in the morning you'll be thanking me..." ("My Brother's Keeper")

The first time Olly's dad gets afternoon drunk--violent drunk... He'd been home all day, arguing with financial news shows on television. One of the anchors mentioned the name of his old company, and he raged. He poured whiskey into a tall glass and then added vodka and gin. He mixed them together... until the mixture was no longer the pale amber color of whiskey and looked like water instead. Olly watched the color fade in the glass and remembered the day his dad got fired and how he'd been too afraid to comfort him. What if he had--would things be different now? What if? He remembered how his dad had said that one thing doesn't always lead to another. He remembered sitting at the breakfast bar and stirring the milk and chocolate together. How the chocolate turned white, and the milk turned brown, and how sometimes you can't unmix things no matter how much you might want to.

Less knows so well the pleasures of youth - danger, excitement, losing oneself in a dark club with a pill, a shot, a stranger's mouth - and, with Robert and his friends, the pleasures of age - comfort and ease, beauty and taste, old friends and old stories and wine, whiskey, sunset over water. His entire life, he has alternated between the two. There is his own distant youth, that daily humiliation of rinsing out your one good shirt and putting on your onw good smile, along with the daily rush of newness: new pleasures, new people, new reflections of yourself. There is Robert's middle age of selecting his vices as carefully as tiles in a Paris shop, napping in the sunlight on an afternoon and getting up from a chair and hearing the creak of death. The city of youth, the country of age. But in between, where Less is living - that exurban existence? How has he never learned to live it?

Beer. There’s nothing I don’t like about it. I love the smell, the taste—even the sound of it. The cool thunk of the cap coming off the bottle, the silvery crack of the pop-top can. You need to sip a whiskey. And I was never a sipper. I was a guzzler. I loved the feeling of it: to open wide the mouth of the soul and pour a cold one down my throat, with my mind racing ever-forward toward the next. Beer was kind and faithful, like an old friend. Every drinker has their poison. I am a beer man.

Quentin hugged him so hard that Eliot spilled his whiskey down his front, which he complained about loudly, but Quentin didn’t care. He had to make sure Eliot was real and solid. It made no sense that he was here, but thank God he was. Quentin had had enough of sadness and horror and futility for one day. He needed a friend, somebody who knew him from the old days. And seeing Eliot here, out of the blue, for no reason whatsoever, felt like proof that impossible things were still possible. He needed that too.

Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about. They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three. There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters. They'll stop you at the river, he says. The second corporal looks past his comrades. Are you talking to me? At the river. Be told. They'll jail you to a man. Who will? The United States Army. General Worth. They hell they will. Pray that they will. He looks at his comrades. He leans toward the Mennonite. What does that mean, old man? Do ye cross that river with yon filibuster armed ye'll not cross it back. Don't aim to cross it back. We goin to Sonora. What's it to you, old man? The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs. But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be? How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call. There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.

I'll keep in touch, says Lige, ain't going to let you go. This makes John Cole very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.

It won't work. You see, he is a liar and a thief. And he's been one for too long. He can't retire now. In addition to which. He has become, I'm afraid, a hack.' 'He may be all those things but she knows he's not.' 'What gives her that curious idea?' 'She's been with him constantly for the last few days. She's seen him shaking with terror, exhausted, ready to quit. She's watched him pull himself together again and she's also seen him be warm and tender. And funny. Not famous-international-wit funny but really funny.' 'Do you think she's an idiot? Do you think she doesn't know what kind of man he is? Or what he needs?' 'And what he needs is L-O-V-E? Uh-uh it's too late. He is 43 years old. Or will be this October. He's been married twice, both times disastrously and there have been too many years of... too much dough, too much bad writing and too much whiskey. He's got nothing left inside to give. Even if he could, which he can't.' 'But that's not true. You can, you have. I just know it.' 'No, you don't. It's lousy. In any case, the problem is you're not in love with the script. You're in love with me. And why shouldn't you be? When suddenly, waltzing into your life comes this charming and relatively handsome stranger. Me. Smooth as silk, with a highly practised line of chatter, specifically designed to knock relatively unsophisticated chicks like you Miss Simpson, right on their ears. Which I'm terribly afraid I've done. Well if it's the last decent thing I do in this world, and it very well may be, I'm going to fix that. I'm going to send you packing Miss Simpson before I cause you serious and irrevocable harm. You want the truth? Of course you don't. I'll give it to you anyway. I do not give one damn about anything.

She’s also quite the master carver, as her sculptures attest, even if her medium is rather morbid. Ana carves things out of bone. Human bone mostly, though shifters have been known to make the cut. Her carvings are tiny, but perfectly formed. The old woman in her shoe house; kids hanging out of every window, blackbirds trying to escape their pie, Jack (not my Jack) jumping over the candlestick. Like Carly’s paintings, Ana’s art has a savage edge to it. The old woman has a belt in her hand, the blackbirds have teeth and Jack’s on fire and screaming. We’re a happy, well-adjusted bunch, I know

Generally speaking, much of a culture's food production has historically been the province of its women, and has taken place within the home. Alcohol, however, is an important exception, as its production and consumption have, in many cultures, remained the jurisdiction of men. This was especially true in the gendered Old South, where plantation gentlemen used whiskey to construct a homosocial environment apart from women and children, and common Southern men used it to liven any meal or social gathering. Bourbon, more than other staples in the southern culinary tradition, thus offers a singular insight into white Southern masculinity.

We’re to blame because we let them steal,” she told him. “Let them? We caused ‘em to steal?” “Yes. We caused them to steal. Penny at a time. Nickel at a time. Dime. A quarter. A dollar. We were easy going. We were good-natured. We didn’t want money just for the sake of having money. We didn’t want other folks’ money If it meant they had to do without. We smiled across their counters a penny at a time. We smiled in through their cages a nickel at a time. We handed a quarter out our front door. We handing them money along the street. We signed our names to their old papers. We didn’t want money, so we didn’t steal money, and we spoiled them, we petted them, and we humored them. We let them steal from us. We knew that they were hooking us. We knew it. We knew when they jacked up their prices. We knew when they cut down on the price of our work. We knew that. We knew they were stealing. We taught them how to steal. We let them. We let them think they they could cheat us because we are just plain old common everyday people. They got the habit.” “They really got the habit,” Tike said. “Like dope. Like whiskey. Like tobacco. Like snuff. Like morphine or opium or old smoke of some kind. They got the regular habit of taking us for damned old silly fools.” House of Earth Woody Guthrie

If, when you say whiskey, you mean the devil’s brew, the poison scourge, the bloody monster that defiles innocence, yea, literally takes the bread from the mouths of little children; if you mean the evil drink that topples the Christian man and woman from the pinnacles of righteous, gracious living into the bottomless pit of degredation and despair, shame and helplessness and hopelessness, then certainly I am against it with all my power. But if, when you say whiskey, you mean the oil of conversation, the philosophic wine, the stuff that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman’s step on a frosty morning; if you mean the drink that enables a man to magnify his joy, and his happiness and to forget, if only for a little while, life’s great tragedies and heartbreaks and sorrows, if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little children, our blind, our deaf, our dumb, our pitiful aged and infirm, to build highways, hospitals, and schools, then certainly I am in favor of it.

H-ey, Atticus!” I thought he would have a fine surprise, but his face killed my joy. A flash of plain fear was going out of his eyes, but returned when Dill and Jem wriggled into the light. There was a smell of stale whiskey and pigpen about, and when I glanced around I discovered that these men were strangers. They were not the people I saw last night. Hot embarrassment shot through me: I had leaped triumphantly into a ring of people I had never seen before. Atticus got up from his chair, but he was moving slowly, like an old man. He put the newspaper down very carefully, adjusting its creases with lingering fingers. They were trembling a little.

Here’s a joke about discernment: A woman asks her local priest for advice. “Father,” she says, “I have a little boy who is six months old. And I’m curious to know what he will be when he grows up.” The priest says, “Place before him three things: a bottle of whiskey, a dollar bill, and a Bible. If he picks the bottle of whiskey, he’ll be a bartender. If he picks the dollar bill, a business man. And if he picks the Bible, a priest.” So the mother thanks him and goes home. The next week she returns. “Well,” said the priest, “which one did he pick: the whiskey, the dollar bill, or the Bible?” She says, “He picked all three!” “Ah,” says the priest, “a Jesuit!

The Drunken Fisherman" Wallowing in this bloody sty, I cast for fish that pleased my eye (Truly Jehovah's bow suspends No pots of gold to weight its ends); Only the blood-mouthed rainbow trout Rose to my bait. They flopped about My canvas creel until the moth Corrupted its unstable cloth. A calendar to tell the day; A handkerchief to wave away The gnats; a couch unstuffed with storm Pouching a bottle in one arm; A whiskey bottle full of worms; And bedroom slacks: are these fit terms To mete the worm whose molten rage Boils in the belly of old age? Once fishing was a rabbit's foot-- O wind blow cold, O wind blow hot, Let suns stay in or suns step out: Life danced a jig on the sperm-whale's spout-- The fisher's fluent and obscene Catches kept his conscience clean. Children, the raging memory drools Over the glory of past pools. Now the hot river, ebbing, hauls Its bloody waters into holes; A grain of sand inside my shoe Mimics the moon that might undo Man and Creation too; remorse, Stinking, has puddled up its source; Here tantrums thrash to a whale's rage. This is the pot-hole of old age. Is there no way to cast my hook Out of this dynamited brook? The Fisher's sons must cast about When shallow waters peter out. I will catch Christ with a greased worm, And when the Prince of Darkness stalks My bloodstream to its Stygian term . . . On water the Man-Fisher walks.

But if, when you say whiskey, you mean the oil of conversation, the philosophic wine, the stuff that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman’s step on a frosty morning; if you mean the drink that enables a man to magnify his joy, and his happiness and to forget, if only for a little while, life’s great tragedies and heartbreaks and sorrows, if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little children, our blind, our deaf, our dumb, our pitiful aged and infirm, to build highways, hospitals, and schools, then certainly I am in favor of it.

We've taken it away too much, the funeral people take over. No. Let people bury their own." "Do you think it helps people to go through the process and be intimately involved?" "Yes of course, of course!" It's the most emphatic Steve has been about anything. "Keep the body at home, put it on the dining table, let the kids sleep under the table, paint the coffin, decorate it, eat. When my brother died we had fights over the coffin drinking whiskey. I remember one brother pounding Bill's coffin 'Oh you bastard!' It was our lives. We carried the coffin, we filled in the hole. I used to work in the garden as a boy with my father. And I dug the hole to put his plants in and filled in the hole. In the end we put Dad into the ground and I helped my brothers fill in the hole. We need to do it ourselves." "Why do you think it helps to have that involvement?" "It's our responsibility, it's not to help, it's enabling us to grieve, it's enabling us to go through it together. Otherwise it's taken away and whoosh - it's gone. And you can't grieve. You've got to feel, you've got to touch, you've got to be there." Steve is passionate. He reaches into his bag to pull out something to show me. It's an old yellowing newspaper clipping. The caption reads 'Devastation: a woman in despair at the site of the blasts near the Turkey-Syrian border'. The photograph is a woman, she has her arms open to the sky and she is wailing, her head thrown back. "I pray in front of that" Steve tells me as I look at it. "That's a wonderful photo of the pain of our world. I don't know if she's lost relatives or what's blown up. You have a substance to your life if you've felt pain, you've got understanding, that's where compassion is, it makes you a deeper richer human being.

Less knows so well the pleasures of youth— danger, excitement, losing oneself in a dark club with a pill, a shot, a stranger’s mouth—and, with Robert and his friends, the pleasures of age—comfort and ease, beauty and taste, old friends and old stories and wine, whiskey, sunsets over the water. His entire life, he has alternated between the two. There is his own distant youth, that daily humiliation of rinsing out your one good shirt and putting on your one good smile, along with the daily rush of newness: new pleasures, new people, new reflections of yourself. There is Robert’s late middle age of selecting vices as carefully as ties in a Paris shop, napping in the sunlight on an afternoon and getting up from a chair and hearing the creak of death. The city of youth, the country of age. But in between, where Less is living— that exurban existence? How has he never learned to live it?

Alex waited a few minutes before digging into Sherry’s list. Truth be told, he wanted to make sure Harcourt and Nicholson were actually gone. To pass the time, he opened the polished oak drawer in his magnificent desk and pulled out a bottle and a tumbler. Just like former days, he always kept something to drink handy. Unlike former days, this was a bottle of twelve-year-old single malt. Alex poured out two fingers’ worth of the amber liquid in the tumbler, then leaned back in his chair and sipped it. Cheap Scotch always reminded Alex of cough medicine, but the good stuff had a taste that made him think of fine wood, oiled leather, and beautiful women. It was worth what he paid for it. Closing his eyes, Alex just sat, enjoying the experience of the whiskey. It was something he could do for an hour if he let himself, but he had work to do, so he inhaled deeply, then finished his drink and sat up.

Less is not known as a teacher, in the same way Melville was not known as a customs inspector. And yet both held the respective positions. Though he was once an endowed chair at Robert’s university, he has no formal training except the drunken, cigarette-filled evenings of his youth, when Robert’s friends gathered and yelled, taunted, and played games with words. As a result, Less feels uncomfortable lecturing. Instead, he re-creates those lost days with his students. Remembering those middle-aged men sitting with a bottle of whiskey, a Norton book of poetry, and scissors, he cuts up a paragraph of Lolita and has the young doctoral students reassemble the text as they desire. In these collages, Humbert Humbert becomes an addled old man rather than a diabolical one, mixing up cocktail ingredients and, instead of confronting the betrayed Charlotte Haze, going back for more ice. He gives them a page of Joyce and a bottle of Wite-Out—and Molly Bloom merely says “Yes.” A game to write a persuasive opening sentence for a book they have never read (this is difficult, as these diligent students have read everything) leads to a chilling start to Woolf’s The Waves: I was too far out in the ocean to hear the lifeguard shouting, “Shark! Shark!” Though the course features, curiously, neither vampires nor Frankenstein monsters, the students adore it. No one has given them scissors and glue sticks since they were in kindergarten. No one has ever asked them to translate a sentence from Carson McCullers (In the town there were two mutes, and they were always together) into German (In der Stadt gab es zwei Stumme, und sie waren immer zusammen) and pass it around the room, retranslating as they go, until it comes out as playground gibberish: In the bar there were two potatoes together, and they were trouble. What a relief for their hardworking lives. Do they learn anything about literature? Doubtful. But they learn to love language again, something that has faded like sex in a long marriage. Because of this, they learn to love their teacher.

Q: Which party had wildest celebration and how did it play out? 1) The 1972 Dolphins Super Bowl watching party for the David Tyree catch? 2) The Jack Nicklaus day after Thanksgiving morning in 2009? 3) The NFL referee Monday night football watching party at Ed Hochuli's house for the Seattle/Green Bay game? —Steve G., Salt Lake City SG: Here's my theory on the day after Thanksgiving in 2009: I think Jack Nicklaus heard the news, went out and bought a bottle of 20-year-old Pappy Van Winkle, found an antique shotgun with 300 rounds of ammo, then drove to a secluded spot in the woods 25 miles away from any other human being. He got out of his car, started jumping around and screaming like he won the Super Bowl, did this for 20 solid minutes, then started swigging whiskey and shooting at things while whooping it up. Eventually, he drank the entire bottle, got back into his car and just started happily ramming into trees until the car stopped moving. Then he passed out in the driver's seat, woke up the next morning and walked home. Anyway, my answer is Jack Nicklaus.

Cassidy had been created by Clarence Mulford, writer of formula western novels and pulpy short stories. In the stories, Cassidy was a snorting, drinking, chewing relic of the Old West. Harry Sherman changed all that when he bought the character for the movies. Sherman hired Boyd, a veteran of the silent screen whose star had faded, to play a badman in the original film. But Boyd seemed more heroic, and Sherman switched the parts before the filming began. As Cassidy, Boyd became a knight of the range, a man of morals who helped ladies cross the street but never stooped to kiss the heroine. He was literally black and white, his silver hair a vivid contrast to his black getup. He did not smoke, believed absolutely in justice, honor, and fair play, and refused to touch liquor. Boyd’s personal life was not so noble. Born in Ohio in 1898, he had arrived in Hollywood for the first golden age, working with Cecil B. DeMille in a succession of early silents. By the mid-1920s he was a major star. Wine, women, and money were his: he drank and gambled, owned estates, married five times. But it all ended when another actor named William Boyd was arrested for possession of whiskey and gambling equipment.

I hope at 50 I'll be dancing like Gianluca Vacchi Party, whiskey, Bellini, Martini, Bloody Maries Bad & Boujee, Tutti Fruity booty, type that really moves me Kundalini rising, energy fill me completely I hope at 50 I'll be writing books like JK Rowling Pen and paper take me places, countries far and foreign Find a cafe up in Edinburgh, write in Scotland Let the stories in my head come out, bloom and blossom I hope at 50
I'll be wealthy like Carlos Slim Buying yachts and mansions and my mother shiny things Encrusted diamond dial on a new Patek Philippe Chill in Maldives but do charity in Ardabil I hope at 50
I'll be funny like Stephen Colbert Cracking witty jokes, making everyone laugh in tears Laughter it goes round and round like a carousel Chronic comic sonic sounds of haha everywhere I hope at 50
I'll be stoic like Robert De Niro Zeno school of thought put an end to my evil ego I hope at 50
I'll be fit as The Rock, Dwayne Johnson Hard rock abs to be paired with an even harder mindset I hope at 50,
I'll be wise like Denzel Washington
Wisdom, knowledge and the faith of God under my skin I hope at 50,
I'll find real love like George Clooney
Amal Alamuddin clone is the type that really moves me

Danny and the Memories was the band at the root of Crazy Horse. They were a vocal group with Danny Whitten, Ralphie, Billy, and a guy named Ben Rocco. When I recently saw their old video of "Land of a Thousand Dances" on You-Tube, I realized that is is truly the shit. You know, I looked at it maybe twenty times in a row. Even though Danny was amazing and he held the Horse together in the early days, I did not know how great Danny was until I saw this! The moves! What an amazing dancer he was. His presence on that performance is elevating! He is gone, and no one can change that. We will never see and hear where he was going. I am telling you, the world missed one of the greatest when Danny and the Memories did not have a NUMBER ONE smash record back in the day. They were so musical, with great harmonies, and Danny was a total knockout! I am so moved by this that it could make me cry at any time. This is one of those many times when words can't describe the music. Danny and the Memories eventually transformed into the Rockets; they were playing in this old house in Laurel Canyon, and I somehow connected with them while Buffalo Springfield was at the Whiskey. We had a lot of pots jams in the house. Later on I saw Danny and the guys at somebody's house in Topanga. After that I asked if Danny, Billy, and Ralphie would play on a record with me. We did one day, practicing in my Topanga house, and it sounded great. I named the band Crazy Horse and away we went. The Rockets were still together, but this was a different deal. At that time, I thought Danny was a great guitarist and singer. I had no idea how great, though. I just was too full of myself to see it. Now I see it clearly. I wish I could do that again, because more of Danny would be there. I have made an Early Daze record of the Horse, and you can hear a different vocal of "Cinnamon Girl" featuring more of Danny. He was singing the high part and it came through big-time. I changed it so I sang the high part and put that out. That was a big mistake. I fucked up. I did not know who Danny was. He was better than me. I didn't see it. I was strong, and maybe I helped destroy something sacred by not seeing it. He was never pissed off about it. I wasn't like that. I was young, and maybe I didn't know what I was doing. Some things you wish never happened. But we got what we got. I never really saw him a sing and move until I saw that "Land of a Thousand Dances" video. I could watch it over and over. I can't believe it. It's just one of those things. My heart aches for what happened to him. These memories are what make Crazy Horse great today. And now we don't have Briggs, either, for the next record, but we have the spirit and the heart to go on. And we have John Hanlong, taught by Briggs, to engineer this sucker. It will rock and cry. Please let's get to this before life comes knocking again.

The Perfect Old-Fashioned Mix together –– but not too slowly… It’s best when there’s instant chemistry! 1 sugar cube –– an innocent virgin works best 2 to 3 dashes bitters –– an untamed mountain man if you can find one 2 ounces rye whiskey –– the stronger the better, just like our alphas 1 cherry to garnish –– an unpopped one will taste the sweetest

I still love taking my kids for a road trip whenever possible. I think it’s good for them. A road trip teaches you good, old-fashioned patience. The moral is: to get somewhere great, you have to put in the hours. The anticipation is exciting, and you’re so appreciative when you arrive. A road trip also lets you see just how vast and beautiful this country is and how many different ways people live.

What do the dead need?" "Prayers, tea, and a little bit of whiskey." then seventeen-year-old Rebekkah answered, "They need nourishment." "Memories, Love, Letting go," Maylene added.

…we dipped down into the tunnel taking us under the Hudson River and into the heart of the “Big Apple.” I knew New York City well, so it only took minutes before I found my way to 42nd Street and was on the Great White Way! There was a sense of excitement being surrounded by people who all seemed to be in a hurry to get somewhere. I ambled over to 8th Avenue, and found one of many bars advertising two drinks for the price of one. I entered thinking that in uniform I looked old enough to be served, but was still surprised when it happened. I don’t remember how much money I had on me, but it couldn’t have been much. Sitting at the bar, I blended in and no one seemed to care, so I had the second glass of what must have been the cheapest whiskey ever sold. Fortified by liquid courage, I started to feel bigger than life, and I thought to myself that if nobody else cared, why should I? The world was my oyster and I was the “King of the Hill.” The bartender asked if I wanted another drink. Looking at my watch I suddenly realized that it was later than I thought…. Where had the time gone? I had to get back! I had just arrived in the City and couldn’t believe how fast the time had flown by. I hurried to the new Port Authority Bus Terminal two blocks away and luckily caught the bus to Perth Amboy just in time. I felt a little lightheaded, but had it together enough to realize that I was racing against the clock. The bus seemed to take forever, making many more stops for red lights than I expected….

Table Whiskey: The House Bottle I have some whiskeys that I always keep in the house. Blended Scotch: Johnnie Walker Black or Compass Box Great King Street, sometimes Dewar’s. Bourbon: Jim Beam Black, Evan Williams, or some Very Old Barton if I’ve been to Kentucky recently. Irish: usually Powers. Canadian: Canadian Club or VO. And in the summer I’ll pick up a handle — a 1.75-liter big-boy bottle — of Pikesville rye for highballs.

Well, I Declare!: Jack Daniel’s Old No. 7, the South’s most famous whiskey, is distilled in a dry county. Isn’t that just so Southern--a little bit of piety hides a whole lot of sin.

He was a hearty, gregarious man. He was rich, but newly rich, and so very sincere about it. He lacked the natural languidity that came with old money, the kind that made others feel like they were only walking through dreams of the wealthy, barely there at all. People couldn't help but like George. His laugh was like a barrel of whiskey. His cheeks were almost as red as his hair. Just looking at him, you could see that his capacity to love was as wide as the world.

Our minds thus grow in spots; and like grease-spots, the spots spread. But we let them spread as little as possible: we keep unaltered as much of our old knowledge, as many of our old prejudices and belief, as we can. We patch and tinker more than we renew. The novelty soaks in; it stains the ancient mass; but it is also tinged by what absorbs it. Our past apperceives and co-operates; and in the new equilibrium in which each step forward in the process of learning terminates, it happens relatively seldom that the new fact is added raw. More usually it is embedded cooked, as one might say, or stewed down in the sauce of the old. New truths thus are resultants of new experiences and of old truths combined and mutually modifying one another. And since this is the case in the changes opinion of to-day, there is no reason to assume that it has not been so at all times. It follows that very ancient modes of thought may have survived through all the later changes in men's opinions. The most primitive ways of thinking may not yet be wholly expunged. Like our five fingers, our ear-bones, our rudimentary caudal appendage, or our other 'vestigial' peculiarities, they may remain as indelible tokens of events in our race-history. Our ancestors may at certain moments have struck into ways of thinking which they might conceivably not have found. But once they did so, and after the fact, the inheritance continues. When you begin a piece of music in a certain key, you must keep the key to the end. You may alter your house ad libitum, but the ground-plan of the first architect persists - you can make great changes, but you cannot change a Gothic church into a Doric temple. You may rinse and rinse the bottle, but you can't get the taste of the medicine or whiskey that first filled it wholly out. My thesis now is this, that our fundamental ways of thinking about things are discoveries of exceedingly remote ancestors, which have been able to preserve themselves throughout the experience of all subsequent time. They form one great stage of equilibrium in the human mind's development, the stage of common sense. Other stages have grafted themselves upon this stage, but have never succeeded in displacing it.

local rotgut whiskey described as “kinder a cross between a circular saw and a wild cat.

But soon the characters underwent a strange metamorphosis, a process that always happens as props become flesh and blood. Chester became more humorous, Dillon more understanding, Doc less bloodthirsty, and Kitty emerged as the quietly understood love interest. She and Dillon had their understanding: “There was no forgiveness to be given,” said Ellis, “because I don’t think Kitty was available to anybody but Matt.” The relationship between Chester and Dillon moved from tolerance to open affection. Chester drove him crazy: Dillon cringed when Chester put sugar in his rye whiskey, and he always wondered what Chester was looking for, rummaging through the desk drawers. But as the show matured, a special bond grew between them. Once,

an old-fashioned Irish bar called County Cork, all dark and comforting on the inside, an ancient bar worn and lovingly shined that curved around, and a smell that permeated the place—welcoming and old and mellow. She slid into a booth that was done in black leather, worn and soft and smelling of beer and whiskey with just a hint of salted peanuts. The large room was dim, nearly empty

Cait hated Christmas. It was amateur hour for drinking, full of awkward office parties and old guys looking to cop a feel after one too many whiskeys.

Uh-huh. I’m a very smart guy. I haven’t a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals, I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you’ll think of me, I’ll just leave one of my cards in case anything comes up. I do all this for twenty-five bucks a day—and maybe just a little to protect what little pride a broken and sick old man has left in his blood, in the thought that his blood is not poison, and that although his two little girls are a trifle wild, as many nice girls are these days, they are not perverts or killers. And that makes me a son of a bitch. All right. I don’t care anything about that. I’ve been called that by people of all sizes and shapes, including your little sister. She called me worse than that for not getting into bed with her. I got five hundred dollars from your father, which I didn’t ask for, but he can afford to give it to me. I can get another thousand for finding Mr. Rusty Regan, if I could find him. Now you offer me fifteen grand. That makes me a big shot. With fifteen grand I could own a home and a new car and four suits of clothes. I might even take a vacation without worrying about losing a case. That’s fine. What are you offering it to me for? Can I go on being a son of a bitch, or do I have to become a gentleman, like that lush that passed out in his car the other night?

Before dinner each night the two leaders, Hopkins, and various other members of the president’s official family gathered for cocktails in the Red Room. Roosevelt sat by a tray of bottles and mixed the cocktails himself. This was a cherished part of the president’s daily routine, his “children’s hour,” as he sometimes called it, when he let the day’s tensions and stresses slip away. “He loved the ceremony of making the drinks,” said Churchill’s daughter Mary Soames; “it was rather like, ‘Look, I can do it.’ It was formidable. And you knew you were supposed to just hand him your glass, and not reach for anything else. It was a lovely performance.” Roosevelt did not take drink orders, but improvised new and eccentric concoctions, variations on the whiskey sour, Tom Collins, or old-fashioned. The drinks he identified as “martinis” were mixed with too much vermouth, and sometimes contaminated with foreign ingredients such as fruit juice or rum. Churchill, who preferred straight whiskey or brandy, accepted Roosevelt’s mysterious potions gracefully and usually drank them without complaint, though Alistair Cooke reported that the prime minister sometimes took them into the bathroom and poured them down the sink.

Jane, he realized now, with an old familiar chill, had never lost her grip on his leash.

It was an old sick power, rich and nauseous and irrestible as any unhallowed love he’d ever known. It ran shivery caresses up the inside of his skin, weighed a stone like desire in his gut and groin.

She smiled and leaned on him. It would have been nice to earn that smile. Nice to feel the trust, the partnership, the old friendship they had had. Nice to smile back, to reach out, and take her hand.