“
You're going to shoot me? Old pal?
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
A disturbing thought hits me,"but then our only neighbor would be Haymich!"
"Ah, that'll be nice,"says Peeta, tightening his arms around me."You and me and Haymich. Very cozy. Picnics, birthdays. long winters around the campfire retelling old Hunger Games tales."
"I told you he hates me!" I say, but I can't help laughing at the image of Haymich becoming my new pal.
"Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta.
He's never sober!" I protest.
That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you in fire," says Peeta. "On the other hand, Haymich ... well, if I were you, I'd avoid Haymich completely. He Hates you."
" I thought that you said I was his favorite," I say.
"He hates me more," says Peeta, "I don't think people in general are his sort of thing.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I don't know. I don't really like old movies. The acting is so, 'Hey buddy, ol' pal. Let's go wear our hats and have a big misunderstanding
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
I’ll be waiting to welcome you with that “my old pal” stuff, and give you the glad hand, and at the first good chance I get stab you in the back.
”
”
Eugene O'Neill (Long Day's Journey into Night)
“
Bruce, you’re an ugly and silly old man. You’re very possibly an alcoholic and God knows what else. You’re the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You’re a mess. You’ve gone wrong somewhere pal.
”
”
Irvine Welsh (Filth)
“
Great pals we've always been. In fact there was a time when I had an idea I was in love with Cynthia. However, it blew over. A dashed pretty and lively and attractive girl, mind you, but full of ideals and all that. I may be wronging her, but I have an idea that she's the sort of girl who would want a fellow to carve out a career and what not. I know I've heard her speak favourably of Napoleon. So what with one thing and another the jolly old frenzy sort of petered out, and now we're just pals. I think she's a topper, and she thinks me next door to a looney, so everything's nice and matey.
”
”
P.G. Wodehouse
“
So long, old pal. You’re going to a different world now. It’s sure to be a better one, since no other world could be as bad as this one is.
”
”
Kurt Vonnegut Jr. (Galápagos)
“
Reflect, old man! We have been pals for years. Your mother likes me."
"No, she doesn't."
"Well, anyway, we were at school together and you owe me a tenner."
"Oh, well," he said in a resigned sort of voice.
”
”
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
“
Will I begin it? said Doyler laughing. That's all that's in it, he laughing said.
Oh sure that grin. Oh sure that wonderful saucerful grin. Jim sat on the grass and he plucked at the blades. He knew for certain sure that Doyler would be turning from him again. He said, You'll be walking away from me soon, won't you now? There was no answer. Jim plucked the grass and stared beyond where the waves broke on the island shore. He said, I wish you wouldn't Doyler. It does break my heart when you walk away.
Old pal o' me heart, said Doyler.
But already he had turned, and he was walking away. Walking that slow dreadful slope with never a leaf or a stone. Walking; and though Jim tried to keep pace, e could not, and sometimes he called out, Doyler! Doyler! but he never heard or he did not heed, only farther and farther he walked away. And when Jim woke from these dreams, if he did not remember, he knew he had dreamt, for the feeling inside him of not feeling at all. And it was hard then to make his day.
”
”
Jamie O'Neill (At Swim, Two Boys)
“
High school Simon was big man on campus. He’d had his own posse of what I called the apostles (his old pals Matthew, Mark, Luke, and John), headed by his old bestie, Trevor.
”
”
Alice Clayton (Last Call (Cocktail, #4.5))
“
Thanks pal, but I tend to avoid any substance that makes me feel smarter, stronger, or better looking than I know I actually am." There were, in his opinion, drugs that diminished ego and drugs that engorged ego, which is to say, revelatory drugs and delusory drugs, and on a psychic level, at least, he favored awe over swagger. Should he ever aspire to become voluntarily delusional, then good old-fashioned alcohol would do the job effectively and inexpensively, thank you, and without the dubious bonus of jaw-clenching jitters.
”
”
Tom Robbins (Fierce Invalids Home from Hot Climates)
“
He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars.
The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone.
“You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded.
“What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of
Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination.
Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my
wings, his hands flat against my back.
It was incredible. I loved it. I loved him.
It was a total disaster.
Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him
over, and raced down the dock. I took off, flying fast, like a rocket.
”
”
James Patterson (The Final Warning (Maximum Ride, #4))
“
Garfield took Odie's paw. "Old pal, if anything happens to us, there's one thing you should know."
"It's going to happen to you first.
”
”
Jim Kraft (Garfield & the Teacher Creature)
“
Young men are all very well in their place, but it doesn’t do to drag them into everything, does it? Diana and I are thinking seriously of promising each other that we will never marry but be nice old maids and live together forever
”
”
L.M. Montgomery (Anne of Green Gables by L. M. Montgomery (Original Version))
“
I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.
”
”
P.G. Wodehouse
“
Because my bedroom is a sacred place now that there are children at the end of my bed
telling me stories about the friends that they pretend to hate, that they will make up with later
And there are fresh cut flowers that I grew myself in vases from the yard on nightstands, hand carved by old pals from Big Sur
”
”
Lana Del Rey (Violet Bent Backwards Over the Grass)
“
It can't be done, old thing. Sorry, but it's out of the question. I couldn't go through all that again."
"Not for me?"
"Not for a dozen more like you."
"I never thought," said Bingo sorrowfully, "to hear those words from Bertie Wooster!"
"Well, you've heard them now," I said. "Paste them in your hat."
"Bertie, we were at school together."
"It wasn't my fault."
"We've been pals for fifteen years."
"I know. It's going to take me the rest of my life to live it down.
”
”
P.G. Wodehouse
“
He went to the Palo Alto public library to read about rocket engineering and started calling experts, asking to borrow their old engine manuals. At a gathering of PayPal alumni in Las Vegas, he sat in a cabana by the pool reading a tattered manual for a Russian rocket engine. When one of the alums, Mark Woolway, asked him what he planned to do next, Musk answered, “I’m going to colonize Mars. My mission in life is to make mankind a multiplanetary civilization.” Woolway’s reaction was unsurprising. “Dude, you’re bananas.
”
”
Walter Isaacson (Elon Musk)
“
You grow up with somebody, and he is a success, a big-shot, and you're a failure, but he treats you just the way he always did and hasn't changed a bit. But that is what drives you to it, no matter what names you call yourself while you try to stick the knife in. There is a kind of snobbery of failure. It's a club, it's the old school, it's Skull and Bones, and there is no nasty supercilious twist to a mouth like the twist the drunk gets when he hangs over the bar beside the old pal who has turned out to be a big-shot and who hasn't changed a bit, or when the old pal takes him home to dinner and introduces him to the pretty little clear-eye woman and the healthy kids.
”
”
Robert Penn Warren (All the King's Men)
“
Twentyone is too old to go anywhere alone, you know that. I want to go with someone. I don't mean as a bride, I'm not so gauche as that, but as a mistress or paramour or concubine or companion or friend or pal or anything else. I just don't want to be left alone! I want to get out of here!" She said it again for all the wide-faced flowers to hear: "I want to get out of here!
”
”
Douglas Woolf (Wall to Wall (American Literature))
“
There came an awful day when I picked up the phone and knew at once, as one does with some old friends even before they speak, that it was Edward. He sounded as if he were calling from the bottom of a well. I still thank my stars that I didn't say what I nearly said, because the good professor's phone pals were used to cheering or teasing him out of bouts of pessimism and insecurity when he would sometimes say ridiculous things like: 'I hope you don't mind being disturbed by some mere wog and upstart.' The remedy for this was not to indulge it but to reply with bracing and satirical stuff which would soon get the gurgling laugh back into his throat. But I'm glad I didn't say, 'What, Edward, splashing about again in the waters of self-pity?' because this time he was calling to tell me that he had contracted a rare strain of leukemia. Not at all untypically, he used the occasion to remind me that it was very important always to make and keep regular appointments with one’s physician.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
Many BrainPal users find it useful to give their BrainPal a name other than BrainPal. Would you like to name your BrainPal at this time?
"Yes," I said.
Please speak the name you would like to give your BrainPal.
"Asshole," I said.
You have selected "Asshole," the BrainPal wrote, and to its credit it spelled the word correctly. Be aware that many recruits have selected this name for their BrainPal. Would you like to chose a different name?
"No," I said, and was proud that so many of my fellow recruits also felt this way about their BrainPal.
Your BrainPal is now Asshole, the BrainPal wrote. You may change this name in the future if you like. Now you must choose an access phrase to activate Asshole. While Asshole is active at all times it will only respond to commands after it has been activated. Please choose a short phrase. Asshole suggests "Activate Asshole" but you may choose another phrase. Please say your activation phrase now.
"Hey, Asshole," I said.
You have choosen "Hey, Asshole." Please say it again to confirm. I did. Then it asked me to choose a deactivation phrase. I chose (of course) "Go away, Asshole."
Would you like Asshole to refer to itself in the first person?
"Absolutely." I said.
I am Asshole.
"Of course you are.
”
”
John Scalzi (Old Man's War (Old Man's War, #1))
“
I remember when I was probably about ten years old I had a pen pal, and writing letters back and forth with him was one of my favorite things to do. His name was Steve and he lived in one of those huge mansions that's so big it has a name. It was called the Louisiana State Penitentiary, and he told me it was even bigger than the mayor's mansion. We'd send letters back and forth and he'd ask me to send him my favorite books and small pieces of metal or wood that were lying around and all the money I could find in my house. And I'd gather them all up and put cute little stickers of cats on the packages and send them away. It was so fun. Eventually we stopped writing because I moved to another city and he moved out to live on his own. He called it "solitary confinement." I was always so impressed by his vocabulary.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
Van tussled with his slightly overweight conscience (both grinning like old pals in their old gymnasium) — and accepted Dick’s offer.
”
”
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
“
Do you think I’m crazy, fantasizing about a guy I’ve never met in person, Jeremiah? Hell, we haven’t even spoken on the phone or video chatted—just old-fashioned, hand-written letters.
”
”
Samantha A. Cole (Wannabe in Wyoming (Antelope Rock #1))
“
Full of meal plans today. Lunch?”
“Sorry? Oh, yes. Apparently Magdelana remembered I’m an early riser.” He slipped the date book he had on his desk into his pocket as he got to his feet. “We’ll have lunch.”
“So I heard. You’re going to want to be careful there, pal.”
“Of what?”
“It wouldn’t be the first old friend you’ve had come around hoping you’d dip back into the game for old times’ sake. You might want to remind her you’re sleeping with a cop these days.
”
”
J.D. Robb (Innocent in Death (In Death, #24))
“
Stop it!“ Newt yelled. Stop it now!“
Thomas has been frozen in place, crouching as he waited for an opportunity to jump in and help Minho. But he twisted around to see that Newt was holding his Launcher in shooting position, his eyes wild with fury.
“Stop or I’ll start shooting and not give a buggin’ piece of klunk who gets hit.”
….. Thomas couldn’t believe the sudden turn of events. He looked at Newt with wide eyes, glad he’d done what he had, and happy he hadn’t aimed the Launcher at him or Minho.
“I told him to stop,” Newt half whispered. Then he aimed the weapon at Minho, but it was shaking because his arms were. “Now you guys leave. No more discussion. I’m sorry.“
Minho held up his hands. “You’re going to shoot me? Old pal?”
“Go,” Newt said. „I asked nicely. Now I’m telling. This is hard enough. Go.“
„Newt, let’s go outside..“
„Go!“ Newt stepped closer and aimed more fiercely. „Get out of here!“
Thomas hated what he was seeing – the complete wilderness that had taken over Newt. His whole body trembled and his eyes had lost any hint of sanity. He was losing it, completely.
“Let’s go,” Thomas said, one of the saddest things he’d ever heard himself say. „Come on.”
Minho’s gaze snapped to Thomas, and he looked like his heart had been shattered. “You can’t be serious.”
Thomas could only nod.
Minho’s shoulders slumped, and his eyes fell to the floor. “How did the world get so shucked?” The words barely came out, low and full of pain.
“I’m sorry,” Newt said, and there were tears streaming down his face. “I’m .. I’m going to shoot if you don’t go. Now.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
Wanna go to the movies? They're showing It Happened One Night at Le Champo." Just because I haven't gone out doesn't mean I haven't pored over the glorious Pariscope.
"They're showing what? And I'm not gonna tell you how badly you just butchered that theater's name."
"It Happened One Night. Clark Gable and Claudette Colbert.Won five Academy Awards.It was a big deal."
"In what century?"
"Ha ha. Honestly, you'll like it. I hear it's great."
Rashmi rubs her temples. "I don't know. I don't really like old movies. The acting is so, 'Hey buddy,ol' pal. Let's go wear our hats and have a big misunderstanding.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists.
“…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…”
What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me.
“The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.”
“I know what you mean,” I said.
His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.”
“I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
“I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She’s Come Undone)
“
Ask Robespierre. Ask the man with the conscience which is more important, your friend or your country— ask him how he weighs an individual in the scheme of things. Ask him which comes first, his old pals or his new principles. You ask him, Camille.
”
”
Hilary Mantel (A Place of Greater Safety)
“
I may be wronging her, but I have an idea that she's the sort of girl who would want a fellow to carve out a career and what not. I know I've heard her speak favourably of Napoleon. So what with one thing and another the jolly old frenzy sort of petered out, and now we're just pals. I think she's a topper, and she thinks me next door to a looney, so everything's nice and matey.
”
”
P.G. Wodehouse (The Inimitable Jeeves (Jeeves, #2))
“
Dear Forrest,
I am sorry there was no time for us to speech other before I left. The doctors made their decision quickly, and before I knew it, I was being taken away, but I asked if I could stop long enough to write you this note, because you have been so kind to me whileI was here.
I sense, Forrest, that you are on the verge of something very significant in your life, some change, or event that will move you in a different direction, and you must seize the moment, and not let it pass. When I think back on it now, there is something in your eyes, some tiny flash of fire that comes now and then, mostly when you smile, and , on those infrequent occasions, I believe what I saw was almost a Genesis of our ability as humans to think, to create, to be.
This war is to for you, old pal - nor me - and I am well out of it as I'm sure you will be in time. The crucial question is, what will you do? I don't think you're an idiot at all. Perhaps by the measure of tests or the judgement of fools, you might fall into some category or other, but deep down, Forrest, I have seen that glowing sparkle of curiosity burning deep in your mind. Take the tide, my friend, and as you are carried along, make it work for you, fight the shallows and the snags and never give up. You are a good fellow, forrest, and you have a big heart.
Your pal,
Dan
”
”
Winston Groom (Forrest Gump (Forrest Gump, #1))
“
It takes me forever to clean out my locker. I find random notes I saved from Peter, which I promptly put in my bag so I can add them to his scrapbook. An old granola bar. Dusty black hair ties, which is ironic because you can never seem to find a hair tie when you need one.
“I’m sad to throw any of this stuff away, even this old granola bar,” I say to Lucas, who is sitting on the floor keeping me company. “I’ve seen it there at the bottom of my locker every day. It’s like an old pal. Should we split it, to commemorate this day?”
“Sick,” Lucas says. “It’s probably got mold.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I will not die for a long time." Joseph tugged at his gray beard. "My beard goes white, but there's a lot of life in me yet."
"Don't be so sure, Abba," Joshua said.
Joseph dropped the bowl he was working on and stared into his hands. "Run away and play, you two," he said, his voice little more than a whisper.
Joshua stood and walked away. I wanted to throw my arms around the old man, for I had never seen a grown man afraid before and it frightened me too. "Can I help?" I said, pointing to the half-finished bowl that lay in Joseph's lap.
"You go with Joshua. He needs a friend to teach him to be human. Then I can teach him to be a man.
”
”
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
“
Did you ever get a whistling-type pain out the left lung, Mr. Redmond? Is it one of those sinister-type pains that you’ve never had before, Mr. Hearne? ’Tis, yeah. Give it time, it’ll be like an old pal to you. Maurice leans in to his friend, and he speaks with fear and very quietly now. I’m fifty-one years to fucken Jesus, Charlie.
”
”
Kevin Barry (Night Boat to Tangier)
“
There’s no such thing as a conservative hero.’ He was wise, that old man.
”
”
Christopher Moore (Lamb: The Gospel According to Biff, Christ's Childhood Pal)
“
Two choices, as always: fight or flight. We were on 56th Street’s southern sidewalk. I could have run straight across the road and tried to get away. But Leonid and his pal were probably faster than me. The law of averages. Most humans are faster than me. The old lady in the summer dress was probably faster than me. Her old gray mutt was probably faster than me.
”
”
Lee Child (Gone Tomorrow (Jack Reacher, #13))
“
Change,” Joshua said. “A Messiah has to bring change. Change comes through action. Balthasar once said to me, ‘There’s no such thing as a conservative hero.’ He was wise, that old man.
”
”
Christopher Moore (Lamb: The Gospel According to Biff, Christ's Childhood Pal)
“
October 6, 2017
“Here I sit next to the telephone.
I put my free hand on it . . . let it slide down . . . touch the holes in the dial that could put me in touch with all of them, my old pals.
We went deep together.
We went into the black together.
Would we come out of the black if we went in a second time?
I don’t think so.
Please God I don’t have to call them.
Please God.
”
”
Stephen King (It)
“
THE POETRY TEACHER The university gave me a new, elegant classroom to teach in. Only one thing, they said. You can’t bring your dog. It’s in my contract, I said. (I had made sure of that.) We bargained and I moved to an old classroom in an old building. Propped the door open. Kept a bowl of water in the room. I could hear Ben among other voices barking, howling in the distance. Then they would all arrive— Ben, his pals, maybe an unknown dog or two, all of them thirsty and happy. They drank, they flung themselves down among the students. The students loved it. They all wrote thirsty, happy poems.
”
”
Mary Oliver (Dog Songs)
“
What made him most anxious, he told me, was not the big questions -the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he'd become impatient with the way people wasted their lives, squandered their chances like paychecks.
I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both -Mr. Pucci, frail and wasted, a talking dead man. And myself with a surgical mask over my mouth, to protect him from me.
"The irony," he said, "... is that now that I'm this blind man, it's clearer to me now then it's ever been before. What's the line? 'Was blind but now I see...' " He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away.
"You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought ...said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed-up phone message...
That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy."
"I know what you mean," I said.
His eyes opened wider. For a second he seemed to see me.
"No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid."
"I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened.
"l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.
”
”
Wally Lamb (She’s Come Undone)
“
I wish I had asked myself when I was younger. My path was so tracked that in my 8th-grade yearbook, one of my friends predicted— accurately— that four years later I would enter Stanford as a sophomore.
And after a conventionally successful undergraduate career, I enrolled at Stanford Law School, where I competed even harder for the standard badges of success. The highest prize in a law student’s world is unambiguous: out of tens of thousands of graduates each year, only a few dozen get a Supreme Court clerkship.
After clerking on a federal appeals court for a year, I was invited to interview for clerkships with Justices Kennedy and Scalia. My meetings with the Justices went well. I was so close to winning this last competition. If only I got the clerkship, I thought, I would be set for life. But I didn’t.
At the time, I was devastated. In 2004, after I had built and sold PayPal, I ran into an old friend from law school who had helped me prepare my failed clerkship applications.
We hadn’t spoken in nearly a decade. His first question wasn’t “How are you doing?” or “Can you believe it’s been so long?” Instead, he grinned and asked: “So, Peter, aren’t you glad you didn’t get that clerkship?” With the benefit of hindsight, we both knew that winning that ultimate competition would have changed my life for the worse.
Had I actually clerked on the Supreme Court, I probably would have spent my entire career taking depositions or drafting other people’s business deals instead of creating anything new. It’s hard to say how much would be different, but the opportunity costs were enormous. All Rhodes Scholars had a great future in their past.
the best paths are new and untried.
will this business still be around a decade from now?
business is like chess. Grandmaster José Raúl Capablanca put it well: to succeed, “you must study the endgame before everything else.
The few who knew what might be learned, Foolish enough to put their whole heart on show, And reveal their feelings to the crowd below, Mankind has always crucified and burned.
Above all, don’t overestimate your own power as an individual. Founders are important not because they are the only ones whose work has value, but rather because a great founder can bring out the best work from everybody at his company.
That we need individual founders in all their peculiarity does not mean that we are called to worship Ayn Randian “prime movers” who claim to be independent of everybody around them.
In this respect, Rand was a merely half-great writer: her villains were real, but her heroes were fake. There is no Galt’s Gulch.
There is no secession from society. To believe yourself invested with divine self-sufficiency is not the mark of a strong individual, but of a person who has mistaken the crowd’s worship—or jeering—for the truth.
The single greatest danger for a founder is to become so certain of his own myth that he loses his mind. But an equally insidious danger for every business is to lose all sense of myth and mistake disenchantment for wisdom.
”
”
Peter Thiel (Zero to One: Notes on Startups, or How to Build the Future)
“
I came here thinking I was going to win this war and come on home in no time at all. Now I think I'll never leave this mud and cold and misery. I know you expect your old pal to be full of humor, but my best buddy died this morning. I was not twenty yards from him. In all the training, they never told us about the smell of death.
For the first time, I was not so confident of coming home. Not so confident of anything. I always bragged about killing some Germans. Killing is nothing to brag about. Nothing at all.
”
”
Kirby Larson (Hattie Big Sky (Hattie, #1))
“
A husband looking for the perfect present is like a knight of the Round Table on a quest for the Holy Grail. He can saddle up his trusty steed and head off gamely into the Christmas chaos - with courage as his trusty companion. But as soon as leaves the comforts of his castle, he will find that his old pal, doubt, has saddled up the mule of confusion and is clip-clopping along at his side. and before he even gets to the malls, that old traitor, conviction, will have turned and fled. Deep in his anxious heart, our knight will begin to wonder if the thing he is looking for really exists. Oh, he has heard rumours. There was a man once, who said he heard of a fellow, who told a story about a guy, who found the perfect present. But no doubt that is just a legend. One of those stories people tell to promote hope among the recklessly faithful.
If you ever tracked him down, you'd probably find out the man who found the perfect present was just another poor sod alone in his bedroom on Christmas Eve, with a roll of wrapping paper, some Scotch tape, and a waffle iron.
”
”
Stuart McLean (Christmas at the Vinyl Cafe)
“
And she’d also found Logan again. Now he was her … what? New-old boyfriend? Lover? Skype buddy? Pen pal with benefits? Whatever his title, his e-mails filled her inbox. Sometimes he sent five a day, short and quipping. Other times he sent longer, more serious ones. She kept her tone light when she replied. That’d always been her MO—a joke, a jab. A way to deflect from what she was really feeling. A way to keep the nonstop ache of missing him from becoming too painful to survive. And honestly, what was there to say that would come close to what she felt? The moments they’d spent together before he’d shipped out on his latest naval tour had been the most peaceful she could remember—even with her anxiety about her dad. It’d been the first time she’d felt complete in a long time. And then, just like that, he was gone again.
”
”
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars, #1))
“
One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.
”
”
James Kaplan (Frank: The Voice)
“
I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
”
”
Sebastian Barry (Days Without End (Days Without End, #1))
“
I married him—despite all the very good reasons that no one should ever partner up for a third time—because early on, he reminded me of the best father figure of my life, my ninth-grade English teacher. When that man died, his friends (eighty-year-old poker buddies, pals from his teaching days, devoted former students of all ages and types) wept. He was old, fat, diabetic, and often brusque. Women desired him and my children loved him and most men liked his company a great deal. He was loyal, imperious, needy, charming, bighearted, and just about the most selfish, lovable, and foolishly fearless person I had ever known. And then I met Brian and found another.
”
”
Amy Bloom (In Love: A Memoir of Love and Loss)
“
Watson didn’t know what hit him. The last thing he sent through his BrainPal channel was a wash of emotion that could best be described as disoriented puzzlement, the mild surprise of someone who knows he’s seeing something he wasn’t expecting but hasn’t figured out what it is. Then his connection was cut off, like a data feed suddenly unexpectedly shut down.
”
”
John Scalzi (Old Man's War (Old Man's War, #1))
“
Stop it!“ Newt yelled. Stop it now!“
Thomas has been frozen in place, crouching as he waited for an opportunity to jump in and help Minho. But he twisted around to see that Newt was holding his Launcher in shooting position, his eyes wild with fury.
“Stop or I’ll start shooting and not give a buggin’ piece of klunk who gets hit.”
….. Thomas couldn’t believe the sudden turn of events. He looked at Newt with wide eyes, glad he’d done what he had, and happy he hadn’t aimed the Launcher at him or Minho.
“I told him to stop,” Newt half whispered. Then he aimed the weapon at Minho, but it was shaking because his arms were. “Now you guys leave. No more discussion. I’m sorry.“
Minho held up his hands. “You’re going to shoot me? Old pal?
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
What kind of kids live in Mulhoney, Wisconsin? Would they like me? Would I like them? Have they ever eaten sushi? That's usually how I determine food sophistication. Maybe a personal ad would get the ball rolling:
Insightful, hardworking, 16-year-old girl, emotionally generous and witty, seeks friend/pal/chum to while away meaningful hours. Picky eaters need not reply.
”
”
Joan Bauer
“
Wullie and Shuggie were sitting at the round dining table eating soft eggs and soldiers. Sixty years apart, they were huddled together in the far corner like old drinking pals. Leek was upended on the settee, his bare legs up and over the back, a sketchbook in hand. When he saw his mother, he got up very quietly and passed her with a polite nod, like a stranger in the street.
”
”
Douglas Stuart (Shuggie Bain)
“
If you have read many adventure novels, you'll know that spies spend about half of their time in the sewers. They run along sewer tunnels, shooting. They find secret hideaways in sewers. They take weird funeral barges through sewers, poled along by old men in hoods. In fact, if a spy's kid wants to get a message to their mom or dad, the easiest way to do it is just to flush it down the toilet.
”
”
M.T. Anderson (Agent Q, or The Smell of Danger! (Pals in Peril #4))
“
Are you intelligent?” I asked. I am equipped with a natural language processor and other systems to understand questions and comments and to provide answers, which often gives the appearance of intelligence, especially when connected to larger computer networks. Brain Pal™ systems, however, are not natively intelligent. For example, this is an automated response. This question is asked frequently.
”
”
John Scalzi (Old Man's War (Old Man's War, #1))
“
To Ada, Right now, you’re two years old, asleep in your cot. You’re very strange and you make us laugh a lot. By the time you read this, you’ll be somebody else entirely. I hope we’re still pals. I hope I’m a good dad. I hope I don’t make too many mistakes and you forgive the ones I do. Truth is, I have no idea what I’m doing. But I’m always trying hard. I love you, kid. This is for you. Whoever you’ve become.
”
”
Stuart Turton (The Devil and the Dark Water)
“
Lily knew what he meant. She loved places that people had forgotten, like the old gas station rotting on the edge of the forest in Pelt, all gray wood and brown metal. She liked to walk there sometimes and imagine that during tempests the king of the forest, dry leaves swirling around his motorcycle, would skid to a halt and demand unleaded gas from shadowy attendants while a mossy-faced knight sat in his sidecar.
”
”
M.T. Anderson (Jasper Dash and the Flame-Pits of Delaware (Pals in Peril, #3))
“
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“
Hey Porkins,” said Carl, “you reckon you could hit that cactus over there? You’re a good shot with an arrow, but how about pearl throwing?” “Watch and see,” grinned Porkins. “Your old pal Porkins is a terrific shot—even if I do say so myself!” He threw the pearl and, true to his word, it hit the cactus. Porkins grinned, but then suddenly he was gone—disappearing into thin air. “Where is he?!” said Dave. Then he heard a familiar voice nearby: “Owwww!” Somehow Porkins was on top of the cactus. He jumped off, clutching his behind. Carl was laughing hysterically. “What happened?” said Dave, feeling very confused. “Throwing the pearls makes you teleport,” said Carl, wiping away a tear of laughter. “I found out the other day when I accidentally dropped one.” “You little blighter,” said Porkins, coming back over. He was pulling cactus needles out of his back.
”
”
Dave Villager (The Legend of Dave the Villager 2: An Unofficial Minecraft Book)
“
A clever, blond-haired fourth-grader named Damen McDermott got Sidney as his shopping pal. They picked out boots, a coat, ski gloves, and a Pittsburgh Steelers jersey. Crosby suggested he also pick up a toque. McDermott didn’t know what he was talking about. “What the heck’s a too-k?” he asked. “You know, a toque, a winter hat,” Sidney said, dangling the wool cap in front of the puzzled nine-year-old. “That’s a tossle cap,” Damen said matter-of-factly, lecturing Crosby on the Pennsylvania word for toque.
”
”
Shawna Richer (The Kid: A Season with Sidney Crosby and the New NHL)
“
Jake opened his mouth to say something--he had no idea what--and then, incredibly, Roland's voice was in his mind, filling it.
Distract them, Jake--and if there's a button that opens the door, get close to it.
The Tick-Tock Man was watching him closely. "Something just came into your mind, didn't it, cully? I always know. So don't keep it a secret; tell your old friend Ticky."
Jake caught movement in the corner of his eye. Although he did not dare glance up at the ventilator panel--not with all the Tick-Tock Man's notice bent upon him--he knew that Oy was back, peering down through the louvers.
Distract them...and suddenly Jake knew just how to do that.
"I did think of something," he said, "but it wasn't about computers. It was about my old pal Gasher. And his old pal, Hoots."
"Here! Here!" Gasher cried. "What are you talking about, boy?"
"Why don't you tell Tick-Tock who really gave you the password, Gasher? Then I can tell Tick-Tock where you keep it."
The Tick-Tock Man's puzzled gaze shifted from Jake to Gasher. "What's he talking about?
”
”
Stephen King (The Waste Lands (The Dark Tower, #3))
“
Schumpeter chose the term "creative destruction" to describe the introduction of new innovations into the economy for a reason—as the case of PayPal shows, it's a strife-filled process. A half-dozen startup competitors were quick to follow PayPal's lea before eBay got in on the act. And that's just representatives of the so-called new economy. The fact that many banks either entered the online payments market directly or lobbied for regulations against it showed that the old guard was not prepared to go silently into the night.
”
”
Eric M. Jackson (The PayPal Wars: Battles with eBay, the Media, the Mafia, and the Rest of Planet Earth)
“
I'll keep in touch, says Lige, ain't going to let you go. This makes John Cole very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.
”
”
Sebastian Barry (Days Without End (Days Without End, #1))
“
On the fourth day the members of the 8th tried to tell each other jokes they’d found on the Phoenix data net, and mostly failed to make them work; by the time their BrainPals unpacked the context of the joke, it was no longer funny. Only Sarah Pauling seemed to be laughing most of the time, and it was eventually determined she was laughing because she thought it was funny that none of the rest of them could tell a joke. No one else thought that was funny, to which Pauling laughed hard enough to fall off her cot. They all agreed that was funny.
”
”
John Scalzi (The Ghost Brigades (Old Man's War, #2))
“
The man’s face, wrinkled, dark and apelike, looked up. ‘He was a good pal, pore old b— ,’ he said. ‘You would not like, surely to goodness, to go to mess with your shoes all bloody.’ ‘If I had given him leave,’ Tietjens said, ‘he would not be dead now.’ ‘No, surely not,’ One Seven Thomas answered. ‘But it is all one. Evans of Castell Goch would surely to goodness have killed him.’ ‘So you knew, too, about his wife!’ Tietjens said. ‘We thocht it wass that,’ One Seven Thomas answered, ‘or you would have given him leave, cahptn. You are a good cahptn.
”
”
Ford Madox Ford (Parade's End (Wordsworth Classics))
“
Jasper was clearly impressed. "Katie," he said, "I didn't realize you knew so much about dinosaurs."
"Yeah," said Katie resentfully. "I had to redo a class project on them when I was in fifth grade. They asked us to make a model of a dinosaur, so I made one by covering one of my old Star-Wonder Glitter Ponies with clay. You know, I gave him wings and stuff. The teacher didn't like it because he said there wasn't a real dinosaur that had wings and four legs. And a pink-and-blue sparkly mane. He gave me a D-minus and said it was a sad day for paleontology.
”
”
M.T. Anderson (Jasper Dash and the Flame-Pits of Delaware (Pals in Peril, #3))
“
I remember standing in the wings when Mother’s voice cracked and went into a whisper. The audience began to laugh and sing falsetto and to make catcalls. It was all vague and I did not quite understand what was going on. But the noise increased until Mother was obliged to walk off the stage. When she came into the wings she was very upset and argued with the stage manager who, having seen me perform before Mother’s friends, said something about letting me go on in her place. And in the turmoil I remember him leading me by the hand and, after a few explanatory words to the audience, leaving me on the stage alone. And before a glare of footlights and faces in smoke, I started to sing, accompanied by the orchestra, which fiddled about until it found my key. It was a well-known song called Jack Jones that went as follows: Jack Jones well and known to everybody Round about the market, don’t yer see, I’ve no fault to find with Jack at all, Not when ’e’s as ’e used to be. But since ’e’s had the bullion left him ’E has altered for the worst, For to see the way he treats all his old pals Fills me with nothing but disgust. Each Sunday morning he reads the Telegraph, Once he was contented with the Star. Since Jack Jones has come into a little bit of cash, Well, ’e don’t know where ’e are. Half-way through, a shower of money poured on to the stage. Immediately I stopped and announced that I would pick up the money first and sing afterwards. This caused much laughter. The stage manager came on with a handkerchief and helped me to gather it up. I thought he was going to keep it. This thought was conveyed to the audience and increased their laughter, especially when he walked off with it with me anxiously following him. Not until he handed it to Mother did I return and continue to sing. I was quite at home. I talked to the audience, danced, and did several imitations including one of Mother singing her Irish march song that went as follows: Riley, Riley, that’s the boy to beguile ye, Riley, Riley, that’s the boy for me. In all the Army great and small, There’s none so trim and neat As the noble Sergeant Riley Of the gallant Eighty-eight. And in repeating the chorus, in all innocence I imitated Mother’s voice cracking and was surprised at the impact it had on the audience. There was laughter and cheers, then more money-throwing; and when Mother came on the stage to carry me off, her presence evoked tremendous applause. That night was my first appearance on the stage and Mother’s last.
”
”
Charlie Chaplin (My Autobiography (Neversink))
“
If I could have picked what I was born to be, I would be a fat little rat at a fair. I would ride the Ferris wheel all night. All the carnival lights would reflect in my happy, beady eyes. I would feast on candy apple cores, discarded peanuts, and melon rinds. I would spook ladies and carnival workers for kicks. When the lights went out, and the gates were shut, I would scurry around on the ground, rummage through trash cans, and squeak happily with my rat pals. I would live to be about two years old, which is as long as most rats live. I would get my money’s worth out of my little rat lifespan, and I would leave the earth happy to have been there.
”
”
Emily R. Austin (We Could Be Rats)
“
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Pen, you really shouldn’t use the same password for all your accounts. I’ve headed off three hackers in the last week who would’ve gotten into your PayPal, bank, and electric company accounts.” “What?” Penelope was obviously confused at the change in subject, but Cade merely relaxed back in his seat and kept his eyes on Beth as she fidgeted uncomfortably. “Using PenisGod isn’t a good username for things like Amazon and eBay. And you really need to delete your craigslist account because calling yourself a penis god is only attracting weirdos. You probably don’t even remember you had that old ad up when you were trying to sell your bicycle. Well, it’s one of the most clicked-on ads on the site for San Antonio. I’m not exaggerating either. You had four hundred and sixty-nine messages—and I’m not even going to comment on the sixty-nine thing. But three hundred and fourteen of those contained pictures of men’s dicks. Fifty-seven contained marriage proposals, most from overseas; twenty-seven were from women who were interested in a threesome with you, fifty-five were spam, people trying to get you to click on links or buy some crap product, and the remaining sixteen emails were religious in nature, telling you to repent for your soul.” “I should probably be pissed you got into my account, but I trust you, so I’m not. But it’s not penis god!” Penelope exclaimed huffily. “It’s Pen IS God.” Cade burst out laughing. “Seriously, sis? Penis god? Just wait until the guys hear this!
”
”
Susan Stoker (Shelter for Elizabeth (Badge of Honor: Texas Heroes, #5))
“
You see I'm wearing the tie," said Bingo.
"It suits you beautiful," said the girl.
Personally, if anyone had told me that a tie like that suited me, I should have risen and struck them on the mazzard, regardless of their age and sex; but poor old Bingo simply got all flustered with gratification, and smirked in the most gruesome manner.
"Well, what's it going to be today?" asked the girl, introducing the business touch into the conversation.
Bingo studied the menu devoutly.
"I'll have a cup of cocoa, cold veal and ham pie, slice of fruit cake, and a macaroon. Same for you, Bertie?"
I gazed at the man, revolted. That he could have been a pal of mine all these years and think me capable of insulting the old tum with this sort of stuff cut me to the quick.
"Or how about a bit of hot steak-pudding, with a sparkling limado to wash it down?" said Bingo.
You know, the way love can change a fellow is really frightful to contemplate. This chappie before me, who spoke in that absolutely careless way of macaroons and limado, was the man I had seen in happier days telling the head-waiter at Claridge's exactly how he wanted the chef to prepare the sole frite au gourmet au champignons, and saying he would jolly well sling it back if it wasn't just right. Ghastly! Ghastly!
A roll and butter and a small coffee seemed the only things on the list that hadn't been specially prepared by the nastier-minded members of the Borgia family for people they had a particular grudge against, so I chose them, and Mabel hopped it.
”
”
P.G. Wodehouse
“
When I was a young person reading whatever I could get my hands on, I came across some old books of my fathers, in a series called Everyman's Library. The endpapers of that date were a sort of William Morris design, with leaves and flowers and a lady in graceful medieval draperies carrying a scroll and a branch with three apples or other spherical fruit on it. Interwoven among the shrubbery there was a motto: 'Everyman I will go with thee and be thy guide, In thy most need to go by thy side.' This was very reassuring to me. The books were declaring that they were my pals; they promised to accompany me on my travels; and they would not only offer me some helpful hints, they'd be right there by my side whenever I really needed them. It's always nice to have someone you can depend on.
”
”
Margaret Atwood (Negotiating with the Dead: A Writer on Writing)
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You look…exactly the same.”
Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
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“Thanks for coming.”
“Do you want me to take this stuff up for you?”
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John takes the bag from me and looks inside. “Oh, wow. All of our old snacks! Why don’t you climb up first and I’ll pass it to you.” So that’s what I do: I scramble up the ladder and he climbs up behind me. I’m crouched, arms outstretched, waiting for him to pass me the bag.
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I touch my side braid. Of all the things to remember about me. Back then, Margot was the one who braided my hair. “You think it looks fancy?”
“Yeah. Like…expensive bread.”
I burst out laughing. “Bread!”
“Yeah. Or…Rapunzel.”
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I laugh awkwardly. I’d kind of been hoping he wouldn’t bring that up. “It was too embarrassing. The things I wrote. I couldn’t bear the thought of another person seeing it.”
“But I already saw it,” he reminds me.
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Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
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Kate Morton (The Secret Keeper)
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Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.
”
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If there was any politician in America who reflected the Cold War and what it did to the country, it was Richard Nixon—the man and the era were made for each other. The anger and resentment that were a critical part of his temperament were not unlike the tensions running through the nation as its new anxieties grew. He himself seized on the anti-Communist issue earlier and more tenaciously than any other centrist politician in the country. In fact that was why he had been put on the ticket in the first place. His first congressional race in 1946, against a pleasant liberal incumbent named Jerry Voorhis, was marked by red-baiting so savage that it took Voorhis completely by surprise. Upon getting elected, Nixon wasted no time in asking for membership in the House Un-American Activities Committee. He was the committee member who first spotted the contradictions in Hiss’s seemingly impeccable case; in later years he was inclined to think of the case as one of his greatest victories, in which he had challenged and defeated a man who was not what he seemed, and represented the hated Eastern establishment. His career, though, was riddled with contradictions. Like many of his conservative colleagues, he had few reservations about implying that some fellow Americans, including perhaps the highest officials in the opposition party, were loyal to a hostile foreign power and willing to betray their fellow citizens. Yet by the end of his career, he became the man who opened the door to normalized relations with China (perhaps, thought some critics, he was the only politician in America who could do that without being attacked by Richard Nixon), and he was a pal of both the Soviet and Chinese Communist leadership. If he later surprised many long-standing critics with his trips to Moscow and Peking, he had shown his genuine diplomatic skills much earlier in the way he balanced the demands of the warring factions within his own party. He never asked to be well liked or popular; he asked only to be accepted. There were many Republicans who hated him, particularly in California. Earl Warren feuded with him for years. Even Bill Knowland, the state’s senior senator and an old-fashioned reactionary, despised him. At the 1952 convention, Knowland had remained loyal to Warren despite Nixon’s attempts to help Eisenhower in the California delegation. When Knowland was asked to give a nominating speech for Nixon, he was not pleased: “I have to nominate the dirty son of a bitch,” he told friends. Nixon bridged the gap because his politics were never about ideology: They were the politics of self. Never popular with either wing, he managed to negotiate a delicate position acceptable to both. He did not bring warmth or friendship to the task; when he made attempts at these, he was, more often than not, stilted and artificial. Instead, he offered a stark choice: If you don’t like me, find someone who is closer to your position and who is also likely to win. If he tilted to either side, it was because that side seemed a little stronger at the moment or seemed to present a more formidable candidate with whom he had to deal. A classic example of this came early in 1960, when he told Barry Goldwater, the conservative Republican leader, that he would advocate a right-to-work plank at the convention; a few weeks later in a secret meeting with Nelson Rockefeller, the liberal Republican leader—then a more formidable national figure than Goldwater—Nixon not only reversed himself but agreed to call for its repeal under the Taft-Hartley act. “The man,” Goldwater noted of Nixon in his personal journal at the time, “is a two-fisted four-square liar.
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David Halberstam (The Fifties)
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Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.
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Gabrielle Zevin (The Storied Life of A.J. Fikry)
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Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D
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Anonymous
“
In the few weeks we've been in residence, Schatzi has kicked dirt in the eye of a Chihuahua, resulting in a squealing of eardrum-perforating shrillness. She nipped the fingers of a very nice young woman walking her terrier mix when she tried to pet her. She growled at a Yorkie so menacingly the dog had immediate violently explosive diarrhea. All over my leg. It was like some invisible hand just squeezed her in the middle and hot liquid poop shot out of her with such velocity that despite being only like eight inches tall, she hit me from ankle to over the knee. I'm still grateful she wasn't a bigger dog.
Schatzi was never mean to other dogs, or owners for that matter, when we were in the West Loop. She had her neighborhood pals, Otto the black Lab, who always tried to give her gifts of mangy tennis balls, Lucy, the sweet old arthritic collie who would nuzzle Schatzi like a doting grandmother, and her best buddy, Klaus, a giant schnauzer, the perfect replica of Schatzi herself, just supersized. They would romp around and then put their square bearded heads together and have what appeared to be very serious conversations about things. Jimmy, Klaus's dad, would always lean over and ask, "Do you think they're planning to invade Poland?" which never failed to make me laugh.
”
”
Stacey Ballis (Recipe for Disaster)
“
I’m sweaty. I’m tired. And I stink in places I really shouldn’t be stinking.” I whine and shoot a glare to Dean, who’s sitting in the passenger seat looking sheepish.
“What?” he exclaims with his hands raised. “I didn’t know we’d have fucking car trouble. Your car isn’t even a year old.”
“I know!” I snap, hitting my hand on the wheel and growling in frustration. “Stupid old lady car!” I exclaim and push my head closer to the window for a breeze. “The frickin’ air conditioning isn’t even working anymore. Me and this car are officially in a fight.”
“I think we all just need to remain calm,” Lynsey chirps from the back seat, leaning forward so her head comes between Dean’s and mine. “Because, as horrible as this trip was, after everything that’s happened between the three of us the past couple of years, I think this was really healing.”
I close my eyes and shake my head, ruing the moment I agreed that a road trip to the Rocky Mountains to pick up this four-thousand-dollar carburetor from some hick who apparently didn’t know how to ‘mail things so they don’t get lost.’”
Honestly! How are people who don’t use the mail a thing? Though, admittedly, when we got to the man’s mountain home, I realized that he was probably more familiar with the Pony Express. And I couldn’t be sure his wife wasn’t his cousin. But that’s me being judgmental. Still, though, it’s no wonder he wouldn’t let me PayPal him the money. I had to get an actual cashier’s check from a real bank.
Then on our way back down the mountain, I got a flat tire. Dean, Lynsey, and I set about changing it together, thinking three heads could figure out how to put a spare tire on better than one.
One minute, I’m snapping at Dean to hand me the tire iron, and the next minute, he’s asking me if I’m being a bitch because he told me he had feelings for me. Then Lynsey chimes in, hurt and dismayed that neither of us told her about our conversation at the bakery, and it was a mess. On top of all of that, my car wouldn’t start back up! It was a disaster.
The three of us fighting with each other on the side of the road looked like a bad episode of Sister Wives: Colorado Edition.
I should probably make more friends.
“God, I hope this thing is legit,” Dean states, turning the carburetor over in his hands.
“Put it down. You’re making me nervous,” I snap, eyeing him cautiously.
We’re only five miles from Tire Depot, and they close in ten, so my nerves are freaking fried. “I just want to drop this thing off and forget this whole trip ever happened.”
“No!” Lynsey exclaims. “Stick to the plan. This is your grand gesture! Your get out of jail free card.”
“I don’t want a get out of jail free card,” I cry back. “The longer we spent on that hot highway trying to figure out what was wrong with my car, the more ridiculous this plan became in my head. I don’t want to buy Miles’s affection back. I want him to want me for me. Flaws and all.”
“So what are you going to do?” Dean asks, and I feel his concerned eyes on mine.
“I’m going to drop this expensive hunk of metal at the counter and leave. I’m not giving it to him naked or holding the thing above my head like John Cusack in Say Anything. I’ll drop it off at the front counter, and then we’ll go. End of story.”
Lynsey’s voice pipes up from behind. “That sounds like the worst ending to a book I’ve ever heard.”
“This isn’t a book!” I shriek. “This is my life, and it’s no wonder this plan has turned into such a mess. It has desperation stamped all over it. I just want to go home, eat some pizza, and cry a little, okay?”
The car is dead silent as we enter Boulder until Dean’s voice pipes up. “Hey Kate, I know you’re a little emongry right now, but I really don’t think you should drive on this spare tire anymore. They’re only manufactured to drive for so many miles, you know.”
I turn and glower over at him. He shrinks down into his seat a little bit.
”
”
Amy Daws (Wait With Me (Wait With Me, #1))
“
Right then, this one’s for you, old man. I’ll be meetin’ ya one day when I get down there, and we’ll be the best of pals. I’ll take care of yer flesh and blood, don’t you worry about that. And I gotta tip my hat to ya for making the most perfect creature in this world.
”
”
Caroline Peckham (Society of Psychos (Dead Men Walking, #2))
“
The Prayer-wallah came from one of the Midland towns, but had been working in Lancashire when he enlisted. He was the only real pal I had in India, and there is nothing that we would not have done for each other, but the strange thing is that I have never heard a word from him or about him from that day to this.
”
”
Frank Richards (Old-Soldier Sahib)
“
No one told us hitting midlife would be so bloody hard!" says my old school pal, Friend Number One. "I mean, as if we haven't been through enough and then we are hit with peri menopause, menopause, medical stuff, kids turning into humans with their own brains, divorce, work burnout, parents getting old and sometimes dying–very inconsiderate of them.
”
”
Rosie Meleady (A Rosie Life In Italy 5: Romulus and Seamus)
“
What is Cerebral Palsy? A wheelchair, a woman, windswept legs, stiffness. And through one side of my body, lack of mobility, and tightness in my knees. That’s all causes by a condition called Cerebral Palsy according to the CDC Cerebral Palsy (CP)- is a group of disorders that affect a person's ability to move and maintain balance and posture. CP is the most common motor disability in childhood. Cerebral means having to do with the brain. Palsy means weakness or problems with using the muscles. But that’s not my definition of Cerebral Palsy my definition of cerebral palsy ce·re·bral pal·sy A condition that makes life more interesting, more of an adventure and more of a journey. You see I could have started this off by stating the old boring medical terms of Cerebral Palsy, but in my personal opinion it would be continuing the stigma’s that I’ve been trying to debunk since I was 18 years old and wouldn’t that be a boring book to read. To be frank, I’m tired of seeing books that don’t focus on the positive side of Cerebral Palsy. Well, OK at least some do, but there’s not very much, so I’ve decided to write this full of stories to explain how I overcome each obstacle with Cerebral Palsy. My name is Tylia L Flores. I’m Handi-capable!
”
”
Tylia L. Flores (HANDI-CAPABLE: “STOMPING THE BARRIERS THAT COMES MY WAY”.)
“
Well Xmas is coming and the geese are getting fat, please put a penny in the blind man’s hat as the old saying use to go but not that I am asking you to put a penny in my hat or am not a blind man either as far as that is concerned. I never saw the day wherein no matter how much moola I had I could not use some more but I am saving you for a big touch in case I want to start my own band in competition with you (who knows I may be kidding on the level and that would be quite irony if it ever happened?) I do not know why it is that I sound like everything was sharp and I was right up there because if you want the truth and the whole truth and nothing but the truth you pal Joey is on the cake line. That is my way of putting it that I am on the bread line only I am still a little better off.
”
”
John O'Hara (Pal Joey: The Novel and The Libretto and Lyrics)
“
As a result men—even men she has been intimate with—do not now gaze upon her with dismay, as upon a beloved landscape devastated by fire, flood, or urban development. They do not mind that Vinnie Miner, who was never much to look at, now looks old. After all, they hadn’t slept with her out of romantic passion, but out of comradeship and temporary mutual need—often almost absent-mindedly, to relieve the pressure of their desire for some more glamorous female. It wasn’t uncommon for a man who had just made love to Vinnie to sit up naked in bed, light a cigarette, and relate to her the vicissitudes of his current romance with some temperamental beauty-breaking off occasionally to say how great it was to have a pal like her
”
”
Alison Lurie (Foreign Affairs)
“
T'was nice doing business with you, old pal..."- Robert Rollerstone
”
”
David Mulwa (Inheritance)
“
Uh-huh. I’m a very smart guy. I haven’t a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals, I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you’ll think of me, I’ll just leave one of my cards in case anything comes up. I do all this for twenty-five bucks a day—and maybe just a little to protect what little pride a broken and sick old man has left in his blood, in the thought that his blood is not poison, and that although his two little girls are a trifle wild, as many nice girls are these days, they are not perverts or killers. And that makes me a son of a bitch. All right. I don’t care anything about that. I’ve been called that by people of all sizes and shapes, including your little sister. She called me worse than that for not getting into bed with her. I got five hundred dollars from your father, which I didn’t ask for, but he can afford to give it to me. I can get another thousand for finding Mr. Rusty Regan, if I could find him. Now you offer me fifteen grand. That makes me a big shot. With fifteen grand I could own a home and a new car and four suits of clothes. I might even take a vacation without worrying about losing a case. That’s fine. What are you offering it to me for? Can I go on being a son of a bitch, or do I have to become a gentleman, like that lush that passed out in his car the other night?
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap.
”
”
Salman Rushdie (Quichotte)
“
Where did “Midnight Rambler” come from? I don’t know. It was the old days trying to knock you on the back of the head. “Hey, don’t forget us, pal. Write a damn good blues. Write one that takes the form in another way, just for a bit.” “Midnight Rambler” is a Chicago blues. The chord sequence isn’t, but the sound is pure Chicago. I knew how the rhythm should go. It was in the tightness of the chord sequence, the D’s and the A’s and the E’s. It wasn’t a blues sequence, but it came out like heavy-duty blues. That’s one of the most original blues you’ll hear from the Stones. The title, the subject, was just one of those phrases taken out of sensationalist headlines that only exist for a day. You just happen to be looking at a newspaper, “Midnight Rambler on the loose again.” Oh, I’ll have him.
”
”
Keith Richards (Life)
“
Did you kiss me in the front hall like that to show up Robby?”
“I kissed you in the front hall because I’ve been desperate to do that exact thing for weeks and weeks. Showing up our old pal Bobby was just a bonus.
”
”
Katherine Center (The Bodyguard)
“
The Lottery by Stewart Stafford
It was New York, 1984,
The AIDS tsunami roared in,
Friends, old overnight, no more,
Breathless, I went for a check-up.
A freezing winter's dawn,
A solitary figure before me,
What we called a drag queen,
White heels trembled in the cold.
"Hi, are you here to get tested?"
Gum chewed, brown eyes stared.
This was not my type of person,
I turned heel and walked away.
At month's end, a crippling flu,
The grey testing centre called,
Two hundred people ahead of me;
A waking nightmare all too real.
I gave up and turned to leave,
But a familiar voice called out:
"Hey, you there, come back!"
I stopped and turned around.
The drag queen stood there in furs,
But sicker, I didn't recognise them,
"Stand with me in the line, honey."
"Nah, I'm fine, I'll come back again."
"Support an old broad before she faints?"
A voice no longer frail but pin-sharp.
I got in line to impatient murmurs:
"If anyone has a problem, see me!"
Sylvester on boombox, graveyard choir.
My pal's stage name was Carol DaRaunch,
(After the Ted Bundy female survivor)
Their real name was Ernesto Rodriguez.
After seeing the doctor, Carol hugged me,
Writing down their number on some paper,
With their alias not their real name on it:
"Is this the number of where you work?"
"THAT is my home number to call me on.
THAT'S my autograph, for when I'm famous!"
"I was wrong about you, Carol," I said.
"Baby, it takes time to get to know me!"
A hug, shimmy, the threadbare blonde left.
A silent chorus of shuffling dead men walking,
Spartan results, a young man's death sentence.
Real words faded rehearsal, my eyes watered.
Two weeks on, I cautiously phoned up Carol.
The receiver was picked up, dragging sounds,
Like furniture being moved: "Is Carol there?"
"That person is dead." They hung up on me.
All my life's harsh judgements, dumped on Carol,
Who was I to win life's lottery over a guardian angel?
I still keep that old phone number forty years on,
Crumpled, faded, portable guilt lives on in my wallet.
© Stewart Stafford, 2024. All rights reserved.
”
”
Stewart Stafford
“
What if I want to leave?” “You don’t.” “You seem pretty sure of that.” He kisses me softly on the lips. Smiling, he says, “I like it when I irritate you.” “That’s unfortunate, because I like it when I’m not being irritated.” “Your mouth gets all puckered and your nose wrinkles up. You look like a prissy little old lady.” “Whoa, slow down with the compliments, Romeo! I’ll swoon hard and hit my head on something.” “Know what I just realized?” he whispers, eyes burning.
”
”
J.T. Geissinger (Pen Pal)
“
Unfortunately, too many companies build their products betting users will do what they make them do instead of letting them do what they want to do. Companies fail to change user behaviors because they do not make their services enjoyable for its own sake, often asking users to learn new, unfamiliar actions instead of making old routines easier. Companies that successfully change behaviors present users with an implicit choice between their old way of doing things and a new, more convenient way to fulfill existing needs. By maintaining the users’ freedom to choose, products can facilitate the adoption of new habits and change behavior for good. Whether coerced into doing something we did not intend, as was the case when Quora opted-in all users to its “views” feature, or feeling forced to adopt a strange new calorie counting behavior on MyFitnessPal, people often feel constrained by threats to their autonomy and rebel. To change behavior, products must ensure the users feel in control. People must want to use the service, not feel they have to.
”
”
Nir Eyal (Hooked: How to Build Habit-Forming Products)