Old Pals Quotes

You're going to shoot me? Old pal?

I don't know.  I don't really like old movies.  The acting is so, 'Hey buddy, ol' pal.  Let's go wear our hats and have a big misunderstanding

A disturbing thought hits me,"but then our only neighbor would be Haymich!" "Ah, that'll be nice,"says Peeta, tightening his arms around me."You and me and Haymich. Very cozy. Picnics, birthdays. long winters around the campfire retelling old Hunger Games tales." "I told you he hates me!" I say, but I can't help laughing at the image of Haymich becoming my new pal. "Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta. He's never sober!" I protest. That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you in fire," says Peeta. "On the other hand, Haymich ... well, if I were you, I'd avoid Haymich completely. He Hates you." " I thought that you said I was his favorite," I say. "He hates me more," says Peeta, "I don't think people in general are his sort of thing.

I once spoke to someone who had survived the genocide in Rwanda, and she said to me that there was now nobody left on the face of the earth, either friend or relative, who knew who she was. No one who remembered her girlhood and her early mischief and family lore; no sibling or boon companion who could tease her about that first romance; no lover or pal with whom to reminisce. All her birthdays, exam results, illnesses, friendships, kinships—gone. She went on living, but with a tabula rasa as her diary and calendar and notebook. I think of this every time I hear of the callow ambition to 'make a new start' or to be 'born again': Do those who talk this way truly wish for the slate to be wiped? Genocide means not just mass killing, to the level of extermination, but mass obliteration to the verge of extinction. You wish to have one more reflection on what it is to have been made the object of a 'clean' sweep? Try Vladimir Nabokov's microcosmic miniature story 'Signs and Symbols,' which is about angst and misery in general but also succeeds in placing it in what might be termed a starkly individual perspective. The album of the distraught family contains a faded study of Aunt Rosa, a fussy, angular, wild-eyed old lady, who had lived in a tremulous world of bad news, bankruptcies, train accidents, cancerous growths—until the Germans put her to death, together with all the people she had worried about.

Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.

Bruce, you’re an ugly and silly old man. You’re very possibly an alcoholic and God knows what else. You’re the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You’re a mess. You’ve gone wrong somewhere pal.

I’ll be waiting to welcome you with that “my old pal” stuff, and give you the glad hand, and at the first good chance I get stab you in the back.

Great pals we've always been. In fact there was a time when I had an idea I was in love with Cynthia. However, it blew over. A dashed pretty and lively and attractive girl, mind you, but full of ideals and all that. I may be wronging her, but I have an idea that she's the sort of girl who would want a fellow to carve out a career and what not. I know I've heard her speak favourably of Napoleon. So what with one thing and another the jolly old frenzy sort of petered out, and now we're just pals. I think she's a topper, and she thinks me next door to a looney, so everything's nice and matey.

So long, old pal. You’re going to a different world now. It’s sure to be a better one, since no other world could be as bad as this one is.

Reflect, old man! We have been pals for years. Your mother likes me." "No, she doesn't." "Well, anyway, we were at school together and you owe me a tenner." "Oh, well," he said in a resigned sort of voice.

High school Simon was big man on campus. He’d had his own posse of what I called the apostles (his old pals Matthew, Mark, Luke, and John), headed by his old bestie, Trevor.

Will I begin it? said Doyler laughing. That's all that's in it, he laughing said. Oh sure that grin. Oh sure that wonderful saucerful grin. Jim sat on the grass and he plucked at the blades. He knew for certain sure that Doyler would be turning from him again. He said, You'll be walking away from me soon, won't you now? There was no answer. Jim plucked the grass and stared beyond where the waves broke on the island shore. He said, I wish you wouldn't Doyler. It does break my heart when you walk away. Old pal o' me heart, said Doyler. But already he had turned, and he was walking away. Walking that slow dreadful slope with never a leaf or a stone. Walking; and though Jim tried to keep pace, e could not, and sometimes he called out, Doyler! Doyler! but he never heard or he did not heed, only farther and farther he walked away. And when Jim woke from these dreams, if he did not remember, he knew he had dreamt, for the feeling inside him of not feeling at all. And it was hard then to make his day.

He rolled his eyes and took my hand. His hand was hard and calloused, tough with muscle and old scars. The night settled around us like a blanket. I could hear the water lapping against the dock. We were totally alone. “You’re . . . ,” he began, and I waited, heart throbbing in my throat. “Such a pain,” he concluded. “What?” I asked, just as his head swooped in and his mouth touched mine. I tried to speak, but one of Fang’s hands held the back of my head, and he kept his lips pressed against me, kissing me softly but with a Fanglike determination. Oh, jeez, I thought distractedly. Jeez, this is Fang, and me, and . . . Fang tilted his head to kiss me more deeply, and I felt totally lightheaded. Then I remembered to breathe through my nose, and the fog cleared a tiny bit. Somehow we were pressed together, Fang’s arms around me now, sliding under my wings, his hands flat against my back. It was incredible. I loved it. I loved him. It was a total disaster. Gasping, I pulled back. “I, uh—,” I began oh so coherently, and then I jumped up, almost knocking him over, and raced down the dock. I took off, flying fast, like a rocket.

Thanks pal, but I tend to avoid any substance that makes me feel smarter, stronger, or better looking than I know I actually am." There were, in his opinion, drugs that diminished ego and drugs that engorged ego, which is to say, revelatory drugs and delusory drugs, and on a psychic level, at least, he favored awe over swagger. Should he ever aspire to become voluntarily delusional, then good old-fashioned alcohol would do the job effectively and inexpensively, thank you, and without the dubious bonus of jaw-clenching jitters.

Young men are all very well in their place, but it doesn’t do to drag them into everything, does it? Diana and I are thinking seriously of promising each other that we will never marry but be nice old maids and live together forever

I read the paragraph again. A peculiar feeling it gave me. I don't know if you have ever experienced the sensation of seeing the announcement of the engagement of a pal of yours to a girl whom you were only saved from marrying yourself by the skin of your teeth. It induces a sort of -- well, it's difficult to describe it exactly; but I should imagine a fellow would feel much the same if he happened to be strolling through the jungle with a boyhood chum and met a tigress or a jaguar, or what not, and managed to shin up a tree and looked down and saw the friend of his youth vanishing into the undergrowth in the animal's slavering jaws. A sort of profound, prayerful relief, if you know what I mean, blended at the same time with a pang of pity. What I'm driving at is that, thankful as I was that I hadn't had to marry Honoria myself, I was sorry to see a real good chap like old Biffy copping it. I sucked down a spot of tea and began brooding over the business.

Because my bedroom is a sacred place now that there are children at the end of my bed telling me stories about the friends that they pretend to hate, that they will make up with later And there are fresh cut flowers that I grew myself in vases from the yard on nightstands, hand carved by old pals from Big Sur

It can't be done, old thing. Sorry, but it's out of the question. I couldn't go through all that again." "Not for me?" "Not for a dozen more like you." "I never thought," said Bingo sorrowfully, "to hear those words from Bertie Wooster!" "Well, you've heard them now," I said. "Paste them in your hat." "Bertie, we were at school together." "It wasn't my fault." "We've been pals for fifteen years." "I know. It's going to take me the rest of my life to live it down.

He went to the Palo Alto public library to read about rocket engineering and started calling experts, asking to borrow their old engine manuals. At a gathering of PayPal alumni in Las Vegas, he sat in a cabana by the pool reading a tattered manual for a Russian rocket engine. When one of the alums, Mark Woolway, asked him what he planned to do next, Musk answered, “I’m going to colonize Mars. My mission in life is to make mankind a multiplanetary civilization.” Woolway’s reaction was unsurprising. “Dude, you’re bananas.

Twentyone is too old to go anywhere alone, you know that. I want to go with someone. I don't mean as a bride, I'm not so gauche as that, but as a mistress or paramour or concubine or companion or friend or pal or anything else. I just don't want to be left alone! I want to get out of here!" She said it again for all the wide-faced flowers to hear: "I want to get out of here!

There came an awful day when I picked up the phone and knew at once, as one does with some old friends even before they speak, that it was Edward. He sounded as if he were calling from the bottom of a well. I still thank my stars that I didn't say what I nearly said, because the good professor's phone pals were used to cheering or teasing him out of bouts of pessimism and insecurity when he would sometimes say ridiculous things like: 'I hope you don't mind being disturbed by some mere wog and upstart.' The remedy for this was not to indulge it but to reply with bracing and satirical stuff which would soon get the gurgling laugh back into his throat. But I'm glad I didn't say, 'What, Edward, splashing about again in the waters of self-pity?' because this time he was calling to tell me that he had contracted a rare strain of leukemia. Not at all untypically, he used the occasion to remind me that it was very important always to make and keep regular appointments with one’s physician.

Many BrainPal users find it useful to give their BrainPal a name other than BrainPal. Would you like to name your BrainPal at this time? "Yes," I said. Please speak the name you would like to give your BrainPal. "Asshole," I said. You have selected "Asshole," the BrainPal wrote, and to its credit it spelled the word correctly. Be aware that many recruits have selected this name for their BrainPal. Would you like to chose a different name? "No," I said, and was proud that so many of my fellow recruits also felt this way about their BrainPal. Your BrainPal is now Asshole, the BrainPal wrote. You may change this name in the future if you like. Now you must choose an access phrase to activate Asshole. While Asshole is active at all times it will only respond to commands after it has been activated. Please choose a short phrase. Asshole suggests "Activate Asshole" but you may choose another phrase. Please say your activation phrase now. "Hey, Asshole," I said. You have choosen "Hey, Asshole." Please say it again to confirm. I did. Then it asked me to choose a deactivation phrase. I chose (of course) "Go away, Asshole." Would you like Asshole to refer to itself in the first person? "Absolutely." I said. I am Asshole. "Of course you are.

I remember when I was probably about ten years old I had a pen pal, and writing letters back and forth with him was one of my favorite things to do. His name was Steve and he lived in one of those huge mansions that's so big it has a name. It was called the Louisiana State Penitentiary, and he told me it was even bigger than the mayor's mansion. We'd send letters back and forth and he'd ask me to send him my favorite books and small pieces of metal or wood that were lying around and all the money I could find in my house. And I'd gather them all up and put cute little stickers of cats on the packages and send them away. It was so fun. Eventually we stopped writing because I moved to another city and he moved out to live on his own. He called it "solitary confinement." I was always so impressed by his vocabulary.

You grow up with somebody, and he is a success, a big-shot, and you're a failure, but he treats you just the way he always did and hasn't changed a bit. But that is what drives you to it, no matter what names you call yourself while you try to stick the knife in. There is a kind of snobbery of failure. It's a club, it's the old school, it's Skull and Bones, and there is no nasty supercilious twist to a mouth like the twist the drunk gets when he hangs over the bar beside the old pal who has turned out to be a big-shot and who hasn't changed a bit, or when the old pal takes him home to dinner and introduces him to the pretty little clear-eye woman and the healthy kids.

Van tussled with his slightly overweight conscience (both grinning like old pals in their old gymnasium) — and accepted Dick’s offer.

Garfield took Odie's paw. "Old pal, if anything happens to us, there's one thing you should know." "It's going to happen to you first.

Do you think I’m crazy, fantasizing about a guy I’ve never met in person, Jeremiah? Hell, we haven’t even spoken on the phone or video chatted—just old-fashioned, hand-written letters.

Full of meal plans today. Lunch?” “Sorry? Oh, yes. Apparently Magdelana remembered I’m an early riser.” He slipped the date book he had on his desk into his pocket as he got to his feet. “We’ll have lunch.” “So I heard. You’re going to want to be careful there, pal.” “Of what?” “It wouldn’t be the first old friend you’ve had come around hoping you’d dip back into the game for old times’ sake. You might want to remind her you’re sleeping with a cop these days.

Stop it!“ Newt yelled. Stop it now!“ Thomas has been frozen in place, crouching as he waited for an opportunity to jump in and help Minho. But he twisted around to see that Newt was holding his Launcher in shooting position, his eyes wild with fury. “Stop or I’ll start shooting and not give a buggin’ piece of klunk who gets hit.” ….. Thomas couldn’t believe the sudden turn of events. He looked at Newt with wide eyes, glad he’d done what he had, and happy he hadn’t aimed the Launcher at him or Minho. “I told him to stop,” Newt half whispered. Then he aimed the weapon at Minho, but it was shaking because his arms were. “Now you guys leave. No more discussion. I’m sorry.“ Minho held up his hands. “You’re going to shoot me? Old pal?” “Go,” Newt said. „I asked nicely. Now I’m telling. This is hard enough. Go.“ „Newt, let’s go outside..“ „Go!“ Newt stepped closer and aimed more fiercely. „Get out of here!“ Thomas hated what he was seeing – the complete wilderness that had taken over Newt. His whole body trembled and his eyes had lost any hint of sanity. He was losing it, completely. “Let’s go,” Thomas said, one of the saddest things he’d ever heard himself say. „Come on.” Minho’s gaze snapped to Thomas, and he looked like his heart had been shattered. “You can’t be serious.” Thomas could only nod. Minho’s shoulders slumped, and his eyes fell to the floor. “How did the world get so shucked?” The words barely came out, low and full of pain. “I’m sorry,” Newt said, and there were tears streaming down his face. “I’m .. I’m going to shoot if you don’t go. Now.

Wanna go to the movies? They're showing It Happened One Night at Le Champo." Just because I haven't gone out doesn't mean I haven't pored over the glorious Pariscope. "They're showing what? And I'm not gonna tell you how badly you just butchered that theater's name." "It Happened One Night. Clark Gable and Claudette Colbert.Won five Academy Awards.It was a big deal." "In what century?" "Ha ha. Honestly, you'll like it. I hear it's great." Rashmi rubs her temples. "I don't know. I don't really like old movies. The acting is so, 'Hey buddy,ol' pal. Let's go wear our hats and have a big misunderstanding.

People had always amazed him, he began. But they amazed him more since the sickness. For as long as the two of them had been together, he said, Gary’s mother had accepted him as her son’s lover, had given them her blessing. Then, at the funeral, she’d barely acknowledged him. Later, when she drove to the house to retrieve some personal things, she’d hunted through her son’s drawers with plastic bags twist-tied around her wrists. “…And yet,” he whispered, “The janitor at school--remember him? Mr. Feeney? --he’d openly disapproved of me for nineteen years. One of the nastiest people I knew. Then when the news about me got out, after I resigned, he started showing up at the front door every Sunday with a coffee milkshake. In his church clothes, with his wife waiting out in the car. People have sent me hate mail, condoms, Xeroxed prayers…” What made him most anxious, he told me, was not the big questions--the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he’d become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both--Mr. Pucci, frail and wasted, a talking dead man. And myself with the surgical mask over my mouth, to protect him from me. “The irony,” he said, “… is that now that I’m this blind man, it’s clearer to me than it’s ever been before. What’s the line? ‘Was blind but now I see…’” He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. “You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought…said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed up phone message… That time we separated was my idea. I thought, well, I’m fifty years old and there might be someone else out there. People waste their happiness--That’s what makes me sad. Everyone’s so scared to be happy.” “I know what you mean,” I said. His eyes opened wider. For a second he seemed to see me. “No you don’t,” he said. “You mustn’t. He keeps wanting to give you his love, a gift out and out, and you dismiss it. Shrug it off because you’re afraid.” “I’m not afraid. It’s more like…” I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. “I’ll give you what I learned from all this,” he said. “Accept what people offer. Drink their milkshakes. Take their love.

Ask Robespierre. Ask the man with the conscience which is more important, your friend or your country— ask him how he weighs an individual in the scheme of things. Ask him which comes first, his old pals or his new principles. You ask him, Camille.

I may be wronging her, but I have an idea that she's the sort of girl who would want a fellow to carve out a career and what not. I know I've heard her speak favourably of Napoleon. So what with one thing and another the jolly old frenzy sort of petered out, and now we're just pals. I think she's a topper, and she thinks me next door to a looney, so everything's nice and matey.

Dear Forrest, I am sorry there was no time for us to speech other before I left. The doctors made their decision quickly, and before I knew it, I was being taken away, but I asked if I could stop long enough to write you this note, because you have been so kind to me whileI was here. I sense, Forrest, that you are on the verge of something very significant in your life, some change, or event that will move you in a different direction, and you must seize the moment, and not let it pass. When I think back on it now, there is something in your eyes, some tiny flash of fire that comes now and then, mostly when you smile, and , on those infrequent occasions, I believe what I saw was almost a Genesis of our ability as humans to think, to create, to be. This war is to for you, old pal - nor me - and I am well out of it as I'm sure you will be in time. The crucial question is, what will you do? I don't think you're an idiot at all. Perhaps by the measure of tests or the judgement of fools, you might fall into some category or other, but deep down, Forrest, I have seen that glowing sparkle of curiosity burning deep in your mind. Take the tide, my friend, and as you are carried along, make it work for you, fight the shallows and the snags and never give up. You are a good fellow, forrest, and you have a big heart. Your pal, Dan

It takes me forever to clean out my locker. I find random notes I saved from Peter, which I promptly put in my bag so I can add them to his scrapbook. An old granola bar. Dusty black hair ties, which is ironic because you can never seem to find a hair tie when you need one. “I’m sad to throw any of this stuff away, even this old granola bar,” I say to Lucas, who is sitting on the floor keeping me company. “I’ve seen it there at the bottom of my locker every day. It’s like an old pal. Should we split it, to commemorate this day?” “Sick,” Lucas says. “It’s probably got mold.

I will not die for a long time." Joseph tugged at his gray beard. "My beard goes white, but there's a lot of life in me yet." "Don't be so sure, Abba," Joshua said. Joseph dropped the bowl he was working on and stared into his hands. "Run away and play, you two," he said, his voice little more than a whisper. Joshua stood and walked away. I wanted to throw my arms around the old man, for I had never seen a grown man afraid before and it frightened me too. "Can I help?" I said, pointing to the half-finished bowl that lay in Joseph's lap. "You go with Joshua. He needs a friend to teach him to be human. Then I can teach him to be a man.

Did you ever get a whistling-type pain out the left lung, Mr. Redmond? Is it one of those sinister-type pains that you’ve never had before, Mr. Hearne? ’Tis, yeah. Give it time, it’ll be like an old pal to you. Maurice leans in to his friend, and he speaks with fear and very quietly now. I’m fifty-one years to fucken Jesus, Charlie.

There’s no such thing as a conservative hero.’ He was wise, that old man.

Two choices, as always: fight or flight. We were on 56th Street’s southern sidewalk. I could have run straight across the road and tried to get away. But Leonid and his pal were probably faster than me. The law of averages. Most humans are faster than me. The old lady in the summer dress was probably faster than me. Her old gray mutt was probably faster than me.

Change,” Joshua said. “A Messiah has to bring change. Change comes through action. Balthasar once said to me, ‘There’s no such thing as a conservative hero.’ He was wise, that old man.

October 6, 2017 “Here I sit next to the telephone. I put my free hand on it . . . let it slide down . . . touch the holes in the dial that could put me in touch with all of them, my old pals. We went deep together. We went into the black together. Would we come out of the black if we went in a second time? I don’t think so. Please God I don’t have to call them. Please God.

THE POETRY TEACHER The university gave me a new, elegant classroom to teach in. Only one thing, they said. You can’t bring your dog. It’s in my contract, I said. (I had made sure of that.) We bargained and I moved to an old classroom in an old building. Propped the door open. Kept a bowl of water in the room. I could hear Ben among other voices barking, howling in the distance. Then they would all arrive— Ben, his pals, maybe an unknown dog or two, all of them thirsty and happy. They drank, they flung themselves down among the students. The students loved it. They all wrote thirsty, happy poems.

What made him most anxious, he told me, was not the big questions -the mercilessness of fate, the possibility of heaven. He was too exhausted, he said, to wrestle with those. But he'd become impatient with the way people wasted their lives, squandered their chances like paychecks. I sat on the bed, massaging his temples, pretending that just the right rubbing might draw out the disease. In the mirror I watched us both -Mr. Pucci, frail and wasted, a talking dead man. And myself with a surgical mask over my mouth, to protect him from me. "The irony," he said, "... is that now that I'm this blind man, it's clearer to me now then it's ever been before. What's the line? 'Was blind but now I see...' " He stopped and put his lips to the plastic straw. Juice went halfway up the shaft, then back down again. He motioned the drink away. "You accused me of being a saint a while back, pal, but you were wrong. Gary and I were no different. We fought ...said terrible things to each other. Spent one whole weekend not speaking to each other because of a messed-up phone message... That time we separated was my idea. I thought, well, I'm fifty years old and there might be someone else out there. People waste their happiness -that's what makes me sad. Everyone's so scared to be happy." "I know what you mean," I said. His eyes opened wider. For a second he seemed to see me. "No you don't," he said. "You mustn’t. He keeps wanting to give you his love, a gift out and out and you dismiss it. Shrug it off because you're afraid." "I'm not afraid. It's more like ..." I watched myself in the mirror above the sink. The mask was suddenly a gag. I listened. "l'll give you what I learned from all this," he said. "Accept what people offer. Drink their milkshakes. Take their love.

I wish I had asked myself when I was younger. My path was so tracked that in my 8th-grade yearbook, one of my friends predicted— accurately— that four years later I would enter Stanford as a sophomore. And after a conventionally successful undergraduate career, I enrolled at Stanford Law School, where I competed even harder for the standard badges of success. The highest prize in a law student’s world is unambiguous: out of tens of thousands of graduates each year, only a few dozen get a Supreme Court clerkship. After clerking on a federal appeals court for a year, I was invited to interview for clerkships with Justices Kennedy and Scalia. My meetings with the Justices went well. I was so close to winning this last competition. If only I got the clerkship, I thought, I would be set for life. But I didn’t. At the time, I was devastated. In 2004, after I had built and sold PayPal, I ran into an old friend from law school who had helped me prepare my failed clerkship applications. We hadn’t spoken in nearly a decade. His first question wasn’t “How are you doing?” or “Can you believe it’s been so long?” Instead, he grinned and asked: “So, Peter, aren’t you glad you didn’t get that clerkship?” With the benefit of hindsight, we both knew that winning that ultimate competition would have changed my life for the worse. Had I actually clerked on the Supreme Court, I probably would have spent my entire career taking depositions or drafting other people’s business deals instead of creating anything new. It’s hard to say how much would be different, but the opportunity costs were enormous. All Rhodes Scholars had a great future in their past. the best paths are new and untried. will this business still be around a decade from now? business is like chess. Grandmaster José Raúl Capablanca put it well: to succeed, “you must study the endgame before everything else. The few who knew what might be learned, Foolish enough to put their whole heart on show, And reveal their feelings to the crowd below, Mankind has always crucified and burned. Above all, don’t overestimate your own power as an individual. Founders are important not because they are the only ones whose work has value, but rather because a great founder can bring out the best work from everybody at his company. That we need individual founders in all their peculiarity does not mean that we are called to worship Ayn Randian “prime movers” who claim to be independent of everybody around them. In this respect, Rand was a merely half-great writer: her villains were real, but her heroes were fake. There is no Galt’s Gulch. There is no secession from society. To believe yourself invested with divine self-sufficiency is not the mark of a strong individual, but of a person who has mistaken the crowd’s worship—or jeering—for the truth. The single greatest danger for a founder is to become so certain of his own myth that he loses his mind. But an equally insidious danger for every business is to lose all sense of myth and mistake disenchantment for wisdom.

I came here thinking I was going to win this war and come on home in no time at all. Now I think I'll never leave this mud and cold and misery. I know you expect your old pal to be full of humor, but my best buddy died this morning. I was not twenty yards from him. In all the training, they never told us about the smell of death. For the first time, I was not so confident of coming home. Not so confident of anything. I always bragged about killing some Germans. Killing is nothing to brag about. Nothing at all.

A husband looking for the perfect present is like a knight of the Round Table on a quest for the Holy Grail. He can saddle up his trusty steed and head off gamely into the Christmas chaos - with courage as his trusty companion. But as soon as leaves the comforts of his castle, he will find that his old pal, doubt, has saddled up the mule of confusion and is clip-clopping along at his side. and before he even gets to the malls, that old traitor, conviction, will have turned and fled. Deep in his anxious heart, our knight will begin to wonder if the thing he is looking for really exists. Oh, he has heard rumours. There was a man once, who said he heard of a fellow, who told a story about a guy, who found the perfect present. But no doubt that is just a legend. One of those stories people tell to promote hope among the recklessly faithful. If you ever tracked him down, you'd probably find out the man who found the perfect present was just another poor sod alone in his bedroom on Christmas Eve, with a roll of wrapping paper, some Scotch tape, and a waffle iron.

And she’d also found Logan again. Now he was her … what? New-old boyfriend? Lover? Skype buddy? Pen pal with benefits? Whatever his title, his e-mails filled her inbox. Sometimes he sent five a day, short and quipping. Other times he sent longer, more serious ones. She kept her tone light when she replied. That’d always been her MO—a joke, a jab. A way to deflect from what she was really feeling. A way to keep the nonstop ache of missing him from becoming too painful to survive. And honestly, what was there to say that would come close to what she felt? The moments they’d spent together before he’d shipped out on his latest naval tour had been the most peaceful she could remember—even with her anxiety about her dad. It’d been the first time she’d felt complete in a long time. And then, just like that, he was gone again.

One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.

I'll keep in touch, says Lige, ain't going to let you go. This makes John Coke very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.

I married him—despite all the very good reasons that no one should ever partner up for a third time—because early on, he reminded me of the best father figure of my life, my ninth-grade English teacher. When that man died, his friends (eighty-year-old poker buddies, pals from his teaching days, devoted former students of all ages and types) wept. He was old, fat, diabetic, and often brusque. Women desired him and my children loved him and most men liked his company a great deal. He was loyal, imperious, needy, charming, bighearted, and just about the most selfish, lovable, and foolishly fearless person I had ever known. And then I met Brian and found another.

Stop it!“ Newt yelled. Stop it now!“ Thomas has been frozen in place, crouching as he waited for an opportunity to jump in and help Minho. But he twisted around to see that Newt was holding his Launcher in shooting position, his eyes wild with fury. “Stop or I’ll start shooting and not give a buggin’ piece of klunk who gets hit.” ….. Thomas couldn’t believe the sudden turn of events. He looked at Newt with wide eyes, glad he’d done what he had, and happy he hadn’t aimed the Launcher at him or Minho. “I told him to stop,” Newt half whispered. Then he aimed the weapon at Minho, but it was shaking because his arms were. “Now you guys leave. No more discussion. I’m sorry.“ Minho held up his hands. “You’re going to shoot me? Old pal?

What kind of kids live in Mulhoney, Wisconsin? Would they like me? Would I like them? Have they ever eaten sushi? That's usually how I determine food sophistication. Maybe a personal ad would get the ball rolling: Insightful, hardworking, 16-year-old girl, emotionally generous and witty, seeks friend/pal/chum to while away meaningful hours. Picky eaters need not reply.

Wullie and Shuggie were sitting at the round dining table eating soft eggs and soldiers. Sixty years apart, they were huddled together in the far corner like old drinking pals. Leek was upended on the settee, his bare legs up and over the back, a sketchbook in hand. When he saw his mother, he got up very quietly and passed her with a polite nod, like a stranger in the street.

If you have read many adventure novels, you'll know that spies spend about half of their time in the sewers. They run along sewer tunnels, shooting. They find secret hideaways in sewers. They take weird funeral barges through sewers, poled along by old men in hoods. In fact, if a spy's kid wants to get a message to their mom or dad, the easiest way to do it is just to flush it down the toilet.

To Ada, Right now, you’re two years old, asleep in your cot. You’re very strange and you make us laugh a lot. By the time you read this, you’ll be somebody else entirely. I hope we’re still pals. I hope I’m a good dad. I hope I don’t make too many mistakes and you forgive the ones I do. Truth is, I have no idea what I’m doing. But I’m always trying hard. I love you, kid. This is for you. Whoever you’ve become.

Lily knew what he meant. She loved places that people had forgotten, like the old gas station rotting on the edge of the forest in Pelt, all gray wood and brown metal. She liked to walk there sometimes and imagine that during tempests the king of the forest, dry leaves swirling around his motorcycle, would skid to a halt and demand unleaded gas from shadowy attendants while a mossy-faced knight sat in his sidecar.

A clever, blond-haired fourth-grader named Damen McDermott got Sidney as his shopping pal. They picked out boots, a coat, ski gloves, and a Pittsburgh Steelers jersey. Crosby suggested he also pick up a toque. McDermott didn’t know what he was talking about. “What the heck’s a too-k?” he asked. “You know, a toque, a winter hat,” Sidney said, dangling the wool cap in front of the puzzled nine-year-old. “That’s a tossle cap,” Damen said matter-of-factly, lecturing Crosby on the Pennsylvania word for toque.

Jake opened his mouth to say something--he had no idea what--and then, incredibly, Roland's voice was in his mind, filling it. Distract them, Jake--and if there's a button that opens the door, get close to it. The Tick-Tock Man was watching him closely. "Something just came into your mind, didn't it, cully? I always know. So don't keep it a secret; tell your old friend Ticky." Jake caught movement in the corner of his eye. Although he did not dare glance up at the ventilator panel--not with all the Tick-Tock Man's notice bent upon him--he knew that Oy was back, peering down through the louvers. Distract them...and suddenly Jake knew just how to do that. "I did think of something," he said, "but it wasn't about computers. It was about my old pal Gasher. And his old pal, Hoots." "Here! Here!" Gasher cried. "What are you talking about, boy?" "Why don't you tell Tick-Tock who really gave you the password, Gasher? Then I can tell Tick-Tock where you keep it." The Tick-Tock Man's puzzled gaze shifted from Jake to Gasher. "What's he talking about?

Schumpeter chose the term "creative destruction" to describe the introduction of new innovations into the economy for a reason—as the case of PayPal shows, it's a strife-filled process. A half-dozen startup competitors were quick to follow PayPal's lea before eBay got in on the act. And that's just representatives of the so-called new economy. The fact that many banks either entered the online payments market directly or lobbied for regulations against it showed that the old guard was not prepared to go silently into the night.

I'll keep in touch, says Lige, ain't going to let you go. This makes John Cole very quiet. John is a tall man and thin and maybe he don't have much painted on his face. He likes to make his decisions and then do a thing. He has my back and he wants the best world for Winona and he don't neglect his pals. When Lige Magan intimates his seeming love for him, John Cole does show something on his face though. Maybe remembers the old sick days when John Cole couldn't move a muscle and that Lige danced attendance. Why should a man help another man? No need, the world don't care about that. The world is just a passing parade of cruel moments and long drear stretches where nothing is going on but the chicory drinking and whiskey and cards. No requirement for nothing else tucked in there. We're strange people, soldiers stuck out in wars. We ain't saying no laws in Washington. We ain't walking on yon great lawns. Storms kill us, and battles, and the earth closes over and no one need say a word and I don't believe we mind. Happy to breathe because we seen terror and horror and then for a while they ain't in dominion. Bibles weren't wrote for us nor any books. We ain't maybe what people do call human since we ain't partaking in the bread of heaven. But if God was trying to make an excuse for us He might point at that strange love between us. Like when you fumbling about in the darkness and you light a lamp and the light comes up and rescue things. Objects in a room and the face of the man who seeing a dug-up treasure to you. John Cole. Seems a food. Bread of earth. The lamplight touching his eyes and another light answering.

The man’s face, wrinkled, dark and apelike, looked up. ‘He was a good pal, pore old b— ,’ he said. ‘You would not like, surely to goodness, to go to mess with your shoes all bloody.’ ‘If I had given him leave,’ Tietjens said, ‘he would not be dead now.’ ‘No, surely not,’ One Seven Thomas answered. ‘But it is all one. Evans of Castell Goch would surely to goodness have killed him.’ ‘So you knew, too, about his wife!’ Tietjens said. ‘We thocht it wass that,’ One Seven Thomas answered, ‘or you would have given him leave, cahptn. You are a good cahptn.

Jasper was clearly impressed. "Katie," he said, "I didn't realize you knew so much about dinosaurs." "Yeah," said Katie resentfully. "I had to redo a class project on them when I was in fifth grade. They asked us to make a model of a dinosaur, so I made one by covering one of my old Star-Wonder Glitter Ponies with clay. You know, I gave him wings and stuff. The teacher didn't like it because he said there wasn't a real dinosaur that had wings and four legs. And a pink-and-blue sparkly mane. He gave me a D-minus and said it was a sad day for paleontology.

I remember standing in the wings when Mother’s voice cracked and went into a whisper. The audience began to laugh and sing falsetto and to make catcalls. It was all vague and I did not quite understand what was going on. But the noise increased until Mother was obliged to walk off the stage. When she came into the wings she was very upset and argued with the stage manager who, having seen me perform before Mother’s friends, said something about letting me go on in her place. And in the turmoil I remember him leading me by the hand and, after a few explanatory words to the audience, leaving me on the stage alone. And before a glare of footlights and faces in smoke, I started to sing, accompanied by the orchestra, which fiddled about until it found my key. It was a well-known song called Jack Jones that went as follows: Jack Jones well and known to everybody Round about the market, don’t yer see, I’ve no fault to find with Jack at all, Not when ’e’s as ’e used to be. But since ’e’s had the bullion left him ’E has altered for the worst, For to see the way he treats all his old pals Fills me with nothing but disgust. Each Sunday morning he reads the Telegraph, Once he was contented with the Star. Since Jack Jones has come into a little bit of cash, Well, ’e don’t know where ’e are. Half-way through, a shower of money poured on to the stage. Immediately I stopped and announced that I would pick up the money first and sing afterwards. This caused much laughter. The stage manager came on with a handkerchief and helped me to gather it up. I thought he was going to keep it. This thought was conveyed to the audience and increased their laughter, especially when he walked off with it with me anxiously following him. Not until he handed it to Mother did I return and continue to sing. I was quite at home. I talked to the audience, danced, and did several imitations including one of Mother singing her Irish march song that went as follows: Riley, Riley, that’s the boy to beguile ye, Riley, Riley, that’s the boy for me. In all the Army great and small, There’s none so trim and neat As the noble Sergeant Riley Of the gallant Eighty-eight. And in repeating the chorus, in all innocence I imitated Mother’s voice cracking and was surprised at the impact it had on the audience. There was laughter and cheers, then more money-throwing; and when Mother came on the stage to carry me off, her presence evoked tremendous applause. That night was my first appearance on the stage and Mother’s last.

Pen, you really shouldn’t use the same password for all your accounts. I’ve headed off three hackers in the last week who would’ve gotten into your PayPal, bank, and electric company accounts.” “What?” Penelope was obviously confused at the change in subject, but Cade merely relaxed back in his seat and kept his eyes on Beth as she fidgeted uncomfortably. “Using PenisGod isn’t a good username for things like Amazon and eBay. And you really need to delete your craigslist account because calling yourself a penis god is only attracting weirdos. You probably don’t even remember you had that old ad up when you were trying to sell your bicycle. Well, it’s one of the most clicked-on ads on the site for San Antonio. I’m not exaggerating either. You had four hundred and sixty-nine messages—and I’m not even going to comment on the sixty-nine thing. But three hundred and fourteen of those contained pictures of men’s dicks. Fifty-seven contained marriage proposals, most from overseas; twenty-seven were from women who were interested in a threesome with you, fifty-five were spam, people trying to get you to click on links or buy some crap product, and the remaining sixteen emails were religious in nature, telling you to repent for your soul.” “I should probably be pissed you got into my account, but I trust you, so I’m not. But it’s not penis god!” Penelope exclaimed huffily. “It’s Pen IS God.” Cade burst out laughing. “Seriously, sis? Penis god? Just wait until the guys hear this!

You see I'm wearing the tie," said Bingo. "It suits you beautiful," said the girl. Personally, if anyone had told me that a tie like that suited me, I should have risen and struck them on the mazzard, regardless of their age and sex; but poor old Bingo simply got all flustered with gratification, and smirked in the most gruesome manner. "Well, what's it going to be today?" asked the girl, introducing the business touch into the conversation. Bingo studied the menu devoutly. "I'll have a cup of cocoa, cold veal and ham pie, slice of fruit cake, and a macaroon. Same for you, Bertie?" I gazed at the man, revolted. That he could have been a pal of mine all these years and think me capable of insulting the old tum with this sort of stuff cut me to the quick. "Or how about a bit of hot steak-pudding, with a sparkling limado to wash it down?" said Bingo. You know, the way love can change a fellow is really frightful to contemplate. This chappie before me, who spoke in that absolutely careless way of macaroons and limado, was the man I had seen in happier days telling the head-waiter at Claridge's exactly how he wanted the chef to prepare the sole frite au gourmet au champignons, and saying he would jolly well sling it back if it wasn't just right. Ghastly! Ghastly! A roll and butter and a small coffee seemed the only things on the list that hadn't been specially prepared by the nastier-minded members of the Borgia family for people they had a particular grudge against, so I chose them, and Mabel hopped it.

When I was a young person reading whatever I could get my hands on, I came across some old books of my fathers, in a series called Everyman's Library. The endpapers of that date were a sort of William Morris design, with leaves and flowers and a lady in graceful medieval draperies carrying a scroll and a branch with three apples or other spherical fruit on it. Interwoven among the shrubbery there was a motto: 'Everyman I will go with thee and be thy guide, In thy most need to go by thy side.' This was very reassuring to me. The books were declaring that they were my pals; they promised to accompany me on my travels; and they would not only offer me some helpful hints, they'd be right there by my side whenever I really needed them. It's always nice to have someone you can depend on.

You look…exactly the same.” Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying. “No, you look…just like how I remembered you.” John Ambrose reaches out, and I think he’s trying to hug me but he’s only trying to take my bag from me, and there’s a brief but strange dance that mortifies me but he doesn’t seem to notice. “So thanks for inviting me.” “Thanks for coming.” “Do you want me to take this stuff up for you?” “Sure,” I say. John takes the bag from me and looks inside. “Oh, wow. All of our old snacks! Why don’t you climb up first and I’ll pass it to you.” So that’s what I do: I scramble up the ladder and he climbs up behind me. I’m crouched, arms outstretched, waiting for him to pass me the bag. But when he gets halfway up the ladder, he stops and looks up at me and says, “You still wear your hair in fancy braids.” I touch my side braid. Of all the things to remember about me. Back then, Margot was the one who braided my hair. “You think it looks fancy?” “Yeah. Like…expensive bread.” I burst out laughing. “Bread!” “Yeah. Or…Rapunzel.” I get down on my stomach, wriggle over to the edge, and pretend like I’m letting down my hair for him to climb. He climbs up to the top of the ladder and passes me the bag, which I take, and then he grins at me and gives my braid a tug. I’m still lying down but feel an electric charge like he’s zapped me. I’m suddenly feeling very anxious about the worlds that will be colliding, the past and the present, a pen pal and a boyfriend, all in this little tree house. Probably I should have thought this through a bit better. But I was so focused on the time capsule, and the snacks, and the idea of it--old friends coming back together to do what we said we’d do. And now here we are, in it. “Everything okay?” John asks, offering me his hand as I rise to my feet. I don’t take his hand; I don’t want another zap. “Everything’s great,” I say cheerily. “Hey, you never sent back my letter,” he says. “You broke an unbreakable vow.” I laugh awkwardly. I’d kind of been hoping he wouldn’t bring that up. “It was too embarrassing. The things I wrote. I couldn’t bear the thought of another person seeing it.” “But I already saw it,” he reminds me.

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Vivien (spelled the same way as Vivien Leigh, lucky thing) was quite possibly the most beautiful woman she'd ever seen. She had a heart-shaped face, deep brown hair that gleamed in its Victory roll, and full curled lips painted scarlet. Her eyes were wide set and framed by dramatic arched brows just like Rita Hayworth's or Gene Tierney's, but it was more than that which made her beautiful. It wasn't the fine skirts and blouses she wore, it was the way she wore them, easily, casually; it was the strings of pearls strung airily around her neck, the brown Bentley she used to drive before it was handed over like a pair of boots to the Ambulance Service. It was the tragic history Dolly had learned in dribs and drabs- orphaned as a child, raised by an uncle, married to a handsome, wealthy author named Henry Jenkins, who held an important position with the Ministry of Information. "Dorothy? Come and put my sheets to rights and fetch my sleep mask." Ordinarily, Dolly might've been a bit envious to have a woman of that description living at such close quarters, but with Vivien it was different. All her life, Dolly had longed for a friend like her. Someone who really understood her (not like dull old Caitlin or silly frivolous Kitty), someone with whom she could stroll arm in arm down Bond Street, elegant and buoyant, as people turned to look at them, gossiping behind their hands about the dark leggy beauties, their careless charm. And now, finally, she'd found Vivien. From the very first time they'd passed each other walking up the Grove, when their eyes had met and they'd exchanged that smile- secretive, knowing, complicit- it had been clear to both of them that they were two of a kind and destined to be the very best of friends.

Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

The troupe also made a 20,000–mile trip into the European war. Hope was the first American entertainer to perform in Sicily. He did a show at Messina just after the enemy had fled the town and was still bombarding the area with its artillery. By the end of the war, it was estimated that Hope had appeared at virtually every camp, naval base, and hospital in the country. He had made half a dozen trips overseas, including a tour of the South Pacific in 1944 that was highlighted by a crash landing in Australia. With him then was the same crew that had gone to Italy the year before: Langford, Colonna, dancer Patty Thomas, guitarist Tony Romano, and an old vaudeville pal, Barney Dean. Newsweek called it “the biggest entertainment giveaway in history,” a pace that no one in show business has ever equaled. “It is impossible to see how he can do so much, can cover so much ground, can work so hard, and can be so effective,” novelist John Steinbeck said of Hope. For his service to the country, Hope was given more than 100 awards and citations and two special Oscars. He was voted a place in the Smithsonian’s Living Hall of Fame.

On the fourth day the members of the 8th tried to tell each other jokes they’d found on the Phoenix data net, and mostly failed to make them work; by the time their BrainPals unpacked the context of the joke, it was no longer funny. Only Sarah Pauling seemed to be laughing most of the time, and it was eventually determined she was laughing because she thought it was funny that none of the rest of them could tell a joke. No one else thought that was funny, to which Pauling laughed hard enough to fall off her cot. They all agreed that was funny.

This is what happened when I cofounded LinkedIn. The key business model innovations for LinkedIn, including the two-way nature of the relationships and filling professionals’ need for a business-oriented online identity, didn’t just happen organically. They were the result of much thought and reflection, and I drew on the experiences I had when founding SocialNet, one of the first online social networks, nearly a decade before the creation of LinkedIn. But life isn’t always so neat. Many companies, even famous and successful ones, have to develop their business model innovation after they have already commenced operations. PayPal didn’t have a business model when it began operations (I was a key member of the PayPal executive team). We were growing exponentially, at 5 percent per day, and we were losing money on every single transaction we processed. The funny thing is that some of our critics called us insane for paying customers bonuses to refer their friends. Those referral bonuses were actually brilliant, because their cost was so much lower than the standard cost of acquiring new financial services customers via advertising. (We’ll discuss the power and importance of this kind of viral marketing later on.) The insanity, in fact, was that we were allowing our users to accept credit card payments, sticking PayPal with the cost of paying 3 percent of each transaction to the credit card processors, while charging our users nothing. I remember once telling my old college friend and PayPal cofounder/ CEO Peter Thiel, “Peter, if you and I were standing on the roof of our office and throwing stacks of hundred-dollar bills off the edge as fast as our arms could go, we still wouldn’t be losing money as quickly as we are right now.” We ended up solving the problem by charging businesses to accept payments, much as the credit card processors did, but funding those payments using automated clearinghouse (ACH) bank transactions, which cost a fraction of the charges associated with the credit card networks. But if we had waited until we had solved this problem before blitzscaling, I suspect we wouldn’t have become the market leader.

A real selfish love like yours old pal Is something I shall never know again And I must always be a better man Because you loved me greatly, Rin Tin Tin.

What did you all name your BrainPals?" "Asshole," I said. "Bitch," Jesse said. "Dickward," said Thomas. "Fuckhead," said Harry. "Satan," said Maggie. "Sweetie," said Susan. "Apparantly, I'm the only one who likes my BrainPal.

If there was any politician in America who reflected the Cold War and what it did to the country, it was Richard Nixon—the man and the era were made for each other. The anger and resentment that were a critical part of his temperament were not unlike the tensions running through the nation as its new anxieties grew. He himself seized on the anti-Communist issue earlier and more tenaciously than any other centrist politician in the country. In fact that was why he had been put on the ticket in the first place. His first congressional race in 1946, against a pleasant liberal incumbent named Jerry Voorhis, was marked by red-baiting so savage that it took Voorhis completely by surprise. Upon getting elected, Nixon wasted no time in asking for membership in the House Un-American Activities Committee. He was the committee member who first spotted the contradictions in Hiss’s seemingly impeccable case; in later years he was inclined to think of the case as one of his greatest victories, in which he had challenged and defeated a man who was not what he seemed, and represented the hated Eastern establishment. His career, though, was riddled with contradictions. Like many of his conservative colleagues, he had few reservations about implying that some fellow Americans, including perhaps the highest officials in the opposition party, were loyal to a hostile foreign power and willing to betray their fellow citizens. Yet by the end of his career, he became the man who opened the door to normalized relations with China (perhaps, thought some critics, he was the only politician in America who could do that without being attacked by Richard Nixon), and he was a pal of both the Soviet and Chinese Communist leadership. If he later surprised many long-standing critics with his trips to Moscow and Peking, he had shown his genuine diplomatic skills much earlier in the way he balanced the demands of the warring factions within his own party. He never asked to be well liked or popular; he asked only to be accepted. There were many Republicans who hated him, particularly in California. Earl Warren feuded with him for years. Even Bill Knowland, the state’s senior senator and an old-fashioned reactionary, despised him. At the 1952 convention, Knowland had remained loyal to Warren despite Nixon’s attempts to help Eisenhower in the California delegation. When Knowland was asked to give a nominating speech for Nixon, he was not pleased: “I have to nominate the dirty son of a bitch,” he told friends. Nixon bridged the gap because his politics were never about ideology: They were the politics of self. Never popular with either wing, he managed to negotiate a delicate position acceptable to both. He did not bring warmth or friendship to the task; when he made attempts at these, he was, more often than not, stilted and artificial. Instead, he offered a stark choice: If you don’t like me, find someone who is closer to your position and who is also likely to win. If he tilted to either side, it was because that side seemed a little stronger at the moment or seemed to present a more formidable candidate with whom he had to deal. A classic example of this came early in 1960, when he told Barry Goldwater, the conservative Republican leader, that he would advocate a right-to-work plank at the convention; a few weeks later in a secret meeting with Nelson Rockefeller, the liberal Republican leader—then a more formidable national figure than Goldwater—Nixon not only reversed himself but agreed to call for its repeal under the Taft-Hartley act. “The man,” Goldwater noted of Nixon in his personal journal at the time, “is a two-fisted four-square liar.

You know the way the world works?” Brian asked. It’s like that old Warner Bros. cartoon with Ralph the wolf and Sam the sheepdog. All day long, Ralph tried to eat the sheep, and all day long, Sam beat the crap out of Ralph. The sheep were clueless. They just stood around, mindlessly eating grass. And then the work whistle blew, and Sam and Ralph punched out and walked off for a beer: best pals, two sides of the same system.

You’re right. I don’t have a right to ask.” But I sat there on the bar stool, staring at him, willing him to give me what I needed. Risk your life for me old buddy ol’ pal, I’d do the same for you. Riiight. “If you could swear you wouldn’t use the info to kill him, I could tell you,” Luther said. “It’d be a lie.” “You got a warrant to kill him?” he asked. “Not active, but I could get one.” “Would you wait for it?” “It’s illegal to kill a vampire without a court order of execution,” I said. He stared at me. “That ain’t the question. Would you jump the gun to make sure of the kill?” “Might.” He shook his head. “You gonna be up on charges one of these days, girl. Murder is a serious rap.” I shrugged. “Beats getting your throat torn out.” He

I will always protect and enhance the dignity of every human life without any bias. I will always remember the importance of time. My motto will be ‘Let not my winged days be spent in vain’. I will always work for a clean planet and clean energy. As a youth of my nation, I will work with courage to achieve success in all my tasks and enjoy the success of others. I am as young as my faith and as old as my doubts. Hence, I will light the lamp of faith in my heart. My national flag flies in my heart and I will bring glory to my nation.

with his old pal Christopher sliding his hand between young men’s legs at the office. Turns out it’s serious stuff when some hairy old convict tries it, but harmless frolics for public schoolboys.

The Gausebeck-Levchin test became the first commercial application of a Completely Automated Public Turing Test to Tell Computers and Humans Apart—or CAPTCHA. Today, CAPTCHA tests are common on the internet—to be online is to be subjected to a search for a specific image—a fire hydrant or bicycle or boat—from a lineup. But at the time, PayPal was the first company to force users to prove their humanity in this fashion. Gausebeck and Levchin didn’t invent the CAPTCHA—Carnegie Mellon researchers devised something similar in 1999—but the PayPal version was the first to scale, and among the first to solve the centuries-old challenge of separating human from machine.

Uh-huh. I’m a very smart guy. I haven’t a feeling or a scruple in the world. All I have the itch for is money. I am so money greedy that for twenty-five bucks a day and expenses, mostly gasoline and whiskey, I do my thinking myself, what there is of it; I risk my whole future, the hatred of the cops and of Eddie Mars and his pals, I dodge bullets and eat saps, and say thank you very much, if you have any more trouble, I hope you’ll think of me, I’ll just leave one of my cards in case anything comes up. I do all this for twenty-five bucks a day—and maybe just a little to protect what little pride a broken and sick old man has left in his blood, in the thought that his blood is not poison, and that although his two little girls are a trifle wild, as many nice girls are these days, they are not perverts or killers. And that makes me a son of a bitch. All right. I don’t care anything about that. I’ve been called that by people of all sizes and shapes, including your little sister. She called me worse than that for not getting into bed with her. I got five hundred dollars from your father, which I didn’t ask for, but he can afford to give it to me. I can get another thousand for finding Mr. Rusty Regan, if I could find him. Now you offer me fifteen grand. That makes me a big shot. With fifteen grand I could own a home and a new car and four suits of clothes. I might even take a vacation without worrying about losing a case. That’s fine. What are you offering it to me for? Can I go on being a son of a bitch, or do I have to become a gentleman, like that lush that passed out in his car the other night?

Right then, this one’s for you, old man. I’ll be meetin’ ya one day when I get down there, and we’ll be the best of pals. I’ll take care of yer flesh and blood, don’t you worry about that. And I gotta tip my hat to ya for making the most perfect creature in this world.

Fleming was worried that Kraus, who he felt had been unhelpful from the day he had arrived at Merrill just over a week earlier, was trying to undermine the agreement with Bank of America and that he was more interested in a deal with his old pals at Goldman.

The Lottery by Stewart Stafford It was New York, 1984, The AIDS tsunami roared in, Friends, old overnight, no more, Breathless, I went for a check-up. A freezing winter's dawn, A solitary figure before me, What we called a drag queen, White heels trembled in the cold. "Hi, are you here to get tested?" Gum chewed, brown eyes stared. This was not my type of person, I turned heel and walked away. At month's end, a crippling flu, The grey testing centre called, Two hundred people ahead of me; A waking nightmare all too real. I gave up and turned to leave, But a familiar voice called out: "Hey, you there, come back!" I stopped and turned around. The drag queen stood there in furs, But sicker, I didn't recognise them, "Stand with me in the line, honey." "Nah, I'm fine, I'll come back again." "Support an old broad before she faints?" A voice no longer frail but pin-sharp. I got in line to impatient murmurs: "If anyone has a problem, see me!" Sylvester on boombox, graveyard choir. My pal's stage name was Carol DaRaunch, (After the Ted Bundy female survivor) Their real name was Ernesto Rodriguez. After seeing the doctor, Carol hugged me, Writing down their number on some paper, With their alias not their real name on it: "Is this the number of where you work?" "THAT is my home number to call me on. THAT'S my autograph, for when I'm famous!" "I was wrong about you, Carol," I said. "Baby, it takes time to get to know me!" A hug, shimmy, the threadbare blonde left. A silent chorus of shuffling dead men walking, Spartan results, a young man's death sentence. Real words faded rehearsal, my eyes watered. Two weeks on, I cautiously phoned up Carol. The receiver was picked up, dragging sounds, Like furniture being moved: "Is Carol there?" "That person is dead." They hung up on me. All my life's harsh judgements, dumped on Carol, Who was I to win life's lottery over a guardian angel? I still keep that old phone number forty years on, Crumpled, faded, portable guilt lives on in my wallet. © Stewart Stafford, 2024. All rights reserved.

While we slept five-to-a-room, priests had nice, spacious houses. The parish priest's was by far the grandest on the estate. Even better, groups of curates lived together in what seemed to a ten-year-old boy the perfect circle of male pals. Priests had housekeepers to look after them – like having a mammy who was not the boss of you. They had cars – very rare in Crumlin. And they had prestige – people looked up to them and they could wander into any house at will for a cup of tea or a plate of rashers and eggs.

What if I want to leave?” “You don’t.” “You seem pretty sure of that.” He kisses me softly on the lips. Smiling, he says, “I like it when I irritate you.” “That’s unfortunate, because I like it when I’m not being irritated.” “Your mouth gets all puckered and your nose wrinkles up. You look like a prissy little old lady.” “Whoa, slow down with the compliments, Romeo! I’ll swoon hard and hit my head on something.” “Know what I just realized?” he whispers, eyes burning.

My path was so tracked that in my 8th-grade yearbook, one of my friends predicted—accurately—that four years later I would enter Stanford as a sophomore. And after a conventionally successful undergraduate career, I enrolled at Stanford Law School, where I competed even harder for the standard badges of success. The highest prize in a law student’s world is unambiguous: out of tens of thousands of graduates each year, only a few dozen get a Supreme Court clerkship. After clerking on a federal appeals court for a year, I was invited to interview for clerkships with Justices Kennedy and Scalia. My meetings with the Justices went well. I was so close to winning this last competition. If only I got the clerkship, I thought, I would be set for life. But I didn’t. At the time, I was devastated. In 2004, after I had built and sold PayPal, I ran into an old friend from law school who had helped me prepare my failed clerkship applications. We hadn’t spoken in nearly a decade. His first question wasn’t “How are you doing?” or “Can you believe it’s been so long?” Instead, he grinned and asked: “So, Peter, aren’t you glad you didn’t get that clerkship?” With the benefit of hindsight, we both knew that winning that ultimate competition would have changed my life for the worse. Had I actually clerked on the Supreme Court, I probably would have spent my entire career taking depositions or drafting other people’s business deals instead of creating anything new. It’s hard to say how much would be different, but the opportunity costs were enormous. All Rhodes Scholars had a great future in their past.

But the PayPal experience also explained why there was a hunger for the idea of a virtual currency. There was a lingering memory of this unfulfilled dream of Silicon Valley. While the Internet had freed information and communication from the postal service and the publishing industry, the Internet had essentially never disrupted money, and dollars remained bound by the old networks run by the credit card companies and the banks.

Texas Wisdom for All Y'Allz When I was a youngin' I boasted to my pals how much older I looked than them. Now that I'm old, I boast to my golf buddies about how younger I look. I reckon when I'm dead, I'll boast to the Devil about how much I use to love boastin'.

So when people see me walking on the street, they feel like we're old pals. Women pull my cheeks and men clap me on the shoulder; I'm like a petting zoo. But movie stars, on the other hand, are much more untouchable. Those are people that you watch from afar. They're regal lions. I'm a friendly goat.

his finger around the trigger. Mark closed his eyes and felt nothing. “How old are you, Mark?” “Eleven.” “You told me that. Eleven. And I’m forty-four. We’re both too young to die, aren’t we, Mark?” “Yes sir.” “But it’s happening, pal. Do you feel it?” “Yes sir.” “My client killed a man and hid the body, and now my client wants to kill me. That’s the whole story. They’ve made me crazy. Ha! Ha! This is great, Mark. This is wonderful. I, the trusted

Part of what makes credit cards work is that they simplify transactions for both buyers and sellers. Concentrating on just a few cards further simplifies matters on both sides of the market. Thus ever since the big shakeout, no new credit cards have joined the ranks of the majors; the barrier to market entry has proved to be too great. That said, in recent years the Internet revolution has opened the door to competition from wholly new directions—including new kinds of payment services, such as PayPal; an international network of automatic teller machines to challenge old standbys such as traveler’s checks; and maybe even new types of “virtual money” such as Bitcoin. As I write this in 2014, Apple has announced a new payment system on the latest iPhones, and we can reasonably expect that it and/or other new payment systems that make use of mobile devices will become commonplace.

Sadistic is the word for it. God in the Old Testament wasn’t anyone’s pal.

I’m gonna tell you something, and you’re going to act like you never heard it. You get me?” “Sure,” Preacher said, throwing back the shot for courage. “I caught your girl crying today.” Shock settled over Preacher’s face. “That’s right, old man. She can’t figure you out. I think she loves you, Preacher. She’s waiting. She needs some attention. You with me?” Preacher nodded solemnly. He wasn’t going to go there with Mike. “She thinks you don’t find her attractive. Desirable.” “Aw, that’s crap,” Preacher said. He poured himself another shot. “I’m telling you. You don’t have any excuses here, pal. If you don’t step up, she’s going to think you don’t want her. Don’t care about her. I’d hate it if she thought that because I’m looking at the two of you, the three of you, and I think it’d be a damn stupid shame if you three lost one another because you’re an idiot. Now, I’m not going to try to guess why it’s not happening for you two. Preacher, buddy, it’s time to make it happen.” Preacher threw back that second shot while Mike merely lifted his, not drinking. “I thought you were messing with my girl,” Preacher confessed. “No, I was telling her to try to be patient with you because of your, you know, extra-low IQ.” Then he grinned at Preacher’s scowl. “You always used to mess with anybody’s girl,” he said. “Not just anybody’s girl, Preach. I’d never touch a brother’s woman, you should know that. Even I don’t cross that line. Even if you haven’t made it clear to Paige, you’ve made it clear to everyone else—she’s your girl. Besides, I’m no threat to you. It’s you she wants. Bad enough to make her cry about it.” Mike took in about half his drink and stood up. “Do yourself a favor, Preacher. Your girl needs you and you don’t want to let her down now. Don’t waste another minute.” He left the rest of his drink. He stared into Preacher’s eyes. “You better take care of business. You copy?” Copy, Preacher thought. Cop talk. “Yeah. I copy.” *

Spirits that piggyback may not have been connected here in the physical world, but because they are connected to you, they’re connected on the Other Side when preparing for a group reading. I don’t believe a message has to be from just one soul, especially since they’ve shown me that they work really well as a cluster. Spirit can also come forward, recede, and play off each other’s energy. They channel together like old pros. In my largest venue readings, it’s amazing how organized your family’s souls have been! I also believe Spirit will help orchestrate who comes to the readings and sometimes where they sit. You can’t miss how certain types of deaths—which is how I initially validate your loved ones to you—are seated together, which makes piggybacking easier. In one section of a theater, there will be multiple women who’ve lost children, families whose loved ones had Alzheimer’s, or even friends who’ve died from similar freak accidents like a falling object. It sounds wild, because it is. And Spirit’s behind all of it. What I love most about group readings is that you get to hear so many incredible, compelling messages that you can’t help but feel touched by all of it. I also find that Spirit is a little more fun during group readings, especially during the private, smaller groups. In a room of ten to fifteen people, I can channel anywhere between twenty to forty souls in a two-hour period. But there are so many different, lively, and dynamic personalities around that souls with stronger energy can help those with less to communicate better by letting them use their energy. Sometimes I have souls that channel for an entire hour, and nobody else comes through; other times, a soul might stay for a short time, go away, and then come back and talk a mile a minute! It’s like the soul recharged its batteries. When a reading is over, I can hardly remember what I’ve said, seen, or felt for too long after, because again, they’re not my feelings, thoughts, or emotions. Unless the message is part of a really mind-blowing or emotionally gripping session, whatever information Spirit sends me isn’t something that’s stuck in my head forever. Know too that you take your dead friends and family with you when you leave a session, show, or my house. For some reason, it’s always the husbands who remind me to take all the Spirits with me, and I’m always like, “Listen, pal, they’re not my Spirits. They’re your dead relatives. They’re staying with you. I got my own problems.

People sometimes feel that they don’t have to say I love you, granted it’s good to hear. They feel that it should be understood for the simple reason that you are family. You have to understand that part of the reason that they are not able to show you affection is because as a child they may have not been shown signs of affection themselves. Generally we raise our families similar to the way we were raised. The way that your grandfather interacted with you may be the way he was raised, and to him that’s normal. So don’t hold that against him. Let’s just hope someday they both will have a change of heart. It is true times have changed, but your grandparents are what you kids call nowadays ‘old school’ and life was different for them.

Open your mind and heart and be able to accept the good things that are coming to you. Every day doesn’t have to be a gloom and doom day even though you are in prison. Don’t let them take your heart and soul just because they have your body. As far as your grandparents are concerned, I have to disagree with you as to whether or not they love you. They loved you enough to take custody of you. People sometimes feel that they don’t have to say I love you, granted it’s good to hear. They feel that it should be understood for the simple reason that you are family. You have to understand that part of the reason that they are not able to show you affection is because as a child they may have not been shown signs of affection themselves. Generally we raise our families similar to the way we were raised. The way that your grandfather interacted with you may be the way he was raised, and to him that’s normal. So don’t hold that against him. Let’s just hope someday they both will have a change of heart. It is true times have changed, but your grandparents are what you kids call nowadays ‘old school’ and life was different for them.