Old Filth Quotes

We've searched our database for all the quotes and captions related to Old Filth. Here they are! All 98 of them:

If you've not been loved as a child, you don't know how to love a child.
Jane Gardam (Old Filth (Old Filth, #1))
Bruce, you’re an ugly and silly old man. You’re very possibly an alcoholic and God knows what else. You’re the type of sad case who preys on vulnerable, weak and stupid women in order to boost his own shattered ego. You’re a mess. You’ve gone wrong somewhere pal.
Irvine Welsh (Filth)
Every civilization when it loses its inner vision and its cleaner energy, falls into a new sort of sordidness, more vast and more stupendous than the old savage sort. An Augean stable of metallic filth.
D.H. Lawrence
Godly womanhood ... the very phrase sounds strange in our ears. We never hear it now. We hear about every other type of women: beautiful women, smart women, sophisticated women, career women, talented women, divorced women. But so seldom do we hear of a godly woman - or of a godly man either, for that matter.We believe women come nearer to fulfilling their God-given function in the home than anywhere else. It is a much nobler thing to be a good wife, than to be Miss America. It is a greater achievement to establish a Christian home than it is to produce a second-rate novel filled with filth. It is a far, far better thing in the realms of morals to be old-fashioned, than to be ultra-modern. The world has enough women who know how to be smart. It needs women who are willing to be simple. The world has enough women who know how to be brilliant. It needs some who will be brave. The world has enough women who are popular. It needs more who are pure. We need women, and men, too, who would rather be morally right than socially correct.
Peter Marshall
If the newspapers reported the truth, if they wrote about the mud and filth and the body parts littering the ground and how young men look old before their time, would we still be here?
M.K. Tod (Time and Regret)
All books can be indecent books Though recent books are bolder, For filth, I'm glad to say, is in The mind of the beholder. When correctly viewed, Everything is lewd. I could tell you things about Peter Pan And the Wizard of Oz, there's a dirty old man...
Tom Lehrer
Until you realize what they are. They’re just ways to lose the game. You lose the game, and what have you lost? You’ve lost the game. Corion had told me about the game. How many of my thoughts were his? How much of my philosophy was filth from that old man’s fingers?
Mark Lawrence (Prince of Thorns (The Broken Empire, #1))
Present us with a silver cup for something when you're a filthy rich lawyer, I dare say? Yes. You'll be a lawyer. Magnificent memory. Sense of logic, no imagination and no brains.
Jane Gardam (Old Filth (Old Filth, #1))
What sphinx of cement and aluminum bashed open their skulls and ate up their brains and imagination? Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under the stairways! Boys sobbing in armies! Old men weeping in the parks! Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy judger of men! Moloch the incomprehensible prison! Moloch the crossbone soulless jail-house and Congress of sorrows! Moloch whose buildings are judgment! Moloch the vast stone of war! Moloch the stunned governments! Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a smoking tomb!
Allen Ginsberg (Collected Poems, 1947-1997)
There were six men in Birmingham In Guildford there's four That were picked up and tortured And framed by the law And the filth got promotion But they're still doing time For being Irish in the wrong place And at the wrong time In Ireland they'll put you away in the Maze In England they'll keep you for seven long days God help you if ever you're caught on these shores The coppers need someone When they walk through that door You'll be counting years First five, then ten Growing old in a lonely hell Round the yard and a stinking cell From wall to wall, and back again A curse on the judges, the coppers and screws Who tortured the innocent, wrongly accused For the price of promotion And justice to sell May the judged be their judges when they rot down in hell
Shane MacGowan
That was true, and dirt, earth, has power, an astonishing power of life, of creating and sweetening; it can take anything, a body, an old tin, decay, rust, corruption, filth, and turn it into itself, and slowly make it life, green blades of grass and weeds.
Rumer Godden (An Episode of Sparrows (New York Review Children's Collection))
Lee’s hand shook as he filled the delicate cups. He drank his down in one gulp. “Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’—that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?” “Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?” “Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But “Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph. Adam said, “Do you believe that, Lee?” “Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?” Adam said, “Do you mean these Chinese men believe the Old Testament?” Lee said, “These old men believe a true story, and they know a true story when they hear it. They are critics of truth. They know that these sixteen verses are a history of humankind in any age or culture or race. They do not believe a man writes fifteen and three-quarter verses of truth and tells a lie with one verb. Confucius tells men how they should live to have good and successful lives. But this—this is a ladder to climb to the stars.” Lee’s eyes shone. “You can never lose that. It cuts the feet from under weakness and cowardliness and laziness.” Adam said, “I don’t see how you could cook and raise the boys and take care of me and still do all this.” “Neither do I,” said Lee. “But I take my two pipes in the afternoon, no more and no less, like the elders. And I feel that I am a man. And I feel that a man is a very important thing—maybe more important than a star. This is not theology. I have no bent toward gods. But I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed—because ‘Thou mayest.
John Steinbeck (East of Eden)
She wanted to take his hand. Her hardest task now as she grew older in the Ministry was to deal with her longing to be touched - hugged, stroked by anyone, any human being - a friend, a lover, a child or even (and here she scented danger) a servant. Of either sex. She prayed about it, asking that God's encircling arms would bring comfort. They did not
Jane Gardam (Old Filth (Old Filth, #1))
Lazy in everything,” said Ross, “but the search for excuses. Like two old pigs in their sty and as slow to move from their own patch of filth.” Prudie
Winston Graham (Ross Poldark (Poldark, #1))
Judges live with shadows behind them.
Jane Gardam (Old Filth (Old Filth, #1))
Kept in institutions until they die as a punishment for having lived so long, for having outlived their sex-appropriate work, old white women find themselves drugged (6.1 prescriptions for an average patient, more than half the patients given drugs like Thorazine and Mellaril); sick from neglect with bedsores, urinary, eye, and ear infections; left lying in their own filth, tied into so-called geriatric chairs or tied into bed; sometimes not fed, not given heat, not given any nursing care; sometimes left in burning baths (from which there have been drownings); sometimes beaten and left with broken bones. Even in old age, a woman had better have a man to protect her. She has earned no place in society on her own.
Andrea Dworkin (Right-Wing Women)
We need a stable government, fast!” I kept saying. “Elections are great in principle but this is no time for high ideals.” The president was cool, a lot cooler than me. Maybe it was all that military training…he said to me, “This is the only time for high ideals because those ideals are all that we have. We aren’t just fighting for our physical survival, but for the survival of our civilization. We don’t have the luxury of old-world pillars. We don’t have a common heritage, we don’t have a millennia of history. All we have are the dreams and promises that bind us together. All we have…[struggling to remember]…all we have is what we want to be.” You see what he was saying. Our country only exists because people believed in it, and if it wasn’t strong enough to protect us from this crisis, then what future could it ever hope to have? He knew that America wanted a Caesar, but to be one would mean the end of America. They say great times make great men. I don’t buy it. I saw a lot of weakness, a lot of filth. People who should have risen to the challenge and either couldn’t or wouldn’t. Greed, fear, stupidity, and hate. I saw it before the war, I see it today. My boss was a great man. We were damn lucky to have him.
Max Brooks (World War Z: An Oral History of the Zombie War)
Fame has taken the place of religion in the 21st century. The Beyoncés and the Brangelinas of our world filling the void left by the gods and heroes of antiquity. But like most cliches, there's an element of truth to it. And the gods of old were merciless. For every Theseus who slays the Minotaur and returns home in triumph, there's an Ariadne abandoned on the isles of Naxos. There's an Aegeus, casting himself into the ocean at the sight of a black sail...In another life, I like to think that Luc O'Donnell and I might've worked out. In the short time I knew him, I saw a man with an endless potential trapped in a maze he couldn't even name. And from time to time, I think how many tens of thousands like him there must be in the world. Insignificant on a planet of billions, but a staggering number when considered as a whole. All stumbling about, blinded by reflected glory, never knowing where to step, or what to trust. Blessed and cursed by the Midas touch of our digital era divinity.
Alexis Hall (Boyfriend Material (London Calling, #1))
This is one possible answer to the deflationary sensation so perfectly captured in a question mark in Jane Gardam’s novel of the dissolution of the Raj, Old Filth: ‘When empires end, there’s often a dazzling finale – then—?’31 Well, perhaps empires don’t quite end when you think they do. Perhaps they have a final moment of zombie existence. This may be the last stage of imperialism – having appropriated everything else from its colonies, the dead empire appropriates the pain of those it has oppressed.
Fintan O'Toole (Heroic Failure: Brexit and the Politics of Pain)
Blink finds joy in the little things, just like her mother. Except, mommy also fancies the clumsier treasures, preferably those that are old, broken, smelly or covered in filth - anything to shelter the cockroaches who watch the house while Rosemary is out.
Remy Fernandes
But even more than by the filth of its organs, the flower is betrayed by the fragility of its corolla: thus, far from answering the demands of human ideas, it is the sign of their failure. In fact, after a very short period of glory the marvelous corolla rots indecently in the sun, thus becoming, for the plant, a garish withering. Risen from the stench of the manure pile---even though it seemed for a moment to have escaped it in a flight of angelic and lyrical purity---the flower seems to relapse abruptly into its original squalor: the most ideal is rapidly reduced to a wisp of aerial manure. For flowers do not age honestly like leaves, which lose nothing of their beauty, even after they have died; flowers wither like old and overly made-up dowagers, and they die ridiculously on stems that seemed to carry them to the clouds.
Georges Bataille (Visions of Excess: Selected Writings, 1927–1939)
Not only did many American doctors not believe in germs, they took pride in the particular brand of filth that defined their profession. They spoke fondly of the “good old surgical stink” that pervaded their hospitals and operating rooms, and they resisted making too many concessions even to basic hygiene.
Candice Millard (Destiny of the Republic: A Tale of Madness, Medicine and the Murder of a President)
Empty man. Walk thru shadows. All lives the same. They give you wishes. The old people at the window. Dead man. Rised, come gory to their side. Wish to be lovely, to be some other self. Even here, without you. Some other soul. Than the filth I feel. Have in me. Guilt, like something of God's. Some separate suffering self.
LeRoi Jones (New American Story)
This is the heart of it, the scared woman who does not want to go alone to the man any longer, because when she does, when she takes of her baggy dress, displaying to him rancid breasts each almost as big as his own head, or no breasts, or mammectomized scar tissues taped over with old tennis balls to give her the right curves; when, vending her flesh, she stands or squats waiting, congealing the air firstly with her greasy cheesey stench of unwashed feet confined in week-old socks, secondly with her perfume of leotards and panties also a week old, crusted with semen and urine, brown-greased with the filth of alleys; thirdly with the odor of her dress also worn for a week, emblazoned with beer-spills and cigarette-ash and salted with the smelly sweat of sex, dread, fever, addiction—when she goes to the man, and is accepted by him, when all these stinking skins of hers have come off (either quickly, to get it over with, or slowly like a big truck pulling into a weigh station because she is tired), when she nakedly presents her soul’s ageing soul, exhaling from every pore physical and ectoplasmic her fourth and supreme smell which makes eyes water more than any queen of red onions—rotten waxy smell from between her breasts, I said, bloody pissy shitty smell from between her legs, sweat-smell and underarm-smell, all blended into her halo, generalized sweetish smell of unwashed flesh; when she hunkers painfully down with her customer on bed or a floor or in an alley, then she expects her own death. Her smell is enough to keep him from knowing the heart of her, and the heart of her is not the heart of it. The heart of it is that she is scared.
William T. Vollmann (The Royal Family)
That’s how life is in a sense. We cleanse and cleanse, attempting to wash away all the foul smells and filth of yesterday. And one day we look, still green behind the ears, thinking we could become something brand new in a world that’s centuries old, and the spot that should have been long gone still exists. It becomes a constant reminder about the mess we made.
Malik Will (Lucifer Travels)
Since everyone around you agrees ever since there were people on earth that land is value, or labor is value, or learning is value, or title, degree, necklaces, murex shells, the ownership of slaves. Everyone knows bees sting and ghosts haunt and giving your robes away humiliates your rivals. That the enemies are barbarians. That wise men swim through the rock of the earth; that houses breed filth, airstrips attract airplanes, tornadoes punish, ancestors watch, and you can buy a shorter stay in purgatory. The black rock is holy, or the scroll; or the pangolin is holy, the quetzal is holy, this tree, water, rock, stone, cow, cross, or mountain--and it's all true. The Red Sox. Or nothing at all is holy, as everyone intelligent knows.
Annie Dillard (The Abundance: Narrative Essays Old and New)
Shukhov had been told that this old man'd been in camps and prisons more years than you could count and had never come under any amnesty. When one ten-year stretch was over they slapped on another. Shukhov took a good look at him close up. In the camp you could pick him out among all the men with their bent backs because he was straight as a ramrod. When he sat at the table it looked like he was sitting on something to raise himself up higher. There hadn't been anything to shave off his head for a long time-he'd lost all his hair because of the good life. His eyes didn't shift around the mess hall all the time to see what was going on, and he was staring over Shukhov's head and looking at something nobody else could see. He ate his thin gruel with a worn old wooden spoon, and he took his time. He didn't bend down low over the bowl like all the others did, but brought the spoon up to his mouth. He didn't have a single tooth either top or bottom-he chewed the bread with his hard gums like they were teeth. His face was all worn-out but not like a goner's-it was dark and looked like it had been hewed out of stone. And you could tell from his big rough hands with the dirt worked in them he hadn't spent many of his long years doing any of the soft jobs. You could see his mind was set on one thing-never to give in. He didn't put his eight ounces of bread in all the filth on the table like everybody else but laid it on a clean little piece of rag that'd been washed over and over again.
Aleksandr Solzhenitsyn (One Day in the Life of Ivan Denisovich)
And so passed one morning and every morning and day but the people growing gentle and together, like old bulbs without promise of bloom, thrown to the rubbish heap and sinking in the filth and blindness to sprout a seperate community of dark, touching tendril and root to yet invisible colour of maimed flowers, narcissus, daffodil, tulip, and crocus-leaf stained with blade of snow.
Janet Frame (Owls Do Cry)
Pull yourself together, Harun.” Jannik hangs back, watching me rampage through Harun’s property. “You’re an evil cow of a woman,” Harun slurs. “It’s barely ten in the morning,” I snap back. “Is this how you plan to deal with what’s happened – by wallowing in your own filth and drinking like a bloated old rake?” “I was trying to,” he points out. “And doing a damn fine job of it.
Cat Hellisen (House of Sand and Secrets (Hobverse #2))
The woman, still grinning, lifted her fingers as if she might pluck out the jewel. The old man beside her grabbed her wrist— “I said the diamond was yours. I didn’t say you could take it out of the fucking glass.” The woman appeared stung. She looked from the glass to the man, her eyes narrowing. “I’m fucking serious,” he said, even as he laughed. “If you want it so badly, you can find it in tomorrow’s filth.
Roshani Chokshi (The Last Tale of the Flower Bride)
Don’t you see?” he cried. “The American Standard translation orders men to triumph over sin, and you can call sin ignorance. The King James translation makes a promise in ‘Thou shalt,’ meaning that men will surely triumph over sin. But the Hebrew word, the word timshel—‘Thou mayest’— that gives a choice. It might be the most important word in the world. That says the way is open. That throws it right back on a man. For if ‘Thou mayest’—it is also true that ‘Thou mayest not.’ Don’t you see?” “Yes, I see. I do see. But you do not believe this is divine law. Why do you feel its importance?” “Ah!” said Lee. “I’ve wanted to tell you this for a long time. I even anticipated your questions and I am well prepared. Any writing which has influenced the thinking and the lives of innumerable people is important. Now, there are many millions in their sects and churches who feel the order, ‘Do thou,’ and throw their weight into obedience. And there are millions more who feel predestination in ‘Thou shalt.’ Nothing they may do can interfere with what will be. But ‘Thou mayest’! Why, that makes a man great, that gives him stature with the gods, for in his weakness and his filth and his murder of his brother he has still the great choice. He can choose his course and fight it through and win.” Lee’s voice was a chant of triumph. Adam said, “Do you believe that, Lee?” “Yes, I do. Yes, I do. It is easy out of laziness, out of weakness, to throw oneself into the lap of deity, saying, ‘I couldn’t help it; the way was set.’ But think of the glory of the choice! That makes a man a man. A cat has no choice, a bee must make honey. There’s no godliness there. And do you know, those old gentlemen who were sliding gently down to death are too interested to die now?
John Steinbeck (East of Eden)
Boaz Asleep Boaz, overcome with weariness, by torchlight made his pallet on the threshing floor where all day he had worked, and now he slept among the bushels of threshed wheat. The old man owned wheatfields and barley, and though he was rich, he was still fair-minded. No filth soured the sweetness of his well. No hot iron of torture whitened in his forge. His beard was silver as a brook in April. He bound sheaves without the strain of hate or envy. He saw gleaners pass, and said, Let handfuls of the fat ears fall to them. The man's mind, clear of untoward feeling, clothed itself in candor. He wore clean robes. His heaped granaries spilled over always toward the poor, no less than public fountains. Boaz did well by his workers and by kinsmen. He was generous, and moderate. Women held him worthier than younger men, for youth is handsome, but to him in his old age came greatness. An old man, nearing his first source, may find the timelessness beyond times of trouble. And though fire burned in young men's eyes, to Ruth the eyes of Boaz shone clear light
Victor Hugo
This movement to which he had dedicated his life could not be snuffed out by a few opportunists, a sackful of dollars and a cunt in the Kremlin. It was as old and as strong as the human spirit itself. It would come back, with fresh vigour, soon, very soon. It might have a different name, a different banner. But men and women would always want to walk that path, that tricky uphill path across the river of stones and through the damp cloud, because they knew that at the end they would burst into the bright sunshine and see the mountain top clear above them. Men and women dreamed of that moment. They would link arms again. They would have a new song – no longer ‘Stepping the Red Pathway’ as it had been on Rykosha Mountain. But they would sing this new song to the old tune. And they would gather themselves to make that mighty second jump. Then the ground would shake and all the capitalists and imperialists and plant-loving Fascists and filth and scum and renegades and fucking intellectuals and boy prosecutors and Judases with birdshit on their skulls would shit themselves one final, mighty time.
Julian Barnes (The Porcupine)
Waste, decline, degeneration is not something to be condemned in itself: it is a necessary consequence of life, of the growth of life. The appearance of decadence is as necessary as any rise and advance of life: we have no way of eliminating it. Reason, on the contrary, wants it to be justified... Socialist systematizers, to their discredit think there could be circumstances, or social combinations, under which vice, disease, crime, prostitution, want would no longer grow... But that is to condemn life... A society is not at liberty to remain young. And even at its highest vitality it must produce filth and refuse. The more energetically and boldly it proceeds, the richer it will be in failures, in deformities, the nearer it will be to decline... One cannot abolish old age through an institution. Nor disease. Nor vice.
Friedrich Nietzsche
Our senses were assaulted with colours, smells and noise. We saw a million saris, and never once did I see the same pattern repeated twice. We saw poverty that both humbled and disturbed us. We bartered with street traders for Indian prices, not tourist prices. We stopped by the side of the road and watched an old man crushing sugar canes so that we could drink the juice. It was the most delectable and flavourful drink we have ever tasted. We walked barefoot around the Swaminarayan Akshardham, the largest Hindu house of worship in the world, and were absolutely awed. The whole temple echoes with spirituality and we could have spent an entire day there. I saw a village of dirty black bricks, no rendering, just filth and grime, and right in the middle an exquisite and elegant white temple, freshly painted and unblemished. We drove from Jaipur to Delhi. The previous day the road had been closed due to the Jat caste protests. Thirty people died, ten women reported being raped and buildings and cars were set on fire
Karl Wiggins (Wrong Planet - Searching for your Tribe)
Having become—with the passage of time—the anthropologist of my own experience, I have no wish to disparage those obsessive souls who bring back crockery, artifacts, and utensils from distant lands and put them on display for us, the better to understand the lives of others and our own. Nevertheless, I would caution against paying too much attention to the objects and relics of “first love,” for these might distract the viewer from the depth of compassion and gratitude that now arose between us. So it is precisely to illustrate the solicitude in the caresses that my eighteen-year-old lover bestowed upon my thirty-year-old skin as we lay quietly in this room in each other’s arms, that I have chosen to exhibit this floral batiste handkerchief, which she had folded so carefully and put in her bag that day but never removed. Let this crystal inkwell and pen set belonging to my mother that Füsun toyed with that afternoon, noticing it on the table while she was smoking a cigarette, be a relic of the refinement and the fragile tenderness we felt for each other. Let this belt whose oversize buckles that I had seized and fastened with a masculine arrogance that I felt so guilty for afterwards bear witness to our melancholy as we covered our nakedness and cast our eyes about the filth of the world once again.
Orhan Pamuk (The Museum of Innocence)
Willow leaned forward and laid her head next to his on the pillow. "Is it too late to say I'm sorry, and that I love you more than anything else in this world?" "Oh God,no,love." With his good arm, he reached for the back of her head and brought her lips to his. They kissed as if they'd never get enough of each other, because they knew they never would. When Rider finally released her mouth, he smiled rakishly and pulled her hand under the covers. Willow smiled when he laid her hand over his throbbing desire. "Hmmm, you are feeling better." "Almost well enough to start Mr. Happy on his baby-making lessons again," he said in a deep sexy baritone. "Ah,Rider?" "Yes,love?" He was pulling her down for another stirring kiss. "About those lessons?" "Hmmm, I'm anxious to start practicing again, too,love. But at the moment Mr. Happy is a lot stronger than the rest of me." "Oh,I know,but...Rider, Mr. Happy must have learned his lessons real fast." Rider stilled. "What do you mean?" "I mean that I think Mr. Happy cooked something up in the kitchen." Forgetting his shoulder, Willow's husband sat straight up in bed. He winced, then asked, "You mean you're...going to have a baby?" "Of course I'm going to have a baby, you beefwit. Did you think I was baking another damn pie?" "Yahoooo!" he yelled at the top of his lungs, and hugged her with his good arm. Six men, Juan included, plus two women came pouring into the room. "What in the hell is going on in here?" Owen grumbled in mock irritation. Grinning like a Cheshire cat, Rider announced, "Owen, your daughter is about to make me a father and give you a second grandchild." "Oh,hell, I knew that." Nine people echoed, "You did?" "Hell, yes, all you gotta do is look at 'er face." Rider cocked his head and studied his wife's face. "She does have an extra glow about her, doesn't she?" "She sure does." Owen chuckled. "Her mama got the same glow with all five of her babies." "If I'm glowing, it's because all of you are staring at me like I just grew horns," Willow said, covering her flushed cheeks with her hands. "Dammit, I just thought of something," Owen said. "I s'pose this means I'll have to add another room to the house for when you come visiting." "Owen Vaughn," Miriam reprimanded, "stop that cursing. I swear every other word out of your mouth is a curse! I'm going to break you of that before your grandbabies get old enough to repeat that filth." "Break me of it?" Owen laughed and poked Nick in the ribs with his elbow. "Only one way for a woman to break a stallion, that's to ride 'im hard!" The man all guffawed loudly. Miriam's face turned ten shades of red. "Well,I never!" She turned on her heel and made an indignant exit.
Charlotte McPherren (Song of the Willow)
A Favorite start to a book [sorry it's long!]: "In yesterday’s Sunday Times, a report from Francistown in Botswana. Sometime last week, in the middle of the night, a car, a white American model, drove up to a house in a residential area. Men wearing balaclavas jumped out, kicked down the front door, and began shooting. When they had done with shooting they set fire to the house and drove off. From the embers the neighbors dragged seven charred bodies: two men, three women, two children. Th killers appeared to be black, but one of the neighbors heard them speaking Afrikaans among themselves. And was convinced they were whites in blackface. The dead were South Africans, refugees who had moved into the house mere weeks ago. Approached for comment, the SA Minister of Foreign Affairs, through a spokesman, calls the report ‘unverified’. Inquiries will be undertaken, he says, to determine whether the deceased were indeed SA citizens. As for the military, an unnamed source denies that the SA Defence Force had anything to do with the matter. The killings are probably an internal ANC matter, he suggests, reflecting ‘ongoing tensions between factions. So they come out, week after week, these tales from the borderlands, murders followed by bland denials. He reads the reports and feels soiled. So this is what he has come back to! Yet where in the world can one hide where one will not feel soiled? Would he feel any cleaner in the snows of Sweden, reading at a distance about his people and their latest pranks? How to escape the filth: not a new question. An old rat-question that will not let go, that leaves its nasty, suppurating wound. Agenbite of inwit. ‘I see the Defense Force is up to its old tricks again,’ he remarks to his father. ‘In Botswana this time.’ But his father is too wary to rise to the bait. When his father picks up the newspaper, he cares to skip straight to the sports pages, missing out the politics—the politics and the killings. His father has nothing but disdain for the continent to the north of them. Buffoons is the word he uses to dismiss the leaders of African states: petty tyrants who can barely spell their own names, chauffeured from one banquet to another in their Rolls-Royces, wearing Ruritanian uniforms festooned with medals they have awarded themselves. Africa: a place of starving masses with homicidal buffoons lording over them. ‘They broke into a house in Francistown and killed everyone,’ he presses on nonetheless. ‘Executed them .Including the children. Look. Read the report. It’s on the front page.’ His father shrugs. His father can find no form of words spacious enough to cover his distaste for, on one hand, thugs who slaughter defenceless women and children and, on the other, terrorists who wage war from havens across the border. He resolves the problem by immersing himself in the cricket scores. As a response to moral dilemma it is feeble; yet is his own response—fits of anger and despair—any better?" Summertime, Coetzee
J.M. Coetzee
In the market of Clare, so cheery the glare Of the shops and the booths of the tradespeople there; That I take a delight on a Saturday night In walking that way and in viewing the sight. For it's here that one sees all the objects that please-- New patterns in silk and old patterns in cheese, For the girls pretty toys, rude alarums for boys, And baubles galore while discretion enjoys-- But here I forbear, for I really despair Of naming the wealth of the market of Clare. A rich man comes down from the elegant town And looks at it all with an ominous frown; He seems to despise the grandiloquent cries Of the vender proclaiming his puddings and pies; And sniffing he goes through the lanes that disclose Much cause for disgust to his sensitive nose; And free of the crowd, he admits he is proud That elsewhere in London this thing's not allowed; He has seen nothing there but filth everywhere, And he's glad to get out of the market of Clare. But the child that has come from the gloom of the slum Is charmed by the magic of dazzle and hum; He feasts his big eyes on the cakes and the pies, And they seem to grow green and protrude with surprise At the goodies they vend and the toys without end-- And it's oh! if he had but a penny to spend! But alas, he must gaze in a hopeless amaze At treasures that glitter and torches that blaze-- What sense of despair in this world can compare With that of the waif in the market of Clare? So, on Saturday night, when my custom invites A stroll in old London for curious sights, I am likely to stray by a devious way Where goodies are spread in a motley array, The things which some eyes would appear to despise Impress me as pathos in homely disguise, And my battered waif-friend shall have pennies to spend, So long as I've got 'em (or chums that will lend); And the urchin shall share in my joy and declare That there's beauty and good in the market of Clare.
Eugene Field
It is a great pity that this tendency towards religious thought can find no better outlet than the Jewish pettifoggery of the Old Testament. For religious people who, in the solitude of winter, continually seek ultimate light on their religious problems with the assistance of the Bible, must eventually become spiritually deformed. The wretched people strive to extract truths from these Jewish chicaneries, where in fact no truths exist. As a result they become embedded in some rut of thought or other and, unless they possess an exceptionally commonsense mind, degenerate into religious maniacs. It is deplorable that the Bible should have been translated into German, and that the whole of the German people should have thus become exposed to the whole of this Jewish mumbo-jumbo. So long as the wisdom, particularly of the Old Testament, remained exclusively in the Latin of the Church, there was little danger that sensible people would become the victims of illusions as the result of studying the Bible. But since the Bible became common property, a whole heap of people have found opened to them lines of religious thought which—particularly in conjunction with the German characteristic of persistent and somewhat melancholy meditation—as often as not turned them into religious maniacs. When one recollects further that the Catholic Church has elevated to the status of Saints a whole number of madmen, one realises why movements such as that of the Flagellants came inevitably into existence in the Middle Ages in Germany. As a sane German, one is flabbergasted to think that German human beings could have let themselves be brought to such a pass by Jewish filth and priestly twaddle, that they were little different from the howling dervish of the Turks and the negroes, at whom we laugh so scornfully. It angers one to think that, while in other parts of the globe religious teaching like that of Confucius, Buddha and Mohammed offers an undeniably broad basis for the religious-minded, Germans should have been duped by a theological exposition devoid of all honest depth.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
(from) ARTAUD THE MOMO- In the humus of the plot with wheels, on the breathing humus of the plot of this void, between hard and soft. Black, violet, rigid, recreant and that's all. Which means that there is a bone, where god sat down on the poet, in order to sack the ingestion of his lines, like the head farts that he wheedles out of him through his cunt, that he would wheedle out of him from the bottom of the ages, down to the bottom of his cunt hole, and it's not a cunt prank that he plays on him in this way, it's the prank of the whole earth against whoever has balls in his cunt. And if you don't get the image, --and that's what i hear you saying in a circle, that you don't get the image which is at the bottom of my cunt hole,-- it's because you don't know the bottom, not of things, but of my cunt, mine, although since the bottom of the ages you've all been lapping there in a circle as if badmouthing an alienage, plotting an incarceration to death. ge re ghi regheghi geghena e reghena a gegha riri Between the ass and the shirt, between the gism and the under-bet, between the member and the let down, between the membrane and the blade, between the slat and the ceiling, between the sperm and the explosion, 'tween the fishbone and 'tween the slime, between the ass and everyone's seizure of the high-pressure trap of an ejaculation death rattle is neither a point nor a stone burst dead at the foot of a bound nor the severed member of a soul (the soul is nothing more than an old saw) but the terrifying suspension of a breath of alienation raped, clipped, completely sucked off by all the insolent riff-raff of all the turd-buggered who had no other grub in order to live than to gobble Artaud momo there, where one can fuck sooner than me and the other get hard higher than me in myself if he has taken care to put his head on the curvature of that bone located between anus and sex, of that hoed bone that i say in the filth of a paradise whose first dupe on earth was not father nor mother who diddled you in this den, but I screwed into my madness.
Antonin Artaud (Watchfiends and Rack Screams: Works from the Final Period)
While the following tragedy may be revolting to read, it must not be forgotten that the existence of it is far more revolting. In Devonshire Place, Lisson Grove, a short while back died an old woman of seventy-five years of age. At the inquest the coroner's officer stated that all he found in the room was a lot of old rags covered with vermin. He had got himself smothered with the vermin. The room was in a shocking condition, and he had never seen anything like it. Everything was absolutely covered with vermin.' The doctor said: 'He found deceased lying across the fender on her back. She had one garment and her stockings on. The body was quite alive with vermin, and all the clothes in the room were absolutely gray with insects. Deceased was very badly nourished and was very emaciated. She had extensive sores on her legs, and her stockings were adherent to those sores. The sores were the result of vermin. Over her bony chest leaped and rolled hundreds, thousands, myriads of vermin.' A man present at the inquest wrote; 'I had the evil fortune to see the body of the unfortunate woman as it lay in the mortuary; and even now the memory of that gruesome sight makes me shudder. There she lay in the mortuary shell, so starved and emaciated that she was a mere bundle of skin and bones. Her hair, which was matted with filth, was simply a nest of vermin. If it is not good for your mother and my mother so to die, then it is not good for this woman, whosoever's mother she might be, so to die. Bishop Wilkinson, who has lived in Zululand, recently said, 'No headman of an African village would allow such a promiscuous mixing of young men and women, boys and girls.' He had reference to the children of the overcrowded folk, who at five have nothing to learn and much to unlearn which they will never unlearn. It is notorious that here in the Ghetto the houses of the poor are greater profit earners than the mansions of the rich. Not only does the poor worker have to live like a beast, but he pays proportionately more for it than does the rich man for his spacious comfort. A class of house-sweaters has been made possible by the competition of the poor for houses. There are more people than there is room, and numbers are in the workhouse because they cannot find shelter elsewhere. Not only are houses let, but they are sublet, and sub-sublet down to the very rooms.
Jack London (The People of the Abyss)
When we are young, we yearn for battle. In the firelit halls we listen to the songs of heroes; how they broke the foemen, splintered the shield wall, and soaked their swords in the blood of enemies. As youngsters we listen to the boast of warriors, hear their laughter as they recall battle, and their bellows of pride when their lord reminds them of some hard-won victory. And those youngsters who have not fought, who have yet to hold their shield against a neighbour's shield in the wall, are despised and disparaged. So we practise. Day after day we practise, with spear, sword, and shield. We begin as children, learning blade-craft with wooden weapons, and hour after hour we hit and are hit. We fight against men who hurt us in order to teach us, we learn not to cry when the blood from a split skull sheets across the eyes, and slowly the skill of the sword-craft builds. Then the day comes when we are ordered to march with the men, not as children to hold the horses and to scavenge weapons after the battle, but as men. If we are lucky we have a battered old helmet and a leather jerkin, maybe even a coat of mail that hangs like a sack. We have a sword with a dented edge and a shield that is scored by enemy blades. We are almost men, not quite warriors, and on some fateful day we meet an enemy for the first time and we hear the chants of battle, the threatening clash of blades on shields, and we begin to learn that the poets are wrong and that the proud songs lie. Even before the shield walls meet, some men shit themselves. They shiver with fear. They drink mead and ale. Some boast, but most are quiet unless they join a chant of hate. Some men tell jokes, and the laughter is nervous. Others vomit. Our battle leaders harangue us, tell us of the deeds of our ancestors, of the filth that is the enemy, of the fate our women and children face unless we win, and between the shield walls the heroes strut, challenging us to single combat, and you look at the enemy's champions and they seem invincible. They are big men; grim-faced, gold hung, shining in mail, confident, scornful, savage. The shield wall reeks of shit, and all a man wants is to be home, to be anywhere but on this field that prepares for battle, but none of us will turn and run or else we will be despised for ever. We pretend we want to be there, and then the wall at last advances, step by step, and the heart is thumping fast as a bird's wing beating, the world seems unreal. Thought flies, fear rules, and then the order to quicken the charge is shouted, and you run, or stumble, but stay in your rank because this is the moment you have spent a lifetime preparing for, and then, for the first time, you hear the thunder of shield walls meeting, the clangour of battle swords, and the screaming begins. It will never end. Till the world ends in the chaos of Ragnarok, we will fight for our women, for our land, and for our homes. Some Christians speak of peace, of the evil of war, and who does not want peace? But then some crazed warrior comes screaming his god's filthy name into your face and his only ambitions are to kill you, to rape your wife, to enslave your daughters, and take your home, and so you must fight.
Bernard Cornwell (The Flame Bearer (The Saxon Stories, #10))
The PEOPLE, SCHOOL, EVERYONE, and EVERYTHING is so FAKE AND GAY.' 'I shrieked, at the top of my voice fingers outspread and frozen in fear, unlike ever before in my young life; being the gentle, sweet, and shy girl that I am.' 'Besides always too timid to have a voice, to stand up for me, and forced not to, by masters.' Amidst my thoughts racing ridiculously, 'I feel that it is all just another way for the 'SOCIETY' to make me feel inferior, they think, they are so 'SUPERIOR' to me, and who I am to them.' 'Nonetheless, every day of my life, I have felt like I have been drowning in a pool, with weights attached to my ankles.' 'Like, of course, there is no way for me to escape the chains that are holding me down.' 'The one and only person, that holds the key to my freedom: WILL NEVER LET ME GO! It's like there is within me, and has been deep inside me!' 'I now live in this small dull town for too damn long. It is an UNSYMPATHETIC, obscure, lonely, totally depressed, and depressing place, for any teenage girl to be, most definitely if you're a girl like me.' 'All these streets surrounding me are covered with filth, and born in the hills of middle western Pennsylvania mentalities of slow-talking and deep heritages, and beliefs, that don't operate me as a soul lost and lingering within the streets and halls.' 'My old town was ultimately left behind when the municipality neighboring made the alterations to the main roads; just to save five minutes of commuting, through this countryside village. Now my town sits on one side of that highway.' 'Just like a dead carcass to the rest of the world, which rushes by. What is sullen about this is that it is a historic town, with some immeasurable old monuments, and landmarks.' 'However, the others I see downright neglect what is here, just like me, it seems. Other than me, no one cares. Yet I care about all the little things.' 'I am so attached to all these trivial things as if they are a part of me. It disheartens me to see anything go away from me.' 'It's a community where the litter blows and bisects the road, like the tumble-wheats of the yore of times past.' 'Furthermore, if you do not look where you are going, you will fall in our trip, in one of the many potholes or heaved up bumps in the pavement, or have an evacuated structure masonry descending on your head.' 'Merely one foolproof way of simplifying the appearance of this ghost town.' 'There are still some reminders of the glory days when you glance around.' 'Like the town clock, that is evaporated black that has chipped enamel; it seems that it is always missing a few light bulbs.' 'The timepiece only has time pointing hands on the one side, and it nevermore shows the right time of day.' 'The same can be assumed for the neon signs on the mom-and-pop shops, which flicker at night as if they're in agonizing PAIN.' 'Why? To me is a question that is asked frequently.' 'It is all over negligence!' 'I get the sense and feeling most of the time, as they must prepare when looking around here at night.' 'The streetlamps do not all work, as they should. The glass in them is cracked.' 'The parking meters are always jammed, or just completely broken off their posts altogether.' 'The same can be said, for the town sign that titles this area. It is not even here anymore, as it should be now moved to the town square or shortage of a park.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
Under these circumstances the most anodyne book was a source of danger from the simple fact that love was alluded to, and woman depicted as an attractive creature; and this was enough to account for all—for the inherent ignorance of Catholics, since it was proclaimed as the preventive cure for temptations—for the instinctive horror of art, since to these craven souls every written and studied work was in its nature a vehicle of sin and an incitement to fall. Would it not really be far more sensible and judicious to open the windows, to air the rooms, to treat these souls as manly beings, to teach them not to be so much afraid of their own flesh, to inculcate the firmness and courage needed for resistance? For really it is rather like a dog which barks at your heels and snaps at your legs if you are afraid of him, but who beats a retreat if you turn on him boldly and drive him off. The fact remains that these schemes of education have resulted, on the one hand, in the triumph of the flesh in the greater number of men who have been thus brought up and then thrown into a worldly life, and on the other, in a wide diffusion of folly and fear, an abandonment of the possessions of the intellect and the capitulation of the Catholic army surrendering without a blow to the inroads of profane literature, which takes possession of territory that it has not even had the trouble of conquering. This really was madness! The Church had created art, had cherished it for centuries; and now by the effeteness of her sons she was cast into a corner. All the great movements of our day, one after the other—romanticism, naturalism—had been effected independently of her, or even against her will. If a book were not restricted to the simplest tales, or pleasing fiction ending in virtue rewarded and vice punished, that was enough; the propriety of beadledom was at once ready to bray. As soon as the most modern form of art, the most malleable and the broadest—the Novel—touched on scenes of real life, depicted passion, became a psychological study, an effort of analysis, the army of bigots fell back all along the line. The Catholic force, which might have been thought better prepared than any others to contest the ground which theology had long since explored, retired in good order, satisfied to cover its retreat by firing from a safe distance, with its old-fashioned match-lock blunderbusses, on works it had neither inspired nor written. The Church party, centuries behind the time, and having made no attempt to follow the evolution of style in the course of ages, now turned to the rustic who can scarcely read; it did not understand more than half of the words used by modern writers, and had become, it must be said, a camp of the illiterate. Incapable of distinguishing the good from the bad, it included in one condemnation the filth of pornography and real works of art; in short, it ended by emitting such folly and talking such preposterous nonsense, that it fell into utter discredit and ceased to count at all. And it would have been so easy for it to work on a little way, to try to keep up with the times, and to understand, to convince itself whether in any given work the author was writing up the Flesh, glorifying it, praising it, and nothing more, or whether, on the contrary, he depicted it merely to buffet it—hating it. And, again, it would have done well to convince itself that there is a chaste as well as a prurient nude, and that it should not cry shame on every picture in which the nude is shown. Above all, it ought to have recognized that vices may well be depicted and studied with a view to exciting disgust of them and showing their horrors.
Joris-Karl Huysmans (The Cathedral)
I wanna tissue! I’ve got slug in my toes, I wanna tissue!” Annabel just carried on laughing as she dropped the glove box to
Sarah Darling (Pure Filth - The Diary of a Forty-Year-Old Married Woman)
The spelunkers of speculative fiction mining phosphorescent filth from the bowels of the city of New Sodom, the Sci-Fi freaks scraping kipple and back from the bins of decades-old shit sandwiches out back, composting it to grow shrooms, we have built this thing to take its place. This is the legacy of generations of writers who’d rather tackle adult themes than pander to puerile power-fantasies, whose interests lay with the soft sciences and humanities as much as with the hard sciences and technology, for whom the fiction was always more important than either the fantasia or the futurology. It is also the legacy of those who simply don’t give a fuck about anything other than either fantasia or futurology. This is fiction in which the envelope has been pushed so far out, from ambition or expedience, that all descriptions and definitions – SCIENCE FICTION, SCIENCE FANTASY, SCI-FI, even speculative fiction – can only be, at best, nominal labels for it. It is the fiction that abandons those labels for a negation of description, an indefinition – the acronym SF, which might mean any or all of those things.
Hal Duncan (Rhapsody: Notes on Strange Fictions)
Amy planted a glass of brandy beside the bride’s cornflakes.
Jane Gardam (The Man in the Wooden Hat (Old Filth Trilogy Book 2))
London was the heart of the greatest empire ever known; a financial and mercantile hub for the world; but it was also infamously filthy.
Lee Jackson (Dirty Old London: The Victorian Fight Against Filth)
Between 1801 and 1901, the population of London soared from one million to over six million.
Lee Jackson (Dirty Old London: The Victorian Fight Against Filth)
Filth implied social and domestic disorder; and, when discovered in the home, inculcated immoral habits – for it was widely agreed that working men, faced with poor housekeeping, sought refuge in the glittering comforts of the gin palace.
Lee Jackson (Dirty Old London: The Victorian Fight Against Filth)
Before taking his leave of a premises, the dustman would request either beer or a tip for his trouble, quaintly known in the trade as ‘sparrows’.
Lee Jackson (Dirty Old London: The Victorian Fight Against Filth)
Dustmen, employed by private contractors, were in no sense public servants, or part of a ‘public sector’ – a concept which barely belongs to the Victorian era.
Lee Jackson (Dirty Old London: The Victorian Fight Against Filth)
Ashes had always had some value to farmers as fertiliser,
Lee Jackson (Dirty Old London: The Victorian Fight Against Filth)
Transport costs increased as the city grew, making the sale of mud less and less profitable; competition in the form of guano and chemical fertilisers undermined sales further.
Lee Jackson (Dirty Old London: The Victorian Fight Against Filth)
An Autopsy on an Old Whore Paris arouses strong emotions. ‘How different was my first sight of Paris from what I had expected,’ wrote Jean-Jacques Rousseau, one of the first explorers of the modern city. ‘I had imagined a town as beautiful as it was large. I saw only dirty, stinking alleys, ugly black houses, a stench of filth and poverty. My distaste still lingers.’1 Years ago, I arrived in Paris for the first time, stepping down into the street from the metro station at Barbès and, like Rousseau and countless others arriving in the city for the first time, I did not see what I had expected to find.
Andrew Hussey (Paris: The Secret History)
The landing stage stood on its high crooked stilts with only one person watching the boat disappear round the bend of the river—a girl of twelve called Ada, the wet-nurse’s eldest child. As
Jane Gardam (Old Filth (Old Filth Trilogy Book 1))
the American journalist Martha Gellhorn wrote after trekking across much of China in 1940. No worse luck could befall a human being than to be born and live there, unless by some golden chance you happened to be born one of the .00000099 percent who had power, money, privilege (and even then, even then). I pitied them all, I saw no tolerable future for them, and I longed to escape away from what I had escaped into: the age-old misery, filth, hopelessness and my own claustrophobia inside that enormous country. Skinny, sweaty rickshaw pullers strained at their large-wheeled contraptions to provide transportation to the rich. The scenes of nearly naked coolies towing barges up canals and rivers, leaning so far against their harnesses as to be almost horizontal to the ground, were an emblem, picturesque and horrible at the same time, of the unrelenting strain of everyday life in China, as were such other standard images as the women with leathery skin barefoot in the muck planting and weeding, the farmers covered in sweat at the foot pumps along fetid canals or carrying their loads of brick or straw on balancing poles slung over their shoulders or moving slowly and patiently behind water buffalo pulling primitive plows. The fly-specked hospitals, the skinny, crippled beggars, the thousands and thousands of villages made of baked mud whose houses, as one visitor described them, were “smoky, with gray walls and black tiled roofs; the inhabitants, wearing the invariable indigo-dyed cloth … moving about their business in an inextricable confusion of scraggy chickens, pigs, dogs, and babies.
Richard Bernstein (China 1945: Mao's Revolution and America's Fateful Choice)
MIDWINTER IS THE DREARIEST of the year. Days are short, nights are long, and both are cold and wet with no immediate prospect of relief. Winter’s Tail is what the old wives call it, dragging filth at winter’s ass.
Ellen Kushner (The Fall of The Kings (Riverside, #3))
For what is more vain or absurd than for men to offer a loathsome stench from the fat of cattle in order to reconcile themselves to God? Or to have recourse to the sprinkling of water and blood to cleanse away their filth? In short, the whole cultus of the law, taken literally and not as shadows and figures corresponding to the truth, will be utterly ridiculous . . . if the forms of the law be separated from its end, one must condemn it as vanity.34
David P. Murray (Jesus on Every Page: 10 Simple Ways to Seek and Find Christ in the Old Testament)
Alongside the domestication of animals, humans in the Old World began settling down in villages, towns, and cities. People lived together in much denser numbers than before. Cities, with their bustle, trade, filth, and close quarters, created a marvelous home for pathogens and an ideal staging ground for epidemics. So when diseases migrated from livestock to people, epidemics broke out. Those diseases found plenty of human fuel, racing from town to town and country to country and even crossing the oceans on board ships. Biologists call these “crowd diseases” because that’s exactly what they need to propagate and evolve.
Douglas Preston (The Lost City of the Monkey God)
Even in poison, nectar can be found; in filth, gold; in an enemy, good characteristics; and in a child, words of wisdom.
Rajen Jani (Old Chanakya Strategy: Aphorisms)
Ar vertėjo mus sukurti, jie mes tokie prakeikti kvailiai?
Jane Gardam (Last Friends (Old Filth, #3))
She was unfailingly delighted by the surprise of each new day.
Jane Gardam (Old Filth (Old Filth Trilogy #1))
Christian writers applauded such destruction – and egged their rulers on to greater acts of violence. One gleefully observed that the Christian emperors now ‘spit in the faces of dead idols, trample on the lawless rites of demons, and laugh at the old lies’. An infamous early text instructed emperors to wash away this ‘filth’ and ‘take away, yes, calmly take away . . . the adornments of the temples. Let the fire of the mint or the blaze of the smelters melt them down.’ This was nothing to be ashamed of. The first Commandment could not have been clearer. ‘Thou shalt not make unto thee any graven image,’ it said. ‘Thou shalt not bow down thyself to them,’ it continued, ‘nor serve them: for I the Lord thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me.' The Greek and Roman temples, no matter how ancient or beautiful, were the homes of false gods and they had to be destroyed. This was not vandalism: it was God’s will. The good Christian had a duty to do nothing less.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)
Big as a cart horse. Deep fetid marsh rot snot shit filth green. Traced out in scar tissue like embroidered cloth. Wings black and white and silver, heavy and vicious as blades. The Stink of it came choking. Fire and ash. Hot metal. Fear. Joy. Pain. There are dragons in the desert, said the old maps of the empire, and they had laughed and said no, no, not that close to great cities, if there ever were dragons there they are gone like the memory of a dream. Its teeth closed ripping on Gulius's arm, huge, jagged; its eyes were like knives as it twisted away with the arm hanging bloody in its mouth. It spat blood and slime and roared out flame again, reared up beating its wings. Men fell back screaming, armor scorched and molten, melted into burned melted flesh. The smell of roasting meat surrounded them. Better than steak. Gulius was lying somehow still alive, staring at the hole where his right arm had been. The dragons front legs came down smash onto his body. Plume of blood. Gulius disappeared. Little smudge of red on the green. A grating shriek as its claws scrabbled over hot stones. Screaming. Screaming. Beating wings. The stream rose up boiling. Two men were in the stream trying to douse burning flesh and the boiling water was in their faces and they were screaming too. Everything hot and boiling and burning, dry wind and dry earth and dry fire and dry hot scales, the whole great lizard body scorching like a furnace, roaring hot burning killing demon death thing.
Anna Smith Spark (The Court of Broken Knives (Empires of Dust, #1))
Yes. You’ll be a lawyer. Magnificent memory. Sense of logic, no imagination and no brains. My favourite chap, Teddy Feathers, as a matter of fact.
Jane Gardam (Old Filth (Old Filth Trilogy #1))
In this context, fear of toxicity strikes me as an old anxiety with a new name. Where the word filth once suggested, with its moralist air, the evils of the flesh, the word toxic now condemns the chemical evils of our industrial world. This is not to say that concerns over environmental pollution are not justified—like filth theory, toxicity theory is anchored in legitimate dangers—but that the way we think about toxicity bears some resemblance to the way we once thought about filth. Both theories allow their subscribers to maintain a sense of control over their own health by pursuing personal purity. For the filth theorist, this meant a retreat into the home, where heavy curtains and shutters might seal out the smell of the poor and their problems. Our version of this shuttering is now achieved through the purchase of purified water, air purifiers, and food produced with the promise of purity.
Eula Biss (On Immunity: An Inoculation)
His colleagues at the Bar called him Filth, but not out of irony. It was because he was considered to be the source of the old joke, Failed In London Try Hong Kong. It was said that he had fled the London Bar, very young, very poor, on a sudden whim just after the War, and had done magnificently well in Hong Kong from the start. Being a modest man, they said, he had called himself a parvenu, a fraud, a carefree spirit. Filth in fact was no great maker of jokes, was not at all modest about his work and seldom, except in great extremity, went in for whims. He was loved, however, admired, laughed at kindly and still much discussed many years after retirement.
Jane Gardam (Old Filth (Old Filth, #1))
You’re both a couple of never minds,” she said. “A couple of whats?” Steenie asked her. “My father doesn’t want me to use the word. He says it’s a sign of a weak vocabulary. But you are. Both of you.” “Are what?” I asked. “Bastards.” Steenie dropped his spoon and looked at her aghast. “Marcia! A word like that coming from your sweet lips! I’m disgusted.” “I’m going to throw up my malt, right here on the table,” I said. “Language like that makes my stomach turn over. Argghhh! I’ll never be the same again; I’ve been in contact with true filth.” Marcia looked solemnly at Steenie and then at me. “Oh, shit,” she said evenly. “That’s my girl.” Steenie said. “Now you’re talking,” I said. “That’s my good old Marcia.
Richard Bradford (Red Sky at Morning: A Novel (Perennial Classics))
We were getting ready to close the store for what we thought might be as long as two months now. I was looking over the day’s reports when Dissatisfaction came into the building. His fingers roamed along the spines of the books, sometimes tracing one, pulling it out to read the first line. Since he’d read The Blue Flower, by Penelope Fitzgerald, he and I had compiled a list of short perfect novels. Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai These are books that knock you sideways in around 200 pages. Between the covers there exists a complete world. The story is unforgettably peopled and nothing is extraneous. Reading one of these books takes only an hour or two but leaves a lifetime imprint. Still, to Dissatisfaction, they are but exquisite appetizers. Now he needs a meal. I knew that he’d read Ferrante’s Neapolitan novels and was lukewarm. He called them soap opera books, which I thought was the point. He did like The Days of Abandonment, which was perhaps a short perfect novel. ‘She walked the edge with that one,’ he said. He liked Knausgaard (not a short perfect). He called the writing better than Novocain. My Struggle had numbed his mind but every so often, he told me, he’d felt the crystal pain of the drill. In desperation, I handed over The Known World. He thrust it back in outrage, his soft voice a hiss, Are you kidding me? I have read this one six times. Now what do you have? In the end, I placated him with Aravind Adiga’s White Tiger, the latest Amitav Ghosh, NW by Zadie Smith, and Jane Gardam’s Old Filth books in a sturdy Europa boxed set, which he hungrily seized. He’d run his prey to earth and now he would feast. Watching him closely after he paid for the books and took the package into his hands, I saw his pupils dilate the way a diner’s do when food is brought to the table.
Louise Erdrich (The Sentence)
In both the old and the new quarters a pitch of foulness and filth was reached that the lowest serf's cottage scarcely achieved in medieval Europe. It is almost impossible to enumerate objectively the bare details of this housing without being suspected of perverse exaggeration. But those who speak glibly of urban improvements during this period, or of the alleged rise in the standards of living, fight shy of the actual facts: they generously impute to the town as a whole benefits which only the more favored middle-class minority enjoyed; and they read into the original conditions those improvements which three generations of active legislation and massive sanitary engineering have finally brought about.
Lewis Mumford (The City in History: Its Origins, Its Transformations, and Its Prospects)
Sometimes, he thought, one should take a long, hard look at old friends. Like old clothes in a cupboard, there comes the moment to examine for moth. Perhaps throw them out and forget them. Yes.
Jane Gardam (Last Friends (Old Filth Trilogy #3))
Because you were loved you’ll know how to love. And you will recognise real love for you.
Jane Gardam (Last Friends (Old Filth Trilogy #3))
She saw her mother’s face, imprisoned in the emptiness of Empire and diplomacy.
Jane Gardam (The Old Filth Trilogy: Old Fifth, The Man in the Wooden Hat, and Last Friends)
A parhelion. A formidable and ancient omen of something
Jane Gardam (Old Filth (Old Filth Trilogy #1))
Jei vaikystėje tavęs nemylėjo, tu nemokėsi mylėti vaiko. Meilę reikia patirti anksčiau. Gali įskaudinti iš nežinojimo.
Jane Gardam (Old Filth (Old Filth, #1))
-Laikas bėga. -Nesu tikras, kad jis žino kur.
Jane Gardam (Old Filth (Old Filth, #1))
Kai tik atsiranda merginų, egzaminų pažymiai ima blogėti. Kuo karštesnė aistra, tuo prasčiau sekasi mokslas.
Jane Gardam (Old Filth (Old Filth, #1))
Apie praeitį, nebent ji būtų be galo laiminga, vaikai kalbėti nelinkę.
Jane Gardam (Old Filth (Old Filth, #1))
Herman glowered, saying that clearly only Americans were historians now. ‘They have so little of it to learn,’ said Dulcie.
Jane Gardam (Last Friends (Old Filth Trilogy #3))
Memory and desire—I must keep track of them. Mustn’t lose hold.
Jane Gardam (Old Filth (Old Filth Trilogy #1))
each side of the saddle, all in wickerwork but
Jane Gardam (Last Friends (Old Filth Book 3))
Oh.’ ‘Veneering. The retired judge. Friend, no,
Jane Gardam (Last Friends (Old Filth Book 3))
In 1920 Hans Reiter was born. He seemed less like a child than like a strand of seaweed. Canetti, and Borges, too, I think—two very different men—said that just as the sea was the symbol or mirror of the English, the forest was the metaphor the Germans inhabited. Hans Reiter defied this rule from the moment he was born. He didn’t like the earth, much less forests. He didn’t like the sea either, or what ordinary mortals call the sea, which is really only the surface of the sea, waves kicked up by the wind that have gradually become the metaphor for defeat and madness. What he liked was the seabed, that other earth, with its plains that weren’t plains and valleys that weren’t valleys and cliffs that weren’t cliffs. • When his one-eyed mother bathed him in a washtub, the child Hans Reiter always slipped from her soapy hands and sank to the bottom, with his eyes open, and if her hands hadn’t lifted him back up to the surface he would have stayed there, contemplating the black wood and the black water where little particles of his own filth floated, tiny bits of skin that traveled like submarines toward an inlet the size of an eye, a calm, dark cove, although there was no calm, and all that existed was movement, which is the mask of many things, calm among them. • Once, his one-legged father, who sometimes watched as his one-eyed mother bathed him, told her not to lift him out, to see what he would do. From the bottom of the washtub Hans Reiter’s blue eyes gazed up at his mother’s blue eye, and then he turned on his side and remained very still, watching the fragments of his body drift away in all directions, like space probes launched at random across the universe. When he ran out of breath he stopped watching the tiny particles as they were lost in the distance and set out after them. He turned red and understood that he was passing through a region very like hell. But he didn’t open his mouth or make the slightest attempt to come up, although his head was only four inches below the surface and the seas of oxygen. Finally his mother’s arms lifted him out and he began to cry. His father, wrapped in an old military cloak, looked down at the floor and spat into the center of the hearth.
Roberto Bolaño (2666)
The idea that mothers and daughters can say everything to each other is a myth.
Jane Gardam (Last Friends (Old Filth Trilogy #3))
Memory changed for both Edward and Elisabeth. There were fewer people now to keep it alive.
Jane Gardam (The Man in the Wooden Hat (Old Filth Trilogy #2))
Every new stroke of civilisation has cost the lives of countless brave men, who have fallen defeated by the 'dragon', in their efforts to win the apples of the Hesperides, or the fleece of gold. Fallen in their efforts to overcome the old, half-sordid savagery of the lower stages of creation, and win to the next stage. For all savagery is half sordid. And man is only himself when he is fighting on and on, to overcome the sordidness. And every civilisation, when it loses its inward vision and its cleaner energy, falls into a new sort of sordidness, more vast and more stupendous than the old savage sort. An Augean stable of metallic filth. And all the time, man has to rouse himself afresh to cleanse the new accumulations of refuse. To win from the crude, wild nature the victory and the power to make another start, and to cleanse behind him the century-deep deposits of layer upon layer of refuse: even of tin cans.
DH Lawrence
But it’s true, she thought, nobody really knows a thing about another’s past. Why should we? Different worlds we all inhabit from the womb.
Jane Gardam (Last Friends (Old Filth Trilogy #3))
The many Indian religious attitudes without which the distress of India was - and is - almost insupportable. Mr. Nehru had once observed that a danger in India was was that poverty might be deified. Gandhianism had had that effect. The Mahatma's simplicity had appeared to make poverty holy, the basis of all truth, and a unique Indian possession. Indian blindess to India, with its roots in caste and religion. In their attempts to go beyond the old sentimental abstractions about the poverty of India and to come to terms with the poor, Indians have to reach outside their civilization and they are at the mercy then of every kind of imported ideas. Expense upon expense, the waste with which ignorance often burdens poverty. India by itself could not have rediscovered or assessed its past. Its past was too much with it, was still being lived out in the ritual, the laws, the magic, the complex instinctive life that muffles response and buries even the idea of inquiry. For too long, as a conquered people, Indians have been intellectual parasitic on other civilizations. To survive in subjection, they have preserved their sanctuary of the instinctive, uncreative life, converting that into a religious ideal. At a more worldly level, they have depended on others for the ideas and institutions that make a country work. It seems to be always there in India: magic, the past, the death of the intellect, spirituality annulling the civilization out of which it issues, India swallowing its own tail. The blight of caste is not only untouchability and the consequent deification in India of filth; the blight, in an India that tries to grow, is also the overall obedience it imposes, its ready-made satisfactions, the diminishing of adventurousness, the pushing away from men of individuality and the possibility of excellence.
V.S. Naipaul (India: A Wounded Civilization)
The time has come to revise this enigmatic and most important term “Aryan.” It need no longer be flagrantly and prejudiciously bandied by anyone wishing to claim exalted racial status. It need no longer be used as an appellation by those deviants brandishing pseudo-scientific ideologies, and by those who have long misunderstood the facts concerning the origin, identity and fate of the various Indo-European and Semitic races. Importantly, recent discoveries made by Jewish and Gentile investigators alike conclusively prove that the so-called “Israelites” (those arch-enemies of would-be Aryans) were not racially Semitic after all. Like the “Aryans,” they too were racially Indo-European. Their language, Hebrew, was identical with Egyptian. Therefore, in our mind, the term “Semite” must henceforth be dropped as a racial appellation for the Bible’s “Chosen People.” As we show in Volume Two, the terms “Israelite” and “Judite” do not denote races. The terms were religious and theological, and defined cult rather than race. Israelites and Judites were conglomerated groups closely affiliated with and probably blood-related to the Hyksos Pharaohs of old, a fact confirmed by top Jewish historians. Thanks to the researches of Sigmund Freud, Comyns Beaumont, L. A. Waddell, Ahmed Osman, Ralph Ellis and Moustafa Gadalla, the true identity of the Israelites has finally come out into the open. Obviously, the fact that the alleged ancestors of the Jews were racially Indo-European, and of the same racial stock as the antagonists defamed and condemned in the name of spurious racial superiority, has poignant ramifications. It assists us to immediately and swiftly restore the grievously abused term “Aryan.” The term has simply been dragged through the mud by perfidious fools of the same race as the “Israelites” whom they gullibly believe to be inferior. Now that the hydrochloric acid of reason has been applied, now that the term has been thoroughly excavated from its bed of filth, its unadulterated and original meaning may be discerned. They were not an ethnic group or a nation as such, but rather a social category with a common lifestyle – Robert Cornman and J. M. Modrzejewski (The Jews of Egypt: From Rameses II to Emperor Hadrian) Not until Jacob in a somewhat obscure manner was told to call himself Israel was that name adopted and accorded to his twelve “sons:” but if we accept the explanation of Sanchoniathon, a Phoenician of Tyre, Cronus “whom Phoenicians called Israel” was king of Phoenicia, and it signified that these Chaldeo-Phoenician tribes were worshippers of Cronus-Saturn...for Jehovah was a far later importation. The name Israel has subsequently been misappropriated, for those Biblical Christians who term themselves Israelites in fact label themselves followers of a pagan deity – Comyns Beaumont (The Riddle of Prehistoric Britain)
Michael Tsarion (The Irish Origins of Civilization, Volume One: The Servants of Truth: Druidic Traditions & Influence Explored)
When he was three years old Jackie ran into the house crying. I asked, "What's happened? What's wrong?" He showed me his bleeding hand - the palm of his hand had been scraped. "How did you do that? It isn't bad! Did you hurt it on something dirty?" I patted the blood away with a tissue. He stopped crying; he pressed against me with his wet face. My husband said, coming into the kitchen, "Let's see what happened -" He took Jackie's hand and stared down at it. Jackie's hand was very small in his; his own hand was not clean. He had been working on the lawn mower. "Should this be washed out or what?" he said, looking at me. "You think there's some germs in it?" "I'd better wash it out." I turned on the hot water. "Maybe it should be sterilised. It should be washed out good," my husband said slowly. He stared down at Jackie's hand and for a few seconds he was silent. He loved Jackie very much; he was always afraid of Jackie getting hit by a car. Now Jackie tried to get away from him, uneasy. My husband looked strange, as if the sight of blood frightened him. "I can wash it out. I'll put a bandage on it," I said. He paid no attention to me. Instead, he turned on one of the electric burners of the stove, still holding Jackie's hand. "If it was something rusty... if it was some dirt, some filth, he could get very sick," my husband said. "The germs should be all killed." "What? What are you going to do?" "I know what to do," he said irritably, vaguely. "All it needs is a bandage...." Jackie began to cry, afraid of his father. He tried to get away. "Goddam it, hold still! You want to get lockjaw or something? Why is this kid always crying?" He pulled Jackie to the stove and before I could stop him he pressed his palm down onto the burner - Jackie screamed, kicked, broke away - it was all over in a second. "You're crazy! You burned him!" I cried. My husband stared at me. Jackie was screaming, gasping for breath, he had backed away against the kitchen table. His screams rose higher and higher. My husband stared at him and at me, very pale. "You're crazy!" I shouted at him. I ran cold water for Jackie to stick his hand under. The burn was not bad - the stove hadn't been hot enough. "I didn't mean to hurt him," my husband said slowly, "I... I don't know what...." "Putting his hand on the stove! God, you must be crazy!" There was something pulsating in me, a bright, thrilling nerve - I wanted to laugh in my husband's face, I wanted to claw at him, I wanted to gather Jackie up in my arms and run out of the house with him! I hated my husband and I was glad that he had made such a stupid mistake. I was glad he had burned Jackie and that Jackie was crying in my arms, pressing against me, terrified of his father. "I don't know what I was thinking off," he said. His voice was vague and slow and surprised. "I didn't mean...I'm sorry...." "Don't scare him anymore!" "I'm sorry. I must be going crazy...." "Where did you ever get such an idea?" He rubbed his hands violently across his face, across his eyes. "Jesus, I must be going crazy," he said. "You're just lucky the stove wasn't hot." Jackie kept crying, frightened. I took him into the bathroom and put a bandage on the cut - only a small scratch - no real burn at all.
Joyce Carol Oates (Marriages and Infidelities)
129. All tremble at violence; all fear death. Putting oneself in the place of another, one should not kill nor cause another to kill. 130. All tremble at violence; life is dear to all. Putting oneself in the place of another, one should not kill nor cause another to kill. 131. One who, while himself seeking happiness, oppresses with violence other beings who also desire happiness, will not attain happiness hereafter. 132. One who, while himself seeking happiness, does not oppress with violence other beings who also desire happiness, will find happiness hereafter. 133. Speak not harshly to anyone, for those thus spoken to might retort. Indeed, angry speech hurts, and retaliation may overtake you. 134. If, like a broken gong, you silence yourself, you have approached Nibbana, for vindictiveness is no longer in you. 135. Just as a cowherd drives the cattle to pasture with a staff, so do old age and death drive the life force of beings (from existence to existence). 136. When the fool commits evil deeds, he does not realize (their evil nature). The witless man is tormented by his own deeds, like one burnt by fire. 137. He who inflicts violence on those who are unarmed, and offends those who are inoffensive, will soon come upon one of these ten states: 138-140 Sharp pain, or disaster, bodily injury, serious illness, or derangement of mind, trouble from the government, or grave charges, loss of relatives, or loss of wealth, or houses destroyed by ravaging fire; upon dissolution of the body that ignorant man is born in hell. 141. Neither going about naked, nor matted locks, nor filth, nor fasting, nor lying on the ground, nor smearing oneself with ashes and dust, nor sitting on the heels (in penance) can purify a mortal who has not overcome doubt. 142. Even though he be well-attired, yet if he is poised, calm, controlled and established in the holy life, having set aside violence towards all beings — he, truly, is a holy man, a renunciate, a monk. 143. Only rarely is there a man in this world who, restrained by modesty, avoids reproach, as a thoroughbred horse avoids the whip. 144. Like a thoroughbred horse touched by the whip, be strenuous, be filled with spiritual yearning. By faith and moral purity, by effort and meditation, by investigation of the truth, by being rich in knowledge and virtue, and by being mindful, destroy this unlimited suffering. 145. Irrigators regulate the waters, fletchers straighten arrow shafts, carpenters shape wood, and the good control themselves.
Guatama Siddhartha
That became my definition of a good day - a hot meal, some new clothes, a visit to the doctor, and an illicit shower from which I emerged clean and dressed. I hated filth - back home I was so clean.
Gulwali Passarlay (The Lightless Sky: A Twelve-Year-Old Refugee's Harrowing Escape from Afghanistan and His Extraordinary Journey Across Half the World)
One Day Eight Years Ago - Poem by Jibanananda Das It was heard: to the post-mortem cell he had been taken; last night—in the darkness of Falgoon-night When the five-night-old moon went down— he was longing for death. His wife lay beside—the child therewith; hope and love abundant__in the moonlight—what ghost did he see? Why his sleep broke? Or having no sleep at all since long—he now has fallen asleep in the post-mortem cell. Is this the sleep he’d longed for! Like a plagued rat, mouth filled with crimson froth now asleep in the nook of darkness; And will not ever awake anymore. ‘Never again will wake up, never again will bear the endless—endless burden of painful waking—’ It was told to him when the moon sank down—in the strange darkness by a silence like the neck of a camel that might have shown up at his window side. Nevertheless, the owl stays wide awake; The rotten still frog begs two more moments in the hope for another dawn in conceivable warmth. We feel in the deep tracelessness of flocking darkness The unforgiving enmity of the mosquito-net all around; The mosquito loves the stream of life awake in its monastery of darkness. From sitting in blood and filth, flies fly back into the sun; How often we watched moths and flies hovering in the waves of golden sun. The close-knit sky, as if—as it were, some scattered lives, possessed their hearts; The wavering dragonflies in the grasp of wanton kids Fought for life; As the moon went down, in the impending gloom With a noose in hand you approached the aswattha, alone, by yourself, For you’d learnt a human would ne’er live the life of a locust or a robin The branch of aswattha Had it not raged in protest? And the flock of fireflies Hadn’t they come and mingled with the comely bunch of daffodils? Hadn’t the senile blind owl come over and said: ‘the age-old moon seems to have been washed away by the surging waters? Splendid that! Let’s catch now rats and mouse! ’ Hadn’t the owl hooted out this cherished affair? Taste of life—the fragrance of golden corn of winter evening— seemed intolerable to you; — Content now in the morgue In the morgue—sultry with the bloodied mouth of a battered rat! Listen yet, tale of this dead; — Was not refused by the girl of love, Didn’t miss any joy of conjugal life, the bride went ahead of time and let him know honey and the honey of reflection; His life ne’er shivered in demeaning hunger or painful cold; So now in the morgue he lies flat on the dissection table. Know—I know woman’s heart—love—offspring—home—not all there is to things; Wealth, achievement, affluence apart there is some other baffling surprise that whirls in our veins; It tires and tires, and tires us out; but there is no tiring in the post mortem cell and so, there he rests, in the post mortem cell flat on the dissection table. Still I see the age-old owl, ah, Nightly sat on the aswattha bough Winks and echoes: ‘The olden moon seems to be carried away by the flooding waters? That’s splendid! Let’s catch now rats and mouse—’ Hi, granny dear, splendid even today? Let me age like you—and see off the olden moon in the whirlpool at the Kalidaha; Then the two of us will desert life’s abundant reserve.
Jibanananda Das (Selected Poems (English and Bengali Edition))
Your people,” Robert Suydam began. “Your people are forced to live in mazes of hybrid squalor. It’s all sound and filth and spiritual putrescence.” If anything could pull Tommy Tester’s attention from the door it would be this. He turned to Robert Suydam expecting to find the man sneering, but the man had one hand on his belly, patting it gently. He looked up and to the right, like a man trying to remember a speech. “Policemen despair of order or reform and seek rather to erect barriers protecting the outside world from the contagion,” he continued. Tommy held the neck of the guitar tightly. “You talking about Harlem?” The spell broke. “What?” Suydam said. “Oh damn you! Why did you interrupt?” “I’m trying to understand what in the hell place you’re talking about. It doesn’t sound like anywhere I’ve ever lived.” No applause for honesty this time. “Mind your tone,” Suydam said. He covered the money with one hand. “You haven’t been paid yet.” This motherfucker, Tommy Tester thought and took one step closer to the old man. Even Robert Suydam, for all his authority, sensed a change in the room. For a moment he looked like a man who realized a meteorite was about to crash into his planet. He raised an open hand, a gesture of peace.
Victor LaValle (The Ballad of Black Tom)
The Titans were gone. They had clashed their last.
Jane Gardam (Last Friends (Old Filth, #3))
...although the death of an old friend was agonizing, it could not compare to the pain of an old friend irrevocably changed. When he thought of how this person yet remained on the earth but could never return to the past; of how their deep emotion had decayed, how their shared path had split into two unlike roads, how his beloved had become his enemy -- that was a suffering that brought agony with each breath,
Rou Bao Bu Chi Rou (Remnants of Filth: Yuwu (Novel) Vol. 3)