Old Fashioned Christmas Quotes

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My idea of Christmas, whether old-fashioned or modern, is very simple: loving others. Come to think of it, why do we have to wait for Christmas to do that?
Bob Hope
I was raised the old-fashioned way, with a stern set of moral principles: Never lie, cheat, steal or knowingly spread a venereal disease. Never speed up to hit a pedestrian or, or course, stop to kick a pedestrian who has already been hit. From which it followed, of course, that one would never ever -- on pain of deletion from dozens of Christmas card lists across the country -- vote Republican.
Barbara Ehrenreich
His smile was so soft and fine: like gleaming old ivory, like homesickness, like a Christmas snowfall in the dark village, like turquoise around which many pearls are fashioned, like moonlight on a favorite book. -in Mädchenmelancholie (Girls' melancholy)
Rainer Maria Rilke (The Book of Images)
How I wish we could spend a couple of Christmas days together, for instance — I would also dearly like to have you in my studio once more. I, too, have been toiling quite hard recently, precisely because I was full of the Christmas feeling, and feeling isn’t enough, one must bring it into one’s work. So I’m now occupied with two large heads of an orphan man, with his white beard and old-fashioned, old top hat. This chap has the sort of old, lively face that one would wish for beside a cosy Christmas fire.
Vincent van Gogh
Sometimes I long for a good old-fashioned Walton Christmas. You know, the kind where you give someone an apple or wooden whistle and they go into cardiac arrest from sheer ecstasy.
Karen Scalf Linamen (Welcome to the Funny Farm: The All-True Misadventures of a Woman on the Edge)
Romantic love, a soulmate, was a concept too old-fashioned for the modern world. It was a concept beyond the capacity of hearts hardened so thoroughly that armor-piercing bullets could no longer penetrate them.
Bobby Underwood (Love at the Library (Christmas Short, #1))
Fine old Christmas, with the snowy hair and ruddy face, had done his duty that year in the noblest fashion, and had set off his rich gifts of warmth and colour with all the heightening contrast of frost and snow.
George Eliot (The Mill on the Floss)
Perhaps Bufalino’s closest friend was Philadelphia crime boss Angelo Bruno. Law enforcement referred to Bufalino as “the quiet Don Rosario”; Bruno was known as the “Docile Don” for his similar low-key approach to heading a major crime family. Like Bufalino’s family, the Bruno crime family was not permitted to deal in drugs. Because of his perceived old-fashioned ways Bruno was killed by greedy underlings in 1980. Bruno’s demise would lead to everlasting anarchy in his family. His successor, Philip “Chicken Man” Testa, was literally blown up a year after taking over. Testa’s successor, Nicodemus “Little Nicky” Scarfo, is now serving multiple life sentences for murder, having been betrayed by his own underboss and nephew. Little Nicky’s successor, John Stanfa, is serving five consecutive life sentences for murder. Frank Sheeran got a Christmas card every year from John Stanfa in his Leavenworth cell. John Stanfa’s successor, Ralph Natale, is the first boss to turn government informant and testify against his own men. Frank Sheeran calls Philadelphia “the city of rats.” On the other hand, Russell Bufalino lived a long life. He died of old age in a nursing home in 1994 at the age of ninety. He controlled his “family” until the day he died, and unlike Angelo Bruno’s Philadelphia family, not a sign of discord has been reported in the Bufalino family since his death. Frank
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
Soon after World War II, a tired-looking woman entered a store and asked the owner for enough food to make a Christmas dinner for her children. When he inquired how much she could afford, she answered, “My husband was killed in the war. Truthfully, I have nothing to offer but a little prayer.” The man was not very sentimental, for a grocery store cannot be run like a breadline. So he said, “Write your prayer on a paper.” To his surprise she plucked a little folded note out of her pocket and handed it to him, saying, “I already did that.” As the grocer took the paper, an idea struck him. Without even reading the prayer, he put it on the weight side of his old-fashioned scales, saying, “We shall see how much food this is worth.” To his surprise, the scale would not go down when he put a loaf of bread on the other side. To his even greater astonishment, it would not balance when he added many more items. Finally he blurted out, “Well, that’s all the scales will hold anyway. Here’s a bag. You’ll have to put them in yourself. I’m busy.” With a tearful “thank you,” the lady went happily on her way. The grocer later found that the mechanism of the scales was out of order, but as the years passed, he often wondered if that really was the answer to what had occurred. Why did the woman have the prayer already written to satisfy his unpremeditated demands? Why did she come at exactly the time the mechanism was broken? Frequently he looked at that slip of paper upon which the woman’s prayer was written, for amazingly enough, it read, “Please, dear Lord, give us this day our daily bread!” —Henry Bosch
Our Daily Bread Ministries (Prayer (Strength for the Soul))
But now, sitting on this airplane on my way back to the life I went on to fashion after she left, I think of her differently. I see her so many ways: sitting back on her heels at the side of the bathtub, singing softly as she washes Sharla and my backs; watching at the window for the six o’clock arrival of our father; wrapping Christmas presents on the wide expanse of her bed; biting her lip as she stood before the open cupboards, making out the grocery list; leaning out the kitchen window that last summer to call Sharla and me in for supper. Most clearly, though, I see her sitting at the kitchen table, in her old, usual spot. There is a cup of coffee before her, but she doesn’t drink it. Instead, she stares out the window. I see the sharp angle of her cheekbone, the beautiful whitish down at the side of face, illuminated by the sun. Her hands are quiet, resting in the cloth bowl of her apron. She sits still as a statue - waiting, I can see now; she was always waiting. -What We Keep
Elizabeth Berg
It was true what Doc had said, that Christmas succeeds Christmas rather than the days it follows. That had become apparent to Smoky in the last few days. Not because of the repeated ritual, the tree sledded home, the antique ornaments lovingly brought out, the Druid greenery hung on the lintels. It was only since last Christmas that all that had become imbued for him with dense emotion, an emotion having nothing to do with Yuletide, a day which for him as a child had nothing like the fascination of Hallowe'en, when he went masked and recognizable (pirate, clown) in the burnt and smoky night. Yet he saw that it was an emotion that would cover him now, as with snow, each time the season came. She was the cause, not he to whom he wrote. "Any," he began again, "my desires this year are a little clouded. I would like one of those instruments you use to sharpen the blades of an old-fashioned lawn mower. I would like the missing volume of Gibbon (Vol. II) which somebody's apparently taken out to use as a doorstop or something and lost." He thought of listing publisher and date, but a feeling of futility and silence came over him, drifting deep. "Santa," he wrote, "I would like to be one person only, not a whole crowd of them, half of them always trying to turn their backs and run whenever somebody" - Sophie, he meant, Alice, Cloud, Doc, Mother; Alice most of all - "looks at me. I want to be brave and honest and shoulder my burdens. I don't want to leave myself out while a bunch of slyboots figments do my living for me." He stopped, seeing he was growing unintelligible. He hesitated over the complimentary close; he thought of using "Yours as ever," but thought that might sound ironic or sneering, and at last wrote only "Yours &c.," as his father always had, which then seemed ambiguous and cool; what the hell anyway; and he signed it: Evan. S. Barnable.
John Crowley (Little, Big)
Twas the night before Christmas and in SICU All the patients were stirring, the nurses were, too. Some Levophed hung from an IMED with care In hopes that a blood pressure soon would be there. One patient was resting all snug in his bed While visions—from Versed—danced in his head. I, in my scrubs, with flowsheet in hand, Had just settled down to chart the care plan. Then from room 17 there arose such a clatter We sprang from the station to see what was the matter. Away to the bedside we flew like a flash, Saved the man from falling, with restraints from the stash. “Do you know where you are?” one nurse asked while tying; “Of course! I’m in France in a jail, and I’m dying!” Then what to my wondering eyes should appear? But a heart rate of 50, the alarm in my ear. The patient’s face paled, his skin became slick And he said in a moment, “I’m going to be sick!” Someone found the Inapsine and injected a port, Then ran for a basin, as if it were sport. His heart rhythm quieted back to a sinus, We soothed him and calmed him with old-fashioned kindness. And then in a twinkling we hear from room 11 First a plea for assistance, then a swearing to heaven. As I drew in my breath and was turning around, Through the unit I hurried to respond to the sound. “This one’s having chest pain,” the nurse said and then She gave her some nitro, then morphine and when She showed not relief from IV analgesia Her breathing was failing: time to call anesthesia. “Page Dr. Wilson, or May, or Banoub! Get Dr. Epperson! She ought to be tubed!” While the unit clerk paged them, the monitor showed V-tach and low pressure with no pulse: “Call a code!” More rapid than eagles, the code team they came. The leader took charge and he called drugs by name: “Now epi! Now lido! Some bicarb and mag! You shock and you chart it! You push med! You bag!” And so to the crash cart, the nurses we flew With a handful of meds, and some dopamine, too! From the head of the bed, the doc gave his call: “Resume CPR!” So we worked one and all. Then Doc said no more, but went straight to his work, Intubated the patient, then turned with a jerk. While placing his fingers aside of her nose, And giving a nod, hooked the vent to the hose. The team placed an art-line and a right triple-lumen. And when they were through, she scarcely looked human: When the patient was stable, the doc gave a whistle. A progress note added as he wrote his epistle. But I heard him exclaim ere he strode out of sight, “Merry Christmas to all! But no more codes for tonight!” Jamie L. Beeley Submitted by Nell Britton
Jack Canfield (Chicken Soup for the Nurse's Soul: Stories to Celebrate, Honor and Inspire the Nursing Profession)
Thatchley was so quaint it was the kind of place used by the BBC when it required a suitably old-fashioned station for a period drama.
Rebecca Boxall (Christmas at the Vicarage)
What in the—? My begonias!” he heard someone say behind him. Nick looked over his shoulder. A small but muscular woman in sweaty workout clothes was stepping out of a big shiny car in the neighbor’s driveway. She was gaping in horror at the chewed-up flowerbed and the smoking lawn mower. Scowling, she turned toward Uncle Newt’s house. And the scowl didn’t go away when she noticed Nick looking back at her. In fact, it got scowlier. Nick smiled weakly, waved, and hurried into the house. He closed the door behind him. “Whoa,” he said when his eyes adjusted to the gloom inside. Cluttering the long hall in front of him were dozens of old computers, a telescope, a metal detector connected to a pair of bulky earphones, an old-fashioned diving suit complete with brass helmet, a stuffed polar bear (the real, dead kind), a chainsaw, something that looked like a flamethrower (but couldn’t be … right?), a box marked KEEP REFRIGERATED, another marked THIS END UP (upside down), and a fully lit Christmas tree decorated with ornaments made from broken beakers and test tubes (it was June). Exposed wires and power cables poked out of the plaster and veered off around every corner, and there were so many diplomas and science prizes and patents hanging (all of them earned by Newton Galileo Holt, a.k.a. Uncle Newt) that barely an inch of wall was left uncovered. Off to the left was a living room lined with enough books to put some libraries to shame, a semitransparent couch made of inflated plastic bags, and a wide-screen TV connected by frayed cords to a small trampoline.
Bob Pflugfelder (Nick and Tesla and the High-Voltage Danger Lab: A Mystery with Gadgets You Can Build Yourself ourself)
As the Supreme Governor of the Church of England, the monarch is the defender of the faith—the official religion of the country, established by law and respected by sentiment. Yet when the Queen travels to Scotland, she becomes a member of the Church of Scotland, which governs itself and tolerates no supervision by the state. She doesn’t abandon the Anglican faith when she crosses the border, but rather doubles up, although no Anglican bishop ever comes to preach at Balmoral. Elizabeth II has always embraced what former Archbishop of Canterbury George Carey called the “sacramental manner in which she views her own office.” She regards her faith as a duty, “not in the sense of a burden, but of glad service” to her subjects. Her faith is also part of the rhythm of her daily life. “She has a comfortable relationship with God,” said Carey. “She’s got a capacity because of her faith to take anything the world throws at her. Her faith comes from a theology of life that everything is ordered.” She worships unfailingly each Sunday, whether in a tiny chapel in the Laurentian mountains of Quebec or a wooden hut on Essequibo in Guyana after a two-hour boat ride. But “she doesn’t parade her faith,” said Canon John Andrew, who saw her frequently during the 1960s when he worked for Archbishop of Canterbury Michael Ramsey. On holidays she attends services at the parish church in Sandringham, and at Crathie outside the Balmoral gates. Her habit is to take Communion three or four times a year—at Christmas, Easter, Whitsunday, and the occasional special service—“an old-fashioned way of being an Anglican, something she was brought up to do,” said John Andrew. She enjoys plain, traditional hymns and short, straightforward sermons. George Carey regards her as “middle of the road. She treasures Anglicanism. She loves the 1662 Book of Common Prayer, which is always used at Sandringham. She would disapprove of modern services, but wouldn’t make that view known. The Bible she prefers is the old King James version. She has a great love of the English language and enjoys the beauty of words. The scriptures are soaked into her.” The Queen has called the King James Bible “a masterpiece of English prose.
Sally Bedell Smith (Elizabeth the Queen: The Life of a Modern Monarch)
Call me old-fashioned," he said, shaking his head. "But to me it isn't really Christmas without visions of sugarplums dancing through your head." Sally startled. "What did you just say?" she asked, her voice a little hoarse. Visions, sugarplums, dancing! How did he know? "Oh. It's from a famous Christmas poem," the man explained. "Surely you've heard of it.
Mari Mancusi (Sally's Lament)
and silly frills that seemed to belong to another place and time. Rich people's houses, she thought, the knot in her stomach growing a bit tighter. What would anybody with a house like that want with her and Zach and the baby? Zach leaned closer to the window, his nose pressed flat against it, fogging a little circle of glass. "It's almos' Chris'mas. Ever'body has their tree and stuff up." "I know, Zach." There were wreaths on doors and on the old-fashioned black lampposts topped with fancy metal curls, the lights perched delicately on top. There were stars made of bright Christmas lights, even Christmas trees in people's yards. Emma had never seen people go to so much trouble for Christmas. They must have spent hours. And the money... It
Teresa Hill (Twelve Days (The McRaes #1))
Thanksgiving Day can be a good or bad day, it all depends if there's anyone here at the house. If the family gets invited to head over to pig out at one of the relatives, then I'm screwed. No gourmet meal with the trimmings for me, just the same old drab dog food. But when they stay here and fire up a feast there's plenty to chow down on. I sleep enough as it is, but wow, that tryptophan in the turkey knocks me out even twice as long. The more I think about it, I'm done after dinner until Black Friday morning. So how can I be a dog and smart enough to know about something like Black Friday? It all comes down to one thing - cable TV, the Wikipedia of dog smarts. Ask me anything about news, sports, fashion, weather, celebrity gossip, World War II history. Oh, I can't leave out food.
Patrick Yearly (A Lonely Dog on Christmas)
Come back to bed. I need some good old-fashioned warming up...
Rachael Lucas (Sealed with a Kiss)
As it is the fashion for modern tourists to travel pencil in hand, and bring home their portfolios filled with sketches, I am disposed to get up a few for the entertainment of my friends.
Geoffrey Crayon (The Legend of Sleepy Hollow + Rip Van Winkle + Old Christmas + 31 Other Unabridged & Annotated Stories (The Sketch Book of Geoffrey Crayon, Gent.))
In the days before computers and emails,” she explained, “people used to write messages on paper and send them to each other using a fax machine. It’s sort of like sending a photograph through a telephone line. Hardly anyone uses a fax these days. They’re very old fashioned,” she continued, “but they used to be very popular once upon a time. Lots of little children used to send their letters to Santa that way.” "Wow!” said Poppy Noodle. “That sounds like Magic.” “No,” answered Flora sharply. “That’s not Magic, that’s technology. Never confuse the two.
Harald Davidson (Francesca Spaghetti and Poppy Noodle's Christmas Mystery: Funny Adventure Series for 7-11 Year Old Girls (The Adventures of Francesca Spaghetti and Poppy Noodle Book 2))
If I may be so bold, sir,” the butler spoke up, causing Sebastian to start. Good lord, he hadn’t even realized he was still there. “I could not help but notice that you seemed to have quarreled with Miss Westforth.” Sebastian grunted in response. “She is your old friend from home.” The butler shrugged. “She will forgive you. Of course, may I suggest that you beg forgiveness as soon as possible? That seems the smoothest way to go about these things. Especially when you know someone as well as you know Miss Westforth.” “That’s just it!” Sebastian cried, with more vehemence than he realized he’d felt. “I do know Susie – Miss Westforth. And that fashionable creature is not her!” The Susie Sebastian knew would have laughed at a crowd of men vying for her attention. She would have rather been reading or working on puzzles or… “She is acting foolish, and I simply point this out, and I am told off for it. She’s dancing with Parkhurst and… and laughing with him, for God’s sake!” “Mr. Parkhurst is perhaps not the most humor-inducing young man here,” the butler agreed solemnly. “But how is Miss Westforth’s dancing and laughing different from any other young lady’s actions tonight?” “It’s…. it just is.” Sebastian said stubbornly. “And her dress… it’s unseemly!” “Actually, I have it on good authority that Miss Westforth’s gown is of the highest fashion and appropriate modesty for a young lady of nineteen.” Nineteen . God, hadn’t she just been sixteen and all bony angles? “How do you know all this?” Sebastian grumbled after a time. “About Miss Westforth’s gown… and how we are old friends, come to think of it.” The butler simply shrugged. “I am Philbert, sir. I know everything.” “Did you know that she tried to kiss me, then?” Sebastian mumbled, kicking his boot against the grey stone balustrade. Philbert’s mouth crooked up. “In the ballroom? How very forward.” “No, not now. She told me she tried to kiss me before.” “Before…?” “Before I went away. But apparently I wasn’t paying attention, and she ended up kissing a log.” “And were you?” Philbert asked. Sebastian’s eyebrow went up, not understanding. “Were you not paying attention,” he clarified. “Or did you know she tried to kiss you?” Sebastian felt another shift in the world beneath his feet. Smaller this time, but so, so important. Something clicking into place. “No. I suppose I did know. I just pretended it hadn’t happened.” He’d seen it. Just out of the corner of his eye, but he’d seen it. Three years ago, after a long run on their horses, breathless, her cheeks flushed and lovely. Sitting nearly leg to leg with him on that felled tree. And his heart had skipped a beat. A rush of… something had him standing before her lips could touch his cheek. “Why did you pretend it hadn’t happened?” Philbert asked quietly. “Because it would have changed things,” Sebastian answered in kind. A
Anna Campbell (A Grosvenor Square Christmas)
He glared at his mother’s back as she went through his bureau. “Why did you invite Chant for tea?” His mother sighed and turned, holding a dressing gown. She tossed it to him. “I suppose it’s too much to ask you to dress correctly, but I am old fashioned enough to believe one ought to at least cover one’s nipples before taking tea with friends.
J.A. Rock (A Case for Christmas (The Lords of Bucknall Club, #2))
Much may preserve her from a state such as mine—growing old, unloved, and unprovided-for. And yet I am only ten years her senior. Only ten years!—Of balls, and flirtations, and new dresses and fashions; of disappointments, broken hearts, and fading hopes. I shall be nine-and-twenty next Christmas; and Lucy only just embarked upon her ten years. I would not wish them to end as mine have done.
Stephanie Barron (Jane and the Man of the Cloth (Jane Austen Mysteries, #2))
chairs in place. The heavy, old-fashioned gilt-trimmed mirrors made me chuckle, but the drooping and dusty plastic plants were certainly no laughing matter. Yikes. I drifted through the front room to the stockroom
Susan Hatler (The Christmas Compromise (Christmas Mountain #3))
Why did parents need to pretend that Santa Claus was real, and to deny that the presents really came from family members themselves? The answer is that Santa Claus had an extraordinary ability (in spite of his early commercialization) to disguise the fact that most of the presents he brought were commodity productions. Like other Americans, writers, editors, and advertisers in the second quarter of the nineteenth century liked to pretend, or even believe (as most Americans nowadays continue to do), that Santa Claus represented an old-fashioned Christmas, a ritual so old that it was, in essence, beyond history, and thus outside the commercial marketplace
Stephen Nissenbaum (The Battle for Christmas: A Cultural History of America's Most Cherished Holiday)
Miss Elton, who found the conversation increasingly distressing, got up, murmured a quick good night . . . and went to her room. During the bellicose talk in the lounge, the ghosts of Frank Durrant, Madeleine, Arvid and Mr. Sorenius seemed to be slipping further and further away with their own receding world. And what was one offered in exchange for this world of the dead? A future in which all signposts pointed to war and the ruin of all those useless little things which made life worth living. And then, as if provoked by the contrast of the speeches and ideas to which she had just been listening, a flood of images, each of them a small part of her life at Ashleigh Place, swept through her mind with an overwhelming suddenness—a walk on a windy autumn afternoon to the farm with a message about eggs, cartloads of logs coming before Christmas to be stacked in the stables, the remodelling of the rose-garden, with Mrs. Durrant setting the new labels in their places, two swans which spent a season on the little River Mene at the foot of the western slope, and the sudden appearance of a kingfisher by those fitful waters, the endless cooing of wood-pigeons in the trees round the house, the catch whistled by the baker's boy as he jumped out of his bright little van, the tick of the huge grandfather clock in the darkest corner of the hall, the pattern of the old-fashioned tiles in the bathroom which she had used, cockchafers beating against the windows on hot summer nights, the scent of the tobacco plants in the round bed near the drawing-room, an expedition to the woods on a grey day to cut mistletoe. . . .
C.H.B. Kitchin (The Auction Sale)