Olaf Quotes

We've searched our database for all the quotes and captions related to Olaf. Here they are! All 100 of them:

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Nowhere in the world is safe," Count Olaf said. Not with you around," Violet agreed. I'm no worse than anyone else," Count Olaf said.
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Lemony Snicket (The End (A Series of Unfortunate Events, #13))
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Edward smiled, I smiled, even Bernardo smiled. Olaf just looked sinister.
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Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
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Olaf: Of course I'm trying to trick you! That's the way of the world, Baudelaires. Everyone runs around with their secrets and their schemes, trying to outwit everyone else
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Lemony Snicket (The End (A Series of Unfortunate Events, #13))
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Count Olaf certainly does sound evil. Imagine forcing children to stand near a stove!
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Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
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Count Olaf sounds like an awful person. I hope he is torn apart by wild animals someday. Wouldn't that be satisfying?
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Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
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Edward glanced at me, then back at Olaf. "The Greeks believed that once there were no male and female, that all souls were one. Then the souls were torn apart, male and female. The Greeks thought that when you found the other half of your soul, your soul mate, that it would be your perfect lover. But I think if you find your other half, you would be too much alike to be lovers, but you would still be soul mates.
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Laurell K. Hamilton (Obsidian Butterfly (Anita Blake, Vampire Hunter, #9))
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Philosophy is an amazing tissue of really fine thinking and incredible, puerile mistakes. It's like one of those rubber 'bones' they give dogs to chew, damned good for the mind's teeth, but as food - no bloody good at all.
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Olaf Stapledon (Odd John)
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Men endured so much for war, but for peace they dared nothing.
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Olaf Stapledon (The Seed and the Flower)
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My dear, it is a great strength to have faced the worst and to have *felt* it a feature of beauty. Nothing ever after can shake one.
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Olaf Stapledon (Odd John)
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I’ll take him to the hospital ” Bernardo said β€œbut what do we put on the paperwork ” β€œTell them it was a lover’s quarrel ” Olaf said. β€œOver my dead body ” I said. β€œEventually ” he said. β€œDon’t be a sick fuck Olaf ” I said.
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Laurell K. Hamilton (Hit List (Anita Blake, Vampire Hunter, #20))
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Figuratively, they escaped from Cout Olaf and their miserable existence. They did not literally escape, because they were still in his house and vulnerable to Olaf's evil in loco parentis ways.
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Lemony Snicket
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Memphis and I both looked at Olaf, as if he'd spoken in tongues. I think neither of us had expected anything useful from the corpse fondling. Damn.
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Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
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Olaf you're melting (Ana) Some people are worth melting for (Olaf)
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Walt Disney Company
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What had my scary thought been? That Olaf was sincere. In some crazy,pathological way, he like-liked me. As in boyfriend-liked me. Not just for fucking or slaughter, but maybe, just maybe, he actually wanted to date me like one human being to another. He seemed to have no clue how to interact with a woman in a way that wasn't terrifying, but he was trying. Jesus, Mary, and Joseph, he was trying.
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Laurell K. Hamilton (Skin Trade (Anita Blake, Vampire Hunter, #17))
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It is, as you know, very, very rude and usually unnecessary to use profanity.
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Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
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Why did you make only one of me? It's going to be lonely being me.
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Olaf Stapledon (Sirius)
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Some people are worth melting for
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Olaf
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Count Olaf had taken out a bottle of wine to pour himself some breakfast, but when he saw the book he stopped, and sat down.
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Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
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It pain me to tell you that once again Count Olaf would appear with yet another disgusting scheme, and that Mr. Poe would once again fail to do anything even remotely helpful.
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Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
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I told you," Count Olaf said weakly. "I told you I'd do that one last time.
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Lemony Snicket (The End (A Series of Unfortunate Events, #13))
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Barren, barren and trivial are these words. But not barren the experience.
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Olaf Stapledon (Star Maker)
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Violet stayed still as a statue. She hadn't been listening to the last speech of Count Olaf's, knowing it would be full of the usual self-congratulatory nonsense and despicable insults.
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Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
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If you were going to give a gold medal to Count Olaf, you would have to lock it up someplace before the awarding ceremony, because Count Olaf was such a greedy and evil man that he would try to steal it beforehand.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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No visiting angel, or explorer from another planet could have guessed that this bland orb teemed with vermin, with world-mastering, self-torturing, incipiently angelic beasts.
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Olaf Stapledon (Star Maker)
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They grew up, moulded by the harsh or kindly pressure of their fellows, to be either well nurtured, generous, sound, or mentally crippled, bitter, unwittingly vindictive.
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Olaf Stapledon (Star Maker)
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We are bound to hurt one another so much, again and again. we are so terribly different.''Yes,' he said, 'But the more different, the more lovely the loving.
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Olaf Stapledon (Sirius)
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Hi I'm Olaf and I like warm hugs!
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Frozen movie
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Well, in the words of the great Olaf? Some people are worth melting for.
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C.E. Ricci (Don't You Dare)
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Edward leaned close and whispered in my ear so that Olaf would think he was whispering sweet nothings, but what he what he actually said, was, "We aren't the good guys, Anita. We're the necessary guys.
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Laurell K. Hamilton
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Of course I'm trying to trick you!" Olaf cried. "That's the way of the world, Baudelaires. Everybody runs around with their secrets and their schemes, trying to outwit everyone else. Ishmael outwitted me, and put me in this cage. But I know how to outwit him and all his islander friends. If you let me out. I can be king of Olaf-land, and you three can be my new henchfolk." "We don't want to be your henchfolk," Klaus said. "We just want to be safe." "Nowhere in the world is safe," Count Olaf said.
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Lemony Snicket (The End (A Series of Unfortunate Events, #13))
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So might we ourselves look down into some rock-pool where lowly creatures repeat with naive zest dramas learned by their ancestors Γ¦ons ago.
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Olaf Stapledon (Star Maker)
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You should have given up a long time ago, orphans. I triumphed the moment you lost your family." "We didn't lose our family. Only our parents.
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Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
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This isn’t fair,” Klaus said finally, but he said it so quietly that the departing islanders probably did not hear. Only his sisters heard him, and the snake the Baudelaires thought they would never see again, and of course Count Olaf, who was huddled in the large, ornate bird cage like an imprisoned beast, and who was the only person to answer him. β€œLife isn’t fair,” he said, in his undisguised voice, and for once the Baudelaire orphans agreed with every word the man said.
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Lemony Snicket (The End (A Series of Unfortunate Events, #13))
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With characteristic lack of false modesty, John once said to me, "My looks are a rough test of people. If they don't begin to see me beautiful when they have had a chance to learn, I know they're dead inside, and dangerous.
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Olaf Stapledon (Odd John)
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trust me, Anita, if you get dead, especially if he blames himself in any way, he will be a force of destruction looking for a place to be aimed. And he's blamed himself for introducing you to Olaf here from the get-go. If Olaf did to you what he's done to some of his other victims, Edward would drown the world in blood to erase those images.
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Laurell K. Hamilton
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All this long human story, most passionate and tragic in the living, was but an unimportant, a seemingly barren and negligible effort, lasting only for a few moments in the life of the galaxy. When it was over, the host of the planetary systems still lived on, with here and there a casualty, and here and there among the stars a new planetary birth, and here and there a fresh disaster.
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Olaf Stapledon (Star Maker)
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There are two kinds of fears; rational and irrational - or, in simple terms, fears that make sense and fears that don't. For instance, the Baudelaire orphans have a fear of Count Olaf, which makes perfect sense, because he is an evil man who wants to destroy them. But if they were afraid of lemon meringue pie, this would be an irrational fear, because lemon meringue pie is delicious and has never hurt a soul. Being afraid of a monster under the bed is perfectly rational, because there may in fact be a monster under your bed at any time, ready to eat you all up, but a fear of realtors is an irrational fear. Realtors, as I'm sure you know, are people who assist in the buying and selling of houses. Besides occasionally wearing an ugly yellow coat, the worst a realtor can do to you is show you a house that you find ugly, and so it is completely irrational to be terrified of them.
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Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
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In this passionately social world, loneliness dogged the spirit. People were constantly β€œgetting together,” but they never really got there. Everyone was terrified of being alone with himself; yet in company, in spite of the universal assumption of comradeship, these strange beings remained as remote from one another as the stars. For everyone searched his neighbour’s eyes for the image of himself, and never saw anything else. Or if he did, he was outraged and terrified.
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Olaf Stapledon (Star Maker)
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But why," he said with animation, "do the English not read their own great literature?" Victor laughed triumphantly, and said, "Because at school they are made to hate it.
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Olaf Stapledon (A Man Divided)
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It was amazing, she thought, how everything having to do with Count Olaf was frightening.
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Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
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Count Olaf was so obsessed with getting his filthy hands on the money that he hatched a devious plan that gives me nightmares to this day.
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Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
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I don’t have a skull,” Olaf remarked. β€œOr bones.
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Walt Disney Company (Frozen: The Junior Novelization)
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I'll tell you why I'm Shirley," Count Olaf said. "I'm Shirley because I would like to be called Shirley, and it is impolite not to do so.
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Lemony Snicket
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In the tide of these wild thoughts we checked our fancy, remembering that only on the rare grains called planets can life gain foothold, and that all this wealth of restless jewels was but a waste of fire.
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Olaf Stapledon (Star Maker)
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The Baudelaire orphans hung on to one another, and wept and wept while the adults argued endlessly behind them. Finally-as, I'm sorry to say, Count Olaf forced the Quagmires into puppy costumes so he could sneak them onto the airplane without anyone noticing-the Baudelaires cried themselves out and just sat on the lawn together in weary silence.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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We should not for a moment consider even our best-established knowledge of existence as true. It is awareness only of the colors that our own vision paints on the film of one bubble in one strand of foam on the ocean of being.
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Olaf Stapledon
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Sitting there on the heather, on our planetary grain, I shrank from the abysses that opened up on every side, and in the future. The silent darkness, the featureless unknown, were more dread than all the terrors that imagination had mustered. Peering, the mind could see nothing sure, nothing in all human experience to be grasped as certain, except uncertainty itself; nothing but obscurity gendered by a thick haze of theories. Man's science was a mere mist of numbers; his philosophy but a fog of words. His very perception of this rocky grain and all its wonders was but a shifting and a lying apparition. Even oneself, that seeming-central fact, was a mere phantom, so deceptive, that the most honest of men must question his own honesty, so insubstantial that he must even doubt his very existence.
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Olaf Stapledon (Star Maker)
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So you’re a real person! I always thought you were a legendary figure, like unicorns or Giuseppe Verdi.
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Lemony Snicket (The Penultimate Peril (A Series of Unfortunate Events, #12))
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I was a disembodied, wandering view-point.
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Olaf Stapledon (Star Maker)
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Time after time he[Count Olaf] had come very close to succeeding, and time after time the Baudelaire orphans had revealed his plan, and time after time he had escaped-and all Mr. Poe had ever done was cough.
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Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
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The future needed service, not pity, not piety; but in the past lay darkness, confusion, waste, and all the cramped primitive minds, bewildered, torturing one another in their stupidity, yet one and all in some unique manner, beautiful.
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Olaf Stapledon (Last and First Men)
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At this point in the story, I feel obliged to interrupt and give you one last warning. As I said at the very beginning, the book you are holding in your hands does not have a happy ending. It may appear now that Count Olaf will go to jail and that the three Baudelaire youngsters will live happily ever after with Justice Strauss, but it is not so. If you like, you may shut the book this instant and not read the unhappy ending that is to follow. You may spend the rest of your life believing that the Baudelaires triumphed over Count Olaf and lived the rest of their lives in the house and library of Justice Strauss, but that is not how the story goes.
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Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
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We have no government and no laws, if by law is meant a stereotyped convention supported by force, and not to be altered without the aid of cumbersome machinery.
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Olaf Stapledon (Last and First Men)
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So great was the mass of information forced upon the student, that he had no time to think of the mutual implications of the various branches of his knowledge.
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Olaf Stapledon (Last and First Men: A Story of the Near and Far Future)
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Olaf was a genius. This, she realized, watching the snowman struggle, was love. Olaf had been willing to put himself in danger because he didn't want to see her get hurt. Love wasn't the canned romantic declarations. That was nothing but fluff. That was what Hans had thrown at her and what she had mistaken for love. Pure, true love was what Olaf was showing her right now - sacrifice.
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Elizabeth Rudnick (Disney Frozen: A Frozen Heart)
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For the former, activity, any kind of activity, was an end in itself; for the latter, activity was but a progress toward the true end, which was rest, and peace of mind. Action was to be undertaken only when equilibrium was disturbed.
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Olaf Stapledon (Last and First Men)
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If you were smart," Genghis said, "you would have borrowed the silverware of one of your friends." "We never thought of that," Klaus said. When one is forced to tell atrocious lies, one often feels a guilty flutter in one's stomach, and Klaus felt such a flutter now. "You certainly are an intelligent man." "Not only am I intelligent," Genghis agreed, "but I'm also very smart.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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Either God is the universe, or he is the flavour of creativity pervading all things.
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Olaf Stapledon (Star Maker)
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Some people are worth melting for.
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Olaf the snowman
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Love is when you put someone else's need before yours
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Frozen movie Olaf
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Once more I struck out into the ocean of space, heading for another near star. Once more I was disappointed.
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Olaf Stapledon (Star Maker (S.F. MASTERWORKS Book 52))
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The precept, "Love thy neighbor as thyself," breeds in us most often the disposition to see one's neighbor merely as a poor imitation of oneself, and to hate him if he proves different.
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Olaf Stapledon
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Is the beauty of the Whole really enhanced by our agony? And is the Whole really beautiful? And what is beauty? Throughout all his existence man has been striving to hear the music of the spheres, and has seemed to himself once and again to catch some phrase of it, or even a hint of the whole form of it. Yet he can never be sure that he has truly heard it, nor even that there is any such perfect music at all to be heard. Inevitably so, for if it exists, it is not for him in his littleness. But one thing is certain. Man himself, at the very least, is music, a brave theme that makes music also of its vast accompaniment, its matrix of storms and stars. Man himself in his degree is eternally a beauty in the eternal form of things. It is very good to have been man. And so we may go forward together with laughter in our hearts, and peace, thankful for the past, and for our own courage. For we shall make after all a fair conclusion to this brief music that is man.
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Olaf Stapledon (Last and First Men)
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The Baudelaires looked at one another with bitter smiles. Sunny was right. It wasn't fair that their parents had been taken away from them. It wasn't fair that the evil and revolting Count Olaf was pursuing them wherever they went, caring for nothing but their fortune. It wasn't fair that they moved from relative to relative, with terrible things happening at each of their new homes, as if the Baudelaires were riding on some horrible bus that stopped only at stations of unfaireness and misery.
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Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
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If our bodies were different, though, our metaphors would be different, as Olaf Stapledon showed in Star Maker. Crabs walk sideways, for instance. If crabs could talk, they would undoubtedly describe progress in difficult negotiations as sidling toward agreement and express the hope for a better future by saying their best days are still beside them. Our bodies prime our metaphors, and our metaphors prime how we think and act.
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James Geary (I is an Other: The Secret Life of Metaphor and How it Shapes the Way We See the World)
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It was a still night, tinted with the promise of dawn. A crescent moon was just setting. Ankh-Morpork, largest city in the lands around the Circle Sea, slept. That statement is not really true On the one hand, those parts of the city which normally concerned themselves with, for example, selling vegetables, shoeing horses, carving exquisite small jade ornaments, changing money and making tables, on the whole, slept. Unless they had insomnia. Or had got up in the night, as it might be, to go to the lavatory. On the other hand, many of the less law-abiding citizens were wide awake and, for instance, climbing through windows that didn’t belong to them, slitting throats, mugging one another, listening to loud music in smoky cellars and generally having a lot more fun. But most of the animals were asleep, except for the rats. And the bats, too, of course. As far as the insects were concerned… The point is that descriptive writing is very rarely entirely accurate and during the reign of Olaf Quimby II as Patrician of Ankh some legislation was passed in a determined attempt to put a stop to this sort of thing and introduce some honesty into reporting. Thus, if a legend said of a notable hero that β€œall men spoke of his prowess” any bard who valued his life would add hastily β€œexcept for a couple of people in his home village who thought he was a liar, and quite a lot of other people who had never really heard of him.” Poetic simile was strictly limited to statements like β€œhis mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,” and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.
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Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
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Look!" Mr. Poe said, who was still too far to help but close enough to see. "Genghis has an eye tattoo, like Count Olaf! In fact, I think he IS Count Olaf!" "Of course he is!" Violet cried, holding up the unraveled turban. "Merd!" Sunny shrieked, holding up a tiny piece of shoelace. She meant something like "That's what we've been trying to tell you.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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Wealth was the power to set things and people in motion; and in America, therefore, wealth came to be frankly regarded as the breath of God, the divine spirit immanent in man. God was the supreme Boss, the universal Employer.
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Olaf Stapledon (Last and First Men: A Story of the Near and Far Future)
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A fair deal, as everyone knows, is when both people give something of more or less equal value. If you were bored with laying with your chemistry set, and you gave it to your brother in exchange for his dollhouse, that would be a fair deal. If someone offered to smuggle me out of the country in her sailboat, in exchange for free tickets to an ice show, that would be a fair deal. But working for years in a lumbermill in exchange for the owner's trying to keep Count Olaf away is an enormously unfair deal, and the three youngsters knew it.
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Lemony Snicket (The Miserable Mill (A Series of Unfortunate Events, #4))
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There are many, many types of books in the world, which makes good sense, because there are many, many types of people, and everybody wants to read something diferent. For instance, people who hate stories in which terrible things happen to small children should put this book down immediately. But one type of book that practically no one likes to read is a book about the law. Books about the law are notorious for being very long, very dull, and very difficult to read. This is one reason many lawyers make heaps of money. The money is an incentive - the word "incentive" here means "an offered reward to persuade you to do something you don't want to do" - to read long, dull, and difficult books. The Baudelaire children had a slightly different incentive for reading these books, of course. Their incentive was not heaps of money, but preventing Count Olaf from doing something horrible to them in order to get heaps of money. But even with this incentive, getting through the law books in Justice Strauss's private library was a very, very, very hard task. "Goodness," Justice Strauss said, when she came into the library and saw what they were reading. [...] "I thought you were interested in mechanical engineering, animals of North America, and teeth. Are you sure you want to read those enormous law books? Even I don't like reading them, and I work in law.
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Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
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I'm afraid it's not nonsense," Genghis said, shaking his turbaned head and continuing his story. "As I was saying before the little girl interrupted me, the baby didn't dash off with the other orphans. She just sat there like a sack of flour. So I walked over to her and gave her a kick to get her moving." "Excellent idea!" Nero said. "What a wonderful story this is! And then what happened?" "Well, at first it seemed like I'd kicked a big hole in the baby," Genghis said, his eyes shining, "which seemed lucky, because Sunny was a terrible athlete and it would have been a blessing to put her out of her misery." Nero clapped his hands. "I know just what you mean, Genghis," he said. "She's a terrible secretary as well." "But she did all that stapling," Mr. Remora protested. "Shut up and let the coach finish his story," Nero said. "But when I looked down," Genghis continued, "I saw that I hadn't kicked a hole in a baby. I'd kicked a hole in a bag of flour! I'd been tricked!" "That's terrible!" Nero cried.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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Though he was not as dastardly as EsmΓ© or Count Olaf or the hook-handed man, Jerome was still an ersatz guardian, because a real guardian is supposed to provide a home, with a place to sleep and something to wear, and all Jerome had given them in the end was "Good luck." Jerome reached the end of the block and turned left, and the Baudelaires were once again alone in the world.
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Lemony Snicket (The Ersatz Elevator (A Series of Unfortunate Events, #6))
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The true goal of human activity was the creation of a world-wide community of awakened and intelligently creative persons, related by mutual insight and respect, and by the common task of fulfilling the potentiality of the human spirit on earth.
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Olaf Stapledon (Star Maker)
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Oh, Star Maker, even if you destroy me, I must praise you. Even if you torture my dearest. Even if you torment and waste all your lovely worlds, the little figments of your imagination, yet I must praise you. For if you do so, it must be right. In me it would be wrong, but in you it must be right.
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Olaf Stapledon (Star Maker)
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And so we may go forward together with laughter in our hearts, and peace, thankful for the past, and for our own courage. For we shall make after all a fair conclusion to this brief music that is man.
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Olaf Stapledon (Last and First Men)
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Very soon the heavens presented an extraordinary appearance, for all the stars directly behind me were now deep red, while those directly ahead were violet. Rubies lay behind me, amethysts ahead of me.
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Olaf Stapledon (Star Maker)
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If one could know whether among that glittering host there were here and there other spirit-inhabited grains of rock and metal, whether man’s blundering search for wisdom and for love was a sole and insignificant tremor, or part of a universal movement!
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Olaf Stapledon (Star Maker)
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I'm afraid I'm not working out according to plan," he said. "But if I am really a person you shouldn't expect me to. Why did you make me without making a world for me to live in. It's as though God had made Adam and not bothered to make Eden, nor Eve. I think it's going to be frightfully difficult being me.
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Olaf Stapledon (Sirius)
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Henceforth the cosmos, once a swarm of blazing galaxies, each a swarm of stars, was composed wholly of star-corpses. These dark grains drifted through the dark void, like an infinitely tenuous smoke rising from an extinguished fire. Upon these motes, these gigantic worlds, the ultimate populations had created here and there with their artificial lighting a pale glow, invisible even from the innermost ring of lifeless planets.
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Olaf Stapledon (Star Maker)
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They tried picturing leaving Uncle Monty and living by themselves, trying to find jobs and take care of each other. It was a very lonely prospect. The Baudelaire children sat in sad silence awhile, and they were each thinking the same thing: They wished that their parents had never been killed in the fire, and that their lives had never been turned topsy-turvy the way they had. If only the Baudelaire parents were still alive, the youngsters wouldn't even have heard of Count Olaf, let alone have him settling into their home and undoubtedly making evil plants
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Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
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The universe now appeared to me as a void wherein floated rare flakes of snow, each flake a universe.
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Olaf Stapledon (Star Maker)
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As I'm sure you know, whenever you are examine someone else's belongings, you are bound to learn many interesting things about the person of which you were not previously aware. You might examine some letters you sister received recently, for instance, and learn that she was planning on running away with an archduke. You might examine the suitcase of another passenger on a train you are taking, and learn that he had been secretly photographing you for the past six months. I recently looked in the refrigerator of one of my enemies and learned she was a vegetarian, or at least pretending to be one, or had a vegetarian visiting her for a few days. And as the Baudelaire orphans examined some of the objets in Olaf's trunk, they learned a great deal of unpleasant things.
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Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
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There is much in this vision that will remind you of your mystics; yet between them and us there is far more difference than similarity, in respect both of the matter and the manner of our thought. For while they are confident that the cosmos is perfect, we are sure only that it is very beautiful. While they pass to their conclusion without the aid of intellect, we have used that staff every step of the way. Thus, even when in respect of conclusions we agree with your mystics rather than your plodding intellectuals, in respect of method we applaud most your intellectuals; for they scorned to deceive themselves with comfortable fantasies.
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Olaf Stapledon (Last and First Men)
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Homo sapiens is a spider trying to crawl out of a basin. The higher he crawls, the steeper the hill. Sooner or later, down he goes. So long as he's on the bottom, he can get along quite nicely, but as soon as he starts climbing, he begins to slip. And the higher he climbs the farther he falls. It doesn't matter which direction he tries. He can make civilization after civilization, but every time, long before he begins to be really civilized, skid!
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Olaf Stapledon (Odd John)
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The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church.
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Jason Born (The Norseman (The Norseman Chronicles, #1))
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A vision of the Shining One swirling into our world, a monstrous, glorious flaming pillar of incarnate, eternal Evil--of people passing through its radiant embrace into that hideous, unearthly life-in-death which I had seen enfold the sacrifices--of armies trembling into dancing atoms of diamond dust beneath the green ray's rhythmic death--of cities rushing out into space upon the wings of that other demoniac force which Olaf had watched at work--of a haunted world through which the assassins of the Dweller's court stole invisible, carrying with them every passion of hell--of the rallying to the Thing of every sinister soul and of the weak and the unbalanced, mystics and carnivores of humanity alike; for well I knew that, once loosed, not any nation could hold the devil-god for long and that swiftly its blight would spread!
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A. Merritt (The Moon Pool (Dr. Goodwin #1))
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It was strange to us that none of these three victims made any attempt to resist the attack. Indeed, not one inhabitant in any of these worlds considered for a moment the possibility of resistance. In every case the attitude to disaster seemed to express itself in such terms as these: "To retaliate would be to wound our communal spirit beyond cure. We choose rather to die. The theme of spirit that we have created must inevitably be broken short, whether by the ruthlessness of the invader or by our own resort to arms. It is better to be destroyed than to triumph in slaying the spirit. Such as it is, the spirit that we have achieved is fair; and it is indestructibly woven into the tissue of the cosmos. We die praising the universe in which at least such an achievement as ours can be. We die knowing that the promise of further glory outlives us in other galaxies. We die praising the Star Maker, the Star Destroyer.
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Olaf Stapledon (Star Maker)
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Well, Nero," Genghis said, "I just wanted to give you this rose-a small gift of congratulations for the wonderful concert you gave us last night!" "Oh, thank you," Nero said, taking the rose out of Genghis's hand and giving it a good smell. "I was wonderful, wasn't I?" "You were perfection!" Genghis said. "The first time you played your sonata, I was deeply moved. The second time, I had tears in my eyes. The third time, I was sobbing. The fourth time, I had an uncontrollable emotional attack. The fifth time-" The Baudelaires did not hear about the fifth time because Nero's door swung shut behind them.
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Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
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In every one of these "chrysalis" worlds thousands of millions of persons were flashing into existence, one after the other, to drift gropingly about for a few instants of cosmical time before they were extinguished. Most were capable, at least in some humble degree, of the intimate kind of community which is personal affection; but for nearly all of them a stranger was ever a thing to fear and hate. And even their intimate loving was inconstant and lacking in insight. Nearly always they were intent merely on seeking for themselves respite from fatigue or boredom, fear or hunger. Like my own race, they never fully awoke from the primeval sleep of the subman. Only a few here and there, now and then, were solaced, goaded, or tortured by moments of true wakefulness. Still fewer attained a clear and constant vision, even of some partial aspect of truth; and their half-truths they nearly always took to be absolute. Propagating their little partial truths, they bewildered and misdirected their fellow mortals as much as they helped them.
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Olaf Stapledon (Star Maker)
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I perceived that I was on a little round grain of rock and metal, filmed with water and with air, whirling in sunlight and darkness. And on the skin of that little grain all the swarms of men, generation by generation, had lived in labour and blindness, with intermittent joy and intermittent lucidity of spirit. And all their history, with its folk-wanderings, its empires, its philosophies, its proud sciences, its social revolutions, its increasing hunger for community, was but a flicker in one day of the lives of the stars.
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Olaf Stapledon (Star Maker)
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This microcosm was pregnant with the germ of a proper time and space, and all the kinds of cosmical beings. Within this punctual cosmos the myriad but not unnumbered physical centers of power, which men conceive vaguely as electrons, protons, and the rest, were at first coincident with one another. And they were dormant. The matter of ten million galaxies lay dormant in a point.
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Olaf Stapledon (Star Maker)
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The truth of the matter was something much more subtle and tremendous than any plain physical miracle could ever be. But never mind that. The important thing was that, when I did see the stars (riotously darting in all directions according to the caprice of their own wild natures, yet in every movement confirming the law), the whole tangled horror that had tormented me finally presented itself to me in its truth and beautiful shape. And I knew that the first, blind stage of my childhood had ended.
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Olaf Stapledon (Odd John)
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...the whole of American life was organized around the cult of the powerful individual, that phantom ideal which Europe herself had only begun to outgrow in her last phase. Those Americans who wholly failed to realize this ideal, who remained at the bottom of the social ladder, either consoled themselves with hopes for the future, or stole symbolical satisfaction by identifying themselves with some popular star, or gloated upon their American citizenship, and applauded the arrogant foreign policy of their government.
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Olaf Stapledon (Last and First Men)
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I see, indeed I know, that in some sense God is love, and God is wisdom, and God is creative action, yes and God is beauty; but what God actually is, whether the maker of all things, or the fragrance of all things, or just a dream in our own hearts, I have not the art to know. Neither have you, I believe; nor any man, nor any spirit of our humble stature.
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Olaf Stapledon (Sirius)
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They were a remarkable company, each one of them a unique person, yet characterized to some extent by his particular national type. And all were distinctively β€œscientists” of the period. Formerly this would have implied a rather uncritical leaning towards materialism, and an affectation of cynicism; but by now it was fashionable to profess an equally uncritical belief that all natural phenomena were manifestations of the cosmic mind. In both periods, when a man passed beyond the sphere of his own serious scientific work he chose his beliefs irresponsibly, according to his taste, much as he chose his recreation or his food.
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Olaf Stapledon (Last and First Men)
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In general the Star Maker, once he had ordained the basic principles of a cosmos and created its initial state, was content to watch the issue; but sometimes he chose to interfere, either by infringing the natural laws that he himself had ordained, or by introducing new emergent formative principles, or by influencing the minds of the creatures by direct revelation. This according to my dream, was sometimes done to improve a cosmical design; but, more often, interference was included in his original plan.
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Olaf Stapledon (Star Maker)
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The older Puritans had trampled down all fleshly impulses; these newer Puritans trampled no less self-righteously upon the spiritual cravings. But in the increasingly spiritistic inclination of physics itself, Behaviorism and Fundamentalism had found a meeting place. Since the ultimate stuff of the physical universe was now said to be multitudinous and arbitrary β€œquanta” of the activity β€œspirits”, how easy was it for the materialistic and the spiritistic to agree? At heart, indeed, they were never very far apart in mood, though opposed in doctrine. The real cleavage was between the truly spiritual view on the one hand, and the spiritistic and materialistic on the other. Thus the most materialistic of Christian sects and the most doctrinaire of scientific sects were not long in finding a formula to express their unity, their denial of all those finer capacities which had emerged to be the spirit of man.
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Olaf Stapledon (Last and First Men)
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But what a universe, anyhow! No use blaming human-beings for what they were. Everything was made so that it had to torture something else. Sirius himself was no exception, of course. Made that way! Nothing was responsible for being by nature predatory on other things, dog on rabbit and Argentine beef, man on nearly everything, bugs and microbes on man, and of course man himself on man. (Nothing but man was really cruel, vindictive, except perhaps the loathly cat). Everything desperately struggling to keep its nose above water for a few breaths before its strength inevitably failed and down it went, pressed under by something else. And beyond, those brainless, handless idiotic stars, lazing away so importantly for nothing. Here and there some speck of a planet dominated by some half-awake intelligence like humanity. And here and there on such planets, one or two poor little spirits waking up and wondering what in the hell everything was for, what it was all about, what they could make of themselves; and glimpsing in a muddled way what their potentiality was, and feebly trying to express it, but always failing, always missing fire, and very often feeling themselves breaking up as he himself was doing. Just now and then they might feel the real thing, in some creative work, or in sweet community with another little spirit, or with others. Just now and then they seemed somehow to create or to be gathered up into something lovelier than their individual selves, something which demanded their selves’ sacrifice and yet have their selves new life. But how precariously, torturingly; and only just for a flicker of time! Their whole life-time would only be a flicker in the whole of titanic time. Even when all the worlds have frozen or exploded, and all the suns gone dead and cold there’ll still be time. Oh God, what for?
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Olaf Stapledon (Sirius)
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But in truth the eternal spirit was ineffable. Nothing whatever could be truly said about it. Even to name it "spirit" was perhaps to say more than was justified. Yet to deny it that name would be no less mistaken; for whatever it was, it was more, not less, than spirit, more, not less, than any possible human meaning of that word. And from the human level, even from the level of a cosmical mind, this "more," obscurely and agonizingly glimpsed, was a dread mystery, compelling adoration.
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Olaf Stapledon (Star Maker)
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In this world, as in our own, nearly all the chief means of production, nearly all the land, mines, factories, railways, ships, were controlled for private profit by a small minority of the population. These privileged individuals were able to force the masses to work for them on pain of starvation. The tragic farce inherent in such a system was already approaching. The owners directed the energy of the workers increasingly towards the production of more means of production rather than to the fulfilment of the needs of individual life. For machinery might bring profit to the owners; bread would not. With the increasing competition of machine with machine, profits declined, and therefore wages, and therefore effective demand for goods. Marketless products were destroyed, though bellies were unfed and backs unclad. Unemployment, disorder, and stern repression increased as the economic system disintegrated. A familiar story! As conditions deteriorated, and the movements of charity and state-charity became less and less able to cope with the increasing mass of unemployment and destitution, the new pariah-race became more and more psychologically useful to the hate-needs of the sacred, but still powerful, prosperous. The theory was spread that these wretched beings were the result of secret systematic race-pollution by riff-raff immigrants, and that they deserved no consideration whatever. They were therefore allowed only the basest forms of employment and the harshest conditions of work. When unemployment had become a serious social problem, practically the whole pariah stock was workless and destitute. It was of course easily believed that unemployment, far from being due to the decline of capitalism, was due to the worthlessness of the pariahs.
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Olaf Stapledon (Star Maker (S.F. MASTERWORKS Book 52))