Oil Lamp Quotes

Love cannot endure indifference. It needs to be wanted. Like a lamp, it needs to be fed out of the oil of another's heart, or its flame burns low.

To keep a lamp burning, we have to keep putting oil in it.

If we want a love message to be heard, it has got to be sent out. To keep a lamp burning, we have to keep putting oil in it.

In the past, the poverty they shared had a certain sweetness about it. When the end of the day came and they would eat their dinner in silence with the oil lamp between them, there was a secret joy in such simplicity, such retrenchment.

Life is like the oil within a lamp. It can be measured, but the pace at which it burns depends on how the dial is turned day by day, how bright and fierce the flame. And there is no predicting whether the lamp might be knocked to the ground and shatter, when it could have blazed on a great while longer. Such is the unpredictability of life.

The stars, that nature hung in heaven, and filled their lamps with everlasting oil, give due light to the misled and lonely traveler".

We Orientals tend to seek our satisfactions in whatever surroundings we happen to find ourselves, to content ourselves with things as they are; and so darkness causes us no discontent, we resign ourselves to it as inevitable. If light is scarce, then light is scarce; we will immerse ourselves in the darkness and there discover its own particular beauty. But the progressive Westerner is determined always to better his lot. From candle to oil lamp, oil lamp to gaslight, gaslight to electric light—his quest for a brighter light never ceases, he spares no pains to eradicate even the minutest shadow.

We have a lamp inside us. The oil of that lamp is our breathing, our steps, and our peaceful smile. Our practice is to light up the lamp.

There are people whose death agonies begin at the age of twenty, while others die only at the very end, calmly and peacefully, like a lamp in which all the oil has been consumed.

He felt so lost, he said later, that the familiar studio felt like a haunted valley deep in the mountains, with the smell of rotting leaves, the spray of a waterfall, the sour fumes of fruit stashed away by a monkey; even the dim glow of the master's oil lamp on its tripod looked to him like misty moonlight in the hills.

There is love like a small lamp, which goes out when the oil is consumed; or like a stream which dries up when it doesn't rain. But there is a love that is like a mighty spring gushing up out of the earth; it keeps flowing forever, and is inexhaustible.

The storm had caused the power to go out; the streets were buried in a liquid darkness speckled here and there with the light cast by oil lamps or candles from balconies and doors.

A Babylonian in 1750 BCE would have had to labor fifty hours to spend one hour reading his cuneiform tablets by a sesame-oil lamp. In 1800, an Englishman had to toil for six hours to burn a tallow candle for an hour. (Imagine planning your family budget around that—you might settle for darkness.) In 1880, you’d need to work fifteen minutes to burn a kerosene lamp for an hour; in 1950, eight seconds for the same hour from an incandescent bulb; and in 1994, a half-second for the same hour from a compact fluorescent bulb—a 43,000-fold leap in affordability in two centuries. And the progress wasn’t finished: Nordhaus published his article before LED bulbs flooded the market. Soon, cheap, solar-powered LED lamps will transform the lives of the more than one billion people without access to electricity, allowing them to read the news or do their homework without huddling around an oil drum filled with burning garbage.

The soul is like a glass lamp, and knowledge Is light (-giving fire), and the wisdom of God is the oil. If it is lit, you are alive, And if it is darkened, you are dead,

Before Edison, and before gas and oil lamps, the setting sun would take with it this full stream of daylight from our eyes, sensed by the twenty-four-hour clock within the brain

Ridges of muscle on his stomach rose under his skin like divisions on a slab of chocolate. He held her close by the light of an oil lamp, and he shone as though he had been polished with a high-wax body polish.

Can you tell me why, when other spiders die small and soon, that one great spider lived for centuries in the tower of the old Spanish church and grew and grew, till, on descending, he could drink the oil of all the church lamps?

Then the oil from the coach-lamps ignites and there is a second explosion, out of which rolls - because there are certain conventions, even in tragedy - a burning wheel.

Lamp burns through the inputs of small oil drops. Compassion grows through small acts of kindness.

The teardrops caught the reflection of of my oil lamp and showed every color in the spectrum.

What a ruler has to rely upon is only the human heart. Human hearts are to the ruler what roots are to a tree, what oil is to a lamp, water to fish, fields to a farmer, or money to a merchant.

Leanne lighted an oil lamp and they continued until the moment came to receive the baby. 'Erzulie, mother loa, help it be born,' Tete prayed aloud. 'Saint Raymond Nonatus, pay attention, do not let an African saint get ahead of you,' Leanne answered in the same tone, and they both burst out laughing.

Annamaria had preferred oil rather than electric lamps. She said that sunshine grows plants, the plants express essential oils, and years later those oils fire the lamps - giving back 'the light of the other days'.

Be like a servant waiting for the return of the master,” says Jesus. The servant does not know at what hour the master is going to come. So he stays awake, alert, poised, still, lest he miss the master’s arrival. In another parable, Jesus speaks of the five careless (unconscious) women who do not have enough oil (consciousness) to keep their lamps burning (stay present) and so miss the bridegroom (the Now) and don’t get to the wedding feast (enlightenment). These five stand in contrast to the five wise women who have enough oil (stay conscious).

Lantern-shine, dim but kind— No starkness in darkness— Even I please the eye. Outside, wind and rain, Weather’s fitful wax and wane. Tomorrow’s sun will reveal What night conceals. All we lack, regret, know, Forgotten in lamp-oil glow.

Bob slid his chair back and moved the coal-oil lamp from the kitchen to the sitting room. He said, "Oftentimes things seem impossible up until they're attempted." Then he lidded the chimney glass with his palm and suffocated the light.

Some of these beginners, too, make little of their faults, and at other times become over-sad when they see themselves fall into them, thinking themselves to have been saints already; and thus they become angry and impatient with themselves, which is another imperfection. Often they beseech God, with great yearnings, that He will take from them their imperfections and faults, but they do this that they may find themselves at peace, and may not be troubled by them, rather than for God's sake; not realizing that, if He should take their imperfections from them, they would probably become prouder and more presumptuous still. They dislike praising others and love to be praised themselves; sometimes they seek out such praise. Herein they are like the foolish virgins, who, when their lamps could not be lit, sought oil from others.

The lamp of divine guidance is in your hand. Pour the oil of faith in it. It doesn't illuminate the whole path at once. It guides you one step at a time.

The mind of age is like a lamp Whose oil is running thin; One moment it is shining bright, Then darkness closes in.

May I have this damaged bunch for two cents? Speak strongly and it shall be yours for two cents. That is a saved penny that you put in the star bank...Suffer the cold for an hour. Put a shawl around you. Sai, I am cold because I am saving to buy land. That hour will save you three cents' worth of coal... When you are alone at night, do not light the lamp. Sit in the darkness and dream awhile. Reckon out how much oil you saved and put its value in pennies in the bank. The money will grow. Someday there will be fifty dollars and somewhere on this long island is a piece of land that you may buy for that money.

Most of the world is either asleep or dead. The religious people are, for the most part, asleep. The irreligious are dead. Those who are asleep are divided into two classes, like the Virgins in the parable, waiting for the Bridegroom's coming. The wise have oil in their lamps. That is to say they are detached from themselves and from the cares of the world, and they are full of charity. They are indeed waiting for the Bridegroom, and they desire nothing else but His coming, even though they may fall asleep while waiting for Him to appear. But the others are not only asleep: they are full of other dreams and other desires. Their lamps are empty because they have burned themselves out in the wisdom of the flesh and in their own vanity. When He comes, it is too late for them to buy oil. They light their lamps only after He has gone. So they fall asleep again, with useless lamps, and when they wake up they trim them to investigate, once again, the matters of a dying world.

He sighed and opened the black box and took out his rings and slipped them on. Another box held a set of knives and Klatchian steel, their blades darkened with lamp black. Various cunning and intricate devices were taken from velvet bags and dropped into pockets. A couple of long-bladed throwing tlingas were slipped into their sheaths inside his boots. A thin silk line and folding grapnel were wound around his waist, over the chain-mail shirt. A blowpipe was attached to its leather thong and dropped down the back of his cloak; Teppic picked a slim tin container with an assortment of darts, their tips corked and their stems braille-coded for ease of selection in the dark. He winced, checked the blade of his rapier and slung the baldric over his right shoulder, to balance the bag of lead slingshot ammunition. As an afterthought he opened his sock drawer and took a pistol crossbow, a flask of oil, a roll of lockpicks and, after some consideration, a punch dagger, a bag of assorted caltrops and a set of brass knuckles. Teppic picked up his hat and checked it's lining for the coil of cheesewire. He placed it on his head at a jaunty angle, took a last satisfied look at himself in the mirror, turned on his heel and, very slowly, fell over.

With snow piling all round the door And many a log on the stove Where the chickadee's singing a comforting song: "I'm sure it's you that I love." O let the wolves howl, they won't find us here By soft oil lamp we will lie Now winter is nigh let us fly to my log cabin home in the sky.

Often, after extinguishing the oil lamp in our house on stilts, we would lie on our beds and smoke in the dark. Book titles poured from our lips, the mysterious and exotic names evoking unknown worlds. It was like Tibetan incense, where you need only say the name, Zang Xiang, to smell the subtle, refined fragrance and to see the joss sticks sweating beads of scented moisture which, in the lamplight, resemble drops of liquid gold.

The word of God directs us in our work and way, and a dark place indeed the world would be without it. The commandment is a lamp kept burning with the oil of the Spirit, as a light to direct us in the choice of our way, and the steps we take in that way.

Canary light of oil lamps

An oil lamp lit a woman's body. Lee could feel desire for the woman through the other's body. 'I'm not queer,' he thought. 'I'm disembodied

Grabbing the doorknob, he twists, breaking the lock and shoving the door open. I’m just stepping off Trixie Skillz when I notice the hazy glow of an oil-lamp coming from inside, the flame turned way down low. Reclining on the couch next to it is an old woman, her white hair cropped close to her head, her spectacles perched low on her nose. She peers over them at us, the book in her hands entirely forgotten. We crashed the house of someone’s grandma. Just when I thought we were fresh out of horrors, another one comes. “We have nothing of any value, I assure you,” she says, her voice surprisingly steady for someone who thinks their home is being invaded. “I am not here for your things,” Pestilence says. “I am here for your hospitality.” The woman squints curiously at the horseman. Setting her book aside, she rises to her feet. Age has made her soft and plump, but there’s a certain quiet strength to her. “Ruth,” a thin, raspy voice calls from another room in the house, “who’s at the door?” Did he miss the part where we broke into their home? Ruth’s gaze stays on Pestilence for a long time, moving from his bow and quiver to his crown, before settling on his face. “I believe it’s one of the Four Horsemen, dear.” Her eyes flick to me. “And he’s brought with him a lady friend.

People are prepared for everything except for the fact that beyond the darkness of their blindness there is a great light. They are prepared to go on breaking their backs plowing the same old field until the cows come home without seeing, until they stub their toes on it, that there is a treasure buried in that field rich enough to buy Texas. They are prepared for a God who strikes hard bargains but not for a God who gives as much for an hour’s work as for a day’s. They are prepared for a mustard-seed kingdom of God no bigger than the eye of a newt but not for the great banyan it becomes with birds in its branches singing Mozart. They are prepared for the potluck supper at First Presbyterian but not for the marriage supper of the Lamb, and when the bridegroom finally arrives at midnight with vine leaves in his hair, they turn up with their lamps to light him on his way all right only they have forgotten the oil to light them with and stand there with their big, bare, virginal feet glimmering faintly in the dark.

The physician said some women don't take to childbirth. Something about too much excitement laid upon the female sensibility. She wasn't herself afterward. The female mind is delicate as it is, you know. She changed during her confinement. She was less biddable, more excitable. More given to hysterics." Harcroft shrugged. The gesture conveyed helplessness, and Kate's lip curled. Helpless, Harcroft was not. Kate suppressed the urge to lift the nearby oil lamp with her delicate, female hands. She felt excited and unbiddable right now;why, she might slip and use her own delicate, female sensibility to bash all that heavy brass into his head.

Oil lamps and candles guttered in front of smeared looking glasses, and men and women were taking off their makeup and costumes with no regard to the proprieties of gender. I averted my eyes. My friend seemed unperturbed.

The room was lit with small reading lamps and there were books everywhere: piled on the coffee table, under the coffee table, on the sofa and under it, too. Books were stacked up the stairs and through the hall. Fern could see a small forest of books in the kitchen, books stacked on the table, the counters, like dishes in the the dish rack. Books lined every wall so that you couldn't see the walls at all. In fact, a mirror had been hung over the books as if the wall were made of books. And the oil paintings, which hung over the stacked books, depicted books.

What we need is to love without getting tired. How does a lamp burn? Through the continuous input of small drops of oil. What are these drops of oil in our lamps? They are the small things of daily life: faithfulness, small words of kindness, a thought for others, our way of being silent, of looking, of speaking, and of acting. Do not look for Jesus away from yourselves. He is not out there; He is in you. Keep your lamp burning, and you will recognize Him.

He got up. It was too early to go to bed; at least, he was not in the mood for it. He pined for a bit of amusement - something cheap and easy. A seat in the pictures, cigarettes, beer. Useless! No money to pay for any of them. He would read KING LEAR and forget this filthy century. Finally, however, it was THE ADVENTURES OF SHERLOCK HOLMES that he took from the mantelpiece. SHERLOCK HOLMES was his favorite of all books, because he knew it by heart. The oil in the lamp was giving out and it was getting beastly cold. Gordon dragged the quilt from his bed, wrapped it round his legs and sat down to read. His right elbow on the table, his hands under his coat to keep them warm, he read through "The Adventure of the Speckled Band." The little gas-mantle sighed above, the circular flame of the oil-lamp burned low, a thin bracket of fire, giving out no more heat than a candle.

boats, oil lamps, bows and arrows and needles (essential for sewing warm clothing). The first objects that can reliably be called art date from this era (see the Stadel lion-man), as does the first clear evidence for religion, commerce and social stratification.

The Cardinal was bent over his writing desk, the room unchanged save for the light of what appeared a small antique oil lamp. And there were illuminated letters in the book before him, tiny figures fitted into the capitals, the whole gleaming as he let his hand, quivering, turn the page. "Ah, think of it," he said, smiling as he saw Tonio, "written language the possession of those who took such pains to preserve it. I am forever entranced with the forms in which knowledge is given us, not by nature, but by our fellow man.

So many people think Hanukkah is about miracles. But Hanukkah is really about fighting for the things you believe in. Everybody focuses on the oil, but there would have been no oil, no lamp and no miracle had the Maccabees not taken up arms and stormed that darn temple. That’s the thing people forget about Hanukkah. We make our own miracles, Rachel-la. We’re in charge of creating our own happy endings.

Do you know all the mystery of life and death? Do you know the altogether of comparative anatomy and can say wherefore the qualities of brutes are in some men, and not in others? Can you tell me why, when other spiders die small and soon, that one great spider lived for centuries in the tower of the old Spanish church and grew and grew, till, on descending, he could drink the oil of all the church lamps?

But it was enough if, in my own bed, my sleep was deep and allowed my mind to relax entirely; then it would let go of the map of the place where I had fallen asleep and, when I woke in the middle of the night, since I did not know where I was, I did not even understand in the first moment who I was; all I had, in its original simplicity, was the sense of existence as it may quiver in the depths of an animal; I was more bereft than a caveman; but then the memory - not yet of the place where I was, but of several of those where I had lived and where I might have been - would come to me like help from on high to pull me out of the void from which I could not have got out on my own; I passed over centuries of civilization in one second, and the image confusedly glimpsed of oil lamps, then of wing-collar shirts, gradually recomposed my self's original features.

Wisdom is the lamp of love, and love is the oil of the lamp. Love, sinking deeper, grows wiser; and wisdom that springs up aloft comes ever the nearer to love. Love is the food of wisdom; wisdom the food of love; a circle of light within which those who love, clasp the hands of those who are wise.

Leanne lighted an oil lamp and they continued until the moment came to receive the baby. “Erzulie, mother loa, help it be born,” Tété prayed aloud. “Saint Raymond Nonatus, pay attention, do not let an African saint get ahead of you,” Leanne answered in the same tone, and they both burst out laughing.

As he stood in the red light of the oil-lamp, strong, tall, and beautiful, his long black hair sweeping over his shoulders, the knife swinging at his neck, and his head crowned with a wreath of white jasmine, he might easily have been mistaken for some wild god of a jungle legend. -"Son," she said at last,—her eyes were full of pride,—"have any told thee that thou art beautiful beyond all men?" "Hah?" said Mowgli, for naturally he had never heard anything of the kind.

When I change I change fast. The moon drags the whatever-it-is up from the earth and it goes through me with crazy wriggling impatience. I picture it as an electrical discharge, entering at my soles and racing upwards in haywire detonations that shock the bones and explode the neurons. The magic's dark red, violent, compressed. I get random flashes of mundane memory-- pushing a shopping cart around Met Foods; opening my apartment window; standing on a subway platform; saying to someone, No, that's carbohydrates in the evenings-- intercut with images of the kills; a white male body on an oil-stained warehouse floor; a solitary trailer with a storm lamp burning; a female thigh releasing a dark arc of blood; my clawed hand scooping out a still-hot heart. This is the Curse's neatest trick: one type of memory doesn't destroy the other. It's still you. It's still all you. You wouldn't think you were built to bear such opposites, but you are. You'd think the system would crash, but it doesn't.

But something she yearned for by which her life might be filled with action at once rational and ardent; and since the time was gone by for guiding visions and spiritual directors, since prayer heightened yearning but not instruction, what lamp was there but knowledge? Surely learned men kept-the only oil; and who more learned than Mr. Casaubon? Thus

The oils we used on our torches and in our lamps have kept the darkness of night and predators at bay in our corporate and singular lives. Residual oil was even found in our ancestors’ campfires that were most likely from a meal shared in common around said fire. Oil was in one sense a residual and sign of community and social and cooperative sharing.

Just as the lamp burns bright when wick and oil are clean, so is it with our minds.

To keep a lamp burning we have to keep putting oil in it. MOTHER TERESA

God, so long worshipp’d, departs as a lamp / Without oil.

The sun grows the plants. The plants express essential oils. And the oils fire the lamps—giving back the light of other days.

I separated the fat from the meat served to me, melted it, and so made oil—here is my lamp.” So saying, the abbe exhibited a sort of torch very similar to those used in public illuminations.

worry and anxiety are sand in the machinery of life, and faith is the oil” arrived at the crockery stalls as “Oh ye of little faith, your head is full of sand and there’s no oil in your lamp.

Such is the beauty of unshackled love. It is the beacon that finds lost sheep, the oil that fills virgins’ lamps, the seed sown on fertile soil. A heart in chains is a slave to passion. It moves and breathes by the will of another. But when it is set free, true love abounds, for the will of another can never dictate love’s free choice. Jesus said, ‘If the Son shall set you free, you shall be free indeed.’ Glorious freedom! Oh, let my heart ever be unshackled! My body, my words, and my thoughts are all His. I freely set my heart in His hands, and I have no other true love.

How I long for the months gone by, for the days when God watched over me, when his lamp shone on my head and by his light I walked through darkness! Oh, for the days when I was in my prime, when God’s intimate friendship blessed my house, when the Almighty was still with me and my children were around me, when my path was drenched with cream and the rock poured out for me streams of olive oil.

There I was out in the barn playing midwife to a pregnant mare. I remember sitting there, spinning yarn in the light of a little oil lamp, a city girl who knew nothing about farming, sitting on the deel beside that mother in pain, already beginning the birthing process. All around me there was darkness and perfect silence, except for the mother's pain. It was as if the war didn't exist in those hours.

We could buy a sewing machine and share it,” Charlene said. “We could buy cloth and spools of thread and paper patterns and spend pleasant winter evenings dressmaking together. Perhaps by the soft light from beautiful glass oil lamps. We could sit in a pool of golden light from the beautiful glass oil lamps and our silver needles would glimmer and flash as we bowed our heads to the simple yet honest work.” But

There was someone in his little attic room. Geralt knew it before he even reached the door, sensing it through the barely perceptible vibration of his medallion. He blew out the oil lamp which had lit his path up the stairs, pulled the dagger from his boot, slipped it into the back of his belt and pressed the door handle. The room was dark. But not for a witcher. He was deliberately slow in crossing the threshold; he closed the door behind him carefully. The next second he dived at the person sitting on his bed, crushed them into the linen, forced his forearm under their chin and reached for his dagger. He didn't pull it out. Something wasn't right. “Not a bad start,” she said in a muffled voice, lying motionless beneath him. “I expected something like this, but I didn't think we'd both be in bed so quickly. Take your hand from my throat please.” “It's

It is impossible to know how many years a human will live, or in what manner they will die. Life is like the oil within a lamp. It can be measured, but the pace at which it burns depends upon how the dial is turned day by day, how bright and fierce the flame. And there is no predicting whether the lamp might be knocked to the ground and shatter, when it could have blazed on a great while longer. Such is the unpredictability of life. It is good you do not have many questions; I do not have any answers. A portion of the fuel, the life force that once belonged to you and Master Thorn—I hold it now within myself. That is all I can tell you. The rest remains uncertain.

What has he in his hand there?" cried Starbuck, pointing to something wavingly held by the German. "Impossible!—a lamp-feeder!" "Not that," said Stubb, "no, no, it's a coffee-pot, Mr. Starbuck; he's coming off to make us our coffee, is the Yarman; don't you see that big tin can there alongside of him?—that's his boiling water. Oh! he's all right, is the Yarman." "Go along with you," cried Flask, "it's a lamp-feeder and an oil-can. He's out of oil, and has come a-begging.

the only light came from a lamp which threw a sharp white circle on melted candles, computer cables, empty beer bottles and butane cans, oil pastels boxed and loose, many catalogues raisonnés, books in German and English including Nabokov’s Despair

In our witness, we are to shine not our own light but Christ's light. Just as a lamp requires oil, we depend on our fellowship with Christ and the Holy Spirit's enlivening ministry through God's Word in order that Christ's light may shine through us.

To get light from an oil lamp, filling it first with oil is entirely reasonable. To get a car to provide you with transportation, filling the tank with gas is completely logical. In the same way, divine logic affirms that obtaining righteousness from a man or woman happens only when that person is filled with God. Oil in the lamp, gas in the car … and Christ in the Christian. It takes God to be a man, and that is why it takes Christ to be a Christian, because Christ puts God back into a man, the only way we can again become functional.

We often forget that the Author of our faith must be the Preserver of it also. The lamp which was burning in the temple was never allowed to go out, but it had to be daily replenished with fresh oil; in like manner, our faith can only live by being sustained with the oil of grace,

Cosmo sank into a near trancelike state. The events of the past few days bounced around his head like blobs of oil in a lava lamp. Who was he now? Cosmo Hill fugitive no-sponsor, or Cosmo Hill Supernaturalist? Who was Cosmo Hill anyhow? A product of Clarissa Frayne, with no personality to speak of. Fourteen years old and he had never kissed a girl.

The night spent in the detention barracks will always be one of Schweik's fondest memories. Next door to Number 16 was a cell for solitary confinement, a murky den from which issued, during that night, the wailing of a soldier who was locked up in it and whose ribs were being systematically broken for some disciplinary offence. When the wailing stopped, there could be heard in Number 16 the crunching noise made by the fleas as they were caught between the fingers of the prisoners. Above the door in an aperture in the wall an oil lamp, provided with wire netting to protect it, gave a faint light and much smoke. The smell of the oil blended with the natural effluvia of unwashed bodies and with the stench from the bucket.

I was just settling into the salons of Austenian Bath when Gabriel muttered, "This is strange." I looked up to see him pulling a long blue-gray thread from between the nearly translucent pages. My jaw dropped, and I was kneeling on the chaise in a flash. "Is the binding coming loose? No, don't pull it! I can take it to my book doctor tomorrow night." "Stop hyperventilating, sweetheart. I think it's a bookmark," he said, pulling on the thread until he stretched it to my hand. "Here." I wound the thread around my finger. "What passage was it marking?" He scanned the page and lifted an eye. "It's an Edward and Jane scene. I know how you love those. Edward's saying, 'I sometimes have a queer feeling with regard to you---especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame.'" I was so caught up in watching his lips as they formed the words that I barely noticed the sudden tension on the fiber wound around my finger. I realized now that Gabriel had slipped a ring onto the thread and was sliding it toward me. I watched as the respectable diamond twinkled in the light of the oil lamp. "I'm not Edward, " Gabriel promised. "I'm not afraid the thread will break and leave me bleeding. Our thread's already been tested. And it will hold up. I'm asking you to make the link permanent. Please, marry me.

I left him and went up on deck to look out at the slithering city, its glitter of street lamps fizzy under the rain. There’s something wrong about a ship in dock, something pathetic, like a bird fluttering in a spill of oil. The Nova was tethered to her berth by ropes and chains, caught in a pool of greasy water. I could feel her shifting under my feet, tugging to be free.

No stories! No stories! Imagine a world without stories! But that’s exactly what you would have, if all the women were wise. The Wise Virgins keep their lamps trimmed and filled with oil, and the bridegroom arrives, in the proper way, knocking at the front door, in time for his dinner; no fuss, no muss, and also no story at all. What can be told about the Wise Virgins, such bloodless paragons? They bite their tongues, they watch their smart mouths, they sew their own clothing, they achieve professional recognition, they do every right thing without effort. Somehow they are insupportable: they have no narrative vices: their wise smiles are too knowing, too knowing about us and our stupidities. We suspect them of having mean hearts. They are far too clever, not for their own good but for ours.

If my friend asks me to sit in a temple belonging to a God that I do not know, because he needs a friend to sit with him, I will be happy to sit there in the foreign temple. Because the temple itself is an outer container only. What is the true religion? What is the inner oil contained by that outer container? The inner oil is the friendship I share with my friend. The true religion is being there to sit beside my friend. If I cannot do this for my friend, then how am I worthy to sit in any temple, whether belonging to a God that I know or to a God that I don't know? If there is no inner oil within my soul, I do not deserve to sit in any temple. Religion is the friendship within the heart, not the place where we sit on a holy day. Religion is the oil within the lamp, not the metal container we see as the lamp.

There is a sign above the door in the shape of a door key, on it the words KEYS CUT. There’ll be a high smell of creosote, oil, paraffin, lawn treatment stuff. There’ll be brushheads with handles, brushheads without handles, handles by themselves, for sale. What else? Rakes, spades, forks, a garden roller, a wall of stepladders, a tin bath full of bags of compost. Calor gas bottles, saucepans, frying pans, mopheads, charcoal, folding stools made of wood, a plastic bucket of plungers, stacked packs of sandpaper, sacks of sand in a wheelbarrow, metal doormats, axes, hammers, a camping stove or two, hessian carpet mats, stuff for curtains, stuff for curtain rails, stuff for screwing curtain rails to walls and pelmets, pliers, screwdrivers, bulbs, lamps, pails, pegs, laundry baskets. Saws, of all sizes. EVERYTHING FOR THE HOME.

Thus it was we entered a low eating-house on the lamplit shores of the river in a Moslem neighbourhood, a modest boxwood shanty having no walls at all, but sufficiently screened with hanging bags. There were several benches and three tables, and upon each table were oil-lamps which cast soft shadows on the haze of airborne cooking-fats and wood-smoke, and gently illuminating a dozen Africans at food; on the floor at the farther end were cooking-fires, and a fine diversity of smells arose from bubbling pots and sizzling pans. The chef was a robust ogre of glistening dark bronze with an incense pastille smouldering in his hair, a swearing, sweating Panta-gruel naked to the waist and stoking fires, lifting lids, and scooping out great globs of meat and manioc and fish: he might have been cooking skulls on the shores of River Styx.

At night at my desk in the shack I see the reflection of myself in the black window, a rugged faced man in a dirty ragged shirt, need-a-shave, frowny, lipped, eyed, haired, nosed, eared, handed, necked, adamsappled, eyebrowed, a reflection just with all behind it the void of 7000000000000 light years of infinite darkness riddled by arbitrary limited-idea light, and yet there’s a twinkle in me eye and I sing bawdy songs about the moon in the alleys of Dublin, about vodka hoy hoy, and then sad Mexico sundown-over-rocks songs about amor, corazón, and tequila - My desk is littered with papers, beautiful to look at thru half closed eyes the delicate milky litter of papers piled, like some old dream of a picture of papers, like papers piled on a desk in a cartoon, like a realistic scene from an old Russian film, and the oil lamp shadowing some in half -

The Eliots found it a queer sort of evening - a transition evening. Hitherto the Herb of Grace had been to them a summer home; they had known it only permeated with sun and light, flower-scented, windows and doors open wide. But now doors were shut, curtains drawn to hide the sad, grey dusk. Instead of the lap of the water against the river wall they heard the whisper of the flames, and instead of the flowers in the garden they smelt the roasting chestnuts, burning apple logs, the oil lamps, polish - all the home smells. This intimacy with the house was deepening; when winter came it would be deeper still. Nadine glanced over her shoulder at the firelight gleaming upon the dark wood of the panelling, at the shadows gathering in the corners, and marvelled to see how the old place seemed to have shrunk in size with the shutting out of the daylight. It seemed gathering them in, holding them close.

My furniture, part of which I made myself—and the rest cost me nothing of which I have not rendered an account—consisted of a bed, a table, a desk, three chairs, a looking-glass three inches in diameter, a pair of tongs and andirons, a kettle, a skillet, and a frying-pan, a dipper, a wash-bowl, two knives and forks, three plates, one cup, one spoon, a jug for oil, a jug for molasses, and a japanned lamp. None is so poor that he need sit on a pumpkin.

I’m sorry,” she said, wishing she could say something more meaningful. “I’m not. If he’d been a good uncle, I’d have stayed in Boston. Never would have found my way to San Francisco,” he said. Camille knew where the rest of his story led and grinned. “And you never would have rescued my father from a pickpocket,” she added. He started to laugh, a quiet, almost personal chuckle, like he was thinking about some funny memory. Camille caught the bug of laughter and wanted to join in. “What is it?” she asked. “Your father didn’t need a rescuer. He caught the pickpocket himself,” Oscar answered, a hand on his abdomen from all his laughter. “And then he invited him inside for dinner.” Her smile fell flat. She stared at him, trying to comprehend what he’d just said. “You?” she asked, dumbfounded. “You were the pickpocket?” Oscar nodded, scratching the back of his head. “Yeah. I wasn’t very good at it.” Her father could have had him arrested or shooed him away without thinking twice. But he’d invited Oscar inside. He gave him work, food…a real chance. “Why didn’t he tell me?” she asked, feeling like she’d been duped once again. All the lies her father had woven to cover up his secrets had become so frayed, Camille wondered if she had truly known him at all. “To give me a clean slate with everyone. Even you.” Oscar moved toward her in cautious, deliberate steps. “We’re alone. We should talk.” The pantry was cramped and dismal despite the oil lamp, and Camille had a sudden urge to flee. “About what?” she asked, her ears burning. She still reeled with the knowledge that the pickpocket story hadn’t been real, just like her mother’s story hadn’t been real. Oscar stopped within a few inches from her and reached a hand around her waist. “About our night together, Camille,” he answered, his dimples forming. “There’s a lot to say.

. . . and only as she leads him up the stairs does a voice in his head point out how this girl comes up to exactly where . . . and isn’t her profile just like . . . but now they’ve reached the room with its unclean sheets, its blood-colored oil lamp, its smell of rose water and dirty feet. In the intoxication of his young senses Lefty doesn’t pay attention to the growing similarities the girl’s disrobing reveals. His eyes take in the large breasts, the slim waist, the hair cascading down to the defenseless coccyx; but Lefty doesn’t make connections. The girl fills a hookah for him. Soon he drifts off, no longer hearing the voice in his head. In the soft hashish dream of the ensuing hours, he loses sense of who he is and who he’s with. The limbs of the prostitute become those of another woman. A few times he calls out a name, but by then he is too stoned to notice. Only later, showing him out, does the girl bring him back to reality. “By the way, I’m Irini. We don’t have a Desdemona here.

He saw a chamber, broad and low, designed, in its every rich stain of picture and slumberous hanging, to appeal to the sensuous. And here the scent was thick and motionless. Costly marqueterie; Palissy candlesticks reflected in half-concealed mirrors framed in embossed silver; antique Nankin vases brimming with pot-pourri; in one comer a suit of Milanese armour, fluted, damasquinee, by Felippo Negroli; in another a tripod table of porphyry, spectrally repeating in its polished surface the opal hues of a vessel of old Venetian glass half filled with some topaz-coloured liqueur - such and many more tokens of a luxurious aestheticism wrought in the observer an immediate sense of pleasurable enervation. He noticed, with a swaying thrill of delight, that his feet were on a padded rug of Astrakhan - one of many, disposed eccentrically about the yellow tassellated-marble floor; and he noticed that the sole light in the chamber came from an iridescent globed lamp, fed with some fragrant oil, that hung near an alcove traversed by a veil of dark violet silk. ("The Accursed Cordonnier")

Isn't it surprising what an array of things a woman can drag forth, burrowing into attics, rooms and nooks! Things long out of mind; an old thing; a worn-out thing; but it has lain in that room, nook or bag until just such a riot of soap and scrubbing brush brings it out. And, as I think of it, a human mind could, and should go through just such a ransacking, occasionally; for you don’t know half of what an accumulation of rubbish is kicking about, in its dark, musty corridors. Old fashions in thoughts; bigotry; vanity; all lying stagnant. So why not drag out and sort all that stuff, discarding all which is of no valuation? About half of us will find, in our minds, a room, having on its door a card, saying: “It Was Not So In My Day.” Go at that room, right off. That “My Day” is long past. “Today” is boss, now. If that “My Day” could crawl up on “Today,” what a mix-up in World affairs would occur! Ox cart against aircraft; oil lamps against arc lights! Slow, mail information against radio! But, as all this stuff is laid out, what will you do with it? Nobody wants it. So I say, burn it, and tomorrow morning, how happy you will find that musty old mind!

What an advantage that knowledge can be stored in books! The knowledge lies there like hermetically sealed provisions waiting for the day when you may need a meal. Surely what the Collector was doing as he pored over his military manuals, was proving the superiority of the European way of doing things, of European culture itself. This was a culture so flexible that whatever he needed was there in a book at his elbow. An ordinary sort of man, he could, with the help of an oil-lamp, turn himself into a great military engineer, a bishop, an explorer or a General overnight, if the fancy took him.

Anyone who had seen me reading would have compared me to a man dying of thirst who was gulping down some fresh, pure water... Lighting my lamp with extraordinary caution, I threw myself hungrily into the reading. An easy eloquence, effortless and animated, carried me from one page to the next without my noticing it. A clock struck off the hours in the silence of the shadows, and I heard nothing. My lamp began to run out of oil and produced only a pale light, but I still read on. I could not even take out time to raise the wick for fear of interrupting my pleasure. How those ideas rushed into my brain! How my intelligence adopted them!

It is a great pleasure to enter a Cretan peasant's home. Everything about you is patriarchal: the hearth, the oil-lamp, the earthenware jars lining the wall, a few chairs, a table and, on the left as you enter, in a hole in the wall, a pitcher of fresh water. From the beams hang strings of quinces, pomegranates and aromatic plants: sage, mint, red-peppers, rosemary and savoury. At the far end of the room a ladder or a few wooden steps lead up to the raised platform, where there is a trestle-bed and, above it, the holy icons with their lamps. The house appears empty, but it contains everything needful, so few in reality are the true necessities of man.

Now that is a sword,” Freddy said in awe as he went to look at an impressive saber hanging from the hat rack near the door. “Stay away from it,” she cautioned. “I’m sure it’s sharper than yours.” As usual, Freddy ignored her. “Just think what I could do with this,” he said as he lifted it off its hook. “So far I haven’t seen you do anything with a sword, my boy,” Oliver remarked dryly. “Though I shudder to think what your cousin would attempt.” Maria glared at Oliver, which only made him laugh. Meanwhile, Freddy unsheathed the saber with a flourish. “Curse it, Freddy, put it back,” Maria ordered. “What a fine piece of steel.” Freddy swished it through the air. “Even the one Uncle Adam gave me isn’t near so impressive.” Maria appealed to Oliver. “Do something, for pity’s sake. Make him stop.” “And get myself skewered for the effort? No, thank you. Let the pup have his fun.” Freddy cast him a belligerent glance. “You wouldn’t call me a pup if I came at you with this.” “No, I’d call you insane,” Oliver drawled. “But you’re welcome to try and see what happens.” Don’t encourage him,” Maria told Oliver. The door opened suddenly, and Freddy whirled with the sword in hand, knocking a lamp off the desk. As the glass chimney shattered, spilling oil in a wide arc, the wick lit the lot, and fire sprang to life. Maria jumped back with a cry of alarm while Oliver leaped out of his chair to stamp it out, first with his boots and then with his coat. A string of curses filled the air, most of them Oliver’s, though Freddy got in a few choice ones as the fire licked at his favorite trousers. When at last Oliver put the flames out and nothing was left but a charred circle on the wood floor, dotted with shards of glass, the three of them turned to the door to find a dark-haired man observing the scene with an expression that gave nothing away. “If you hoped to catch my attention,” he remarked, “you’ve succeeded.” “Mr. Pinter, I presume?” Oliver said, tossing his now ruined coat and singed gloves into a nearby rubbish pail. “I hope you’ll forgive us for the dramatic intrusion. I’m Stonevi-“ “I know who you are, my lord,” he interrupted. “It’s what you’re doing here setting fire to my office that I’m not certain of.

the bridegroom was delayed, they all became drowsy and slept. 6But at midnight there was a cry, ‘Here is the bridegroom! Come out to meet him.’ 7Then all those virgins rose and trimmed their lamps. 8And the foolish said to the wise, ‘Give us some of your oil, for our lamps are going out.’ 9But the wise answered, saying, ‘Since there will not be enough for us and for you, go rather to the dealers and buy for yourselves.’ 10And while they were going to buy, the bridegroom came, and those who were ready went in with him to the marriage feast, and the door was shut. 11Afterward the other virgins came also, saying, ‘Lord, lord, open to us.’ 12But he answered, ‘Truly, I say to you, I do not know you.’ 13Watch therefore, for you know neither the day nor the hour.

A kiss instead of a salutation, disrobing, the neon signs nullifying the effect of the extinguished lamp, the double bed with its superannauted spring squealing piteously, impatient hugs and kisses, the first cold contact of the skin of their bodies after the sweat had dried, the smell of flesh and pomade, endless groping for satisfaction filled with impatience for the same bodies, little screams belying masculine vanity, hands wet with hair oil.. Then the pitiable perspiration, the groping under pillows for cigarettes and matches, the faintly shining whites of eyes. Then the endless conversation surging as over a broken dam, and the descent to the childish play of satisfied, tests of strength in the dark night, stabs at wrestling, various other inanities....

What an advantage that knowledge can be stored in books! The knowledge lies there like hermetically sealed provisions waiting for the day when you may need a meal. Surely what the Collector was doing as he pored over his military manuals, was proving the superiority of the European way of doing things, of European culture itself. This was a culture so flexible that whatever he needed was there in a book at his elbow. An ordinary sort of man, he could, with the help of an oil-lamp, turn himself into a great military engineer, a bishop, an explorer or a General overnight, if the fancy took him. As the Collector pored over his manuals, from time to time rubbing his tired eyes, he knew that he was using science and progress to help him out of his difficulties and he was pleased. The inventions on his desk, the carriage which supplied its own track and the effervescent drinking vessel, watched him in silent admiration as he worked. The

Later, when they were quiet, he looked down at her where she lay. Stretched out alongside her, Arin propped himself up on one elbow. “I think that I’m not awake.” His fingertips floated over her: nose, eyelashes, messy braid, shoulder. “Beautiful.” She smiled. “Like you.” Arin made a skeptical cough, scrunched his face. He found the end of her braid and paintbrushed it across her cheek. “It’s true,” she told him. “You never believe me when I say it.” The lamp’s wick fizzed and sparked in its oil. It would soon go out. “I love your eyes,” she said. “I have from the start.” “They’re common.” “No, they’re not.” She traced his scarred face. “This.” He shivered. “I love this.” She bit him on the jaw. “And this.” She continued to touch him. “Really?” “Yes.” “This, too.” Not quite a question. “That, too.” She felt laughter travel through him, and something else, quieter and more intense. “Your mouth,” she said, “is not bad.” “Not bad?” “Quite tolerable.” He cocked one brow. “I’ll show you.” They stopped talking. In the morning, when Roshar saw their faces he rolled his eyes. “I want my tent back,” he said. Kestrel laughed.

When Kestrel opened her eyes, she was lying in her bed. Someone had built a fire, which sent ripples of orange light over the ceiling. An oil lamp burned on the night table, casting her father’s face into extremes of shadow and bone. He had drawn a chair close and perhaps had been sleeping in it, but his eyes were alert. “Your knee needs to be tapped,” he said. She looked at it. Someone--her father?--had cut away the right legging at her thigh, and below the sheared black cloth her knee was swollen to twice its normal size. It felt tight and hot. “I don’t know what that means,” Kestrel said, “but it doesn’t sound very nice.” “Irex dislocated your kneecap. It slipped back into place, but the blow must have torn your muscle. Your knee’s filling with blood. That’s what’s causing you so much pain: the swelling.” He hesitated. “I have some experience with this kind of wound, on the battlefield. I can drain it. You’ll feel better. But I would have to use a knife.” Kestrel remembered him cutting her mother’s arm, blood weaving through his fingers as he tried to close the wound. He looked at her now, and she thought that he was seeing the same thing, or seeing Kestrel remember it, and that they were mirroring each other’s nightmare. His gaze fell to his scarred hands. “I’ve sent for a doctor. You can wait until she comes, if you prefer.” His voice was flat, yet there was a small, sad note that probably only she would have heard. “I wouldn’t suggest this if I didn’t feel myself capable and if I didn’t think it would be better to do it now. But it’s your choice.” His eyes met hers. Something in them made her think that he would never have let Irex kill her, that he would have pushed into the ring and planted a blade in Irex’s back if he had thought his daughter might die, that he would have thrown away his honor with hers. Of course, Kestrel couldn’t be sure. Yet she nodded. He sent a slave for clean rags, which he eased under her knee. Then he went to the fire and held a small knife in the flames to sterilize it. He returned to her side, the blackened knife in his hand. “I promise,” he said, but Kestrel didn’t know whether he meant to say that he promised this would help her, or that he knew what he was doing, or that he would have saved her from Irex if she had needed saving. He slid the knife in, and she fainted again.

As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath. “Happy wedding,” he said sweetly, leaning against the wall of the barn and motioning toward the center with his eyes. My eyes adjusted to the light…and slowly focused on what was before me. It wasn’t a pug. It wasn’t a diamond or a horse or a shiny gold bangle…or even a blender. It wasn’t a love seat. It wasn’t a lamp. Sitting before me, surrounded by scattered bunches of hay, was a bright green John Deere riding lawn mower--a very large, very green, very mechanical, and very diesel-fueled John Deere riding lawn mower. Literally and figuratively, crickets chirped in the background of the night. And for the hundredth time since our engagement, the reality of the future for which I’d signed up flashed in front of me. I felt a twinge of panic as I saw the tennis bracelet I thought I didn’t want go poof, disappearing completely into the ether. Would this be how presents on the ranch would always be? Does the world of agriculture have a different chart of wedding anniversary presents? Would the first anniversary be paper…or motor oil? Would the second be cotton or Weed Eater string? I would add this to the growing list of things I still needed to figure out.

She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...

When a man is asleep, he has in a circle round him the chain of the hours, the sequence of the years, the order of the heavenly host. Instinctively, when he awakes, he looks to these, and in an instant reads off his own position on the earth’s surface and the amount of time that has elapsed during his slumbers; but this ordered procession is apt to grow confused, and to break its ranks. Suppose that, towards, morning, after a night of insomnia, sleep descends upon him while he is reading, in quite a different position from that in which he normally goes to sleep, he has only to lift his arm to arrest the sun and turn it back in its course, and, at the moment of waking, he will have no idea of the time, but will conclude that he has just gone to bed. Or suppose that he gets drowsy in some even more abnormal position; sitting in an armchair, say, after dinner: then the world will go hurtling out of orbit, the magic chair will carry him at full speed through time and space, and when he opens his eyes again he will imagine that he went to sleep months earlier in another place. But for me it was enough if, in my own bed, my sleep was so heavy as completely to relax my consciousness; for then I lost all sense of the place in which I had gone to sleep, and when I awoke in the middle of the night, not knowing where I was, I could not even be sure at first who I was; I had only the most rudimentary sense of existence, such as may lurk and flicker in the depths of an animal's consciousness; I was more destitute than the cave-dweller; but then the memory - not yet of the place in which I was, but of various other places where I had lived and might now very possibly be - would come like a rope let down from heaven to draw me up out of the abyss of not-being, from which I could never have escaped by myself: in a flash I would traverse centuries of civilisation, and out of a blurred glimpse of oil-lamps, then of shirts with turned-down collars, would gradually piece together the original components of my ego. Perhaps the immobility of the things that surround us is forced upon them by our conviction that they are themselves and not anything else, by the immobility of our conception of them. For it always happened that when I awoke like this, and my mind struggled in an unsuccessful attempt to discover where I was, everything revolved around me through the darkness: things, places, years. My body, still too heavy with sleep to move, would endeavour to construe from the pattern of its tiredness the position of its various limbs, in order to deduce therefrom the direction of the wall, the location of the furniture, to piece together and give a name to the house in which it lay. Its memory, the composite memory of its ribs, its knees, its shoulder-blades, offered it a whole series of rooms in which it had at one time or another slept, while the unseen walls, shifting and adapting themselves to the shape of each successive room that it remembered, whirled round it in the dark.

SERVANT. Have mercy upon your servant, my queen! QUEEN. The assembly is over and my servants are all gone. Why do you come at this late hour? SERVANT. When you have finished with others, that is my time. I come to ask what remains for your last servant to do. QUEEN. What can you expect when it is too late? SERVANT. Make me the gardener of your flower garden. QUEEN. What folly is this? SERVANT. I will give up my other work. I will throw my swords and lances down in the dust. Do not send me to distant courts; do not bid me undertake new conquests. But make me the gardener of your flower garden. QUEEN. What will your duties be? SERVANT. The service of your idle days. I will keep fresh the grassy path where you walk in the morning, where your feet will be greeted with praise at every step by the flowers eager for death. I will swing you in a swing among the branches of the saptaparna, where the early evening moon will struggle to kiss your skirt through the leaves. I will replenish with scented oil the lamp that burns by your bedside, and decorate your footstool with sandal and saffron paste in wondrous designs. QUEEN. What will you have for your reward? SERVANT. To be allowed to hold your little fists like tender lotus-buds and slip flower chains over your wrists; to tinge the soles of your feet with the red juice of ashoka petals and kiss away the speck of dust that may chance to linger there. QUEEN. Your prayers are granted, my servant, you will be the gardener of my flower garden.