Ogre Quotes

We've searched our database for all the quotes and captions related to Ogre. Here they are! All 100 of them:

You know, ogres only sound stupid. Most are pretty smart." "And it's a shallow person who judges anyone by the way they sound. I'm so shallow I'm surprised I don't reflect myself.
Tamora Pierce (First Test (Protector of the Small, #1))
If you're done playing with will-o'-the-wisps and kelpies, I think we should continue. Oh, but do tell me the next time you want to have tea with an ogre. I'll be sure to bring my club. -Puck
Julie Kagawa (The Iron King (The Iron Fey, #1))
You can love a monster, it can even love you back, but that doesn’t change its nature. This isn’t Beauty and the Beast where my kiss would transform the monster to a prince. If anything, it’s Shrek, and his kiss brings out the ogre in me.
Eliza Crewe (Crushed (Soul Eaters, #2))
Well, green is my favorite color.” “What type of green? Ogre green?” “Whatever shade your eyes are.
Hannah Grace (Wildfire (Maple Hills, #2))
Dream tonight of peacock tails, Diamond fields and spouter whales. Ills are many, blessings few, But dreams tonight will shelter you. Let the vampire's creaking wing Hide the stars while banshees sing; Let the ghouls gorge all night long; Dreams will keep you safe and strong. Skeletons with poison teeth, Risen from the world beneath, Ogre, troll, and loup-garou, Bloody wraith who looks like you, Shadow on the window shade, Harpies in a midnight raid, Goblins seeking tender prey, Dreams will chase them all away. Dreams are like a magic cloak Woven by the fairy folk, Covering from top to toe, Keeping you from winds and woe. And should the Angel come this night To fetch your soul away from light, Cross yourself, and face the wall: Dreams will help you not at all.
Thomas Pynchon
Favorite Quotations. I speak my mind because it hurts to bite my tongue. The worth of a book is measured by what you carry away from it. It's not over till it's over. Imagination is everything. All life is an experiment. What the caterpillar calls the end of the world, the master calls the butterfly.
Pat Frayne (Tales of Topaz the Conjure Cat: Part I Topaz and the Evil Wizard & Part II Topaz and the Plum-Gista Stone)
The Ogre does what ogres can, Deeds quite impossible for Man, But one prize is beyond his reach: The Ogre cannot master speech. About a subjugated plain, Among its desperate and slain, The Ogre stalks with hands on hips, While drivel gushes from his lips.
W.H. Auden (Selected Poems)
Tell me", he wanted to say, "everything in the whole world" - for he had the wildest, most absurd, extravagant ideas about poets and poetry - but how to speak to a man who does not see you? who sees ogres, satyrs, perhaps the depth of the sea instead?
Virginia Woolf (Orlando)
Is it a democratic society that condemns people to the accident of conception? What are we-monkeys? If you expect people to be responsible for their children, you have to give them the right to choose whether or not to have children. What are you people thinking of? You're not only crazy! You're ogres!
John Irving (The Cider House Rules)
That was the truth of magic—blood and guts and semen and spit, organs kept in jars, maps for hunting humans, the skulls of unborn infants. The problem wasn’t books and fairy tales, just that they told half the story, offering up the illusion of a world where only the villains paid in blood, the ogre stepmothers, the wicked stepsisters, where magic was just and without sacrifice.
Leigh Bardugo (Hell Bent (Alex Stern, #2))
At the front window was something that looked like a machine gun with a cluster of barrels. “Rocket launcher?” he wondered aloud. “Nope, nope! Potatoes. Ella doesn't like potatoes.” “Ella! Where are the others?” “Roof. Ogre-watching. Ella doesn't like ogres. Potatoes.” Potatoes? Frank didn't understand until he swiveled the machine gun around. Its eight barrels were loaded with spuds. At the base of the gun, a basket was filled with more edible ammunition… “They have cannonballs,” Frank said, “and we have a potato gun.” “Starch,” Ella said thoughtfully. “Starch is bad for ogres.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Hate eats the hater the way ogres eat little boys.
David Mitchell
Tea leaves thwart those who court catastrophe, designing futures where nothing will occur: cross the gypsy’s palm and yawning she will still predict no perils left to conquer. Jeopardy is jejune now: naïve knight finds ogres out-of-date and dragons unheard of, while blasé princesses indict tilts at terror as downright absurd.
Sylvia Plath
Mooooon!” said the Ogre. “Tranquility …” Then he pointed at the full moon. “Neil Armstrong walked in a sea of tranquility.” Then he added, “It’s made of cheese. But you have to take off the plastic before you put it on a burger.” Mikey sighed. “What’s his story?” the wraith asked. “He’s chocolate,” Mikey said.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
He was warrior and mystic, ogre and saint, the fox and the innocent, chivalrous, ruthless, less than a god, more than a man.
Frank Herbert (Dune (Dune, #1))
Nothing in this world was ever certain. Princes could become as frightening as ogres. Princesses could become villains. Best friends could become enemies.
Soman Chainani (A World without Princes (The School for Good and Evil, #2))
In fairy tales, there were always ogres or evil queens or circumstances to be overcome. But in real life, you could give everything you had, everything you were, for someone, and still fall short.
Kit Rocha (Beyond Innocence (Beyond, #6))
Always be wary of people who use quotes. I don't know who said that.' - Murdoc Niccals
Gorillaz (Gorillaz: Rise of the Ogre)
These days when you kiss a prince you often run the risk of turning him into a frog. But don't let the ogres in shining armor get you down. There is no need for distress - you don't want to be anyone's damsel anyway. Simply remind yourself that you are busy racking up those 'frequent failure points' that will eventually pay for an all expenses paid trip to Mr Right.
Anthon St. Maarten
I believe it was the great ogre philosopher Gary who observed that complexity is, generally speaking, an illusion of conscious desire. All things exist in as simple a form as necessity dictates. When a thing is labeled 'complex,' that's just a roundabout way of saying you're not observant enough to understand it.
A. Lee Martinez (In the Company of Ogres)
It's not ogre... it's never ogre... shrek is love... shrek is life.
Shrek is love Shrek is life
Here is a story that’s stranger than strange. Before we begin you may want to arrange: a blanket, a cushion, a comfortable seat, and maybe some cocoa and something to eat. I’ll warn you, of course, before we commence, my story is eerie and full of suspense, brimming with danger and narrow escapes, and creatures of many remarkable shapes. Dragons and ogres and gorgons and more, and creatures you’ve not even heard of before. And faraway places? There’s plenty of those! (And menacing villains to tingle your toes.) So ready your mettle and steady your heart. It’s time for my story’s mysterious start...
Robert Paul Weston (Zorgamazoo)
Allie took Nick and Mikey into the vault, and they sat there, a summit meeting of three questionable superpowers: a skinjacker, an ex-ogre, and a part-time monster.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
Sophie ignored the insult—but might’ve allowed herself half a smile when Ro coughed something that sounded like “awfully smug for a tiny hairless dude” from wherever the ogre princess had tucked herself away in the shadows.
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
We do not want joy and anger to neutralize each other and produce a surly contentment; we want a fiercer delight and a fiercer discontent. We have to feel the universe at once as an ogre's castle, to be stormed, and yet as our own cottage, to which we can return to at evening.
G.K. Chesterton (Orthodoxy)
According to Thomas, the city [of Bath] had once been a veritable hotbed of manifestations, with every sorcerer, bunyip, golem, goblin, pict, pixie, demon, thylacine, gorgon, moron, cult, scum, mummy, rummy, groke, sphinx, minx, muse, flagellant, diva, reaver, weaver, reaper, scabbarder, scabmettler, dwarf, midget, little person, leprechaun, marshwiggle, totem, soothsayer, truthsayer, hatter, hattifattener, imp, panwere, mothman, shaman, flukeman, warlock, morlock, poltergeist, zeitgeist, elemental, banshee, manshee, lycanthrope, lichenthrope, sprite, wight, aufwader, harpy, silkie, kelpie, klepto, specter, mutant, cyborg, balrog, troll, ogre, cat in shoes, dog in a hat, psychic and psychotic seemingly having decided that this was the hot spot to visit.
Daniel O'Malley (The Rook (The Checquy Files, #1))
He's not an ogre. Actually, at this point, he might think I'm the ogre.
Jamie McGuire (Beautiful Redemption (The Maddox Brothers, #2))
He laughs and I jiggle as his shoulders shake. "Well, green is my favorite color." "What type of green? Ogre green?" "Whatever shade your eyes are.
Hannah Grace (Wildfire (Maple Hills, #2))
In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.
Guillermo del Toro
She is crazy. Head to head with an ogre. Loony Lolli, Sketchy Dave, Crazy Val. You're all a bunch of freaks." Val made a formal bow, dipping her head in their direction, and then sat on the blanket. Loony Luis, more likely," Lolli said, kicking her flip-flop in his direction. Luis One-Eye," Dave said. Luis smirked. "Bug-head Dave." Princess Luis," Dave said. "Prince Valiant." Val laughed, thinking of the first time Dave had called her that. "How about Dreaded Dave?" Luis leaned over, grabbing his brother in a headlock, both of them rolling on the cloth, and said, "How about Baby Brother? Baby Brother Dave?" Hey," Lolli said. "What about me? I want to be a princess like Luis.
Holly Black (Valiant (Modern Faerie Tales, #2))
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
She wasn't the same girl she'd been the year before, who though failing out of Foxfire would be the end of the world. Now she'd been kidnapped, presumed dead, banished from the Lost Cities, and helped stop a plague from killing off the entire gnomish species. She'd even snuck into the ogres' capital and helped destroy half the city--which happened to be why the Council was struggling to negotiated a new elvin-ogre treaty.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
I was the kind of child who’d always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explanation.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
A hundred feet underground, in a fake field beneath a fake sky, with an ogre slaughtered like no more than a rat to a cat, and he sends us to search for the unusual.
Jim C. Hines (Goblin Quest (Jig the Goblin, #1))
This sounded the death knell of small family businesses, soon to be followed by the disappearance of the individual entrepreneur, gobbled up one by one by the increasingly hungry ogre of capitalism, and drowned by the rising tide of large companies.
Émile Zola (Germinal)
Ogres were wyldfae--they could work for either Winter or Summer, and they could have a range of personalities and temperaments running the gamut from jovially violent to maliciously violent.
Jim Butcher (Summer Knight (The Dresden Files, #4))
What were you thinking,sending that rabid monkey child to my school?" I shouted into my communicator. "Beg pardon?" Raquel asked. "Jack.My school.The girls' locker room. Ring any bells? If Carlee hadn't sworn to my ogre of a gym teacher that Jack was neither my boyfriend nor my brother, I probably would have been suspended!" "Your gym teacher is an ogre?" "Focus!If I get suspended,my grades take a hit. If my grades take a hit, I might not get into Georgetown. And I will get into Georgetown." "I'm pleased to see you finally taking ownership of your education. And I'm sorry about Jack;I asked him to contact you discreetly." "That boy wouldn't know discreet if it tap--danced on his stupid blond head." "Still,if this discreet were tap dancing,it wouldn't be very discreet,now, would it?
Kiersten White (Supernaturally (Paranormalcy, #2))
...delayed gratification? “Is that where I tie you to the bed, go out and kill a platoon of ogres before returning to have my wicked way with you?” “Sounds like we have our first anniversary plans already locked and loaded.
Jane Cousins (What's Up, Buttercup? (Vexatious Valkyries, #1))
Wasn't that how fairy tales worked? You told just enough of the terrible truth—There are cruel people. Not all parents love you.The world isn't fair by a long shot.—and you dressed it up in ogres and brave princesses and giants. Mostly, you reminded people that the evils of the world had to be fought. Even if you weren't sure you'd win. You still had to go into the monster's den. You had to face your fears. You still had to stand up to the monster.
Libba Bray (The King of Crows (The Diviners, #4))
Ned passed the next few minutes quietly not dying in his office, and was pleased with how well it was going. He'd stayed alive longer, but now that he was concentrating on it, it felt more like an accomplishment.
A. Lee Martinez (In the Company of Ogres)
Is there a relative value of beauty? Is evanescence - fleetingness - a necessary element of the thing that most moves us? A shooting star dazzles more than the sun. A child captivates like an elf, but grows into grossness, an ogre, a harpy. A flower splays itself into color - the lilies of the field! - more treasured than any painting of a flower. But of all these things, women's grace, shooting stars, flowers, and paintings, only a painting endures.
Gregory Maguire (Confessions of an Ugly Stepsister)
I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explanation.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
His last image of Grandmother was of her glaring out the window, as if thinking about the terrible scolding she would give the ogres when they invaded her home.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Plus, after the whole ogre king thing, you’re on pretty thin ice, y’know? I bet if you sneeze too loud, Bronte will call a Tribunal.
Shannon Messenger (Everblaze (Keeper of the Lost Cities, #3))
You really care for them, don't you? I wouldn't have expected it." "Well, to paraphrase a famous fictional ogre, dragons are like onions - we have layers.
Julie Kagawa (Talon (Talon, #1))
On No Work of Words On no work of words now for three lean months in the bloody Belly of the rich year and the big purse of my body I bitterly take to task my poverty and craft: To take to give is all, return what is hungrily given Puffing the pounds of manna up through the dew to heaven, The lovely gift of the gab bangs back on a blind shaft. To lift to leave from the treasures of man is pleasing death That will rake at last all currencies of the marked breath And count the taken, forsaken mysteries in a bad dark. To surrender now is to pay the expensive ogre twice. Ancient woods of my blood, dash down to the nut of the seas If I take to burn or return this world which is each man's work.
Dylan Thomas (Collected Poems)
Of all the places I have walked into, libraries must be the most magical. Have you ever opened the cover of a book and wondered what you would find inside? Where you would go? Whom you would meet? A story has the power to send you back in time or into the future, to transport you to other lands and kingdoms. I’ve met ogres, talking rabbits, and some of my best friends in the pages of books. Librarians might just have the best jobs ever. With each library card they hand out, they offer a ticket to strange and marvelous worlds. Open a book and, like Reading Beauty, you might fall under a spell—the magic of a deep read. But chances are, unlike the Sleeping Beauty of the original fairy tale, you will never want the spell to be broken.
Kimberly Long Cockroft (Reading Beauty)
It's the failure to see this planet as a single entity that causes so much pain so many times. You cannot attack one part of the world without it affecting the whole earth, the whole body. Attacking other cultures, other nations, is a self-destructive act. It always comes back on you in some way.
Gorillaz (Gorillaz: Rise of the Ogre)
Allow me to present myself, milady. I am Simon of Ravenswood, brother to the ogre, and your most fervent protector for this journey. (Simon) Wonderful. And pray tell who will protect her from your drooling? Should I have my squire fetch rags now, or should I wait until she starts to drown? (Draven)
Kinley MacGregor (Master of Desire (Brotherhood of the Sword, #1))
The adult world may seem a cold and empty place, with no fairies and no Father Christmas, no Toyland or Narnia, no Happy Hunting Ground where mourned pets go, and no angels - guardian or garden variety. But there are also no devils, no hellfire, no wicked witches, no ghosts, no haunted houses, no daemonic possession, no bogeymen or ogres. Yes, Teddy and Dolly turn out not to be really alive. But there are warm, live, speaking, thinking, adult bedf ellows to hold, and many of us find it a more rewarding kind of love than the childish affection for stuffed toys, however soft and cuddly they may be.
Richard Dawkins (Unweaving the Rainbow: Science, Delusion and the Appetite for Wonder)
I was the kind of child who always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explorations.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.” The
Norton Juster (The Phantom Tollbooth)
Witches, warlocks, gremlins, ogres - they're just words, labels. Haven't you noticed that when people are labelled, their faces disappear?
Anna Fienberg (Power to Burn)
Ogres weren’t dangerous only because of their size and their cruelty. They knew your secrets just by looking at you, and they used their knowledge.
Gail Carson Levine (Ella Enchanted)
We live in a shockingly beautiful world. We are walking through the living kingdom of heaven every day; the colours, the sound, the love of others, the potential to create, the plants, wildlife, nature, music, all sensations and life...but if we refuse to see colour and beauty we may as well be in Hell. Maybe an animated band was the best way of announcing this.
Gorillaz (Gorillaz: Rise of the Ogre)
Keefe tried to break the tension, pumping his fist and shouting, “LORD HUNKYHAIR LIVES! Say it now, Ro. Say it!” Ro said it, all right. Along with several ogre words that weren’t very nice.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
Yet the most terrifying thing about serial killers is that they are not shambling, jabbering ogres, but rational and calculating, impossible to tell from the general populace until it’s too late. 
Robert Keller (The Deadly Dozen: America's 12 Worst Serial Killers)
Trust the Oak,” said she; “trust the Oak, and the Elm, and the great Beech. Take care of the Birch, for though she is honest, she is too young not to be changeable. But shun the Ash and the Alder; for the Ash is an ogre,—you will know him by his thick fingers; and the Alder will smother you with her web of hair, if you let her near you at night.
George MacDonald (Phantastes)
Get out," said Freya. "What kind of woman do you think I am?" "But, My hammer," said Thor. "Shut up, Thor," said Loki. Thor shut up. They left. "She's very beautiful when she's angry," said Thor. "You can see why that ogre wants to marry her." "Shut up, Thor," said Loki again.
Neil Gaiman (Norse Mythology)
Quiet descended, a silence so consuming that even the drafty corridors ceased whistling. Bog wasn't certain where to look, so he solved the problem by plucking out his eyes and sticking them in a drawer.
A. Lee Martinez (In the Company of Ogres)
Look behind you now. Do you feel in your heart a slight hastening of its beat, and a powerful sense that something momentous is about to happen? ... Perhaps, then, this is the hour that Mary Hightower takes to the sky with thousands Afterlights heading toward Memphis. ... Perhaps this is the moment that Nick, the Chocolate Ogre, arrives in the same city in search for Allie, only to find that he has no idea where to look. ... Perhaps this is the very instant that a monster called the McGill arrives there as well, aching to ease his pain by sharing his misery - not only with his new minions, but with anyone he can. ... And perhaps you can sense, in some small twisting loop of your gut, the covergence of the wrong, of the right, and the woefully misguided. If you do, then pay sharp attention to the moment you wake, and the moment you fall asleep.... For maybe then you will know, without a shadow of doubt, which is which.
Neal Shusterman (Everwild (The Skinjacker Trilogy, #2))
Anyone who has an egg to watch over has a stake in the future, and the future--they were sure of it--was going to be good.
Eva Ibbotson (The Ogre of Oglefort)
Oh. My. God. I'd been dissed. Majorly. Because I was an ugly, disgusting ogre. Snot was probably pouring from my nostrils onto the ground.
Autumn Doughton
Cold is the ogre that drives all beautiful things into hiding
P.G. Wodehouse (Something New)
Dius gre gling minus gress” meant “Odious ogre ogling ominous ogress,” but only scholars knew it.
James Thurber (The Wonderful O)
Do you have children, Dominick?" "Nope." "Well if you did," she said, "you would most likely read them not only Curious George but also fables and fairy tales. Stories where humans outsmart witches, where giants and ogres are felled and good triumphs over evil. Your parents read them to you and your brother. Did they not?" "My mother did," I said. "Of course she did. It is the way we teach our children to cope with a world too large and chaotic for them to comprehend. A world that seems, at times, too random. Too indifferent. Of course, the religions of the world will do the same for you, whether you're a Hindu or a Christian or a Rosicrucian. They're brother and sister, really; children's fables and religious parables...
Wally Lamb (I Know This Much Is True)
All the great groups that stood about the Cross represent in one way or another the great historical truth of the time; that the world could not save itself. Man could do no more. Rome and Jerusalem and Athens and everything else were going down like a sea turned into a slow cataract. Externally indeed the ancient world was still at its strongest; it is always at that moment that the inmost weakness begins. But in order to understand that weakness we must repeat what has been said more than once; that it was not the weakness of a thing originally weak. It was emphatically the strength of the world that was turned to weakness and the wisdom of the world that was turned to folly. In this story of Good Friday it is the best things in the world that are at their worst. That is what really shows us the world at its worst. It was, for instance, the priests of a true monotheism and the soldiers of an international civilisation. Rome, the legend, founded upon fallen Troy and triumphant over fallen Carthage, had stood for a heroism which was the nearest that any pagan ever came to chivalry. Rome had defended the household gods and the human decencies against the ogres of Africa and the hermaphrodite monstrosities of Greece. But in the lightning flash of this incident, we see great Rome, the imperial republic, going downward under her Lucretian doom. Scepticism has eaten away even the confident sanity of the conquerors of the world. He who is enthroned to say what is justice can only ask: ‘What is truth?’ So in that drama which decided the whole fate of antiquity, one of the central figures is fixed in what seems the reverse of his true role. Rome was almost another name for responsibility. Yet he stands for ever as a sort of rocking statue of the irresponsible. Man could do no more. Even the practical had become the impracticable. Standing between the pillars of his own judgement-seat, a Roman had washed his hands of the world.
G.K. Chesterton (The Everlasting Man)
Latia returned, coming around the curve and stepping through the glass. "Yes, it's our path," she reported. "And it seems to be near the ogre fen." "Oh? How do you know?" Esk asked. "Oh, nothing specific. Trees twisted into pretzels, boulders cracked with hairy fist marks on them, dragons slinking about as if terrified of anything on two legs. Perhaps I am mistaken.
Piers Anthony (Vale of the Vole (Xanth #10))
The tendency is to view God as a cosmic ogre, bound and determined to administer well-deserved punishment; or we envision God as an eternal Mr. Rogers, eager to welcome us all to the neighborhood of the Kingdom.....Jesus however, lived with the dynamic tension of God's wrath and grace; in fact he embodied the paradox.
Marion L. Soards
He is a believer in life and he wants to go to Heaven but because he loves life so he embraces it so much he thinks he sins and will never see Heaven ... You could have ten thousand cold eyed Materialistic officials claim they love life too but can never embrace it so near sin and also never see Heaven - They will contemn the hot blooded life lover with their cold papers on a desk because they have no blood and therefore have no sin? No! They sin by lifelessness! They are the ogres of Law entering the Holy Realm of Sin!
Jack Kerouac (Desolation Angels)
True love was a time-honored way of escaping nearly everything—ogres, witches, bandits, tedious obligations. Her parents wouldn’t like it, but surely even they had to acknowledge that love conquered all.
Rachel Hartman (Tess of the Road (Tess of the Road, #1))
Okay,” Mr. Forkle said, clapping his hands, “that leaves us with a group of two goblins, an ogre, a Telepath, an Empath, a Vanisher, a Shade, a Hydrokinetic, a Technopath, a Mesmer, and a Pyrokinetic—and of course Miss Foster’s Telepath-Polyglot-Teleporter-Inflictor-Enhancer combination.” Ro blinked. “Wow. Now I get why everyone’s always trying to kill her.
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
She would have to ride the nightmare in her sleep. Only that would keep it material, or enable her to dematerialize with it.
Piers Anthony (Ogre, Ogre (Xanth #5))
We kissed and were wed.
Gail Carson Levine (Ogre Enchanted (Ella Enchanted, #0.5))
Most of it was boring stuff. Complaints he was getting about tomorrow’s healing. Something about Grady not making any progress on the dwarves. But there was one thing I knew I had to tell you. A goblin patrol found some new tracks outside the Sanctuary. They were far away from the gates, and whoever made them was only there briefly. But one of the footprints definitely belonged to an ogre.
Shannon Messenger (Everblaze (Keeper of the Lost Cities, #3))
It’s all about perspective, I suppose. As a rule, all of the various ogre breeds are on their best behavior here at the market.” “This one looks as though he would like to break that rule.” I swallowed. “He looks as though he would like to break it across my face.
William Ritter (The Map (Jackaby, #1.5))
Like a god, like an ogre? The personification of the natural is exactly the tendency I wish to suppress in myself, to eliminate for good. I am here not only to evade for a while the clamor and filth and confusion of the cultural apparatus but also to confront, immediately and directly if it's possible, the bare bones of existence, the elemental and fundamental, the bedrock which sustains us. I want to be able to look at and into a juniper tree, a piece of quartz, a vulture, a spider, and see it as it is in itself, devoid of all humanly ascribed qualities, anti-Kantian, even the categories of scientific description. To meet God or Medusa face to face, even if it means risking everything human in myself. I dream of a hard and brutal mysticism in which the naked self merges with a non-human world and yet somehow survives still intact, individual, separate. Paradox and bedrock.
Edward Abbey (Desert Solitaire)
It is possible to differ politically, socially, religiously, or in many other ways, yet to be friends.
Piers Anthony (Bio of an Ogre)
I go to all the appointments. All the meetings. I sit with the team of inclusion teachers, occupational therapists, doctors, social workers, remedial teachers, and the cab driver that gets him from appointment to appointment, and I push for everything that can be done for my autistic boy. But I will never have a plan that will fix him. Noah is not something to be fixed. And our life will never be normal. And people always say, oh well what’s normal, there’s no such thing really, and I say — sure there is…there’s a spectrum… and there’s lots and lots of possibilities within that spectrum, and trust me buddy, ducks on the moon ain’t one of them….but …. In this abnormal life, I get to live with a pirate, and a bird fancier, and an ogre, and a hedgehog, and many many superheroes, and aliens and monsters — and an angel. I get to go to infinity and beyond.
Kelley Jo Burke (Ducks on the Moon: A Parent Meets Autism)
Writers are funny about reviews: when they get a good one they ignore it-- but when they get a bad review they never forget it. Every writer I know is the same way: you get a hundred good reviews, and one bad, andyou remember only the bad. For years, you go on and fantasize about the reviewer who didn't like your book; you imagine him as a jerk, a wife-beater, a real ogre. And, in the meantime, the reviewer has forgotten all about the whole thing. But, twenty years later, the writer still remembers that one bad review.
Art Buchwald
Accusing us of being a gimmick is a bit like accusing Jesus Christ of having ‘a bit of a messiah complex’. True, maybe, but when faced with the undeniable genius of what we put out, does that really still matter?
Gorillaz (Gorillaz: Rise of the Ogre)
On Hallows Eve, we witches meet to broil and bubble tasty treats like goblin thumbs with venom dip, crisp bat wings, and fried fingertips. We bake the loudest cackle crunch, and brew the thickest quagmire punch. Delicious are the rotting flies when sprinkled over spider pies. And, my oh my, the ogre brains all scrambled up with wolf remains! But what I love the most, it’s true, are festered boils mixed in a stew. They cook up oh so tenderly. It goes quite well with mugwort tea. So don’t be shy; the cauldron’s hot. Jump in! We witches eat a lot!
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
Witches cackle. Goblins growl. Spectres boo, And werewolves howl. Black cats hiss. Bats flap their wings. Mummies moan. The cold wind sings. Ogre’s roar. And crows, they caw. Vampires bahahahaha. Warlocks swish their moonlit capes. Loch Ness monsters churn the lake. Skeletons, they rattle bones While graveyards crack the old headstones. All the while the ghouls, they cry To trick-or-treaters passing by. Oh, the noise on Halloween; It makes me want to scream!
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
My mother's going to love you, you know. Although," I paused, "I'm not sure the feeling will be mutual." "You make her sound like such an ogre." "Harpy." "What?" "Ogres are male. Harpies are female. At least, I think so. Shit, I don't know. I'm a graphic designer. Mythology wasn't on the curriculum." Cat worked at a local bank as an IT consultant, and I doubted she knew much more about mythic creatures than I did. "Anyway, I think she's too short to be an ogre.
Matt Schiariti (Funeral with a View)
It is nothing new, these vital lies men tell themselves, muttering and mumbling them like charms and incantations against the powers of Night. The voodoos and medicine men and the devil-devil doctors were the fathers of metaphysics. Night and the Noseless One were ogres that beset the way of light and life. And the metaphysicians would win by if they had to tell lies to do it. They were vexed by the brazen law of the Ecclesiast that men die like the beasts of the field and their end is the same. Their creeds were their schemes, their religions their nostrums, their philosophies their devices, by which they half-believed they would outwit the Noseless One and the Night. "Bog-lights, vapours of mysticism, psychic overtones, soul orgies, wailings among the shadows, weird gnosticisms, veils and tissues of words, gibbering subjectivisms, gropings and maunderings, ontological fantasies, pan-psychic hallucinations—this is the stuff, the phantasms of hope, that fills your bookshelves. Look at them, all the sad wraiths of sad mad men and passionate rebels—your Schopenhauers, your Strindbergs, your Tolstois and Nietzsches. "Come. Your glass is empty. Fill and forget.
Jack London (John Barleycorn)
AFTER A MOMENT, the dragon dived below the ridge, and the scene faded. I turned. Halina had disappeared. Breathing hard, I sat in the window seat. The mountains must have been the Eskerns, which were in the south, dividing New Lakti, where we lived now, from Old Lakti, our former home. The dragon must have been one of the monsters in Old Lakti, where ogres, gryphons, and specters also lived. Were they coming here? “Halina, come back!” I squeezed my eyes shut and thought, shouting in my mind, Tell me what this means! Why did you show it to me? I opened my eyes. Dust motes slanted in from the windows. A
Gail Carson Levine (The Lost Kingdom of Bamarre (The Two Princesses of Bamarre, #0))
"Turn my back on the world..." the historian repeated softly and slowly, his head moving to face the mage. "Turn my back on the world!" Emotion rarely marred the surface of Astinus's cold voice, but now anger struck the placid calm of his soul like a rock hurled into still water. "I? Turn my back on the world?" Astinus's voice rolled around the library as the thunder had rolled previously. "I am the world, as you well know, old friend! Countless times I have been born! Countless deaths I have died! Every tear shed - mine have flowed! Every drop of blood spilled - mine has drained! Every agony, every joy ever felt has been mine to share! "I sit with my hand on the Sphere of Time, the sphere you made for me, old friend, and I travel the length and breadth of this world chronicling its history. I have committed the blackest deeds! I have made the noblest sacrifices. I am human, elf, and ogre. I am male and female. I have borne children. I have murdered children. I saw you as you were. I see you as you are. If I seem cold and unfeeling, it is because that is how I survive without losing my sanity! My passion goes into my words.
Margaret Weis
On se prépare à la jouissance du siècle, et, le moment venu, elle a un goût de Fernet Branca. Sur ce point comme sur quelques autres, Julia a raison : ne jamais investir dans la promesse du plaisir. Tout de suite ou pas du tout.
Daniel Pennac (Au bonheur des ogres)
My thoughts went to Mother, who probably wasn’t sleeping, either. On nights when we were both troubled—usually about money—we’d each go to the kitchen and find the other there. I’d brew my auntwort tea, which had calming effects, and Mother would build up the fire if the night was chilly. Then we’d sit by the fireplace with quilts over our knees and play guessing games until our yawns came quicker than our ideas.
Gail Carson Levine (Ogre Enchanted)
Fitz said the words in a light, teasing way, but the truth behind them weighed heavily on Sophie’s shoulders. They’d be in a lot less trouble if she hadn’t ignored the rules of telepathy and tried to read the ogre king’s mind. She’d known it was a dangerous risk, but she’d been desperate to know why the ogres had snuck into the Sanctuary and hidden one of their homing devices in Silveny’s tail. The rare female alicorn wasn’t just essential for the survival of her species, she was one of Sophie’s closest friends. If only Sophie had known that ogres’ minds could detect Telepaths—even genetically enhanced Telepaths like her. She hadn’t learned anything useful, and she’d nearly voided the elvin-ogre treaty and started a war.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit." The Humbug dropped his needle and stared in disbelief while Milo and Tock began to back away slowly. "Don't try to leave," he ordered, with a menacing sweep of his arm, "for there's so very much to do, and you still have over eight hundred years to go on the first job." "But why do only unimportant things?" asked Milo, who suddenly remembered how much time he spent each day doing them. "Think of all the trouble it saves," the man explained, and his face looked as if he'd be grinning an evil grin - if he could grin at all. "If you only do the easy and useless jobs, you'll never have to worry about the important ones which are so difficult. You just won't have the time. For there's always something to do to keep you from what you really should be doing, and if it weren't for that dreadful magic staff, you'd never know how much time you were wasting.
Norton Juster (The Phantom Tollbooth)
Hazel squinted. “How far?” “Just over the river and through the woods.” Percy raised an eyebrow. “Seriously? To Grandmother’s house we go?” Frank cleared his throat. “Yeah, anyway.” Hazel clasped her hands in prayer. “Frank, please tell me she’ll let us spend the night. I know we’re on a deadline, but we’ve got to rest, right? And Arion saved us some time. Maybe we could get an actual cooked meal?” “And a hot shower?” Percy pleaded. “And a bed with, like, sheets and a pillow?” Frank tried to imagine Grandmother’s face if he showed up with two heavily armed friends and a harpy. Everything had changed since his mother’s funeral, since the morning the wolves had taken him south. He’d been so angry about leaving. Now, he couldn’t imagine going back. Still, he and his friends were exhausted. They’d been traveling for more than two days without decent food or sleep. Grandmother could give them supplies. And maybe she could answer some questions that were brewing in the back of Frank’s mind—a growing suspicion about his family gift. “It’s worth a try,” Frank decided. “To Grandmother’s house we go.” Frank was so distracted, he would have walked right into the ogres’ camp. Fortunately Percy pulled him back.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
The Humbug whistled gaily at his work, for he was never as happy as when he had a job which required no thinking at all. After what seemed like days, he had dug a hole scarcely large enough for his thumb. Tock shuffled steadily back and forth with the dropper in his teeth, but the full well was still almost as full as when he began, and Milo's new pile of sand was hardly a pile at all. "How very strange," said Milo, without stopping for a moment. "I've been working steadily all this time, and I don't feel the slightest bit tired or hungry. I could go right on the same way forever." "Perhaps you will," the man agreed with a yawn (at least it sounded like a yawn). "Well, I wish I knew how long it was going to take," Milo whispered as the dog went by again. "Why not use your magic staff and find out?" replied Tock as clearly as anyone could with an eye dropper in his mouth. Milo took the shiny pencil from his pocket and quickly calculated that, at the rate they were working, it would take each of them eight hundred and thirty-seven years to finish. "Pardon me," he said, tugging at the man's sleeve and holding the sheet of figures up for him to see, "but it's going to take eight hundred and thirty-seven years to do these jobs." "Is that so?" replied the man, without even turning around. "Well, you'd better get on with it then." "But it hardly seems worth while," said Milo softly. "WORTH WHILE!" the man roared indignantly. "All I meant was that perhaps it isn't too important," Milo repeated, trying not to be impolite. "Of course it's not important," he snarled angrily. "I wouldn't have asked you to do it if I thought it was important." And now, as he turned to face them, he didn't seem quite so pleasant. "Then why bother?" asked Tock, whose alarm suddenly began to ring. "Because, my young friends," he muttered sourly, "what could be more important than doing unimportant things? If you stop to do enough of them, you'll never get to where you're going." He punctuated his last remark with a villainous laugh. "Then you must -----" gasped Milo. "Quite correct!" he shrieked triumphantly. "I am the Terrible Trivium, demon of petty tasks and worthless jobs, ogre of wasted effort, and monster of habit.
Norton Juster (The Phantom Tollbooth)
KNOWN ABILITIES: Empath [DON’T BELIEVE ANYTHING ELSE MY MOM TELLS YOU] RESIDENCE: The Shores of Solace and Candleshade [ANYONE WANNA TRADE LIVES WITH ME?] IMMEDIATE FAMILY: Lord Cassius Sencen (father); Lady Gisela Sencen (mother) [AKA: WORST. PARENTS. EVER!] MATCH STATUS: Unregistered [TRY NOT TO BE TOO HEARTBROKEN, PEOPLE] [THOUGH I GOTTA SAY: I DON’T REALLY GET WHY EVERYONE PAYS SO MUCH ATTENTION TO THIS.] EDUCATION: Current Foxfire prodigy [AND PROUD DETENTION RECORD–HOLDER] NEXUS: No longer required [BECAUSE I’M COOL LIKE THAT] PATHFINDER: Not assigned. Restricted to Leapmasters and home crystals. [HA, THAT’S WHAT YOU THINK!] SPYBALL APPROVAL: None [BUT I HAVE FRIENDS WITH CONNECTIONS, THAT’S ALL I’M SAYING.…] MEMBER OF THE NOBILITY: No [THANK GOODNESS] TITLE: None [UM, HELLO, WHAT ABOUT LORD HUNKYHAIR? THAT’S A THING!] NOBLE ASSIGNMENT: None [MASTER MISCHIEF-MAKER] SIGNIFICANT CONNECTIONS: Fealty-sworn member of the Black Swan; former Wayward at Exillium; son to one of the leaders of the Neverseen [SWORN PROTECTOR OF THE MYSTERIOUS MISS F] ASSIGNED BODYGUARD(S): Ro (ogre) [AND SHE KNOWS, LIKE, 500,000 WAYS TO KILL YOU! SO IT’S REALLY NOT A GOOD IDEA TO MESS WITH US!]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
What do you know about me, Isabeau?" He leaned forward, and I forced myself to stay still instead of shying away. He was so close that I could smell the subtle notes of his cologne: musk and wood with a hint of leather. What did he want me to say? That everyone said he was an ogre? Or that they all wanted to sleep with him anyway? "I..." "Go on. You won't hurt my feelings." He was still smiling, slight dimples visible in both cheeks. The sight was destracting, to say the least. "I know that you're the youngest CEO and partner in the company's history, and I know that you earned the spot by working your way up after graduate school instead of using your inheritance as a crutch." "Everyone knows that. What do you know about me? The real stuff. None of this press release bullshit." I looked down at my hands, anything not to have to look up at his face so close to me. "Um. People say... they say that you're scary. And that your assistants don't last long." He laughed, a deep, warm sound that seemed to fill up the office. I glanced up to see him smirking at me. I relaxed my grip on the desk a little. Maybe I wasn't being fired after all. "What else do they say?" Oh, God. He can't possibly want me to tell him everything. Does he? The look on his face confirmed that he did. It was clear by the way he looked at me that I wasn't leaving this office until I gave him exactly what he wanted. "They say. Um... They say that you're very, uh, good looking... and impossible to please." "Oh they do, do they?" He sat back, and tented his fingers beneath his chin. "Well, do you agree with them? Do you think I'm scary, handsome and woefully unsatisfied?" My mouth dropped open, and I quickly closed it with a snap. "Yes. I mean, no! I mean, I don't know..." He stood, then, and leaned in close, towering over me. "You were right the first time." Anxiety coursed through me, but I have to admit, being this close to him, smelling his scent and feeling the heat radiating off his body, it made me wonder what it would be like to be in his arms. To be his. To be owned by him... His face was almost touching mine when he whispered to me. "I am unsatisfied, Isabeau. I want you to be my new assistant. Will you do that for me? Will you be at my beck and call?" My breath left me as his words sunk in. When I finally regained it, I felt like I was trembling from head to toe. His beck and call. "Wh-what about your old assistant?" Mr. Drake leaned back again and took my chin in his hand, forcing my eyes to his. "What about her? I want you." His touch on my skin was electric. Are we still talking about business? "Yes, Mr. Drake." His thumb stroked my cheek for the briefest of moments, and then he released me, breathless, and wondering what I'd just agreed to.
Delilah Fawkes (At His Service (The Billionaire's Beck and Call, #1))
He wouldn’t talk about it—at all. Not that Sophie had many chances to bring up the subject. Only a handful of people knew the truth. The rest believed the Black Swan’s carefully crafted lie, and thought Keefe was taking time away to mourn his mother’s disappearance. Even the Council had no inkling, and Sophie hoped it would stay that way. The less everyone knew, the easier it would be for Keefe to come home. If he came home. “You okay?” Fitz asked, making her realize she’d forgotten to say hello. “I hope you’re not worrying about your tests. There’s no way you didn’t pass.” “I don’t know . . .” Her photographic memory helped—but lately she’d struggled to concentrate during her school sessions. Honestly, though, she’d barely given her midterms a second thought. She wasn’t the same girl she’d been the year before, who thought failing out of Foxfire would be the end of the world. Now she’d been kidnapped, presumed dead, banished from the Lost Cities, and helped stop a plague from killing off the entire gnomish species. She’d even snuck into the ogres’ capital and helped destroy half the city—which happened to be why the Council was struggling to negotiate a new elvin-ogre treaty. “Relax,” Fitz said as her mind spun to nightmares of lumpy-faced ogres tearing through the elves’ glittering streets. “We’re supposed to be celebrating.” His cheer sounded forced. But she knew Fitz was trying. That’s what they did now. Try. Wait. Hope.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
ULTIMATE BETRAYALS: [OH GOODY—ANOTHER SECTION ON MOMMY DEAREST. WE GET IT. SHE’S CREEPY. I DIDN’T FIGURE IT OUT FAST ENOUGH, AND SHE USED ME FOR A WHILE. BUT THAT’S ALL DONE NOW, AND IT’S ONLY A MATTER OF TIME BEFORE I TAKE HER DOWN. LET’S MOVE ON, SHALL WE?] A FOOLISHLY DANGEROUS PLAN: [I SHOULD PROBABLY BE OFFENDED BY THAT TITLE. BUT… RUNNING OFF TO JOIN THE NEVERSEEN DEFINITELY WASN’T MY SMARTEST MOVE. I THOUGHT I COULD TAKE THEM DOWN FROM THE INSIDE. AND YEAH, IT PRETTY MUCH BACKFIRED.] [I DID LEARN SOME STUFF, THOUGH!] [SORT OF…] [I’M STILL PIECING IT ALL TOGETHER. I MEAN, I WOULDN’T DO IT AGAIN OR RECOMMEND IT TO ANYONE ELSE OR ANYTHING (HEAR THAT, BANGS BOY???), BUT IT WASN’T A TOTAL WASTE.] [OKAY, MAYBE IT WAS.] A WAY WITH ALICORNS: [IT’S TRUE. GLITTER BUTT LOVES ME.] [SAY IT WITH ME: KEEFE! KEEFE! KEEFE!] EMOTIONAL SUPPORT STUFFED ANIMAL: [YOU GUYS MADE AN OFFICIAL RECORD ABOUT MRS. STINKBOTTOM???? I CAN’T DECIDE IF THAT’S AWESOME, OR REALLY, REALLY SAD.…] [SAD FOR YOU GUYS—NOT ME. SLEEPING WITH A STUFFED ANIMAL IS THE BEST. YOU SHOULD TRY IT SOMETIME!] [ALSO: DOES THIS MEAN FITZY HAS A SECTION ON HIS SPARKLY RED DRAGON SNUGGLE BUDDY????????] A MERCADIR—WITH THE SCARS TO PROVE IT: [EESH—THANK GOODNESS I CAN REDACT THIS. I REALLY DON’T NEED ANYONE REMINDING FOSTER HOW MAD SHE WAS AT ME. THE POINT IS: I BEAT THE OGRE KING IN A SPARRING MATCH. I DOUBT EVEN GIGANTOR COULD DO THAT!] FINAL NOTE: [WHY IS THERE NOT A SECTION ON MY AMAZING HAIR????] [HERE, LET ME FIX THAT FOR YOU!] [IT’S DIFFICULT TO DESCRIBE THE ABSOLUTE PERFECTION OF KEEFE’S TRADEMARK HAIRSTYLE. COUNTLESS OTHERS HAVE TRIED TO EMULATE IT, BUT THEY’VE ALL FAILED. THERE CAN ONLY BE ONE LORD HUNKYHAIR. IT’S A RESPONSIBILITY THAT MUST BE TAKEN SERIOUSLY!] [HUNKYHAIR → OUT]
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
The hero is the man of self-achieved submission. But submission to what? That precisely is the riddle that today we have to ask ourselves and that it is everywhere the primary virtue and historic deed of the hero to have solved. Only birth can conquer death—the birth, not of the old thing again, but of something new. Within the soul, within the body social, there must be a continuous “recurrence of birth” a rebirth, to nullify the unremitting recurrences of death. For it is by means of our own victories, if we are not regenerated, that the work of Nemesis is wrought: doom breaks from the shell of our very virtue. Peace then is a snare; war is a snare; change is a snare; permanence a snare. When our day is come for the victory of death, death closes in; there is nothing we can do, except be crucified—and resurrected; dismembered totally, and then reborn. The first step, detachment or withdrawal, consists in a radical transfer of emphasis from the external to the internal world, macro- to microcosm, a retreat from the desperation's of the waste land to the peace of the everlasting realm that is within. But this realm, as we know from psychoanalysis, is precisely the infantile unconscious. It is the realm that we enter in sleep. We carry it within ourselves forever. All the ogres and secret helpers of our nursery are there, all the magic of childhood. And more important, all the life-potentialities that we never managed to bring to adult realization, those other portions of our self, are there; for such golden seeds do not die. If only a portion of that lost totality could be dredged up into the light of day, we should experience a marvelous expansion of our powers, a vivid renewal of life. We should tower in stature. Moreover, if we could dredge up something forgotten not only by ourselves but by our whole generation or our entire civilization, we should indeed become the boon-bringer, the culture hero of the day—a personage of not only local but world historical moment. In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted, direct experience and assimilation of what C. G. Jung has called “the archetypal images.” This is the process known to Hindu and Buddhist philosophy as viveka, “discrimination.
Joseph Campbell (The Hero With a Thousand Faces)
I do have a bad habit,” he says. “of falling in love. With regularity and to spectacular effect. You see, it never goes well.” I wonder if this conversation makes him think of our kiss, but then, I was the one who kissed him. He’d only kissed back. “As charming as you are, how can that be?” I say. He laughs again. “That’s what my sister Taryn always says. She tells me that I remind her of her late husband. Which makes some sense, since I would be his half brother. But it’s also alarming, because she’s the one who murdered him.” Much as when he spoke about Madoc, it’s strange how fond Oak can sound when he tells me a horrifying thing a member of his family has done. “Whom have you fallen in love with?” I ask. “Well, there was you,” the prince says. “When we were children.” “Me?” I ask incredulously. “You didn’t know?” He appears to be merry in the face of my astonishment. “Oh yes. Though you were a year my senior, and it was hopeless, I absolutely mooned over you. When you were gone from Court, I refused any food but tea and toast for a month.” I cannot help snorting over the sheer absurdity of his statement. He puts a hand to my heart. “Ah, and now you laugh. It is my curse to adore cruel women. He cannot expect me to believe he had real feelings. “Stop with your games.” “Very well,” he says. “Shall we go to the next? Her name was Lara, a mortal at the school I attended when I lived with my eldest sister and her girlfriend. Sometimes Lara and I would climb into the crook of one of the maple trees and share sandwiches. But she had a villainous friend, who implicated me in a piece of gossip—which resulted in Lara stabbing me with a lead pencil and breaking off our relationship.” “You do like cruel women,” I say. “Then there was Violet, a pixie. I wrote terrible poetry about how I adored her. Unfortunately, she adored duels and would get into trouble so that I would have to fight for her honor. And even more unfortunately, neither my sister nor my father bothered to teach me how to fight for show. I thought of the dead-eyed expression on his face before his bout with the ogre and Tiernan’s angry words. “That resulted in my accidentally killing a person she liked better than me.” “Oh,” I say. “That is three levels of unfortunate.” “Then there was Sibi, who wanted to run away from Court with me, but as soon as we went, hated it and wept until I took her home. And Loana, a mermaid, who found my lack of a tail unbearable but tried to drown me anyway, because she found it equally unbearable that I would ever love another.” The way he tells these stories makes me recall how he’s told me many painful things before. Some people laugh in the face of death. He laughed in the face of despair. “How old were you?” “Fifteen, with the mermaid,” he said. “And nearly three years later, I must surely be wiser.” “Surely,” I say, wondering if he was. Wondering if I wanted him to be.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Happiness? that entails comfort, organization, a constructed stability altogether foreign to me. To have troubles is to feel the scaffolding that is happiness shaken by the blows of fate. In this sense i am safe. Trouble can not reach me, because i have no scaffolding. I am a man of sadness and joy, a completely different alternative to that of happiness-unhappiness. I lived naked and solitary, without family or friends, keeping alive by a trade so beneath me that i need think about it, no more than i need think about my breathing or my digestion. My usual moral climate is jet black sadness, opaque and sombre. But this darkness is often shot through by flashing joys, unexpected and unmerited, which swiftly die out, but leave my eyes full of gold and dancing fireflies.
Michel Tournier (The Ogre)