Odyssey Key Quotes

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As a bull roars when feeding in the field, so roared the goodly door touched by the key and open flew before her.
Homer (The Odyssey)
The key is to put your outrage in a place where you can get it when you need to, but not have it bubble up so much, especially when you're asked to explain new ideas or explain what you observed two people who share none of your experiences.
Ron Suskind (A Hope in the Unseen: An American Odyssey from the Inner City to the Ivy League)
There is a time for many words and there is a time for sleep. —HOMER, THE ODYSSEY
Ryan Holiday (Stillness is the Key)
Have the capacity to adapt to change, it's your healthy growth, intelligently and emotionally. Our life can be full of extrinsic surprises, your flexibility is a key when you accept changes.
Angelica Hopes (Landscapes of a Heart, Whispers of a Soul (Speranza Odyssey Trilogy, #1))
The key point is now this: If the wave function of a particle vibrates along this surface, it will inherit this SU(N) symmetry. Thus the mysterious SU(N) symmetries arising in subatomic physics can now be seen as by-products of vibrating hyperspace! In other words ,we now have an explanation for the origin of the mysterious symmetries of wood: They are really the hidden symmetries coming from marble.
Michio Kaku (Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps, and the Tenth Dimension)
If we now take a Kaluza-Klein theory defined in 4+N dimensions and then curl up N dimensions, we will find that the equations split into two pieces. The first piece is Einstein's usual equations, which we retrieve as expected. But the second piece will not be the theory of Maxwell. We find that the remainder is precisely the Yang-Mills theory, which forms the basis of all subatomic physics! This is the key to turning the symmetries of wood into the symmetries of marble.
Michio Kaku (Hyperspace: A Scientific Odyssey Through Parallel Universes, Time Warps, and the Tenth Dimension)
Ayahuasca can heal, but it an also be used to kill,' Carlos continues to translate for Juan... The key is remaining humble, being a servant of ayahuasca, not a master. 'Give yourself to the benefit of others, to God,' Juan says, his eyes daring over us, reading our energies. 'You must have a purpose to help other people, a desire to hep others. If you have a pure heart, a humble mind, and faith in your soul--then the Science will open up to you and show you its wonders.
Rak Razam (Aya: a shamanic odyssey)
Have they all bought Kindles? I have one, and I use it most nights. I always imagine the books staring and whispering, Traitor! -- but come on, I have a lot of free first chapters to get through. My Kindle is a hand-me-down from my dad, one of the original models, a slanted, asymmetrical plate with a tiny gray screen and a bed of angled keys. It looks like a prop from 2001: A Space Odyssey. There are newer Kindles with bigger screens and subtler industrial design, but this one is like Penumbra's postcards: so uncool it's cool again.
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Once the black had surrounded him, he forced a hand forward and keyed the command that retracted the landing gear back into the plane. It wasn’t strictly necessary for aerodynamics, of course, but the extended gear would throw off the center of balance he was used to and maybe blunt the edge of his abilities. Besides, he didn’t want to look stupid. Stephanos
Evan Currie (The Heart of Matter (Odyssey One, #2))
This poetic odyssey usually includes four key elements: (1) an address to God, (2) a complaint, (3) a request, and (4) an expression of trust and/or praise.
Mark Vroegop (Dark Clouds, Deep Mercy: Discovering the Grace of Lament)
There, staring us in the face, was the Kuramoto model—an enigma like the monolith in 2001: A Space Odyssey, buried under the soil, waiting for us apes to find it, beckoning, the key to sync. Until now, the Kuramoto model had been thought to be nothing more than a convenient abstraction, the simplest way to understand how groups of dissimilar oscillators could spontaneously synchronize, and under what circumstances. It was born out of pure imagination, concocted as a caricature of biological oscillators: crickets, fireflies, cardiac pacemaker cells. Now here it was, unearthed, in the dynamics of superconducting Josephson junctions. It reminded me of that wonderful feeling that Einstein talked about, the recognition of hidden unity. Soon
Steven H. Strogatz (Sync: How Order Emerges From Chaos In the Universe, Nature, and Daily Life)
Across the ages and regardless of geography, in everything that really matters, it bears repeating that we are all members of a SINGLE human family—a family of intrepid adventurers who have been exploring the world in one form or another for the best part of a million years.18 In the course of this long odyssey we’ve moved so far apart, across oceans, over mountains, and to the opposite ends of jungles, deserts, and ice caps that we’ve forgotten how closely related we in fact are. In this sense, like the simple human message of the burials, the message of genetics also speaks to a hidden unity within our apparent diversity—and sometimes in ways that defy our expectations.
Graham Hancock (America Before: The Key to Earth's Lost Civilization)
the key to all diplomacy—was knowing when they were serious about their threats and when they were posturing.
Jon Meacham (Destiny and Power: The American Odyssey of George Herbert Walker Bush)
this key moment halfway through the shoot, Clarke’s nine-point plan became a blueprint the director largely followed, though he cut them down a bit further, in part by incorporating some into the astronauts’ pod dialogue, which hadn’t been shot yet. In much the same way that Lockwood’s and Dullea’s dialogue improvisations had methodically been reduced to their essence, Clarke’s suggestions stripped down and clarified the story.
Michael Benson (Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece)
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