Odysseus Trojan War Quotes

Hero,” he said softly, in a manner that was much like his father’s. “Vengeance and glory are the ways of the Greeks and the Trojans. We are of the Herdsmen.

You know, Mac,”Cadmus said still looking out the window. “We may have to work on the way we tell our story …apparently it’s not amusing enough.” “I’ll try to include a joke between ‘he bled to death’and ‘the city burned’.”Machaon responded tersely.

Hero,” said Machaon to his sister who was still muttering to her gods. “Please stop. Surely the gods would have heard you by now … let’s try not to annoy them.

You are holding us here, Achilles. You were given a choice and you chose. You must live by it now.

Intelligence…like Athena’s favorite hero, Odysseus. He’d won the Trojan War with cleverness, not strength. He had overcome all sorts of monsters and hardships with his quick wits. That’s what Athena valued.

Odysseus was a great hero in the Trojan War. When he left Troy to sail home to Ithaca, he was lost at sea for ten years. He begged the brave and mighty Zeus for help, and kindly Zeus sent winds to take him home.

stories of Troy, conjuring the war for me spear by spear. Proud Agamemnon, leader of the host, brittle as badly tempered iron. Menelaus, his brother, whose wife Helen’s abduction had begun the war. Brave, dull-brained Ajax, built like a mountainside. Diomedes, Odysseus’ ruthless right hand. And then the Trojans: handsome Paris, laughing thief of Helen’s heart. His father, white-bearded Priam, king of Troy, beloved by the gods for his gentleness. Hecuba, his queen with a warrior’s spirit, whose womb had borne so many noble fruits. Hector, her eldest, noble heir and bulwark to his great walled city.

He did not appear to be a very tall man; what I could see of legs seemed stumpy, though heavily muscled. His chest was broad and deep. Later I learned that he swam in the sea almost every morning. His thick strong arms were circled with leather wristbands and a bronze armlet above his left elbow that gleamed with polished onyx and lapis lazuli... Puckered white scars from old wounds stood out against the dark skin of his arms, parting the black hairs like roads through a forest... Odysseos wore a sleeveless tunic, his legs and feet bare, but he had thrown a lamb's fleece across his wide shoulders. His face was thickly bearded with dark curly hair that showed a trace of grey. His heavy mop of ringlets came down to his shoulders and across his forehead almost down to his black eyebrows. Those eyes were as grey as the sea outside on this rainy afternoon, probing, searching, judging.

I don't understand," Olivia said. "How did Penny sewing and unsewing make for the Trojan War?" "Penelope was Odysseus's wife," Philippa explained. "He left her, and she sat at her loom, sewing all day, and unraveling all her work at night. For years." "Why on earth would someone do that?" Olivia wrinkled her nose, selecting a sweet from a nearby tray. "Years? Really?" "She was waiting for him to come home," Penelope said, meeting Michael's gaze. There was something meaningful there, and he thought she might be speaking of more than the Greek myth. Did she wait for him at night? She'd told him not to touch her... she'd pushed him away... but tonight, if he went to her, would she accept him? Would she follow the path of her namesake? "I hope you have more exciting things to do when you are waiting for Michael to come home, Penny," Olivia teased. Penelope smiled, but there was something in her gaze that he did not like, something akin to sadness. He blamed himself for it. Before him, she was happier. Before him, she smiled and laughed and played games with her sisters without reminder of her unfortunate fate. He stood to meet her as she approached the settee. "I would never leave my Penelope for years." He said, "I would be too afraid that someone would snatch her away." His mother-in-law sighed audibly from across the room as his new sisters laughed. He lifted one of Penelope's hands in his and brushed a kiss across her knuckles. "Penelope and Odysseus were never my favored mythic couple, anyway. I was always more partial to Persephone and Hades." Penelope smiled at him, and the room was suddenly much much warmer. "You think they were a happier couple?" she asked, wry. He met her little smile, enjoying himself as he lowered his voice. "I think six months of feast is better than twenty years of famine." She blushed, and he resisted the urge to kiss her there, in the drawing room, hang propriety and ladies' delicate sensibilities.

The 21st century has certainly seen the rape of women in wartime, but it has long been treated as an atrocious war crime, which most armies try to prevent and the rest deny and conceal. But for the heroes of the Iliad, female flesh was a legitimate spoil of war: women were to be enjoyed, monopolized, and disposed of at their pleasure. Menelaus launches the Trojan War when his wife, Helen, is abducted. Agamemnon brings disaster to the Greeks by refusing to return a sex slave to her father, and when he relents, he appropriates one belonging to Achilles, later compensating him with twenty-eight replacements. Achilles, for his part, offers this pithy description of his career: “I have spent many sleepless nights and bloody days in battle, fighting men for their women.”11 When Odysseus returns to his wife after twenty years away, he murders the men who courted her while everyone thought he was dead, and when he discovers that the men had consorted with the concubines of his household, he has his son execute the concubines too.

examples of what are called nostos narratives. Nostos is the Greek word for “homecoming”; the plural form of this word, nostoi, was, in fact, the title of a lost epic devoted to the homecomings of the Greek kings and chieftains who fought in the Trojan War. The Odyssey itself is a nostos narrative, one that often digresses from its tale of Odysseus’ twisty voyage back to Ithaca in order to relate, in brief, the nostoi of other characters, as Nestor does here—almost as if it were anxious that those other nostoi stories would not themselves make it safely into the future. In time, this wistful word nostos, rooted so deeply in the Odyssey’s themes, was eventually combined with another word in Greek’s vast vocabulary of pain, algos, to give us an elegantly simple way to talk about the bittersweet feeling we sometimes have for a special kind of troubling longing. Literally this word means “the pain associated with longing for home,” but as we know, “home,” particularly as we get older, can be a time as well as a place. The word is “nostalgia.

Who is going to fight them off, Randy?” “I’m afraid you’re going to say we are.” “Sometimes it might be other Ares-worshippers, as when Iran and Iraq went to war and no one cared who won. But if Ares-worshippers aren’t going to end up running the whole world, someone needs to do violence to them. This isn’t very nice, but it’s a fact: civilization requires an Aegis. And the only way to fight the bastards off in the end is through intelligence. Cunning. Metis.” “Tactical cunning, like Odysseus and the Trojan Horse, or—” “Both that, and technological cunning. From time to time there is a battle that is out-and-out won by a new technology—like longbows at Crecy. For most of history those battles happen only every few centuries—you have the chariot, the compound bow, gunpowder, ironclad ships, and so on. But something happens around, say, the time that the Monitor, which the Northerners believe to be the only ironclad warship on earth, just happens to run into the Merrimack, of which the Southerners believe exactly the same thing, and they pound the hell out of each other for hours and hours. That’s as good a point as any to identify as the moment when a spectacular rise in military technology takes off—it’s the elbow in the exponential curve. Now it takes the world’s essentially conservative military establishments a few decades to really comprehend what has happened, but by the time we’re in the thick of the Second World War, it’s accepted by everyone who doesn’t have his head completely up his ass that the war’s going to be won by whichever side has the best technology. So on the German side alone we’ve got rockets, jet aircraft, nerve gas, wire-guided missiles. And on the Allied side we’ve got three vast efforts that put basically every top-level hacker, nerd, and geek to work: the codebreaking thing, which as you know gave rise to the digital computer; the Manhattan Project, which gave us nuclear weapons; and the Radiation Lab, which gave us the modern electronics industry. Do you know why we won the Second World War, Randy?” “I think you just told me.” “Because we built better stuff than the Germans?” “Isn’t that what you said?” “But why did we build better stuff, Randy?” “I guess I’m not competent to answer, Enoch, I haven’t studied that period well enough.” “Well the short answer is that we won because the Germans worshipped Ares and we worshipped Athena.” “And am I supposed to gather that you, or

Most of what we think of as traditional or natural gender roles are actually constructed by our society, and often almost totally arbitrary. For instance, our culture is actually the exception for thinking that it’s unmanly to cry. Japanese samurai, medieval heroes, and even Beowulf himself cried like babies throughout their adventures. As recently as the nineteenth century, male tears were actually celebrated as a sign of honesty, integrity, and strength. And not in the “You’re brave enough to show your weakness” way, but just as a symbol that you actually gave a crap. Odysseus (the guy who killed a Cyclops and frickin’ won the Trojan War) would break down into tears periodically, at least once just because he listened to an emotional song. 3.D

Are the legends true?” asked Cadmus. “Of course they are,” replied Pan. “We live in an age of legends.

One of the first written texts in [W]estern literature, The Odyssey tells the story of the metaphoric journey “home” to the “[T]rue [S]elf.” In the story, the hero, Odysseus (the guy who thought up the “Trojan Horse”), returning home from the Trojan War, travels to nine “lands” populated with mythic creatures whose characters match the nine Enneagram types exactly—in the same order as the modern teaching!

Jeez.” Daniella eyed her textbook with an expression of disgust. “Why does everything with the myths have to do with sex?” “Not every myth has to do with sex,” I argued, pushing myself off the wall so I could properly look Daniella in the eye. “A lot of it does,” Jade said, jumping on the bandwagon. “What about all the animals that gods turned into so they could have sex with mortals? Swans and bulls and eagles.” “That was just Zeus,” I corrected with a disgusted frown. “Then there was the sex cloud!” Jade continued. With a vigor, she yanked Beth’s textbook out of her hand and flipped through. She found her page and held up a picture of a centaur. “Ixion had sex with the Hera-shaped cloud and formed the centaurs.” “Or when Aphrodite cursed that one chick to fall in love with her dad,” Bethany said with clenched teeth and a wrinkled nose. “Everything with Aphrodite has to do with sex,” I reasoned unthinkingly. “True story,” Jade said pointedly. “Didn’t she impregnate a girl?” “She didn’t, but she caused a bear to impregnate a follower of Artemis. Her children turned out to be cannibals until Zeus turned them into birds,” I blurted out, unconsciously correcting my friend about the myth. “I don’t think that’s going to be on the test,” Daniella said skeptically. “That’s it!” Beth said with a triumphant slam of her book. “When in doubt, just write sex. You have a fifty-fifty chance of being right. Why did the Trojan war start? Sex! Why did Hercules complete his twelve tasks? Sex! How did Odysseus win Athena’s favor? Sex!

Éris—strife—between heroes, it will be recalled, was a favorite theme of epic. Looked at coldly, stripped of the dignity of their noble epic contexts, these quarrels are almost always petty. In the Cypria, "Achilles quarrels with Agamemnon because he received a late invitation" to a feast; in the Aethiopis, "a quarrel arises between Odysseus and Aias over the armor of Achilles"; the Odyssey tells of a quarrel between Achilles and Odysseus at a festival, not to mention the Iliad's own dramatic action arising from the "quarrel" between Achilles and Agamemnon.