Odds Beating You Quotes

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I love you.” His voice was straightforward, affectionate. “You make me remember who I used to be. You make me want to be that man again. Right now, holding you, I feel like we have a shot at beating all odds and making it together. I’m yours, if you’ll have me.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
If you can't beat the odds, change the game
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Right now, holding you, I feel like we have a shot at beating all odds and making it together.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
When you can't beat the odds, change the game.
Leigh Bardugo
So tonight I reach for my journal again. This is the first time I’ve done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I’m scared they will never leave. I say that I don’t want to take the drugs anymore, but I’m frightened I will have to. I am terrified that I will never really pull my life together. In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page: I’m here. I love you. I don’t care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it—I will love you through that, as well. If you don’t need the medication, I will love you, too. There’s nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me. Tonight, this strange interior gesture of friendship—the lending of a hand from me to myself when nobody else is around to offer solace—reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in a security mirror’s reflection. In that moment, my brain did an odd thing—it fired off this split-second message: “Hey! You know her! That’s a friend of yours!” And I actually ran forward toward my own reflection with a smile, ready to welcome that girl whose name I had lost but whose face was so familiar. In a flash instant of course, I realized my mistake and laughed in embarrassment at my almost doglike confusion over how a mirror works. But for some reason that incident comes to mind again tonight during my sadness in Rome, and I find myself writing this comforting reminder at the bottom of the page. Never forget that once upon a time, in an unguarded moment, you recognized yourself as a FRIEND… I fell asleep holding my notebook pressed against my chest, open to this most recent assurance. In the morning when I wake up, I can still smell a faint trace of depression’s lingering smoke, but he himself is nowhere to be seen. Somewhere during the night, he got up and left. And his buddy loneliness beat it, too.
Elizabeth Gilbert
[Minho] pulled one of his knives from a pocket and, without missing a beat, cut a big piece of ivy off the wall. He threw it on the ground behind him and kept running. “Bread crumbs?” Thomas asked, the old fairy tale popping into his mind. Such odd glimpses of his past had almost stopped surprising him. “Bread crumbs,” Minho replied. “I’m Hansel, you’re Gretel.
James Dashner (The Maze Runner (The Maze Runner, #1))
The law of probability combined with the law of large numbers states that to beat the odds, sometimes you have to repeat an event an increasing number of times in order to get you to the outcome you desire. The more you do, the closer you get. Or… basically, sometimes you just have to keep going.
Jojo Moyes (One Plus One)
Anything is possible." "You really believe that?" "It's what the great love stories are about, right?Beating the odds.
Richard Castle
Our world is not safe. It is a toxic swamp populated by predators and parasites. The odds are stacked against us from the moment of conception. We survive only because we fight the elements, hunger, disease, each other. And, although civilization promises us safe harbor, that promise is a fairy tale. Only the storm is real. It comes for each of us. And we cannot win. We can only choose how we will suffer our defeat. We can meekly take our beatings, and die like lemmings, finding solace in the belief that we shall one day inherit the earth. Or, we can plunge into the chaos with eyes wide open, taking comfort instead from the bruises, scars, and broken bones which prove that we fought to live and die as gods.
J.K. Franko (Life for Life (Talion #3))
Don't ever allow yourself to feel trapped by your choices. Take a look at yourself. You are a unique person created for a specific purpose. Your gifts matter. Your story matters. Your dreams matter. You matter.
Michael Oher (I Beat the Odds: From Homelessness, to The Blind Side, and Beyond)
Before you attempt to beat the odds, be sure you could survive the odds beating you.
Larry Kersten
... and you might say “no, you will never do that, that’s not you, not who I know, not who I thought you were” and I will say “watch me” for I never did this to fit in or stand out but to live.
Charlotte Eriksson
But Ketterdam had taught Inej well. If you couldn't beat the odds, you changed the game.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
If you couldn’t beat the odds, you changed the game.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You have to accept that sometimes beautiful things end, that sometimes people leave, that sometimes two human beings don’t beat the odds, and you have to find closure in that.
Bianca Sparacino (A Gentle Reminder)
When you can't beat the odds, change the game. - Kaz Brekker
Leigh Bardugo (The Six of Crows Duology Boxed Set (Six of Crows, #1-2))
Well we want to know... If you want to become part of the family." "... Kinda thought I already was.
Michael Oher (I Beat the Odds: From Homelessness, to The Blind Side, and Beyond)
Truth is to be found in dreams,” the King said, looking down at them. From this angle, Emma could see that odd splitting of his face ended at his throat, which was ordinary skin. “Tell me, Shadowhunters: you enter a cave. Inside the cave is and egg, lit from within and glowing. You know that it beats with you dreams-not the ones you have during the day, but the ones you half-remember in the morning. It splits open.What emerges?” “A rose,” said Mark. “With thorns.” Cristina cut her eyes toward him in surprise but remained motionless. “An angel,” she said. “With bloody hands.” “A knife,” said Emma. “Pure and clean.” “Bars,” Julian said quietly. “The bars of a prison cell.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
There are no odds to beat anymore, just some real junk to dump. You dump your junk. After you dump it, you don’t sort it in your mind. You dump your junk and you walk away. You wear all one color on the outside, swirl with every color on the inside. You walk forward. You keep your head angled up so that you see over the fray. You protect yourself and all the little weirds that make up who you are.
Jenny Slate (Little Weirds)
If you make the wrong decision, it's never too late to make the right one
Michael Oher (I Beat the Odds: From Homelessness, to The Blind Side, and Beyond)
Exercise is the single best thing you can do for yourself. It’s way more important than dieting, and easier to do. Exercise works at so many levels—except one: your weight.
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
When you can't beat the odds, change the game
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
this is not a Quote it's a poem. "A Thousand Kisses Deep" The ponies run, the girls are young, The odds are there to beat. You win a while, and then it’s done – Your little winning streak. And summoned now to deal With your invincible defeat, You live your life as if it’s real, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. You lose your grip, and then you slip Into the Masterpiece. And maybe I had miles to drive, And promises to keep: You ditch it all to stay alive, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. Confined to sex, we pressed against The limits of the sea: I saw there were no oceans left For scavengers like me. I made it to the forward deck. I blessed our remnant fleet – And then consented to be wrecked, A Thousand Kisses Deep. I’m turning tricks, I’m getting fixed, I’m back on Boogie Street. I guess they won’t exchange the gifts That you were meant to keep. And quiet is the thought of you, The file on you complete, Except what we forgot to do, A Thousand Kisses Deep. And sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go, A Thousand Kisses Deep. The ponies run, the girls are young, The odds are there to beat . . .
Leonard Cohen
Sorry Johnny." "Sorry for what " "For shouting at you. It's just that when I think about the future I keep panicking. It's like falling from the top of the stairs in the dark not knowing where I'll end up." He put his arm around my shoulders. "I understand. Life is precarious for most of us but more so for you. What you forget is what most of your friends see in you." "What's that " "The ability to beat the odds..." "And fall on my feet " He nodded. "I just hope that lasts." "It will Catkin it will. It wouldn't dare fail you.
Julia Golding (Den of Thieves (Cat Royal, #3))
Because, you see, the cruel gods are stronger than the kind gods, and they will always beat them in the end. You doubt it? Look at the world, my brother, my sister. And so the spirit of Roth is here with me also, and battles for my soul. And I don't know who will win.
Anthony McGowan (The Knife That Killed Me)
If you couldn’t beat the odds, you changed the game.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The Japanese have a saying, “Eat until you are 80 percent full.
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
Each person whoever was or is or will be has a song. It isn’t a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their own song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their songs instead. Take Daisy, for example. Her song, which had been somewhere in the back of her head for most of her life, had a reassuring, marching sort of beat, and words that were about protecting the weak, and it had a chorus that began “Evildoers beware!” and was thus much too silly ever to be sung out loud. She would hum it to herself sometimes though, in the shower, during the soapy bits. And that is, more or less, everything you need to know about Daisy. The rest is details.
Neil Gaiman (Anansi Boys)
Only a week away!” said Ernie Macmillan of Hufflepuff, emerging from the crowd, his eyes gleaming. “I wonder if Cedric knows? Think I’ll go and tell him. . . .” “Cedric?” said Ron blankly as Ernie hurried off. “Diggory,” said Harry. “He must be entering the tournament.” “That idiot, Hogwarts champion?” said Ron as they pushed their way through the chattering crowd toward the staircase. “He’s not an idiot. You just don’t like him because he beat Gryffindor at Quidditch,” said Hermione. “I’ve heard he’s a really good student — and he’s a prefect.” She spoke as though this settled the matter. “You only like him because he’s handsome,” said Ron scathingly. “Excuse me, I don’t like people just because they’re handsome!” said Hermione indignantly. Ron gave a loud false cough, which sounded oddly like “Lockhart!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Ah, I found you." Came a voice behind me. My heart skipped a beat as a smile spread across my face. How do I already know his voice? 'My ears have not yet drunk a hundred words of thy tongue’s uttering, yet I know the sound.' I remembered the line from Romeo and Juliet. I could not forget Ariston's voice if I tried. At the sound, all thoughts of the odd occurrence faded. I turned around to see Ariston Crete walking towards me. I realized when I saw him that there was a part of my mind that had wondered if he was real, if I had not only imagined his beauty, but clearly I had not. Somehow, he is real, right down to his ancient eyes. It felt just as indescribable to look into his eyes as it had before.
Jasmine Dubroff
I’ve been . . . I just finished reading that book you told me about, Accidentally Married to the Billionaire Sheikh.” My mouth fell open in shock. “You have? So, um, did you like it?” “It’s a little predictable, and very explicit, in an oddly lyrical way. I can only imagine how disappointed female readers must be when facing the reality of—” He cleared his throat. “Well, in any case, I’m not certain Hedwardh is a good match for Swanella. And by the way, the refractory period doesn’t work like that.
Camilla Monk (Beating Ruby (Spotless, #2))
Every adult grew from a kid who beat the odds. But at different times, in different places, the odds have been appallingly steep. And the dead kids drag at every living soul. A weight of guilt you haul around with you like the moon hauls the ocean, too massive to lift and too much a part of you to ever let go.
M.R. Carey (The Girl with All the Gifts (The Girl With All the Gifts, #1))
I’m flattered that you need the biggest, meanest warrior on your side to best me, Uri. Let’s see, how big a warrior do I need as a second to beat you and Sacriel? Hmm . . . I’ll take . . . the Daughter of Man. She should even out the odds.
Susan Ee (End of Days (Penryn & the End of Days, #3))
My past was and is who I am. What I am. You can’t just forget the very thing that molded you and gave you strength to beat the odds. As much as the past shapes us, we can choose to let it define us or we can carve a different path and define it ourselves.
Autumn Grey (Breaking Gravity (Fall Back, #2))
You have to accept that sometimes beautiful things end, that sometimes people leave, that sometimes two people don't beat the odds, and you have to find closure in that.
Bianca Sparacino (A Gentle Reminder)
I didn’t know anything then about odd-metered bars of music, but as Burt told me years later, you don’t count those beats, you just feel them and the tension that they create.
Elvis Costello (Unfaithful Music & Disappearing Ink)
If you can't beat the odds, change the game
Leigh Bardugo (Author) (Six of Crows (Six of Crows, #1))
If you couldn’t beat the odds, you changed the game. I
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
What’s the odd one out between an egg, a drum, and a potato?' Ronan shook his head, mystified. 'You can beat an egg. You can beat a drum. But you can’t beat a potato. D’you get it, do you?
Frank Delaney
Every life lived fully is going to have some regrets, because every risk is not worth taking, but you don’t always see that in time. Or if you do, you convince yourself that you’ll be the one to beat the odds.
William Kent Krueger (Thunder Bay (Cork O'Connor, #7))
I wondered how my research into the mathematical theory of a game might change my life. In the abstract, life is a mixture of chance and choice. Chance can be thought of as the cards you are dealt in life. Choice is how you play them.
Edward O. Thorp (A Man for All Markets: Beating the Odds, from Las Vegas to Wall Street)
It's an odd fact of life that you don't really remember the good times all that well. I have only mental snapshots of birthday parties, skiing, beach holidays, my wedding. The bad times too are just impressions. I can see myself standing at the end of some bed while someone I love is dying, or on the way home from a girlfriend's after I've been dumped, but again, they're just pictures. For full Technicolor, script plus subtitles plus commemorative programme in the memory, though, nothing beats embarrassment. You tend to remember the lines pretty well once you've woken screaming them at midnight a few times.
Mark Barrowcliffe (The Elfish Gene: Dungeons, Dragons And Growing Up Strange)
That idiot, Hogwarts champion?" said Ron as they pushed their way through the chattering crowd toward the staircase. "He's not an idiot. You just don't like him because he beat Gryffindor at Quidditch," said Hermione. "I've heard he's a really good student - and he's a prefect." She spoke as though this settled the matter. "You only like him because he's handsome," said Ron scathingly. "Excuse me, I don't like people just because they're handsome!" said Hermione indignantly. Ron gave a loud false cough, which sounded oddly like "Lockhart!
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
You can’t always choose your future. Not in a world of risk and uncertainty. No matter what the self-help gurus tell you. You can only attempt to guide it in the right direction, like a willful horse, but accept there will be times when it will gallop off in a direction not of your choosing. No one can tell you what lies ahead with one hundred percent accuracy. If your doctor tells you ninety-nine out of one hundred people die of your disease, you most likely will die, but you might also be the one who beats the odds, and if you do, you will believe yourself special and blessed, and your loved ones will believe the fervency of their prayers for you paid dividends, but it’s just math. It’s all just math.
Liane Moriarty (Here One Moment)
My mother OD'd almost ten years ago and my father lost a prison fight the first year I started here at Palmetto State. I hadn't spoken to either of them since I left D.C.." Neil's heart skipped a beat. "You grew up in D.C.?" "Interesting that that's the part you got hung up on." Lying
Nora Sakavic (The Raven King (All for the Game, #2))
And in an odd way, realizing all this has given me an unexpected satisfaction and a little more self-respect. I have changed, and it’s for the better. You really can’t love unconditionally. People can burn and beat love out of you. They really can kill it, and it’s not your fault you don’t feel it anymore, and how liberating it is to finally realize that. Love isn’t for better or for worse, through thick or thin. It damn well shouldn’t be.
Patricia Cornwell (Red Mist (Kay Scarpetta, #19))
Treat them as you’ve treated me (וְעֹולֵ֣ל לָ֔מֹו כַּאֲשֶׁ֥ר עֹולַ֛לְתָּ לִ֖י) literally; “and-do to-them to-them-as You-have-done to-me”. An odd request from an unfaithful wife—asking her ex-husband to beat up her new husband. Obviously, her mind is still on the kings of the earth, not King Jehovah.
Michael Ben Zehabe (Lamentations: how narcissistic leaders torment church and family (The Hidden Series))
He leaned forward, eyes gleaming with enthusiasm. As he spoke, he lifted the kettle from the oil flame and poured steaming water into the cup and a bowl. Ginger and cinnamon wafted toward me. “All of time, every sliced instant of it, is rich with vertices of choices. One becomes accustomed to that, to the point at which sometimes even I have to stop and remind myself that I am making choices, even when I do not seem to be. Every indrawn breath is a choice. But sometimes one is reminded of that forcibly, sometimes I meet a person so laden with possibilities and potential that the mere existence of such a being is a jolt to reality. You are like that, still, to me. The sheer improbability of your existence took my breath away. … Yet here you are, with me still, defying the odds by existing. And by your existence, with every breath you take, you change all time. You are like a wedge driven into dry wood. With every beat of your heart, you are pounded deeper into ‘what might be’ and as you advance, you crack the future open, and expose a hundred, a thousand new possibilities, each branching into another hundred, another thousand.” p. 264 The Fool to Fitz
Robin Hobb (Fool's Fate (Tawny Man, #3))
Truth is to be found in dreams," the King said, looking down at them. From this angle, Emma could see that the odd splitting of his face ended at his throat, which was ordinary skin. "Tell me, Shadowhunters: You enter a cave. Inside the cave is an egg, lit from within and glowing. You know that it beats with your dreams--not the ones you have during the day, but the ones you half-remember in the morning. It splits open. What emerges?" "A rose," said Mark. "With thorns." Christina cut her eyes toward him in surprise, but remained motionless. "An angel," she said. "With bloody hands." "A knife," said Emma. "Pure and clean." "Bars," Julian said quietly. "The bars of a prison cell.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
I'll never forget it because it was such an odd thing to say. She told me that she'd be you. You, Aimee. She cupped her hand to the place where my heart beat under my skin. Maybe you aren't wrong. Maybe she is inside of you. But I don't think she's making a racket because she's trying to get out. I think she just wants to make sure you know that she's there.
Autumn Doughton (In This Moment)
Stay hungry on the path you trod to overcome all odds though fate & the gods seem to pepper your plate with a barrage of sabotage.
Curtis Tyrone Jones
In other words, the FDA is concerned only with acute toxins in food (those chemicals that kill you immediately), not chronic toxins, which kill you slowly by promoting chronic disease.
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
You have to accept that sometimes beautiful things end, that sometimes people leave, that sometimes two human beings don’t beat the odds, and you have to find closure in that. You have to heal.
Bianca Sparacino (A Gentle Reminder)
Barrett said that when we’re dehydrated, we don’t necessarily feel thirsty—we feel exhausted. When we have something odd happening in our stomach, our body doesn’t quite know if we have a menstrual cramp or a stomachache or if we need to poop. We might not even be aware for a long period of time that our stomach hurts. And this isn’t unique to people with PTSD. It’s normal, everyday bodily dissociation that we all suffer from. If we find ourselves in a shitty mood, we might not necessarily be mad about a certain trigger. We could just be running at a metabolic deficit. Our body might be screaming “I NEED FUNYUNS” while we project our hangriness onto, say, this poor sweaty schmuck who’s breathing too loud in the elevator. But Barrett said that PTSD does make these inclinations worse. It affects a variety of systems in the body, throwing them all out of whack. Our hearts might beat faster. Our lungs might pump harder. Our body budget can get tipped off-balance more easily. And when it does, our reactions to these deficits can feel outsized. “Make sure that you get enough sleep, make sure you exercise, make sure that you eat in a healthful way,” she told me when I asked her what I could do to be a better person. When I countered that that didn’t seem like enough, she kindly offered, “You know, all you can do is take as much responsibility as you can. And sometimes it’s the attempt that matters, you know, more than the success.” Then she chuckled at herself. “That’s a very Jewish mother response!” So, first step of hacking my brain: sustaining it with enough oxygen and nutrients
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
I know what’s coming you see. I know no one beats these odds and I know it’s a matter of getting used to that and realizing that you are expelled from your mother’s uterus as if shot from a cannon towards a barn door studded with old nail files and rusty hooks. It’s a matter of how you use up the intervening time in an intelligent and ironic way; and try not to do anything ghastly to your fellow creatures.
Christopher Hitchens
Maybe, in sports, you have to be dumb enough to believe you always have a chance. And a bad memory —you need that, too. You must be able to forget. You made an unforced error? You blew an easy winner? Don't dwell. Don't reply. Just forget, as if it never happened. If you tried something and it did not work, you have to be dumb enough, when the same chance comes around, to try it again. And this time it will work! You have to be dumb enough to have no fear. Every time I step on a court, I believe that I'm going to win, no matter who I'm playing or what does the odds say. That's what makes me so hard to beat.
Maria Sharapova (Unstoppable: My Life So Far)
You have to let go. You have to accept that sometimes beautiful things end, that sometimes people leave, that sometimes two human beings don't beat the odds, and you have to find closure in that. You have to heal.
Bianca Sparacino (A Gentle Reminder)
Are you scared?” “Of what?” “Dying.” Jemma was nothing, if she was not blunt. “I’m not expecting to die, Jemma. I’m expecting to have treatment, chemotherapy, radiotherapy, whatever it takes, but I’m expecting to come through this.
Calvin Wade (Forever Is over)
Risk, as first articulated by the economist Frank H. Knight in 1921,45 is something that you can put a price on. Say that you’ll win a poker hand unless your opponent draws to an inside straight: the chances of that happening are exactly 1 chance in 11.46 This is risk. It is not pleasant when you take a “bad beat” in poker, but at least you know the odds of it and can account for it ahead of time. In the long run, you’ll make a profit from your opponents making desperate draws with insufficient odds. Uncertainty, on the other hand, is risk that is hard to measure. You might have some vague awareness of the demons lurking out there. You might even be acutely concerned about them. But you have no real idea how many of them there are or when they might strike. Your back-of-the-envelope estimate might be off by a factor of 100 or by a factor of 1,000; there is no good way to know. This is uncertainty. Risk greases the wheels of a free-market economy; uncertainty grinds them to a halt.
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
As you will see, all successful diets share three precepts: low sugar, high fiber (which means high micronutrients), and fat and carbohydrate consumed together in the presence of an offsetting amount of fiber. Anything after that is window dressing.
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
there is a difference between gambling in business and gambling in a casino. In a casino, the odds are stacked against you. With skill, you can improve them, but never beat them. In contrast, in business, you can improve your skills to shift the odds in your favor. Simply stated, with enough skill, you can become the house.
Alex Hormozi ($100M Offers: How To Make Offers So Good People Feel Stupid Saying No)
Okay? It's okay! Don't worry about it! Just chill out! You don't have to feel like you're suffering just because your life is unfortunate, you don't have to sulk just because your life hasn't been blessed! What's wrong with staying positive in the face of adversity? You know what? What you're going to do after this is go home looking like nothing ever happened! Live the same old life with your father and mother who are out of the hospital now! You'll never be able to reconcile with either of them, I guarantee that! Even if you somehow beat the odds and become happy someday, it's not going to matter, because no matter how happy you are, it's never going to erase your crappy past! You can't pretend it never happened, you're going to be dragging it around with you! No matter what you do, no matter what happens, that misfortune is going to sit in your heart forever! You'll remember it just when you think you forgot, you'll dream about it for the rest of your life! We are going to have nightmares for the rest of our lives! That's how it's going to be-and since there's nothing you can do about it, don't try to look away! Playing a prank on some random passerby, playing streaker in your underwear is just going to take a tiny bit of stress off your mind, in reality it's not going to change a thing!
NisiOisiN (猫物語 (黒) [Nekomonogatari] (Bakemonogatari, #4, Part 1))
I smile at my friends, but Mer and Rashmi and Josh are distracted, arguing about something that happened over dinner. St. Clair sees me and smiles back. "Good?" I nod.He looks pleased and ducks into the row after me. I always sit four rows up from the center, and we have perfectseats tonight.The chairs are classic red. The movie begins,and the title screen flashes up. "Ugh,we have to sit through the credits?" Rashmi asks. They roll first,like in all old films. I read them happily. I love credits. I love everything about movies. The theater is dark except for the flicker of blacks and whites and grays on-screen. Clark Gable pretends to sleep and places his hand in the center of an empty bus seat. After a moment of irritation,Claudette Colbert gingerly plucks it aside and sits down. Gable smiles to himself,and St. Clair laughs. It's odd,but I keep finding myself distracted. By the white of his teeth through the darkness.By a wavy bit of his hair that sticks straight out to the side. By the soft aroma of his laundry detergent. He nudges me to silently offer the armrest,but I decline and he takes it.His arm is close to mine,slightly elevated. I glance at his hands.Mine are tiny compared to his large,knuckly boy hands. And,suddenly,I want to touch him. Not a push,or a shove,or even a friendly hug. I want to feel the creases in his skin,connect his freckles with invisible lines,brush my fingers across the inside of his wrist. He shifts. I have the strangest feeling that he's as aware of me as I am of him. I can't concentrate. The characters on the screen are squabbling, but for the life of me, I don't know what about. How long have I not been paying attention? St. Clair coughs and shifts again. His leg brushes against mine.It stays there. I'm paralyzed. I should move it; it feels too unnatural.How can he not notice his leg is touching my leg? From the corner of my eye,I see the profile of his chin and nose,and-oh,dear God-the curve of his lips. There.He glanced at me. I know he did. I bore my eyes into the screen, trying my best to prove that I am Really Interested in this movie.St. Clair stiffens but doesn't move his leg.Is he holding his breath? I think he is.I'm holding mine. I exhale and cringe-it's so loud and unnatural. Again.Another glance. This time I turn, automatically,just as he's turning away. It's a dance,and now there's a feeling in the air like one of us should say something.Focus,Anna. Focus. "Do you like it?" I whisper. He pauses. "The film?" I'm thankful the shadows hide my blush. "I like it very much," he says. I risk a glance,and St. Clair stares back. Deeply.He has not looked at me like this before.I turn away first, then feel him turn a few beats later. I know he is smiling,and my heart races.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
You know how in our brains, behind all the recent flashy developments that gave us stuff like emotions and aesthetics and cosmic awareness, there’s this lizard brain. It’s what makes the heart beat and what stays alert to odd noises and sudden movements in the dark while we sleep. Don’t wonder where the dinosaurs went, there’s a bit of one inside each of us.
Ellen Datlow (Lovecraft Unbound)
No, my friends, this won’t be solved from the top-down. This will have to be a bottom-up movement. You can’t expect government to do the right thing. You have to coerce it into doing the right thing. When there are more votes at stake than dollars, that’s when legislators will come around. But that’s not a reason to be daunted. In a democracy, the public has power.
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
Barry Popkin of the University of North Carolina states that of the six hundred thousand food items for sale in the United States, 80 percent are laced with added sugar. Ninety percent of the food produced in the United States is sold to you by a total of ten conglomerates—Coca-Cola, ConAgra, Dole, General Mills, Hormel, Kraft, Nestle, Pepsico, Procter and Gamble, and Unilever.
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
Hope swears, “You’re different, you matter.” She whispers, “Miracles happen.” She says, often quite reasonably, “New treatments are being developed all the time.” She promises, “You’ll beat the odds.” A hundred to one? A thousand to one? A million to one? “Eight to five”, hope lies. Odds are when your time comes, you won’t even ask for or against. You’ll swing up on that horse and ride.
Mary Doria Russell (Doc)
Michael Pollan, in his New York Times article “Unhappy Meals,” exhorts us to “Eat food. Not too much. Mostly plants.” That’s seven words; I’ll reduce it to three: eat real food. The “not too much” will take care of itself. And the “mostly plants” isn’t a worry if you eat the plants as they came out of the ground, or the animals who ate the food that came out of the ground—because they ate plants.
Robert H. Lustig (Fat Chance: Beating the Odds Against Sugar, Processed Food, Obesity, and Disease)
It didn’t occur to him to think that better is not the same as well. Was he fooling himself? He would not have said so. Even at twenty-two, when his diagnosis was confirmed, he was realistic. Most suffer. Everyone dies. He knew how, if not when. Now more than ever, he was determined to cheat the Fates of entertainment, but naturally, his time would come. When it did, he believed he would accept death as Socrates had: with cool philosophical distance. He would say something funny, or profound, or loving. Then he would let life fall gracefully from his hands. Horseshit, as James Earp would say, of the highest order. The truth is this. On the morning of August 14, 1878, Doc Holliday believed in his own death exactly as you do—today, at this very moment. He knew that he was mortal, just as you do. Of course, you know you’ll die someday, but … not quite the same way you know that the sun will rise tomorrow or that dropped objects fall. The great bitch-goddess Hope sees to that. Sit in a physician’s office. Listen to a diagnosis as bad as Doc’s. Beyond the first few words, you won’t hear a thing. The voice of Hope is soft but impossible to ignore. This isn’t happening, she assures you. There’s been a mix-up with the tests. Hope swears, You’re different. You matter. She whispers, Miracles happen. She says, often quite reasonably, New treatments are being developed all the time! She promises, You’ll beat the odds. A hundred to one? A thousand to one? A million to one? Eight to five, Hope lies. Odds are, when your time comes, you won’t even ask, “For or against?” You’ll swing up on that horse, and ride.
Mary Doria Russell (Doc)
And in an odd way, realizing all this has given me an unexpected satisfaction and a little more self-respect. I have changed, and it’s for the better. You really can’t love unconditionally. People can burn and beat love out of you. They really can kill it, and it’s not your fault you don’t feel it anymore, and how liberating it is to finally realize that. Love isn’t for better or for worse, through thick or thin.
Patricia Cornwell (Red Mist (Kay Scarpetta, #19))
Courage is a hard thing to figure. You can have courage based on a dumb idea or mistake, but you're not supposed to question adults, or your coach or your teacher, because they make the rules. Maybe they know best, but maybe they don't. It all depends on who you are, where you come from. Didn't at least one of the six hundred guys think about giving up, and joining with the other side? I mean, valley of death that's pretty salty stuff. That's why courage it's tricky. Should you always do what others tell you to do? Sometimes you might not even know why you're doing something. I mean any fool can have courage. But honor, that's the real reason for you either do something or you don't. It's who you are and maybe who you want to be. If you die trying for something important, then you have both honor and courage, and that's pretty good. I think that's what the writer was saying, that you should hope for courage and try for honor. And maybe even pray that the people telling you what to do have some, too.
Michael Oher (I Beat the Odds: From Homelessness, to The Blind Side, and Beyond)
If you want the best odds of getting the best apartment, spend 37% of your apartment hunt (eleven days, if you’ve given yourself a month for the search) noncommittally exploring options. Leave the checkbook at home; you’re just calibrating. But after that point, be prepared to immediately commit—deposit and all—to the very first place you see that beats whatever you’ve already seen. This is not merely an intuitively satisfying compromise between looking and leaping. It is the provably optimal solution.
Brian Christian (Algorithms To Live By: The Computer Science of Human Decisions)
Was it as scary for you as it is for me? Falling for Sawyer?” “Not really, no.” She shakes her head. “I’m sure I had some of the same worries, everyone does. But I’m a leaper. You’re a thinker. We process things differently.” “You didn’t have a panic attack and run away?” I ask sarcastically. “No,” she muses. “Not even that time he refused to have sex with me.” “That was your first date, Everly. And you did have sex,” I remind her. I know, because I heard about it for a week. “Whew.” She blows out a breath. “It was a tough few hours though. How is Boyd’s POD by the way? Can we talk about that?” She leans forward on the couch, looking at me expectantly. “Um, no. I don’t think so.” She shrugs good-naturedly then changes the subject back to me. “Chloe, why didn’t you tell me you were struggling with your anxiety? You know I’m never too busy for you, no matter how many husbands or children I have.” “You have one husband, babe,” Sawyer says, walking into the room at that moment. “You’re still the one, baby.” “We’ve been married for three months, Everly. I sure as hell better still be the one.” “Sawyer,” she sighs. “I was trying to have a moment, okay? Work with me.” “Next time, try waiting more than a day after downloading Shania Twain’s greatest hits to your iPod. You do realize the receipts come to my email, don’t you?” “Um.” Everly looks away and scrunches her nose. “No?” “You’ve been on quite the 90’s love ballads kick this week. Which is weird, because you’re not old enough to have owned the CD’s those songs were originally released on.” He looks at her with amused interest. “What’s a CD?” She blinks at Sawyer dramatically. “Cute. Keep it up.” “Nineties music is all the rage with the millennials,” she tells him with a shrug. “I saw a blog post about it.” “Don’t worry, sweets. We’ll beat the odds together.” He winks and she scowls. “You’re still the only one I dream of,” he calls as he walks into the kitchen and grabs a bottle of water. “See! I don’t even care that you lifted that from a song. It still gave me all the feels!
Jana Aston (Trust (Cafe, #3))
Imagine you’re a boxer, and on your first day in the ring you take one on your chin. It’s gonna hurt like fucking hell, but at year ten of being a boxer, you won’t be stopped by one punch. You’ll be able to absorb twelve rounds of getting beat the fuck down and come back the very next day and fight again. It’s not that the punch has lost power. Your opponents will be even stronger. The change has happened within your brain. You’ve calloused your mind. Over a period of time, your tolerance for mental and physical suffering will have expanded because your software will have learned that you can take a hell of a lot more than one punch, and if you stay with any task that is trying to beat you down, you will reap rewards.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Rhysand opened his mouth, but then the silhouettes of two tall, powerful bodies appeared on the other side of the front door's fogged glass. One of them banged on it with a fist. 'Hurry up, you lazy ass,' a deep male voice drawled from the antechamber beyond. Exhaustion drugged me so heavily that I didn't particularly care that there were wings peeking over thier two shadowy forms. Rhys didn't so much as blink toward the door. 'Two things, Feyre darling.' The pounding continued, followed by the second male murmuring to his companion, 'If you're going to pick a fight with him, do it after breakfast.' That voice- like shadows given form, dark and smooth and... cold. 'I wasn't the one who hauled me out of bed just now to fly down here,' the first one said. Then added, 'Busybody.' I could have sworn a smile tugged on Rhys's lips as he went on, 'One, no one- no one- but Mor and I are able to winnow directly inside this house. it is warded, shielded, and then warded some more. Only those I wish- and you wish- may enter. You are safe here; and safe anywhere in this city, for that matter. Velaris's walls are well protected and have not been breached in five thousand years. No one with ill intent enters this city unless I allow it. So go where you wish, do what you wish, and see who you wish. Those two in the antechamber,' he added, eyes sparkling, 'might not be on that list of people you should bother knowing, if they keep banging on the door like children.' Another pound, emphasised by the first male voice saying, 'You know we can hear you, prick.' 'Secondly,' Rhys went on, 'in regard to the two bastards at my door, it's up to you whether you want to meet them now, or head upstairs like a wise person, take a nap since you're still looking a little peaky, and then change into city-appropriate clothing while I beat the hell out of one of them for talking to his High Lord like that.' There was such light in his eyes. It made him look... younger, somehow. More mortal. So at odds with the icy rage I'd seen earlier when I'd awoken... Awoken on that couch, and then decided I wasn't returning home. Decided that, perhaps, the Spring Court might not be my home.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Before she could don her wide-brimmed hat and leave the sanctuary of their willow bower, Val did wrap his arms around her again, this time positioning his body behind hers. “I will come back after dark,” he whispered, “if you’ll allow it.” She went still, and he knew a moment’s panic. “Talk to me, Ellen.” He kissed her cheek. “Just be honest.” “My… tonight might not be a good time.” “Sweetheart…” Val let her go and turned her to face him. “I will not force myself on you, I just want… I want to see you.” To make sure she was all right, whatever that meant in the odd, new context in which he was trying to define the term. She must have sensed his bewilderment, because she turned away and spoke to him from over her shoulder. “My courses are due.” Val cocked his head. “So you become unfit company? Do you have the megrims and cramps and melancholy? Eat chocolates by the tin? Take to your bed?” “Sometimes.” Ellen peered at him, her expression guarded. “Then I will comfort you. I’ll cuddle you up and bring you tisanes and rub your back and your feet. I’ll read to you and beat you at cards and bring you hot-water bottles for your aches.” Ellen’s brows knit. “I truly am poor company at such times and usually before such times, as well.” “You are poor company for people who expect you to play on without missing a note, perhaps,” Val replied, holding her gaze. “May we sit a moment?” She nodded but had gone too shy even to meet his eyes. “My Uncle Tony’s wife,” Val said, wrapping an arm around Ellen’s shoulders, “is blunt to a fault. She told me relations with Tony were the best way to ease her cramps.” “Valentine!
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
You have to let go. You have to let go because when you hold on, when you keep something alive inside of you, you are allowing for your past to take up the space in your heart and in your mind that is meant for your future. You have to let go because at the end of the day, if you are going to find the human being who is going to bring you the deepest kind of joy, if you are going to find the person who is going to help you experience the kind of love you have always deserved — you have to make sure that you are ready for it. You have to make sure that you will be open to it, and you cannot make a home within your heart for the person who will someday care for you in the softest of ways if someone else’s memory is still living there. You have to let go. You have to accept that sometimes beautiful things end, that sometimes people leave, that sometimes two human beings don’t beat the odds, and you have to find closure in that.
Bianca Sparacino (A Gentle Reminder)
Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty whities and all. Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My eyes! They burn!” “Put the boa constrictor back in his cage, man.” “This is not the ass I planned on seeing tonight.” Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite ass out the window—mooning the gaggle of grannies in the car next to us. I bet you thought this kind of stuff only happened in movies. He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?” Wow. Steven usually isn’t the type to visually assault the elderly. Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single strangled word. “Grandma?” Then he’s diving back into the limo, his face grayish, dazed, and totally sober. He stares at the floor. “No way that just happened.” Matthew and I look at each other hopefully, then we scramble to the window. Sure enough, in the driver’s seat of that big old Town Car is none other than Loretta P. Reinhart. Mom to George; Grandma to Steven. What are the fucking odds, huh? Loretta was always a cranky old bitch. No sense of humor. Even when I was a kid she hated me. Thought I was a bad influence on her precious grandchild. Don’t know where she got that idea from. She moved out to Arizona years ago. Like a lot of women her age, she still enjoys a good tug on the slot machine—hence her frequent trips to Sin City. Apparently this is one such trip. Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs. Reinhart.” She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen. The two of us collapse back into our seats, laughing hysterically.
Emma Chase (Tied (Tangled, #4))
Eventually I became a tad compulsive about hearing certain songs. At first it was a handful of jazz classics—Miles Davis’s “Freddie Freeloader,” John Coltrane’s “My Favorite Things,” Frank Sinatra’s “Luck Be a Lady.” (Before one primary debate, I must have played that last track two or three times in a row, clearly indicating a lack of confidence in my preparations.) Ultimately it was rap that got my head in the right place, two songs especially: Jay-Z’s “My 1st Song” and Eminem’s “Lose Yourself.” Both were about defying the odds and putting it all on the line (“Look, if you had one shot or one opportunity, to seize everything you ever wanted in one moment, would you capture it? Or just let it slip…”); how it felt to spin something out of nothing; getting by on wit, hustle, and fear disguised as bravado. The lyrics felt tailored to my early underdog status. And as I sat alone in the back of the Secret Service van on the way to a debate site, in my crisp uniform and dimpled tie, I’d nod my head to the beat of those songs, feeling a whiff of private rebellion, a connection to something grittier and more real than all the fuss and deference that now surrounded me. It was a way to cut through the artifice and remember who I was.
Barack Obama (A Promised Land)
A few minutes later Elizabeth watched Lucinda emerge from the cottage with Ian, but there was no way to guess from their closed expressions what they’d discussed. In fact, the only person betraying any emotion at all was Jake Wiley as he led two horses into the yard. And his face, Elizabeth noted with confusion-which had been stormy when he went off to saddle the horses-was now wreathed in a smile of unrestrained glee. With a sweep of his arm and a bow he gestured toward a swaybacked black horse with an old sidesaddle upon its back. “Here’s your mount, ma’am,” he told Lucinda, grinning. “His name’s Attila.” Lucinda cast a disdainful eye over the beast as she transferred her umbrella to her right hand and pulled on her black gloves. “Have you nothing better?” “No, ma’am. Ian’s horse has a hurt foot.” “Oh, very well,” said Lucinda, walking briskly forward, but as she came within reach the black suddenly bared his teeth and lunged. Lucinda struck him between the ears with her umbrella without so much as a pause in her step. “Cease!” she commanded, and, ignoring the animal’s startled grunt of pain, she continued around to his other side to mount. “You brought it on yourself,” she told the horse as Jake held Attila’s head, and Ian Thornton helped her into the sidesaddle. The whites of Attila’s eyes showed as he warily watched her land in his saddle and settle herself. The moment Jake handed Lucinda the reins Attila began to leap sideways and twist around in restless annoyance. “I do not countenance ill-tempered animals,” she warned the horse in her severest tone, and when he refused to heed her and continued his threatening antics she hauled up sharply on his reins and simultaneously gave him a sharp jab in the flank with her umbrella. Attila let out a yelping complaint, broke into a quick, animated trot, and headed obediently down the drive. “If that don’t beat all!” Jake said furiously, glowering after the pair, and then at Ian. “That animal doesn’t know the meaning of the word loyalty!” Without waiting for a reply Jake swung into his saddle and cantered down the lane after them. Absolutely baffled over everyone’s behavior this morning, Elizabeth cast a puzzled, sideways glance at the silent man beside her, then gaped at him in amazement. The unpredictable man was staring after Lucinda, his hands shoved into his pockets, a cigar clamped between his white teeth, his face transformed by a sweeping grin. Drawing the obvious conclusion that these odd reactions from the men were somehow related to Lucinda’s skillful handling of an obstinate horse, Elizabeth commented, “Lucinda’s uncle raised horses, I believe.” Almost reluctantly, Ian transferred his admiring gaze from Lucinda’s rigid back to Elizabeth. His brows rose. “An amazing woman,” he stated. “Is there any situation of which she can’t take charge?” “None that I’ve ever seen,” Elizabeth said with a chuckle; then she felt self-conscious because his smile faded abruptly, and his manner became detached and cool.
Judith McNaught (Almost Heaven (Sequels, #3))
It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
There are no silly or inferior people; or people whose destiny is to be poor or to barely survive. There are, though, many that have bought into the lies of this world, internalizing and accepting as truth the horrible “You can’t”. And as they believe they can’t, they transmit it to others and “manifest” it in their lives. But THE TRUTH, the only absolute truth is that every human being is special. Each and every one of us is a soul that is growing and evolving. A soul on a mission! To find and fulfill this mission, and not only to work tirelessly to accumulate material things, THAT IS SUCCESS! If you've ever doubted how special you are, and the immense value you have for the world, you just have to do a historical analysis, and think about the thousands of people who had to live before you, only for you to be born! Think of your ancestors: they survived a thousand tragedies so you could be here and read this book. Do not kid yourself: life in this world has been harsh! Your ancestors had to fight against enormous odds, and only the strongest, fittest and special survived. The weak perished... But not your grandparents, great-grandparents; great-great-grandparents and the ones before. You come from a bread of Champions! You descend from the greater ones! From those who crossed seas and conquered lands… From those who beat pest, hunger and war. From those who kept going ahead despite the persecutions… From those who weighed anchors to go on great adventures... And thanks to them, success runs in your blood… You are destined to success! You are called to live a meaningful life!
Mauricio Chaves Mesén (YES! TO SUCCESS)
Steven’s words slush together as he gets to his feet. “Crossing this one off the bucket list.” Then he unbuckles his belt and grabs the waist of his pants—yanking the suckers down to his ankles—tighty whities and all. Every guy in the car holds up his hands to try to block the spectacle. We groan and complain. “My eyes! They burn!” “Put the boa constrictor back in his cage, man.” “This is not the ass I planned on seeing tonight.” Our protests fall on deaf ears. Steven is a man on a mission. Wordlessly, he squats and shoves his lilywhite ass out the window—mooning the gaggle of grannies in the car next to us. I bet you thought this kind of stuff only happened in movies. He grins while his ass blows in the wind for a good ninety seconds, ensuring optimal viewage. Then he pulls his slacks up, turns around, and leans out the window, laughing. “Enjoying the full moon, ladies?” Wow. Steven usually isn’t the type to visually assault the elderly. Without warning, his crazy cackling is cut off. He’s silent for a beat, then I hear him choke out a single strangled word. “Grandma?” Then he’s diving back into the limo, his face grayish, dazed, and totally sober. He stares at the floor. “No way that just happened.” Matthew and I look at each other hopefully, then we scramble to the window. Sure enough, in the driver’s seat of that big old Town Car is none other than Loretta P. Reinhart. Mom to George; Grandma to Steven. What are the fucking odds, huh? .... Matthew and I wave and smile and in fourth-grader-like, singsong harmony call out, “Hi, Mrs. Reinhart.” She shakes one wrinkled fist in our direction. Then her poofy-haired companion in the backseat flips us the bird. I’m pretty sure it’s the funniest goddamn thing I’ve ever seen. The two of us collapse back into our seats, laughing hysterically.
Emma Chase (Tied (Tangled, #4))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
In this sense, the incentives inherent to the 'gig' economy resemble those that draw people into casinos or bingo halls, where unpredictable rewards stimulate you just enough to reel you back in – you carry on dipping your hand in your pocket in the hope of beating the odds.
James Bloodworth (Hired: Six Months Undercover in Low-Wage Britain)
Your curse still isn't really broken. The castle and everyone in it have been forgotten. No one remembers this place. You could find all les charmantes and bring them here. Bring them home. And get yourself... uncursed." "Hmmm," Rosalind said, thinking. "Not bad. It's an odd idea, considering this is the place we almost came to our end... but it's intriguing. Yes, I like it. Go find everyone and bring them home. Really, it's the least you could do after what your parents did." Maurice might have given Rosalind a little frown at that last bit, but she shrugged. The Beast blinked. "Go... find them? Me?" "Yes. Why not?" Belle said with a smile, reading his thoughts. "You would have to actually go out into the world that you've been watching for so long in your magic mirror." "With you," the Beast said without missing a beat. "I could do anything, with you." Belle grinned and started to answer... ... and then saw Maurice and Rosalind, who were both watching her to see what she would do. Belle had a family again. She had a mother- the most interesting, perplexing mother in the world- whom she had just met. There was too much to ask her, to talk about. But this was finally her chance to go out on those adventures she had always dreamed of. Abandoned Greek islands, the hearts of never-before-seen forests, even Paris and Rome.... They would travel the world looking for reclusive charmantes to bring home. Who knew what they might see!
Liz Braswell (As Old as Time)
You’re a barrier breaker. You can defy the odds. You can beat the cancer, you can break the addiction, you can start the new business. You can go further than the experts have told you.
Joel Osteen (It Is Finished: Defeat What's Defeating You)
Part of me wonders, in a world that seems so divided and divisive, if we’re really at odds with one another or if we’re just feeling entitled and lazy. Maybe we’re just so bored with our comfortable lives that we have to find something to fill our time. As humans, we are wired for a challenge, so if we don’t challenge ourselves, we’ll find petty drama and arguments to keep us busy. Spend time around people who are truly working to bring the best version of themselves to the world, and my guess is that we won’t feel much like arguing anymore. You become like the people with whom you spend the most time. So it should be no surprise that spending time with people who beat me constantly didn’t deter me from finishing first. Instead, it helped me access my own will to win. Why is it that we get so caught up with thinking that beating someone is bad for them? What if winning is the kindest, bravest, most helpful thing you can do? Healthy competition teaches us. It doesn’t hold us back. It pushes us forward. When we bring our best to the competition, it challenges everyone to dig deep and discover their hidden talents, their buried tenacity, their untapped skill. You were put on this Earth to do something amazing. Something nobody else can do. The only way you can do that thing is to tap into your deepest power, your greatest potential. Far too many of us are missing it because we’re worried about making a way for someone else.
Scott Hamilton (Finish First: Winning Changes Everything)
The essay that follows, 'Why I Am so Clever,' plays on an obsession with his lungs and his stomach as central to the whole philosophical exercise. He becomes a diet-and-exercise guru. If you avoid coffee and live in dry air, you will attain health equal to his own. Odd that he bans coffee while delighting in the world-beating coffee of Turin.
Sue Prideaux (I Am Dynamite! A Life of Nietzsche)
How the devil do you do that?” Lyle smiled down at her. What a braw lassie she was to own the attraction raging between them. “Magic,” he said, and again, he wasn’t entirely joking. “I don’t want to kiss you,” she growled. “Then you touch me, and—” “The world disappears.” “You feel it, too?” she asked, sounding as displeased as if she’d caught him eating peas off his knife at a state dinner. “My dear, I’m completely besotted.” His declaration didn’t please her. “This is stupid. I don’t know you.” She paused. “I’m not even sure I like you.” “Another kiss might help you decide.” He linked his arms around her waist. “I’m really an excellent fellow.” She regarded him from under lowered brows. “I have my father’s pistol.” The masquerade had served its purpose, but the time for disguises passed. “That’s an odd item for a wee housemaid to have in her possession,” he said in a silky tone. She was so lost in the sensual storm sparking between them, she needed a few seconds to realize what he meant. “My…my father is the gamekeeper here,” she stammered. He grinned with evil satisfaction. “Even odder that he’s got time for that, between the estate, a string of racehorses, and his parliamentary work, Miss Warren.” A beat of silence, while she stared appalled at him. Another. “You know who I am.” She sounded like she accused him of murder.
Anna Campbell (Stranded with the Scottish Earl)
Invest more in your financial education than in stocks, real estate, or other markets. The smarter you are, the better chance you have of beating the odds.
Jeffrey David (Summary: Lessons from Rich Dad Poor Dad)
You’ve got to have the emotional understanding that you can make the right play time and time again,” he would say, “but you can still lose. And even if you lose four times in a row, you’re still supposed to make the same play the fifth time. It’s a very easy concept in theory, but in practice it’s much harder, especially when you see people making bad moves and they win. You have to do the right move all the time.” Once
David Kushner (Jonny Magic and the Card Shark Kids: How a Gang of Geeks Beat the Odds and Stormed Las Vegas)
Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
When you can't beat the odds, change the game.
Kaz Brekker
Don’t take any risks over there,” he said. “Do your best, do your duty, and we’ll see you when it’s over.” I kissed them all, a quick beak-to-cheek, and John reached in, speaking low as ever. “You’re a fine, odd creature, Cher Ami,” he said. “That’s why I’ve always loved you.” He brought me close to his mouth, and his soft, soothing voice dropped to a whisper, as if to confide something he didn’t want even the other birds to hear. “Save my son,” he said. My heart beat hard against his clasping hand. I’d be a liar if I said that I wasn’t excited.
Kathleen Rooney (Cher Ami and Major Whittlesey)
White supremacy weaponizes toxic positivity against racially marginalized people by convincing us that we are somehow to blame for the constellation of harms emanating from present and historical wrongdoing. This racist toxic positivity culture goads us into believing that there is a prize for never saying a mumblin’ word while bearing our burdens. It reinforces survivor’s bias by convincing people who have managed to overcome obstacles that shouldn’t exist in the first place that they possess the heroic traits of “pluckiness” and “grit” that allowed them to “beat the odds.” These survivors often become some of the most ardent proponents of toxic positivity culture as they admonish others not to have a “poverty mindset” and unwittingly accept assimilation and cultural erasure. They see themselves as giving back or sharing wisdom with their communities, but they end up inadvertently reinforcing white supremacist narratives about Black folks.
Ally Henny (I Won't Shut Up: Finding Your Voice When the World Tries to Silence You (An Unvarnished Perspective on Racism That Calls Black Women to Find Their Voice))
You said you wouldn’t.” “Wouldn’t what?” The rumble of his voice vibrated in my chest. It was oddly comforting. I pressed my cheek against his heart, listening to it beat faster. Or maybe that was wishful thinking. His bare skin blazed against mine. Almost painfully so. “Take care of me. You said you wouldn’t...
Kerri Maniscalco (Kingdom of the Cursed (Kingdom of the Wicked, #2))
You have to accept that sometimes beautiful things end, that sometimes people leave, that sometimes two human beings don’t beat the odds, and you have to find closure in that.
Bianca Sparacino (A Gentle Reminder)
Mother and I speak about many things, Father,” she said drily. “Your need for a male heir was simply one of them.” For a moment her father appeared angry and uncertain before his expression smoothed. “I was a much younger man then, less learned, and less tolerant. I wanted a son very badly, and your mother understood her duty.” Jules narrowed her gaze on him. “What if I had been born a girl, Papa?” He blinked. “I cannot understand this line of questioning; it is rather nonsensical, as you are my son.” Jules’s heart beat so fast, her chest ached. “I gather Mama would have been forced to the marriage bed once again if I had been born a girl…despite the risk to her health. A very odd way to show your love and devotion to the lady that filled that emptiness in your heart.
Stacy Reid (The Wolf and the Wildflower)
I KNOW THAT THERE WILL ALWAYS BE PEOPLE who think that the extra courses I took to help raise my high school GPA were a lame excuse for making up classes I failed the first time around. There are other people who will always be convinced that I am just a dumb football player who only graduated from Briarcrest because I had a lot of people helping to pull me along because they wanted to get me into college. All I can say in response to that is, look at my academic record while at Ole Miss. I wasn’t just squeaking by with the minimum GPA—twice I made the dean’s list. It’s amazing how a life can turn around with some encouragement, some support, and someone willing to say, “I believe you CAN do what you’ve set your mind on doing.
Michael Oher (I Beat The Odds: From Homelessness, to The Blind Side, and Beyond)