October Movie Quotes

We've searched our database for all the quotes and captions related to October Movie. Here they are! All 30 of them:

People don't read any more. It's a sad state of affairs. Reading's the only thing that allows you to use your imagination. When you watch films it's someone else's vision, isn't it?" [Interview in The Independent, 15 October 2005]
Lemmy Kilmister
I do need that time, though, for Naoko's face to appear. And as the years have passed, the time has grown longer. The sad truth is that what I could recall in five seconds all too needed ten, then thirty, then a full minute-like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand-ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time is appears, it delivers a kick to some part of my mind. "Wake up," it says. "I'm still here. Wake up and think about it. Think about why I'm still here." The kicking never hurts me. There's no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day. At the Hamburg airport, though, the kicks were longer and harder than usual. Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
Haruki Murakami (Norwegian Wood)
Some people might say it was too early for Christmas movies, but those people would be wrong. It was October, which meant it was practically December.
Ana Huang (King of Pride (Kings of Sin, #2))
The days are passing so quickly. This is the only time of year when I want to slow time down. I spend the entire year trying to get here as fast as I can, then once I'm here I want to slam on the brakes. I'm beginning to have those moments when the feel of autumn is so strong it drowns out everything else. Lately it's been making me think about the perfect soundtrack for a Halloween party. The top of any Halloween music list as to be the theme song from the movie Halloween; right on its heels is "Pet Sematary" by the Ramones. For some reason I've always equated the old Van Morrison song "Moondance" with Halloween, too. I love that song. "Bela Lugosi's Dead" by Bauhaus is an October classic, as well as anything by Type O Negative. And Midnight Syndicate. If you've never heard anything by Midnight Syndicate, look them up right this moment. If you distilled the raw essence of every spooky story you ever heard, you would have Midnight Syndicate. I have a friend who swears by them, believing them to be a vital element of any Halloween party. To finish off the list you must have "The Lyre of Orpheus" by Nick Cave and "I Feel Alright" by Steve Earle.
Damien Echols (Life After Death)
But the thing I remember most about the screening in October twenty years ago was the moment Julian grasped my hand that had gone numb on the armrest separating our seats. He did this because in the book Julian Wells lived but in the movie's new scenario he had to die. He had to be punished for all of his sins. That's what the movie demanded. (Later, as a screenwriter, I learned it's what all movies demanded.) When this scene occurred, in the last ten minutes, Julian looked at me in the darkness, stunned. "I died," he whispered. "They killed me off." I waited a bit before sighing, "But you're still here." Julian turned back to the screen and soon the movie ended, the credits rolling over the palm trees as I (improbably) take Blair back to my college while Roy Orbison wails a song about how life fades away.
Bret Easton Ellis (Imperial Bedrooms)
OCTOBER Wednesday My parents are always saying the world doesn’t revolve around me, but sometimes I wonder if it actually DOES. When I was a little kid, I saw this movie about a man whose whole life is secretly being filmed for a TV show. This guy is famous all over the world, and he doesn’t KNOW it. Well, ever since I saw that movie, I’ve kind of figured the same thing is probably happening to ME. HOPE YOU CREEPS ARE ENJOYING YOURSELVES!
Jeff Kinney (Double Down)
October 17, 1946 D’Arline, I adore you, sweetheart. I know how much you like to hear that — but I don't only write it because you like it — I write it because it makes me warm all over inside to write it to you. It is such a terribly long time since I last wrote to you — almost two years but I know you'll excuse me because you understand how I am, stubborn and realistic; and I thought there was no sense to writing. But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you. I find it hard to understand in my mind what it means to love you after you are dead — but I still want to comfort and take care of you — and I want you to love me and care for me. I want to have problems to discuss with you — I want to do little projects with you. I never thought until just now that we can do that. What should we do. We started to learn to make clothes together — or learn Chinese — or getting a movie projector. Can't I do something now? No. I am alone without you and you were the "idea-woman" and general instigator of all our wild adventures. When you were sick you worried because you could not give me something that you wanted to and thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true — you can give me nothing now yet I love you so that you stand in my way of loving anyone else — but I want you to stand there. You, dead, are so much better than anyone else alive. I know you will assure me that I am foolish and that you want me to have full happiness and don't want to be in my way. I'll bet you are surprised that I don't even have a girlfriend (except you, sweetheart) after two years. But you can't help it, darling, nor can I — I don't understand it, for I have met many girls and very nice ones and I don't want to remain alone — but in two or three meetings they all seem ashes. You only are left to me. You are real. My darling wife, I do adore you. I love my wife. My wife is dead. Rich. PS Please excuse my not mailing this — but I don't know your new address.
Richard P. Feynman
She cracked open a Diet Mountain Dew. We watched the movie in silence. In the middle, I fell back asleep. • • • OCTOBER WAS PLACID. The radiator hissed and sputtered, releasing a sharp vinegary smell that reminded me of my dead parents’ basement, so I rarely turned on the heat. I didn’t mind the cold. My visit to Dr. Tuttle that month was relatively unremarkable. “How is everything at home?” she asked. “Good? Bad? Other?” “Other,” I said. “Do you have a family history of nonbinary paradigms?” When I explained for the third time that both my parents had died, that my mother had killed herself, Dr. Tuttle unscrewed the cap of her value-size bottle of Afrin, twirled around in her chair, tilted her head back so that she was looking at me upside down, and started sniffing. “I’m listening,” she said. “It’s allergies, and now I’m hooked on this nasal spray. Please continue. Your parents are dead, and . . . ?” “And nothing. It’s fine. But I’m still not sleeping well.
Ottessa Moshfegh (My Year of Rest and Relaxation)
For some, Halloween isn’t just a holiday; it’s a lifestyle, a season. Being spooky and dressing in your favorite horror movie tees and collecting everything jack-o’-lantern and Halloween has become a normal thing for a lot of people. You can’t do that for any other holiday. Every day is Christmas?—wouldn’t work. It would be really weird to see someone walking around with a snowman shirt and a pair of elf ears in July. Either that person really enjoys Christmas or he or she is on a bad trip.
E. Reyes (Devil's Hill: An Anthology)
We head for 680, which will take us seventeen miles south to the next attack, the third that month. October 1978. Carter was president. Grease had been the huge summer movie, and John Travolta and Olivia Newton-John’s “Summer Nights” was still a radio mainstay, though the Who’s “Who Are You” was climbing the charts. The fresh-scrubbed face of thirteen-year-old Brooke Shields stared blankly from the cover of Seventeen. The Yankees beat the Dodgers in the World Series. Sid Vicious’s girlfriend Nancy Spungen bled to death from a stab wound on a bathroom floor at the Chelsea Hotel. John Paul II was the new pope. Three days before the San Ramon attack, the movie Halloween was released.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
The sad truth is that what I could recall in five seconds all too soon needed ten, then thirty, then a full minute—like shadows lengthening at dusk. Someday, I suppose, the shadows will be swallowed up in darkness. There is no way around it: my memory is growing ever more distant from the spot where Naoko used to stand—ever more distant from the spot where my old self used to stand. And nothing but scenery, that view of the meadow in October, returns again and again to me like a symbolic scene in a movie. Each time it appears, it delivers a kick to some part of my mind. “Wake up,” it says. “I’m still here. Wake up and think about it. Think about why I’m still here.” The kicking never hurts me. There’s no pain at all. Just a hollow sound that echoes with each kick. And even that is bound to fade one day.
Haruki Murakami (Norwegian Wood)
I liked it better back when we all had to belong to the same Telephone Company, and phones were phones—black, heavy objects that were routinely used in the movies as murder weapons (try that with today’s phones!). Also, they were permanently attached to your house, and only highly trained Telephone Company personnel could “install” them. This involved attaching four wires, but the Telephone Company always made it sound like brain surgery. It was part of the mystique. When you called for your installation appointment, the Telephone Company would say: “We will have an installer in your area between the hours of 9 A.M. October 3 and the following spring. Will someone be at home?” And you would say yes, if you wanted a phone. You would stay at home, the anxious hours ticking by, and you would wait for your Phone Man.
Dave Barry (Dave Barry's Greatest Hits)
Compared to all this, Ronstadt and Browne were still trying to graduate from the kids' table. Ronstadt had released her first album for Geffen, Don't Cry Now, in September 1973. Browne followed a few weeks later, in October, with his second album, For Everyman. Both albums sold respectably, but neither cracked the Top 40 on the Billboard album chart. And while Geffen had great expectations for both artists, in early 1974 each was still building an audience. Their tour itinerary reflected their transitional position. It brought them to big venues in Detroit, Boston, Philadelphia, and Washington, DC, but also took them far from the bright lights to small community theaters and college campuses in Oxnard, San Luis Obispo, New Haven, and Cortland, New York. At either end, there wasn't much glamour in the experience. They had moved up from the lowest rung on the touring ladder, when they had lugged their gear in and out of station wagons, but had progressed only to a Continental Trailways bus without beds that both bands crammed into for the late-night drives between shows. "The first thing that happened is we were driving all night, and the next morning we were exhausted," Browne remembered. "Like, no one slept a wink. We were sitting up all night on a bus."' "Touring was misery," Ronstadt said, looking back. "Touring is just hard. You don't get to meet anybody. You are always in a bubble . . . You saw the world outside the bus window, and you did the sound check every day."9 The performances were uneven, too. "While Browne is much more assured and confident on stage than he was a year or two ago, he's still very much like a smart kid with a grown-up gift for songwriting," sniffed Judith Sims of Rolling Stone. She treated Ronstadt even more dismissively, describing her as peddling "country schmaltz."' The young rock journalist Cameron Crowe, catching the tour a few days later in Berkeley, described Browne's set as "painfully mediocre."" But Ronstadt and Browne found their footing as they progressed, each alternating lead billing depending on who had sold more records in each market. By the time the cavalcade rolled into Carnegie Hall, the reception for Browne and Ronstadt was strong enough that the promoters added a second show. In February 1974, Jackson Browne and Linda Ronstadt were still at the edge of the stardom they would soon achieve.
Ronald Brownstein (Rock Me on the Water: 1974—The Year Los Angeles Transformed Movies, Music, Television and Politics)
INT. EDORAS, GOLDEN HALL - DAWN CLOSE ON: ARAGORN bursts into the GOLDEN HALL. ARAGORN The beacons of Minas Tirith! The beacons are lit! Condor calls for aid! ANGLE ON: THEODEN looks up startled. (CONTINUED) Final Revision - October, 2003 44, CONTINUED: CLOSE ON: EOWYN, EOMER turn to look at their UNCLE ... tension builds. CLOSE ON: THEODEN his head lowered ... Slowly it rises - he looks ARAGORN in the EYE. THEODEN Then Rohan will answer. Muster the Rohirrim! EXT.
James Wtorkowski (Lord of the Rings: Return of the King: movie script)
As they say in the movies, if you want in, fine; if not, you may leave at this point, and nothing will ever be said. It is asking a lot to expect men to walk into a potentially dangerous assignment blindfolded.” Of course nobody left; the men who had been called here were not quitters. Besides, something would be said, and Davenport had a good memory. These were professional officers. One of the compensations for wearing a uniform and earning less money than an equally talented man can make in the real world is the off chance of being killed.
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
Context: The sonar operator shouts an emergency situation where the submarine right in front of them has sudden stopped engines and turned to he side to listen for anyone following them … like they are. Only in the movie does it say: Conn, sonar! But, that adds to the effect … when something wildly unexpected happens, and you say this quote out loud to yourself or whoever is in the vicinity. Jonesy: Conn, sonar! Crazy Ivan!
Tom Clancy (The Hunt for Red October / Red Storm Rising (Boxed Set))
>b>Context: The sonar operator shouts an emergency situation where the submarine right in front of them has sudden stopped engines and turned to he side to listen for anyone following them … like they are. Only in the movie does it say Conn, sonar! but it adds to the effect … when something wildly unexpected happens, to say out loud to yourself or whoever is in the room, this quote. Jonesy>: Conn, sonar! Crazy Ivan
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
In the midnineties, similar state-of-the-art grumblings had worked their way through backlots, theater lines, and magazine meeting rooms. They shared the same deep concern: the movies were in a spiritual crisis. Studios had become obsessed with pointless remakes and retreads. Young people, meanwhile, were spending more of their time and money on at-home distractions such as video games. And TV was threatening to siphon all of Hollywood’s power: in October 1995, Entertainment Weekly’s cover story offered “10 Reasons Why Television Is Better Than the Movies,” citing such hits as Friends and ER. The industry needed something new. As one anonymous studio executive said at the time, “We’re making a lot of movies that people don’t want to see.” At that exact moment, the Wachowskis were sprucing up The Matrix.
Brian Raftery (Best. Movie. Year. Ever.: How 1999 Blew Up the Big Screen)
According to Conquest, two days after Sofia was executed, on December 12, 1937, Stalin and his premier, Vyacheslav Molotov, approved 3,167 death sentences—and then went to watch a movie. Not all the executions were approved at such a high level; on a day in October, the secret police chief, Nikolai Yezhov, and another official considered 551 names and sentenced every one of them to be shot.
David E. Hoffman (The Billion Dollar Spy: A True Story of Cold War Espionage and Betrayal)
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I can't wait for this to come out in the movies in October!
Dan Brown (Inferno (Robert Langdon, #4))
...grand oaks, maples, and chestnuts muscle in on one another, flared in their autumn robes; a motley conflagration under the dazzling mid-October sun. We are in the middle of a beautiful nowhere, digging into sprawling hinterlands, into territories of wild earth. The rolling, winding roads away from Bangor took us through towns with names like Charleston, Dover-Foxcroft, Monson, and Shirley, all with their own quaint, beautifully cinematic set dressing. It was like each was curated from grange hall flea markets and movie sets rife with small-town Americana. Stoic stone war memorials. American flags. Whitewashed, chipping town hall buildings from other centuries. Church bell towers in the actual process of tolling, gonging, calling. To me, the sound was ominous in a remote sort of way, unnamable.
Katie Lattari (Dark Things I Adore)
On one of those nights in January 2014, we sat next to each other in Maria Vostra, happy and content, smoking nice greens, with one of my favorite movies playing on the large flat-screen TVs: Once Upon a Time in America. I took a picture of James Woods and Robert De Niro on the TV screen in Maria Vostra's cozy corner, which I loved to share with Martina. They were both wearing hats and suits, standing next to each other. Robert de Niro looked a bit like me and his character, Noodles, (who was a goy kid in the beginning of the movie, growing up with Jewish kids) on the picture, was as naive as I was. I just realized that James Woods—who plays an evil Jewish guy in the movie, acting like Noodles' friend all along, yet taking his money, his woman, taking away his life, and trying to kill him at one point—until the point that Noodles has to escape to save his life and his beloved ones—looks almost exactly like Adam would look like if he was a bit older. “All the world's a stage, and all the men and women merely players. They have their exits and their entrances; And one man in his time plays many parts.” – William Shakespeare That sounds like an ancient spell or rather directions, instructions to me, the director instructing his actors, being one of the actors himself as well, an ancient spell, that William Shakespeare must have read it from a secret book or must have heard it somewhere. Casting characters for certain roles to act like this or like that as if they were the director’s custom made monsters. The extensions of his own will, desires and actions. The Reconquista was a centuries-long series of battles by Christian states to expel the Muslims (Moors), who had ruled most of the Iberian Peninsula since the 8th century. The Reconquista ended on January 2, 1492. The same year Columbus, whose statue stands atop a Corinthian custom-made column down the Port at the bottom of the Rambla, pointing with his finger toward the West, had discovered America on October 12, 1492. William Shakespeare was born in April 1564. He had access to knowledge that had been unavailable to white people for thousands of years. He must have formed a close relationship with someone of royal lineage, or used trick, who then permitted him to enter the secret library of the Anglican Church. “A character has to be ignorant of the future, unsure about the past, and not at all sure what he/she’s supposed to be doing.” – Anthony Burgess Martina proudly shared with me her admiration for the Argentine author Julio Cortazar, who was renowned across South America. She quoted one of his famous lines, saying: “Vida es como una cebolla, hay que pelarla llorando,” which translates to “Life is like an onion, you have to peel it crying.” Martina shared with me her observation that the sky in Europe felt lower compared to America. She mentioned that the clouds appeared larger in America, giving a sense of a higher and more expansive sky, while in Europe, it felt like the sky had a lower and more limiting ceiling. “The skies are much higher in Argentina, Tomas, in all America. Here in Europe the sky is so low. In Argentina there are huge clouds and the sky is huge, Tomas.” – Martina Blaterare “It was curious to think that the sky was the same for everybody, in Eurasia or Eastasia as well as here. And the people under the sky were also very much the same--everywhere, all over the world, hundreds or thousands of millions of people just like this, people ignorant of one another’s existence, held apart by walls of hatred and lies, and yet almost exactly the same--people who had never learned to think but were storing up in their hearts and bellies and muscles the power that would one day overturn the world.” – George Orwell, 1984
Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
The very word “diary” had become risqué, so that every fan magazine tried to capitalize on it. The October issue of Fawcett’s Movie Classic, for instance: EXCLUSIVE! FRED MACMURRAY’S HONEYMOON DIARY.
Edward Sorel (Mary Astor's Purple Diary: The Great American Sex Scandal of 1936)
Pomona's Feast by Stewart Stafford Home from aggressive begging on November Eve, A horror movie that won't be finished in the background, The pirate's booty or robber's swag is examined. Face in the bag, a cornucopia of scents in the nostrils: Oranges, nuts, burnt popcorn, chocolate, Toffee apples, crisps, Liquorice Allsorts, and Rice Krispie cakes. A smörgåsbord Pomona's feast begins, As a maternal voice advises frugality, To no avail. Noses in the trough, Nothing eaten bears any relation to the thing eaten before or after, Aching gums, jaws, and bellies swiftly ensue. To bed to sleep it off, The next morning, it's déjà vu, The maternal voice again advises eating breakfast first, to no avail. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
The very title of the episode, The Magicks of Megas-Tu, shows the writers had clear knowledge of Satanist Aleister Crowley’s spelling of the word ‘magic’ by adding the letter “k” on the end to signify it was of a satanic kind. In fact, IMDB—the Internet Movie Database, the most popular online resource for film information, contains some interesting revelations about the man who created the Star Trek franchise. Gene Roddenberry (August 19, 1921–October 24, 1991) was raised as a Southern Baptist, but as an adult considered himself to be a humanist and agnostic. He actually viewed religion as a primary cause of many wars and rejected organized religion.528
Mark Dice (The Illuminati in Hollywood: Celebrities, Conspiracies, and Secret Societies in Pop Culture and the Entertainment Industry)