Oceans Apart Quotes

Love happens when people forgive.

I tell of hearts and souls and dances... Butterflies and second chances; Desperate ones and dreamers bound, Seeking life from barren ground, Who suffer on in earthly fate The bitter pain of agony hate, Might but they stop and here forgive Would break the bonds to breathe and live And find that God in goodness brings A chance for change, the hope of wings To rest in Him, and self to die And so become a butterfly.

Well, hello, darling with the ocean eyes, How many secrets keep us apart? A sea of poems, a field of sighs, Can I cross and return to the start?

Maybe love isn't something that comes full circle. It just ebbs and flows, in and out, just like the people in our lives. Just because we didn't end up on the same wave, doesn't mean we aren't apart of the same ocean.

I have always wanted to give you the world, so I started giving you pieces of the oceans that kept us apart.

A few months apart and an ocean in between us couldn’t keep our thoughts about each other from surfacing. - Taylor First

Even if we stay oceans apart ― Soon... I'll Find You Beneath The Stars

I will tear apart the planet. Cross continents, oceans…” He shrugged. “Nothing will keep me from him. And nothing will stop me from protecting him. I’ll die for him. In a heartbeat.

Sanjit says his apartment, the same one in which he grew up, has been flooded many times by the midsummer torrents. For what has been for millennia a primarily agricultural society, rains simultaneously destroy, create, and preserve life in India, similar to the functions of the three premier Hindu gods, Shiva, Brahma, and Vishnu. Every time Kolkata gets pounded by a cyclone, or when the monsoon first erupts in June (although the recent warming of the Indian Ocean increasingly disturbs a once-consistent timeline), Sanjit never fails to send along a video, his house flooded – seemingly destroyed – but the smiles on his, Bajju’s, or other house-guest’s faces signify just the opposite, having been cooled and relieved of perpetual heat. Flooded, they remain preserved.

My parents used to say faith wasn't something you could pretend about. It wasn't real unless it looked like faith and acted like faith.

He ran his thumb across my lips. “Ty byla sozdana dlya menya.” You were made for me. I believed it with everything in me. “Dazhe ocean ne mog razdelit’ nas,” I breathed beneath the possessive pressure of his thumb on my lips. Even the sea couldn’t keep us apart. He smiled. “Not even hell, kotyonok.

When there's something or someone, when there's anything that makes you happy, you don't let a continent or an ocean or an empty pocket keep you apart

For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.

I got lost in the feel of him, in the heat of his skin, in the way his body shook when he broke away and I felt like I was dreaming, like I’d forgotten how to think. (...) We broke apart, fighting to breathe, holding on to each other like we were drowning, like we’d been lost, left for dead in a very large expanse of sea.

You know what I wish? I wish I could put time in a bottle and throw it into the ocean. Then I would have forever to spend with you. I wouldn’t need air to breathe or food to eat. Holding you in my arms would be all the food I would need. Having your love would be the only air I would need to breathe.

The well of my heart is a very deep place, and at the bottom, it's dark. He was my ocean, and I didn't know if I would drown until I learned how well I could swim.

Our words allow us to enter each other’s affective niches, even at extremely long distances. You can regulate your friend’s body budget (and he yours) even if you are an ocean apart—by phone or email or even just by thinking about one another.

The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.

You are the stars hidden by clouds. I know you’re there even when I can’t see you. Your shine peeks out and reaches me in the depths of my soul. Tell me your arms are long enough to reach me across oceans. Tell me someday we will be together, somehow, some way. Tell me that this love we have can survive being together as well as we’ve survived being apart. Tell me we are more than the chasm of our divide.

You can't look at yourself in the ocean. Your looks fall apart like tendrils of light. Night on earth. - The Great Sadness

He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.

And being an "equal opportunity offender"—as in, "It's okay, because Daniel Tosh makes fun of ALL people: women, men, AIDS victims, dead babies, gay guys, blah blah blah"—falls apart when you remember (as so many of us are forced to all the time) that all people are not in equal positions of power. "Oh, don't worry—I punch everyone in the face! People, baby ducks, a lion, this Easter Island statue, the ocean…" Okay, well that baby duck is dead now.

Night after night on starry wings Night lovers soared so high Miles apart, across the oceans Their love forgot to sigh In heavenly flight’s timelessness That highest height treasured Into the deepest of all blues Their depth of love measured. From the poem 'The Ballad of Night Lovers

Imagine Columbus landed in 1492 and some tribe or another drowned him in the ocean. Would Lester FallsApart still be shoplifting in the 7-11?

Maybe that was the key to all good relationships, having oceans of time apart.

Though her life hadn't turned out anything like she'd planned, she knew that in the darkest times God was always working. Always.

One problem with agreeing to keep a secret is that it always starts off feeling like an easy, little decision. But it doesn't stay easy or little. it sits there like one of those jagged ledges hiding under the surface of the ocean at high tide—quietly waiting to rip everything apart if you forget, for even a second, it's there.

You say I'm so smart, right? Cause I went to college and all that? Then listen to me." He put both hands on Sony's shoulders. "Most people are soft and scared. They're fucking mushy. We are a mushy species. You talk to anybody for more than half an hour and you realize everything they do is a sham to keep themselves from falling apart. From prison guards to teachers, to managers, psychiatrists, even fathers, anybody - even your stupid generals. People put on this facade of strength. They act like they have a purpose and a mission and their whole life is supposed to lead to this grand fucking thesis of who they are.

Commitment, trust, and voluntary cooperation are not merely attitudes or behaviors. They are intangible capital. They allow companies to stand apart in the speed, quality, and consistency of their execution and to implement strategic shifts fast at low cost.

Long after you go down and the vessel rusts apart your bones sunken buried in the ocean floor I wonder if you miss people?

The tides rolled up to crash against the shore while we sat feet from one another with the remnants of all we’d left unsaid driving us apart.

There was one painting, I remember, that showed a broad, clean sweep of sky and the ocean drawn out to the horizon, and the sand littered with seashells and crabs and mermaid's purses and bits of seaweed. A boy and girl were standing four feet apart, not facing each other, not acknowledging each other in any way, just standing,looking out at the water. I always liked that painting. I liked to think they had a secret.

This level reach of blue is not my sea; Here are sweet waters, pretty in the sun, Whose quiet ripples meet obediently A marked and measured line, one after one. This is no sea of mine. that humbly laves Untroubled sands, spread glittering and warm. I have a need of wilder, crueler waves; They sicken of the calm, who knew the storm. So let a love beat over me again, Loosing its million desperate breakers wide; Sudden and terrible to rise and wane; Roaring the heavens apart; a reckless tide That casts upon the heart, as it recedes, Splinters and spars and dripping, salty weeds.

Butterflies were God's bestest artwork.

So butterflies make us remember, don't they...That life is good no matter what. Because just like the caterpillar, the best days are ahead od us...

Ramey said in heaven you had no more pains or tears.

watching you fall apart and put yourself back together was a gift. I’m so amazed by you.

In the loudest voice I could muster, I shouted, "As of this moment, you are no longer the armies of China, Macedonia, Myanmar, Tibet or India. You are now warriors of Durga! We have already fought and overcome many fierce creatures. Now we give you the symbol of their power." I borrowed the Scarf and touched it to my Pearl Necklace. The silken material sped down each and every soldier to cloak them in the most brilliant red, blue, green, gold and white. Even the flag bearers were not left out and now held banners depicting Durga riding her tiger into battle. "Red for the heart of a Phoenix that sees through falsehood!" I cheered and raided the trident. "Blue for the Monsters of the Deep that rip apart those who dare to cross their domain! Gold for Metal Birds that cut their enemies with razor beaks! Green for the Horde of Hanuman that comes alive to protect that which is most precious! And white for the Dragons of the Five Oceans, whose cunning and power has no equal!

Life is like the ocean. Sometimes, there will be sunshine and harmonious dance in each wave. Then, a time might come when storms are gonna hurl in, crashing everything apart in their way.

Love is a deliberate and determined act of the will. There is nothing idle or passive about it. It doesn’t wane or fail when life gets tough; it only grows stronger and more resolved. It’s the bond that keeps your relationship from drifting when every storm in the ocean is raging to tear you apart. It’s the one thing you can depend on when all of life seems bent on getting you down.

Love is what happens when we forgive. I forgive Connor Evans. A part of me will always love him, but from this day on I won't hate him. Not for one minute. I forgive him because he gave me Max.

To become enlightened is not just to slip into some disconnected euphoria, an oceanic feeling of mystic oneness apart from ordinary reality. It is not even to come up with a solution, a sort of formula to control reality. Rather, it is an experience of release from all compulsions and sufferings, combined with a precise awareness of any relevent subject of knowledge. Having attained enlightenment one knows everything that matters, and the precise nature of all that is.

In the tell-me-again times, (…) when my mom and I lived in a little apartment in a little building downtown, I slept in her bed. It was a raft on the ocean, a cloud, a forest, a spaceship, a cocoon that we shared. I could stretch out like a five-pointed star and then she'd bundle me back up in her arms. I'd wake in the morning tangled in her hair.

Executives are paralyzed by the muddle. Few employees deep down in the company even know what the strategy is. And a closer look reveals that most plans don’t contain a strategy at all but rather a smorgasbord of tactics that individually make sense but collectively don’t add up to a unified, clear direction that sets a company apart—let alone makes the competition irrelevant. Does this sound like the strategic plans in your company?

How did we get to such a lonely place? We live so close to each other and yet feel so far apart. I keep looking toward the past…tracing our journey in reverse…over the ocean through the war, seeking an origin story that will set everything right.

So we must meet apart— You there—I—here With just the Door ajar That Oceans are—and Prayer— And that White Sustenance— Despair— — Emily Dickinson, from “I Cannot Live with You,” The Complete Poems of Emily Dickinson (Little,Brown and Company, 1960)

The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes; Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won’t let go. The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes. And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.

I saw us from above, from the sky, two flecks of being connected at the edge of the wide, pale ocean, lost to everything but each other.

(So... what are you thinking?) About life. How strange it is, how one decision can affect so many people for all of time.

I wished I didn't need an ocean of space to feel comfortable. I still wanted to be loved. Yet again I felt like two people: one who desperately needed a hug, and one who would break apart at the slightest touch. How could I get people to keep their distance without leaving completely? How long would it take for them to get tired of the way I flinched and evaded?

Earth can be bad for your health too. On land, grizzly bears want to maul you; in the oceans, sharks want to eat you. Snowdrifts can freeze you, deserts dehydrate you, earthquakes bury you, volcanoes incinerate you. Viruses can infect you, parasites suck your vital fluids, cancers take over your body, congenital diseases force an early death. And even if you have the good luck to be healthy, a swarm of locusts could devour your crops, a tsunami could wash away your family, or a hurricane could blow apart your town. So the universe wants to kill us all.

I want to keep your magic—keep this connection—so I can find you if you get in trouble. So I can be near you even when we’re oceans apart. So I have a piece of you, even in my last moments.

Those two Warsaws were gathered around the ring, speaking two languages, living in separate worlds, reading different newspapers, showing one another indifference at best, hatred at worst, but usually just remote disdain, as though they lived not on neighboring streets but an ocean apart.

Mental illness is no different than a heart condition. In the same way a faulty valve can cause harm to the body and require medication and care, so does a malfunctioning brain. Insanity is a crude, culturally loaded term setting the sufferer apart in a way which will not aid the patient’s recovery. The way we regard those whose brains hinder them with fault or injury is a prejudice, not a diagnosis.” Dr. North

Allie watched them and felt a pang of fleeting despair for the sad times of the world. Things had stretched apart There was no glue at the center of things anymore. She had never seen the ocean, never would.

We map our world in story. The world falls apart. We map a new world. Again and again we story our lives in order to situate ourselves: I am here, not there. I am here and long to go there. Once found, new possibilities emerge. Curiosity rises within us. We feel the pull to discover new countries, traverse new oceans.

of all the things that have brought me suffering, being apart from you is the most excruciating pain I have ever experienced. But please know, I would suffer this a thousand days to spend one day with you. And there will come a time when we will walk together along the ocean, watching sunsets and sunrises. But we will be together in honor.

The night engulfed her with silence, and the horizon pulled her further into an alternate universe. Civilization left behind, she waited for him as the boat made its way deep into the ocean, then slowed. A million stars twinkled overhead. She never heard his footsteps. Like a wild stallion mounting his mare, he pressed his hard body against hers and dragged her legs apart. She gasped and held on tight as he yanked her up, spread her wide, and plunged deep inside.

That was her favorite part, the moments of laughter and silliness. In some way, these times made their marriage strong, kept her more in love with Connor Evans every year. If they could play together this way, they would always be okay.

Old ocean, the different species of fish that you nurture have not sworn brotherhood among themselves. Each species lives apart, on its own. The varying temperaments & conformations of each one satisfactorily explain what at first appears an anomaly. So it is with man, who has not the same motives as excuse. If a piece of land be occupied by thirty million human beings, they consider they have no obligation to concern themselves with the existence of their neighbors who are settled like roots in the adjacent patch of land. And descending from the general to the particular, each man lives like a savage in his den & rarely leaves it to visit his fellow --crouching alike in another lair. The great universal human family is a utopia worthy of the most paltry logic. Besides, from the spectacle of your fecund breasts emerges the notion of ingratitude, for one thinks immediately of those innumerable parents ungrateful enough towards the Creator to abandon the fruit of their sorry unions. I hail you old ocean!

It used to be that each time you fell in love, the effort of loving released in you the energy to hold everything together a little longer. Then, after several months or years, when things began to crack apart again, you would fall in love with someone else. New energy would be released, and for a time you and your world would be safe once more. By now, however, you have exhausted that. There seems to be no energy left - if you had discovered alcohol earlier it might have saved a few broken hearts. For you, alcohol is not the problem - it's the solution: dissolving all the separate parts into one. A universal solvent. An ocean.

By then, violence was already mundane to me, was what I knew, ultimately, of love. Fuck. Me. Up. It felt good to name what was already happening to me all my life. I was being fucked up, at last, by choice. In Trevor's grip, I had a say in how I would be taken apart.

For all the things that had happened to her, all the people she had met, the miles of ocean she had covered, she could feel nothing worth writing except: 'an exceedingly grand apartment which I spoil by the excess of irritation and agitation I carry with me everywhere...

The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.

We move out over the ocean, and …I am looking straight down at the waves underneath me. The mid-morning sun is low and each crest flashes silver, silver, until it crashed into the rocky beach….and turns to foam. The rocks are broken into sand, and each grain …eventually…is broken down further. And as each grief crashes into us, we are broken too. We are rendered down and broken apart. Maybe some scientist could determine our ages by the size and number of pieces into which we’ve been broken? Maybe she could look at our pieces and measure the weight in impact of every grief and joy and agony. Maybe.

Word of my arrival spread as soon as I walked out of the ocean. Our beach is on the North Shore of Long Island, and it’s enchanted so most people can’t even see it. People don’t just appear on the beach unless they’re demigods or gods or really, really lost pizza delivery guys. (It’s happened—but that’s another story.) Anyway, that afternoon the lookout on duty was Connor Stoll from the Hermes cabin. When he spotted me, he got so excited he fell out of his tree. Then he blew the conch horn to signal the camp and ran to greet me. Connor had a crooked smile that matched his crooked sense of humor. He’s a pretty nice guy, but you should always keep one hand on your wallet when he’s around, and do not, under any circumstances, give him access to shaving cream unless you want to find your sleeping bag full of it. He’s got curly brown hair and is a little shorter than his brother, Travis, which is the only way I can tell them apart. They are both so unlike my old enemy Luke it’s hard to believe they’re all sons of Hermes. “Percy!” he yelled. “What happened? Where’s Beckendorf ?

I am so tiny in this enormous world. The water could swallow me easily. There's no telling how deep it is. I have left my old life behind and it was already a life adrift. I'm nowhere. I spiral into the infinite space around and below me, unable to grab onto anything, overwhelmed by the vastness of the sea and sky.

Butterflies prove that God gives second chances. Because a butterfly spends most of its life as a caterpillar, scooting along on the ground, barely getting by. When a caterpillar sees a butterfly he thinks how wonderful it would be to fly. And then one day he gets tired. Very tired. He builds a little room, curls up inside, and takes a nap. Deep in his heart he wonders if maybe that's all. Maybe life is over. But one day the caterpillar wakes up, and God has done an amazing thing. The caterpillar hakes off the little room and feels something on his back. This time when he goes a bit down the tree branch he doesn't scoot like before. He flies!

Guyal of Sfere had been born one apart from his fellows and early proved a source of vexation for his sire. Normal in outward configuration, there existed within his mind a void that ached for nourishment. It was as if a spell had been cast upon his birth, a harassment visited on the child in a spirit of sardonic mockery, so that every occurrence, no matter how trifling, became a source of wonder and amazement. Even as young as four he was expounding such inquiries as: ‘Why do squares have more sides than triangles?’ ‘How will we see when the sun goes dark?’ ‘Do flowers grow under the ocean?’ ‘Do stars hiss and sizzle when rain comes by night?

A crease of disquiet snakes across his brow. 'Your father plays with fire to gather them together like that. They are too clever. They form alliances. They develop - ambitions.' He looks so solemn I wish to soothe his fears. 'You worry too much, I am sure,' I say lightly. 'After all, they are still rooted in the ground, are they not? They cannot pull themselves up and march around wrecking havoc, like an invading army.' 'Maybe,' he says, though he sounds unsure. 'I have never met their like before; that is all. It disturbs me.' He gestures around. 'And not only me. The forests, the fields, the moss that grows on the rocks - none of them are happy about that garden. Nature would have kept those plants safely apart, scattered over the continents, separated by oceans. But your father has summoned them from the corners of the earth and locked them together, side by side, hidden behind walls, where they can grow in secret. It is wrong, Jessamine - I fear it is dangerous -

The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch,

We have each other. We lived apart from them; we understand now. Our failure to touch, to belong. But it doesn’t matter anymore. Everybody is gone, and we will join them. We are born apart, driftwood on the banks of an endless dark ocean. And we will be carried away by the swell soon enough. But in between, in a single day of living… that dancing in a strip of sunlight, we can find what we miss. The love that makes us whole. The imminence. Everybody found their other. This pattern is mine...

No one could understand; nor could she explain it herself. This senseless kindness is condemned in the fable about the pilgrim who warmed a snake in his boson. It is the kindness that has mercy on a tarantula that has bitten a child. A mad, blind kindness. People enjoy looking in stories and fables for examples of the danger of this kind of senseless kindness. But one shouldn't be afraid of it. One might just as well be afraid of a freshwater fish carried out by chance into the salty ocean. The harm from time to time occasioned a society, class, race or State by this senseless kindness fades away in the light that emanates from those who are endowed with it. This kindness, this stupid kindness, is what is most truly human in a human being. It is what sets man apart, the highest achievement of his soul. No it says, life is not evil.

Pippin?" "Yes, Dash?" "How did we get here?" "Aboard this ship?" she teased. "Nate ordered the sails raised and then --" "Very funny," he said, cutting her off. "You know what I mean. Here. To this place." "Oh, this place," she said, her face growing solemn. "I've wondered that as well, and all I can think of is that we are like our stars." "How so?" "You and I are the two outer stars, and the one between us is everything that keeps us apart." He set his lips together and gazed out at the waves. "Like this ocean," he offered.

telling her the story of a girl who ran away from her faceless youth only to name herself after a flower that opens like something torn apart.

Phosphorescent streaks raked up the purple, light-polluted sky and shredded into huge explosions that reverberated through our apartment.

...telling her the story of a girl who ran away from her faceless youth only to name herself after a flower that opens like something torn apart.

LOVE HAPPENS WHEN PEOPLE FORGIVE

I felt as if it was examining me, taking me apart. As if it knew everything about me— things I did not even know about myself.

When I first started writing, I hated myself for being so uncertain, about images, clauses, ideas, even the pen or journal I used. Everything I wrote began with maybe and perhaps and ended with I think or I believe. But my doubt is everywhere, Ma. Even when I know something to be true as bone I fear the knowledge will dissolve, will not, despite my writing it, stay real. I’m breaking us apart again so that I might carry us somewhere else—where, exactly, I’m not sure. Just as I don’t know what to call you—White, Asian, orphan, American, mother?

Ty byla sozdana dlya menya.” You were made for me. I believed it with everything in me. “Dazhe ocean ne mog razdelit’ nas.” Even the sea couldn’t keep us apart. He smiled. “Not even hell, kotyonok.

Susan and Elizabeth ran to him and grabbed his hands. “Race us, Daddy … come on, race us.” Their voices sounded almost the same as they pulled at him and jumped up and down on the sugary white sand.

Everyone around me was allowed, permitted to fall apart; yet I had to think twice. I couldn't bear to take another dip into an ocean of solitude for another taste of ostracization. I felt I would die.

idea that all of us are caterpillars, really. Furry little creatures scooting along the ground wondering why we can't seem to fly. And then God, in all His goodness, encourages us to crawl in a hole, bury our old selves, and die to the life we once knew. If we'll do that, if we'll trust Him with our entire existence, then He'll give us something beautiful in exchange. He'll give us wings. The ultimate wings come when we give our lives to Christ and let Him be Lord of our lives, our Savior. Without those wings, a person cannot see heaven—a tragedy none of us need face if only we accept God's gift of grace. If this idea is confusing to you, if you've never considered Jesus' second chances, then make a phone call. Find a Bible-believing church and find out more about the God who made you, the One who created a plan for your salvation. But if you've known God and find yourself stuck on the ground again, remember this. Second chances happen throughout our lives. Jesus told us to forgive seventy times seven—in other words, to always forgive. And in return He promised us the same. No matter where you're at in life, no matter what you've done, God waits with open arms, ready to give you that second chance. Even for the seven-hundredth time.

The seventh kingdom was Monsea. The mountains set Monsea apart from the others, as the ocean did for Lienid. Leck, King of Monsea, was married to Ashen, the sister of King Ror of Lienid. Leck and Ror shared a dislike for the squabbles of the other kingdoms. But this didn’t forge an alliance, for Monsea and Lienid were too far removed from each other, too independent, too uninterested in the doings of the other kingdoms.

Afterward, as we walk down Congress Street toward my apartment, the man says, “Men like that know how to pick the right ones, you know? They’re real predators. They know how to scan a herd and select the weak.” As he says that, I see a scene of me, fifteen and wild-eyed, separated from my parents, running in a panicked gait across a tundra landscape while Strane sprints after me, gathering me in his arms without breaking stride. An ocean roars in my ears, blocking out the rest of the man’s thoughts on the film, and I think, Maybe that’s all it was. I was an obvious target. He chose me not because I was special, but because he was hungry and I was easy.

Oh, Daddy … you're home, and look who's here!” Susan and Elizabeth reached him first, and Connor swung them around. As he did he caught Michele's eyes in the back of the group. She was crying and laughing all at the same time.

EMBARKING on the spiritual journey is like getting into a very small boat and setting out on the ocean to search for unknown lands. With wholehearted practice comes inspiration, but sooner or later we will also encounter fear.

How apart she felt, how apart she had felt for years, and she wished it was a feeling she could get used to. But it wasn’t. One by one, everyone else her age had married and had children, yet for her, the years of her twenties had slipped away, waving at her like hands from a leaving train. As they all moved on, she was left standing on the platform, absolutely alone, surrounded only by the smoke that stung her eyes and throat. It was no different now.

There is an ocean that swells and heaves between my sister and me, a vast sea that neither one of us will cross. She prefers to remember the past, pick apart the moments from our childhood, while I keep it stuffed down where it won’t hurt me.

I think of my mother and how, when I was a child, she'd take me into the water with her and I felt time suspended in her embrace. How badly I've wanted to return to those moments. We remained under the same roof, but the years pulled us apart, so we could never recover the softness I felt from her under the sun, amid the waves. Here, in the open ocean, with nobody to hold me at the surface but myself, I become sad for what's become of my mother and me, the ways life hardened us to one another.

Through the lightless window of a street-level apartment, a man's voice in Arabic. I recognized the word Allah. I knew it was a prayer by the tone he used to lift it, as if the tongue was the smallest arm from which a word like that could be offered.

We will not meet our maker inside a world that we have made...” We cannot truly know ourselves without knowing the living Earth, for it is the ground of our being. The fire of the sun burns within our cells. The wind gives us life with each breath, and our blood reflects the chemical composition of the great oceans. Every molecule of our bodies has come from the natural world. Nature is the visible face of the spirit, and our nature and spirit will only be found within, and not apart from her.

He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.

they treat it like a lab rat or a poem—break it apart, dissect it, explain it, expose the viscera. They think the Syllable is a ritual, figurative, a symbol for God, but they are wrong. When you’re bobbing in the ocean, the water does not symbolize wetness.

She was talking about the future. About their future, as if it were settled and agreed upon that they would be together. As if she'd accepted the mate bond. The hard crust of time moved inside him--calcified years shifting, shifting, threatening to break apart under the assault of this new flood of feeling. He didn't move. Didn't breathe. Didn't allow his fingers to tighten on the hand he held. He was too strong. He could crush it, could quite literally crush her bones if he gripped too hard. He could hurt her. He wouldn't. Easier to stop breathing than to take that chance. But she wanted his promise, didn't she? To give her that, he needed air. [His] chest heaved. The breath he drew was ragged. He felt it all the way down. "All right. But you have to promise the same..." Her face was still and solemn, her eyes large. It was too dark to see their beautiful ocean color, yet he could feel the ocean in them washing over him. Her voice was quiet. "I do so vow." Those were the right words. The perfect words. Were they Wiccan? Part of some sidhe ritual? It didn't matter. He gave them back to her. "And I, too, do so vow." (Blood Challenge by Eileen Wilks)

But shipwrecks were rarely like that, she’d learned later, proud and upright, perched whimsically on the seafloor. Wrecks were wrecked, sure and violent. Shattered and flattened, rotting edges under sand. There was no lovely way for something meant to conquer the sea to instead be torn apart by it.

My heart has always belonged to you, even if I didn’t know it at first. I would love you even if I had no heart to give you, because you are the sole reason for my existence. My soul would love you if we lived on different continents and spoke different languages. My soul would be tethered to you across oceans and mountains and harrowing canyons as black as my heart. My soul would be yours if I pulled the trigger the night we met, because not even death could keep us apart. God couldn’t keep me from you, because God isn’t real, but you are, and that’s all the motivation I would have needed to find you.

Watching her with the other children, it struck Helen once again that there was something that still set the girl apart, something just out of reach. Lyric was remarkable. A breathtaking horizon and endless ocean, deep and mysterious. No matter how well Helen got to know her, she always felt as though she never truly would.

He had lived in an apartment with books touching the ceilings, and rugs thick enough to hide dice; then in a room and a half with dirt floors; on forest floors, under unconcerned stars; under the floorboards of a Christian who, half a world and three-quarters of a century away, would have a tree planted to commemorate his righteousness; in a hole for so many days his knees would never wholly unbend; among Gypsies and partisans and half-decent Poles; in transit, refugee, and displaced persons camps; on a boat with a bottle with a boat that an insomniac agnostic had miraculously constructed inside it; on the other side of an ocean he would never wholly cross; above half a dozen grocery stores he killed himself fixing up and selling for small profits; beside a woman who rechecked the locks until she broke them, and died of old age at forty-two without a syllable of praise in her throat but the cells of her murdered mother still dividing in her brain; and finally, for the last quarter century, in a snow-globe-quiet Silver Spring split-level: ten pounds of Roman Vishniac bleaching on the coffee table; Enemies, A Love Story demagnetizing in the world’s last functional VCR; egg salad becoming bird flu in a refrigerator mummified with photographs of gorgeous, genius, tumorless great-grandchildren.

Do not fear the ghosts in this house; they are the least of your worries. Personally I find the noises they make reassuring. The creaks and footsteps in the night, their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place feel so much more like a home. Inhabited. Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me. There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self, feeling her wings kiss my palms so gentle, and put her out, and watched her fly away. I've little patience with the seasons here, but your arrival eased this winter's chill. Please, wander round. Explore it all you wish. I've broken with tradition on some points. If there is one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood. Regard: just tools, a washing-machine, a drier, a water-heater, and a chain of keys. Nothing that can alarm you. Nothing dark. I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune, carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream of making me forget what came before you walked into the hallway of this house. Bringing a little summer in your glance, and with your smile. While you are here, of course, you will hear the ghosts, always a room away, and you may wake beside me in the night, knowing that there's a space without a door, knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound. If you are wise you'll run into the night, fluttering away into the cold, wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run, so, if I wished, I could just follow you, tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home. The world flutters like insects. I think this is how I shall remember you, my head between the white swell of your breasts, listening to the chambers of your heart.

i wore red lipstick to the grocery store last Monday to buy a carton off eggs and so when the cashier told me that my eyes reminded him of the ocean, i asked if he’s ever drowned in his own sadness, he said my total was $1.89 and that he didn’t know what i meant, i payed in quarters and told him i was an Art major, i told him my boyfriend was a musician and we were saving up for an apartment in the city and how i’d use the walls as canvases and how he’d play his piano on Sunday mornings when the rain tasted like salt, and i told him that i had my first art opening in three weeks and he should stop by and i’d introduce him to this friend i had named Lolita who was really good in bed, he thought i was insane and i wonder if he knew how many times i’ve cried in the shower with my make up smeared and my eyes swollen shut, he said “yeah, yeah, sounds good, have a nice day” and i wonder if he’ll ever know i wanted to really be a poet and that’s why when some man in the parking lot asked if i had a lighter, i dropped my eggs while stumbling to find one, and cried on the way home

The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers. 'The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away. Small, smooth fingers pouring gold over gaping wounds. Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the craks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that nake incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes, Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won ' t let go. The Universe was built. The Universe fell. You took it apart, Draggd the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes, And now you're back. And so is the Universe, And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.

Every generation of children instinctively nests itself in nature, no matter matter how tiny a scrap of it they can grasp. In a tale of one city child, the poet Audre Lord remembers picking tufts of grass which crept up through the paving stones in New York City and giving them as bouquets to her mother. It is a tale of two necessities. The grass must grow, no matter the concrete suppressing it. The child must find her way to the green, no matter the edifice which would crush it. "The Maori word for placenta is the same word for land, so at birth the placenta is buried, put back in the mothering earth. A Hindu baby may receive the sun-showing rite surya-darsana when, with conch shells ringing to the skies, the child is introduced to the sun. A newborn child of the Tonga people 'meets' the moon, dipped in the ocean of Kosi Bay in KwaZulu-Natal. Among some of the tribes of India, the qualities of different aspects of nature are invoked to bless the child, so he or she may have the characteristics of earth, sky and wind, of birds and animals, right down to the earthworm. Nothing is unbelonging to the child. "'My oldest memories have the flavor of earth,' wrote Frederico García Lorca. In the traditions of the Australian deserts, even from its time in the womb, the baby is catscradled in kinship with the world. Born into a sandy hollow, it is cleaned with sand and 'smoked' by fire, and everything -- insects, birds, plants, and animals -- is named to the child, who is told not only what everything is called but also the relationship between the child and each creature. Story and song weave the child into the subtle world of the Dreaming, the nested knowledge of how the child belongs. "The threads which tie the child to the land include its conception site and the significant places of the Dreaming inherited through its parents. Introduced to creatures and land features as to relations, the child is folded into the land, wrapped into country, and the stories press on the child's mind like the making of felt -- soft and often -- storytelling until the feeling of the story of the country is impressed into the landscape of the child's mind. "That the juggernaut of ants belongs to a child, belligerently following its own trail. That the twitch of an animal's tail is part of a child's own tale or storyline, once and now again. That on the papery bark of a tree may be written the songline of a child's name. That the prickles of a thornbush may have dynamic relevance to conscience. That a damp hollow by the riverbank is not an occasional place to visit but a permanent part of who you are. This is the beginning of belonging, the beginning of love. "In the art and myth of Indigenous Australia, the Ancestors seeded the country with its children, so the shimmering, pouring, circling, wheeling, spinning land is lit up with them, cartwheeling into life.... "The human heart's love for nature cannot ultimately be concreted over. Like Audre Lord's tufts of grass, will crack apart paving stones to grasp the sun. Children know they are made of the same stuff as the grass, as Walt Whitman describes nature creating the child who becomes what he sees: There was a child went forth every day And the first object he look'd upon, that object he became... The early lilacs became part of this child... And the song of the phoebe-bird... In Australia, people may talk of the child's conception site as the origin of their selfhood and their picture of themselves. As Whitman wrote of the child becoming aspects of the land, so in Northern Queensland a Kunjen elder describes the conception site as 'the home place for your image.' Land can make someone who they are, giving them fragments of themselves.

India is often said to be the most diverse country on Earth. And diversity worked so well there that its eastern and western provinces split off into Pakistan and Bangladesh amid oceans of blood. According to the map in a Daily Mail article titled ‘Worlds Apart,’ Africa is the most ethnically diverse continent on Earth, yet it continues to eat itself alive due to ongoing tribal conflicts that may have been exploited by colonialists but that existed long before Europeans ever set foot in Africa and have persisted—and even escalated—once the colonialists began their slow retreat. European history is replete with homicidal group conflicts that may on their surface appear to have been rooted in religion or ideology but were more deeply entwined with things such as cultural, linguistic, and phenotypical differences.

At first when you're learning a foreign language, what seems strange is that a different set of words exists for the things you know. But then, after a while, what seems strange is that so many words are the same, that two entirely different peoples, an ocean apart, would choose the exact same sounds. In the end, what causes the most trouble are the words that sound the same but mean different things: déception, nostalgie, grâce.

What do we mean by the lived truth of creation? We have to mean the world as it appears to men in a condition of relative unrepression; that is, as it would appear to creatures who assessed their true puniness in the face of the overwhelmingness and majesty of the universe, of the unspeakable miracle of even the single created object; as it probably appeared to the earliest men on the planet and to those extrasensitive types who have filled the roles of shaman, prophet, saint, poet, and artist. What is unique about their perception of reality is that it is alive to the panic inherent in creation: Sylvia Plath somewhere named God "King Panic." And Panic is fittingly King of the Grotesque. What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types-biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killerbees attacking with a fury and demonism, sharks continuing to tear and swallow while their own innards are being torn out-not to mention the daily dismemberment and slaughter in "natural" accidents of all types: the earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U.S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness. "Questo sol m'arde, e questo m'innamore," as Michelangelo put it.

Apart from much else, our lively interior created the outgassing that helped to build an atmosphere and provided us with the magnetic field that shields us from cosmic radiation. It also gave us plate tectonics, which continually renews and rumples the surface. If Earth were perfectly smooth, it would be covered everywhere with water to a depth of four kilometers. There might be life in that lonesome ocean, but there certainly wouldn’t be baseball.

Suddenly life was good, even glamorous. We were poor but didn’t know it, or maybe we did know, but we didn’t care, because my mother had stopped disappearing into her bedroom. Our apartment building was surrounded by empty lots, which were all that separated us from the ocean. Within a couple of decades, those stretches of undeveloped land – prime coastline real estate –would be built upon, with upscale apartment complexes and million-dollar houses with ocean views. But in 1967, those barren lots were our magnificent private playground. I had a tomboy streak and recruited neighborhood boys onto an ad hoc softball team. Dieter and my mother installed a tetherball pole, which acted as a magnet for kids in the neighborhood. For the first time in years, we were enjoying what felt like a normal, quasi-suburban existence, with us at the center of everything–the popular kids with the endless playground.

They had heard that many, many miles away, but not so many as before they started, on the other side of the mountains, was the ocean. Constant rain. Greenness. Maybe that's where they were going, thought Talmadge. Sometimes--but how could he think this? how could a child think this of his mother?--he thought she was leading them to their deaths. Their mother was considered odd by the other women at the mining camp; he knew this, he knew how they talked about her. But there was nothing really wrong with her he though (forgetting the judgement of a moment before); it was just that she wanted different things than those women did. That was what set them and his mother apart. Where some women wanted mere privacy, she yearned for complete solitude that verged on the violent; solitude that forced you constantly back upon yourself; even when you did not want it anymore. But she wanted it nonetheless. From the time she was a small girl, she wanted to be alone. The sound of other people's voiced grated on her: to travel to town, to interact with others who were not Taldmadge or Talmadge's father or sister, was torture to her: it subtracted days from her life. And so they walked: to find a place that would absorb and annihilate her, a place to be her home, and the home for her children. A place to show her children, you belong to the earth, and the earth is hard.

Hemingway loved fishing from the time he was old enough to use a rod. In Paris, he was an ocean and more away from his home waters in Michigan. The separation intensified the writing. While he worked on the story, he kept a map of northern Michigan posted in his apartment, with blue marks for significant locations. In succeeding drafts, he stripped the story down to one disturbed person moving through a dreamlike, almost hallucinatory landscape of distorted reality.

He knew factories. No one had fun in factories. They sweltered and slaved, hunched and harried, people reduced to things, manufacturing so much meaningless plastic shit that made no one happy, poisoned the oceans, corrupted the food chain. The modern world was a burning bus speeding toward a cliff with a maniac at the wheel. And he was not apart, but complicit, a hyperactive child making yuk-yuks in his seat, keeping everyone laughing, distracting them from certain doom.

Sometimes, at night, the girl asleep, Lan stares into the dark, thinking of another world, one where a woman holds her daughter by the side of a road, a thumbnail moon hung in the clear air. A world where there are no soldiers or Hueys and the woman is only going for a walk in the warm spring evening, where she speaks real soft to her daughter, telling her the story of a girl who ran away from her faceless youth only to name herself after a flower that opens like something torn apart.

He holds Willem so close that he can feel muscles from h9is back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. "Harder", Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months.

A long time back, I used to listen to a song by Dennis Wilson. It was from Pacific Ocean Blue, the album he made after The Beach Boys fell apart. There was a line in it I loved: Loneliness is a very special place. As a teenager, sitting on my bed on autumn evenings, I used to imagine that place as a city, perhaps at dusk, when everyone turns homeward and the neon flickers into life. I recognised myself even then as one of its citizens and I liked how Wilson claimed it; how he made it sound fertile as well as frightening.

...and in the spell Of Proust's great paragraphs we hear and see The ocean into which we all, as he did, Must sink back, our achievements left behind – Whether a necessary task fulfilled Or else whole symphonies – and be reclaimed By nature, which has no mind of its own But simply makes us welcome, as the ashes Of Maria Callas, spread on the Agean, Were first a cloud, and then a mist, then nothing But an everlasting song reduced to atoms Which, though they drift apart, are still together In the memories of those of us who live.

I had a magical day during one Sunday when I walked out in nature. On the outside this day only consisted of taking a walk out in the beautiful sunny weather and cleaning my apartment, but on the inside everything suddenly changed. When I walked out in nature in the sunny weather, a silent explosion suddenly happened within me and my whole perception of reality changed. In a single moment, everything had changed, although nothing on the outside had really changed. Everything on the outside was exactly as before, but my way of seeing had changed. The difference was that before I did not see and now I could see. My eyes were open. Suddenly I was one with everything, one with the stones, one with the trees and one with the people that I meet on my walk. My heart danced with joy together with a feeling of: ”I am God”. Not that I am the creator of everything, but that I am part of the Whole, part of the divine. It felt like coming home, that Existence is my home. I also saw that even if the people that I meet did not understand that they are a part of the Whole, they still are a part of the Whole. I felt the waves of Existence in my own heart and being and I felt like a small wave in a great ocean. It gave a taste of the eternal, a taste of the limitless and boundless source of creativity. In just a few moments, I learnt more than during 20 years in university. Wisdom is basically the understanding that we all are part of the Whole. We are all small rivers moving towards the ocean. I laughed at the fact that enlightenment is really our innate birthright, and that small children already live in this mystical unity with the Whole.

They supposed that their tinted papers showed something of what a man saw apart from himself--something they called the visible world. But they had never considered where that world must lie. They fondled their scraps of paper and admired the stains and blotches seemingly fixed there. But did they know that all the while the great tide of daylight was ebbing away from all they looked at and pouring through the holes in their faces into a profound darkness? If the visible world was anywhere, it was somewhere in that darkness--an island lapped by the boundless ocean of the visible.

say, ‘Brenda, I am nineteen years old and I’ll never be nineteen again. I’ll never be alive again. I mean this is the only life I get to go through, Brenda, so far as I know, and I’ve spent this great large chunk of it sitting alone in an empty apartment too proud to make up, too scared you’d say no, but even if you did say no it can’t be worse than what I got now. I’m the loneliest man in the world, Brenda, so please come to Ocean City with me.’ And Brenda, she lays down her mending and says, ‘Well, since you ask, but it looks to me like you forgot my bathing cap.’ And off we went.

He arranged the ceremony for two o'clock in the afternoon a week before she was to leave. The exam had gone well and she was almost certain that she would qualify. Because other couples to be married came with family and friends, their ceremony seemed brisk and over quickly and caused much curiosity among those waiting because they had come alone. On their journey to Coney Island on the train that afternoon Tony raised the question for the first time of when they might marry in church and live together. 'I have money saved,' he said, 'so we could get an apartment and then move to the house when it's ready.' 'I don't mind,' she said. 'I wish we were going home together now.' He touched her hand. 'So do I,' he said. 'And the ring looks great on your finger.' She looked down at the ring. 'I'd better remember to take it off before Mrs Kehoe sees it.' The ocean was rough and grey and the wind blew white billowing clouds quickly across the sky. They moved slowly along the boardwalk and down the pier, where they stood watching the fishermen. As they walked back and sat eating hot dogs at Nathan's, Eilis spotted someone at the next table checking out her wedding ring. She smiled at herself. 'Will we ever tell our children that we did this?' she asked.

The fields, the lakes, the forests, and the streams, ocean, and all the living things that dwell within the daedal earth; lightning, and rain, earthquake, and fiery flood, and hurricane, the torpor of the year when feeble dreams visit the hidden buds, or dreamless sleep holds every future leaf and flower; the bound with which from that detested trance they leap; the works and ways of man, their death and birth, and that of him and all that his may be; all things that move and breathe with toil and sound are born and die; revolve, subside, and swell. Power dwells apart in its tranquillity, remote, serene, and inaccessible: and this, the naked countenance of earth, on which I gaze, even these primeval mountains teach the adverting mind. The glaciers creep like snakes that watch their prey, from their far fountains, slow rolling on; there, many a precipice frost and the sun in scorn of mortal power have pil'd: dome, pyramid, and pinnacle, a city of death, distinct with many a tower and wall impregnable of beaming ice. Yet not a city, but a flood of ruin is there, that from the boundaries of the sky rolls its perpetual stream; vast pines are strewing its destin'd path, or in the mangled soil branchless and shatter'd stand; the rocks, drawn down from yon remotest waste, have overthrown the limits of the dead and living world, never to be reclaim'd. The dwelling-place of insects, beasts, and birds, becomes its spoil; their food and their retreat for ever gone, so much of life and joy is lost. The race of man flies far in dread; his work and dwelling vanish, like smoke before the tempest's stream, and their place is not known. Below, vast caves shine in the rushing torrents' restless gleam, which from those secret chasms in tumult welling meet in the vale, and one majestic river, the breath and blood of distant lands, for ever rolls its loud waters to the ocean-waves, breathes its swift vapours to the circling air.

When I told you that you made me believe in soulmates, I didn’t just mean in this lifetime, or even in this universe. My heart has always belonged to you, even if I didn’t know it at first. I would love you even if I had no heart to give you, because you are the sole reason for my existence. My soul would love you if we lived on different continents and spoke different languages. My soul would be tethered to you across oceans and mountains and harrowing canyons as black as my heart. My soul would be yours if I pulled the trigger the night we met, because not even death could keep us apart. God couldn’t keep me from you, because God isn’t real, but you are, and that’s all the motivation I would have needed to find you.

We phone each other because it's only in these long-distance calls, this groping for each other along cables of buried copper, cluttered relays, the whirling contact points of clogged selector switches, only in this probing the silence and waiting for an echo that one prolongs that first call from afar, that cry that went up when the first great crack of the continental drift yawned beneath the feet of a human couple, when the depths of the ocean opened up to separate them, while, torn precipitously apart, one on one bank and one on the other, the couple strove with their cries to stretch out a bridge of sound that might keep them together yet, cries that grew ever fainter until the roar of the waves overwhelmed all hope.

There is so much I want to tell you, Ma. I was once foolish enough to believe knowledge would clarify, but some things are so gauzed behind layers of syntax and semantics, behind days and hours, names forgotten, salvaged and shed, that simply knowing the wound exists does nothing to reveal it... When I first started writing, I hated myself for being so uncertain, about images, clauses, ideas, even the pen or journal I used. Everything I wrote began with maybe and perhaps and ended with I think or I believe. But my doubt is everywhere, Ma. Even when I know something to be true as bone I fear the knowledge will dissolve, will not, despite my writing, feel real. I'm breaking us apart again so I could carry us somewhere else--where exactly I'm not sure.

He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.

I remember one time, while visiting you all in Hartford— this must be a year or two after you landed from Vietnam—” Paul rests his chin on his palm and stares at the window, where a hummingbird hovers at the plastic feeder. “I walked into the apartment and found you crying under the table. No one was home—or maybe your mom was—but she must have been in the bathroom or something.” He stops, letting the memory fill in. “I bent down and asked you what was wrong, and you know what you said?” He grins. “You said that the other kids lived more than you. What a hoot.” He shakes his head. “What a thing to say! I’ll never forget that.” His gold-capped molar caught the light. “They live more, they live more!’ you shouted. Who the hell gave you that idea? You were only five, for Christ sakes.

The splitting off of the Oceanic branch of this language family is thought to have taken place in the neighborhood of the Bismarcks around the time of the first Lapita settlement, and it is strongly linked with the rapid colonization of the islands between there and Samoa between 1500 and 1000 B.C. Thus, the reconstruction of Proto-Oceanic opens a window onto the otherwise fairly mysterious Lapita world. Little survives in archaeological contexts in the tropics—none of the baskets or cordage or wooden housewares, no foodstuffs or clothing, no buildings apart from stone foundations and the dark impressions left by long-decayed posts. But something of the texture of these people’s lives can be extracted from their reconstructed vocabulary, working back through the ages via whatever was essential enough to pass on.

No direct evidence yet documents Earth’s tidal cycles more than a billion years ago, but we can be confident that 4.5 billion years ago things were a lot wilder. Not only did Earth have five-hour days, but the nearby Moon was much, much faster in its close orbit, as well. The Moon took only eighty-four hours—three and a half modern days—to go around Earth. With Earth spinning so fast and the Moon orbiting so fast, the familiar cycle of new Moon, waxing Moon, full Moon, and waning Moon played out in frenetic fast-forward: every few five-hour days saw a new lunar phase. Lots of consequences follow from this truth, some less benign than others. With such a big lunar obstruction in the sky and such rapid orbital motions, eclipses would have been frequent events. A total solar eclipse would have occurred every eighty-four hours at virtually every new Moon, when the Moon was positioned between Earth and the Sun. For some few minutes, sunlight would have been completely blocked, while the stars and planets suddenly popped out against a black sky, and the Moon’s fiery volcanoes and magma oceans stood out starkly red against the black lunar disk. Total lunar eclipses occurred regularly as well, almost every forty-two hours later, like clockwork. During every full Moon, when Earth lies right between the Sun and the Moon, Earth’s big shadow would have completely obscured the giant face of the bright shining Moon. Once again the stars and planets would have suddenly popped out against a black sky, as the Moon’s volcanoes put on their ruddy show. Monster tides were a far more violent consequence of the Moon’s initial proximity. Had both Earth and the Moon been perfectly rigid solid bodies, they would appear today much as they did 4.5 billion years ago: 15,000 miles apart with rapid rotational and orbital motions and frequent eclipses. But Earth and the Moon are not rigid. Their rocks can flex and bend; especially when molten, they swell and recede with the tides. The young Moon, at a distance of 15,000 miles, exerted tremendous tidal forces on Earth’s rocks, even as Earth exerted an equal and opposite gravitational force on the largely molten lunar landscape. It’s difficult to imagine the immense magma tides that resulted. Every few hours Earth’s largely molten rocky surface may have bulged a mile or more outward toward the Moon, generating tremendous internal friction, adding more heat and thus keeping the surface molten far longer than on an isolated planet. And Earth’s gravity returned the favor, bulging the Earth-facing side of the Moon outward, deforming our satellite out of perfect roundness.

Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.

Of all the plants, trees have the largest surface area covered in leaves. For every square yard of forest, 27 square yards of leaves and needles blanket the crowns. Part of every rainfall is intercepted in the canopy and immediately evaporates again. In addition, each summer, trees use up to 8,500 cubic yards of water per square mile, which they release into the air through transpiration. This water vapor creates new clouds that travel farther inland to release their rain. As the cycle continues, water reaches even the most remote areas. This water pump works so well that the downpours in some large areas of the world, such as the Amazon basin, are almost as heavy thousands of miles inland as they are on the coast. There are a few requirements for the pump to work: from the ocean to the farthest corner, there must be forest. And, most importantly, the coastal forests are the foundations for this system. If they do not exist, the system falls apart. Scientists credit Anastassia Makarieva from Saint Petersburg in Russia for the discovery of these unbelievably important connections. They studied different forests around the world and everywhere the results were the same. It didn't matter if they were studying a rain forest or the Siberian taiga, it was always the trees that were transferring life-giving moisture into land-locked interiors. Researchers also discovered that the whole process breaks down if coastal forests are cleared. It's a bit like if you were using an electrical pump to distribute water and you pulled the intake pipe out of the pond. The fallout is already apparent in Brazil, where the Amazonian rain forest is steadily drying out. Central Europe is within the 400-mile zone and, therefore, close enough to the intake area. Thankfully, there are still forests here, even if they are greatly diminished.

Just as a primitive sextant functions on the illusion that the sun and stars rotate around the planet we are standing on, our senses give us the illusion of stability in the universe, and we accept it, because without that acceptance, nothing can be done. Virginia Vidaura, pacing the seminar room, lost in lecture mode. But the fact that a sextant will let you navigate accurately across an ocean does not mean that the sun and stars do rotate around us. For all that we have done, as a civilization, as individuals, the universe is not stable, nor is any single thing within it. Stars consume themselves, the universe itself rushes apart, and we ourselves are composed of matter in constant flux. Colonies of cells in temporary alliance, replicating and decaying, and housed within, an incandescent cloud of electrical impulse and precariously stacked carbon code memory. This is reality, this is self-knowledge, and the perception of it will, of course, make you dizzy.

Years later, in a high-school biology class, Samuel heard a story about a certain kind of African turtle that swam across the ocean to lay its eggs in South America. Scientists could find no reason for the enormous trip. Why did the turtles do it? The leading theory was that they began doing eons ago, when South America and Africa were still locked together. Back then, only a river might have separated the continents, and the turtles laid their eggs on the river's far bank. But then the continents began drifting apart, and the river widened by about an inch per year, which would have been invisible to the turtles. So they kept going to the same spot, the far bank of the river, each generation swimming a tiny bit farther than the last one, and after a hundred million years of this, the river had become an ocean, and yet the turtles never noticed. This, Samuel decided, was the manner of his mother's departure. This was how she moved away - imperceptibly, slowly, bit by bit.

Crash and burn All the stars explode tonight How'd you get so desperate? How'd you stay alive? Help me please Burn the sorrow from your eyes Oh come on, be alive again Don't lay down and die Hey hey, you know what to do Oh baby, drive away to Malibu Get well soon Please don't go any higher How are you so burned when you're barely on fire? Cry to the angels I'm gonna rescue you I'm gonna set you free tonight, baby Pour over me Hey hey, we're all watching you Oh baby, fly away to Malibu Cry to the angels That swallow you Go and part the sea, yeah, in Malibu And the sun goes down I watch you slip away And the sun goes down I walk into the waves And the sun goes down I watch you slip away And I walk And I knew, love would tear you apart Oh, and I knew the darkest secret of your heart Hey hey, I'm gonna follow you Oh baby, fly away, yeah, to Malibu Oceans of angels Oceans of stars Down by the sea is where you drown your scars I can't be near you The light just radiates I can't be near you The light just radiates

Time did exist here, in small amounts (well some of the time) – and there were feint eddies and currents of time here, things that were barely tangible. Feint forces of the universe they were, nearly indiscernible from the nothingness like a warm breeze on a hot summer night. How long he had been here, he knew not – but he was slowly learning to master these barely tangible waves like a new surfer with one foot on the sandy beach and the other on a shiny new board of Hatred. Revenge splashed around his feet like the cold waves of the ocean of Time. Nearby, two other inmates collided with each other, bounced apart spread-eagled and spiraled off into the distance in infinite slowness. The Wetsuit of Insanity clung to his spiritual body, isolating him from the timelessness that seemed to exist here. A wind of Change blew at him from behind and he pushed off from the beach with iron determination and a mental clarity hereto before unknown to him. Something in the microcosm that didn’t even have a name went ‘bling’ and against all the laws of probability, Brad Xyl opened his eyes.

When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.

I know you're a chocolate lover. I can always tell. I'm about to temper the chocolate. I have my own method; want to watch?" "Could I?" Inside my head, a little voice was reminding me that I had to get back to the office, but it was drowned out by the scent of chocolate, which flooded all my senses with a heady froth of cocoa and coffee, passion fruit, cinnamon and clove. I closed my eyes, and for one moment I was back in Aunt Melba's kitchen with Genie. I opened them to find Kim dancing with a molten river of chocolate. I stood hypnotized by the scent and the grace of her motions, which were more beautiful than any ballet. Moving constantly, she caressed the chocolate like a lover, folding it over and over on a slab of white marble, working it to get the texture right. She stopped to feed me a chocolate sprinkled with salt, which had the fierce flavor of the ocean, and another with the resonant intensity of toasted saffron. One chocolate tasted like rain, another of the desert. I tried tracking the flavors, pulling them apart to see how she had done it, but, like a magician, she had hidden her tricks. Each time I followed the trail, it vanished, and after a while I just gave up and allowed the flavors to seduce me. Now the scent changed as Kim began to dip fruit into the chocolate: raspberries, blackberries, tiny strawberries that smelled like violets. She put a chocolate-and-caramel-covered slice of peach into my mouth, and the taste of summer was so intense that I felt the room grow warmer. I lost all sense of time.

key principle of their navigation, Bruno had explained, was an inversion of movement: destinations arrived toward sailors, rather than sailors moving toward destinations. This concept of seafaring was called etak, Bruno had instructed, or “moving island”—in which a sailor in a canoe traveling the open ocean, whether standing with his legs apart feeling wave-swell, or seated and rowing, or seated and not rowing, this sailor was himself stationary, while waves and the occasional landmass flowed past his boat. These sailors weren’t stupid, Bruno had said. They knew they were not actually standing still. They were employing a special form of cognition, a skill that was crucial to getting somewhere. You and I, Bruno had said, don’t live in their world. Our own earth, our version of it, is fitted with Cartesian coordinates, a straitjacket of plumb lines and cross-stitches. The sky is no longer visible in most places. Our stars have been replaced by satellites, whose clocks tell atomic time. With GPS you can know your location without looking out the window, he had said. You can know your location without knowing your location. You can know things without knowing anything. We often proceed as if we know things without a sense of what knowledge even is, Bruno had said. The earth is turning, for instance: sure, we know that because we’ve memorized it. But our knowledge of the earth’s turn is false, it is knowledge without context, disconnected from the rest of the universe. When the sun rises, we think it’s rising. When it sets, we think it’s setting.

Niels Lyhne was tired. These repeated runnings to a leap that was never leaped had wearied him. Everything seemed to him hollow and worthless, distorted and confused, and, oh, so petty! He preferred to stop his ears and stop his mouth and to immerse himself in studies that had nothing to do with the busy everyday world, but were like an ocean apart, where he could wander peacefully in silent forests of seaweed among curious animals. He was tired, and the root of his weariness sprang from his baffled hope of love; thence it had spread, quickly and surely, through his whole being, to all his faculties and all his thoughts. Now he was cold and passionless enough, but in the beginning, after the blow had fallen, his love had grown, day by day, with the irresistible power of a malignant fever. There had been moments when his soul was almost bursting with insane passion; it swelled like a wave in its infinite longing and frothing desire; it rose and went on rising and rising, till every fiber in his brain and every cord in his heart were strung tense to the breaking point. Then weariness had come, soothing and healing, making his nerves dull against pain, his blood too cold for enthusiasm, and his pulse too weak for action. And more than that, it had protected him against a relapse by giving him all the prudence and egoism of the convalescent. When his thoughts went back to those days in Fjordby, he had a sense of immunity akin to the feeling of a man who has just passed through a severe illness and knows that now, when he has endured his allotted agony, and the fever has burned itself to ashes within him, he will be free for a long, long time.

The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful.   The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin.   The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend.   The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat.   The Universe is made of eyes; “Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won t  let  go.   The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes.   And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.

It’s okay if you can’t. No worries. Just an idea,” I say quickly, looking away so she won’t see how disappointed I am. “No—I mean, I want to, but—” Hana sucks in a breath. I hate this, hate how awkward we both are. “I kind of have this party”—she corrects herself quickly— “this thing I’m supposed to go to with Angelica Marston.” My stomach gets that hollowed-out feeling. It’s amazing how words can do that, just shred your insides apart. [...] A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped spaces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flashing in the very deepest part of me. I can’t name it, or even focus on it clearly, but somehow I understand that this—this other thing—makes me the angriest of all. [...] Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, snatches of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn’t. Hana’s staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I’m going to disappoint her gives me a kind of dull satisfaction.

The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.

Finally, he allowed me to turn the key in the lock and the front door, with its porthole-shaped window, swung open. I don’t know what I’d expected. I’d tried not to conjure up fantasies of any kind, but what I saw left me inarticulate. The entire apartment had the feel of a ship’s interior. The walls were highly polished teak and oak, with shelves and cubbyholes on every side. The kitchenette was still located to the right where the old one had been, a galley-style arrangement with a pint-size stove and refrigerator. A microwave oven and trash compactor had been added. Tucked in beside the kitchen was a stacking washer-dryer, and next to that was a tiny bathroom. In the living area, a sofa had been built into a window bay, with two royal blue canvas director’s chairs arranged to form a “conversational grouping.” Henry did a quick demonstration of how the sofa could be extended into sleeping accommodations for company, a trundle bed in effect. The dimensions of the main room were still roughly fifteen feet on a side, but now there was a sleeping loft above, accessible by way of a tiny spiral staircase where my former storage space had been. In the old place, I’d usually slept naked on the couch in an envelope of folded quilt. Now, I was going to have an actual bedroom of my own. I wound my way up, staring in amazement at the double-size platform bed with drawers underneath. In the ceiling above the bed, there was a round shaft extending through the roof, capped by a clear Plexiglas skylight that seemed to fling light down on the blue-and-white patchwork coverlet. Loft windows looked out to the ocean on one side and the mountains on the other. Along the back wall, there was an expanse of cedar-lined closet space with a rod for hanging clothes, pegs for miscellaneous items, shoe racks, and floor-to-ceiling drawers. Just off the loft, there was a small bathroom. The tub was sunken with a built-in shower and a window right at tub level, the wooden sill lined with plants. I could bathe among the treetops, looking out at the ocean where the clouds were piling up like bubbles. The towels were the same royal blue as the cotton shag carpeting. Even the eggs of milled soap were blue, arranged in a white china dish on the edge of the round brass sink.

at Mike and then back at me. “I really don’t’ want to talk about this, but I have to say something. You know, my ex, Vanessa? Well, she would’ve never been okay with ordering food from here. She’d always say it was beneath her to eat anywhere that didn’t have a Michelin star. Said it was ‘uncouth’” “Well…that’s not very nice,” I responded. The warmth I’d been feeling from Tristan’s praise faded a little at the mention of his ex-fiancée, though I tried to keep my voice steady. He’d only mentioned her casually, and it wasn’t to praise her, so that had to be a good sign, right? At least, he was feeling comfortable enough to open up about his past relationships. It wasn’t as if the twit had bulldozed herself into his house like Brad did. “She wasn’t a very nice person now that I really think about it,” Tristan replied. “Mike warned me about her so many times. I really should’ve listened to him.” “Why didn’t you?” I asked before I could stop myself. “Coz he’s a bloody wanker!” Mike’s voice chimed in from the back seat. I didn’t realize he could hear our low voices, and the look on Tristan’s face said he’d probably rather talk about something else, but he continued on. He blew out long breath and continued. “Lots of reasons, none of which sound very good to me now. My parents liked her, though now I know a few more things… I think my father only liked the idea of her. My mum probably faked it for me.” I didn’t know what to say to that. I mean, I knew Tristan’s dad didn’t like me. The man called me a freakin’ strumpet for Christ’s sake! But I didn’t even know if his mom knew anything about me or if I even existed for that matter. I was a little worried maybe Tristan was trying to hide things, well, maybe trying to hide me. “I hope, maybe one day in the future… she’ll actually like me and not have to …to fake it.” My words tumbled out and seemed to plunge the car into an awkward silence. The only sound I could hear was my own breathing. The silence stretched past the point of comfort and just as I was about to take it all back, Tristan finally spoke. “My mum will adore you.” The remainder of the drive was made in silence and soon enough, we found ourselves at the door of Mike’s flat. Even Tristan seemed to need a moment to brush off the seriousness

Man belongs to two spheres. And Scripture not only teaches that these two spheres are distinct, it also teaches what estimate of relative importance ought to be placed upon them. Heaven is the primordial, earth the secondary creation. In heaven are the supreme realities; what surrounds us here below is a copy and shadow of the celestial things. Because the relation between the two spheres is positive, and not negative, not mutually repulsive, heavenly-mindedness can never give rise to neglect of the duties pertaining to the present life. It is the ordinance and will of God, that not apart from, but on the basis of, and in contact with, the earthly sphere man shall work out his heavenly destiny. Still the lower may never supplant the higher in our affections. In the heart of man time calls for eternity, earth for heaven. He must, if normal, seek the things above, as the flower's face is attracted by the sun, and the water-courses are drawn to the ocean. Heavenly-mindedness, so far from blunting or killing the natural desires, produces in the believer a finer organization, with more delicate sensibilities, larger capacities, a stronger pulse of life. It does not spell impoverishment, but enrichment of nature. The spirit of the entire Epistle shows this. The use of the words "city" and "country" is evidence of it. These are terms that stand for the accumulation, the efflorescence, the intensive enjoyment of values. Nor should we overlook the social note in the representation. A perfect communion in a perfect society is promised. In the city of the living God believers are joined to the general assembly and church of the firstborn, and mingle with the spirits of just men made perfect. And all this faith recognizes. It does not first need the storms and stress that invade to quicken its desire for such things. Being the sum and substance of all the positive gifts of God to us in their highest form, heaven is of itself able to evoke in our hearts positive love, such absorbing love as can render us at times forgetful of the earthly strife. In such moments the transcendent beauty of the other shore and the irresistible current of our deepest life lift us above every regard of wind or wave. We know that through weather fair or foul our ship is bound straight for its eternal port.

Am I mistaken to think that even back then, in the vivid present, the fullness of life stirred our emotions to an extraordinary extent? Has anywhere since so engrossed you in its ocean of details? The detail, the immensity of the detail, the force of the detail, the weight of the detail—the rich endlessness of detail surrounding you in your young life like the six feet of dirt that’ll be packed on your grave when you’re dead. Perhaps by definition a neighborhood is the place to which a child spontaneously gives undivided attention; that’s the unfiltered way meaning comes to children, just flowing off the surface of things. Nonetheless, fifty years later, I ask you: has the immersion ever again been so complete as it was in those streets, where every block, every backyard, every house, every floor of every house—the walls, ceilings, doors, and windows of every last friend’s family apartment—came to be so absolutely individualized? Were we ever again to be such keen recording instruments of the microscopic surface of things close at hand, of the minutest gradations of social position conveyed by linoleum and oilcloth, by yahrzeit candles and cooking smells, by Ronson table lighters and Venetian blinds? About one another, we knew who had what kind of lunch in the bag in his locker and who ordered what on his hot dog at Syd’s; we knew one another’s every physical attribute—who walked pigeon-toed and who had breasts, who smelled of hair oil and who oversalivated when he spoke; we knew who among us was belligerent and who was friendly, who was smart and who was dumb; we knew whose mother had the accent and whose father had the mustache, whose mother worked and whose father was dead; somehow we even dimly grasped how every family’s different set of circumstances set each family a distinctive difficult human problem. And, of course, there was the mandatory turbulence born of need, appetite, fantasy, longing, and the fear of disgrace. With only adolescent introspection to light the way, each of us, hopelessly pubescent, alone and in secret, attempted to regulate it—and in an era when chastity was still ascendant, a national cause to be embraced by the young like freedom and democracy. It’s astonishing that everything so immediately visible in our lives as classmates we still remember so precisely. The intensity of feeling that we have seeing one another today is also astonishing. But most astonishing is that we are nearing the age that our grandparents were when we first went off to be freshmen at the annex on February 1, 1946. What is astonishing is that we, who had no idea how anything was going to turn out, now know exactly what happened. That the results are in for the class of January 1950—the unanswerable questions answered, the future revealed—is that not astonishing? To have lived—and in this country, and in our time, and as who we were. Astonishing.

Davy, ever the daring one, bought a jumbo peppermint milk shake and got fifty cents back. He talked me out of getting plain vanilla. “You can get plain vanilla anytime!” he said. “Try…” He scanned the chalkboard that listed all the flavors. “Try peanut butter!” I did. I have never been sorry, because it was the best milk shake I ever tasted, like a melted and frozen Reese’s cup. And then it happened. We were walking across the parking lot, under the burning sun, with our shakes freezing our hands in the big white paper cups that had Spinnin’ Wheel in red across the sides. A sound began: music, first from a few car radios and then others as teenaged fingers turned the dial to that station. The volume dials were cranked up, and the music flooded out from the tinny speakers into the bright summer air. In a few seconds the same song was being played from every radio on the lot, and as it played, some of the car engines started and revved up and young laughter flew like sparks. I stopped. Just couldn’t walk anymore. That music was unlike anything I’d ever heard: guys’ voices, intertwining, breaking apart, merging again in fantastic, otherworldly harmony. The voices soared up and up like happy birds, and underneath the harmony was a driving drumbeat and a twanging, gritty guitar that made cold chills skitter up and down my sunburned back. “What’s that, Davy?” I said. “What’s that song?” …Round…round…get around…wha wha wha-oooooo… “What’s that song?” I asked him, close to panic that I might never know. “Haven’t you heard that yet? All the high-school guys are singin’ it.” …Gettin’ bugged drivin’ up and down the same ol’ strip…I gotta find a new place where the kids are hip… “What’s the name of it?” I demanded, standing at the center of ecstasy. “It’s on the radio all the time. It’s called—” Right then the high-school kids in the lot started singing along with the music, some of them rocking their cars back and forth, and I stood with a peanut butter milk shake in my hand and the sun on my face and the clean chlorine smell of the swimming pool coming to me from across the street. “—by the Beach Boys,” Davy Ray finished. “What?” “The Beach Boys. That’s who’s singin’ it.” “Man!” I said. “That sounds…that sounds…” What would describe it? What word in the English language would speak of youth and hope and freedom and desire, of sweet wanderlust and burning blood? What word describes the brotherhood of buddies, and the feeling that as long as the music plays, you are part of that tough, rambling breed who will inherit the earth? “Cool,” Davy Ray supplied. It would have to do. …Yeah the bad guys know us and they leave us alone…I get arounnnnddddd… I was amazed. I was transported. Those soaring voices lifted me off the hot pavement, and I flew with them to a land unknown. I had never been to the beach before. I’d never seen the ocean, except for pictures in magazines and on TV and movies. The Beach Boys. Those harmonies thrilled my soul, and for a moment I wore a letter jacket and owned a red hotrod and had beautiful blondes begging for my attention and I got around.

Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.

Successful con men are treated with considerable respect in the South. A good slice of the settler population of that region were men who’d been given a choice between being shipped off to the New World in leg-irons and spending the rest of their lives in English prisons. The Crown saw no point in feeding them year after year, and they were far too dangerous to be turned loose on the streets of London—so, rather than overload the public hanging schedule, the King’s Minister of Gaol decided to put this scum to work on the other side of the Atlantic, in The Colonies, where cheap labor was much in demand. Most of these poor bastards wound up in what is now the Deep South because of the wretched climate. No settler with good sense and a few dollars in his pocket would venture south of Richmond. There was plenty of opportunity around Boston, New York, and Philadelphia—and by British standards the climate in places like South Carolina and Georgia was close to Hell on Earth: swamps, alligators, mosquitoes, tropical disease... all this plus a boiling sun all day long and no way to make money unless you had a land grant from the King... So the South was sparsely settled at first, and the shortage of skilled labor was a serious problem to the scattered aristocracy of would-be cotton barons who’d been granted huge tracts of good land that would make them all rich if they could only get people to work it. The slave-trade was one answer, but Africa in 1699 was not a fertile breeding ground for middle-management types... and the planters said it was damn near impossible for one white man to establish any kind of control over a boatload of black primitives. The bastards couldn’t even speak English. How could a man get the crop in, with brutes like that for help? There would have to be managers, keepers, overseers: white men who spoke the language, and had a sense of purpose in life. But where would they come from? There was no middle class in the South: only masters and slaves... and all that rich land lying fallow. The King was quick to grasp the financial implications of the problem: The crops must be planted and harvested, in order to sell them for gold—and if all those lazy bastards needed was a few thousand half-bright English-speaking lackeys in order to bring the crops in... hell, that was easy: Clean out the jails, cut back on the Crown’s grocery bill, jolt the liberals off balance by announcing a new “Progressive Amnesty” program for hardened criminals.... Wonderful. Dispatch royal messengers to spread the good word in every corner of the kingdom; and after that send out professional pollsters to record an amazing 66 percent jump in the King’s popularity... then wait a few weeks before announcing the new 10 percent sales tax on ale. That’s how the South got settled. Not the whole story, perhaps, but it goes a long way toward explaining why George Wallace is the Governor of Alabama. He has the same smile as his great-grandfather—a thrice-convicted pig thief from somewhere near Nottingham, who made a small reputation, they say, as a jailhouse lawyer, before he got shipped out. With a bit of imagination you can almost hear the cranky little bastard haranguing his fellow prisoners in London jail, urging them on to revolt: “Lissen here, you poor fools! There’s not much time! Even now—up there in the tower—they’re cookin up some kind of cruel new punishment for us! How much longer will we stand for it? And now they want to ship us across the ocean to work like slaves in a swamp with a bunch of goddamn Hottentots! “We won’t go! It’s asinine! We’ll tear this place apart before we’ll let that thieving old faggot of a king send us off to work next to Africans! “How much more of this misery can we stand, boys? I know you’re fed right up to here with it. I can see it in your eyes— pure misery! And I’m tellin’ you, we don’t have to stand for it!...

One: Mankind’s activities are causing the disintegration (a word chosen carefully) of natural ecosystems at a cataclysmic rate. We all know the rough outlines of that problem. By way of logging, road building, slash-and-burn agriculture, hunting and eating of wild animals (when Africans do that we call it “bushmeat” and impute a negative onus, though in America it’s merely “game”), clearing forest to create cattle pasture, mineral extraction, urban settlement, suburban sprawl, chemical pollution, nutrient runoff to the oceans, mining the oceans unsustainably for seafood, climate change, international marketing of the exported goods whose production requires any of the above, and other “civilizing” incursions upon natural landscape—by all such means, we are tearing ecosystems apart. This much isn’t new. Humans have been practicing most of those activities, using simple tools, for a very long time. But now, with 7 billion people alive and modern technology in their hands, the cumulative impacts are becoming critical. Tropical forests aren’t the only jeopardized ecosystems, but they’re the richest and most intricately structured. Within such ecosystems live millions of kinds of creatures, most of them unknown to science, unclassified into a species, or else barely identified and poorly understood.

Water rivers work openly where people dwell, and so does the rain, and the sea, thundering on all the shores of the world; and the universal ocean of air, though invisible, speaks aloud in a thousand voices, and explains its modes of working and its power. But glaciers, back in their white solitudes, work apart from men, exerting their tremendous energies in silence and darkness. Outspread, spirit-like, they brood above the predestined landscapes, work on unwearied through immeasurable ages, until, in the fullness of time, the mountains and valleys are brought forth, channels furrowed for rivers, basins made for lakes and meadows, and arms of the sea, soils spread for forests and fields; then they shrink and vanish like summer clouds.

All I knew was wherever he was, I wanted to be there too. If he needed to be fire, I would be rain. If he needed a sword, I would be his shield. There was no force on earth stronger than what we had together. An entire ocean couldn’t even keep us apart. From the moment he’d first kissed me, my soul was home. “I’m in love with you.

Mahoney's emotions raced through her like the breath of the ocean, tides ebbing and flowing, pulling, and pushing, tearing her apart until she understood that life and death were neither with nor without reason, and everyone was like the stars, fires bursting into the cosmos to touch what they didn't understand. Consciousness was a climate one lived within, and dead or alive, it was both torment and bliss, but every second was worth enduring because always within the confusion, there was love, and love survived it all.

The two sloops were about one mile apart, so that they could sweep the maximum amount of the ocean possible in their search for the missing frigate. They

This same complex but well-oiled machinery went into high gear during 1948 when Perón’s Nazi rescue group began working in Europe, principally out of Berne and Genoa. In a period of under two months that year, Immigration files similar to Stojadinovic’s were opened for four notorious SS officers: Adolf Eichmann, Josef Mengele, Josef Schwammberger and Erich Priebke. They arrived on separate ocean liners many months apart, but the paperwork for their journeys began together – in the case of Mengele and Priebke, simultaneously, as we have seen.

Isabella and I sat as far apart as humanly possible, but it wouldn’t matter if the Atlantic Ocean itself separated us. My senses were imprinted with the smell and feel of her

The ocean might decide to push us apart no matter what we might will or choose.

My last image of Cambodia was of darkness, it was the sound of nearly forty mute wanderers, of silent prayers. I closed my eyes. My father told my Hanuman had crossed the ocean, how he had gone into another life. Look back, my mother said, one last time. I follwed through our twilit apartment, walked in the shade of my father, past bare walls and open windows, the noise of the street pouring in. Between us, she said, I had known love, I had lived a childhood that might sustain me. I remembered beauty. Long ago, it had not seemed necessary to note its presence, to memorize it, to set the dogs out at the perimeter. I felt her in the persistent drumming of water against the boat's hull. Guard the ones you love, she told me. Carry us with you into the next life.

Are you excited to see Beau?” I ask, needing the distraction. His smile warms, and it’s like seeing light glimmer in an ocean cave, an unexpected beauty in its dark and deadly home. It’s so disarming, so close to boyish happiness, that my worries vanish, just for a moment. “There’s a bottle of whiskey with our names on it. As soon as we get the civs set up, we’re pulling an action flick marathon—because apparently that’s all Jasper’s parents ever used to watch apart from the K-dramas, and that’s not happening.

The heart is small, but it has the capacity to love infinite. Man is born with the potential to become an ocean of love. But few people attain to this innate potential. The society, the culture, the civilization, the politicians, the organized church, the priests and the vested interests are all against the individual. They sacrifice the individual for the sake of the collective, the unconscious masses.    The collective does not need love, on the contrary the collective needs hate. The Christians have to hate the Mohammedans, because the collective can only remain together in hate. One country has to hate another country, otherwise it will fall apart.In times of war countries become united against a common enemy. When they donot have a common enemy they start fighting amongst themselves.  The individual can grow only through love and the collective needs hate, so thereis a conflict between the interests of the individual and the interests of the collective  crowd, the collective mob.  The individual has to be very aware not to be exploited by the unconscious crowd.Unless the individual is aware, you can lose the opportunity to grow, to become mature and to attain your innate potential in life. 

The heart is small, but it has the capacity to love infinite. Man is born with the potential to become an ocean of love. But few people attain to this innate potential. The society, the culture, the civilization, the politicians, the organized church, the priests and the vested interests are all against the individual. They sacrifice the individual for the sake of the collective, the unconscious masses.   The collective does not need love, on the contrary the collective needs hate. The Christians have to hate the Mohammedans, because the collective can only remain together in hate. One country has to hate another country, otherwise it will fall apart.In times of war countries become united against a common enemy. When they do not have a common enemy they start fighting amongst themselves.  The individual can grow only through love and the collective needs hate, so there is a conflict between the interests of the individual and the interests of the collective  crowd, the collective mob.  The individual has to be very aware not to be exploited by the unconscious crowd. Unless the individual is aware, you can lose the opportunity to grow, to become mature and to attain your innate potential in life. 

My nose filled with the pointy brown scent of cattle shit and the patient green smell of cattle breath, the acrid vinegar smell of cattle piss and the rich, coppery smell of cattle blood—great shining oceans of cattle blood, draining into sluices arranged in the kill floor. I saw giant pellucid piles of cattle nerves and caul fat, and I watched the peculiar way that the quieted eyes of cows lolled as their throats were professionally sliced. I witnessed the snick of the blade and the mercurial quiver of death running quick through a one-ton animal. I saw hides slick and shiny with gore, and I saw lines of men bent over tables of meat, intent as rabbis over scrolls, taking apart the cows with lawful precision. I saw chickens, too, so many flappy birds, and sheep, bleating like human children, their long-lashed eyes innocent and bright—until they were neither.

You’re my everything, Calista Cadwell. My morning, afternoon, and night. My beginning, middle, and end. My life doesn’t make sense without you in it. I wake up for you, Spitfire. I breathe for you. My heart beats for you. It’s always going to be you, no matter where we are in time. It’s always going to be you, even if we’re oceans apart. It’s always going to be you in whatever universe we find ourselves in.

Sighing, she tilted her head away from them a bit and looked up through the glass. At least she got a glimpse of Daios every day. He swam by the glass dome often. Whenever she caught his eye, he would nod at her and angle his body away from her sight. Just like he used to. All that forward momentum was lost. She worried maybe he didn’t even want to see her. He’d delivered her like a package he’d wanted to get rid of. Then he’d disappeared into the ocean. How was she supposed to feel? After that kiss, the way he’d touched her, and how she’d come apart in his arms… He’d dumped her and left, like he hadn’t wanted to be around her anymore. After everything they’d talked about and everything... Well, maybe she’d just been entertainment while they laid low so her father’s ships couldn’t find them. Maybe she was the only weird one who saw a man who had needed someone to see him.

If you are lucky enough to find a soul mate in life, hold on to him or her, even if an ocean keeps you apart. One soul. Two bodies. Ari was right. Arthur Bowler

To stand apart in these overcrowded markets, you need to be creative through value innovation.

Embarking on a spiritual journey is like getting into a very small boat and setting out on the ocean to search for unknown lands. With whole hearted practice comes inspiration, but sooner or later we will also encounter fear. For all we know, when we get to the horizon, we are going to drop off the edge of the world. Like all explorers, we are drawn to discover what's waiting out there without knowing yet if we have the courage to face it.

Maybe I am hot and cold. And maybe he is overbearing. I can’t deny this gravitational pull that we have with each other. I’m not dumb. I know even an ocean couldn’t keep us apart. I need to keep him close enough for me to survive but far enough for him to not find out the truth about the day that I left.

It was to these apartments that the boys in puffy jackets returned from their shockingly expensive prep schools in Manhattan or New England.

Isabella and I sat as far apart as humanly possible, but it wouldn’t matter if the Atlantic Ocean itself separated us.

You know,” mused the horse, “I bet when we get there, we discover that none of it is real. I bet the grasslands are green carpet, and the ocean is an elaborate painting on a wall that stretches forever in either direction. That made as much sense as anything. “It’s all falling apart,” said Doubt. “Fucking right,” agreed Letzten Krieg. “It’s not supposed to work this way.” “That’s the thing with basing your rules on things like faith and belief,” said the horse. “How can they not fall apart? It was only a matter of time.” Letzten Krieg looked over his shoulder at Doubt. “Anyone who expected any of this to end well is a fucking idiot.

To speak of creation, There is always a guilt that throbs every artist’s heart on taking the credit of a piece of art that the creative force in the universe has thrusted inside of a human heart and stretched one’s hand towards building sand castles and lines on the ocean. It’s surreal, neither to be seen or to be saved. But if it is both “seen and saved” it could mean the force was strong enough to indulge in the play of the world, to rip apart the womb of the heart of a man and come out, to stretch its wings and break the cage, to scream till your voice reaches the moon. In all such cases it’s always a mystical force that creates art and never the artist.

Save Me (feat. Susanne Sundfør) It's already on Once again, And I didn't know I am the sun, I'll always return Once more Follow the line, Let go of my heart, Fade in to the night I go where I want, In places where Wrong feels right Oh, save me, The ocean is dark Oh, save me, I'm falling apart I'm coming down hard, Hard as hell, Like the night before Bracing myself, Alone on the Bathroom floor Oh, save me, The ocean is dark Oh, save me, I'm falling apart Should I choose To feel this way, I know I could, I never fail And if the world Is too mundane, Just bring it on, I’ll go again…

The Basin and Range Province is one of the mostly highly stretched places on Earth. If you add up all the displacements on all the faults that divide the basins from the ranges between Reno and Salt Lake City, you come up with 250 miles of east-west extension. Given that Reno and Salt Lake City now lie 450 miles apart, that means that east-west stretching has more than doubled the width of the crust. A map of California shows how the coastline bulges into the Pacific Ocean. The east-west stretching of Nevada and Utah pushed it out there. During Basin and Range stretching, a 400-mile-long block of granite that once lay near Las Vegas was pulled 150 miles west and tilted up into the air. Today we call it the Sierra

look around you. The whole damn world’s coming apart at the seams, and we’re being offered a chance to help put it back together. This has ceased to be just about you and your father. It’s bigger than that now. Bigger than any of us. And unless you’ve got a glass navel, I’d suggest you get your head out of your ass so you can actually see what’s going on here.” Donovan

2012 My Reply to Andy’s Email   My dear ex-Valet, You don’t have to rebuke yourself for not paying more attention to me than you already were. I’m forever grateful for your guidance and love through our years at the Enlightened Royal Oracle Society. You taught me well and loved me unconditionally. You chartered a course that made me who I am today. This is more than I could ask for. Although our separation was not easy, it strengthened my character and fortified my spirit, so I could cope with life’s ever changing landscape.               I believe if I had remained under your care, I would have walked in your shadow. I would not have come into my own. But the love we shared will always abide in my spirit, even if we are oceans apart. I’m sure that when the opportunity arises, we will be reunited – if not in this lifetime, in another. We will continue where we left off.               As you put it at The Falcon’s Den, “In my life’s education, unconditional love was taught me by The Enlightened Royal Oracle Society.

Ascension Island Along the western coast of the Sahara desert, about half way between the Canary Islands and the Cape Verde Islands, lies a sand spit called Cape Barbas. In 1441, ships attached to Estêvão da Gama’s fleet were sent by Prince Henry to explore the coastline south of Cape Barbas, which, five years earlier, was the farthest point reached by any of Prince Henry’s captains. Although there are some conflicting stories regarding the discoveries of the mid-Atlantic islands, it is safe to assume that in 1501 João da Nova discovered Ascension Island. The desolate island remained deserted until it was rediscovered two years later on Ascension Day by Alfonso de Albuquerque. He was also the first European to discover the Red Sea and the Persian Gulf. Having been to most of these exotic locations I know that Ascension Island is the very top of a mostly submerged mid-Atlantic mountain. It is part of the mid-ocean ridge which is by far the longest mountain range on earth. As an active fault line it starts north of Iceland becoming the Reykjanes Ridge as it crosses the northern Island Nation and finishes in the Indian Ocean south of the Cape of Good Hope in Africa. Because of this active ridge, South America and Africa are 1,600 miles apart and dovetail each other, spreading apart at an annual rate of about 1 1/8 inches.

I wouldn’t have a person around that wanted to hold on to a crossing or passing situation in which a chance of collision was prevalent,” he continued. “The old rule was that the privileged vessel held its course, the burdened vessel had to give way. They followed that rule for a hundred years and piled up one ship after another. The privileged vessel was required to maintain course and speed until such time that only action by both vessels would prevent collision. You had to hang on so long that even if only you took action it was too late. I myself never hung on to a situation that long, even though that was the court interpretation of the rules, and I didn’t abide my officers’ hanging on to it that long. We were out of there before the situation got that close. The rule has been changed now. You are not required to do that. You have more leeway to play with. It’s more a question of prudence and good seamanship now. When I see certain ships, I seem to have some kind of an instinct that says, ‘Hey, give this guy a little more room.’ In ship channels and rivers, you pass fifty feet apart all the time, but that don’t mean it’s apropos to do it in the middle of an ocean. Hey, it’s just like driving, out here. You sail defensively. You cannot depend on that other fella to always stop at the stop sign or not change lanes or give you the right of way or use his blinker signal. You can’t count on him to do anything. Hey, the only way I’m going to get hit is in the stern. Somebody faster who is really after me is going to have to run me down and hit me in the stern.” In

His morning hours were set apart for the nourishment of his own soul; not, however, with the view of laying up a stock of grace for the rest of the day--for manna will corrupt if laid by--but rather with the view of "giving the eye the habit of looking upward all the day, and drawing down gleams from the reconciled countenance." He was sparing in the hours devoted to sleep, and resolutely secured time for devotion before breakfast, although often wearied and exhausted when he laid himself to rest. "A soldier of the cross," was his remark, "must endure hardness." Often he sang a psalm of praise, as soon as he arose, to stir up his soul. Three chapters of the Word was his usual morning portion. This he thought little enough, for he delighted exceedingly in the Scriptures: they were better to him than thousands of gold or silver. "When you write," he said to a friend, "tell me the meaning of Scriptures." To another, in expressing his value for the Word, he said, "One gem from that ocean is worth all the pebbles of earthly streams." His chief season of relaxation seemed to be breakfast time. He would come down with a happy countenance and a full soul; and after the sweet season of family prayer, immediately begin forming plans for the day. When he was well, nothing seemed to afford him such true delight as to have his hands full of work. Indeed, it was often remarked that in him you found--what you rarely meet with--a man of high poetic imagination and deep devotion, who nevertheless was engaged unceasingly in the busiest and most laborious activities of his office. His

It turned out that wandering aimlessly wasn’t the best way to find a pack of werewolves. But stopping and sharing a quiet moment worked like chum in an ocean full of great whites. Vayl and I had just risen and I was pausing to wipe the bark off my fanny when a mocking feminine voice from behind me said, “Aw, Krios, wasn’t that touching? Now can I rip them apart?

Tommorow Call you call me that night when you were alone and crying, but I am only an outcast, and it all blast in my mind, in my heart, an ocean of tears falling let me dream cause I feel so deprim, don't wake me up I won't get up cause I always chose to never give up, but lately it all fall apart like a castle of card let me go back to my fortress cause its the only place I can be a mess without distress and when love don't love you back make some step back even if you don't no where to go keep going even if you don't know what you doing cause you know you have a blessing and never let go cause you never know what can be made of tomorrow even when in a sorrow don't let it go you never know what can be made of tomorrow He was like a brother. He never showed it but he was broken and at some point he couldn't handle it anymore. Whitout the strength to get out of this pain Full of life i remember him crossing the door for the last time He was sad inside He was lost He was my friend He was my brother Sometimes the hardest thing to do is to live if I have time I would tell him that love and the time that goes by also makes mistakes Now he's gone and people finally realize how amazing he was but now it's to late. Maybe a little love and a hand to hold it wouldn't have come to this But I had been the pillar and now the base is broke. Walking in the street wearing masks of the lie, faded soul in disguise only an entity, invisible, intangible never let go cause you never know what can be made of tomorrow even when in a sorrow don't let it go

People still said that “The Sun Never Sets on the British Empire,” even though the Commonwealth was starting to come apart. In spite of the obvious, it was unthinkable that the United States had a colony in Africa; well they had one, and that was where I was headed! World War II had been over for ten years and in Europe they were getting on with things and for now all was well in Africa, and with the World! Unless especially fitted out, aircraft didn’t have the range to cross the Atlantic in one jump, so after leaving Idlewild Airport in New York City, we flew halfway across the Atlantic Ocean to the Portuguese island of Santa Maria in the Azores. After refueling and stretching our legs we continued on to Lisbon. Our layovers were only for as long as it took to take care of business. There were no days built in, for me to have a leisurely, gentlemanly, civilized journey to my destination. Instead my seat was beginning to feel as hard as a rock pile. The engines continued to drone on as the Atlantic Ocean eventually gave way to the Iberian Peninsula. My view of Portugal was only what I could see from the air and what was at the airport. Again we landed for fuel in Lisbon, and then without skipping a beat, headed south across the Mediterranean to the North African desert. The beaches under us, in Morocco and the Spanish Sahara, were endless and the sand went from the barren coastal surf inland, to as far as the eye could see. With very few exceptions there was no evidence of civilization.

The bow still appears stately and upright. The stern lies in a shattered heap, mangled, we believe, by its violent break with the bow, by it's impact with the bottom, and perhaps by damage caused when air-filled pockets in the sinking hulk met deep-ocean pressures that near 6,000 pounds per square inch. Moist poignant was the debris field, where the effects of a floating city of 2,228 men, women, and children had drifted down for hours after Titanic broke apart. There, amidst huge chunks of twisted metal, fragile china cups appeared untouched. Peering through Alvin's small porthole, I saw the hollow eyes of a doll's head staring back, a haunting reminder of loss. Most wrenching for me was the sight of a pair of splayed boots, the body of the owner long ago consumed in the deep.

There, on the far side of of the Atlantic, would be Maine, but despite the shared ocean, her island and this one were worlds apart. Where Inishmaan was gray and brown, its fragile man-made soil supporting only the hardiest of low-growing plants, the fertile Quinnipeague invited tall pines in droves, not to mention vegetables, flowers, and improbable, irrepressible herbs. Lifting her head, eyes closed now, she breathed in the damp Irish air and the bit of wood smoke that drifted on the cold ocean wind. Quinnipeague smelled of wood smoke, too, since early mornings there could be chilly, even in summer. But the wood smoke would clear by noon, giving way to the smell of lavender, balsam, and grass. If the winds were from the west, there would be fry smells from the Chowder House; if from the south, the earthiness of the clam flats; if from the northeast, the purity of sweet salt air.

I was the first to arrive, and Bill was in the process of cleaning his barbecue. He looked about forty, and he told me that he and Violet had been on the island for three years, ever since he’d been made redundant from his job in Sydney. Apart from helping Tom out when he needed it, he and Violet managed a group of four holiday cabins for an absentee owner, and also ran a low-key café in the holiday season. They loved it and intended to stay until the kids had to go to secondary school

The family’s rented villa was, moreover, in Praia da Luz, where all six other ‘orphanage’ incidents had been reported – one of them, the week before Madeleine went missing, at the Ocean Club’s Apartment 5A, where the McCanns were to stay.

We will not meet our maker inside a world that we have made...” We cannot truly know ourselves without knowing the living Earth, for it is the ground of our being. The fire of the sun burns within our cells. The wind gives us life with each breath, and our blood reflects the chemical composition of the great oceans. Every molecule of our bodies has come from the natural world. Nature is the visible face of the spirit, and our nature and spirit will only be found within, and not apart from her.

I’m not spending the whole weekend with you two sniping at each other,” Tommy said. “Erin, we’re going to solve this the way we settle things at the stable when your grandmother isn’t looking.” He nodded at Hunter. “Hit him.” “Don’t make her do that,” Hunter told Tommy. “She’ll break her hand.” “Ha! You think awfully well of your chiseled chin,” I said, but Tommy drowned me out, yelling, “Let her hit you or I will hit you myself.” “This is excellent parenting.” Hunter emphasized his words with an okay sign of his thick fingers. His Rolex flashed in the sunlight before he put his hand down. “Here, Erin.” He closed his eyes and lifted his chin. I edged toward him, balling my fist, feeling better already. “Open your eyes,” I said. “I want you to see it coming.” “If I open my eyes, I’ll dodge you,” he said matter-of-factly, as if he was used to settling his differences this way with the other stable hands. He closed his eyes again. I struck while I had the opportunity. Didn’t pause to think about technique or the proper position for my fist, thumb in or thumb out, just hauled back and hit him. But in the split second before my hand connected with his face, I saw a flash of one of my family’s apartments in Los Angeles, an early one, because I glimpsed the ocean through the window across the room, and as the years went on we’d had less and less money and we’d move farther and farther from the sea. I saw my dad hitting my mom. I redirected my fist, only grazing Hunter’s chin, and stumbled into the side of the truck. A strong arm hooked in mine and kept me from falling. Hunter drew me to him, chuckling. “Are you okay?” I shoved him away from me, slid back into the truck, and slammed the door. He wasn’t even sorry and I couldn’t even get revenge. There was no good in this. With a final sniffle I opened my history book, wishing I hadn’t come.

He forced my lips apart and as he thrust his tongue deep, I vaguely wondered how it would feel between my legs. The power of his savage assault momentarily stunned me, before I was caught up in the passionate embrace and returned his deep, mind-blowing kiss. I had never experienced a kiss like that before. In fact, kiss was too mild a word for what we were doing. I felt light headed and questioned how long I could go without breathing. Brendon must have also reached his limit, as he soon broke contact and hauled in a ragged breath. I stared into his eyes and noticed their colour had changed to a darker blue, almost like the ocean. I had enough time to take another breath before he claimed my mouth once more. I knew my lips would be bruised and swollen but I didn’t care. I wanted to savour whatever attention he chose to give me. Eventually he relented and resting his forehead against mine, closed his eyes as he took another breath. My own breathing was shallow and rapid, like I had been running. On opening his eyes he held my gaze for a long moment, as though he was contemplating his next move.

They had heard that many, many miles away, but not so many as before they started, on the other side of the mountains, was the ocean. Constant rain. Greenness. Maybe that's where they were going, thought Talmadge. Sometimes--but how could he think this? how could a child think this of his mother?--he thought she was leading them to their deaths. Their mother was considered odd by the other women at the mining camp; he knew this, he knew how they talked about her. But there was nothing really wrong with her, he thought (forgetting the judgement of a moment before); it was just that she wanted different things than those women did. That was what set them and his mother apart. Where some women wanted mere privacy, she yearned for complete solitude that verged on the violent; solitude that forced you constantly back upon yourself; even when you did not want it anymore. But she wanted it nonetheless. From the time she was a small girl, she wanted to be alone. The sound of other people's voiced grated on her: to travel to town, to interact with others who were not Taldmadge or Talmadge's father or sister, was torture to her: it subtracted days from her life. And so they walked: to find a place that would absorb and annihilate her, a place to be her home, and the home for her children. A place to show her children, you belong to the earth, and the earth is hard.

Serious meant you had a little trouble laughing about things.

To me, love is paramount when choosing a mate. It will stand the test of time when the winds blow and the tempest of the outside world tries to tear the marriage apart like the shifting of the waves of an ocean crashing to shore. Love has to be the driving force or the marriage will not last in today’s world.

there’s a tidal wave coming towards San Francisco. It looks massive,” “We copy, Flight 80. They’ve been hit with a 9.5 earthquake, the epicenter being just offshore. However, we’re unusually quiet here and don’t seem to be affected by it, but we can see the city falling apart from our vantage point. What can you see from up there?” “I’m seeing buildings fall like they were made of cards, fires seemed to have started in a couple of neighborhoods, and…. Oh. My. God!” “What is it Captain? What’s wrong?” asked the Tower. “The…. the…. the ground is opening up, swallowing whole sections of the city. The wave from the ocean has reached the city, and from the looks of it, it looks like it’s at least one hundred feet high. The water is pounding into the city now, and it looks like it’s pushing the remains of the city into the sinkhole or whatever you want to call it. I don’t think anything is going to remain of San Francisco after this. This is awful,

How many of the following trivia questions can you answer correctly? Answers are over the page:- Q1/ What is Janus the god of? Q2/ What is Isabel doing when Tom first sees her? Q3/ What does Isabel do to Tom’s map of Janus Island? Q4/ Apart from a baby and a dead man, what other two objects are in the dinghy that lands on Janus Island? Q5/ What is Lucy doing on the only occasion when Tom tells her off? Q6/ What nationality is Frank and what is his real name? Q7/ Why is Hannah’s father, Septimus, sent alone to Australia when he is just a small boy? Q8/ How often does the store boat visit Janus Island? Q9/ What does Tom’s father enclose in his final letter to his son? Q10/ When Hannah prays in church, whose statue does she sit by? Q11/ Lucy/ Grace goes missing on two occasions. In each instance, where is she eventually found and what is she doing?

A wave rocked her and he grabbed for her, pulling her against him. His warm, wet skin brushed against hers, and then his arms were around her, his mouth on hers as he tangled his legs with hers. Kat lost herself in his kiss, in his mouth, in his touch, as the ocean waves gently rocked them and the sky paled into twilight. A rogue wave dropped over them, driving them underwater - and apart. Kat kicked her way to the surface, coughing on the salt water. Max came up looking as surprised by the kiss as the wave that had almost drowned them. "I didn't mean for that to happen. But you looked so damned... kissable.

The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.… Early afternoon. They were coming to this place, to this tall grass, all along. They will feed here for a while and then, because there’s no water right here, go down to where those egrets are. There’s water there. After they’ve had a good drink, they might make a big loop and come back here again later to feed some more. It will be a one-family-at-a-time choice as the adults decide when to drink and bathe. When elephants are finally ready to make a significant move, everyone points in the same direction. But they do wait until the matriarch decides. “I’ve seen families cued up waiting for half an hour,” comments Vicki, “waiting for the matriarch to signal, ‘Okay.’” And now they go. Makelele, eleven years old, walks with a deep limp. Five years ago he showed up with a broken right rear leg. It must have been agony, and it’s healed at a horrible angle, almost as if his knee faces backward, shaping that leg like the hock on a horse. Yet he is here, surviving with a little help from his friends. “He’s slow,” Vicki acknowledges. “It’s remarkable that he’s managing, but his family seems to wait for him.” Another Amboseli elephant, named Tito, broke a leg when he was a year old, probably from falling into a garbage pit.

And then they half-ran, half-skipped the last eight blocks to her apartment, their bodies connected by their crossed arms. Half a block away, their combined shadow looked like the wings of a single sea bird, wheeling in a bright sky. Two blocks further, and they looked like two boats, alone on an endless ocean. One block from that, and their joined bodies merged into a symbol of infinity.

why could it not be that God allowed evil because it will bring us all to a far greater glory and joy than we would have had otherwise? Isn't it possible that the eventual glory and joy we will know will be infinitely greater than it would have been had there been no evil? What if that future world will somehow be greater for having once been broken and lost? At the simplest level, we know that only if there is danger can there be courage. Apart from sin and evil, we would never have seen the courage of God, or the astonishing extent of his love, or the glory of a deity who lays aside his glory and goes to the cross. For us here in this life, the thought of God's glory is rather remote and abstract. But we must realise that the most rapturous delights you have ever had- in the beauty of a landscape, or in the pleasure of food, or in the fulfillment of a loving embrace- are like dewdrops compared to the bottomless ocean of joy that it will be to see God face-to-face (1 John 3:1-3). That is what we are in for, nothing less. And according to the Bible, that glorious beauty, and our enjoyment of it, has been immeasurably enhanced by Christ's redemption of us from evil and death. We are told that the angels long to endlessly gaze into the gospel, into the wonder of what Jesus did in his incarnation and atonement (1 Peter 1:12)

Miles of ocean, and oh, the vastness of it, shadows and salt, fierce dark water filled with alien emptiness and the monsters that lived there. Imagine falling into that water and knowing it was below you, even as you treaded water, desperately trying to remain on the surface; the terror of the realisation of what was under you - miles and miles of nothingness and monsters, blackness stretching away everywhere and the sea floor so far below - would tear your mind apart.

The silence stretched between them like an ocean of difference keeping them apart.

The pragmatic part of my mind had come undone, its order dismantled by droves of thoughts that clamored to be noticed, to be touched, to be seen. I could not touch them all at once. I could not address the future when I had barely begun to address the crowded past. The mind is elastic but not infinite, it can only pull so far at once before it starts to break apart, and Time, it turned out, was not a river at all but an ocean, spreading in all directions, disorderly and vast, swirling with spiraled currents. You never knew where you might drift, or what would become of you along the way.