Occasional Magic Quotes

There was a magic about the sea. People were drawn to it. People wanted to love by it, swim in it, play in it, look at it. It was a living thing that as as unpredictable as a great stage actor: it could be calm and welcoming, opening its arms to embrace it's audience one moment, but then could explode with its stormy tempers, flinging people around, wanting them out, attacking coastlines, breaking down islands. It had a playful side too, as it enjoyed the crowd, tossed the children about, knocked lilos over, tipped over windsurfers, occasionally gave sailors helping hands; all done with a secret little chuckle

Madame Bellwings, Memoir Elf Coordinator, was not at all pleased with this request, because elves who write the memoirs of teenage girls have the habit of returning to the magical realm with atrocious grammar. They can't seem to shake the phrases "watever" and "no way," and they insert the word like into so many sentences that the other elves start slapping them...and for no apparent reason occasionally call out the name Edward Cullen.

Chase stared into the fire. That look, those eyes would haunt the mercenary for a while…occasionally, now and then, there was a kill that stayed with the mercenary, and he had just experienced another one of those.

Occasionally I sense an insane wail deep down in the pit, the echo alone reaching me, striking without warning, a child weeping uninhibitedly, imprisoned forever.

Books are, let's face it, better than everything else. If we played cultural Fantasy Boxing League, and made books go 15 rounds in the ring against the best that any other art form had to offer, then books would win pretty much every time. Go on, try it. “The Magic Flute” v. Middlemarch? Middlemarch in six. “The Last Supper” v. Crime and Punishment? Fyodor on points. See? I mean, I don’t know how scientific this is, but it feels like the novels are walking it. You might get the occasional exception -– “Blonde on Blonde” might mash up The Old Curiosity Shop, say, and I wouldn’t give much for Pale Fire’s chance against Citizen Kane. And every now and again you'd get a shock, because that happens in sport, so Back to the Future III might land a lucky punch on Rabbit, Run; but I'm still backing literature 29 times out of 30.

I will spend my life traveling, laughing, drinking all kinds of tea, meeting new people, reading good books, growing things, creating beauty, eating chocolate, doing magic, making love and occasionally I will write something worth reading.

It must be pleasant to be occasionally guilty of a small abomination.

Alice was an odd girl, even for Ferenwood, where the sun occasionally rained and the colors were brighter than usual and magic was as common as a frowning parent.

It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.” “I’m undead,” said Raphael. “What about joie de unvivre?

Good food, fresh water, an occasional sweet and someone to care for. That's what everyone should have.

"The wanderer in Manhattan must go forth with a certain innocence, because New York is best seen with innocent eyes. It doesn't matter if you are younger or old. Reading our rich history makes the experience more layered, but it is not a substitute for walking the streets themselves. For old-timer or newcomer, it is essential to absorb the city as it is now in order to shape your own nostalgias. That's why I always urge the newcomer to surrender to the city's magic. Forget the irritations and the occasional rudeness; they bother New Yorkers too. Instead, go down to the North River and the benches that run along the west side of Battery Park City. Watch the tides or the blocks of ice in winter; they have existed since the time when the island was empty of man. Gaze at the boats. Look across the water at the Statue of Liberty or Ellis Island, the place to which so many of the New York tribe came in order to truly live. Learn the tale of our tribe, because it's your tribe too, no matter where you were born. Listen to its music and its legends. Gaze at its ruins and monuments. Walk its sidewalks and run fingers upon the stone and bricks and steel of our right-angled streets. Breathe the air of the river breeze."

He and Jia occasionally made cutting remarks about various Clave members to each other in Mandarin. She was a nice lady.

As for Sadie, she didn’t appear interested in strategy. She leaped from puddle to puddle in her combat boots. She hummed to herself, twirled like a little kid and occasionally pulled random things out of her backpack: wax animal figurines, some string, a piece of chalk, a bright yellow bag of candy. She reminded me of someone … Then it occurred to me. She looked like a younger version of Annabeth, but her fidgeting and hyperness reminded me of … well, me. If Annabeth and I ever had a daughter, she might be a lot like Sadie. Whoa. It’s not like I’d never dreamed about kids before. I mean, you date someone for over a year, the idea is going to be in the back of your mind somewhere, right? But still – I’m barely seventeen. I’m not ready to think too seriously about stuff like that. Also, I’m a demigod. On a day-to-day basis, I’m busy just trying to stay alive. Yet, looking at Sadie, I could imagine that someday maybe I’d have a little girl who looked like Annabeth and acted like me – a cute little hellion of a demigod, stomping through puddles and flattening monsters with magic camels.

The same goes for pajamas. If you are a woman, try wearing something elegant as nightwear. The worst thing you can do is to wear a sloppy sweat suit. I occasionally meet people who dress like this all the time, whether waking or sleeping.

Alec remembered the old days and the old fears, the way Isabelle had occasionally tried to start conversations about boys and let Alec shut them down. He had always snapped at her, terrified to speak and have someone hear, but sometimes at night when he thought about the possibility of being disowned by his parents, rejected by the Clave, hated by Jace and Max, his only comfort was that his sister knew, and she still loved him.

And Ella continued to see the world not as it is, but as it could be, if only you believe in courage, and kindness, and occasionally, just a little bit...of magic.

Ridcully sighed. 'All right, you fellows,' he said. 'No magic at Table, you know the rules. Who's playing silly buggers?' The other senior wizards stared at him. 'I, I, I don't think we can play it any more,' said the Bursar, who at the moment was only occasionally bouncing off the sides of sanity, 'I, I, I think we lost some of the pieces...

We ate it like it was medicine. Like it was magic candy that could somehow restore us to a normal life again. We ate ourselves numb and got in our bags and went to sleep. There was a lot of crying from the little kids and occasionally one of us would yell, "Shut up!" That's how we got by, that first night.

I had seen the light, come to believe that a wedding should be about a feeling between two people, not a show for the masses...It was a magical, romantic evening, and although I occasionally wish I had worn a slightly fancier dress, and that Nick and I had danced on our wedding night, I have no real regrets about the way we chose to do things.

A Baba Yaga never breaks a promise. Legs, yes. Hearts, occasionally. But never a promise.

In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation. Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT?

It is only rather recently that science has begun to make peace with its magical roots. Until a few decades ago, it was common for histories of science either to commence decorously with Copernicus's heliocentric theory or to laud the rationalism of Aristotelian antiquity and then to leap across the Middle Ages as an age of ignorance and superstition. One could, with care and diligence, find occasional things to praise in the works of Avicenna, William of Ockham, Albertus Magnus, and Roger Bacon, but these sparse gems had to be thoroughly dusted down and scraped clean of unsightly accretions before being inserted into the corners of a frame fashioned in a much later period.

Grendel waved his tail. Whatever horrors happened in his canine life, Grendel always bounced back with easy enthusiasm whenever some food made an appearance. A treat, a blanket in a nice warm house, an occasional pat on the head, and Grendel would be as happy as he could be. If only people were so easy.

[Forster] quotes approvingly from this discussion, from The Magic Flute [by Goldsworthy Lowes Dickinson] "Lord Buddha was your gospel true?" "True and False." "What was true in it?" "Selflessness and Love." "What false?" "Flight from Life.

So with occasional tiffs, but on the whole rollicking, they drew near the Neverland; for after many moons they did reach it, and, what is more, they had been going pretty straight all the time, not perhaps so much owing to the guidance of Peter or Tink as because the sland was out looking for them. It is only thus that anyone may sight those magic shores.

Good food, fresh water, and an occasional sweet and someone to care for. That's what everyone should have. A simplistic and unrealistic view I knew, but it soothed me.

Occasionally, ignorance works in one’s favor.

She was tasked with guarding the doorway to the Otherworld, keeping the balance of nature (as much as anyone could in these modern times), and occasionally, helping a worthy seeker.

Only the Great Poison, he who is handsome and wise and charming and handsome, can lead the faithful to Edom. So cater to the Great Poison with food and drink and baths and the occasional massage. "They wrote 'handsome' twice," murmured Alec. "Why is it called the Red Scrolls," said Shiyun, "when it is a book? And not a scroll?" "It's definitely not plural scrolls," said Alec. "I'm sure whoever this handsome, handsome cult founder is," said Magnus, his chest constricting, "he had his reasons." Shinyun read on. "The prince wishes only the best for his children. Thus, to honor his name, there must be a hearth crowded with only the finest of liquors and cigars and bonbons. Tithes of treasure and gifts showered upon the Great Poison symbolize the love between the faithful, so keep the spirits flowing and the gold growing, and always remember the sacred roles. "Life is a stage, so exit in style. "Only the faithful who make a truly great drink shall be favored. "Offend not the Great Poison with cruel deeds or poor fashion. "Seek the children of demons. Love them as you love your lord. Do not let the children be alone. "In times of trouble, remember: all roads lead to Rome." Alec looked at Magnus, and Magnus could not entirely understand Alec's small smile. "I think you wrote this.

As belief in one's capabilities self-evidently leads to increasing capabilities, magicians consider it worthwhile to believe in their ability to accomplish the impossible, even if they only succeed at this occasionally.

Many people in this room have an Etsy store where they create unique, unreplicable artifacts or useful items to be sold on a small scale, in a common marketplace where their friends meet and barter. I and many of my friends own more than one spinning wheel. We grow our food again. We make pickles and jams on private, individual scales, when many of our mothers forgot those skills if they ever knew them. We come to conventions, we create small communities of support and distributed skills--when one of us needs help, our village steps in. It’s only that our village is no longer physical, but connected by DSL instead of roads. But look at how we organize our tribes--bloggers preside over large estates, kings and queens whose spouses’ virtues are oft-lauded but whose faces are rarely seen. They have moderators to protect them, to be their knights, a nobility of active commenters and big name fans, a peasantry of regular readers, and vandals starting the occasional flame war just to watch the fields burn. Other villages are more commune-like, sharing out resources on forums or aggregate sites, providing wise women to be consulted, rabbis or priests to explain the world, makers and smiths to fashion magical objects. Groups of performers, acrobats and actors and singers of songs are traveling the roads once more, entertaining for a brief evening in a living room or a wheatfield, known by word of mouth and secret signal. Separate from official government, we create our own hierarchies, laws, and mores, as well as our own folklore and secret history. Even my own guilt about having failed as an academic is quite the crisis of filial piety--you see, my mother is a professor. I have not carried on the family trade. We dwell within a system so large and widespread, so disorganized and unconcerned for anyone but its most privileged and luxurious members, that our powerlessness, when we can summon up the courage to actually face it, is staggering. So we do not face it. We tell ourselves we are Achilles when we have much more in common with the cathedral-worker, laboring anonymously so that the next generation can see some incremental progress. We lack, of course, a Great Work to point to and say: my grandmother made that window; I worked upon the door. Though, I would submit that perhaps the Internet, as an object, as an aggregate entity, is the cathedral we build word by word and image by image, window by window and portal by portal, to stand taller for our children, if only by a little, than it does for us. For most of us are Lancelots, not Galahads. We may see the Grail of a good Classical life, but never touch it. That is for our sons, or their daughters, or further off. And if our villages are online, the real world becomes that dark wood on the edge of civilization, a place of danger and experience, of magic and blood, a place to make one’s name or find death by bear. And here, there be monsters.

Yes, like watching someone flog a dead horse into obedience,” Settembrini scoffed; to which Naphta replied that since for our sin God had visited our bodies with the gruesome ignominy of rot and decay, there was no indignity in the same body’s receiving an occasional beating—which immediately brought them to the topic of cremation.

Some scientists believe that driverless cars will not work unless they learn to be irrational. If such cars stop reliably whenever a pedestrian appears in front of them, pedestrian crossings will be unnecessary and jaywalkers will be able to march into the road, forcing the driverless car to stop suddenly, at great discomfort to its occupants. To prevent this, driverless cars may have to learn to be ‘angry’, and to occasionally maliciously fail to stop in time and strike the pedestrian on the shins.

I try asking myself, Okay, if everything fell apart, if everything went to hell the worst way possible, would I think to myself, I am so glad I did not let myself experience joy or enthusiasm in the good moments because it really protected me from the future? No. Life doesn't work like that. Nothing protects you. So I practice enjoying.

Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low. Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts. “How are you, Raphael?” asked Magnus. “Annoyed,” said Raphael. “As usual.” “I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.” There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn. “Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?” Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother. Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back. Ragnor Fell. Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back. There must have been very few people in Raphael’s life he’d ever counted as friends. “I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.” Magnus inclined his head with a slight smile. “Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?” Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.” “I’m undead,” said Raphael. “What about joie de unvivre?” Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed. “Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.” “What problem? Are you in trouble?” asked Raphael. “Nothing I can’t handle,” said Magnus. “Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.” “Take care of yourself, Raphael,” said Magnus. Raphael waved a dismissive hand over his shoulder. “I always do.

most humans would never know magic existed and could only hope to see the reality of this world through the occasional dreams of their artists.

Even for an occasional practitioner of magical thinking like me, however, some realities just can’t be changed.

I left the stage gratified, hot-faced, exorcised, thrilled, thinking, I would do this again.

He disappeared into the century-old house, returning with three beers and a plate of what appeared to be bacon-chip cookies. Given the choice, I grabbed one of the bottles and leaned against the railing, waiting impatiently as Jeff and Helen filled us in on the latest werewolf gossip, most of which centered around who was sneaking into bed—or into the woods, or the backseat, or in one case the middle of the gas station parking lot—with whom. Werewolves treated sex like a professional sporting event, occasionally with spectators and cheerleaders.

Occasionally, especially at celebratory times, the whole gang of us would launch into a spontaneous mental game. For example, my mother used to send me to the back porch (a room containing no furniture but a simply incredible mass of Stuff) to get flour for holiday cakes or pies. I often returned to the kitchen, cringing with disgust, to announce that the flour was full of worms. No matter how sick this made me, I knew it wuoldn't bother my mother. She always just sifted the worms out, saying that even if she missed a few and they got into the food, they would simply be an excellent source of protein. Just as we were all beginning to feel thoroughly downtrodden, my father would save the day. "Everyone come up with a literary reference about worms!" he would shout.

Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and week into one's lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact." Magnus inclined his head with a slight smile. "Tessa Gray," said Raphael. "Very dignified lady. Very well-read. I think you know her?" Magnus made a face at him. "It's not being a sass-monkey that I object to. That I like. It's the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre." "I'm undead," said Raphael. "What about joie de unvivre?" Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of leftover magic leaving a sweep of sparks in the night air, and sighed. "Tessa," Magnus said with a long exhale. "She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least." "What problem? Are you in trouble?" asked Raphael. "Nothing I can't handle," said Magnus. "Pity," said Raphael. "I was planning to point and laugh. Well, time to go. I'd say good luck with your dead-body bad-news thing, but ... I don't care." "Take care of yourself, Raphael," said Magnus. Raphael waved a dismissive hand over his shoulder. "I always do.

Do you as a writer expand the meanings of words, or are you merely their tool? Is your own language programming you like a computer, or are you wielding it like Prospero’s magic charms, and is there in fact a difference? Small children, when asked by Jean Piaget what part of their body they thought with, said, “My mouth”. Is thought possible without words? Do words determine what we can think, and if so, can we think some thoughts in one language that are impossible to articulate in another? (Translationland)

For more than a millennium the eastern Mediterranean seaboard called Syria Libanensis, or Mount Lebanon, had been able to accommodate at least a dozen different sects, ethnicities, and beliefs—it worked like magic. The place resembled major cities of the eastern Mediterranean (called the Levant) more than it did the other parts in the interior of the Near East (it was easier to move by ship than by land through the mountainous terrain). The Levantine cities were mercantile in nature; people dealt with one another according to a clear protocol, preserving a peace conducive to commerce, and they socialized quite a bit across communities. This millennium of peace was interrupted only by small occasional friction within Moslem and Christian communities, rarely between Christians and Moslems.

The painting, the magic and aliveness of it, was like that odd airy moment of the snow falling, greenish light and flakes whirling in the cameras, where you no longer cared about the game, who won or lost, but just wanted to drink in that speechless windswept moment. When I looked at the painting I felt the same convergence on a single point: a sunstruck instant that existed now and forever. Only occasionally did I notice the chain on the finch’s ankle, or think what a cruel life for a little living creature—fluttering briefly, forced always to land in the same hopeless place.

The magical force that had sundered everything in the castle had occasionally made some very odd choices in its destruction—Sand found a hammer that had been broken only at the wooden handle and not any of the metal parts, and another hammer whose handle was whole while the metal was broken.

Occasionally the poster pictures a pair of cyclists; and then one grasps the fact how much superior for purposes of flirtation is the modern bicycle to the old-fashioned parlour or the played-out garden gate. He and she mount their bicycles, being careful, of course, that such are of the right make. After that they have nothing to think about but the old sweet tale. Down shady lanes, through busy towns on market days, merrily roll the wheels of the “Bermondsey Company’s Bottom Bracket Britain’s Best,” or of the “Camberwell Company’s Jointless Eureka.” They need no pedalling; they require no guiding. Give them their heads, and tell them what time you want to get home, and that is all they ask. While Edwin leans from his saddle to whisper the dear old nothings in Angelina’s ear, while Angelina’s face, to hide its blushes, is turned towards the horizon at the back, the magic bicycles pursue their even course.

A few days later, I found myself back in the cellar. But this time, I was involved in an activity way more fun than cataloging magic junk. “What happened to the promise of making out in castles?” I asked as Archer and I pulled back for a breather. I was leaning back against one of the shelves, my hands clutching Archer’s waist. Over his shoulder, there was a jar of eyeballs staring at me, and I nodded toward it. “Because, see, things like that? Kind of a mood killer.” He glanced at the jar and then turned back to me, waggling his eyebrows. “Really? I find it has the opposite effect.” Giggling, I elbowed him in the stomach and pushed myself off the shelf. “You’re sick.” He smiled and ducked his head to kiss me again, but I skirted around him. “Come on, Cross, we came down here for a reason, and it wasn’t fooling around.” Smirking, Archer folded his arms over his chest. “May not have been your reason, but-“ I cut him off. “No. Don’t distract me with your sexy talk. We need to search this place, and that spell Elodie did will only last so long.” Elodie had swooped into my body at the cellar door, doing a quick spell to unlock it. She hadn’t even looked at Archer, much less said anything. And the second the lock clicked open, she’d vanished. The smirk disappeared from Archer’s face, and he actually looked kind of sullen. “Are you honestly that bummed about not hooking up right now?” I teased. But he was deadly serious when he shook his head and said, “It’s not that. It’s Elodie.” “What about her?” Archer rolled his eyes. “I don’t know, Mercer. Maybe it’s that I’m not completely crazy about the ghost of my ex-girlfriend occasionally inhabiting the body of my current girlfriend.” I backed up another step and ran into another shelf. Something fell off and thunked against the dirt floor. “Whoa, I’m your girlfriend now?” Archer shrugged. “We’ve tried to kill each other, fought ghouls, and kissed a lot. I’m pretty sure we’re married in some cultures.” Now it was my turn to roll my eyes. “Whatever. Look, the fact of the matter is, I don’t have any magic right now. Elodie does. If her occasionally using me as her puppet means that I have powers again, then I’m fine with it. And you should be, too. My body, my ghost, and all that.

The same goes for pajamas. If you are a woman, try wearing something elegant as nightwear. The worst thing you can do is to wear a sloppy sweat suit. I occasionally meet people who dress like this all the time, whether waking or sleeping. If sweatpants are your everyday attire, you’ll end up looking like you belong in them, which is not very attractive. What you wear in the house does impact your self-image.

If you are planning to buy storage units in the near future, I recommend that you get a set of drawers instead. Be careful not to bury clothes in the cupboard even if they are off-season. Clothes that have been shut up for half a year look wilted, as if they have been stifled. Instead, let in some light and air occasionally. Open the drawer and run your hands over the contents. Let them know you care and look forward to wearing them when they are next in season.

Hesse's Stage came to Perdu's mind. Most people were familiar with the first line, of course: "In all beginnings dwells a magic force..." but very few people know the ending: "For guarding us and helping us to live." And hardly anyone realized that Hesse wasn't talking about new beginnings. He meant a readiness to bid farewell. Farewell to old habits, Farwell to illusions. Farewell to a long-expired life, in which one was nothing but a husk, rustled by the occasional sigh.

Renunciation, The Natural Daughter demonstrates, is the act of those who believe that their happiness is dependent on a power beyond their control which happens at a particular time, and for reasons which they cannot penetrate, not to permit them fulfilment, and this is the fundamental reason for Goethe's imperviousness to philosophies of history which do not acknowledge either the inscrutability of fate or the contingency of circumstance. The image of perfect beauty for Goethe is permanently recoverable, provided only that fate and circumstances are favourable, for they are the powers that direct the real world, in which alone fulfilment is worth having. Renunciation is the silence that acknowledges the absence from reality of the Ideal, and it may be interrupted only by the poem that celebrates the epiphany for which even the hope may not be uttered. Conversely, poems, being all of them occasional poems, and expressing delight in a glimpse of beauty recovered, thanks to favourable circumstances, are an emblem, or 'talisman', of a 'counter÷magic which works against the hostility of fate. Bitter though the disappointments of life may be for a noble nature, a poem expresses the miracle of a moment in which the Ideal enters reality once more and the powers that rule the world take on, however fleetingly, the constellation they had in paradise. In the poems he has still to write, Goethe can hope to glimpse again what he has renounced and take once more the road to Italy.

I thought it very likely I might have this sort of untestable power myself. It was kind of logical--no good at sport, alrightish at my studies, there must have been some field in which I excelled. Magic had to be it. It's difficult for adults to picture just what a grip these fantasies can take on a child. There's occasionally a reminder as a kid throws himself off a roof pretending to be Batman, but mostly the interior life of children goes unnoticed. When I say I thought I could be a wizard, that's exactly true. I really did believe I had latent magical powers, and, with enough concentration and fiddling my fingers into strange patterns, I might suddenly find how to unlock the magic inside me. I wouldn't call this a delusion, more a very strong suspicion. I'd weighed all the evidence, and that was the likely conclusion--so much so that I had to stop myself trying to turn Matt Bradon into a fly when he was jumping up and down on the desk in French saying, "Miss, what are mammary glands?" to the big-breasted Miss Mundsley. I feared that, if I succeeded, I might not be able to turn him back. It was important, I knew, to use my powers wisely. There's nothing that you'd have to call a psychoanalyst in for here. At the bottom line my growing interest in fantasy was just an expression of a very common feeling--"there's got to be something better than this," an easy one to have in the drab Midlands of the 1970s. I couldn't see it, though. My world was very small, and I couldn't imagine making things better incrementally, only a total escape.

Bryce’s breath caught in her throat. “Wait—you were here before the Asteri? The mer were here? I thought only humans lived on Midgard then.” The Ocean Queen’s face became distant with memory. “They had the land—we had the seas. Our people met only occasionally, the root of the humans’ legends about the mer.” A wistful smile, then her eyes again focused on Bryce, sharp and calculating. “But yes, we have always been here. Midgard has always had magic, as all nature has inherent magic. The Asteri just did not deign to recognize it.

Once upon a time there was a little boy and a little girl who lived in the woods with their mother. One day the little boy said, “Mother, I want an apple.” The mother said, “Okay.” The boy reached into the box and the mother closed the lid on him and cut off his head and set him out in the yard and tied a rag around his neck to keep his head on. The little girl came home. She cried a lot. She sneaked out and pasted his head back on with magic paste. Then she put her brother in her boyfriend’s house. She grew up and married her boyfriend. The mother died. The end.

It is so rare to have a new tent appear that Celia considers canceling her performances entirely in order to spend the evening investigating it. Instead she waits, executing her standard number of shows, finishing the last a few hours before dawn. Only then does she navigate her way through nearly empty pathways to find the latest edition to the circus. The sign proclaims something called the Ice Garden. and Celia smiles at the addendum below which contains an apology for any thermal inconvenience. Despite the name, she is not prepared for what awaits her inside the tent. It is exactly what the sign described. But it is so much more than that. There are no stripes visible on the walls, everything is sparkling and white. She cannot tell how far it stretches, the size of the tent obscured by cascading willows and twisting vines. The air itself is magical. Crisp and sweet in her lungs as she breathes, sending a shiver down to her toes that is caused by more than the forewarned drop in temperature. There are no patrons in the tent as she explores, circling alone around trellises covered in pale roses and a softly bubbling, elaborately carved fountain. And everything, save for occasional lengths of whet silk ribbon strung like garlands, is made of ice. Curious, Celia picks a frosted peony from its branch, the stem breaking easily. But the layered petals shatter, falling from her fingers to the ground, disappearing in the blades of ivory grass below. When she looks back at the branch, an identical bloom has already appeared. Celia cannot imagine how much power and skill it would take not only to construct such a thing but to maintain it as well. And she longs to know how her opponent came up with the idea. Aware that each perfectly structured topiary, every detail down to the stones that line the paths like pearls, must have been planned.

What did Herr Settembrini think of the term "illusion" - a state in which elements of dream and reality were blended in a way that was perhaps less foreign to nature than to our crude everyday thoughts? The secret of life was literally bottomless, and it was no wonder, then, that occasionally there rose up out of it illusions that - and so on and so forth, in our hero's amiably self-effacing and exceedingly easy manner. Herr Settembrini hauled him over the coals quite properly and managed to firm up his conscience at least temporarily, extracting something like a promise never again to participate in such horrors. "Pay attention," he demanded, "to the human being inside you, my good engineer. Trust its clear and and humane thoughts and abhor this wrenching of the brain, this intellectual swamp. Illusions? Secret of life? Caro mio! When the moral courage to decide and differentiate between fraud and reality begins to melt away, that marks the end of life itself, of formed opinions, of values, of any improving deed, and the corruptive process of moral skepticism begins its awful work." Man was the measure of all things, he added, Man had an inalienable right to make knowledgeable judgements about good and evil, about truth and the sham of lies, and woe anyone who dared confound his fellow-man's belief in that creative right.

They really haven’t told you anything about the future, have they? This is my phone.” “A phone. You use it as a phone. You carry around a device that’s the size of a deck of cards and is more powerful than a Cray supercomputer, and you use it as a phone?” “I also play games on it, and watch a movie occasionally.” “You can watch movies on that?” “Not many. I mean, I only have a sixteen-gig memory card in it.” Phillip muttered, almost to himself, “My Commodore has sixty-four kilobytes of memory and a floppy drive that stores one hundred and seventy K. You can double that, but you have to cut a notch in the disk.” Then, loud and clear, Phillip said, “I kind of hate you right now.

few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.

Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.

She met a lot of people, and some people who weren’t people. The more rural houses occasionally played host to minor demons and lesser fairies and local geo-specific nature spirits and elementals who lent street cred to the establishment in return for God knows what in the way of goods and services, she didn’t ask. There was a certain romance to these beings; they seemed to embody the very promise of magic, which was to deliver unto her a world greater than the one into which she had been born. The moment when you walk into a room, and the guy playing pool has a pair of red leather wings sticking out of his back, and the chick smoking on the balcony has eyes of liquid golden fire—at that moment you think you’ll never be sad or bored or lonely again.

I believe you have my umbrella," he says, almost out of breath but wearing a grin that has too much wolf in it to be properly sheepish. Celia stares up at him in surprise. At first she wonders what on earth Chandresh's assistant is doing in Prauge, as she has never seen him outside London. Then comes the question of how he could possess such an umbrella. As she stairs at him, confused, the pieces of the puzzle begin to shift together. She remembers every encounter she had with the man now standing before her in the rain, recalling the distress he had exhibited at her audition, the years of glances and comments she had read as no more than coy flirtation. And the constant impression as though he is not really there, blending so well into the background that she would occasionally forget he was in the room.

The city of Prague had always felt enchanted to him. It was a moment frozen in time. Having suffered far less damage than other European cities in World War II, the historical capital of Bohemia enjoyed a dazzling skyline that still sparkled with all its original architecture—a uniquely varied and pristine sampling of Romanesque, Gothic, Baroque, Art Nouveau, and Neoclassical designs. The city’s nickname—Stověžatá—literally meant “with a hundred spires,” although the actual number of spires and steeples in Prague was closer to seven hundred. In the summer, the city occasionally illuminated them with a sea of green floodlights; the awe-inspiring effect was said to have inspired Hollywood’s depiction in The Wizard of Oz of the Emerald City—a mystical destination that, like Prague, was believed to be a place of magical possibilities.

A thug. In peacetime Fitch would be hanging around a pool table giving the cops trouble. He was perfect for war. Tibbets had chosen his men well - most of them, anyway. Moving back past Haddock January stopped to stare at the group of men in the navigation cabin. They joked, drank coffee. They were all a bit like Fitch: young toughs, capable and thoughtless. They're having a good time, an adventure. That was January's dominant impression of his companions in the 509th; despite all the bitching and the occasional moments of overmastering fear, they were having a good time. His mind spun forward and he saw what these young men would grow up to be like as clearly as if they stood before him in businessmen's suits, prosperous and balding. They would be tough and capable and thoughtless, and as the years passed and the great war receded in time they would look back on it with ever-increasing nostalgia, for they would be the survivors and not the dead. Every year of this war would feel like ten in their memories, so that the war would always remain the central experience of their lives - a time when history lay palpable in their hands, when each of their daily acts affected it, when moral issues were simple, and others told them what to do - so that as more years passed and the survivors aged, bodies falling apart, lives in one rut or another, they would unconsciously push harder and harder to thrust the world into war again, thinking somewhere inside themselves that if they could only return to world war then they would magically be again as they were in the last one - young, and free, and happy. And by that time they would hold the positions of power, they would be capable of doing it.

Which means that all cats are magical, even though their owners are probably not. Knowing this makes cats extremely confident and self-sufficient, and they put their magic to use all the time. How else could they appear from nowhere whenever the fridge door is opened? Or make a human open a door or window for them when they have a perfectly good cat flap of their own? Or seek out and snuggle up to the one person in the room who hates cats? Most of the time, cats don’t waste their energy displaying their superiority to non-magical humans. Occasionally they will, however, try to communicate with them — perhaps by staring at their subject for a very long time, or by sitting/standing/sleeping on whatever book/newspaper/homework that person might be occupied with, or by massaging that person’s leg/stomach/shoulder with very spiky claws while purring loudly.

We get the word “wizard” itself from the same root as “wisdom.” While modern pop culture has co-opted the term to evoke the image of long beards, pointy hats, and the occasional bescarred boy with a wand, in ancient times it wasn’t so much the magic that identified these individuals. It was knowledge. Yes, this knowledge is often attached to the arcane or unseen in the stories— but what is magic but a science not yet discovered? In the life you now live, you might think yourself unaccomplished, stuck in a rut. You might mourn at how little you’ve accomplished. But in the scope of the history of humankind, you are a god. The knowledge you hold from a simple high school education is vast compared to the comprehensive knowledge of some of the weightiest minds in history. You carry technological marvels that could literally topple kingdoms in your pocket, or perhaps embedded in your own body.

So, my number: Twenty-five. It wasn’t a number that gave me any satisfaction. But neither was it a number that made me feel ashamed. Naturally, I’d have preferred not to have that number on my military CV, on my mind, but by the same token I’d have preferred to live in a world in which there was no Taliban, a world without war. Even for an occasional practitioner of magical thinking like me, however, some realities just can’t be changed. While in the heat and fog of combat, I didn’t think of those twenty-five as people. You can’t kill people if you think of them as people. You can’t really harm people if you think of them as people. They were chess pieces removed from the board, Bads taken away before they could kill Goods. I’d been trained to “other-ize” them, trained well. On some level I recognized this learned detachment as problematic. But I also saw it as an unavoidable part of soldiering. Another

It was the most beautiful place I'd ever seen. Whatever building we were in had been perched atop one of the grey-stoned mountains. The hall around us was open to the elements, no windows to be found, just towering pillars and gossamer curtains, swaying in that jasmine-scented breeze. It must be some magic to keep the air warm in the dead of winter. Not to mention the altitude, or the snow coating the mountains, mighty winds sending veils of it drifting off the peaks like wandering mist. Little seating, dining, and work areas dotted the hall, sectioned off with those curtains or lush plants or thick rugs scattered over the moonstone floor. A few balls of light bobbed on the breeze, along with coloured-glass lanterns dangling from the arches of the ceiling. Not a scream, not a shout, not a plea to be heard. Behind me, a wall of white marble arose, broken occasionally by open doorways leading into dim stairwells. ... 'This is my private residence,' Rhys said casually.

Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.

Bernadette flew up to look at houses. She called to say she had found the perfect place, the Straight Gate School for Girls, in Queen Anne. To anyone else, a crumbling reform school might seem an odd place to call home. But this was Bernadette, and she was enthusiastic. Bernadette and her enthusiasm were like a hippo and water: get between them and you’ll be trampled to death. We moved to Seattle. I was swallowed whole by Microsoft. Bernadette became pregnant and had the first of a series of miscarriages. After three years, she passed the first term. At the beginning of her second term, she was put on bed rest. The house, which was a blank canvas on which Bernadette was to work her magic, understandably languished. There were leaks, strange drafts, and the occasional weed pushing up through a floorboard. My concern was for Bernadette’s health—she didn’t need the stress of a remodel, she needed to stay put—so we wore parkas inside, rotated spaghetti pots when it rained, and kept a pair of pruning shears in a vase in the living room. It felt romantic. Our daughter, Bee, was born prematurely. She came out blue. She was diagnosed with hypoplastic left heart syndrome.

I want to return to the theme of pleasure and the epicurean life. For centuries, Epicurus's philosophy of pleasure has been repudiated by moralists, but occasionally his central themes break through and are given at least momentary consideration—sensuality, pleasure, friendship, moderation—I think he has been neglected, because there is so much soul in his philosophy, and it is not insignificant that his classes were held in an Athenian garden, a place where the soul is most at home. The garden of Epicurus invites us to reflect on the epicurean aspects of gardens, especially the sensual pleasures they provide. In a disenchanted world, it's important to get somewhere and accomplish something, but the time spent in a garden gets us nowhere....The garden reconciles human art and wild nature, hard work and deep pleasure, spiritual practice and the material world. It is a magical place because it is not divided. The many divisions and polarizations that terrorize a disenchanted world find peaceful accord among mossy rock walls, rough stone paths, and trimmed bushes. Maybe a garden sometimes seems fragile, for all its earth and labor, because it achieves such an extraordinary balance of nature and human life, naturalness and artificiality. It has its own liminality, its point of balance between great extremes.

She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...

I’m going to be discussing some of the common attitudes held by people writing about free will. These come in four basic flavors: The world is deterministic and there’s no free will. In this view, if the former is the case, the latter has to be as well; determinism and free will are not compatible. I am coming from this perspective of “hard incompatibilism.” The world is deterministic and there is free will. These folks are emphatic that the world is made of stuff like atoms, and life, in the elegant words of psychologist Roy Baumeister (currently at the University of Queensland in Australia), “is based on the immutability and relentlessness of the laws of nature.” No magic or fairy dust involved, no substance dualism, the view where brain and mind are separate entities. Instead, this deterministic world is viewed as compatible with free will. This is roughly 90 percent of philosophers and legal scholars, and the book will most often be taking on these “compatibilists.” The world is not deterministic; there’s no free will. This is an oddball view that everything important in the world runs on randomness, a supposed basis of free will. We’ll get to this in chapters 9 and 10. The world is not deterministic; there is free will. These are folks who believe, like I do, that a deterministic world is not compatible with free will—however, no problem, the world isn’t deterministic in their view, opening a door for free-will belief. These “libertarian incompatibilists” are a rarity, and I’ll only occasionally touch on their views.

The land around Ankh-Morpork is fertile and largely given over to the cabbage fields that help to give the city its distinctive odor. The gray light of pre-dawn unrolled over the blue-green expanse, and around a couple of farmers who were making an early start on the spinach harvest. They looked up, not at a sound, but at a travelling point of silence where sound ought to have been. It was a man and a woman and something like a size five man in a size twelve fur coat, all in a chariot that flickered as it moved. It bowled along the road toward Holy Wood and was soon out of sight. A minute or two later it was followed by a wheelchair. Its axle glowed red-hot. It was full of people screaming at one another. One of them was turning a handle on a box. It was so overburdened that wizards occasionally fell off and ran along after it, shouting, until they had a chance to jump on again and start screaming. Whoever was attempting to steer was not succeeding, and it weaved back and forth across the road and eventually hurtled off it completely and through the side of a barn. One of the farmers nudged the other. "Oi've seen this on the clicks," he said. "It's always the same. They crash into a barn and they allus comes out the other side covered in squawking chickens." His companion leaned reflectively on his hoe. "It'd be a sight worth seeing that," he said. "Sure would." "'Cos all there is in there, boy, is twenty ton of cabbage." There was a crash, and the chair erupted from the barn in a shower of chickens and headed madly toward the road. The farmers looked at one another. "Well, dang me," said one of them.

HER HUSBAND’S ALMOST HOME. He’ll catch her this time. There isn’t a scrap of curtain, not a blade of blind, in number 212—the rust-red townhome that once housed the newlywed Motts, until recently, until they un-wed. I never met either Mott, but occasionally I check in online: his LinkedIn profile, her Facebook page. Their wedding registry lives on at Macy’s. I could still buy them flatware. As I was saying: not even a window dressing. So number 212 gazes blankly across the street, ruddy and raw, and I gaze right back, watching the mistress of the manor lead her contractor into the guest bedroom. What is it about that house? It’s where love goes to die. She’s lovely, a genuine redhead, with grass-green eyes and an archipelago of tiny moles trailing across her back. Much prettier than her husband, a Dr. John Miller, psychotherapist—yes, he offers couples counseling—and one of 436,000 John Millers online. This particular specimen works near Gramercy Park and does not accept insurance. According to the deed of sale, he paid $3.6 million for his house. Business must be good. I know both more and less about the wife. Not much of a homemaker, clearly; the Millers moved in eight weeks ago, yet still those windows are bare, tsk-tsk. She practices yoga three times a week, tripping down the steps with her magic-carpet mat rolled beneath one arm, legs shrink-wrapped in Lululemon. And she must volunteer someplace—she leaves the house a little past eleven on Mondays and Fridays, around the time I get up, and returns between five and five thirty, just as I’m settling in for my nightly film. (This evening’s selection: The Man Who Knew Too Much, for the umpteenth time. I am the woman who viewed too much.) I’ve noticed she likes a drink in the afternoon, as do I. Does she also like a drink in the morning? As do I? But her age is a mystery, although she’s certainly younger than Dr. Miller, and younger than me (nimbler, too); her name I can only guess at. I think of her as Rita, because she looks like Hayworth in Gilda. “I’m not in the least interested”—love that line. I myself am very much interested. Not in her body—the pale ridge of her spine, her shoulder blades like stunted wings, the baby-blue bra clasping her breasts: whenever these loom within my lens, any of them, I look away—but in the life she leads. The lives. Two more than I’ve got.

Once upon a time there was a beautiful princess who was admired by all, but no one dared to ask for her hand in marriage. In despair, the king consulted the god Apollo. He told him that Psyche should be dressed in mourning and left alone on top of a mountain. Before daybreak, a serpent would come to meet and marry her. The king obeyed, and all night the princess waited for her husband to appear, deathly afraid and freezing cold. Finally, she slept. When she awoke, she found herself crowned a queen in a beautiful palace. Every night her husband came to her and they made love, but he had imposed one condition: Psyche could have all she desired, but she had to trust him completely and could never see his face.” How awful, I think, but I don’t dare interrupt him. “The young woman lived happily for a long time. She had comfort, affection, joy, and she was in love with the man who visited her every night. However, occasionally she was afraid that she was married to a hideous serpent. Early one morning, while her husband slept, she lit a lantern and saw Eros, a man of incredible beauty, lying by her side. The light woke him, and seeing that the woman he loved was unable to fulfill his one request, Eros vanished. Desperate to get her lover back, Psyche submitted to a series of tasks given to her by Aphrodite, Eros’s mother. Needless to say, her mother-in-law was incredibly jealous of Psyche’s beauty and she did everything she could to thwart the couple’s reconciliation. In one of the tasks, Psyche opened a box that makes her fall into a deep sleep.” I grow anxious to find out how the story will end. “Eros was also in love and regretted not having been more lenient toward his wife. He managed to enter the castle and wake her with the tip of his arrow. ‘You nearly died because of your curiosity,’ he told her. ‘You sought security in knowledge and destroyed our relationship.’ But in love, nothing is destroyed forever. Imbued with this conviction, they go to Zeus, the god of gods, and beg that their union never be undone. Zeus passionately pleaded the cause of the lovers with strong arguments and threats until he gained Aphrodite’s support. From that day on, Psyche (our unconscious, but logical, side) and Eros (love) were together forever.” I pour another glass of wine. I rest my head on his shoulder. “Those who cannot accept this, and who always try to find an explanation for magical and mysterious human relationships, will miss the best part of life.

The textbooks of history prepared for the public schools are marked by a rather naive parochialism and chauvinism. There is no need to dwell on such futilities. But it must be admitted that even for the most conscientious historian abstention from judgments of value may offer certain difficulties. As a man and as a citizen the historian takes sides in many feuds and controversies of his age. It is not easy to combine scientific aloofness in historical studies with partisanship in mundane interests. But that can and has been achieved by outstanding historians. The historian's world view may color his work. His representation of events may be interlarded with remarks that betray his feelings and wishes and divulge his party affiliation. However, the postulate of scientific history's abstention from value judgments is not infringed by occasional remarks expressing the preferences of the historian if the general purport of the study is not affected. If the writer, speaking of an inept commander of the forces of his own nation or party, says "unfortunately" the general was not equal to his task, he has not failed in his duty as a historian. The historian is free to lament the destruction of the masterpieces of Greek art provided his regret does not influence his report of the events that brought about this destruction. The problem of Wertfreíheit must also be clearly distinguished from that of the choice of theories resorted to for the interpretation of facts. In dealing with the data available, the historian needs ali the knowledge provided by the other disciplines, by logic, mathematics, praxeology, and the natural sciences. If what these disciplines teach is insufficient or if the historian chooses an erroneous theory out of several conflicting theories held by the specialists, his effort is misled and his performance is abortive. It may be that he chose an untenable theory because he was biased and this theory best suited his party spirit. But the acceptance of a faulty doctrine may often be merely the outcome of ignorance or of the fact that it enjoys greater popularity than more correct doctrines. The main source of dissent among historians is divergence in regard to the teachings of ali the other branches of knowledge upon which they base their presentation. To a historian of earlier days who believed in witchcraft, magic, and the devil's interference with human affairs, things hàd a different aspect than they have for an agnostic historian. The neomercantilist doctrines of the balance of payments and of the dollar shortage give an image of presentday world conditions very different from that provided by an examination of the situation from the point of view of modern subjectivist economics.

Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.

Often Khaster heard noises in the night he could not identify. They were the sounds made by animals, but had a human resonance to them. Sometimes gouts of light would spurt into the sky-red, turquoise, gold-and some moments later thunder would come, but from beneath the earth rather than the heavens. Strange smells, bitter yet musky and sweet, would occasionally come in through an open window to haunt a room. Khaster knew that the priest-mages of Madragore employed a regiment of alchemists who worked in a shuttered citadel on the east of the city. Its huge domed roof, which was covered in flaky verdigis scales rose up from an area of factories and tanning shops. Stories leaked out of the citadel along with the fumes. Creatures were made there, homunculi, golems, beasts of war. Sometimes the creatures escaped or were let out to roam the city by their keepers. That accounted for the strange nocturnal noises. But perhaps these were only stories after all. Perhaps the citadel hid secrets of a more mundane yet brutal nature. Prisoners could be interrogated there, tortured with corrosive steams. The alchemists made killing perfumes for use on the battlefield. Khaster had heard tales of a liquid that when released into the air corroded all the flesh from anyone who smelled its delicate aroma. The alchemists made weapons; if not magical beasts, then mordant potions and poisons. They had to test them on someone.

drawn to the Celtic idea of thin places—“thin places,” “thin times”—the idea that there are places we can experience where the veil between heaven and earth is worn thin, where the temporal and the transcendent seem to touch.

These times are unfriendly toward Worlds alternative to this one. Royal Society members and French Encyclopædists are in the Chariot, availing themselves whilst they may of any occasion to preach the Gospels of Reason, denouncing all that was once Magic, though too often in smirking tropes upon the Church of Rome,— visitations, bleeding statues, medical impossibilities,— no, no, far too foreign. One may be allowed an occasional Cock Lane Ghost,— otherwise, for any more in that Article, one must turn to Gothick Fictions, folded acceptably between the covers of Books.

Hesse’s Stages came to Perdu’s mind. Most people were familiar with the first line, of course: “In all beginnings dwells a magic force…” but very few people knew the ending: “For guarding us and helping us to live.” And hardly anyone realized that Hesse wasn’t talking about new beginnings. He meant a readiness to bid farewell. Farewell to old habits. Farewell to illusions. Farewell to a long-expired life, in which one was nothing but a husk, rustled by the occasional sigh.

Gothel had told her that cutting her hair would kill her. The Goodwife said that was nonsense; it would only affect her powers, if anything at all. And come to think of it, Rapunzel did lose the occasional hair when it caught on something, or when she was combing it out. The dead hairs turned a dull brown, and it used to panic her when she was little. Did it take a day off her life? A month? A year? She thoughtfully wrapped a lock of hair around her fingers. Biting her lip, she brought the shears up.... "Rapunzel? What are you doing? No!" Flynn had quietly come in (and had paused at the door, preparing to say something theatrical) but immediately dropped all playing. He ran over and grabbed her hands, holding them away from her. "What... oh," Rapunzel said, confused and taking a moment to figure out what he was doing. "You thought I was going to hurt myself. You didn't hear what the Goodwife said? Cutting my hair won't kill me." "Oh. No, I did not hear that," Flynn said, collapsing against the edge of the workbench. But he didn't let go of her right hand. "Maybe when the group learns something important like that, you could let me in on it? You know, keep me in the loop?" "Sorry," she said, a little chagrined. "I guess this looked really bad, didn't it?" "You have no idea, Rapunzel, I... I think I died a little when I saw that." He opened his mouth, trying to say something else. Was he going to go into full funny Flynn Rider mode? Or was he actually going to say something serious? Rapunzel could hardly breathe, waiting to see. And then he kissed her. It wasn't like the night before, when there was a pause and a feeling of expectation. He took her face in his hands and pressed his lips to hers. With desperation, maybe as if she really had almost died. Rapunzel shivered-- and for the slightest moment panicked that it was her magic activating. But it wasn't... When he stopped, she reached up and touched his lips gently. She didn't want the moment to end. "I don't want to lose you," he whispered. "But if I have to... I'd rather it be to your happy ending than to..." "Brigands and mercenaries, or a hair-related death, I know. You do care, Flynn Rider!

Without knowing why, she brought her hair up to Pascal again. She knew he wouldn't be hurt. The little lizard was intrigued by whatever was going on; he nosed into her locks like a curious kitten. Immediately the sparkles that pulsed through her hair danced around him, falling and flickering. Soon they completely covered the little lizard like snow. Rapunzel watched, enchanted. Then he sneezed. Embers of magic flicked and faded as they fell to the earth. Rapunzel gasped. Pascal was perfectly fine. He just wasn't-- Pascal. He was an entirely different lizard. A lizard Rapunzel had never seen before, in books or anywhere. His eyes were now two balls that perched on the sides of his head and looked around independently of each other. His back was a graceful arch. His feet had two pairs of strange toes that opened up in the middle like claws. And his tail! It curled around and around and clasped onto her arm- prehensile and grasping, not a limp thing that just hung there to help with balance (and to occasionally break off and confuse a predator). And he was looking at himself! Holding his feet out one at a time and admiring them, thwacking the tip of his tail and snapping his mouth in satisfaction. Like a... person. He thoughtfully gazed back at his body, considering it. His skin suddenly started to change color: a wave of brown, and then red, pulsed through him from nose to tail. "Pascal!" Rapunzel cried. "You're a dragon!" She only wished he had turned into a slightly larger dragon so she could ride and/or hug him.

Hair fall - The two words that make up for the shortest yet the scariest horror story that no woman would ever want to witness. However, many women suffer from it and get stuck in a loop of trying various solutions to take control of hair fall. It’s important to understand to what amount the hair fall is normal and to what is abnormal. We lose about 100 strands every day but anything more than that is excessive and alarming. HAIR FALL PROBLEM Hair is a big part of our identity and appearance. It adds confidence and resembles our style in ways more than one. When one loses hair, they lose self-esteem and self-confidence. Therefore, it is necessary to find an answer to the question of ‘How to control hair fall?’ Hair Fall Problem For most of us, a good hair day instantly puts us in a good mood. Such is the importance associated with the appearance of our hair. When even an occasional bad hair day can seriously put a damper on our mood, imagine how dreadful it’s to deal with your precious hair locks beginning to fall off. If you're looking for a basic brush that gets rid of tangles with no discomfort or pain, look no moreoverthan the Patented Venting hairbrush DoubleC. This universal brush is made to detangle wet hair of all kinds and forms with ease. Each brush is made with light, soft, and strong bristles that can painlessly get rid of despite the most serious knots. The points also highlight SofTips at the top that massage the scalp and help improve follicle stimulation. Patented Venting hairbrushes work best on women with long, thick hair for they're usually too large and unwieldy on short or thin hair. Most maximum paddle brushes are created for dry hair, as a regular detangler, and smoother. Hair Fall Problem Different Types of Hair Brush Our wide collection of Nuway4haiHair Brushes covers DoubleC Brush, C Brush, Travel C Brush, Traveler Brush, MagicSpell Combo Brush, and many more. Available in various forms and sizes, these hair brushes for women have two hair types namely. Specially created to serve, appearance, and smoothen up the hair of all dimensions and arrangements, all the hairbrushes come following three distinct ranges, that is, Basic, Premium, and Specialist. Nuway4hair Top Sellers to Choose From 1. Patented Venting hairbrush DoubleC - Purple 2. Patented Venting hairbrush DoubleC - Blue 3. DoubleC Brush- Black 4. Patented Venting hairbrush DoubleC PRO - Gray

Things came and went away; that was a kind of magic. And in between? Pursuits and conjurings, horrors, guises. The occasional joy. That there was room for joy, ah! that was magic too.

So if you think Draco occasionally looked a little pale, it wasn't down to the make-up department.

And while she knew, Rowan was aware of her early morning practicing, he never lightened her training, though she could have sworn she occasionally felt their magic… playing together, her flame taunting his ice, his wind dancing amongst her embers.

Though we recognize distinct cultural differences across time and place, the commonalities warrant our attention. To think about how these ancient commonalities need to be differentiated from our modern ways of thinking, we can use the metaphor of a cultural river, where the currents represent ideas and conventional ways of thinking. Among the currents in our modern cultural context we would find fundamentals such as rights, privacy, freedom, capitalism, consumerism, democracy, individualism, globalism, social media, market economy, scientific naturalism, an expanding universe, empiricism, and natural laws, just to name a few. As familiar as these are to us, such ways of thinking were unknown in the ancient world. Conversely, the ancient cultural river had among their shared ideas currents that are totally foreign to us. Included in the list we would find fundamental concepts such as community identity, the comprehensive and ubiquitous control of the gods, the role of kingship, divination, the centrality of the temple, the mediatory role of images, and the reality of the spirit world and magic. It is not easy for us to grasp their shape or rationale, and we often find their expression in texts impenetrable. In today’s world people may find that they dislike some of the currents in our cultural river and wish to resist them. Such resistance is not easy, but even when we might occasionally succeed, we are still in the cultural river—even though we may be swimming upstream rather than floating comfortably on the currents. This was also true in the ancient world. When we read the Old Testament, we may find reason to believe that the Israelites were supposed to resist some of the currents in their cultural river. Be that as it may (and the nuances are not always easy to work with), they remain in that ancient cultural river. We dare not allow ourselves to think that just because the Israelites believed themselves to be distinctive among their neighbors that they thought in the terms of our cultural river (including the dimensions of our theology). We need to read the Old Testament in the context of its own cultural river. We cannot afford to read instinctively because that only results in reading the text through our own cultural lenses. No one reads the Bible free of cultural bias, but we seek to replace our cultural lenses with theirs. Sometimes the best we can do is recognize that we have cultural lenses and try to take them off even if we cannot reconstruct ancient lenses. When we consider similarities and differences between the ancient cultural river and our own, we must be alert to the dangers of maintaining an elevated view of our own superiority or sophistication as a contrast to the naïveté or primitiveness of others. Identification of differences should not imply ancient inferiority. Our rationality may not be their rationality, but that does not mean that they were irrational. Their ways of thinking should not be thought of as primitive or prehistorical. We seek to understand their texts and culture, not to make value judgments on them.

Mint Julep Ice Cream Use this to clear out the past and start over by painting all past painful memories in a happier light. Don’t eat too much, or you’ll be forgetting other things too, until you’re a doddery old fool like me, who can’t remember what day of the week it is. Getting old really is a son of a bitch. Ingredients 1 c. sugar ½ c. water ½ c. bourbon 1 tsp. vanilla 2 c. milk 2 c. heavy cream 6 large egg yolks 8–10 large sprigs fresh mint (plus extra for garnish) Directions 1. Bruise the leaves of the mint leaves to release oils and flavors. Combine the sugar, water, and the 8 mint sprigs in a small saucepan over medium heat, and bring to a boil, stirring to dissolve the sugar. Cook for 2 minutes. Remove from the heat, and let cool completely. Strain through a fine-mesh strainer, then add the bourbon. 2. Combine the milk and cream in a large nonreactive saucepan, and bring to a gentle boil. In a small mixing bowl, whisk the egg yolks together. Whisk 1 cup of the hot cream mixture into the egg mixture. In a slow, steady stream, add the egg mixture to the hot cream mixture. Continue to cook for 4 minutes, stirring occasionally, until the mixture thickens enough to coat the back of a spoon. Remove from heat and let cool completely. 3. Whisk the bourbon mixture into the cream mixture. Cover with plastic wrap, pressing the wrap down against the surface of the mixture to keep a skin from forming, and chill in the refrigerator for at least 2 hours. 4. Remove from the refrigerator, and pour the mixture into an ice-cream machine. Churn according to the manufacturer’s directions. For an extra kick, add a spoonful of bourbon over ice cream before serving.

CHAPTER ONE A negative empath can detect, feel, and sometimes even feed on others’ negative moods, emotions, and temperaments. However, this ability can be unpredictable: both strong and subtle emotions might occasionally go undetected. Despite its inconsistencies, the negativity from others can cause the negative empath either pain or pleasure, and for magical adepts, it can even amplify their power temporarily. —Witcherpedia, an online witchery encyclopedia

though she could have sworn she occasionally felt their magic … playing together, her flame taunting his ice, his wind dancing amongst her embers.

It was the most beautiful place I’d ever seen. Whatever building we were in had been perched atop one of the gray-stoned mountains. The hall around us was open to the elements, no windows to be found, just towering pillars and gossamer curtains, swaying in that jasmine-scented breeze. It must be some magic, to keep the air warm in the dead of winter. Not to mention the altitude, or the snow coating the mountains, mighty winds sending veils of it drifting off the peaks like wandering mist. Little seating, dining, and work areas dotted the hall, sectioned off with those curtains or lush plants or thick rugs scattered over the moonstone floor. A few balls of light bobbed on the breeze, along with colored-glass lanterns dangling from the arches of the ceiling. Not a scream, not a shout, not a plea to be heard. Behind me, a wall of white marble arose, broken occasionally by open doorways leading into dim stairwells.

Over the past few years one change has taken over my writing. It's that I no longer write from thought. Almost everything I write today is the result of subconscious grinding. In fact, these days I make it a point to not write from thought, particularly because things written from thought never quite embody the magic of my naturally flowing spring of words. Initially my writings contained occasional natural gems, bridged by materials from thought, particularly my early works of prose. But nowadays, it's like some invisible force does the actual writing - the complete writing, I only take dictations. Perhaps I've gotten lazy, or perhaps the outside has gotten lazy, for the inside has come alive. The thinker has given in, for the seer has come alive. This ain't mysticism, just the genius of nature. I ain't a mystic, just nature at its peak.

New Hampshire was so often overlooked, overshadowed by the lush rolling hills and earnestly cool vibe of Vermont to its left and the breathtaking beauty of Maine on the right. It was the middle child of New England states; kind of weird, occasionally out of step, often forgotten. And yes, they did not require motorcyclists to wear helmets because of the whole live-free-or-die ethos, which was deeply rooted in every nook and cranny of the place. But to me it was magical; New Hampshire had an old soul. It was simple and complex, stoic and serene, and I felt utterly like myself when I was here.

Wisdom of the Ages Level 1 Rare Power Sometimes you live long enough to see that the world is just one predictable pattern after another. A passive ability that grants occasional insights into what may happen in the immediate future.

Time Sense Level 1 Legendary Power Time is the greatest punishment given to mankind. If one looks hard enough, they may find a way to escape its grasp. Grants the caster the ability to stop time for up to thirty seconds once a day, or the caster may gain perfect insight into the immediate future for sixty seconds. The user occasionally gains insights into what may happen in the immediate future.

This chair, Kate, it isn’t a bad thing.” “But you can’t walk.” He raised his hand. “Hear me out. Before this injury, I had never been seriously ill. I’m a physician who understood what it’s like to be sick but had never personally felt the impact of a life-threatening disease or experienced a significant injury. This chair made me a better physician. It has given me a new perspective. Tell me, when you see me rolling toward you in the hall, do you see me or do you see the chair?” “I see you.” Of course I saw him. He was still Doolittle. He smiled. “My point exactly. I’ve come to believe that the word ‘disabled’ is a misnomer. ‘Disabled’ implies that you are broken beyond use. No longer functional. I’m quite abled. I may no longer participate in field operations, but I’m a better teacher now. I require additional arrangements to negotiate a flight of stairs, but I stop to smell the proverbial roses more often. I’m fortunate to have bowel control, and while my bladder requires occasional use of a catheter, I refuse to be defined by which functions my body can or cannot perform well. Quite frankly, I’m more than the sum of my physical parts. I’ve come to terms with my new life and achieved personal happiness. Whether or not I will recover pales in comparison. Does that make sense?

But this month is all about CITY OF JASMINE which I hope you already have in your hot little hands. My favorite review snippet? KIRKUS REVIEWS said it’s “part screwball comedy”. I can’t tell you how much time I spent with Carole Lombard and William Powell and Irene Dunne when I was writing it. I adore the 30s comedies for their light-hearted take on relationships and adventure—and the glamorous settings and occasional dash of intrigue only heighten the magic. (Did you know that Nicholas Brisbane from my Lady Julia series was named for THE THIN MAN’s Nick Charles? And apologies to Dashiell Hammett, but I fell in love with the film long before I read the book and appreciated how much it had been lightened in the adaptation!) So when you’re reading CITY OF JASMINE, give some thought to who you’d like to see playing Evie and Gabriel—I’d love to hear who you’d cast in your own production.

Although we refer to the magical ‘books’ of Ancient Egypt, these were in fact scrolls, more often lengths of papyrus stuck together and rolled up, but occasionally parchments of calf vellum. These books were regarded as extremely esoteric, and certainly not for the eyes of common people. Some were said to have been found in secret places, such as forgotten tombs and hidden caskets, and to record the actual words of Thoth or legendary sages and priests. It is likely that the priests considered their own magic to be most effective and sacred, and they kept their knowledge secret in order to make themselves appear more powerful in the eyes of less priveleged individuals. They often wrote down their spells in a kind of code, referring to their ingredients by alternative names in order to confuse any unintiated person who might try to read them.

They were having a good time, an adventure. That was January’s dominant impression of his companions in the 509th; despite all the bitching and the occasional moments of overmastering fear, they were having a good time. His mind spun forward and he saw what these young men would grow up to be like as clearly as if they stood before him in businessmen’s suits, prosperous and balding. They would be tough and capable and thoughtless, and as the years passed and the great war receded in time they would look back on it with ever-increasing nostalgia, for they would be the survivors and not the dead. Every year of this war would feel like ten in their memories, so that the war would always remain the central experience of their lives—a time when history lay palpable in their hands, when each of their daily acts affected it, when moral issues were simple, and others told them what to do—so that as more years passed and the survivors aged, bodies falling apart, lives in one rut or another, they would unconsciously push harder and harder to thrust the world into war again, thinking somewhere inside themselves that if they could only return to world war then they would magically be again as they were in the last one—young, and free, and happy.