Observing Sky Quotes

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Her absence is like the sky, spread over everything.
C.S. Lewis (A Grief Observed)
And so much depends, I told Augustus, upon a blue sky cut open by the branches of the trees above. So much depends upon the transparent G-tube erupting from the gut of the blue-lipped boy. So much depends upon the observer of the universe.
John Green (The Fault in Our Stars)
Her absence is like the sky, spread over everything. But no, that is not quite accurate. There is one place where her absence comes locally home to me, and it is a place I can't avoid. I mean my own body. It had such a different importance while it was the body of H.'s lover. Now it's like an empty house.
C.S. Lewis (A Grief Observed)
Have you noticed how nobody ever looks up? Nobody looks at chimneys, or trees against the sky, or the tops of buildings. Everybody just looks down at the pavement or their shoes. The whole world could pass them by and most people wouldn't notice.
Julie Andrews Edwards (The Last of the Really Great Whangdoodles)
Holmes and Watson are on a camping trip. In the middle of the night Holmes wakes up and gives Dr. Watson a nudge. "Watson" he says, "look up in the sky and tell me what you see." "I see millions of stars, Holmes," says Watson. "And what do you conclude from that, Watson?" Watson thinks for a moment. "Well," he says, "astronomically, it tells me that there are millions of galaxies and potentially billions of planets. Astrologically, I observe that Saturn is in Leo. Horologically, I deduce that the time is approximately a quarter past three. Meterologically, I suspect that we will have a beautiful day tomorrow. Theologically, I see that God is all-powerful, and we are small and insignficant. Uh, what does it tell you, Holmes?" "Watson, you idiot! Someone has stolen our tent!
Thomas Cathcart
Birds were created to record everything. They were not designed just to be beautiful jewels in the sky, but to serve as the eyes of heaven.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
Unlike what you may be told in other sectors of life, when observing the universe, size does matter, which often leads to polite ‘telescope envy’ at gatherings of amateur astronomers.
Neil deGrasse Tyson (The Sky Is Not the Limit: Adventures of an Urban Astrophysicist)
I have gone around observing your activities from the outside. Because of this I have also been able to see things to which you have been blind... Every morning you have gone to work, but you have never been fully awake. Of course, you have seen the sun and the moon, the stars in the sky, and everything that moves, but you haven't really seen it at all. It is different for the Joker, because he was put into this world with a flaw: He sees too clearly and too much.
Jostein Gaarder (The Solitaire Mystery)
No one would take me just as I was, no one loved me; I shall love myself enough, I thought, to make up for this abandonment by everyone. Formerly, I had been quite satisfied with myself, but I had taken very little trouble to increase my self-knowledge; from now on, I would stand outside myself, watch over and observe myself; in my diary I had long conversations with myself. I was entering a world whose newness stunned me. I learned to distinguish between distress and melancholy, lack of emotion and serenity; I learned to recognize the hesitations of the heart, and its ecstasies, the splendor of great renunciations, and the subterranean murmurings of hope. I entered into exalted trances, as on those evenings when I used to gaze upon the sky full of moving clouds behind the distant blue of the hills; I was both the landscape and its beholder: I existed only through myself, and for myself… My path was clearly marked: I had to perfect, enrich and express myself in a work of art that would help others to live.
Simone de Beauvoir
Look around you...Feel the wind, smell the air. Listen to the birds and watch the sky. Tell me what's happening in the wide world.
Nancy Farmer (The Sea of Trolls (Sea of Trolls, #1))
This morning I woke up before the alarm clock went off and the sky outside was a big red ocean. You're beautiful when you're sleeping so I spent an hour observing the way you breathe. Inhale, exhale, without a thought of tomorrow. The window was open and the air was so crisp and I couldn't imagine how to ever ask for more than this.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Her absence is like the sky spread over everything.
C.S. Lewis (A Grief Observed)
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
Observing and then letting go is one of the most important skills to acquire in the quest to create positive change, as is knowledge of stillness.
Teal Swan (The Sculptor In The Sky)
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
H. Rider Haggard (She (She, #1))
Those look like broken ribs," Hunt said wryly. "Definitely broken ribs, Athalar," Bryce replied, sitting back on her heels. "And a broken arm, from the way he's cradling it." "Skull fracture's healed," Hunt observed with equal distance, as if they were on one of his favorite Vanir crime show procedurals. Ithan's eyes flashed again. "I'm sensing hostility and a good dose of male pride," Bryce said. "Throw in some stubbornness and I'd say we've got a classic case of stupidity," Hunt answered. "What the fuck is wrong with you two?" Ithan demanded.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
PURE OBSERVING WITHOUT SELF-INTEREST IS WHAT CHARACTERIZES THE SELF.
Mooji (Vaster Than Sky, Greater Than Space: What You Are Before You Became)
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
Louise Bourgeois (Louise Bourgeois: Drawings and Observations)
We learn about people by observing their choices.
Claudia Gray (Ten Thousand Skies Above You (Firebird, #2))
The act of living is different all through. Her absence is like the sky, spread over everything.
C.S. Lewis (A Grief Observed)
The Astronomer AN ASTRONOMER used to go out at night to observe the stars. One evening, as he wandered through the suburbs with his whole attention fixed on the sky, he fell accidentally into a deep well. While he lamented and bewailed his sores and bruises, and cried loudly for help, a neighbor ran to the well, and learning what had happened said: "Hark ye, old fellow, why, in striving to pry into what is in heaven, do you not manage to see what is on earth?
Aesop (Aesop's Fables)
One cannot see from the sky lives playing with the desires, nor can one see the depths of wounds of the landslides that occur after the leas run out of patience.
Suman Pokhrel
One cannot see from the sky lives playing with the desires.
Suman Pokhrel
I am using the word theory as a scientist means it: a set of ideas so well established by observations and physical models that it is essentially indistinguishable from fact. That is different from the colloquial use that means "guess." To a scientist, you can bet your life on a theory. Remember, gravity is "just a theory" too.
Philip Plait (Death from the Skies!: These Are the Ways the World Will End...)
I look up at the night sky. Is anything more certain than that in all those vast times and spaces, if I were allowed to search them, I should nowhere find her face, her voice, her touch? She died. She is dead. Is the word so difficult to learn?
C.S. Lewis (A Grief Observed)
While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one’s childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
Willa Cather (My Ántonia)
But the sky is interesting, it changes all the time.
Aimee Bender (The Color Master: Stories)
I decided to study the sky that night, spotting similarities between us. I was lonely in a way that I imagine the stars to be, observed by everyone yet too far to truly be seen.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
Colors blind the eye. Sounds deafen the ear. Flavors numb the taste. Thoughts weaken the mind. Desires wither the heart. The Master observes the world but trusts his inner vision. He allows things to come and go. His heart is open as the sky.
Lao Tzu (Tao Te Ching)
Time had ceased to feel linear. She looked up through the crisscrossing branches, thick with buds, into the night sky. The stars tugged at her gaze, trying to pull her up among them, or she was pulling them down to her. She was on the verge of some great discovery, she realized, but she had no idea what it was, what it related to, whether it even had anything to do with her at all. Was she a participant, or an observer? Did the world center around her, or could it carry on quite easily without her input? Looking up at those stars, feeling the embrace of their light as it enfolded her, she felt both small and large, as though everything mattered and nothing did. When someone crouched down beside her it took years for her to turn her head to see who it was. All she could make out was a dark shape, a vague outline of head and shoulders silhouetted against the stars, the rest of the body lost in the shadows of the rose bushes.
Charles de Lint (Memory and Dream (Newford, #2))
The climate inside her, he had come to discover, was like springtime in the Midwest. She was a woman full of tornadoes waiting to happen, and if he had been a farmer observing a sky which looked the way Annie’s face looked right now, he would have at once
Stephen King (Misery)
Science, in all its greatness, is still subject to human creativity. It starts the first moment a child tries to reach up and grab at the clouds. Soon, the child learns that his own hands cannot reach the sky, but his hands are not the limit of his potential. For the human brain observes, considers, understands, and adapts. Locked within the mind is infinite possibility.
Yukito Kishiro (Aqua Knight, Vol. 3)
Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.
Victor Hugo (The Hunchback of Notre-Dame)
On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless!--but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle!
Washington Irving
Before him, numberless lovers smiled and talked. And death was observed with sudden cries, And birth with laughter and pain. And the trees grew taller and blacker against the skies And night came down again.
Conrad Aiken (The House of Dust)
In addition to his instinct for discerning patterns across disciplines, Leonardo honed two other traits that aided his scientific pursuits: an omnivorous curiosity, which bordered on the fanatical, and an acute power of observation, which was eerily intense. Like much with Leonardo, these were interconnected. Any person who puts “Describe the tongue of the woodpecker” on his to-do list is overendowed with the combination of curiosity and acuity. His curiosity, like that of Einstein, often was about phenomena that most people over the age of ten no longer puzzle about: Why is the sky blue? How are clouds formed? Why can our eyes see only in a straight line? What is yawning? Einstein said he marveled about questions others found mundane because he was slow in learning to talk as a child. For Leonardo, this talent may have been connected to growing up with a love of nature while not being overly schooled in received wisdom.
Walter Isaacson (Leonardo Da Vinci)
The airliner-sized dragon blew apart in a monumental spray of blood and pulp. Great chunks of flesh the size of boulders rained down from the sky. “The empire is striking back,” Ambassador Syme observed, peering out the window beside CJ.
Matthew Reilly (The Great Zoo of China)
Science works by experiments. It watches how things behave. Every scientific statement in the long run, however complicated it looks, really means something like, 'I pointed the telescope to such and such a part of the sky at 2:20 a.m. on January 15th and saw so-and-so,' or, 'I put some of this stuff in a pot and heated it to such-and-such a temperature and it did so-and-so.' Do not think I am saying anything against science: I am only saying what its job is. And the more scientific a man is, the more (I believe) he would agree with me that this is the job of science--and a very useful and necessary job it is too. But why anything comes to be there at all, and whether there is anything behind the things science observes--something of a different kind--this is not a scientific question. If there is 'Something Behind,' then either it will have to remain altogether unknown to men or else make itself known in some different way. The statement that there is any such thing, and the statement that there is no such thing, are neither of them statements that science can make. And real scientists do not usually make them. It is usually the journalists and popular novelists who have picked up a few odds and ends of half-baked science from textbooks who go in for them. After all, it is really a matter of common sense. Supposing science ever became complete so that it knew every single thing in the whole universe. Is it not plain that the questions, 'Why is there a universe?' 'Why does it go on as it does?' 'Has it any meaning?' would remain just as they were?
C.S. Lewis (Mere Christianity)
By noon, in a gray February world, we had come down through snow flurries to land at Albany, and had taken off again. When the snow ended the sky was a luminous gray. I looked down at the winter calligraphy of upstate New York, white fields marked off by the black woodlots, an etching without color, superbly restful in contrast to the smoky, guttering, grinding stink of the airplane clattering across the sky like an old commuter bus.
John D. MacDonald (The Quick Red Fox (Travis McGee #4))
We live in an extraordinary age. These are times of stunning changes in social organization, economic well-being, moral and ethical precepts, philosophical and religious perspectives, and human self-knowledge, as well as in our understanding of that vast universe in which we are imbedded like a grain of sand in a cosmic ocean. As long as there have been human beings, we have posed the deep and fundamental questions, which evoke wonder and stir us into at least a tentative and trembling awareness, questions on the origins of consciousness; life on our planet; the beginnings of the Earth; the formation of the Sun; the possibility of intelligent beings somewhere up there in the depths of the sky; as well as, the grandest inquiry of all - on the advent, nature and ultimate destiny of the universe. For all but the last instant of human history these issues have been the exclusive province of philosophers and poets, shamans and theologians. The diverse and mutually contradictory answers offered demonstrate that few of the proposed solutions have been correct. But today, as a result of knowledge painfully extracted from nature, through generations of careful thinking, observing, and experimenting, we are on the verge of glimpsing at least preliminary answers to many of these questions. ...If we do not destroy ourselves, most of us will be around for the answers. Had we been born fifty years earlier, we could have wondered, pondered, speculated about these issues, but we could have done nothing about them. Had we been born fifty years later, the answers would, I think, already have been in. Our children will have been taught the answers before most of them will have had the opportunity to even formulate the questions. By far the most exciting, satisfying and exhilarating time to be alive is the time in which we pass from ignorance to knowledge on these fundamental issues; the age where we begin in wonder and end in understanding. In all of the four-billion-year history of the human family, there is only one generation priveleged to live through that unique transitional moment: that generation is ours.
Carl Sagan
How calmly does the orange branch Observe the sky begin to blanch Without a cry, without a prayer, With no betrayal of despair. Sometime while night obscures the tree The zenith of its life will be Gone past forever, and from thence A second history will commence. A chronicle no longer gold, A bargaining with mist and mould, And finally the broken stem The plummeting to earth; and then An intercourse not well designed For beings of a golden kind Whose native green must arch above The earth's obscene, corrupting love. And still the ripe fruit and the branch Observe the sky begin to blanch Without a cry, without a prayer, With no betrayal of despair. O Courage, could you not as well Select a second place to dwell, Not only in that golden tree But in the frightened heart of me?
Tennessee Williams (The Night of the Iguana)
I would by all means have men beware, lest Aesop's pretty fable of the fly that sate on the pole of a chariot at the Olympic races and said, 'What a dust do I raise,' be verified in them. For so it is that some small observation, and that disturbed sometimes by the instrument, sometimes by the eye, sometimes by the calculation, and which may be owing to some real change in the sky, raises new skies and new spheres and circles.
Francis Bacon (The Collected Works of Sir Francis Bacon (Unexpurgated Edition) (Halcyon Classics))
When Elin watched the honeybees or other creatures in the wild, when she observed the diversity of their life cycles and the astounding precision of their habits, there were times when she felt herself become a prick of light in the vastness of the night sky, times when all living things, people, beasts and insects, dwindled to equal points of light twinkling in the darkness.
Nahoko Uehashi (The Beast Player (The Beast Player, #1-2))
It is hard to have patience with people who say, ‘There is no death’ or ‘Death doesn’t matter.’ There is death. And whatever is matters. And whatever happens has consequences, and it and they are irrevocable and irreversible. You might as well say that birth doesn’t matter. I look up at the night sky. Is anything more certain than that in all those vast times and spaces, if I were allowed to search them, I should nowhere find her face, her voice, her touch? She died. She is dead. Is the word so difficult to learn?
C.S. Lewis (A Grief Observed)
Now when I hear birdsong, I feel an entry to that understory. When I am feeling too squeezed on the ground, exhausted by everything in my care, I look for a little sky. There are always birds flying back and forth, city birds flitting around our human edges, singing their songs.
Kyo Maclear (Birds Art Life: A Year of Observation)
Although signs may be found in everything that comes to us, as though a river at our doorstep carried these messages on its surface, the Quran (like other sacred books) speaks in terms of empirical experience, since it is intended to endure through the ages and cannot bind itself to the ‘scientific’ theories of any particular time. Its images are the phenomena of nature as they appear to us in our experience — the rising and setting of the sun, the domed sky above and the mountains, which are like weights set upon the earth. Scientific observations change according to the preconceptions of the observer and the instruments at his disposal, and the speculations which blinkered human minds construct on the basis of these observations change no less swiftly. But man’s experience of the visual universe does not change. The sun ‘rises’ for me today as it ‘rose’ for the man of ten thousand years ago.
Charles Le Gai Eaton (Islam and the Destiny of Man)
Does it matter now?” Flynn asked. “I mean, no offense, but Danika’s gone.” Bryce gave him a flat look. “Really? I had no idea.” Flynn flipped her off, and the sprites ooohed at his shoulder. Bryce rolled her eyes. Exactly what Flynn needed: his own flock of cheerleaders trailing him at all hours. She said to Flynn, “Hey, remember that time you set a dragon free and we’re dumb enough to think she’d follow your orders?” “Hey, remember that time you wanted to marry me and wrote Lady Bryce Flynn in all your notebooks?” Hunt choked. Bryce countered with, “Hey, remember when you pestered me for years to hook up with you, but I have something called standards—” “This is highly unusual behavior for royals,” Hypaxia observed. “You have no idea,” Ruhn muttered, earning a smile from the queen.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Volume II, Chapter 4 "How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.
Mary Wollstonecraft Shelley (The Last Man)
We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —
Blake Crouch (Dark Matter)
Human beings resemble peregrine falcons: they had the power and the ability to soar up to the skies, free and ethereal and unrestrained, but sometimes they would also, either under duress or of their own free will, accept captivity...She had also observed how a hood would be put on these noble raptors to make sure they would not panic. Seeing was knowing, and knowing was frightening...But underneath that hood where there were no directions, and the sky and the land melted into a swathe of black linen, though comforted, the falcon would still feel nervous, as if in preparation for a blow that could come at any moment. Years later now, it seemed to her that religion – and power and money and ideology and politics – acted like a hood too. All these superstitions and predictions and beliefs deprived human beings of sight, keeping them under control, but deep within weakening their self-esteem to such a point that they now feared anything, everything.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
The Keeper of Clouds has unpenned his charges. The Keeper of Winds has unlocked his gates. The Keeper of Waters has opened the sky. The Keeper of Lightnings waves his lances. The Keeper of satellites has observed, 'One hundred percent of probability of precipitation.
Roger Zelazny (Eye of Cat)
So I decided to study the sky that night, spotting similarities between us. I was lonely in a way that I imagine the stars to be, observed by everyone yet too far to truly be seen.
Lauren Roberts
You see, once you start observing the night sky, you begin to orient yourself in time and space.
Taylor Jenkins Reid (Atmosphere)
Life keeps moving on, and yet remains profoundly rooted in the present, seeking no result, for the present has spread out from its constriction in an elusive pin-point of strained consciousness to an all-embracing eternity. Feelings both positive and negative come and go without turmoil, for they seem to be simply observed, though there is no one observing. They pass trackless like birds in the sky, and build up no resistances which have to be dissipated in reckless action.
Alan W. Watts (Nature, Man and Woman)
Society never advances. It recedes as fast on one side as it gains on the other. It undergoes continual changes; it is barbarous, it is civilized, it is christianized, it is rich, it is scientific; but this change is not amelioration. For every thing that is given, something is taken. Society acquires new arts, and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep under! But compare the health of the two men, and you shall see that the white man has lost his aboriginal strength. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave. The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but lacks so much support of muscle. He has a fine Geneva watch, but he fails of the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the information when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe; the equinox he knows as little; and the whole bright calendar of the year is without a dial in his mind. His note-books impair his memory; his libraries overload his wit; the insurance-office increases the number of accidents; and it may be a question whether machinery does not encumber; whether we have not lost by refinement some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For every Stoic was a Stoic; but in Christendom where is the Christian?
Ralph Waldo Emerson
A sunset, almost formidable in its splendor, would be lingering in the fully exposed sky. Among its imperceptibly changing amassments, one could pick out brightly stained structural details of celestial organisms, or glowing slits in dark banks, or flat, ethereal beaches that looked like mirages of desert islands. I did not know then (as I know perfectly well now) what to do with such things—how to get rid of them, how to transform them into something that can be turned over to the reader in printed characters to have him cope with the blessed shiver—and this inability enhanced my oppression.
Vladimir Nabokov (Speak, Memory)
LAST summer I happened to be crossing the plains of Iowa in a season of intense heat, and it was my good fortune to have for a traveling companion James Quayle Burden—Jim Burden, as we still call him in the West. He and I are old friends—we grew up together in the same Nebraska town—and we had much to say to each other. While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
Willa Cather (My Ántonia)
We have already compared the benefits of theology and science. When the theologian governed the world, it was covered with huts and hovels for the many, palaces and cathedrals for the few. To nearly all the children of men, reading and writing were unknown arts. The poor were clad in rags and skins -- they devoured crusts, and gnawed bones. The day of Science dawned, and the luxuries of a century ago are the necessities of to-day. Men in the middle ranks of life have more of the conveniences and elegancies than the princes and kings of the theological times. But above and over all this, is the development of mind. There is more of value in the brain of an average man of to-day -- of a master-mechanic, of a chemist, of a naturalist, of an inventor, than there was in the brain of the world four hundred years ago. These blessings did not fall from the skies. These benefits did not drop from the outstretched hands of priests. They were not found in cathedrals or behind altars -- neither were they searched for with holy candles. They were not discovered by the closed eyes of prayer, nor did they come in answer to superstitious supplication. They are the children of freedom, the gifts of reason, observation and experience -- and for them all, man is indebted to man.
Robert G. Ingersoll
Don't we all have a certain number of images that stay around in our head, which we undoubtedly call memories and improperly so, and which we can never get rid of because they return in our sky with the regularity of a comet - torn away also from a world about which we know almost nothing? They return more frequently than comets do, in fact. It would be better, then, to speak of them as loyal satellites, a bit capricious and therefore even troublesome: they appear, disappear, suddenly come back to badger our memory at night when we cannot sleep. But, little as we may care to, as our hearts tell us to, we can also observe them at will, coldly, scrutinize their shadows, colors, and relief. Only, they are dead stars: from them we shall never grasp anything other than the certainty that we have already seen them, examined them, questioned them without really understanding the laws that the line of their mysterious orbits obeyed.
Marc Augé (Oblivion)
Colours blind the eye. Sounds deafen the ear. Flavours numb the taste. Thoughts weaken the mind. Desires wither the heart. The Master observes the world but trusts his inner vision. He allows things to come and go. His heart is open to the sky.
Lao Tzu (Tao Te Ching)
All duck flight is worth observing: it is something humans admire, perhaps because that movement is naturally denied to us, but also because of its sociability and its evident patterning, forming recognizable shapes like letters against the sky.
Victoria de Rijke (Duck (Animal series))
I want to observe the ordinary things of earth—the moon, the stars, the rainbows, even the yellow leaves of the old cherry trees—and receive their messages. To hear them say what every weary traveler, every earnest seeker, longs to hear. Welcome home.
Christie Purifoy (Roots and Sky: A Journey Home in Four Seasons)
Something of our relationship to the earth is determined by the particular place we stand at a given time. If you stand still long enough to observe carefully the things around you, you will find beauty, and you will know wonder. If you see a leaf carried along on the flow of a river, you might ponder its journey. Where did it begin, and where will it end? What will be the story of its passage? You will discover a thousand ways in which the leaf is connected to the water, the banks, the near and farther distances, the sky and the sun. Your mind, your spirit will be nourished and grow. You will become one with what you see. Consider what is to be seen.
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
Many more villagers, who have seen an elephant for the first time in their lives, give absurd exaggerations regarding his size, weight, and height. One of them describes him as ‘a fundament!’. Another, elaborating, alludes to the term ‘firmament,’ because of the elephant’s hugeness. He felt as though the sky was obliterated from his vision. The last to be interviewed by the local TV station swears that he sensed the world lean forward as the elephant came closer and tilt backwards as the beast walked away. This large mammal ambles purposefully. He pays no heed to the crowded silence following him in stealthy consciousness. One of the villagers, a woman often suspected of dabbling in witchcraft, talks of her inspired theory: that this was no elephant, more like a human on a holy mission of avenging justice. Two other witnesses, neither having had any contact with the woman, speak in substantiation of the woman’s claims, giving as evidence the observation that the elephant turned around when someone said something in Somali. Several villagers will not comment, afraid of a fitting retribution should they do so.
Nuruddin Farah
This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future. But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves. He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. ‘And now’, he said at last, ‘I'd like to get on tape in your own words some of the stories you tell among yourselves.’ ‘Stories?’ the other asked. ‘You know, like your creation myth, if you have one.’ ‘What is a creation myth?’ the creature asked. ‘Oh, you know,’ the anthropologist replied, ‘the fanciful tale you tell your children about the origins of the world.’ Well, at this, the creature drew itself up indignantly- at least as well as a squishy blob can do- and replied that his people had no such fanciful tale. ‘You have no account of creation then?’ ‘Certainly we have an account of creation,’ the other snapped. ‘But its definitely not a myth.’ ‘Oh certainly not,’ the anthropologist said, remembering his training at last. ‘Ill be terribly grateful if you share it with me.’ ‘Very well,’ the creature said. ‘But I want you to understand that, like you, we are a strictly rational people, who accept nothing that is not based on observation, logic, and scientific method.’ ‘"Of course, of course,’ the anthropologist agreed. So at last the creature began its story. ‘The universe,’ it said, ‘was born a long, long time ago, perhaps ten or fifteen billion years ago. Our own solar system-this star, this planet, and all the others- seem to have come into being some two or three billion years ago. For a long time, nothing whatever lived here. But then, after a billion years or so, life appeared.’ ‘Excuse me,’ the anthropologist said. ‘You say that life appeared. Where did that happen, according to your myth- I mean, according to your scientific account.’ The creature seemed baffled by the question and turned a pale lavender. ‘Do you mean in what precise spot?’ ‘No. I mean, did this happen on land or in the sea?’ ‘Land?’ the other asked. ‘What is land?’ ‘Oh, you know,’ he said, waving toward the shore, ‘the expanse of dirt and rocks that begins over there.’ The creature turned a deeper shade of lavender and said, ‘I cant imagine what you're gibbering about. The dirt and rocks over there are simply the lip of the vast bowl that holds the sea.’ ‘Oh yes,’ the anthropologist said, ‘I see what you mean. Quite. Go on.’ ‘Very well,’ the other said. ‘For many millions of centuries the life of the world was merely microorganisms floating helplessly in a chemical broth. But little by little, more complex forms appeared: single-celled creatures, slimes, algae, polyps, and so on.’ ‘But finally,’ the creature said, turning quite pink with pride as he came to the climax of his story, ‘but finally jellyfish appeared!
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
The text, in its mass, is comparable to a sky, at once flat and smooth, deep, without edges and without landmarks; like the soothsayer drawing on it with the tip of his staff an imaginary rectangle wherein to consult, according to certain principles, the flight of birds, the commentator traces through the text certain zones of reading, in order to observe therein the migration of meanings, the outcropping of codes, the passage of citations.
Roland Barthes (S/Z: An Essay)
There is no death’ or ‘Death doesn’t matter.’ There is death. And whatever is matters. And whatever happens has consequences, and it and they are irrevocable and irreversible. You might as well say that birth doesn’t matter. I look up at the night sky. Is anything more certain than that in all those vast times and spaces, if I were allowed to search them, I should nowhere find her face, her voice, her touch? She died. She is dead. Is the word so difficult to learn?
C.S. Lewis (A Grief Observed)
I go near to the shore And the rustling boat smiles I stare up at the moon And the stars shine bright I walk during the sunsets Observing the shades of nature Oh how I wonder Seeing the sunrise painting the sky But I fear that We are losing the art of god For we do not know How to make the world A great place to live in
Jyoti Patel (The Curved Rainbow)
Gavin stood within the trees, observing her from the shadows. He watched the basket rise to her nose as she closed her eyes to sniff at its contents. A smile told him it smelled delicious, but she didn’t open the container to pinch off a sample. Instead, the basket lowered to swing at her side as it had previously done. All at once the air was filled with soft singing--a sweet, merry tune comprised of ludicrous lyrics. It was impossible not to grin at the words. “Rainbows paint the sky ‘til the sun melts their colors. Swinging in the wind, whiskered cattails purr. The pigs gallop by and snort at the moon, While frogs kiss the lizards and princesses too.”
Richelle E. Goodrich (Secrets of a Noble Keykeeper)
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
Her absence is like the sky, spread over everything. — C.S. Lewis, A Grief Observed (Faber & Faber, 1961)
C.S. Lewis (A Grief Observed)
If you wanna speak like the gods, your ear must be open as the sky.
Curtis Tyrone Jones
A life of observation, but not engagement. That’s my destiny. And most people live their entire lives never noticing just how many birds float in the sky above them.
Rebekah Crane (Postcards for a Songbird)
but sometimes it’s better to capture the moment in memory and observe with the heart, not through a lens.
Lindy Viandier (Damson Skies and Dragonflies: A Journey through the Seasons in the French Countryside (Life at Les Libellules Book 1))
Out West all the smells are sucked up out of the baked land by the sun. And it’s as if all the colors in the ground are gobbled up by their sunsets, and so is the blue of the sky. The sky is high and pale and impersonal and you get the feeling it doesn’t belong to you at all, but that it is the property of the chamber of commerce. In the South the sky is humid and low and rich and it’s yours to smell and feel. In the West you’re only an observer. In the West someone sees a flower growing on a mountain and he writes a whole damned pamphlet about it.
Elliott Chaze (Black Wings Has My Angel)
It was too much the way of Monseigneur under his reverses as a refugee, and it was much too much the way of native British orthodoxy, to talk of this terrible Revolution as if it were the one only harvest ever known under the skies that had not been sown—as if nothing had ever been done, or omitted to be done, that had led to it—as if observers of the wretched millions in France, and of the misused and perverted resources that should have made them prosperous, had not seen it inevitably coming, years before, and had not in plain words recorded what they saw.
Charles Dickens (A Tale of Two Cities)
The wolf howled under the leaves As he spat out the bright feathers Of his feast of fowl: Like him, I devour myself. Lettuce and fruit Wait only to be picked; But the spider in the hedge Eats only violets. Let me sleep! Let me boil On the altars of Solomon. The broth runs over the rust, And flows into the Kidron. ——— At last– O happiness, O reason– I removed from the sky the blue that is black, and I lived, a glitter of gold in the light of nature. From joy I took an expression as clownish and distracted as possible: It is found again! What? Eternity. It is the sea merged With the sun. My eternal soul, Observe your vow In spite of the night And the day on fire. So you free yourself From human approbation, From common aspirations! You fly with . . . − Never any hope. Nul orietur. Science and patience, The torment is certain. No more tomorrow, Embers of satin, Your ardour Is your duty. It is found again! − What? − Eternity. It is the sea merged With the sun.
Arthur Rimbaud (A Season in Hell)
Of all the baseball stadiums in the world, I like being in Jingu Stadium the best of all. In an infield seat behind first base, or in the right-field bleachers. I love all the sounds, the smells, the way I can sit there, just gazing up at the sky. I love the breeze caressing my skin, I love sipping an ice-cold beer, observing the people around me. Whether the team wins or loses, I love the time spent there most of all. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Of course, winning is much better than losing. No argument there. But winning or losing doesn’t affect the weight and value of the time. It’s the same time, either way. A minute is a minute, an hour is an hour. We need to cherish it. We need to deftly reconcile ourselves with time, and leave behind as many precious memories as we can— that’s what’s the most valuable." ⠀⠀⠀⠀⠀
Haruki Murakami (First Person Singular: Stories)
The primary difference between the classical layer and the quantum layer is that the classical layer deals with facts and the quantum layer deals with probabilities. In situations where classical laws are valid, we can predict the future by observing the past. In situations where quantum laws are valid, we can observe the past but we cannot predict the future. In the quantum layer, events are unpredictable.
Freeman Dyson (Dreams of Earth and Sky)
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
as the earth orbits around the sun, different stars appear to pass behind the sun and have their light deflected. They therefore change their apparent position relative to other stars. FIGURE 2.8 It is normally very difficult to see this effect, because the light from the sun makes it impossible to observe stars that appear near to the sun in the sky. However, it is possible to do so during an eclipse of the sun, when the sun’s light is blocked out by the moon. Einstein’s prediction of light deflection could not be tested immediately in 1915, because the First World War was in progress, and it was not until 1919 that a British expedition, observing an eclipse from West Africa, showed that light was indeed deflected by the sun, just as predicted by the theory. This proof of a German theory by British scientists was hailed as a great act of reconciliation between the two countries after the war.
Stephen W. Hawking (A Brief History of Time)
Sorrow Lies in Beauty. The thunder rolls across the sky, Raindrops falling, The sky weeps. The sky weeps for the beauty of the earth, And for the sorrow that it is ruined. The wind howls, A chorus of voices, Screaming with the sky, The wind howls in anguish, That the earth is lost. The tree whispers, Begging the wind to rustle its leaves, Asking the sky to shed its tears, To nurture it’s growth. The tree whispers its losses. The sun glares, Silent and furious, Scorching the earth without regard, For the earth is lost. The sun burns in fury. The earth is grateful, Drinking the tears of the sky, Calming the howling wind, Giving the tree a home, Forgiving the sun. The earth is oblivious.
Mr. Smiles [I observe.] ~ BIO UPDATE ~
Is that permanent?" I ask, reaching out to touch her new pink hair before she slaps my hand away. "I'm trying something new," she says, undaunted. She points to Barbie's Dream House and says, "We enter through the sky-light in the master bedroom. Here." Rosie points to the Barbie jeep and says, "Where are we going to get our mobile observation unit?" "Noah's going to borrow his mom's van," Megan says. Rosie nods, but Noah just says, "I am?" "You are," Megan says.
Ally Carter (All Fall Down (Embassy Row, #1))
When I was in college, I did a semester on AI theory. There was a thought experiment they gave us. It's called "Mary in the Black and White Room." Mary is a scientist, and her specialist subject is color. She knows everything there is to know about it. The wavelengths. The neurological effects. Every possible property that color can have. But she lives in a black and white room. She was born there and raised there. And she can only observe the outside world on a black and white monitor. And then one day someone opens the door. And Mary walks out. And she sees a blue sky. And at that moment, she learns something that all her studies couldn't tell her. She learns what it feels like to see color.
Alex Garland
My feeling is that an observer needs to see four hundred and fifty stars to get that feeling of infinitude, and be swept away…and I didn’t make that number up arbitrarily, that’s the number of stars that are available once you get dimmer than third magnitude. So in the city, you see a dozen stars, a handful, and it’s attractive to no one. And if there’s a hundred stars in the sky it still doesn’t do it. There’s a certain tipping point where people will look and there will be that planetarium view. And now you’re touching that ancient core, whether it’s collective memories or genetic memories, or something else form way back before we were even human…astronomer Bob Berman quoted in The End of Night
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
If you dine at SkyCity, revolving just beneath the 520-foot-high observation deck, the elevator ride is free (otherwise it’s $18), but be forewarned that the restaurant is one of Seattle’s priciest (you’re paying for the million-dollar view).
Patricia Schultz (1,000 Places to See in the United States & Canada Before You Die)
But what if I do live? What if we win? What then?" He parted the bottle's mouth from his. "What then? Ah." He smiled beatifically. "Then the world goes on, my friend. Children run down muddy streets. Dogs bark at passing carts. Friends sit and drink brandy together." "Doesn't sound much different from what we have," I observed sourly. "To go through all this and make no difference at all." "Yes." He agreed beatifically. His eyes filled with tears. "Not much different from the wondrous and amazing world we have now. Boys falling in love with girls that aren't right for them. Wolves hunting on the snowy plains. And time. Endless time unwinding for all of us. And the dragons, of course. Dragons sliding across the sky like beautiful jewelled ships.
Robin Hobb (Golden Fool (Tawny Man, #2))
The Old World science found in the Bible would not be considered “wrong” or “false” as much as it would just offer a perspective from a different vantage point. Even today we can consider it true that the sky is blue, that the sun sets and that the moon shines. But we know that these are scientifically misleading statements. Science, however, simply offers one way of viewing the world, and it does not have a corner on truth. The Old World science in the Bible offers the perspective of the earthbound observer.
John H. Walton (The Lost World of Genesis One: Ancient Cosmology and the Origins Debate)
We entered the house of realization, we witnessed the body. The whirling skies, the many-layered earth, the seventy-thousand veils, we found in the body. The night and the day, the planets, the words inscribed on the Holy Tablets, the hill that Moses climbed, the Temple, and Israfil's trumpet, we observed in the body. Torah, Psalms, Gospel, Quran -- what these books have to say, we found in the body. Everybody says these words of Yunus are true. Truth is wherever you want it. We found it all within the body.
Yunus Emre (The Drop That Became the Sea: Lyric Poems)
It was early autumn, then, before the snow began to fly. –(There’s an expression for you, born in the country, born from the imaginations of men and their feeling for the right word, the only word, to mirror clearly what they see! Those with few words must know how to use them.) Men who have seen it, who have watched it day by day outside their cabin window coming down from the sky, like the visible remorse of an ageing year; who have watched it bead upon the ears of the horses they rode, muffle the sound of hoofs on the trail, lie upon spruce boughs and over grass – cover, as if forever, the landscape in which they moved, round off the mountains, blanket the ice in the rivers – for them the snow flies. The snow doesn’t fall. It may ride the wind. It may descend slowly, in utter quiet, from the grey and laden clouds, so that you can hear the flakes touching lightly on the wide white waste, as they come to rest at the end of their flight. Flight – that’s the word. They beat in the air like wings, as if reluctant ever to touch the ground. I have observed them coming down, on a very cold day, near its end when the sky above me was still blue, in flakes great and wide as the palm of my hand. They were like immense moths winging down in the twilight, making the silence about me visible.
Howard O'Hagan (Tay John)
The sky resembled shattered oyster shells ribboned with flame in the west, but at ground level, you could almost see (sometimes Mananne had stared out the window of her bedroom, observing) how shadows lifted from the snowy contours of the land, like living things.
Joyce Carol Oates (We Were the Mulvaneys)
I walked awhile among the rocks: the sky was perfectly clear, and the sun so hot, that I was forced to turn my face from it: when all on a sudden it became obscure, as I thought, in a manner very different from what happens by the interposition of a cloud. I turned back, and perceived a vast opaque body between me and the sun moving forwards towards the island: it seemed to be about two miles high, and hid the sun six or seven minutes; but I did not observe the air to be much colder, or the sky more darkened, than if I had stood under the shade of a mountain. As it approached nearer over the place where I was, it appeared to be a firm substance, the bottom flat, smooth, and shining very bright, from the reflection of the sea below. I stood upon a height about two hundred yards from the shore, and saw this vast body descending almost to a parallel with me, at less than an English mile distance. I took out my pocket perspective, and could plainly discover numbers of people moving up and down the sides of it, which appeared to be sloping; but what those people where doing I was not able to distinguish.
Jonathan Swift (Gulliver's Travels)
Camped somewhere deep in an impenetrable crag of the immense Powder River Country during the late autumn of 1856, more than likely in the shadow of the sacred Black Hills, one imagines the thirty-five-year-old Red Cloud stepping from his tepee to listen to the bugle of a bull elk in its seasonal rut. Around him women haul water from a crystalline stream as cottonwood smoke rises from scores of cook fires and coils toward a sky the color of brushed aluminum. The wind sighs, and a smile creases his face as he observes a pack of mounted teenagers collect wagers in preparation for the Moccasin Game, or perhaps a rough round of Shinny. His gaze follows the grace and dexterity of one boy in particular, a slender sixteen-year-old with lupine eyes. The boy is Crazy Horse, and the war leader of the Bad Faces makes a mental not to keep tabs on this one.
Bob Drury (The Heart of Everything That Is: The Untold Story of Red Cloud, An American Legend)
There's been about a 100 billion people who have ever lived. Do you know how many people can exist? You take a look at the genes and find how many combinations of genes can make an authentic human being. And it is stupendously a larger number than the 100 billion. What it means is you are alive against stupendous odds. You are breathing air, observing sunsets, gazing into the night sky. Most people who could exist will never experience that. [Most people that could exist mathematically]. . .will never exist . . you are as special a living entity as there ever was.
Neil deGrasse Tyson
Sometimes a cloudless swatch of sky would blow past the moon, and Pella could see the outline of Mike's face in a slightly sharper relief. It was strange the way he loved her: a sidelong and almost casual love, as if loving her were simply a matter of course, too natural to mention. Like their first meeting on the steps of the gym, when he'd hardly so much as glanced at her. With David and every guy before David, what passed for love had always been eye to eye, nose to nose; she felt watched, observed, like the prize at the zoo, and she wound up pacing, preening, watching back, to fit the part. Whereas Mike was always beside her. She would stand at the kitchen window and look out at the quad, at the Melville statue and beyond that the beach and the rolling lake, and realize that Make, for however long, had been standing beside her, staring at the same thing.
Chad Harbach (The Art of Fielding)
The Troubadours Etc." Just for this evening, let's not mock them. Not their curtsies or cross-garters or ever-recurring pepper trees in their gardens promising, promising. At least they had ideas about love. All day we've driven past cornfields, past cows poking their heads through metal contraptions to eat. We've followed West 84, and what else? Irrigation sprinklers fly past us, huge wooden spools in the fields, lounging sheep, telephone wires, yellowing flowering shrubs. Before us, above us, the clouds swell, layers of them, the violet underneath of clouds. Every idea I have is nostalgia. Look up: there is the sky that passenger pigeons darkened and filled— darkened for days, eclipsing sun, eclipsing all other sound with the thunder of their wings. After a while, it must have seemed that they followed not instinct or pattern but only one another. When they stopped, Audubon observed, they broke the limbs of stout trees by the weight of the numbers. And when we stop we'll follow—what? Our hearts? The Puritans thought that we are granted the ability to love only through miracle, but the troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them. Think of days of those scarlet-breasted, blue-winged birds above you. Think of me in the garden, humming quietly to myself in my blue dress, a blue darker than the sky above us, a blue dark enough for storms, though cloudless. At what point is something gone completely? The last of the sunlight is disappearing even as it swells— Just for this evening, won't you put me before you until I'm far enough away you can believe in me? Then try, try to come closer— my wonderful and less than.
Mary Szybist (Incarnadine: Poems)
I was drawing near to the curve of the track; already the twelve hooves of those dead horses were visible in the distance, jutting towards the sky like the columns in the cathedral crypt at Stará Boleslav. I thought of Masha, and of how we met for the first time, when I was still with the track superintendent. He gave us two buckets of red paint and told us to paint the fence round the entire state workshops. Masha began by the railway track, just as I did. We stood facing each other with the tall wire fence between us, at our feet we each had a bucket of cinnabar paint, we each had a brush, and we stippled away with our brushes opposite each other and painted that fence, she from her side and I from mine. There were four kilometres altogether of this fence; for five months we stood facing each other like this, and there wasn't anything we didn't say to each other, Masha and I, but always there was this fence between us. After we'd painted two kilometres of it, one day I'd done just as high as Masha's mouth with this red colour, and I told her that I loved her, and she, from her side, had painted just up to there, too, and she said that she loved me, too ... and she looked into my eyes, and, as this was in a ditch and among tall goosefoot plants, I put out my lips, and we kissed through the newly painted fence, and when we opened our eyes she had a sort of tiny red fence-pale striped across her mouth, and so had I, and we burst out laughing, and from that moment on we were happy.
Bohumil Hrabal (Closely Observed Trains)
That which makes me shudder when at the very entrance to the Mosque I observe that it is written: "Mondays and Thursdays tuberculosis; Wednesdays and Fridays syphilis." In every Metro station there are grinning skulls that greet you with "De f endez-vous contre la syphilis!" Wherever there are walls, there are posters with bright venomous crabs heralding the approach of cancer. No matter where you go, no matter what you touch, there is cancer and syphilis. It is written in the sky; it flames and dances, like an evil portent. It has eaten into our souls and we are nothing but a dead thing like the moon.
Henry Miller (Tropic of Cancer (Tropic, #1))
Writing is making love under a crescent moon: I see shadows of what’s to come, and it’s enough; I have faith in what I can’t see and it’s substantiated by a beginning, a climax, an ending. And if it’s an epic novel in hand, I watch the sunrise amid the twigs and dewing grass; the wordplay is what matters. Simply put, I’m in love, and any inconvenience is merely an afterthought. The sun tips the horizon; the manuscript is complete. The author, full of profound exhaustion, lays his stylus aside. His labor of love stretches before him, beautiful, content, sleeping, until the next crescent moon stars the evening sky.
Chila Woychik (On Being a Rat and Other Observations)
I was tired. Tired of trying to be something I wasn’t while no one knew what I was. So I decided to study the sky that night, spotting similarities between us. I was lonely in a way that I imagine the stars to be, observed by everyone yet too far to truly be seen. And for once, I wanted to be seen by someone.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
The reason for point particles is that if you stick something ugly in there—such as physical reality—the equations don’t work. A point devoid of physical being leaves you with location. And a location with a reference to some other location can’t be expressed. Some of the difficulty with quantum mechanics has to reside in the problem coming to terms with the simple fact that there is no such thing as information in and of itself independent of the apparatus necessary to its perception. There were no starry skies prior to the first sentient and ocular being to behold them. Before that all was blackness and silence.
Cormac McCarthy (The Passenger (The Passenger #1))
As one sat in the aeroplane amidst all the noise, smoking and loud talking, most unexpectedly, the sense of immensity and that extraordinary benediction which was felt at il L., that imminent feeling of sacredness, began to take place. The body was nervously tense because of the crowd, noise, etc. but in spite of all this, it was there. The pressure and the strain were intense and there was acute pain at the back of the head. There was only this state and there was no observer. The whole body was wholly in it and the feeling of sacredness was so intense that a groan escaped from the body and passengers were sitting in the next seats. It went on for several hours, late into the night. It was as though one was looking, not with eyes only but with a thousand centuries; it was altogether a strange occurrence. The brain was completely empty, all reaction had stopped; during all those hours, one was not aware of this emptiness but only in writing it is the thing known, but this knowledge is only descriptive and not real. That the brain could empty itself is an odd phenomenon. As the eyes were closed, the body, the brain seemed to plunge into unfathomable depths, into states of incredible sensitivity and beauty. The passenger in the next seat began to ask something and having replied, this intensity was there; there was no continuity but only being. And dawn was coming leisurely and the clear sky was filling with light - As this is being written late in the day, with sleepless fatigue, that sacredness is there. The pressure and the strain too.
J. Krishnamurti (Krishnamurtis Notebook)
Instead, he wrote, quoting Lucretius, there were multiple worlds, where the seeds of things, in their infinite numbers, would certainly combine to form other races of men, other creatures. Each of the fixed stars observed in the sky is a sun, scattered through limitless space. Many of these are accompanied by satellites that revolve around them as the earth revolves around our sun. The universe is not all about us, about our behavior and our destiny; we are only a tiny piece of something inconceivably larger. And that should not make us shrink in fear. Rather, we should embrace the world in wonder and gratitude and awe.
Stephen Greenblatt (The Swerve: How the World Became Modern)
The most beautiful eyes haven’t been seen yet; the most beautiful tongue hasn’t been heard yet; the most beautiful hands haven’t been held yet; the most beautiful mind hasn’t been understood yet; the most beautiful heart hasn’t been felt yet; and the most beautiful life hasn’t been lived yet. The most beautiful thought hasn’t been contemplated yet; the most beautiful desire hasn’t been savored yet; the most beautiful experience hasn’t been relished yet; the most beautiful impression hasn’t been formed yet; the most beautiful characteristic hasn’t been discovered yet; and the most beautiful person hasn’t been identified yet. The most beautiful sky hasn’t been viewed yet; the most beautiful star hasn’t been detected yet; the most beautiful galaxy hasn’t been explored yet; the most beautiful cosmos haven’t been observed yet; the most beautiful world hasn’t been examined yet; and the most beautiful universe hasn’t been appreciated yet.
Matshona Dhliwayo
Each rune is a complete representation of wyrd. Just as one drop of water reflects a perfect image of all that is around it, so each rune reflects the totality of wyrd. The rhythm of wyrd may be observed at all levels, whether it be the movement of the stars across the sky or the cutting of shapes into a patch of earth.
Brian Bates (The Way Of Wyrd: Tales of an Anglo-Saxon Sorcerer)
We have already compared the benefits of theology and science. When the theologian governed the world, it was covered with huts and hovels for the many, palaces and cathedrals for the few. To nearly all the children of men, reading and writing were unknown arts. The poor were clad in rags and skins—they devoured crusts, and gnawed bones. The day of Science dawned, and the luxuries of a century ago are the necessities of to-day. Men in the middle ranks of life have more of the conveniences and elegancies than the princes and kings of the theological times. But above and over all this, is the development of mind. There is more of value in the brain of an average man of to-day—of a master-mechanic, of a chemist, of a naturalist, of an inventor, than there was in the brain of the world four hundred years ago. These blessings did not fall from the skies. These benefits did not drop from the outstretched hands of priests. They were not found in cathedrals or behind altars—neither were they searched for with holy candles. They were not discovered by the closed eyes of prayer, nor did they come in answer to superstitious supplication. They are the children of freedom, the gifts of reason, observation and experience—and for them all, man is indebted to man. —Robert Green Ingersoll
Jerry A. Coyne (Faith Versus Fact: Why Science and Religion Are Incompatible)
We’re makers of magic on a journey towards enlightenment. We’re at one with the skies and the heavens and all that lies beyond, and even if we can’t observe the heavens fully, or even give too much time to contemplating nature, connecting with the Moon reconnects us with the Divine – with our Divine selves and with the cosmos.
Yasmin Boland (Moonology: Working with the Magic of Lunar Cycles)
We had better want the consequences of what we believe or disbelieve, because the consequences will come! . . . But how can a society set priorities if there are no basic standards? Are we to make our calculations using only the arithmetic of appetite? . . . The basic strands which have bound us together socially have begun to fray, and some of them have snapped. Even more pressure is then placed upon the remaining strands. The fact that the giving way is gradual will not prevent it from becoming total. . . . Given the tremendous asset that the family is, we must do all we can within constitutional constraints to protect it from predatory things like homosexuality and pornography. . . . Our whole republic rests upon the notion of “obedience to the unenforceable,” upon a tremendous emphasis on inner controls through self-discipline. . . . Different beliefs do make for different behaviors; what we think does affect our actions; concepts do have consequences. . . . Once society loses its capacity to declare that some things are wrong per se, then it finds itself forever building temporary defenses, revising rationales, drawing new lines—but forever falling back and losing its nerve. A society which permits anything will eventually lose everything! Take away a consciousness of eternity and see how differently time is spent. Take away an acknowledgement of divine design in the structure of life and then watch the mindless scurrying to redesign human systems to make life pain-free and pleasure-filled. Take away regard for the divinity in one’s neighbor, and watch the drop in our regard for his property. Take away basic moral standards and observe how quickly tolerance changes into permissiveness. Take away the sacred sense of belonging to a family or community, and observe how quickly citizens cease to care for big cities. Those of us who are business-oriented are quick to look for the bottom line in our endeavors. In the case of a value-free society, the bottom line is clear—the costs are prohibitive! A value-free society eventually imprisons its inhabitants. It also ends up doing indirectly what most of its inhabitants would never have agreed to do directly—at least initially. Can we turn such trends around? There is still a wealth of wisdom in the people of this good land, even though such wisdom is often mute and in search of leadership. People can often feel in their bones the wrongness of things, long before pollsters pick up such attitudes or before such attitudes are expressed in the ballot box. But it will take leadership and articulate assertion of basic values in all places and in personal behavior to back up such assertions. Even then, time and the tides are against us, so that courage will be a key ingredient. It will take the same kind of spunk the Spartans displayed at Thermopylae when they tenaciously held a small mountain pass against overwhelming numbers of Persians. The Persians could not dislodge the Spartans and sent emissaries forward to threaten what would happen if the Spartans did not surrender. The Spartans were told that if they did not give up, the Persians had so many archers in their army that they would darken the skies with their arrows. The Spartans said simply: “So much the better, we will fight in the shade!
Neal A. Maxwell
Questioner: How did you learn all that you are talking about, and how can we come to know it? KRISHNAMURTI: That is a good question, is it not? Now, if I may talk about myself a little, I have not read any books about these things, neither the Upanishads, the Bhagavad Gita, nor any psychological books; but as I told you, if you watch your own mind, it is all there. So when once you set out on the journey of self-knowledge, books are not important. It is like entering a strange land where you begin to find out new things and make astonishing discoveries; but, you see, that is all destroyed if you give importance to yourself. The moment you say, “I have discovered, I know, I am a great man because I have found out this and that,” you are lost. If you have to take a long journey, you must carry very little; if you want to climb to a great height, you must travel light. So this question is really important, because discovery and understanding come through self-knowledge, through observing the ways of the mind. What you say of your neighbour, how you talk, how you walk, how you look at the skies, at the birds, how you treat people, how you cut a branch—all these things are important, because they act like mirrors that show you as you are and, if you are alert, you discover everything anew from moment to moment. Questioner: Should we form an
J. Krishnamurti (Think on These Things: Penetrating Talks on Self-Knowledge and Human Society)
Try to be one of the people,” said Henry James, “on whom nothing is lost.” As a writer I considered myself observant, but how much was lost on me! Birds may be everywhere, but they also—lucky for them—inhabit an alternate universe, invisible to most of us until we learn to look in a new way. And even after I had been shown them, aspects kept eluding me.
Jonathan Rosen (The Life of the Skies: Birding at the End of Nature)
The mind must empty itself of all the past to become highly sensitive; and it cannot be sensitive if there is the burden of the past. It is only the mind that has understood all this that can put the question. And when it puts the question it has no answer, because there is no answer. The mind has become highly sensitive and therefore supremely intelligent and intelligence has no answer. It is in itself the answer. The observer has no place because intelligence is supreme. Then the mind is no longer seeking, no longer wanting higher experiences and therefore it is not capable of control. It does not control, because it is intelligent. It is operating, it is working. Therefore, in the very act of intelligence, the dual state disappears. All this is meditation. It is like a cloud that begins on a hilltop with a few little clouds, and, as it moves, it covers the whole sky, the valley, the mountains, the rivers, the human beings, the earth; it covers everything. That is meditation because meditation is the concern of all the living, not just one part of it.
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
Wilson has observed, "We are not as gods. We're not yet sentient or intelligent enough to be much of anything." Paul Kingsnorth, a British writer and activist, has put it this way: "we are as gods, but we have failed to get good at it.. We are Loki, killing the beautiful for fun. We are Saturn, devouring our children... Sometimes doing nothing is better than doing something.
Elizabeth Kolbert (Under a White Sky: The Nature of the Future)
One November afternoon, in the calm at the end of a rain storm of several days’ duration, when the sky was still completely overcast and the air was full of mist, I observed that the pond was remarkably smooth, so that it was difficult to distinguish its surface; though it no longer reflected the bright tints of October, but the sombre November colors of the surrounding hills.
Henry David Thoreau (Walden or, Life in the Woods)
It was history’s first co-operative international scientific venture, and almost everywhere it ran into problems. Many observers were waylaid by war, sickness or shipwreck. Others made their destinations but opened their crates to find equipment broken or warped by tropical heat. Once again the French seemed fated to provide the most memorably unlucky participants. Jean Chappe spent months travelling to Siberia by coach, boat and sleigh, nursing his delicate instruments over every perilous bump, only to find the last vital stretch blocked by swollen rivers, the result of unusually heavy spring rains, which the locals were swift to blame on him after they saw him pointing strange instruments at the sky. Chappe managed to escape with his life, but with no useful measurements. Unluckier
Bill Bryson (A Short History of Nearly Everything)
In Galapagos, as elsewhere, things of the mind, including intellectual ramifications from evolutionary theory, and things of the spirit, like the feeling one gets from a Queen Anne’s lace of stars in the moonless Galapagean sky, struggle toward accommodation with an elementary desire for material comfort…because so many regard this archipelago as preeminently a terrain of the mind and spirit, a locus of biological thought and psychological rejuvenation. The sheer strength of Darwin’s insight into the development of biological life gently urges a visitor to be more than usually observant here- to notice, say, that while the thirteen Galapagean finches are all roughly the same hue, it is possible to separate them according to marked differences in the shapes of their bills and feeding habits.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Of all the baseball stadiums in the world, I like being in Jingu Stadium the best of all. In an infield seat behind first base, or in the right-field bleachers. I love all the sounds, the smells, the way I can sit there, just gazing up at the sky. I love the breeze caressing my skin, I love sipping an ice-cold beer, observing the people around me. Whether the team wins or loses, I love the time spent there most of all. ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ Of course, winning is much better than losing. No argument there. But winning or losing doesn’t affect the weight and value of the time. It’s the same time, either way. A minute is a minute, an hour is an hour. We need to cherish it. We need to deftly reconcile ourselves with time, and leave behind as many precious memories as we can— that’s what’s the most valuable.
Haruki Murakami (First Person Singular: Stories)
As you watch anything—a tree, your wife, your children, your neighbor, the stars of a night, the light on the water, the bird in the sky, anything—there is always the observer—the censor, the thinker, the experiencer, the seeker—and the thing he is observing; the observer and the observed; the thinker and the thought. So, there is always a division. It is this division that is time. That division is the very essence of conflict. And when there is conflict, there is contradiction. There is “the observer and the observed”—that is a contradiction; there is a separation. And hence where there is contradiction, there is conflict. And when there is conflict, there is always the urgency to get beyond it, to conquer it, to overcome it, to escape from it, to do something about it, and all that activity involves time…. As long as there is this division, time will go on, and time is sorrow. And a man who will understand the end of sorrow must understand this, must find, must go beyond this duality between the thinker and the thought, the experiencer and the experienced. That is, when there is a division between the observer and the observed, there is time, and therefore there is no ending of sorrow. Then, what is one to do? You understand the question? I see, within myself, the observer is always watching, judging, censoring, accepting, rejecting, disciplining, controlling, shaping. That observer, that thinker, is the result of thought, obviously. Thought is first; not the observer, not the thinker. If there was no thinking at all, there would be no observer, no thinker; then there would only be complete, total attention.
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
What caused me to undertake the catalog was the nebula I discovered above the southern horn of Taurus on September 12, 1758, while observing the comet of that year. ... This nebula had such a resemblance to a comet in its form and brightness that I endeavored to find others, so that astronomers would not confuse these same nebulae with comets just beginning to shine. I observed further with suitable refractors for the discovery of comets, and this is the purpose I had in mind in compiling the catalog. After me, the celebrated Herschel published a catalog of 2000 which he has observed. This unveiling the sky, made with instruments of great aperture, does not help in the perusal of the sky for faint comets. Thus my object is different from his, and I need only nebulae visible in a telescope of two feet [focal length].
Charles Messier
During his sweet sleep, there was an angelic creature and in her eyes a look of joyous elation that filled Kevin’s mind with anticipation of her possible existence in the real world. This freckle-faced vision with her wild mane of untamed blonde curls nightly left an unexplainable ache in his soul. In his dreams, she would appear to him as a mirage of hope. He could feel the love in her heart, for it seeped through her very essence into the air between them. She lay next to him in the grass as they quietly observed the sky above. Her hand seemed to be always just out of his reach. Kevin wanted to hold her hand so badly it was torturous. Her hand was just about touching his but not quite. Then her fingers brushed a path across his fingertips as if to say in the exquisite beauty of the moment, “I will always be right here.
Kim Cormack (Enlightenment)
Relax, it only hurts a little,” she murmured in Edwin’s ear as she stroked his head and shoulders from behind. “What you feel later more than makes up for it.”“But will I…will I have to drink blood after I am…initiated?” “Don’t worry, Edwin. I promise it will be many years before either you or Ophelia will need to seek your sustenance in such a manner.” Hamlet kissed his cheek. “Are you ready?” Edwin nodded. Closing his eyes, he turned his head slightly to give Hamlet easier access. He felt a momentary pinch and then… Ecstasy! Overwhelming warmth flooded his veins as colors exploded in his mind and a feeling of euphoria lifted him from the bed to the skies. He was flying free from the confines of his body. He soared above the clouds…heading into the stars. “Wonderful, isn’t it?” Ophelia giggled and clapped her hands. “I wish I could experience it more often, but Hamlet says it’s even better once you’re on the receiving end.” He opened his eyes slowly. Still light-headed, Edwin observed the gaze of mutual pleasure in Hamlet’s dark eyes. His sensual lips glistened with tint of red. Instead of horror or aversion, Edwin felt complete peace and contentment. “Thank you.” Without hesitation Edwin pulled Hamlet's lips to his and kissed him.
Cindy A. Matthews (Blood Bond (The Kindred Vampire, #2))
Witchcraft is part of a living web of species and relationships, a world which we have forgotten to observe, understand or inhabit. Many people reading this paragraph will not know even the current phase of the moon, and if asked for it will not instinctively look up to the current quarter of the sky, but down to their computers. Neither will they be able to name the plants, birds or animals within a metre or mile radius of their door. Witchcraft asks that we do these first things, this is presence. Animism is not embedded in the natural world, it is the natural world. Our witchcraft is that spirit of place, which is made from a convergence of elements and inhabitants. Here I include animals, both living and dead, human and inhuman. Our helpers are mammals, reptiles, fish, birds and insects. Some can be counted allies, others are more ambivalent. Predator and prey are interdependent. These all have the same origin and ancestry, they from from plants, from copper green life. Bones become soil. The plants have been nourished on the minerals drawn up from the bowels of the earth. These are the living tools of the witch's craft. The cycle of the elements and seasons is read in this way. Flux, life and death are part of this, as are extinctions, catastrophe, fire and flood. We avail ourselves of these, and ultimately a balance is sought. Our ritual space is written in starlight, watched over by sun and moon. So this leaves us with a simple question. How can there be any Witchcraft if this is all destroyed? It is not a rhetorical question. Our land, our trees, animals and elements hold spirit. Will we let our familiars, literally our family be destroyed? If we hold any real belief and experience of spirit, then it does not ask, it demands us to fight for it.
Peter Grey (Apocalyptic Witchcraft)
While you're alive it's shameful to worm your way into the Calendar of Saints. Disbelief in yourself is more saintly. It takes real talent not to dread being terrified by your own agonizing lack of talent. Disbelief in yourself is indispensable. Indispensable to us is the loneliness of being gripped in the vise, so that in the darkest night the sky will enter you and skin your temples with the stars, so that streetcars will crash into the room, wheels cutting across your face, so the dangling rope, terrible and alive, will float into the room and dance invitingly in the air. Indispensable is any mangy ghost in tattered, overplayed stage rags, and if even the ghosts are capricious, I swear, they are no more capricious than those who are alive. Indispensable amidst babbling boredom are the deadly fear of uttering the right words and the fear of shaving, because across your cheekbone graveyard grass already grows. It is indispensable to be sleeplessly delirious, to fail, to leap into emptiness. Probably, only in despair is it possible to speak all the truth to this age. It is indispensable, after throwing out dirty drafts, to explode yourself and crawl before ridicule, to reassemble your shattered hands from fingers that rolled under the dresser. Indispensable is the cowardice to be cruel and the observation of the small mercies, when a step toward falsely high goals makes the trampled stars squeal out. It's indispensable, with a misfit's hunger, to gnaw a verb right down to the bone. Only one who is by nature from the naked poor is neither naked nor poor before fastidious eternity. And if from out of the dirt, you have become a prince, but without principles, unprince yourself and consider how much less dirt there was before, when you were in the real, pure dirt. Our self-esteem is such baseness.... The Creator raises to the heights only those who, even with tiny movements, tremble with the fear of uncertainty. Better to cut open your veins with a can opener, to lie like a wino on a spit-spattered bench in the park, than to come to that very comfortable belief in your own special significance. Blessed is the madcap artist, who smashes his sculpture with relish- hungry and cold-but free from degrading belief in himself.
Yevgeny Yevtushenko
In Anton Chekhov’s play the Three Sisters, sister Masha refuses ‘to live and not know why the cranes fly, why children are born, why the stars are in the sky. Either you know and you’re alive or it’s all nonsense, all dust in the wind.’ Why? Why? The striving to know is what frees us from the bonds of self, said Einstein. It’s the striving to know, rather than our knowledge-which is always tentative and partial- that is important. Instead of putting computers in our elementary schools, we should take the children out into nature, away from those virtual worlds in which they spend unconscionable hours, and let them see an eclipsed Moon rising in the east, a pink pearl. Let them stand in a morning dawn and watch a slip of a comet fling its trail around the Sun…Let the children know. Let them know that nothing, nothing will find in the virtual world of e-games, television, or the Internet matters half as much as a glitter of strs on an inky sky, drawing our attention into the incomprehensible mystery of why the universe is here at all, and why we are here to observe it. The winter Milky Way rises in the east, one trillion individually invisible points of light, one trillion revelations of the Ultimate Mystery, conferring on the watcher a dignity, a blessedness, that confounds the dull humdrum of the commonplace and opens a window to infinity.
Chet Raymo (An Intimate Look at the Night Sky)
Before we are born, we exist even less than after we die. We should tremble when we think of that time. How long until we exist so little again? The past happens fast. If there was infinite past, the sky would be nothing but starlight. “Observed darkness and nonuniformity of night” make us finite. There are few stars, moving farther apart. The past is bright, but black and white. The future is dim but in color. The past is still. The future trembles.
Elisa Gabbert (Normal Distance)
Politics is the science of domination, and persons in the process of enlargement and illumination are notoriously difficult to control. Therefore, to protect its vested interests, politics usurped religion a very long time ago. Kings bought off priests with land and adornments. Together, they drained the shady ponds and replaced them with fish tanks. The walls of the tanks were constructed of ignorance and superstition, held together with fear. They called the tanks “synagogues” or “churches” or “mosques.” After the tanks were in place, nobody talked much about soul anymore. Instead, they talked about spirit. Soul is hot and heavy. Spirit is cool, abstract, detached. Soul is connected to the earth and its waters. Spirit is connected to the sky and its gases. Out of the gases springs fire. Firepower. It has been observed that the logical extension of all politics is war. Once religion became political, the exercise of it, too, could be said to lead sooner or later to war. “War is hell.” Thus, religious belief propels us straight to hell. History unwaveringly supports this view. (Each modern religion has boasted that it and it alone is on speaking terms with the Deity, and its adherents have been quite willing to die—or kill—to support its presumptuous claims.) Not every silty bayou could be drained, of course. The soulfish that bubbled and snapped in the few remaining ponds were tagged “mystics.” They were regarded as mavericks, exotic and inferior. If they splashed too high, they were thought to be threatening and in need of extermination. The fearful flounders in the tanks, now psychologically dependent upon addictive spirit flakes, had forgotten that once upon a time they, too, had been mystical. Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished. Those who witness the dropping of the fourth veil might see clearly what Spike Cohen and Roland Abu Hadee dimly suspected: that not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.
Tom Robbins (Skinny Legs and All)
Q: Did God create man or did man create God? A: Well no, not really. The infinite and observable cause and effect that permeates all manifestation is prior to and beyond any and all thoughtforms, beliefs, or ideologies that arise from the tiny sentient material entities who attempt to verbally define the Great Sacred Mystery of Source. To imagine that a human is the cause of Source is like a bird imagining they created the sky through which they fly...
Leland Lewis (Angel Stories. Angelic Tales of the Universe. Tales 1 through 6.)
The front of the white lectern has a slight blue tinge, since it is lit mainly by the refracted light of the sky rather than the yellowish direct glow of the setting sun.59 “Shadows will vary,” Leonardo explained in his notebooks. “The side of an object that receives a reflected light from the azure of the air will be tinged with that hue, and this is particularly observable in white objects. That side that receives the light from the sun will partake of that color.
Walter Isaacson (Leonardo da Vinci)
It came about because Kepler wrote one of the first works of science fiction, intended to explain and popularize science. It was called the Somnium, “The Dream.” He imagined a journey to the Moon, the space travelers standing on the lunar surface and observing the lovely planet Earth rotating slowly in the sky above them. By changing our perspective we can figure out how worlds work. In Kepler’s time one of the chief objections to the idea that the Earth turns was the fact that people do not feel the motion. In the Somnium he tried to make the rotation of the Earth plausible, dramatic, comprehensible: “As long as the multitude does not err,… I want to be on the side of the many. Therefore, I take great pains to explain to as many people as possible.” (On another occasion he wrote in a letter, “Do not sentence me completely to the treadmill of mathematical calculations—leave me time for philosophical speculations, my sole delight.
Carl Sagan (Cosmos)
The journeys that people took had always interested him; his own life was a constant journeying, though not quite so constant as it had been before he had his wives and children. Usually he only agreed to scout for the Texans if they were going in a direction he wanted to go himself, in order to see a particular hill or stream, to visit a relative or friend, or just to search for a bird or animal he wanted to observe. Also, he often went back to places he had been at earlier times in his life, just to see if the places would seem the same. In most cases, because he himself had changed, the places did not seem exactly as he remembered them, but there were exceptions. The simplest places, where there was only rock and sky, or water and rock, changed the least. When he felt disturbances in his life, as all men would, Famous Shoes tried to go back to one of the simple places, the places of rock and sky, to steady himself and grow calm again.
Larry McMurtry (The Lonesome Dove Series)
From Venice to Rome, Paris to Brussels, London to Edinburgh, the Ambassadors watched, long-eared and bright-eyed. Charles of Spain, Holy Roman Emperor, fending off Islam at Prague and Lutherism in Germany and forcing recoil from the long, sticky fingers at the Vatican, cast a considering glance at heretic England. Henry, new King of France, tenderly conscious of the Emperor's power and hostility, felt his way thoughtfully toward a small cabal between himself, the Venetians and the Pope, and wondered how to induce Charles to give up Savoy, how to evict England from Boulogne, and how best to serve his close friend and dear relative Scotland without throwing England into the arms or the lap of the Empire. He observed Scotland, her baby Queen, her French and widowed Queen Mother, and her Governor Arran. He observed England, ruled by the royal uncle Somerset for the boy King Edward, aged nine. He watched with interest as the English dotingly pursued their most cherished policy: the marriage which should painlessly annex Scotland to England and end forever the long, dangerous romance between Scotland and England. Pensively, France marshalled its fleet and set about cultivating the Netherlands, whose harbours might be kind to storm-driven galleys. The Emperor, fretted by Scottish piracy and less busy than he had been, watched the northern skies narrowly. Europe, poised delicately over a brand-new board, waiting for the opening gambit.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
For all that the child observed, and felt, and thought, that night—the present and the absent; what was then and what had been—were blended like the colours in the rainbow, or in the plumage of rich birds when the sun is shining on them, or in the softening sky when the same sun is setting. The many things he had had to think of lately, passed before him in the music; not as claiming his attention over again, or as likely ever more to occupy it, but as peacefully disposed of and gone. A
Charles Dickens (Dombey and Son)
What he did there was, if one were to make a story of it to someone, absolutely nothing. It was fall, and in the mountains the early-autumn sun has a power of its own; mornings it lifted him up and bore him to some tree high up on the slopes, from beneath which one looked into the far distance, for in spite of his heavy hiking boots he was really not conscious of walking. In the same self-forgetful way he changed his location several times during the day and read a little in a few books he had with him. Nor was he really thinking, although he felt his mind more deeply agitated than usual, for his thoughts did not shake themselves up as they usually do, so that a new idea is always landing on top of the pyramid of the earlier ones while the ones at the bottom are becoming more and more compacted until finally they fuse with flesh, blood, skull case, and the tendons supporting the muscles, but his insights came like a jet into a full vessel, in endless overflowing and renewal, or they passed in an everlasting progression like clouds through the sky in which nothing changes, not the blue depths and not the soundless swimming of those mother-of-pearl fish. It could happen that an animal came out of the woods, observed Ulrich, and slowly bounded away without anything changing; that a cow grazed nearby, or a person went past, without any more happening than a beat of the pulse, twin to all the others of the stream of life that softly pounds without end against the walls of the understanding.
Robert Musil (The Man Without Qualities)
This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket. Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters. I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
But an observer, especially a lawyer, could also have read in this stricken man the signs of deep sorrow, the traces of grief which had worn into this face, as drops of water from the sky falling on fine marble at last destroy its beauty. A physician, an author, or a judge might have discerned a whole drama at the sight of its sublime horror, while the least charm was its resemblance to the grotesques which artists amuse themselves by sketching on a corner of the lithographic stone while chatting with a friend.
Honoré de Balzac (Works of Honore de Balzac)
ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
I use my mom’s shampoo sometimes,” I blurt out. “I know I shouldn’t. I know it’s lady shampoo. But it smells better than mine, and I think my hair might like it better, and – but that doesn’t change the fact that that stuff, that’s for chicks. And, that, that’s probably gay, isn’t it? Like, at least a little.” “I don’t know whether—” “And I cried once listening to ‘The Scientist’ by Coldplay. I don’t know, I was in sort of a lousy mood anyway, but it’s not like that excuses that stuff. Like, that was gay, wasn’t it? Guys don’t just sit around and cry over Coldplay.” “Howie—” “And I loved Mamma Mia. Like, loved it. Amber made me watch it with her on TV once, and I didn’t want to, and she wound up thinking it was this sentimental piece of crap, but I loved it. It was all sunny and happy and there was all that blue sky and blue ocean, and everyone was just, like, so chill, all bouncing and singing and being so happy, and I just wanted to, I don’t know, live there or something. Jump right into the screen and sing backup to Dancing Queen. That’s gay, right? That’s queeriest queerdom. There’s no way that’s not totally gay. It’s gay. It’s so gay. I’m … I …” “If I may,” Arthur says. I take a deep breath. “Yeah, okay.” “I don’t like any of those things,” Arthur says, “and I am gay. So maybe you’re just girly.” That? That’s his answer? “I’m not girly,” I say, affronted. “Just an observation,” Arthur replies innocently. “You didn’t like Mamma Mia?” I ask, feeling like I just got kicked. “I’m not even really sure what it is,” Arthur replies, frowning thoughtfully. Useless bastard.
Hannah Johnson (Know Not Why (Know Not Why, #1))
We who are called royal are those who speak for our people to the powers of the earth and sky, as those powers transmit their will through us to the people. We are go-betweens. The chief duty of a king is to perform the rites of praise and placation as they should be performed, to observe care and ceremony and so understand and make known the will of the powers that are greater than we are. It is the king who tells the farmer when to plow, when to plant, when to harvest, when the cattle should go up to the hills and when they should return to the valleys, as he learns these things from his experience and his service at the altars of earth and sky. In the same way it is the mother of the family who tells her household when to rise, what work to do, what food to prepare and cook, and when to sit to eat it, having learned these things from her experience and her service at the altars of her Lares and Penates. So peace is maintained and things go well, in the kingdom and in the house. Both Aeneas and I had grown up in this responsibility, and it was dear to us both.
Ursula K. Le Guin (Lavinia)
I love the quiet beauty of the night sky," she continued thoughtfully, "filled with mystery and starlight, but there is something magical about the dawn. It is strange, When the sky begins to lighten and soft colors first appear, the transition is so gentle you hardly notice it. But if you are aware enough to observe, if you take the time to really be a part of the transformation, it feels..." Her explanation trailed off. She found it difficult to find the words to properly describe the wonder she felt as she experienced the very common daily occurrence. "It feels like it possesses all the possibilities of life," Avenell offered quietly. Lily turned in place. She slipped her arms around his naked torso and tipped her head back to look into his face. Her smile was so wide her cheeks ached, but she did not hold back. Her joy in the past few months had grown by leaps and bounds, and only because of how much she had seen her happiness reflected in the man she loved. Love flowed freely between them as he lowered his head to take her mouth in a kiss that was slow and deep.
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
This had serious implications for the ultimate fate of massive stars. If a star’s mass is less than the Chandrasekhar limit, it can eventually stop contracting and settle down to a possible final state as a ‘white dwarf’ with a radius of a few thousand miles and a density of hundreds of tons per cubic inch. A white dwarf is supported by the exclusion principle repulsion between the electrons in its matter. We observe a large number of these white dwarf stars. One of the first to be discovered is a star that is orbiting around Sirius, the brightest star in the night sky.
Stephen W. Hawking (A Brief History of Time)
Penance is in my bones. So's a desire to confess, even when it isn't technically necessary. I think it stems from seeds of superstition left over from a childhood belief in an omniscient creator. I imagine this creator, this observer, as a sort of annoying sibling in the sky, forever calling me on my bullshit. When I lie or cheat, I actually feel like that annoying sibling in the sky calls down, "Bullshit, Suzie, BULLSHIT!" and that anyone nearby, if they're at all sensitive to the catcalls of the gods, can hear him. And so I behave accordingly, and try to make amends for what I have done.
Suzanne Morrison (Yoga Bitch: One Woman's Quest to Conquer Skepticism, Cynicism, and Cigarettes on the Path to Enlightenment)
Bangkok between the hours of five and six in the morning was a marvel to behold. Golden spires and glass skyscrapers appeared as if by magic as the city shed its cloak of darkness, rising like stalagmites from a cave floor. Signs of life slowly materialized across the city as the last of the stars phased out of the sky. Industrious vendors hauled a dizzying array of food and wares in preparation for the day ahead, while Buddhist monks in saffron robes processed through the streets dispensing blessings in exchange for alms. The sight was captivating enough to move even the most jaded observer.
Mailan Doquang (Blood Rubies (Rune Sarasin, #1))
An aurora swirled in the night skies above Bataan, radiating around the smoke-shrouded peaks of the Mariveles Mountains. Intermittent flashes from phosphorus bombs and incendiary shells bathed the jungle in blinding bursts of white light. The rumbling, subterranean tremors had scarcely subsided when American stockpiles of TNT and ammunition dumps were detonated, causing the peninsula to convulse. Thousands of rounds of projectiles, from artillery and mortar shells to rifle bullets, streaked across the sky in arcing rainbows. "Never did a 4th of July display equal it in noise, lights, colors or cost," observed one officer.
John D. Lukacs (Escape From Davao: The Forgotten Story of the Most Daring Prison Break of the Pacific War)
After Eratosthenes’ discovery, many great voyages were attempted by brave and venturesome sailors. Their ships were tiny. They had only rudimentary navigational instruments. They used dead reckoning and followed coastlines as far as they could. In an unknown ocean they could determine their latitude, but not their longitude, by observing, night after night, the position of the constellations with respect to the horizon. The familiar constellations must have been reassuring in the midst of an unexplored ocean. The stars are the friends of explorers, then with seagoing ships on Earth and now with spacefaring ships in the sky.
Carl Sagan (Cosmos)
I live here on the Prade Ranch alone-already years beyond the age my mother was when she returned to the ranch-to the particular elements of the earth: soil, water, carbon sky. You can rot or you can burn but either way, if you're lucky, a place will shape and cut and bend you, will strengthen you and weaken you. You trade your life for the privilege of this experience-the joy of a place, the joy of blood family; the joy of knowledge gotten by listening and observing. For most of us, we get stronger slowly, and then get weaker slowly, with our cycles sometimes in synchrony with the land's health, though other times independent of its larger cycles. We watch and listen and notice as the land, the place -life- begins to summon its due from us. It's so subtle...a trace of energy departing here, a trace of impulse missing there. You find yourself as you have always been, square in the middle of the metamorphosis, constantly living and dying: becoming weaker in your strength, finally. Perhaps you notice the soil, the rocks, or the river, taking back some of that which it has loaned to you; or perhaps you see the regeneration occurring in your daughter, if you have one, as she walks around, growing stonger. And you feel for the fir time a sweet absence...
Rick Bass
How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.
Mary Wollstonecraft Shelley (The Last Man (Annotated))
And so we've come to a conclusion that's both general and provocative. Reality in an infinite cosmos is not what most of us would expect. At any moment in time, the expanse of space contains an infinite number of separate realms-constituents of what I'll call the Quilted Multiverse-with our observable universe, all we see in the vast night sky, being but one member. Canvassing this infinite collection of separate realms, we find that particle arrangements necessarily repeat infinitely many times. The reality that holds in any given universe, including ours, is thus replicated in an infinite number of other universes across the Quilted Multiverse.
Brian Greene (The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos)
LOOKING The world goes by, and what have I to do with it? I merely observe how the geese stretch their necks towards the orange rim of sky. I watch how light fades and children make their way home, hungry and tired. The bushes outside become ghosts while baths run and kitchen windows steam up with the cooking. This is the smell of our home, where I have a place in the wrinkled hours making beds and hugging boys awake. This is the sound of the house where I feel out lives into words, translate ragged nights and days into something whole, or try to. You may look if you wish..... The world goes by, and what have you or I to do with it, except perhaps for looking... ?
Jay Woodman (SPAN)
Our house was made of stone, stucco, and clapboard; the newer wings, designed by a big-city architect, had a good deal of glass, and looked out into the Valley, where on good days we could see for many miles while on humid hazy days we could see barely beyond the fence that marked the edge of our property. Father, however, preferred the roof: In his white, light-woolen three-piece suit, white fedora cocked back on his head, for luck, he spent many of his waking hours on the highest peak of the highest roof of the house, observing, through binoculars, the amazing progress of construction in the Valley - for overnight, it seemed, there appeared roads, expressways, sewers, drainage pipes, "planned" communities with such names as Whispering Glades, Murmuring Oaks, Pheasant Run, Deer Willow, all of them walled to keep out intruders, and, yet more astonishing, towerlike buildings of aluminum and glass and steel and brick, buildings whose windows shone and winked like mirrors, splendid in sunshine like pillars of flame; such beauty where once there had been mere earth and sky, it caught at your throat like a great bird's talons, taking your breath away. 'The ways of beauty are as a honeycomb,' Father told us, and none of us could determine, staring at his slow moving lips, whether the truth he spoke was a happy truth or not, whether even it was truth. ("Family")
Joyce Carol Oates (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing. The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed. Then it pounced. The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time. “Holy shit,” Jack muttered. “Have we got a visual?” “Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.” “Alright, so what’s the plan?” “They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.” “Copy that. Be careful, cowboy.” “Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything. But the dragon’s head creaked around and those beady red eyes locked onto him. Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’” The dragon roared, its grey wings extending out from its body, and then flew straight at him.
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))
Even more important, however, was how the silhouettes and shadows of the pyramids appeared to an observer from the skies. As this aerial photograph shows (Fig. 155), the true shape of the pyramids casts arrow-like shadows, which serve as unmistakable direction pointers. When all was ready to establish a proper Spaceport, it required a much longer Landing Corridor than the one which served Baalbek. For their previous Spaceport in Mesopotamia, the Anunnaki (the biblical Nefilim) chose the most conspicuous mountain in the Near East—Mount Ararat—as their focal point. It should not be surprising that out of the same considerations they again selected it as the focal point of their new Spaceport.
Zecharia Sitchin (The Stairway to Heaven (The Earth Chronicles, #2))
No Poet besides Chaucer has celebrated with such sweetness the enchantment of birds, whether it is the lark ascending or the little grebe diving, the plucky wren or the serene swan. He mentions some sixty species in total. He knows, for example, that the martlet builds its nest on exposed walls. Of the singing birds he notices the thrush and the ousel or blackbird. More ominous are the owl and raven, the crow and the maggot-pie. He knows them all, and has observed their course across the sky. The spectacle of birds entrances him. He cannot bear the thought of their being trapped, or caught, or snared. He loves free energy and movement, as if they were in some instinctive sympathy with his own nature.
Peter Ackroyd (Shakespeare: The Biography)
[OBSERVATIONS RELATED TO EXAMINING THE NATURE OF MIND] Be certain that the nature of mind is empty and without foundation. One’s own mind is insubstantial, like an empty sky. Look at your own mind to see whether it is like that or not. Divorced from views which constructedly determine [the nature of] emptiness, Be certain that pristine cognition, naturally originating, is primordially radiant – Just like the nucleus of the sun, which is itself naturally originating. Look at your own mind to see whether it is like that or not! Be certain that this awareness, which is pristine cognition, is uninterrupted, Like the coursing central torrent of a river which flows unceasingly. Look at your own mind to see whether it is like that or not! Be certain that conceptual thoughts and fleeting memories are not strictly identifiable, But insubstantial in their motion, like the breezes of the atmosphere. Look at your own mind to see whether it is like that or not! Be certain that all that appears is naturally manifest [in the mind], Like the images in a mirror which [also] appear naturally. Look at your own mind to see whether it is like that or not! Be certain that all characteristics are liberated right where they are, Like the clouds of the atmosphere, naturally originating and naturally dissolving. Look at your own mind to see whether it is like that or not! There are no phenomena extraneous to those that originate from the mind. [So], now could there be anything on which to meditate apart from the mind? There are no phenomena extraneous to those that originate from the mind. [So], there are no modes of conduct to be undertaken extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no commitments to be kept extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no results to be attained extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], one should observe one’s own mind, looking into its nature again and again. If, upon looking outwards towards the external expanse of the sky, There are no projections emanated by the mind, And if, on looking inwards at one’s own mind, There is no projectionist who projects [thoughts] by thinking them, Then, one’s own mind, completely free from conceptual projections, will become luminously clear. [This] intrinsic awareness, [union of] inner radiance and emptiness, is the Buddha-body of Reality, [Appearing] like [the illumining effect of] a sunrise on a clear and cloudless sky,. It is clearly knowable, despite its lack of specific shape or form. There is a great distinction between those who understand and those who misunderstand this point. This naturally originating inner radiance, uncreated from the very beginning, Is the parentless child of awareness – how amazing! It is the naturally originating pristine cognition, uncreated by anyone – how amazing! [This radiant awareness] has never been born and will never die – how amazing! Though manifestly radiant, it lacks an [extraneous] perceiver – how amazing! Though it has roamed throughout cyclic existence, it does not degenerate – how amazing! Though it has seen buddhahood itself, it does not improve – how amazing! Though it is present in everyone, it remains unrecognised – how amazing! Still, one hopes for some attainment other than this – how amazing! Though it is present within oneself, one continues to seek it elsewhere – how amazing!
Graham Coleman (The Tibetan Book of the Dead. First Complete English Translation)
In a sky swarming with uncountable stars, clouds endlessly flowing, and planets wandering, always and forever there has been just one moon and one sun. To our ancestors, these two mysterious bodies reflected the female and the male essences. From Iceland to Tierra del Fuego, people attributed the Sun’s constancy and power to his masculinity; the Moon’s changeability, unspeakable beauty, and monthly cycles were signs of her femininity. To human eyes turned toward the sky 100,000 years ago, they appeared identical in size, as they do to our eyes today. In a total solar eclipse, the disc of the moon fits so precisely over that of the sun that the naked eye can see solar flares leaping into space from behind. But while they appear precisely the same size to terrestrial observers, scientists long ago determined that the true diameter of the sun is about four hundred times that of the moon. Yet incredibly, the sun’s distance from Earth is roughly four hundred times that of the moon’s, thus bringing them into unlikely balance when viewed from the only planet with anyone around to notice.22 Some will say, “Interesting coincidence.” Others will wonder whether there isn’t an extraordinary message contained in this celestial convergence of difference and similarity, intimacy and distance, rhythmic constancy and cyclical change. Like our distant ancestors, we watch the eternal dance of our sun and our moon, looking for clues to the nature of man and woman, masculine and feminine here at home.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
Such things are joys. These passages of happy couples are a profound appeal to life and nature, and make a caress and light spring forth from everything. There was once a fairy who created the fields and forests expressly for those in love,—in that eternal hedge-school of lovers, which is forever beginning anew, and which will last as long as there are hedges and scholars. Hence the popularity of spring among thinkers. The patrician and the knife-grinder, the duke and the peer, the limb of the law, the courtiers and townspeople, as they used to say in olden times, all are subjects of this fairy. They laugh and hunt, and there is in the air the brilliance of an apotheosis—what a transfiguration effected by love! Notaries' clerks are gods. And the little cries, the pursuits through the grass, the waists embraced on the fly, those jargons which are melodies, those adorations which burst forth in the manner of pronouncing a syllable, those cherries torn from one mouth by another,—all this blazes forth and takes its place among the celestial glories. Beautiful women waste themselves sweetly. They think that this will never come to an end. Philosophers, poets, painters, observe these ecstasies and know not what to make of it, so greatly are they dazzled by it. The departure for Cythera! exclaims Watteau; Lancret, the painter of plebeians, contemplates his bourgeois, who have flitted away into the azure sky; Diderot stretches out his arms to all these love idyls, and d'Urfe mingles druids with them.
Victor Hugo (Les Misérables)
We underestimate the power of science, and overestimate the power of personal observation. A peer-reviewed, journal-published, replicated report is worth far more than what you see with your own eyes. Our own eyes can deceive us. People can fool themselves, hallucinate, and even go insane. The controls on publication in major journals are more trustworthy than the very fabric of your brain. If you see with your own eyes that the sky is blue, and Science says it is green, then sir, I advise that you trust in Science. This is not what most scientists will tell you, of course; but I think it is pragmatically true. Because in real life, what happens is that your eyes have a little malfunction and decide that the sky is green, and science will tell you that the sky is blue.
Eliezer Yudkowsky (The Less Wrong Sequences)
If you could step inside my world, here is what you would see...... A lifeless soul who is in constant search of not only someone to love but for someone to please show me how to love myself. Someone whose deepest wish is to feel what it is like to truly be loved for who I am. You would see a desperate being in a constant battle with her emotions. Praying no person could see the obvious envy that consumes her soul as she longingly observes the happiness and the joy that accompanies family and true friendships. A gathering of those who most certainly care about each other, to create cherished memories that will be forever etched in their hearts. Memories they have created to fondly look back on in the years to come. You would see the forced insincere smile that must be worn when in the public eye because being pleasant is a requirement amongst your peers, even though you are completely dying inside. You would see how i wake up every morning alone in the barely inhabitable box i reside in that hides me from having to share my pain and sadness with the world. And when the night skies appear, you would see me grateful that it is once again time for me to be reunited with the lonely, yet welcoming call of my bed in that same inhabitable box. You would see me, most eager to surrender to the sleep that would soon follow, for that is when my pain ceases to exist. My world....when most of you fantasize and anxiously anticipate what adventures lie before you when the sun comes up, i struggle hour by hour, wishing I could fast forward time, so the pain will cease to exist when the sun goes down.
Robin Romero
We do not know who realized that there was an element missing but we owe whoever it was a great debt. We can imagine an astronomer, perhaps in Babylon or ancient Egypt, suddenly realizing that there were not just two periodic motions to consider but three. Perhaps it was a sage, who after decades of study knew the data by heart. Perhaps it was some young rebel, not yet brainwashed into thinking that you had to explain what was seen only in terms of observable objects. Whatever the case, this innovator uncovered a mysterious third oscillation in the data, occurring not once a month or once a year but approximately every eighteen and two-thirds years. It turns out that the points where the two paths cross on the sky are not fixed: They rotate as well, taking those eighteen-plus years to make a complete cycle.
Lee Smolin (The Trouble with Physics: The Rise of String Theory, the Fall of a Science and What Comes Next)
1944 - Exploring London in wartime, a city with stiff upper lip, gritted teeth, clenched fists, makes you realize that Paris is a bit of whore. Every day and every night for weeks now, London has been bleeding and hiding its wounds with impressive dignity. A ‘don’t show off’ attitude prevails. From time to time a sputtering doodle-bug (a VI) shatters the torpor of the overcast sky. One second, sometimes two ... at most three ... of silence. Visualizing that fat cigar with shark fins as it stops dead, sways, idiotically tips over, then goes into a vertical dive. And explodes. Usually it’s an entire building that’s destroyed. Apparently the Civil Defense rescue teams observe a very strict rule of discretion and restraint. You never see any panic. In this impassive city detachment is the expression of panic.
Jacques Yonnet (Paris Noir: The Secret History of a City)
He would muse about the greatness and the living presence of God; about the strange mystery of the eternal future; about the even stranger mystery of the eternal past; about all the infinities streaming in every direction before his very eyes; and, without trying to comprehend the incomprehensible, he saw it. He did not study God, he was dazzled by Him. He considered the magnificent collision of the atoms that produce what we see of matter, showing the forces at work by observing them, creating individuality within unity, proportion within extension, the numberless within the infinite, and producing beauty through light. Such collisions are constantly taking shape, bringing things together and pulling them apart; it is a matter of life and death. He would sit on a wooden bench with his back against a decrepit trellis and he would gaze at the stars through the scrawny stunted silhouettes of his fruit trees. This quarter-acre patch of ground, so sparsely planted, so crowded with sheds and shacks, was dear to him, was all he needed. What more could an old man need when he divided whatever spare time his life allowed, he who has so little spare time, between gardening of a day and contemplation of a night? Surely this small enclosure, with the sky as a ceiling, was enough to enable him to worship God by regarding His loveliest works and His most sublime works, one by one? Isn't that all there is? Indeed, what more could you want? A little garden to amble about it, and infinite space to dream in. At his feet, whatever could be grown and gathered; over his head, whatever could be studied and meditated upon; a few flowers on the ground and all the stars in the sky.
Victor Hugo (Les Misérables)
His eyes, glazed with emotion, defiant with tragic intensity, met theirs for a second, and trembled on the verge of recognition; but then, raising his hand, half-way to his face as if to avert, to brush off, in an agony of peevish shame, their normal gaze, as if he begged them to withhold for a moment what he knew to be inevitable, as if he impressed upon them his own child-like resentment of interruption, yet even in the moment of discovery was not to be routed utterly, but was determined to hold fast to something of this delicious emotion, this impure rhapsody of which he was ashamed, but in which he revelled—he turned abruptly, slammed his private door on them; and, Lily Briscoe and Mr Bankes, looking uneasily up into the sky, observed that the flock of starlings which Jasper had routed with his gun had settled on the tops of the elm trees.
Virginia Woolf (To the Lighthouse)
I sensed a change in your physiology as you spoke to the salvage captain,” the Thunderhead said. “Why is that your business?” Greyson snapped. “It was just an observation,” the Thunderhead said calmly. “With all your years of studying human nature, don’t you know when you’re intruding into my privacy?” “I do know,” said the Thunderhead. “And I also know when you want that privacy intruded upon.” As always the Thunderhead was right, and it ticked Greyson off. He wanted to talk about it. To process it. But of course there was no one he could talk to but the Thunderhead. “I believe she had an effect on you,” it said. “She? Isn’t it presumptuous of you to call Jeri ‘she’?” “Not at all. The sky above the cave is clear and full of stars.” Then the Thunderhead explained to Greyson how Jeri saw gender, a thing as varied as the wind and ephemeral as clouds.
Neal Shusterman (The Toll (Arc of a Scythe Book 3))
In the Volksgarten “I’d like to have a blue balloon! A blue balloon is what I’d like!” “Here’s a blue balloon for you, Rosamunde!” It was explained to her then that there was a gas inside that was lighter than the air in the atmosphere, as a consequence of which, etc. etc. “I’d like to let it go—,” she said, just like that. “Wouldn’t you rather give it to that poor little girl over there?” “No, I want to let it go—!” She lets the balloon go, keeps looking after it, till it disappears in the blue sky. “Aren’t you sorry now you didn’t give it to the poor little girl?” “Yes, I should’ve given it to the poor little girl.” “Here’s another blue balloon, give her this one!” “No, I want to let this one go too up into the blue sky!”— She does so. She is given a third blue balloon. She goes over to the poor little girl on her own, gives this one to her, saying: “You let it go!” “No,” says the poor little girl, peering enraptured at the balloon. In her room it flew up to the ceiling, stayed there for three days, got darker, shriveled up and fell down dead, a little black sack. Then the poor little girl thought to herself: “I should have let it go outside in the park, up into the blue sky, I’d’ve kept on looking after it, kept on looking—!” In the meantime, the rich little girl gets another ten balloons, and one time Uncle Karl even buys her all thirty balloons in one batch. Twenty of them she lets fly up into the sky and gives ten to poor children. From then on she had absolutely no more interest in balloons. “The stupid balloons—,” she said. Whereupon Aunt Ida observed that she was rather advanced for her age! The poor little girl dreamed: “I should have let it go up into the blue sky, I’d’ve kept on looking and looking—!
Peter Altenberg (Telegrams of the Soul)
To illustrate this point, let’s think about the sky. When our ancestors originally studied the sky above them, they saw what appeared to be a random mass of stars. As they continued their observations, however, they came to realize that specific patterns of stars were always present. And not only were they always present, they were also so consistent that people could actually establish calendars and chart navigation based on those patterns. Of course, we know now that the sky is not random. It is based in the forces of gravity. The point that I am trying to make is that this is quite similar to the stock market. Prices go up and down, and anything can happen at any moment, but there are certain patterns that show themselves over and over again. And the good news for traders is that there's a good chance you can actually make money by recognizing those trading patterns.
Andrew Aziz (Advanced Techniques in Day Trading: A Practical Guide to High Probability Strategies and Methods (Stock Market Trading and Investing))
We tend to be unaware that stars rise and set at all. This is not entirely due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution). I wondered what could be wrong. Our modern civilization does not ignore the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us. It is only the integral part of the landscape which can relate to the stars. Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans, and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there'). We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world. They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.
Robert K.G. Temple (The Sirius Mystery: New Scientific Evidence of Alien Contact 5,000 Years Ago)
We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? — Leighton
Blake Crouch (Dark Matter)
I have always admired businessmen and criminals. How cleverly they react to all sorts of discoveries or events and turn them to their own advantage! Even an eclipse of the sun. When we simple folk hear that one’s coming up soon, we just act dumb and talk about it without seeking any material advantage for ourselves, saying how interesting astronomical phenomena are and how we really ought to watch them. A businessman, though, realizes that people will want to watch the eclipse but they won’t want to go blind in the process. That means they’ll need special glasses, and plenty of them. The businessman gets to work on the glasses, but meanwhile the criminal is already figuring it will be dark during the eclipse, and while the people are gazing up into the sky, they’re sure to lower their guard and forget to keep an eye on their pockets. Or else, let’s say, they’ll go dashing out into the street to observe the eclipse without closing the door to their apartment.
Vladimir Voinovich (Monumental Propaganda)
Observe yon tree in your neighbour's garden. Look how it grows up, crooked and distorted. Some wind scattered the germ from which it sprang, in the clefts of the rock; choked up and walled round by crags and buildings, by Nature and man, its life has been one struggle for the light,—light which makes to that life the necessity and the principle: you see how it has writhed and twisted; how, meeting the barrier in one spot, it has laboured and worked, stem and branches, towards the clear skies at last. What has preserved it through each disfavour of birth and circumstances,—why are its leaves as green and fair as those of the vine behind you, which, with all its arms, can embrace the open sunshine? My child, because of the very instinct that impelled the struggle,—because the labour for the light won to the light at length. So with a gallant heart, through every adverse accident of sorrow and of fate to turn to the sun, to strive for the heaven; this it is that gives knowledge to the strong and happiness to the weak.
Edward Bulwer-Lytton (Zanoni Book One: The Musician: The Magical Antiquarian Curiosity Shoppe, A Weiser Books Collection)
The entirety of our observable universe is an irrelevant pocket of dust in the wider cosmos, which extends way beyond the visible horizon and is conceivably infinite in extent, and I think society has come to terms with this sort of physical irrelevance. It’s hard to look at the Hubble Ultra Deep Field Image, containing over ten thousand galaxies in a piece of the night sky you’d cover very comfortably with an outstretched thumb, and feel important. Our spiritual demotion, however, is an entirely different matter. By spiritual demotion, I mean the realisation that our very existence has no more significance than our physical location. This is surely the case if life is the inevitable result of the action of the same set of natural laws that formed the stars and planets. Earth must be one of countless billions of living worlds in the Milky Way galaxy alone. This is absolutely not to suggest that our civilisation is not worth celebrating and fighting to preserve – it is my view that civilisations may be extremely rare, even if life is common.
Brian Cox (Forces of Nature)
In a dear little village Remote and obscure A beautiful maiden resided As to whether or not Her intentions were pure Opinions were sharply divided She loved to lie Out 'neath the darkening sky And allow the night breeze To entrance her She whispered her dreams To the birds flying by But seldom received any answer Over the field and along the lane Gentle Alice would love to stray When it came to the end of the day She would wander away Unheeding Dreaming her innocent dreams she strode Quite unaffected by heat or cold Frequently freckled or soaked with rain Alice was out in the lane Who she met there Every day Was a question Answered by none But she'd get there And she'd stay there 'Til whatever she did Was undoubtedly done You might also like Mad Dogs And Englishmen Noël Coward You’re Losing Me (From The Vault) Taylor Swift Cupid (Twin Version) FIFTY FIFTY (피프티피프티) Over the field and along the lane Both her parents would call in vain Sadly, sorrowfully, they'd complain 'Alice is at it again.' Although that dear little village Surrounded by trees Had neither a school, nor a college Gentle Alice acquired From the birds and the bees Some exceedingly practical knowledge The curious secrets that nature revealed She refused to allow to upset her But she thought When observing the beasts of the field That things might have been organised better Over the field and along the lane Gentle Alice would make up And take up Her stand The road was not exactly arterial But it led to a town nearby Where quite a lot of masculine material Caught her rolling eye She was ready to hitchhike Cadillac or motorbike She wasn't proud or choosy All she Was aiming to be Was a pinked-up Minked-up Fly-by-night floozy When old Rogers Gave her pearls as large as Nuts on a chestnut tree All she'd say was 'Fiddle-di-dee! The wages of sin will be the death of me!' Over the field and along the lane Gentle Alice's parents Would wait Hand in hand Her dear old white-headed mother Wistfully sipping champagne Said 'We've spoiled our child Spared the rod Open up the caviar and say "Thank God!" We've got no cause to complain! Alice is at it again!
Noël Coward (Alice Is at It Again Sheet Music)
The bombs fell until 6:15 A.M. The blackout ended at 7:54. The moon still shone in the clear dawn sky, but the bombers were gone. The cathedral was a ruin, with melted lead still dripping from its roofs, and fragments of charred timber now and then coming loose and falling to the ground. Throughout the city, the most common sound was that of broken glass crunching under people’s shoes. One news reporter observed glass “so thick that looking up the street it was as if it was covered with ice.” Now came scenes of horror. Dr. Ashworth reported seeing a dog running along a street “with a child’s arm in its mouth.” A man named E. A. Cox saw a man’s headless body beside a bomb crater. Elsewhere, an exploded land mine left behind a collection of charred torsos. Bodies arrived at a makeshift morgue at a rate of up to sixty per hour, and here morticians had to deal with a problem they had rarely, if ever, been compelled to confront: bodies so mangled that they were unrecognizable as bodies. Between 40 and 50 percent were classified as “unidentifiable owning to mutilation.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
Toward the end of Feynman’s life, his conservative view of quantum science became unfashionable. The fashionable theorists reject his dualistic picture of nature, with the classical world and the quantum world existing side by side. They believe that only the quantum world is real, and the classical world must be explained as some kind of illusion arising out of quantum processes. They disagree about the way in which quantum laws should be interpreted. Their basic problem is to explain how a world of quantum probabilities can generate the illusions of classical certainty that we experience in our daily lives. Their various interpretations of quantum theory lead to competing philosophical speculations about the role of the observer in the description of nature. Feynman had no patience for such speculations. He said that nature tells us that both the quantum world and the classical world exist and are real. We do not understand precisely how they fit together. According to Feynman, the road to understanding is not to argue about philosophy but to continue exploring the facts of nature.
Freeman Dyson (Dreams of Earth and Sky)
No one would take me just as I was, no one loved me. I shall love myself enough, I thought, to make up for this abandonment by everyone. Formerly, I had been quite satisfied with myself, but I had taken very little trouble to increase my self-knowledge; from now on, I would stand outside myself, watch over and observe myself; in my diary I had long conversations with myself. I was entering a world whose novelty dumbfounded me. I learned to distinguish between distress and melancholy, lack of emotion and serenity; I learned to recognize the hesitations of the heart, its deliriums, the splendour of great renunciations and the subterranean murmurings of hope. I entered into exalted trances, as on those evenings when I used to gaze upon the sky full of moving clouds behind the distant blue of the hills. I was both the landscape and its beholder: I existed only through myself, and for myself. I was grateful for an exile which had driven me to find such lonely and such lofty joys; I despised those who knew nothing about them, and was astonished that I had been able to exist for so long without them.
Simone de Beauvoir (The Second Sex)
idea this would happen. I didn’t know Squall could—’ ‘I know you didn’t!’ Morrigan cut in. ‘Don’t be ridiculous. It’s not your fault.’ ‘It is – partly, at least. I should have realised the danger you were in. I should have known Squall would take advantage if he could. I’ve been preoccupied for months – so focused on Cassiel and Paximus Luck and Alfie Swann, when I should have been focused on what was happening right in front of me.’ ‘Cassiel!’ Morrigan said, sitting up straight. ‘I forgot all about him! So, what happened to him? And Paximus Luck?’ ‘The Stealth has a lead on Paximus, which they’re following across the border into the Republic – that’s strictly confidential. But as for Cassiel,’ Jupiter shrugged, looking baffled, ‘I honestly have no idea. I’ve chewed through more resources at the League of Explorers than I can possibly justify, looking for him on-realm and off. We’ve handed it over to the Celestial Observation Group for now. They don’t quite have our reach, but they can watch the skies. They’ll keep me informed.’ ‘So you don’t think it was anything to do with Squall or the Ghastly Market?’ He didn’t answer immediately. Staring at the floor, he sat and breathed in the lemon smoke.
Jessica Townsend (Wundersmith: The Calling of Morrigan Crow (Nevermoor #2))
How to live (forty pieces of advice I feel to be helpful but which I don’t always follow) 1. Appreciate happiness when it is there 2. Sip, don’t gulp. 3. Be gentle with yourself. Work less. Sleep more. 4. There is absolutely nothing in the past that you can change. That’s basic physics. 5. Beware of Tuesdays. And Octobers. 6. Kurt Vonnegut was right. “Reading and writing are the most nourishing forms of meditation anyone has so far found.” 7. Listen more than you talk. 8. Don’t feel guilty about being idle. More harm is probably done to the world through work than idleness. But perfect your idleness. Make it mindful. 9. Be aware that you are breathing. 10. Wherever you are, at any moment, try to find something beautiful. A face, a line out of a poem, the clouds out of a window, some graffiti, a wind farm. Beauty cleans the mind. 11. Hate is a pointless emotion to have inside you. It is like eating a scorpion to punish it for stinging you. 12. Go for a run. Then do some yoga. 13. Shower before noon. 14. Look at the sky. Remind yourself of the cosmos. Seek vastness at every opportunity, in order to see the smallness of yourself. 15. Be kind. 16. Understand that thoughts are thoughts. If they are unreasonable, reason with them, even if you have no reason left. You are the observer of your mind, not its victim. 17. Do not watch TV aimlessly. Do not go on social media aimlessly. Always be aware of what you are doing and why you are doing it. Don’t value TV less. Value it more. Then you will watch it less. Unchecked distractions will lead you to distraction. 18. Sit down. Lie down. Be still. Do nothing. Observe. Listen to your mind. Let it do what it does without judging it. Let it go, like Snow Queen in Frozen. 19. Don’t’ worry about things that probably won’t happen. 20. Look at trees. Be near trees. Plant trees. (Trees are great.) 21. Listen to that yoga instructor on YouTube, and “walk as if you are kissing the earth with your feet”. 22. Live. Love. Let go. The three Ls. 23. Alcohol maths. Wine multiplies itself by itself. The more you have, the more you are likely to have. And if it is hard to stop at one glass, it will be impossible at three. Addition is multiplication. 24. Beware of the gap. The gap between where you are and where you want to be. Simply thinking of the gap widens it. And you end up falling through. 25. Read a book without thinking about finishing it. Just read it. Enjoy every word, sentence, and paragraph. Don’t wish for it to end, or for it to never end. 26. No drug in the universe will make you feel better, at the deepest level, than being kind to other people. 27. Listen to what Hamlet – literature’s most famous depressive – told Rosencrantz and Guildenstern. “There is nothing either good or bad, but thinking makes it so.” 28. If someone loves you, let them. Believe in that love. Live for them, even when you feel there is no point. 29. You don’t need the world to understand you. It’s fine. Some people will never really understand things they haven’t experienced. Some will. Be grateful. 30. Jules Verne wrote of the “Living Infinite”. This is the world of love and emotion that is like a “sea”. If we can submerge ourselves in it, we find infinity in ourselves, and the space we need to survive. 31. Three in the morning is never the time to try and sort out your life. 32. Remember that there is nothing weird about you. You are just a human, and everything you do and feel is a natural thing, because we are natural animals. You are nature. You are a hominid ape. You are in the world and the world is in you. Everything connects. 33. Don’t believe in good or bad, or winning and losing, or victory and defeat, or ups and down. At your lowest and your highest, whether you are happy or despairing or calm or angry, there is a kernel of you that stays the same. That is the you that matters.
Matt Haig (Reasons to Stay Alive)
They are aficionados at this point, and are hoping to see the green flash at sunset. Apparently Earth’s gravity, or atmosphere, they argue about which, bends the light from the sun in such a way that just before it dips under the horizon and disappears, the Earth is actually physically between the observer and the sun, but the sunlight is curving around the globe because of the atmosphere, or gravity, and as blue light curves more than red light, this curve around the Earth splits the light as if passing it through a prism, and this means that the last visible point of sunlight turns, not blue, which would be too much of a bend and too much like the sky’s color, but green, said to be a pure brilliant emerald green. “This we have to see!” Aram declares. Badim agrees. “Strange to be as old as we are, and see it for the first time.” He turns and calls to Freya. “Girl, come see this green flash that may occur!” “You’re not that old,” she says to him. “You’re like the hundredth-oldest person in the ship.” “Well, even that would be old, but in fact I think I’m down to about fifteenth now. But let’s stay focused on the sunset. I’m told when the sun is three-quarters gone, you can look at it without damaging your eyes. Not for long, mind you, but long enough to see the green flash when it comes.
Kim Stanley Robinson (Aurora)
It had been a quiet few days for Hungry Paul since his Yahtzee conversation with Leonard, quiet days not being uncommon in his schedule. This had given him the opportunity to ponder the expansion and contraction of the universe as observed in localised form in the life of his best friend. Edwin Hubble, had he looked inside Leonard with his telescope, would have recorded that everything was just as the universe would ordain it. The thing is, for Hungry Paul the world was a complicated place, with people themselves being both the primary cause and chief victims of its complexity. He saw society as a sort of chemistry set, full of potentially explosive ingredients which, if handled correctly could be fascinating and educational, but which was otherwise best kept out of reach of those who did not know what they were doing. Though his life had been largely quiet and uneventful, his choices had turned out to be wise ones: he had already lived longer than Alexander the Great, and had fewer enemies, too. But he had now become awakened by the thought that, no matter how insignificant he was when compared to the night sky, he remained subject to the same elemental forces of expansion. The universe, it seemed, would eventually come knocking. And so it was that over a mid-morning scone he read a short article in the local freesheet with a sense of cosmic destiny.
Ronan Hession (Leonard and Hungry Paul)
Franklin also combined science and mechanical practicality by devising the first urinary catheter used in America, which was a modification of a European invention. His brother John in Boston was gravely ill and wrote Franklin of his desire for a flexible tube to help him urinate. Franklin came up with a design, and instead of simply describing it he went to a Philadelphia silversmith and oversaw its construction. The tube was thin enough to be flexible, and Franklin included a wire that could be stuck inside to stiffen it while it was inserted and then be gradually withdrawn as the tube reached the point where it needed to bend. His catheter also had a screw component that allowed it to be inserted by turning, and he made it collapsible so that it would be easier to withdraw. “Experience is necessary for the right using of all new tools or instruments, and that will perhaps suggest some improvements,” Franklin told his brother. The study of nature also continued to interest Franklin. Among his most noteworthy discoveries was that the big East Coast storms known as northeasters, whose winds come from the northeast, actually move in the opposite direction from their winds, traveling up the coast from the south. On the evening of October 21, 1743, Franklin looked forward to observing a lunar eclipse he knew was to occur at 8:30. A violent storm, however, hit Philadelphia and blackened the sky. Over the next few weeks, he read accounts of how the storm caused damage from Virginia to Boston. “But what surprised me,” he later told his friend Jared Eliot, “was to find in the Boston newspapers an account of the observation of that eclipse.” So Franklin wrote his brother in Boston, who confirmed that the storm did not hit until an hour after the eclipse was finished. Further inquiries into the timing of this and other storms up and down the coast led him to “the very singular opinion,” he told Eliot, “that, though the course of the wind is from the northeast to the southwest, yet the course of the storm is from the southwest to the northeast.” He further surmised, correctly, that rising air heated in the south created low-pressure systems that drew winds from the north. More than 150 years later, the great scholar William Morris Davis proclaimed, “With this began the science of weather prediction.”4 Dozens of other scientific phenomena also engaged Franklin’s interest during this period. For example, he exchanged letters with his friend Cadwallader Colden on comets, the circulation of blood, perspiration, inertia, and the earth’s rotation. But it was a parlor-trick show in 1743 that launched him on what would be by far his most celebrated scientific endeavor. ELECTRICITY On a visit to Boston in the summer of 1743, Franklin happened to be entertained one evening by
Walter Isaacson (Benjamin Franklin: An American Life)
They suffered for several hours, almost all the time in silence. The words of cheer which the sailor had addressed to his youthful comrade were now only heard occasionally, and at long intervals, and when heard were spoken in a tone that proclaimed their utterance to be merely mechanical, and that he who gave tongue to them had but slight hope. Little as remained, however, he would rise from time to time to his feet, and stand for a while scanning the horizon around him. Then as his scrutiny once more terminated in disappointment, he would sink back upon the canvas, and half-kneeling, half-lying, give way for an interval to a half stupor of despair. From one of these moods he was suddenly aroused by circumstances which had made no impression on his youthful companion, though the latter had also observed it. It was simply the darkening of the sun by a cloud passing over its disc. Little William wondered that an incident of so common character should produce so marked an effect as it had done upon his protector: for the latter on perceiving that the sun had become shadowed instantly started to his feet, and stood gazing up towards the sky. A change had come over his countenance. His eyes, instead of the sombre look of despair observable but the moment before, seemed now to sparkle with hope. In fact, the cloud which had darkened the face of the sun appeared to have produced the very opposite effect upon the face of the sailor!
Walter Scott (The Greatest Sea Novels and Tales of All Time)
If you are in contact with anything, with your wife, with your children, with the sky, with the clouds, with any fact, the moment thought interferes with it you lose contact. Thought springs from memory. Memory is the image, and from there you look and therefore there is a separation between the observer and the observed. You have to understand this very deeply. It is this separation of the observer from the observed that makes the observer want more experience, more sensations, and so he is everlastingly pursuing, seeking. It has to be completely and totally understood that as long as there is an observer, the one that is seeking experience, the censor, the entity that evaluates, judges, condemns, there is no immediate contact with what is. When you have pain, physical pain, there is direct perception; there is not the observer who is feeling the pain; there is only pain. Because there is no observer there is immediate action. There is not the idea and then action, but there is only action when there is pain, because there is a direct physical contact. The pain is you; there is pain. As long as this is not completely understood, realized, explored, and felt deeply, as long as it is not wholly grasped, not intellectually, not verbally, that the observer is the observed, all life becomes conflict, a contradiction between opposing desires, the “what should be” and the “what is.” You can do this only if you are aware whether you are looking at it as an observer, when you look at a flower or a cloud or anything.
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
He had been a timid child in New York City, cut off from schoolboy society by illness, wealth, and private tutors. Inspired by a leonine father, he had labored with weights to build up his strength. Simultaneously, he had built up his courage “by sheer dint of practicing fearlessness.” With every ounce of new muscle, with every point scored over pugilistic, romantic, and political rivals, his personal impetus (likened by many observers to that of a steam train) had accelerated. Experiences had flashed by him in such number that he was obviously destined to travel a larger landscape of life than were his fellows. He had been a published author at eighteen, a husband at twenty-two, an acclaimed historian and New York State Assemblyman at twenty-three, a father and a widower at twenty-five, a ranchman at twenty-six, a candidate for Mayor of New York at twenty-seven, a husband again at twenty-eight, a Civil Service Commissioner of the United States at thirty. By then he was producing book after book, and child after child, and cultivating every scientist, politician, artist, and intellectual of repute in Washington. His career had gathered further speed: Police Commissioner of New York City at thirty-six, Assistant Secretary of the Navy at thirty-eight, Colonel of the First U.S. Volunteer Cavalry, the “Rough Riders,” at thirty-nine. At last, in Cuba, had come the consummating “crowded hour.” A rush, a roar, the sting of his own blood, a surge toward the sky, a smoking pistol in his hand, a soldier in light blue doubling up “neatly as a jackrabbit” … When the smoke cleared, he had found himself atop Kettle Hill on the Heights of San Juan, with a vanquished empire at his feet.
Edmund Morris (Theodore Rex)
I have always been a teller of stories. When I was a young girl, my mother carried me out of a grocery store as I screamed about toes in the produce aisle. Concerned women turned and watched as I kicked the air and pounded my mother’s slender back. “Potatoes!” she corrected when we got back to the house. “Not toes!” She told me to sit in my chair—a child-sized thing, built for me—until my father returned. But no, I had seen the toes, pale and bloody stumps, mixed in among those russet tubers. One of them, the one that I had poked with the tip of my index finger, was cold as ice, and yielded beneath my touch the way a blister did. When I repeated this detail to my mother, something behind the liquid of her eyes shifted quick as a startled cat. “You stay right there,” she said. My father returned from work that evening, and listened to my story, each detail. “You’ve met Mr. Barns, have you not?” he asked me, referring to the elderly man who ran this particular market. I had met him once, and I said so. He had hair white as a sky before snow, and a wife who drew the signs for the store windows. “Why would Mr. Barns sell toes?” my father asked. “Where would he get them?” Being young, and having no understanding of graveyards or mortuaries, I could not answer. “And even if he got them somewhere,” my father continued, “what would he have to gain by selling them amongst the potatoes?” They had been there. I had seen them with my own eyes. But beneath the sunbeam of my father’s logic, I felt my doubt unfurl. “Most importantly,” my father said, arriving triumphantly at his final piece of evidence, “why did no one notice the toes except for you?” As a grown woman, I would have said to my father that there are true things in this world observed only by a single set of eyes. As a girl, I consented to his account of the story, and laughed when he scooped me from the chair to kiss me and send me on my way.
Carmen Maria Machado (Her Body and Other Parties)
I landed a bit too fast and stumbled in my unlaced sneakers before slamming face first into Darius’s chest as he lurched forward to catch me. “Sorry,” I laughed as I looked up at him with a grin and he fell still as he helped me steady myself. “What?” I asked, trying to blink the sleep out of my eyes. “You’ve never smiled at me like that before,” he said in a rough voice, reaching out to brush some tangled strands of black hair out of my face. “Shut up, I smile at you all the time,” I replied as heat touched my cheeks and I tried to run my fingers through my knotty hair. Really should have taken a minute to brush it dumbass. Let’s hope he assumes it’s from flying. “Not like that you don’t,” Darius countered, a smile tugging at the corner of his mouth too as his gaze ran over me. “You look…cute.” “I don’t know what you mean. And I don’t do cute.” Darius snorted at me. “You look like you got dressed in the dark…” “Gee thanks, any more observations, Sherlock?” I asked, rolling my eyes at him but I was still grinning so there wasn’t much bite with my snark. “Well… You’re not wearing any makeup.” “I…woke up late, so-” “I like it,” he said, his smile growing as he looked me over. “You look all sleepy and innocent. I could almost imagine you just woke up in my bed.” I was definitely goddamn blushing now and thanks to my lack of bronzer he was clearly well aware of it. The sky was darkening overhead already as we lingered, but I fought the stars for just another moment. “If I’d spent the night in your bed, there wouldn’t have been anything innocent about it,” I taunted to get him back onto safer, less mortifying topics of conversation. Like sex. “As much as I ache for the feeling of your body against mine – and I really fucking do – I think if I was allowed a single cheat against this curse that keeps us apart, I’d just want to be able hold you in my arms,” he replied. “Just to wake up with you there, knowing you were safe.” My heart pounded at his words, but a crash of thunder from the heavens stopped me from replying. I offered him a frustrated smile and turned away from him as I began my run. Darius followed behind me, far enough back to allow the clouds to scatter again and I tried not to dwell on the disappointment that lingered in me as I upped my pace. Did I just shoot over here at the speed of light without brushing my hair or putting any makeup on rather than risk missing out on our run? I shook my head at myself as I tried to figure out what was going on here. I’d been purposefully ignoring this question up until now, but I seriously needed to consider what I was doing. Running with him every morning, messaging him every night. Exchanging little looks whenever we ended up in the same place and thinking about him way too often. This felt a hell of a lot like the start of something instead of the end of it, but that wasn’t possible. Even if he wanted it. Even if I wanted it. We couldn’t have it. The damn stars wouldn’t allow it. My mind twisted around and around as we ran on and I cursed the stars out with everything I had. But why was I doing that? Hadn’t I made my mind up about this? Hadn’t I already made the only decision I could? Darius might have been showing me more of himself now, he might have stopped hurting me and be trying to change but had he done enough to make up for all the pain he’d caused me? When I really thought about it, I still wasn’t sure. But I was sure that he made me smile when he messaged me, that I looked for him whenever I arrived in a room, that he seemed to be trying to do everything he could to set things right. And that I fantasised about him more than I had about any man in all my life. Even Tom Hardy. Even. Tom. Hardy. Fuck it. We ran around Aqua Lake, circling the shore and heading on into The Wailing Wood. Darius kept pace behind me in silence like always, but I decided to drop back. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
If you pass on through the meadows with their thousand flowers of every color imaginable, from bright red to yellow and purple, and their bright green grass washed clean by last night’s rain, rich and verdant—again without a single movement of the machinery of thought—then you will know what love is. To look at the blue sky, the high full-blown clouds, the green hills with their clear lines against the sky, the rich grass and the fading flower—to look without a word of yesterday; then, when the mind is completely quiet, silent, undisturbed by any thought, when the observer is completely absent—then there is unity. Not that you are united with the flower, or with the cloud, or with those sweeping hills; rather there is a feeling of complete non-being in which the division between you and another ceases. The woman carrying those provisions which she bought in the market, the big black Alsatian dog, the two children playing with the ball—if you can look at all these without a word, without a measure, without any association, then the quarrel between you and another ceases. This state, without the word, without thought, is the expanse of mind that has no boundaries, no frontiers within which the I and the not-I can exist. Don’t think this is imagination, or some flight of fancy, or some desired mystical experience; it is not. It is as actual as the bee on that flower or the little girl on her bicycle or the man going up a ladder to paint the house—the whole conflict of the mind in its separation has come to an end. You look without the look of the observer, you look without the value of the word and the measurement of yesterday. The look of love is different from the look of thought. The one leads in a direction where thought cannot follow, and the other leads to separation, conflict, and sorrow. From this sorrow, you cannot go to the other. The distance between the two is made by thought, and thought cannot by any stride reach the other. As you walk back by the little farmhouses, the meadows, and the railway line, you will see that yesterday has come to an end: life begins where thought ends.
J. Krishnamurti (The Only Revolution (meditations on interior change))
The universal survey of life as a whole, an advantage which man has over the animal through his faculty of reason, is also comparable to a geometrical, colourless, abstract, reduced plan of his way of life. He is therefore related to the animal as the navigator, who by means of chart, compass, and quadrant knows accurately at any moment his course and position on the sea, is related to the uneducated crew who see only the waves and skies. It is therefore worth noting, and indeed wonderful to see, how man, besides his life in the concrete, always lives a second life in the abstract. In the former he is abandoned to all the storms of reality and to the influence of the present; he must struggle, suffer, and die like the animal. But his life in the abstract, as it stands before his rational consciousness, is the calm reflection of his life in the concrete, and of the world in which he lives; it is precisely that reduced chart or plan previously mentioned. Here in the sphere of calm deliberation, what previously possessed him completely and moved him intensely appears to him cold, colourless, and, for the moment, foreign and strange; he is a mere spectator and observer. In respect of this withdrawal into reflection, he is like an actor who has played his part in one scene, and takes his place in the audience until he must appear again. In the audience he quietly looks on at whatever may happen, even though it be the preparation of his own death (in the play); but then he again goes on the stage, and acts and suffers as he must. From this double life proceeds that composure in man, so very different from the thoughtlessness of the animal. According to previous reflection, to a mind made up, or to a recognized necessity, a man with such composure suffers or carries out in cold blood what is of the greatest, and often most terrible, importance to him, such as suicide, execution, duels, hazardous enterprises of every kind fraught with danger to life, and generally things against which his whole animal nature rebels. We then see to what extent reason is master of the animal nature, and we exclaim to the strong: ferreum certe tibi cor! (Truly hast thou a heart of iron!) [Iliad, xxiv, 521.] Here it can really be said that the faculty of reason manifests itself practically, and thus practical reason shows itself, wherever action is guided by reason, where motives are abstract concepts, wherever the determining factors are not individual representations of perception, or the impression of the moment which guides the animal.
Arthur Schopenhauer (The World as Will and Representation, Volume I)
The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.
Elizabeth Bishop (The Complete Poems 1927-1979)
After nightfall, when most of the American planes had been taken aboard, a new formation of planes arrived over the task force. First, the drone of their engines could be heard above the cloud cover; then they slipped into view, at about the height of the Lexington’s masts. “These planes were in very good formation,” recalled Lieutenant Commander Stroop. They had their navigation lights on, indicating that they intended to land. But many observers on both carriers and several of the screening vessels noted that something was awry. Captain Sherman of the Lexington counted nine planes, more than could be accounted for among the American planes that were still aloft. They were flying down the Yorktown’s port side, a counterclockwise approach, the reverse of the American landing routine. They were flashing their blinker lights, but none of the Americans could decipher the signal. Electrician’s mate Peter Newberg, stationed on the Yorktown’s flight deck, noticed that the aircraft exhausts were a strange shape and color, and Stroop noted that the running lights were a peculiar shade of red and blue. The TBS (short-range radio circuit) came alive with chatter. One of the nearby destroyers asked, “Have any of our planes got rounded wingtips?” Another voice said, “Damned if those are our planes.” When the first of the strangers made his final turn, he was too low, and the Yorktown’s landing signal officer frantically signaled him to throttle up. “In the last few seconds,” Newberg recalled, “when the pilot was about to plow into the stern under the flight deck, he poured the coal to his engine and pulled up and off to port. The signal light flicked briefly on red circles painted on his wings.” One of the screening destroyers opened fire, and red tracers reached up toward the leading plane. A voice on the Lexington radioed to all ships in the task force, ordering them to hold fire, but the captain of the destroyer replied, “I know Japanese planes when I see them.” Antiaircraft gunners on ships throughout the task force opened fire, and suddenly the night sky lit up as if it was the Fourth of July. But there were friendly planes in the air as well; one of the Yorktown fighter pilots complained: “What are you shooting at me for? What have I done now?” On the Yorktown, SBD pilot Harold Buell scrambled out to the port-side catwalk to see what was happening. “In the frenzy of the moment, with gunners firing at both friend and foe, some of us got caught up in the excitement and drew our .45 Colt automatics to join in, blasting away at the red meatballs as they flew past the ship—an offensive gesture about as effective as throwing rocks.” The intruders and the Americans all doused their lights and zoomed back into the cloud cover; none was shot down. It was not the last time in the war that confused Japanese pilots would attempt to land on an American carrier.
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.
Jens Christian Grøndahl (Lucca)
In many fields—literature, music, architecture—the label ‘Modern’ stretches back to the early 20th century. Philosophy is odd in starting its Modern period almost 400 years earlier. This oddity is explained in large measure by a radical 16th century shift in our understanding of nature, a shift that also transformed our understanding of knowledge itself. On our Modern side of this line, thinkers as far back as Galileo Galilei (1564–1642) are engaged in research projects recognizably similar to our own. If we look back to the Pre-Modern era, we see something alien: this era features very different ways of thinking about how nature worked, and how it could be known. To sample the strange flavour of pre-Modern thinking, try the following passage from the Renaissance thinker Paracelsus (1493–1541): The whole world surrounds man as a circle surrounds one point. From this it follows that all things are related to this one point, no differently from an apple seed which is surrounded and preserved by the fruit … Everything that astronomical theory has profoundly fathomed by studying the planetary aspects and the stars … can also be applied to the firmament of the body. Thinkers in this tradition took the universe to revolve around humanity, and sought to gain knowledge of nature by finding parallels between us and the heavens, seeing reality as a symbolic work of art composed with us in mind (see Figure 3). By the 16th century, the idea that everything revolved around and reflected humanity was in danger, threatened by a number of unsettling discoveries, not least the proposal, advanced by Nicolaus Copernicus (1473–1543), that the earth was not actually at the centre of the universe. The old tradition struggled against the rise of the new. Faced with the news that Galileo’s telescopes had detected moons orbiting Jupiter, the traditionally minded scholar Francesco Sizzi argued that such observations were obviously mistaken. According to Sizzi, there could not possibly be more than seven ‘roving planets’ (or heavenly bodies other than the stars), given that there are seven holes in an animal’s head (two eyes, two ears, two nostrils and a mouth), seven metals, and seven days in a week. Sizzi didn’t win that battle. It’s not just that we agree with Galileo that there are more than seven things moving around in the solar system. More fundamentally, we have a different way of thinking about nature and knowledge. We no longer expect there to be any special human significance to natural facts (‘Why seven planets as opposed to eight or 15?’) and we think knowledge will be gained by systematic and open-minded observations of nature rather than the sorts of analogies and patterns to which Sizzi appeals. However, the transition into the Modern era was not an easy one. The pattern-oriented ways of thinking characteristic of pre-Modern thought naturally appeal to meaning-hungry creatures like us. These ways of thinking are found in a great variety of cultures: in classical Chinese thought, for example, the five traditional elements (wood, water, fire, earth, and metal) are matched up with the five senses in a similar correspondence between the inner and the outer. As a further attraction, pre-Modern views often fit more smoothly with our everyday sense experience: naively, the earth looks to be stable and fixed while the sun moves across the sky, and it takes some serious discipline to convince oneself that the mathematically more simple models (like the sun-centred model of the solar system) are right.
Jennifer Nagel (Knowledge: A Very Short Introduction)
When I observe the daytime horizon, I see white sky.
Steven Magee
Nanaki would be besotted for many hours. She would watch like a novice, like she was in a foreign country, with fresh eyes. Like starting all over again. Like wiping clean a film of experience from eyes and starting afresh, like a child. She would then do a very Chandigarh thing - buy herself a tub of buttered popcorn and continue observing. On days she would get so late that the blue of the sky would deepen into a flush of Prussian. Poor selling boys launched neon frisbees to attract little children taking a walk with parents. The sodium pole lamps would be lit and the water of the bird fountain would become a psychedelic pink. She would continue to observe- not in a way that would make people uncomfortable but in a detached, wholesome way, like she was part of the surroundings. This was also one of the early lessons by her favourite Prof Ramanujan at DCA, who always said that observation was the key. Nature or culture.
Sakoon Singh (In The Land of The Lovers)
Sad Savages by Maisie Aletha Smikle Savages make selfish deals They claim what they steal Pay a penny for steel And feast at every meal The more they have The more they brag They slaughtered the hogs And took their sheltered sty Let the hogs live in the sky My oh my For indeed it is hog heaven We have plundered till the clock struck eleven Celebrate we must on the eleventh of the eleven Every year till half past seven For we have chased elephants from their habitat Where they once freely roam is now our home Savages fortify barricades and borders Wishing the world would stop turning and refrain from gathering Afraid that what goes around Will some day rotate back around to them Savages spy from the steeple Looking lurking and listening always suspecting For they have observed To expect what they served Never at ease are the savages Always jumpy anticipating the worst for others And the best for themselves Pointing always away from themselves
Maisie Aletha Smikle
As I move slowly along a woodland edge, or through a meadow, or within a patch of scrubby heathland; as I get low to the ground to observe insects feeding on their herbs of choice; as my joy ratchets up towards ecstasy… As all of these things happen, I find my feet, knees, and hands sinking into the soil and my soul being consumed by the habitat. And I find time passing only to keep flying creatures from falling out of the sky.
Joe Gray (Thirteen Paces by Four: Backyard Biophilia and the Emerging Earth Ethic)
Without identifying me or naming me or tracking my movements, the shapes in the sky spoke with me about transformation and we respired together accepting the way the light changed o the terrain below. It was all free form, an endless dirt path, a sage brushing Indian plant, a bristling grass hill rising, sloping, grading only the day's glow slipping slowly into evening sun. It was time and I alone with the colors observing a free afternoon.
Adrian H. Molina (The Poets Project at Casa Grande: A Colorado Anthology)
For the astronomers of ancient Mesopotamia, the stars that crossed the sky each night were not just distant lights of fixed path and varying brilliance. They were letters, words, writing, a script that could be read. Babylonian inscriptions from the first millennium B.C. referred to the star-filled sky as “the heavenly writing.” Astronomical observation—the tracking of the paths of the stars and planets and the prediction of celestial events—was not an abstract science but a form of reading, an attempt to transcribe and interpret the scribblings of the gods.
Ben Ehrenreich (Desert Notebooks: A Road Map for the End of Time)
And then at last it happened—just after sunset on the third night, a dark spot flitted through the trees, so quick and small that I doubted my eyes, but then it came again, and dozens more with it. Thinking on it now, I am surprised I was not somewhat disappointed, for there was little to observe. In the dusk, especially to my inexperienced eyes, the bats could have been barn swallows or oversized moths. Yet for all that, it was marvelous—the nights of anticipation and then, in the sky above me, the fleeting silhouettes of their wings. That is the excitement. We catch only glimpses, a burst of movement, a flap of wings, yet it is life itself beating at shadow’s edge.
Eowyn Ivey (To the Bright Edge of the World)
In this way you have to look at the mind as an observer, and The ordinary thought process will vanish of itself, like (clouds) in the empty sky,
Zhabkar Tshogdrug Rangdrol (Flight of the Garuda: Songs of Liberation)
She lay—at six years old? Seven?—on a blanket in the back garden, watching clouds drift across the sky. Then, all at once, the clouds were no longer there, and neither was Caro. She was nowhere and everywhere, woven into what she later thought of as “the fabric of the universe.” She was the clouds, the grass, the breeze, the ant crawling across her arm. Everything was her, and she was everything.
Robert Lanza (Observer)
Then the stars turned their attention to the younger children of the family. The ones who hadn’t grown up yet. The stars knew what was coming, who was lurking. They always did. They’d seen it all before, countless times, across vast, green oceans and ethereal night skies. They recognized the tiny, sparkling glow, nearly hidden in the wise old oak tree sprawling above the Roberts-Darlings’ backyard. They recognized the crouched, shadowy figures within its branches. The stars weren’t the only spectators closely observing Lily, Wendy, and Michael.
Cynthia Leitich Smith (Sisters of the Neversea)
There is no doubt that the Veil is expanding into a dusty region and sweeping up the interstellar material as it does so. The sky within the loop is noticeably clearer than the area outside, as evidenced by the difference in the number of faint stars visible in the two regions. This effect is plainly seen on the photograph on page 802
Robert Burnham Jr. (Burnham's Celestial Handbook, Volume Two: An Observer's Guide to the Universe Beyond the Solar System (Dover Books on Astronomy Book 2))
I have pointed out that the concept current among most flying-saucer enthusiasts that the unidentified flying objects are simply craft used by visitors from another planet is naive. The explanation is too simple-minded to account for the diversity of the reported behavior of the occupants and their percieved interaction with human beings. Could this concept serve precisely a diversionary role in masking the real, infinitely more complex nature of the technology that gives rise to the sightings? [...] Here then, is a brief statement of five new propositions based upon the material we have reviewed so far: 1. The things we call unidentified flying objects are neither objects nor flying. They can dematerialize, as some reliable photographs seem to show, and they violate the laws of motion as we know them. 2. UFOs have been seen throughout history and have consistently recieved (or provided) their own explanation within the framework of each culture. In antiquity their occupants were regarded as gods; in medieval times, as magicians; in the nineteenth century, as scientific geniuses; in our own time, as interplanetary travelers. (Statements made by occupants of the 1897 airship included such declarations as "We are from Kansas" and even "We are from anywhere... but we'll be in Greece tomorrow.") 3. UFO reports are not necessarily caused by visits from space travelers. The phenomenon could be a manifestation of a much more complex technology. If time and space are not as simple in structure as physicists have assumed until now, then the question "where do they come from?" may be meaningless; they could come from a place in time. If consciousness can be manifested outside the body, then the range of hypotheses can be even wider. 4. The key to an understanding of the phenomenon lies in the psychic effects it produces (or the psychic awareness it makes possible) in its observers. Their lives are often deeply changed, and they develop unusual talents with which they may find it difficult to cope. The proportion of witnesses who do come forward and publish accounts of these experiences is quite low; most of them choose to remain silent. 5. Contact between human percipients and the UFO phenomenon always occurs under conditions controlled by the latter. Its characteristic feature is a factor of absurdity that leads to a rejection of the story by the upper layers of the target society and an absorption at a deep unconscious level of the symbols conveyed by the encounter. The mechanism of this resonance between the UFO symbol and the archetypes of the human unconscious has been abundantly demonstrated by Carl Jung, whose book Flying Saucers makes many references to the age-old significance of the signs in the sky. I am not regarding the phenomenon of the UFOs as the unknowable, uncontrollable game of a higher order of beings. Neither is it likely, in my view, that an encounter with UFOs would add to the human being anything it did not already possess. Everything works as if the phenomenon were the product of a technology that followed well-defined rules and patterns, though fantastic by ordinary human standards. It has so far posed no apparent threat to national defense and seems to be indifferent to the welfare of individual witnesses, leading many to assume that we may be dealing with a still-undiscovered natural occurrence ("It cannot be intelligent," say some people, "because it does not attack us!"). But its impact in shaping man's long-term creativity and unconscious impulses is probably enormous. The fact that we have no methodology to deal with such an impact is only an indication of how little we know about our own psychic world.
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)