“
Her absence is like the sky, spread over everything.
”
”
C.S. Lewis (A Grief Observed)
“
And so much depends, I told Augustus, upon a blue sky cut open by the branches of the trees above. So much depends upon the transparent G-tube erupting from the gut of the blue-lipped boy. So much depends upon the observer of the universe.
”
”
John Green (The Fault in Our Stars)
“
Her absence is like the sky, spread over everything.
But no, that is not quite accurate. There is one place where her absence comes locally home to me, and it is a place I can't avoid. I mean my own body. It had such a different importance while it was the body of H.'s lover. Now it's like an empty house.
”
”
C.S. Lewis (A Grief Observed)
“
Have you noticed how nobody ever looks up? Nobody looks at chimneys, or trees against the sky, or the tops of buildings. Everybody just looks down at the pavement or their shoes. The whole world could pass them by and most people wouldn't notice.
”
”
Julie Andrews Edwards (The Last of the Really Great Whangdoodles)
“
Holmes and Watson are on a camping trip. In the middle of the night Holmes wakes up and gives Dr. Watson a nudge. "Watson" he says, "look up in the sky and tell me what you see."
"I see millions of stars, Holmes," says Watson.
"And what do you conclude from that, Watson?"
Watson thinks for a moment. "Well," he says, "astronomically, it tells me that there are millions of galaxies and potentially billions of planets. Astrologically, I observe that Saturn is in Leo. Horologically, I deduce that the time is approximately a quarter past three. Meterologically, I suspect that we will have a beautiful day tomorrow. Theologically, I see that God is all-powerful, and we are small and insignficant. Uh, what does it tell you, Holmes?"
"Watson, you idiot! Someone has stolen our tent!
”
”
Thomas Cathcart
“
Birds were created to record everything. They were not designed just to be beautiful jewels in the sky, but to serve as the eyes of heaven.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Unlike what you may be told in other sectors of life, when observing the universe, size does matter, which often leads to polite ‘telescope envy’ at gatherings of amateur astronomers.
”
”
Neil deGrasse Tyson (The Sky Is Not the Limit: Adventures of an Urban Astrophysicist)
“
I have gone around observing your activities from the outside. Because of this I have also been able to see things to which you have been blind... Every morning you have gone to work, but you have never been fully awake. Of course, you have seen the sun and the moon, the stars in the sky, and everything that moves, but you haven't really seen it at all. It is different for the Joker, because he was put into this world with a flaw: He sees too clearly and too much.
”
”
Jostein Gaarder (The Solitaire Mystery)
“
No one would take me just as I was, no one loved me; I shall love myself enough, I thought, to make up for this abandonment by everyone. Formerly, I had been quite satisfied with myself, but I had taken very little trouble to increase my self-knowledge; from now on, I would stand outside myself, watch over and observe myself; in my diary I had long conversations with myself. I was entering a world whose newness stunned me. I learned to distinguish between distress and melancholy, lack of emotion and serenity; I learned to recognize the hesitations of the heart, and its ecstasies, the splendor of great renunciations, and the subterranean murmurings of hope. I entered into exalted trances, as on those evenings when I used to gaze upon the sky full of moving clouds behind the distant blue of the hills; I was both the landscape and its beholder: I existed only through myself, and for myself… My path was clearly marked: I had to perfect, enrich and express myself in a work of art that would help others to live.
”
”
Simone de Beauvoir
“
Look around you...Feel the wind, smell the air. Listen to the birds and watch the sky. Tell me what's happening in the wide world.
”
”
Nancy Farmer (The Sea of Trolls (Sea of Trolls, #1))
“
This morning I woke up before the alarm clock went off and the sky outside was a big red ocean. You're beautiful when you're sleeping so I spent an hour observing the way you breathe. Inhale, exhale, without a thought of tomorrow. The window was open and the air was so crisp and I couldn't imagine how to ever ask for more than this.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
Her absence is like the sky spread over everything.
”
”
C.S. Lewis (A Grief Observed)
“
Gray.
The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me.
Gray...
”
”
Simona Panova (Nightmarish Sacrifice (Cardew))
“
Observing and then letting go is one of the most important skills to acquire in the quest to create positive change, as is knowledge of stillness.
”
”
Teal Swan (The Sculptor In The Sky)
“
The moon went slowly down in loveliness; she departed into the depth of the horizon, and long veil-like shadows crept up the sky through which the stars appeared. Soon, however, they too began to pale before a splendour in the east, and the advent of the dawn declared itself in the newborn blue of heaven. Quieter and yet more quiet grew the sea, quiet as the soft mist that brooded on her bosom, and covered up her troubling, as in our tempestuous life the transitory wreaths of sleep brook upon a pain-racked soul, causing it to forget its sorrow. From the east to the west sped those angels of the Dawn, from sea to sea, from mountain-top to mountain-top, scattering light from breast and wing. On they sped out of the darkness, perfect, glorious; on, over the quiet sea, over the low coast-line, and the swamps beyond, and the mountains above them; over those who slept in peace and those who woke in sorrow; over the evil and the good; over the living and the dead; over the wide world and all that breathes or as breathed thereon.
”
”
H. Rider Haggard (She (She, #1))
“
Those look like broken ribs," Hunt said wryly.
"Definitely broken ribs, Athalar," Bryce replied, sitting back on her heels. "And a broken arm, from the way he's cradling it."
"Skull fracture's healed," Hunt observed with equal distance, as if they were on one of his favorite Vanir crime show procedurals. Ithan's eyes flashed again.
"I'm sensing hostility and a good dose of male pride," Bryce said.
"Throw in some stubbornness and I'd say we've got a classic case of stupidity," Hunt answered.
"What the fuck is wrong with you two?" Ithan demanded.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
We learn about people by observing their choices.
”
”
Claudia Gray (Ten Thousand Skies Above You (Firebird, #2))
“
The colour blue - that is my colour - and the colour blue means you have left the drabness of day-to-day reality to be transported into - not a world of fantasy, it’s not a world of fantasy - but a world of freedom where you can say what you like and what you don’t like. This has been expressed forever by the colour blue, which is really sky blue.
”
”
Louise Bourgeois (Louise Bourgeois: Drawings and Observations)
“
The Astronomer
AN ASTRONOMER used to go out at night to observe the stars. One evening, as he wandered through the suburbs with his whole attention fixed on the sky, he fell accidentally into a deep well. While he lamented and bewailed his sores and bruises, and cried loudly for help, a neighbor ran to the well, and learning what had happened said: "Hark ye, old fellow, why, in striving to pry into what is in heaven, do you not manage to see what is on earth?
”
”
Aesop (Aesop's Fables)
“
The act of living is different all through. Her absence is like the sky, spread over everything.
”
”
C.S. Lewis (A Grief Observed)
“
PURE OBSERVING WITHOUT SELF-INTEREST IS WHAT CHARACTERIZES THE SELF.
”
”
Mooji (Vaster Than Sky, Greater Than Space: What You Are Before You Became)
“
I am using the word theory as a scientist means it: a set of ideas so well established by observations and physical models that it is essentially indistinguishable from fact. That is different from the colloquial use that means "guess." To a scientist, you can bet your life on a theory. Remember, gravity is "just a theory" too.
”
”
Philip Plait (Death from the Skies!: These Are the Ways the World Will End...)
“
But the sky is interesting, it changes all the time.
”
”
Aimee Bender (The Color Master: Stories)
“
While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one’s childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
”
”
Willa Cather (My Ántonia)
“
I look up at the night sky. Is anything more certain than that in all those vast times and spaces, if I were allowed to search them, I should nowhere find her face, her voice, her touch? She died. She is dead. Is the word so difficult to learn?
”
”
C.S. Lewis (A Grief Observed)
“
Time had ceased to feel linear. She looked up through the crisscrossing branches, thick with buds, into the night sky. The stars tugged at her gaze, trying to pull her up among them, or she was pulling them down to her. She was on the verge of some great discovery, she realized, but she had no idea what it was, what it related to, whether it even had anything to do with her at all. Was she a participant, or an observer? Did the world center around her, or could it carry on quite easily without her input? Looking up at those stars, feeling the embrace of their light as it enfolded her, she felt both small and large, as though everything mattered and nothing did. When someone crouched down beside her it took years for her to turn her head to see who it was. All she could make out was a dark shape, a vague outline of head and shoulders silhouetted against the stars, the rest of the body lost in the shadows of the rose bushes.
”
”
Charles de Lint (Memory and Dream (Newford, #2))
“
Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two.
”
”
Victor Hugo (The Hunchback of Notre-Dame)
“
I decided to study the sky that night, spotting similarities between us. I was lonely in a way that I imagine the stars to be, observed by everyone yet too far to truly be seen.
”
”
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
“
On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck on perceiving that he was headless!--but his horror was still more increased on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of his saddle!
”
”
Washington Irving
“
Colors blind the eye.
Sounds deafen the ear.
Flavors numb the taste.
Thoughts weaken the mind.
Desires wither the heart.
The Master observes the world
but trusts his inner vision.
He allows things to come and go.
His heart is open as the sky.
”
”
Lao Tzu (Tao Te Ching)
“
Before him, numberless lovers smiled and talked. And death was observed with sudden cries, And birth with laughter and pain. And the trees grew taller and blacker against the skies And night came down again.
”
”
Conrad Aiken (The House of Dust)
“
Science, in all its greatness, is still subject to human creativity. It starts the first moment a child tries to reach up and grab at the clouds. Soon, the child learns that his own hands cannot reach the sky, but his hands are not the limit of his potential. For the human brain observes, considers, understands, and adapts. Locked within the mind is infinite possibility.
”
”
Yukito Kishiro (Aqua Knight, Vol. 3)
“
The climate inside her, he had come to discover, was like springtime in the Midwest. She was a woman full of tornadoes waiting to happen, and if he had been a farmer observing a sky which looked the way Annie’s face looked right now, he would have at once
”
”
Stephen King (Misery)
“
The airliner-sized dragon blew apart in a monumental spray of blood and pulp. Great chunks of flesh the size of boulders rained down from the sky.
“The empire is striking back,” Ambassador Syme observed, peering out the window beside CJ.
”
”
Matthew Reilly (The Great Zoo of China)
“
Science works by experiments. It watches how things behave. Every scientific statement in the long run, however complicated it looks, really means something like, 'I pointed the telescope to such and such a part of the sky at 2:20 a.m. on January 15th and saw so-and-so,' or, 'I put some of this stuff in a pot and heated it to such-and-such a temperature and it did so-and-so.' Do not think I am saying anything against science: I am only saying what its job is.
And the more scientific a man is, the more (I believe) he would agree with me that this is the job of science--and a very useful and necessary job it is too. But why anything comes to be there at all, and whether there is anything behind the things science observes--something of a different kind--this is not a scientific question. If there is 'Something Behind,' then either it will have to remain altogether unknown to men or else make itself known in some different way. The statement that there is any such thing, and the statement that there is no such thing, are neither of them statements that science can make. And real scientists do not usually make them. It is usually the journalists and popular novelists who have picked up a few odds and ends of half-baked science from textbooks who go in for them. After all, it is really a matter of common sense. Supposing science ever became complete so that it knew every single thing in the whole universe. Is it not plain that the questions, 'Why is there a universe?' 'Why does it go on as it does?' 'Has it any meaning?' would remain just as they were?
”
”
C.S. Lewis (Mere Christianity)
“
By noon, in a gray February world, we had come down through snow flurries to land at Albany, and had taken off again. When the snow ended the sky was a luminous gray. I looked down at the winter calligraphy of upstate New York, white fields marked off by the black woodlots, an etching without color, superbly restful in contrast to the smoky, guttering, grinding stink of the airplane clattering across the sky like an old commuter bus.
”
”
John D. MacDonald (The Quick Red Fox (Travis McGee #4))
“
In addition to his instinct for discerning patterns across disciplines, Leonardo honed two other traits that aided his scientific pursuits: an omnivorous curiosity, which bordered on the fanatical, and an acute power of observation, which was eerily intense. Like much with Leonardo, these were interconnected. Any person who puts “Describe the tongue of the woodpecker” on his to-do list is overendowed with the combination of curiosity and acuity. His curiosity, like that of Einstein, often was about phenomena that most people over the age of ten no longer puzzle about: Why is the sky blue? How are clouds formed? Why can our eyes see only in a straight line? What is yawning? Einstein said he marveled about questions others found mundane because he was slow in learning to talk as a child. For Leonardo, this talent may have been connected to growing up with a love of nature while not being overly schooled in received wisdom.
”
”
Walter Isaacson (Leonardo Da Vinci)
“
How calmly does the orange branch
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.
Sometime while night obscures the tree
The zenith of its life will be
Gone past forever, and from thence
A second history will commence.
A chronicle no longer gold,
A bargaining with mist and mould,
And finally the broken stem
The plummeting to earth; and then
An intercourse not well designed
For beings of a golden kind
Whose native green must arch above
The earth's obscene, corrupting love.
And still the ripe fruit and the branch
Observe the sky begin to blanch
Without a cry, without a prayer,
With no betrayal of despair.
O Courage, could you not as well
Select a second place to dwell,
Not only in that golden tree
But in the frightened heart of me?
”
”
Tennessee Williams (The Night of the Iguana)
“
I would by all means have men beware, lest Aesop's pretty fable of the fly that sate on the pole of a chariot at the Olympic races and said, 'What a dust do I raise,' be verified in them. For so it is that some small observation, and that disturbed sometimes by the instrument, sometimes by the eye, sometimes by the calculation, and which may be owing to some real change in the sky, raises new skies and new spheres and circles.
”
”
Francis Bacon (The Collected Works of Sir Francis Bacon (Unexpurgated Edition) (Halcyon Classics))
“
We live in an extraordinary age. These are times of stunning changes in social organization, economic well-being, moral and ethical precepts, philosophical and religious perspectives, and human self-knowledge, as well as in our understanding of that vast universe in which we are imbedded like a grain of sand in a cosmic ocean. As long as there have been human beings, we have posed the deep and fundamental questions, which evoke wonder and stir us into at least a tentative and trembling awareness, questions on the origins of consciousness; life on our planet; the beginnings of the Earth; the formation of the Sun; the possibility of intelligent beings somewhere up there in the depths of the sky; as well as, the grandest inquiry of all - on the advent, nature and ultimate destiny of the universe. For all but the last instant of human history these issues have been the exclusive province of philosophers and poets, shamans and theologians. The diverse and mutually contradictory answers offered demonstrate that few of the proposed solutions have been correct. But today, as a result of knowledge painfully extracted from nature, through generations of careful thinking, observing, and experimenting, we are on the verge of glimpsing at least preliminary answers to many of these questions.
...If we do not destroy ourselves, most of us will be around for the answers. Had we been born fifty years earlier, we could have wondered, pondered, speculated about these issues, but we could have done nothing about them. Had we been born fifty years later, the answers would, I think, already have been in. Our children will have been taught the answers before most of them will have had the opportunity to even formulate the questions. By far the most exciting, satisfying and exhilarating time to be alive is the time in which we pass from ignorance to knowledge on these fundamental issues; the age where we begin in wonder and end in understanding. In all of the four-billion-year history of the human family, there is only one generation priveleged to live through that unique transitional moment: that generation is ours.
”
”
Carl Sagan
“
It is hard to have patience with people who say, ‘There is no death’ or ‘Death doesn’t matter.’ There is death. And whatever is matters. And whatever happens has consequences, and it and they are irrevocable and irreversible. You might as well say that birth doesn’t matter. I look up at the night sky. Is anything more certain than that in all those vast times and spaces, if I were allowed to search them, I should nowhere find her face, her voice, her touch? She died. She is dead. Is the word so difficult to learn?
”
”
C.S. Lewis (A Grief Observed)
“
Now when I hear birdsong, I feel an entry to that understory. When I am feeling too squeezed on the ground, exhausted by everything in my care, I look for a little sky. There are always birds flying back and forth, city birds flitting around our human edges, singing their songs.
”
”
Kyo Maclear (Birds Art Life: A Year of Observation)
“
Although signs may be found in everything that comes to us, as though a river at our doorstep carried these messages on its surface, the Quran (like other sacred books) speaks in terms of empirical experience, since it is intended to endure through the ages and cannot bind itself to the ‘scientific’ theories of any particular time. Its images are the phenomena of nature as they appear to us in our experience — the rising and setting of the sun, the domed sky above and the mountains, which are like weights set upon the earth. Scientific observations change according to the preconceptions of the observer and the instruments at his disposal, and the speculations which blinkered human minds construct on the basis of these observations change no less swiftly. But man’s experience of the visual universe does not change. The sun ‘rises’ for me today as it ‘rose’ for the man of ten thousand years ago.
”
”
Charles Le Gai Eaton (Islam and the Destiny of Man)
“
When Elin watched the honeybees or other creatures in the wild, when she observed the diversity of their life cycles and the astounding precision of their habits, there were times when she felt herself become a prick of light in the vastness of the night sky, times when all living things, people, beasts and insects, dwindled to equal points of light twinkling in the darkness.
”
”
Nahoko Uehashi (The Beast Player (The Beast Player, #1-2))
“
Does it matter now?” Flynn asked. “I mean, no offense, but Danika’s gone.”
Bryce gave him a flat look. “Really? I had no idea.”
Flynn flipped her off, and the sprites ooohed at his shoulder.
Bryce rolled her eyes. Exactly what Flynn needed: his own flock of cheerleaders trailing him at all hours. She said to Flynn, “Hey, remember that time you set a dragon free and we’re dumb enough to think she’d follow your orders?”
“Hey, remember that time you wanted to marry me and wrote Lady Bryce Flynn in all your notebooks?”
Hunt choked.
Bryce countered with, “Hey, remember when you pestered me for years to hook up with you, but I have something called standards—”
“This is highly unusual behavior for royals,” Hypaxia observed.
“You have no idea,” Ruhn muttered, earning a smile from the queen.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
Volume II, Chapter 4
"How unwise had the wanderers been, who had deserted its shelter, entangled themselves in the web of society, and entered on what men of the world call "life,"—that labyrinth of evil, that scheme of mutual torture. To live, according to this sense of the word, we must not only observe and learn, we must also feel; we must not be mere spectators of action, we must act; we must not describe, but be subjects of description. Deep sorrow must have been the inmate of our bosoms; fraud must have lain in wait for us; the artful must have deceived us; sickening doubt and false hope must have chequered our days; hilarity and joy, that lap the soul in ecstasy, must at times have possessed us. Who that knows what "life" is, would pine for this feverish species of existence? I have lived. I have spent days and nights of festivity; I have joined in ambitious hopes, and exulted in victory: now,—shut the door on the world, and build high the wall that is to separate me from the troubled scene enacted within its precincts. Let us live for each other and for happiness; let us seek peace in our dear home, near the inland murmur of streams, and the gracious waving of trees, the beauteous vesture of earth, and sublime pageantry of the skies. Let us leave "life," that we may live.
”
”
Mary Wollstonecraft Shelley (The Last Man)
“
Society never advances. It recedes as fast on one side as it gains on the other. It undergoes continual changes; it is barbarous, it is civilized, it is christianized, it is rich, it is scientific; but this change is not amelioration. For every thing that is given, something is taken. Society acquires new arts, and loses old instincts. What a contrast between the well-clad, reading, writing, thinking American, with a watch, a pencil, and a bill of exchange in his pocket, and the naked New Zealander, whose property is a club, a spear, a mat, and an undivided twentieth of a shed to sleep under! But compare the health of the two men, and you shall see that the white man has lost his aboriginal strength. If the traveller tell us truly, strike the savage with a broad axe, and in a day or two the flesh shall unite and heal as if you struck the blow into soft pitch, and the same blow shall send the white to his grave.
The civilized man has built a coach, but has lost the use of his feet. He is supported on crutches, but lacks so much support of muscle. He has a fine Geneva watch, but he fails of the skill to tell the hour by the sun. A Greenwich nautical almanac he has, and so being sure of the information when he wants it, the man in the street does not know a star in the sky. The solstice he does not observe; the equinox he knows as little; and the whole bright calendar of the year is without a dial in his mind. His note-books impair his memory; his libraries overload his wit; the insurance-office increases the number of accidents; and it may be a question whether machinery does not encumber; whether we have not lost by refinement some energy, by a Christianity entrenched in establishments and forms, some vigor of wild virtue. For every Stoic was a Stoic; but in Christendom where is the Christian?
”
”
Ralph Waldo Emerson
“
The Keeper of Clouds has unpenned his charges.
The Keeper of Winds has unlocked his gates.
The Keeper of Waters has opened the sky.
The Keeper of Lightnings waves his lances.
The Keeper of satellites has observed,
'One hundred percent of probability of precipitation.
”
”
Roger Zelazny (Eye of Cat)
“
We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —
”
”
Blake Crouch (Dark Matter)
“
Human beings resemble peregrine falcons: they had the power and the ability to soar up to the skies, free and ethereal and unrestrained, but sometimes they would also, either under duress or of their own free will, accept captivity...She had also observed how a hood would be put on these noble raptors to make sure they would not panic. Seeing was knowing, and knowing was frightening...But underneath that hood where there were no directions, and the sky and the land melted into a swathe of black linen, though comforted, the falcon would still feel nervous, as if in preparation for a blow that could come at any moment. Years later now, it seemed to her that religion – and power and money and ideology and politics – acted like a hood too. All these superstitions and predictions and beliefs deprived human beings of sight, keeping them under control, but deep within weakening their self-esteem to such a point that they now feared anything, everything.
”
”
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
“
A sunset, almost formidable in its splendor, would be lingering in the fully exposed sky. Among its imperceptibly changing amassments, one could pick out brightly stained structural details of celestial organisms, or glowing slits in dark banks, or flat, ethereal beaches that looked like mirages of desert islands. I did not know then (as I know perfectly well now) what to do with such things—how to get rid of them, how to transform them into something that can be turned over to the reader in printed characters to have him cope with the blessed shiver—and this inability enhanced my oppression.
”
”
Vladimir Nabokov (Speak, Memory)
“
We have already compared the benefits of theology and science. When the theologian governed the world, it was covered with huts and hovels for the many, palaces and cathedrals for the few. To nearly all the children of men, reading and writing were unknown arts. The poor were clad in rags and skins -- they devoured crusts, and gnawed bones. The day of Science dawned, and the luxuries of a century ago are the necessities of to-day. Men in the middle ranks of life have more of the conveniences and elegancies than the princes and kings of the theological times. But above and over all this, is the development of mind. There is more of value in the brain of an average man of to-day -- of a master-mechanic, of a chemist, of a naturalist, of an inventor, than there was in the brain of the world four hundred years ago.
These blessings did not fall from the skies. These benefits did not drop from the outstretched hands of priests. They were not found in cathedrals or behind altars -- neither were they searched for with holy candles. They were not discovered by the closed eyes of prayer, nor did they come in answer to superstitious supplication. They are the children of freedom, the gifts of reason, observation and experience -- and for them all, man is indebted to man.
”
”
Robert G. Ingersoll
“
Don't we all have a certain number of images that stay around in our head, which we undoubtedly call memories and improperly so, and which we can never get rid of because they return in our sky with the regularity of a comet - torn away also from a world about which we know almost nothing? They return more frequently than comets do, in fact. It would be better, then, to speak of them as loyal satellites, a bit capricious and therefore even troublesome: they appear, disappear, suddenly come back to badger our memory at night when we cannot sleep. But, little as we may care to, as our hearts tell us to, we can also observe them at will, coldly, scrutinize their shadows, colors, and relief. Only, they are dead stars: from them we shall never grasp anything other than the certainty that we have already seen them, examined them, questioned them without really understanding the laws that the line of their mysterious orbits obeyed.
”
”
Marc Augé (Oblivion)
“
Many more villagers, who have seen an elephant for the first time in their lives, give absurd exaggerations regarding his size, weight, and height. One of them describes him as ‘a fundament!’. Another, elaborating, alludes to the term ‘firmament,’ because of the elephant’s hugeness. He felt as though the sky was obliterated from his vision. The last to be interviewed by the local TV station swears that he sensed the world lean forward as the elephant came closer and tilt backwards as the beast walked away.
This large mammal ambles purposefully. He pays no heed to the crowded silence following him in stealthy consciousness. One of the villagers, a woman often suspected of dabbling in witchcraft, talks of her inspired theory: that this was no elephant, more like a human on a holy mission of avenging justice. Two other witnesses, neither having had any contact with the woman, speak in substantiation of the woman’s claims, giving as evidence the observation that the elephant turned around when someone said something in Somali. Several villagers will not comment, afraid of a fitting retribution should they do so.
”
”
Nuruddin Farah
“
The text, in its mass, is comparable to a sky, at once flat and smooth, deep, without edges and without landmarks; like the soothsayer drawing on it with the tip of his staff an imaginary rectangle wherein to consult, according to certain principles, the flight of birds, the commentator traces through the text certain zones of reading, in order to observe therein the migration of meanings, the outcropping of codes, the passage of citations.
”
”
Roland Barthes (S/Z: An Essay)
“
This story takes place a half a billion years ago-an inconceivably long time ago, when this planet would be all but recognizable to you. Nothing at all stirred on the land except the wind and the dust. Not a single blade of grass waved in the wind, not a single cricket chirped, not a single bird soared in the sky. All these things were tens of millions of years away in the future.
But of course there was an anthropologist on hand. What sort of world would it be without an anthropologist? He was, however a very depressed and disillusioned anthropologist, for he'd been everywhere on the planet looking for someone to interview, and every tape in his knapsack was as blank as the sky. But one day as he was moping alongside the ocean he saw what seemed to be a living creature in the shallows off shore. It was nothing to brag about, just sort of a squishy blob, but it was the only prospect he'd seen in all his journeys, so he waded out to where it was bobbing in the waves.
He greeted the creature politely and was greeted in kind, and soon the two of them were good friends. The anthropologist explained as well as he could that he was a student of life-styles and customs, and begged his new friend for information of this sort, which was readily forthcoming. ‘And now’, he said at last, ‘I'd like to get on tape in your own words some of the stories you tell among yourselves.’
‘Stories?’ the other asked.
‘You know, like your creation myth, if you have one.’
‘What is a creation myth?’ the creature asked.
‘Oh, you know,’ the anthropologist replied, ‘the fanciful tale you tell your children about the origins of the world.’
Well, at this, the creature drew itself up indignantly- at least as well as a squishy blob can do- and replied that his people had no such fanciful tale.
‘You have no account of creation then?’
‘Certainly we have an account of creation,’ the other snapped. ‘But its definitely not a myth.’
‘Oh certainly not,’ the anthropologist said, remembering his training at last. ‘Ill be terribly grateful if you share it with me.’
‘Very well,’ the creature said. ‘But I want you to understand that, like you, we are a strictly rational people, who accept nothing that is not based on observation, logic, and scientific method.’
‘"Of course, of course,’ the anthropologist agreed.
So at last the creature began its story. ‘The universe,’ it said, ‘was born a long, long time ago, perhaps ten or fifteen billion years ago. Our own solar system-this star, this planet, and all the others- seem to have come into being some two or three billion years ago. For a long time, nothing whatever lived here. But then, after a billion years or so, life appeared.’
‘Excuse me,’ the anthropologist said. ‘You say that life appeared. Where did that happen, according to your myth- I mean, according to your scientific account.’
The creature seemed baffled by the question and turned a pale lavender. ‘Do you mean in what precise spot?’
‘No. I mean, did this happen on land or in the sea?’
‘Land?’ the other asked. ‘What is land?’
‘Oh, you know,’ he said, waving toward the shore, ‘the expanse of dirt and rocks that begins over there.’
The creature turned a deeper shade of lavender and said, ‘I cant imagine what you're gibbering about. The dirt and rocks over there are simply the lip of the vast bowl that holds the sea.’
‘Oh yes,’ the anthropologist said, ‘I see what you mean. Quite. Go on.’
‘Very well,’ the other said. ‘For many millions of centuries the life of the world was merely microorganisms floating helplessly in a chemical broth. But little by little, more complex forms appeared: single-celled creatures, slimes, algae, polyps, and so on.’
‘But finally,’ the creature said, turning quite pink with pride as he came to the climax of his story, ‘but finally jellyfish appeared!
”
”
Daniel Quinn (Ishmael: An Adventure of the Mind and Spirit (Ishmael, #1))
“
There is no death’ or ‘Death doesn’t matter.’ There is death. And whatever is matters. And whatever happens has consequences, and it and they are irrevocable and irreversible. You might as well say that birth doesn’t matter. I look up at the night sky. Is anything more certain than that in all those vast times and spaces, if I were allowed to search them, I should nowhere find her face, her voice, her touch? She died. She is dead. Is the word so difficult to learn?
”
”
C.S. Lewis (A Grief Observed)
“
Life keeps moving on, and yet remains profoundly rooted in the present, seeking no result, for the present has spread out from its constriction in an elusive pin-point of strained consciousness to an all-embracing eternity. Feelings both positive and negative come and go without turmoil, for they seem to be simply observed, though there is no one observing. They pass trackless like birds in the sky, and build up no resistances which have to be dissipated in reckless action.
”
”
Alan W. Watts (Nature, Man and Woman)
“
Something of our relationship to the earth is determined by the particular place we stand at a given time. If you stand still long enough to observe carefully the things around you, you will find beauty, and you will know wonder. If you see a leaf carried along on the flow of a river, you might ponder its journey. Where did it begin, and where will it end? What will be the story of its passage? You will discover a thousand ways in which the leaf is connected to the water, the banks, the near and farther distances, the sky and the sun. Your mind, your spirit will be nourished and grow. You will become one with what you see. Consider what is to be seen.
”
”
N. Scott Momaday (Earth Keeper: Reflections on the American Land)
“
Gavin stood within the trees, observing her from the shadows. He watched the basket rise to her nose as she closed her eyes to sniff at its contents. A smile told him it smelled delicious, but she didn’t open the container to pinch off a sample. Instead, the basket lowered to swing at her side as it had previously done.
All at once the air was filled with soft singing--a sweet, merry tune comprised of ludicrous lyrics. It was impossible not to grin at the words.
“Rainbows paint the sky ‘til the sun melts their colors.
Swinging in the wind, whiskered cattails purr.
The pigs gallop by and snort at the moon,
While frogs kiss the lizards and princesses too.”
”
”
Richelle E. Goodrich (Secrets of a Noble Keykeeper)
“
LAST summer I happened to be crossing the plains of Iowa in a season of intense heat, and it was my good fortune to have for a traveling companion James Quayle Burden—Jim Burden, as we still call him in the West. He and I are old friends—we grew up together in the same Nebraska town—and we had much to say to each other. While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
”
”
Willa Cather (My Ántonia)
“
It was too much the way of Monseigneur under his reverses as a refugee, and it was much too much the way of native British orthodoxy, to talk of this terrible Revolution as if it were the one only harvest ever known under the skies that had not been sown—as if nothing had ever been done, or omitted to be done, that had led to it—as if observers of the wretched millions in France, and of the misused and perverted resources that should have made them prosperous, had not seen it inevitably coming, years before, and had not in plain words recorded what they saw.
”
”
Charles Dickens (A Tale of Two Cities)
“
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
”
”
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
“
The wolf howled under the leaves As he spat out the bright feathers Of his feast of fowl: Like him, I devour myself. Lettuce and fruit Wait only to be picked; But the spider in the hedge Eats only violets. Let me sleep! Let me boil On the altars of Solomon. The broth runs over the rust, And flows into the Kidron. ——— At last– O happiness, O reason– I removed from the sky the blue that is black, and I lived, a glitter of gold in the light of nature. From joy I took an expression as clownish and distracted as possible: It is found again! What? Eternity. It is the sea merged With the sun. My eternal soul, Observe your vow In spite of the night And the day on fire. So you free yourself From human approbation, From common aspirations! You fly with . . . − Never any hope. Nul orietur. Science and patience, The torment is certain. No more tomorrow, Embers of satin, Your ardour Is your duty. It is found again! − What? − Eternity. It is the sea merged With the sun.
”
”
Arthur Rimbaud (A Season in Hell)
“
Instead, he wrote, quoting Lucretius, there were multiple worlds, where the seeds of things, in their infinite numbers, would certainly combine to form other races of men, other creatures. Each of the fixed stars observed in the sky is a sun, scattered through limitless space. Many of these are accompanied by satellites that revolve around them as the earth revolves around our sun. The universe is not all about us, about our behavior and our destiny; we are only a tiny piece of something inconceivably larger. And that should not make us shrink in fear. Rather, we should embrace the world in wonder and gratitude and awe.
”
”
Stephen Greenblatt (The Swerve: How the World Became Modern)
“
I am in my old room once more, for a little, and I am caught in musing - - how life is a swift motion, a continuous flowing, changing, and how one is always saying goodbye and going places, seeing people, doing things. Only in the rain, sometimes, only when the rain comes, closing in your pitifully small radius of activity, only when you sit and listen by the window, as the cold wet air blows thinly by the back of your neck - only then do you think and feel sick. You feel the days slipping by, elusive as slippery pink worms, through your fingers, and you wonder what you have for your eighteen years, and you think about how, with difficulty and concentration, you could bring back a day, a day of sun, blue skies and watercoloring by the sea. You could remember the sensual observations that made that day reality, and you could delude yourself into thinking - almost - that you could return to the past, and relive the days and hours in a quick space of time. But no, the quest of time past is more difficult than you think, and time present is eaten up by such plaintive searchings. The film of your days and nights is wound up tight in you, never to be re-run - and the occasional flashbacks are faint, blurred, unreal, as if seen through falling snow. Now, you begin to get scared. You don't believe in God, or a life-after-death, so you can't hope for sugar plums when your non-existent soul rises. You believe that whatever there is has got to come from man, and man is pretty creative in his good moments - pretty mature, pretty perceptive for his age - how many years is it, now? How many thousands? Yet, yet in this era of specialization, of infinite variety and complexity and myriad choices, what do you pick for yourself out of the grab-bag? Cats have nine lives, the saying goes. You have one; and somewhere along the thin, tenuous thread of your existence there is the black knot, the blood clot, the stopped heartbeat that spells the end of this particular individual which is spelled "I" and "You" and "Sylvia." So you wonder how to act, and how to be - and you wonder about values and attitudes.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
as the earth orbits around the sun, different stars appear to pass behind the sun and have their light deflected. They therefore change their apparent position relative to other stars. FIGURE 2.8 It is normally very difficult to see this effect, because the light from the sun makes it impossible to observe stars that appear near to the sun in the sky. However, it is possible to do so during an eclipse of the sun, when the sun’s light is blocked out by the moon. Einstein’s prediction of light deflection could not be tested immediately in 1915, because the First World War was in progress, and it was not until 1919 that a British expedition, observing an eclipse from West Africa, showed that light was indeed deflected by the sun, just as predicted by the theory. This proof of a German theory by British scientists was hailed as a great act of reconciliation between the two countries after the war.
”
”
Stephen Hawking (A Brief History of Time)
“
Sorrow Lies in Beauty.
The thunder rolls across the sky,
Raindrops falling,
The sky weeps.
The sky weeps for the beauty of the earth,
And for the sorrow that it is ruined.
The wind howls,
A chorus of voices,
Screaming with the sky,
The wind howls in anguish,
That the earth is lost.
The tree whispers,
Begging the wind to rustle its leaves,
Asking the sky to shed its tears,
To nurture it’s growth.
The tree whispers its losses.
The sun glares,
Silent and furious,
Scorching the earth without regard,
For the earth is lost.
The sun burns in fury.
The earth is grateful,
Drinking the tears of the sky,
Calming the howling wind,
Giving the tree a home,
Forgiving the sun.
The earth is oblivious.
”
”
Mr. Smiles [I observe.] ~ BIO UPDATE ~
“
When I was in college, I did a semester on AI theory. There was a thought experiment they gave us. It's called "Mary in the Black and White Room." Mary is a scientist, and her specialist subject is color. She knows everything there is to know about it. The wavelengths. The neurological effects. Every possible property that color can have. But she lives in a black and white room. She was born there and raised there. And she can only observe the outside world on a black and white monitor. And then one day someone opens the door. And Mary walks out. And she sees a blue sky. And at that moment, she learns something that all her studies couldn't tell her. She learns what it feels like to see color.
”
”
Alex Garland
“
My feeling is that an observer needs to see four hundred and fifty stars to get that feeling of infinitude, and be swept away…and I didn’t make that number up arbitrarily, that’s the number of stars that are available once you get dimmer than third magnitude. So in the city, you see a dozen stars, a handful, and it’s attractive to no one. And if there’s a hundred stars in the sky it still doesn’t do it. There’s a certain tipping point where people will look and there will be that planetarium view. And now you’re touching that ancient core, whether it’s collective memories or genetic memories, or something else form way back before we were even human…astronomer Bob Berman quoted in The End of Night
”
”
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
“
The most beautiful eyes haven’t been seen yet;
the most beautiful tongue hasn’t been heard yet;
the most beautiful hands haven’t been held yet;
the most beautiful mind hasn’t been understood yet;
the most beautiful heart hasn’t been felt yet;
and the most beautiful life hasn’t been lived yet.
The most beautiful thought hasn’t been contemplated yet;
the most beautiful desire hasn’t been savored yet;
the most beautiful experience hasn’t been relished yet;
the most beautiful impression hasn’t been formed yet;
the most beautiful characteristic hasn’t been discovered yet;
and the most beautiful person hasn’t been identified yet.
The most beautiful sky hasn’t been viewed yet;
the most beautiful star hasn’t been detected yet;
the most beautiful galaxy hasn’t been explored yet;
the most beautiful cosmos haven’t been observed yet;
the most beautiful world hasn’t been examined yet;
and the most beautiful universe hasn’t been appreciated yet.
”
”
Matshona Dhliwayo
“
But what if I do live? What if we win? What then?"
He parted the bottle's mouth from his. "What then? Ah." He smiled beatifically. "Then the world goes on, my friend. Children run down muddy streets. Dogs bark at passing carts. Friends sit and drink brandy together."
"Doesn't sound much different from what we have," I observed sourly. "To go through all this and make no difference at all."
"Yes." He agreed beatifically. His eyes filled with tears. "Not much different from the wondrous and amazing world we have now. Boys falling in love with girls that aren't right for them. Wolves hunting on the snowy plains. And time. Endless time unwinding for all of us. And the dragons, of course. Dragons sliding across the sky like beautiful jewelled ships.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster.
All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.)
Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
Out West all the smells are sucked up out of the baked land by the sun. And it’s as if all the colors in the ground are gobbled up by their sunsets, and so is the blue of the sky. The sky is high and pale and impersonal and you get the feeling it doesn’t belong to you at all, but that it is the property of the chamber of commerce. In the South the sky is humid and low and rich and it’s yours to smell and feel. In the West you’re only an observer. In the West someone sees a flower growing on a mountain and he writes a whole damned pamphlet about it.
”
”
Elliott Chaze (Black Wings Has My Angel)
“
I walked awhile among the rocks: the sky was perfectly clear, and the sun so hot, that I was forced to turn my face from it: when all on a sudden it became obscure, as I thought, in a manner very different from what happens by the interposition of a cloud. I turned back, and perceived a vast opaque body between me and the sun moving forwards towards the island: it seemed to be about two miles high, and hid the sun six or seven minutes; but I did not observe the air to be much colder, or the sky more darkened, than if I had stood under the shade of a mountain. As it approached nearer over the place where I was, it appeared to be a firm substance, the bottom flat, smooth, and shining very bright, from the reflection of the sea below. I stood upon a height about two hundred yards from the shore, and saw this vast body descending almost to a parallel with me, at less than an English mile distance. I took out my pocket perspective, and could plainly discover numbers of people moving up and down the sides of it, which appeared to be sloping; but what those people where doing I was not able to distinguish.
”
”
Jonathan Swift (Gulliver's Travels)
“
Sometimes a cloudless swatch of sky would blow past the moon, and Pella could see the outline of Mike's face in a slightly sharper relief. It was strange the way he loved her: a sidelong and almost casual love, as if loving her were simply a matter of course, too natural to mention. Like their first meeting on the steps of the gym, when he'd hardly so much as glanced at her. With David and every guy before David, what passed for love had always been eye to eye, nose to nose; she felt watched, observed, like the prize at the zoo, and she wound up pacing, preening, watching back, to fit the part. Whereas Mike was always beside her. She would stand at the kitchen window and look out at the quad, at the Melville statue and beyond that the beach and the rolling lake, and realize that Make, for however long, had been standing beside her, staring at the same thing.
”
”
Chad Harbach (The Art of Fielding)
“
The Troubadours Etc."
Just for this evening, let's not mock them.
Not their curtsies or cross-garters
or ever-recurring pepper trees in their gardens
promising, promising.
At least they had ideas about love.
All day we've driven past cornfields, past cows poking their heads
through metal contraptions to eat.
We've followed West 84, and what else?
Irrigation sprinklers fly past us, huge wooden spools in the fields,
lounging sheep, telephone wires,
yellowing flowering shrubs.
Before us, above us, the clouds swell, layers of them,
the violet underneath of clouds.
Every idea I have is nostalgia. Look up:
there is the sky that passenger pigeons darkened and filled—
darkened for days, eclipsing sun, eclipsing all other sound
with the thunder of their wings.
After a while, it must have seemed that they followed
not instinct or pattern but only
one another.
When they stopped, Audubon observed,
they broke the limbs of stout trees by the weight of the numbers.
And when we stop we'll follow—what?
Our hearts?
The Puritans thought that we are granted the ability to love
only through miracle,
but the troubadours knew how to burn themselves through,
how to make themselves shrines to their own longing.
The spectacular was never behind them.
Think of days of those scarlet-breasted, blue-winged birds above you.
Think of me in the garden, humming
quietly to myself in my blue dress,
a blue darker than the sky above us, a blue dark enough for storms,
though cloudless.
At what point is something gone completely?
The last of the sunlight is disappearing
even as it swells—
Just for this evening, won't you put me before you
until I'm far enough away you can
believe in me?
Then try, try to come closer—
my wonderful and less than.
”
”
Mary Szybist (Incarnadine: Poems)
“
I was drawing near to the curve of the track; already the twelve hooves of those dead horses were visible in the distance, jutting towards the sky like the columns in the cathedral crypt at Stará Boleslav. I thought of Masha, and of how we met for the first time, when I was still with the track superintendent. He gave us two buckets of red paint and told us to paint the fence round the entire state workshops. Masha began by the railway track, just as I did. We stood facing each other with the tall wire fence between us, at our feet we each had a bucket of cinnabar paint, we each had a brush, and we stippled away with our brushes opposite each other and painted that fence, she from her side and I from mine.
There were four kilometres altogether of this fence; for five months we stood facing each other like this, and there wasn't anything we didn't say to each other, Masha and I, but always there was this fence between us. After we'd painted two kilometres of it, one day I'd done just as high as Masha's mouth with this red colour, and I told her that I loved her, and she, from her side, had painted just up to there, too, and she said that she loved me, too ... and she looked into my eyes, and, as this was in a ditch and among tall goosefoot plants, I put out my lips, and we kissed through the newly painted fence, and when we opened our eyes she had a sort of tiny red fence-pale striped across her mouth, and so had I, and we burst out laughing, and from that moment on we were happy.
”
”
Bohumil Hrabal (Closely Observed Trains)
“
That which makes me shudder when at the very entrance to the Mosque I observe that it is written: "Mondays and Thursdays tuberculosis; Wednesdays and Fridays syphilis." In every Metro station there are grinning skulls that greet you with "De f endez-vous contre la syphilis!" Wherever there are walls, there are posters with bright venomous crabs heralding the approach of cancer. No matter where you go, no matter what you touch, there is cancer and syphilis. It is written in the sky; it flames and dances, like an evil portent. It has eaten into our souls and we are nothing but a dead thing like the moon.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
Writing is making love under a crescent moon: I see shadows of what’s to come, and it’s enough; I have faith in what I can’t see and it’s substantiated by a beginning, a climax, an ending. And if it’s an epic novel in hand, I watch the sunrise amid the twigs and dewing grass; the wordplay is what matters.
Simply put, I’m in love, and any inconvenience is merely an afterthought.
The sun tips the horizon; the manuscript is complete. The author, full of profound exhaustion, lays his stylus aside. His labor of love stretches before him, beautiful, content, sleeping, until the next crescent moon stars the evening sky.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
As one sat in the aeroplane amidst all the noise, smoking and loud talking, most unexpectedly, the sense of immensity and that extraordinary benediction which was felt at il L., that imminent feeling of sacredness, began to take place. The body was nervously tense because of the crowd, noise, etc. but in spite of all this, it was there. The pressure and the strain were intense and there was acute pain at the back of the head. There was only this state and there was no observer. The whole body was wholly in it and the feeling of sacredness was so intense that a groan escaped from the body and passengers were sitting in the next seats. It went on for several hours, late into the night. It was as though one was looking, not with eyes only but with a thousand centuries; it was altogether a strange occurrence. The brain was completely empty, all reaction had stopped; during all those hours, one was not aware of this emptiness but only in writing it is the thing known, but this knowledge is only descriptive and not real. That the brain could empty itself is an odd phenomenon. As the eyes were closed, the body, the brain seemed to plunge into unfathomable depths, into states of incredible sensitivity and beauty. The passenger in the next seat began to ask something and having replied, this intensity was there; there was no continuity but only being. And dawn was coming leisurely and the clear sky was filling with light - As this is being written late in the day, with sleepless fatigue, that sacredness is there. The pressure and the strain too.
”
”
J. Krishnamurti (Krishnamurtis Notebook)
“
We have already compared the benefits of theology and science. When the theologian governed the world, it was covered with huts and hovels for the many, palaces and cathedrals for the few. To nearly all the children of men, reading and writing were unknown arts. The poor were clad in rags and skins—they devoured crusts, and gnawed bones. The day of Science dawned, and the luxuries of a century ago are the necessities of to-day. Men in the middle ranks of life have more of the conveniences and elegancies than the princes and kings of the theological times. But above and over all this, is the development of mind. There is more of value in the brain of an average man of to-day—of a master-mechanic, of a chemist, of a naturalist, of an inventor, than there was in the brain of the world four hundred years ago. These blessings did not fall from the skies. These benefits did not drop from the outstretched hands of priests. They were not found in cathedrals or behind altars—neither were they searched for with holy candles. They were not discovered by the closed eyes of prayer, nor did they come in answer to superstitious supplication. They are the children of freedom, the gifts of reason, observation and experience—and for them all, man is indebted to man. —Robert Green Ingersoll
”
”
Jerry A. Coyne (Faith Versus Fact: Why Science and Religion Are Incompatible)
“
It was early autumn, then, before the snow began to fly. –(There’s an expression for you, born in the country, born from the imaginations of men and their feeling for the right word, the only word, to mirror clearly what they see! Those with few words must know how to use them.) Men who have seen it, who have watched it day by day outside their cabin window coming down from the sky, like the visible remorse of an ageing year; who have watched it bead upon the ears of the horses they rode, muffle the sound of hoofs on the trail, lie upon spruce boughs and over grass – cover, as if forever, the landscape in which they moved, round off the mountains, blanket the ice in the rivers – for them the snow flies. The snow doesn’t fall. It may ride the wind. It may descend slowly, in utter quiet, from the grey and laden clouds, so that you can hear the flakes touching lightly on the wide white waste, as they come to rest at the end of their flight. Flight – that’s the word. They beat in the air like wings, as if reluctant ever to touch the ground. I have observed them coming down, on a very cold day, near its end when the sky above me was still blue, in flakes great and wide as the palm of my hand. They were like immense moths winging down in the twilight, making the silence about me visible.
”
”
Howard O'Hagan (Tay John)
“
The mind must empty itself of all the past to become highly sensitive; and it cannot be sensitive if there is the burden of the past. It is only the mind that has understood all this that can put the question. And when it puts the question it has no answer, because there is no answer. The mind has become highly sensitive and therefore supremely intelligent and intelligence has no answer. It is in itself the answer. The observer has no place because intelligence is supreme.
Then the mind is no longer seeking, no longer wanting higher experiences and therefore it is not capable of control. It does not control, because it is intelligent. It is operating, it is working. Therefore, in the very act of intelligence, the dual state disappears. All this is meditation. It is like a cloud that begins on a hilltop with a few little clouds, and, as it moves, it covers the whole sky, the valley, the mountains, the rivers, the human beings, the earth; it covers everything. That is meditation because meditation is the concern of all the living, not just one part of it.
”
”
J. Krishnamurti (Meeting Life: Writings and Talks on Finding Your Path Without Retreating from Society)
“
We had better want the consequences of what we believe or disbelieve, because the consequences will come! . . .
But how can a society set priorities if there are no basic standards? Are we to make our calculations using only the arithmetic of appetite? . . .
The basic strands which have bound us together socially have begun to fray, and some of them have snapped. Even more pressure is then placed upon the remaining strands. The fact that the giving way is gradual will not prevent it from becoming total. . . .
Given the tremendous asset that the family is, we must do all we can within constitutional constraints to protect it from predatory things like homosexuality and pornography. . . .
Our whole republic rests upon the notion of “obedience to the unenforceable,” upon a tremendous emphasis on inner controls through self-discipline. . . .
Different beliefs do make for different behaviors; what we think does affect our actions; concepts do have consequences. . . .
Once society loses its capacity to declare that some things are wrong per se, then it finds itself forever building temporary defenses, revising rationales, drawing new lines—but forever falling back and losing its nerve. A society which permits anything will eventually lose everything!
Take away a consciousness of eternity and see how differently time is spent.
Take away an acknowledgement of divine design in the structure of life and then watch the mindless scurrying to redesign human systems to make life pain-free and pleasure-filled.
Take away regard for the divinity in one’s neighbor, and watch the drop in our regard for his property.
Take away basic moral standards and observe how quickly tolerance changes into permissiveness.
Take away the sacred sense of belonging to a family or community, and observe how quickly citizens cease to care for big cities.
Those of us who are business-oriented are quick to look for the bottom line in our endeavors. In the case of a value-free society, the bottom line is clear—the costs are prohibitive!
A value-free society eventually imprisons its inhabitants. It also ends up doing indirectly what most of its inhabitants would never have agreed to do directly—at least initially.
Can we turn such trends around? There is still a wealth of wisdom in the people of this good land, even though such wisdom is often mute and in search of leadership. People can often feel in their bones the wrongness of things, long before pollsters pick up such attitudes or before such attitudes are expressed in the ballot box. But it will take leadership and articulate assertion of basic values in all places and in personal behavior to back up such assertions.
Even then, time and the tides are against us, so that courage will be a key ingredient. It will take the same kind of spunk the Spartans displayed at Thermopylae when they tenaciously held a small mountain pass against overwhelming numbers of Persians. The Persians could not dislodge the Spartans and sent emissaries forward to threaten what would happen if the Spartans did not surrender. The Spartans were told that if they did not give up, the Persians had so many archers in their army that they would darken the skies with their arrows. The Spartans said simply: “So much the better, we will fight in the shade!
”
”
Neal A. Maxwell
“
As you watch anything—a tree, your wife, your children, your neighbor, the stars of a night, the light on the water, the bird in the sky, anything—there is always the observer—the censor, the thinker, the experiencer, the seeker—and the thing he is observing; the observer and the observed; the thinker and the thought. So, there is always a division. It is this division that is time. That division is the very essence of conflict. And when there is conflict, there is contradiction. There is “the observer and the observed”—that is a contradiction; there is a separation. And hence where there is contradiction, there is conflict. And when there is conflict, there is always the urgency to get beyond it, to conquer it, to overcome it, to escape from it, to do something about it, and all that activity involves time…. As long as there is this division, time will go on, and time is sorrow. And a man who will understand the end of sorrow must understand this, must find, must go beyond this duality between the thinker and the thought, the experiencer and the experienced. That is, when there is a division between the observer and the observed, there is time, and therefore there is no ending of sorrow. Then, what is one to do? You understand the question? I see, within myself, the observer is always watching, judging, censoring, accepting, rejecting, disciplining, controlling, shaping. That observer, that thinker, is the result of thought, obviously. Thought is first; not the observer, not the thinker. If there was no thinking at all, there would be no observer, no thinker; then there would only be complete, total attention.
”
”
J. Krishnamurti (The Book of Life: Daily Meditations with Krishnamurti)
“
Relax, it only hurts a little,” she murmured in Edwin’s ear as she stroked his head and shoulders from behind. “What you feel later more than makes up for it.”“But will I…will I have to drink blood after I am…initiated?”
“Don’t worry, Edwin. I promise it will be many years before either you or Ophelia will need to seek your sustenance in such a manner.” Hamlet kissed his cheek. “Are you ready?”
Edwin nodded. Closing his eyes, he turned his head slightly to give Hamlet easier access. He felt a momentary pinch and then…
Ecstasy! Overwhelming warmth flooded his veins as colors exploded in his mind and a feeling of euphoria lifted him from the bed to the skies. He was flying free from the confines of his body. He soared above the clouds…heading into the stars.
“Wonderful, isn’t it?” Ophelia giggled and clapped her hands. “I wish I could experience it more often, but Hamlet says it’s even better once you’re on the receiving end.”
He opened his eyes slowly. Still light-headed, Edwin observed the gaze of mutual pleasure in Hamlet’s dark eyes. His sensual lips glistened with tint of red. Instead of horror or aversion, Edwin felt complete peace and contentment.
“Thank you.” Without hesitation Edwin pulled Hamlet's lips to his and kissed him.
”
”
Cindy A. Matthews (Blood Bond (The Kindred Vampire, #2))
“
Camped somewhere deep in an impenetrable crag of the immense Powder River Country during the late autumn of 1856, more than likely in the shadow of the sacred Black Hills, one imagines the thirty-five-year-old Red Cloud stepping from his tepee to listen to the bugle of a bull elk in its seasonal rut. Around him women haul water from a crystalline stream as cottonwood smoke rises from scores of cook fires and coils toward a sky the color of brushed aluminum. The wind sighs, and a smile creases his face as he observes a pack of mounted teenagers collect wagers in preparation for the Moccasin Game, or perhaps a rough round of Shinny. His gaze follows the grace and dexterity of one boy in particular, a slender sixteen-year-old with lupine eyes. The boy is Crazy Horse, and the war leader of the Bad Faces makes a mental not to keep tabs on this one.
”
”
Bob Drury (The Heart of Everything That Is: The Untold Story of Red Cloud, An American Legend)
“
Witchcraft is part of a living web of species and relationships, a world which we have forgotten to observe, understand or inhabit. Many people reading this paragraph will not know even the current phase of the moon, and if asked for it will not instinctively look up to the current quarter of the sky, but down to their computers. Neither will they be able to name the plants, birds or animals within a metre or mile radius of their door. Witchcraft asks that we do these first things, this is presence.
Animism is not embedded in the natural world, it is the natural world. Our witchcraft is that spirit of place, which is made from a convergence of elements and inhabitants. Here I include animals, both living and dead, human and inhuman. Our helpers are mammals, reptiles, fish, birds and insects. Some can be counted allies, others are more ambivalent. Predator and prey are interdependent. These all have the same origin and ancestry, they from from plants, from copper green life. Bones become soil. The plants have been nourished on the minerals drawn up from the bowels of the earth. These are the living tools of the witch's craft. The cycle of the elements and seasons is read in this way. Flux, life and death are part of this, as are extinctions, catastrophe, fire and flood. We avail ourselves of these, and ultimately a balance is sought. Our ritual space is written in starlight, watched over by sun and moon.
So this leaves us with a simple question. How can there be any Witchcraft if this is all destroyed? It is not a rhetorical question. Our land, our trees, animals and elements hold spirit. Will we let our familiars, literally our family be destroyed? If we hold any real belief and experience of spirit, then it does not ask, it demands us to fight for it.
”
”
Peter Grey (Apocalyptic Witchcraft)
“
While you're alive it's shameful to worm your way into
the Calendar of Saints.
Disbelief in yourself is more saintly.
It takes real talent not to dread being terrified
by your own agonizing lack of talent.
Disbelief in yourself is indispensable.
Indispensable to us is the loneliness
of being gripped in the vise,
so that in the darkest night the sky will enter you
and skin your temples with the stars,
so that streetcars will crash into the room,
wheels cutting across your face,
so the dangling rope, terrible and alive,
will float into the room and dance invitingly in the air.
Indispensable is any mangy ghost
in tattered, overplayed stage rags,
and if even the ghosts are capricious,
I swear, they are no more capricious than those who are alive.
Indispensable amidst babbling boredom
are the deadly fear of uttering the right words
and the fear of shaving, because across your cheekbone
graveyard grass already grows.
It is indispensable to be sleeplessly delirious,
to fail, to leap into emptiness.
Probably, only in despair is it possible
to speak all the truth to this age.
It is indispensable, after throwing out dirty drafts,
to explode yourself and crawl before ridicule,
to reassemble your shattered hands
from fingers that rolled under the dresser.
Indispensable is the cowardice to be cruel
and the observation of the small mercies,
when a step toward falsely high goals
makes the trampled stars squeal out.
It's indispensable, with a misfit's hunger,
to gnaw a verb right down to the bone.
Only one who is by nature from the naked poor
is neither naked nor poor before fastidious eternity.
And if from out of the dirt,
you have become a prince,
but without principles,
unprince yourself and consider
how much less dirt there was before,
when you were in the real, pure dirt.
Our self-esteem is such baseness....
The Creator raises to the heights
only those who, even with tiny movements,
tremble with the fear of uncertainty.
Better to cut open your veins with a can opener,
to lie like a wino on a spit-spattered bench in the park,
than to come to that very comfortable belief
in your own special significance.
Blessed is the madcap artist,
who smashes his sculpture with relish-
hungry and cold-but free
from degrading belief in himself.
”
”
Yevgeny Yevtushenko
“
In Anton Chekhov’s play the Three Sisters, sister Masha refuses ‘to live and not know why the cranes fly, why children are born, why the stars are in the sky. Either you know and you’re alive or it’s all nonsense, all dust in the wind.’ Why? Why? The striving to know is what frees us from the bonds of self, said Einstein. It’s the striving to know, rather than our knowledge-which is always tentative and partial- that is important. Instead of putting computers in our elementary schools, we should take the children out into nature, away from those virtual worlds in which they spend unconscionable hours, and let them see an eclipsed Moon rising in the east, a pink pearl. Let them stand in a morning dawn and watch a slip of a comet fling its trail around the Sun…Let the children know. Let them know that nothing, nothing will find in the virtual world of e-games, television, or the Internet matters half as much as a glitter of strs on an inky sky, drawing our attention into the incomprehensible mystery of why the universe is here at all, and why we are here to observe it. The winter Milky Way rises in the east, one trillion individually invisible points of light, one trillion revelations of the Ultimate Mystery, conferring on the watcher a dignity, a blessedness, that confounds the dull humdrum of the commonplace and opens a window to infinity.
”
”
Chet Raymo (An Intimate Look at the Night Sky)
“
Politics is the science of domination, and persons in the process of enlargement and illumination are notoriously difficult to control. Therefore, to protect its vested interests, politics usurped religion a very long time ago. Kings bought off priests with land and adornments. Together, they drained the shady ponds and replaced them with fish tanks. The walls of the tanks were constructed of ignorance and superstition, held together with fear. They called the tanks “synagogues” or “churches” or “mosques.” After the tanks were in place, nobody talked much about soul anymore. Instead, they talked about spirit. Soul is hot and heavy. Spirit is cool, abstract, detached. Soul is connected to the earth and its waters. Spirit is connected to the sky and its gases. Out of the gases springs fire. Firepower. It has been observed that the logical extension of all politics is war. Once religion became political, the exercise of it, too, could be said to lead sooner or later to war. “War is hell.” Thus, religious belief propels us straight to hell. History unwaveringly supports this view. (Each modern religion has boasted that it and it alone is on speaking terms with the Deity, and its adherents have been quite willing to die—or kill—to support its presumptuous claims.) Not every silty bayou could be drained, of course. The soulfish that bubbled and snapped in the few remaining ponds were tagged “mystics.” They were regarded as mavericks, exotic and inferior. If they splashed too high, they were thought to be threatening and in need of extermination. The fearful flounders in the tanks, now psychologically dependent upon addictive spirit flakes, had forgotten that once upon a time they, too, had been mystical. Religion is nothing but institutionalized mysticism. The catch is, mysticism does not lend itself to institutionalization. The moment we attempt to organize mysticism, we destroy its essence. Religion, then, is mysticism in which the mystical has been killed. Or, at least diminished. Those who witness the dropping of the fourth veil might see clearly what Spike Cohen and Roland Abu Hadee dimly suspected: that not only is religion divisive and oppressive, it is also a denial of all that is divine in people; it is a suffocation of the soul.
”
”
Tom Robbins (Skinny Legs and All)
“
From Venice to Rome, Paris to Brussels, London to Edinburgh, the Ambassadors watched, long-eared and bright-eyed.
Charles of Spain, Holy Roman Emperor, fending off Islam at Prague and Lutherism in Germany and forcing recoil from the long, sticky fingers at the Vatican, cast a considering glance at heretic England.
Henry, new King of France, tenderly conscious of the Emperor's power and hostility, felt his way thoughtfully toward a small cabal between himself, the Venetians and the Pope, and wondered how to induce Charles to give up Savoy, how to evict England from Boulogne, and how best to serve his close friend and dear relative Scotland without throwing England into the arms or the lap of the Empire.
He observed Scotland, her baby Queen, her French and widowed Queen Mother, and her Governor Arran.
He observed England, ruled by the royal uncle Somerset for the boy King Edward, aged nine.
He watched with interest as the English dotingly pursued their most cherished policy: the marriage which should painlessly annex Scotland to England and end forever the long, dangerous romance between Scotland and England.
Pensively, France marshalled its fleet and set about cultivating the Netherlands, whose harbours might be kind to storm-driven galleys. The Emperor, fretted by Scottish piracy and less busy than he had been, watched the northern skies narrowly. Europe, poised delicately over a brand-new board, waiting for the opening gambit.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
What he did there was, if one were to make a story of it to someone, absolutely nothing. It was fall, and in the mountains the early-autumn sun has a power of its own; mornings it lifted him up and bore him to some tree high up on the slopes, from beneath which one looked into the far distance, for in spite of his heavy hiking boots he was really not conscious of walking. In the same self-forgetful way he changed his location several times during the day and read a little in a few books he had with him. Nor was he really thinking, although he felt his mind more deeply agitated than usual, for his thoughts did not shake themselves up as they usually do, so that a new idea is always landing on top of the pyramid of the earlier ones while the ones at the bottom are becoming more and more compacted until finally they fuse with flesh, blood, skull case, and the tendons supporting the muscles, but his insights came like a jet into a full vessel, in endless overflowing and renewal, or they passed in an everlasting progression like clouds through the sky in which nothing changes, not the blue depths and not the soundless swimming of those mother-of-pearl fish. It could happen that an animal came out of the woods, observed Ulrich, and slowly bounded away without anything changing; that a cow grazed nearby, or a person went past, without any more happening than a beat of the pulse, twin to all the others of the stream of life that softly pounds without end against the walls of the understanding.
”
”
Robert Musil (The Man Without Qualities)
“
This twinned twinkle was delightful but not completely satisfying; or rather it only sharpened my appetite for other tidbits of light and shade, and I walked on in a state of raw awareness that seemed to transform the whole of my being into one big eyeball rolling in the world's socket.
Through peacocked lashes I saw the dazzling diamond reflection of the low sun on the round back of a parked automobile. To all kinds of things a vivid pictorial sense had been restored by the sponge of the thaw. Water in overlapping festoons flowed down one sloping street and turned gracefully into another. With ever so slight a note of meretricious appeal, narrow passages between buildings revealed treasures of brick and purple. I remarked for the first time the humble fluting - last echoes of grooves on the shafts of columns - ornamenting a garbage can, and I also saw the rippling upon its lid - circles diverging from a fantastically ancient center. Erect, dark-headed shapes of dead snow (left by the blades of a bulldozer last Friday) were lined up like rudimentary penguins along the curbs, above the brilliant vibration of live gutters.
I walked up, and I walked down, and I walked straight into a delicately dying sky, and finally the sequence of observed and observant things brought me, at my usual eating time, to a street so distant from my usual eating place that I decided to try a restaurant which stood on the fringe of the town. Night had fallen without sound or ceremony when I came out again. ("The Vane Sisters")
”
”
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,
”
”
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
“
I use my mom’s shampoo sometimes,” I blurt out. “I know I shouldn’t. I know it’s lady shampoo. But it smells better than mine, and I think my hair might like it better, and – but that doesn’t change the fact that that stuff, that’s for chicks. And, that, that’s probably
gay, isn’t it? Like, at least a little.”
“I don’t know whether—”
“And I cried once listening to ‘The Scientist’ by Coldplay. I don’t know, I was in sort of a lousy mood anyway, but it’s not like that excuses that stuff. Like, that was gay, wasn’t it? Guys don’t just sit around and cry over Coldplay.”
“Howie—”
“And I loved Mamma Mia. Like, loved it. Amber made me watch it with her on TV once, and I didn’t want to, and she wound up thinking it was this sentimental piece of crap, but I loved it. It was all sunny and happy and there was all that blue sky and blue ocean, and everyone was just, like, so chill, all bouncing and singing and being so happy, and I just wanted to, I don’t know, live there or something. Jump right into the screen and sing
backup to Dancing Queen. That’s gay, right? That’s queeriest queerdom. There’s no way that’s not totally gay. It’s gay. It’s so gay. I’m … I …”
“If I may,” Arthur says.
I take a deep breath. “Yeah, okay.”
“I don’t like any of those things,” Arthur says, “and I am gay. So maybe you’re just
girly.”
That?
That’s his answer?
“I’m not girly,” I say, affronted.
“Just an observation,” Arthur replies innocently.
“You didn’t like Mamma Mia?” I ask, feeling like I just got kicked.
“I’m not even really sure what it is,” Arthur replies, frowning thoughtfully.
Useless bastard.
”
”
Hannah Johnson (Know Not Why (Know Not Why, #1))
“
Lake Natron resided in northern Tanzania near an active volcano known as Ol Doinyo Lengai. It was part of the reason the lake had such unique characteristics. The mud had a curious dark grey color over where Jack had been set up for observation, and he noted that there was now an odd-looking mound of it to the right of one of the flamingo’s nests. He zoomed in further and further, peering at it, and then realized what he was actually seeing.
The dragon had crouched down beside the nests and blended into the mud. From snout to tail, Jack calculated it had to be twelve to fourteen feet long. Its wings were folded against its back, which had small spines running down the length to a spiky tail. It had a fin with three prongs along the base of the skull and webbed feet tipped with sharp black talons. He estimated the dragon was about the size of a large hyena. It peered up at its prey with beady red eyes, its black forked tongue darting out every few seconds. Its shoulder muscles bunched and its hind legs tensed.
Then it pounced.
The dark grey dragon leapt onto one of flamingoes atop its nest and seized it by the throat. The bird squawked in distress and immediately beat its wings, trying to free itself. The others around them took to the skies in panic. The dragon slammed it into the mud and closed its jaws around the animal’s throat, blood spilling everywhere. The flamingo yelped out its last breaths and then finally stilled. The dragon dropped the limp carcass and sniffed the eggs before beginning to swallow them whole one at a time.
“Holy shit,” Jack muttered.
“Have we got a visual?”
“Oh, yeah. Based on the size, the natives and the conservationists were right to be concerned. It can probably wipe out a serious number of wildlife in a short amount of time based on what I’m seeing. There’s only a handful of fauna that can survive in these conditions and it could make mincemeat out of them.”
“Alright, so what’s the plan?”
“They told me it’s very agile, which is why their attempts to capture it haven’t worked. I’m going to see if it responds to any of the usual stimuli. So far, they said it doesn’t appear to be aggressive.”
“Copy that. Be careful, cowboy.”
“Ten-four.” Jack glanced down at his utility belt and opened the pocket on his left side, withdrawing a thin silver whistle. He put it to his lips and blew for several seconds. Much like a dog whistle, Jack couldn’t hear anything.
But the dragon’s head creaked around and those beady red eyes locked onto him.
Jack lowered the whistle and licked his dry lips. “If I were in a movie, this would be the part where I said, ‘I’ve got a bad feeling about this.’”
The dragon roared, its grey wings extending out from its body, and then flew straight at him.
”
”
Kyoko M. (Of Claws & Inferno (Of Cinder & Bone, #5))
“
[OBSERVATIONS RELATED TO EXAMINING THE NATURE OF MIND] Be certain that the nature of mind is empty and without foundation. One’s own mind is insubstantial, like an empty sky. Look at your own mind to see whether it is like that or not. Divorced from views which constructedly determine [the nature of] emptiness, Be certain that pristine cognition, naturally originating, is primordially radiant – Just like the nucleus of the sun, which is itself naturally originating. Look at your own mind to see whether it is like that or not! Be certain that this awareness, which is pristine cognition, is uninterrupted, Like the coursing central torrent of a river which flows unceasingly. Look at your own mind to see whether it is like that or not! Be certain that conceptual thoughts and fleeting memories are not strictly identifiable, But insubstantial in their motion, like the breezes of the atmosphere. Look at your own mind to see whether it is like that or not! Be certain that all that appears is naturally manifest [in the mind], Like the images in a mirror which [also] appear naturally. Look at your own mind to see whether it is like that or not! Be certain that all characteristics are liberated right where they are, Like the clouds of the atmosphere, naturally originating and naturally dissolving. Look at your own mind to see whether it is like that or not! There are no phenomena extraneous to those that originate from the mind. [So], now could there be anything on which to meditate apart from the mind? There are no phenomena extraneous to those that originate from the mind. [So], there are no modes of conduct to be undertaken extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no commitments to be kept extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], there are no results to be attained extraneous [to those that originate from the mind]. There are no phenomena extraneous to those that originate from the mind. [So], one should observe one’s own mind, looking into its nature again and again. If, upon looking outwards towards the external expanse of the sky, There are no projections emanated by the mind, And if, on looking inwards at one’s own mind, There is no projectionist who projects [thoughts] by thinking them, Then, one’s own mind, completely free from conceptual projections, will become luminously clear. [This] intrinsic awareness, [union of] inner radiance and emptiness, is the Buddha-body of Reality, [Appearing] like [the illumining effect of] a sunrise on a clear and cloudless sky,. It is clearly knowable, despite its lack of specific shape or form. There is a great distinction between those who understand and those who misunderstand this point. This naturally originating inner radiance, uncreated from the very beginning, Is the parentless child of awareness – how amazing! It is the naturally originating pristine cognition, uncreated by anyone – how amazing! [This radiant awareness] has never been born and will never die – how amazing! Though manifestly radiant, it lacks an [extraneous] perceiver – how amazing! Though it has roamed throughout cyclic existence, it does not degenerate – how amazing! Though it has seen buddhahood itself, it does not improve – how amazing! Though it is present in everyone, it remains unrecognised – how amazing! Still, one hopes for some attainment other than this – how amazing! Though it is present within oneself, one continues to seek it elsewhere – how amazing!
”
”
Graham Coleman (The Tibetan Book of the Dead. First Complete English Translation)
“
In a sky swarming with uncountable stars, clouds endlessly flowing, and planets wandering, always and forever there has been just one moon and one sun. To our ancestors, these two mysterious bodies reflected the female and the male essences. From Iceland to Tierra del Fuego, people attributed the Sun’s constancy and power to his masculinity; the Moon’s changeability, unspeakable beauty, and monthly cycles were signs of her femininity. To human eyes turned toward the sky 100,000 years ago, they appeared identical in size, as they do to our eyes today. In a total solar eclipse, the disc of the moon fits so precisely over that of the sun that the naked eye can see solar flares leaping into space from behind. But while they appear precisely the same size to terrestrial observers, scientists long ago determined that the true diameter of the sun is about four hundred times that of the moon. Yet incredibly, the sun’s distance from Earth is roughly four hundred times that of the moon’s, thus bringing them into unlikely balance when viewed from the only planet with anyone around to notice.22 Some will say, “Interesting coincidence.” Others will wonder whether there isn’t an extraordinary message contained in this celestial convergence of difference and similarity, intimacy and distance, rhythmic constancy and cyclical change. Like our distant ancestors, we watch the eternal dance of our sun and our moon, looking for clues to the nature of man and woman, masculine and feminine here at home.
”
”
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)