“
Relationships are built in the silences. You spend time with people, you observe them and interact with them, and you come to know them—and that is what apartheid stole from us: time.
”
”
Trevor Noah (Born a Crime: Stories From a South African Childhood)
“
Since we're keeping it primal, you smell good," he observed.
"It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought.
"Naked. I know the drill," Jev said, something unreadeble passing over his eyes.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
Quiet people always know more than they seem. Although very normal, their inner world is by default fronted mysterious and therefore assumed weird. Never underestimate the social awareness and sense of reality in a quiet person; they are some of the most observant, absorbent persons of all.
”
”
Criss Jami (Healology)
“
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer."
"The Answer?" said Deep Thought. "The Answer to what?"
"Life!" urged Fook.
"The Universe!" said Lunkwill.
"Everything!" they said in chorus.
Deep Thought paused for a moment's reflection.
"Tricky," he said finally.
"But can you do it?"
Again, a significant pause.
"Yes," said Deep Thought, "I can do it."
"There is an answer?" said Fook with breathless excitement.
"Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it."
...
Fook glanced impatiently at his watch.
“How long?” he said.
“Seven and a half million years,” said Deep Thought.
Lunkwill and Fook blinked at each other.
“Seven and a half million years...!” they cried in chorus.
“Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?"
[Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started]
"We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!"
"The Universe...!" said Loonquawl.
"And Everything...!"
"Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!"
There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel.
"Good Morning," said Deep Thought at last.
"Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..."
"An Answer for you?" interrupted Deep Thought majestically. "Yes, I have."
The two men shivered with expectancy. Their waiting had not been in vain.
"There really is one?" breathed Phouchg.
"There really is one," confirmed Deep Thought.
"To Everything? To the great Question of Life, the Universe and everything?"
"Yes."
Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children.
"And you're ready to give it to us?" urged Loonsuawl.
"I am."
"Now?"
"Now," said Deep Thought.
They both licked their dry lips.
"Though I don't think," added Deep Thought. "that you're going to like it."
"Doesn't matter!" said Phouchg. "We must know it! Now!"
"Now?" inquired Deep Thought.
"Yes! Now..."
"All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable.
"You're really not going to like it," observed Deep Thought.
"Tell us!"
"All right," said Deep Thought. "The Answer to the Great Question..."
"Yes..!"
"Of Life, the Universe and Everything..." said Deep Thought.
"Yes...!"
"Is..." said Deep Thought, and paused.
"Yes...!"
"Is..."
"Yes...!!!...?"
"Forty-two," said Deep Thought, with infinite majesty and calm.
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
“
When you are happy, so happy you have no sense of needing Him, so happy that you are tempted to feel His claims upon you as an interruption, if you remember yourself and turn to Him with gratitude and praise, you will be — or so it feels— welcomed with open arms. But go to Him when your need is desperate, when all other help is vain, and what do you find? A door slammed in your face, and a sound of bolting and double bolting on the inside. After that, silence.
”
”
C.S. Lewis (A Grief Observed)
“
Have you ever seen the dawn? Not a dawn groggy with lack of sleep or hectic with mindless obligations and you about to rush off on an early adventure or business, but full of deep silence and absolute clarity of perception? A dawning which you truly observe, degree by degree. It is the most amazing moment of birth. And more than anything it can spur you to action. Have a burning day.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
The observations and encounters of a solitary, taciturn man are vaguer and at the same times more intense than those of a sociable man; his thoughts are deeper, odder and never without a touch of sadness. Images and perceptions that could be dismissed with a glance, a laugh, an exchange of opinions, occupy him unduly, become more intense in the silence, become significant, become an experience, an adventure, an emotion. Solitude produces originality, bold and astonishing beauty, poetry. But solitude also produces perverseness, the disproportionate, the absurd and the forbidden.
”
”
Thomas Mann (Death in Venice)
“
An observer can’t tell if a person is silent and still because inner life has stalled or because inner life is transfixingly busy.
”
”
Susanna Kaysen (Girl, Interrupted)
“
Failed relationships can be described as so much wasted makeup.
Forget the laughs, forget the fights, forget the sex, forget the jealousy. But take off your hat and observe a moment's silence for the legions of unknown tubes of foundation, mascara, eyeliner, blusher and lipstick who died that it might all have been possible. But who died in vain.
”
”
Marian Keyes (Watermelon (Walsh Family, #1))
“
God afternoon," I said cheerfully, with an especially saccharine smile for the High Lord. He blinked at me, and both of the faerie men murmured their greetings as I took a seat across from Lucien, not my usual place facing Tamlin.
I drank deeply from my goblet of water before piling food on my plate. I savored the tense silence as I consumed the meal before me.
"You look . . . refreshed," Lucien observed with a glance at Tamlin. I shrugged. "Sleep well?"
"Like a babe." I smiled as him and took another bite of food, and felt Lucien's eyes travel inexorably to my neck.
"What is that bruise?" Lucien demanded.
I pointed my fork to Tamlin. "Ask him, he did it."
Lucien looked from Tamlin to me and then back again. "Why does Feyre have a bruise on her neck from you?" he asked with no small amount of amusement.
"I bit her," Tamlin said, not pausing as he cut his steak. "We ran into each other in the hall after the Rite.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
The proverb says that 'The answer to a fool is silence'. Observation, however, indicates that almost any other answer will have the same effect in the long run.
”
”
Idries Shah (Reflections)
“
Not too long ago thousands spent their lives as recluses to find spiritual vision in the solitude of nature. Modern man need not become a hermit to achieve this goal, for it is neither ecstasy nor world-estranged mysticism his era demands, but a balance between quantitative and qualitative reality. Modern man, with his reduced capacity for intuitive perception, is unlikely to benefit from the contemplative life of a hermit in the wilderness. But what he can do is to give undivided attention, at times, to a natural phenomenon, observing it in detail, and recalling all the scientific facts about it he may remember. Gradually, however, he must silence his thoughts and, for moments at least, forget all his personal cares and desires, until nothing remains in his soul but awe for the miracle before him. Such efforts are like journeys beyond the boundaries of narrow self-love and, although the process of intuitive awakening is laborious and slow, its rewards are noticeable from the very first. If pursued through the course of years, something will begin to stir in the human soul, a sense of kinship with the forces of life consciousness which rule the world of plants and animals, and with the powers which determine the laws of matter. While analytical intellect may well be called the most precious fruit of the Modern Age, it must not be allowed to rule supreme in matters of cognition. If science is to bring happiness and real progress to the world, it needs the warmth of man's heart just as much as the cold inquisitiveness of his brain.
”
”
Franz Winkler
“
His mouth twisted into a perceptive, sexy smile.
"Hmm."
"Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal."
His smile tipped higher. "Primal."
"You're impossible."
"Me Jev, you Nora."
"Stop it." But I nearly smiled in spite of myself.
"Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure.
"It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought.
"Naked. I know the drill," Jev said, something unreadable passing over his eyes.
Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?"
"Does it feel that way to you?"
"I don't know you well enough to say either way." I tried to keep my voice level, neutral even.
"Then we'll have to change that."
Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?"
"No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.
”
”
Becca Fitzpatrick (Silence (Hush, Hush, #3))
“
I hope that you will listen, but not with the memory of what you already know; and this is very difficult to do. You listen to something, and your mind immediately reacts with its knowledge, its conclusions, its opinions, its past memories. It listens, inquiring for a future understanding.
Just observe yourself, how you are listening, and you will see that this is what is taking place. Either you are listening with a conclusion, with knowledge, with certain memories, experiences, or you want an answer, and you are impatient. You want to know what it is all about, what life is all about, the extraordinary complexity of life. You are not actually listening at all.
You can only listen when the mind is quiet, when the mind doesn't react immediately, when there is an interval between your reaction and what is being said. Then, in that interval there is a quietness, there is a silence in which alone there is a comprehension which is not intellectual understanding.
If there is a gap between what is said and your own reaction to what is said, in that interval, whether you prolong it indefinitely, for a long period or for a few seconds - in that interval, if you observe, there comes clarity. It is the interval that is the new brain. The immediate reaction is the old brain, and the old brain functions in its own traditional, accepted, reactionary, animalistic sense.
When there is an abeyance of that, when the reaction is suspended, when there is an interval, then you will find that the new brain acts, and it is only the new brain that can understand, not the old brain
”
”
J. Krishnamurti
“
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach.
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?”
“I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.”
Another silence. Then, “Why are you facing downward?”
“Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?”
His face was blank. “Has no one ever told you?”
“No, but I’ve read about it.”
Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?”
“Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-”
She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement.
Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing.
“Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me?
Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.”
“You are!”
“No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .”
“Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Once the quietness arrived, it stayed and spread in Estha. It reached out of his head and enfolded him in its swampy arms. It rocked him to the rhythm of an ancient, fetal heartbeat. It sent its stealthy, suckered tentacles inching along the insides of his skull, hoovering the knolls and dells of his memory; dislodging old sentences, whisking them off the tip of his tongue. It stripped his thoughts of the words that described them and left them pared and naked. Unspeakable. Numb. And to an observer therefore, perhaps barely there. Slowly, over the years, Estha withdrew from the world. He grew accustomed to the uneasy octopus that lived inside him and squirted its inky tranquilizer on his past. Gradually the reason for his silence was hidden away, entombed somewhere deep in the soothing folds of the fact of it.
”
”
Arundhati Roy (The God of Small Things)
“
Yet a mysterious gate lay open within her shadow; and all my flesh was aware of black pathways and hovels and the silence one observes when the dead are near.
”
”
Joë Bousquet
“
For some time she observed a great yellow butterfly, which was opening and closing its wings very slowly on a little flat stone.
"What is it to be in love?" she demanded, after a long silence; each word as it came into being seemed to shove itself out into an unknown sea. Hypnotized by the wings of the butterfly, and awed by the discovery of a terrible possibility in life, she sat for some time longer. When the butterfly flew away, she rose, and within, her two books beneath her arm returned again, much as a soldier prepares for battle.
”
”
Virginia Woolf (The Voyage Out (The Virginia Woolf Library))
“
If you observe the pace of my breaths, you won't need to listen to my words.
”
”
Nema Al-Araby
“
The observations and encounters of a devotee of solitude and silence are at once less distinct and more penetrating than those of the sociable man; his thoughts are weightier, stranger, and never without a tinge of sadness. Images and perceptions which might otherwise be easily dispelled by a glance, a laugh, an exchange of comments, concern him unduly, they sink into mute depths, take on significance, become experiences, adventures, emotions.
”
”
Thomas Mann (Death in Venice)
“
The essence of true safety is to observe silence, to look at the end of things and to renounce the world.
”
”
Bahá'u'lláh
“
How To Tell If Somebody Loves You:
Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage!
Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all.
Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you.
Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love.
Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to.
Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them.
Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
”
”
Ryan O'Connell
“
I learned something about you today."
That wins his full attention. He draws me into the fathomless depths of his eyes. "What would that be?"
"Every time you try to do the right thing, you get screwed."
My observation is met with silence. He scoops up my other necklace, closing the key, heart, and ring within his fist.
I take a shallow breath, heartbeat stumbling as I try to read him.
"So it's a battle to make that choice, yeah?"
-Unhinged, pg 351-2
”
”
A.G. Howard
“
13084
Tonight I came back to the hotel alone; the other has decided to return later on. The anxieties are already here, like the poison already prepared (jealousy, abandonment, restlessness); they merely wait for a little time to pass in order to be able to declare themselves with some propriety. I pick up a book and take a sleeping pill, "calmly." The silence of this huge hotel is echoing, indifferent, idiotic (faint murmur of draining bathtubs); the furniture and the lamps are stupid; nothing friendly that might warm ("I'm cold, let's go back to Paris). Anxiety mounts; I observe its progress, like Socrates chatting (as I am reading) and feeling the cold of the hemlock rising in his body; I hear it identify itself moving up, like an inexorable figure, against the background of the things that are here.
”
”
Roland Barthes (A Lover's Discourse: Fragments)
“
We want everything, we want to be everything. We want to experience all the joys of good fortune and the full depths of suffering. We want the excitement of action and the calm of observation. We want the silence of the desert as well as the noise of the forum. Simultaneously we want to be the hermit´s thought and the voice of the people; we want to be both melody and harmony. Simultaneously! How could this be possible?
”
”
Hjalmar Söderberg (Doctor Glas)
“
The observations and encounters of a man of solitude and few words are at once more nebulous and more intense than those of a gregarious man, his thoughts more ponderable, more bizarre and never without a hint of sadness. Images and perceptions that might easily be dismissed with a glance, a laugh, an exchange of opinions occupy him unduly; they are heightened in the silence, gain in significance, turn into experience, adventure, emotion. Solitude begets originality, bold and disconcerting beauty, poetry. But solitude can also beget perversity, disparity, the absurd and the forbidden.
”
”
Thomas Mann (Death in Venice)
“
When oranges came in, a curious proceeding was gone through. Miss Jenkyns did not like to cut the fruit, for, as she observed, the juice all ran out nobody knew where, sucking [only I think she used some more recondite word] was in fact the only way of enjoying oranges; but then there was the unpleasant association with a ceremony frequently gone through by little babies; and so, after dessert, in orange season, Miss Jenkyns and Miss Matty used to rise up, possess themselves each of an orange in silence, and withdraw to the privacy of their own rooms to indulge in sucking oranges.
”
”
Elizabeth Gaskell (Cranford)
“
You look at the movie and you see all kinds of dastardly things going on. But then you catch yourself and you say, "It's only a movie! It's not the truth." And so it is with life. You observe everything that's going on in life, you watch, you look, you see. Yet you never react. You're never for or against. You understand, and this makes you free.
”
”
Robert Adams (Silence Of The Heart)
“
In the age of Facebook and Instagram you can observe this myth-making process more clearly than ever before, because some of it has been outsourced from the mind to the computer. It is fascinating and terrifying to behold people who spend countless hours constructing and embellishing a perfect self online, becoming attached to their own creation, and mistaking it for the truth about themselves.20 That’s how a family holiday fraught with traffic jams, petty squabbles and tense silences becomes a collection of beautiful panoramas, perfect dinners and smiling faces; 99 per cent of what we experience never becomes part of the story of the self.
It is particularly noteworthy that our fantasy self tends to be very visual, whereas our actual experiences are corporeal. In the fantasy, you observe a scene in your mind’s eye or on the computer screen. You see yourself standing on a tropical beach, the blue sea behind you, a big smile on your face, one hand holding a cocktail, the other arm around your lover’s waist. Paradise. What the picture does not show is the annoying fly that bites your leg, the cramped feeling in your stomach from eating that rotten fish soup, the tension in your jaw as you fake a big smile, and the ugly fight the happy couple had five minutes ago. If we could only feel what the people in the photos felt while taking them!
Hence if you really want to understand yourself, you should not identify with your Facebook account or with the inner story of the self. Instead, you should observe the actual flow of body and mind. You will see thoughts, emotions and desires appear and disappear without much reason and without any command from you, just as different winds blow from this or that direction and mess up your hair. And just as you are not the winds, so also you are not the jumble of thoughts, emotions and desires you experience, and you are certainly not the sanitised story you tell about them with hindsight.
You experience all of them, but you don’t control them, you don’t own them, and you are not them. People ask ‘Who am I?’ and expect to be told a story. The first thing you need to know about yourself, is that you are not a story.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
The asylum was, in short, a “storage unit for unsatisfactory wives.”19 They’d been, Elizabeth observed archly, “put here, like me, to get rid of them.
”
”
Kate Moore (The Woman They Could Not Silence: One Woman, Her Incredible Fight for Freedom, and the Men Who Tried to Make Her Disappear)
“
The voice of Jesus that speaks in the gospel pages is the same voice that hides in the language of divine silence. But if we do not hear the one, we are unlikely to hear the other.
”
”
Donald Haggerty (Contemplative Provocations: Brief, Concentrated Observations on Aspects of a Life with God)
“
[Aunt] Patricia smiled, and we walked in silence for a while. But it wasn't a poisonous silence. It was the sort of silence shared by two people who're comfortable enough not to force a conversation ahead of its logical progression. I found this woman's company to be incredibly soothing.
”
”
Jordan Belfort (The Wolf of Wall Street (The Wolf of Wall Street, #1))
“
The artist sees things not in terms of what is or might be, but in terms of what must be. Of what our world must become. This is why a portrait will—to the human observer—always defeat the photograph.
”
”
Christopher Ruocchio (Empire of Silence)
“
From the vast, invisible ocean of moonlight overhead fell, here and here, a slender, broken stream that seemed to plash against the intercepting branches and trickle to earth, forming small white pools among the clumps of laurel. But these leaks were few and served only to accentuate the blackness of his environment, which his imagination found it easy to people with all manner of unfamiliar shapes, menacing, uncanny, or merely grotesque.
He to whom the portentous conspiracy of night and solitude and silence in the heart of a great forest is not an unknown experience needs not to be told what another world it all is - how even the most commonplace and familiar objects take on another character. The trees group themselves differently; they draw closer together, as if in fear. The very silence has another quality than the silence of the day. And it is full of half-heard whispers, whispers that startle - ghosts of sounds long dead. There are living sounds, too, such as are never heard under other conditions: notes of strange night birds, the cries of small animals in sudden encounters with stealthy foes, or in their dreams, a rustling in the dead leaves - it may be the leap of a wood rat, it may be the footstep of a panther. What caused the breaking of that twig? What the low, alarmed twittering in that bushful of birds? There are sounds without a name, forms without substance, translations in space of objects which have not been seen to move, movements wherein nothing is observed to change its place. Ah, children of the sunlight and the gaslight, how little you know of the world in which you live! ("A Tough Tussle")
”
”
Ambrose Bierce (Ghost Stories (Haunting Ghost Stories))
“
The librarian took this all in, standing by the fire and observing the children for a while, letting the silence be. Somehow, it didn’t feel awkward, the way silences often do. Perhaps librarians are more used to quiet than most.
”
”
Kate Albus (A Place to Hang the Moon)
“
She was unaware that she was somewhat of a celebrity up in heaven. I had told people about her, what she did, how she observed moments of silence up and down the city and wrote small individual prayers in her journal, and the story had travelled so quickly that women lined up to know she had found where they’d been killed. She had fans in heaven.....
Meanwhile, for us, she was doing important work, work that most people on Earth were too frightened even too contemplate.
”
”
Alice Sebold (The Lovely Bones)
“
Listen to the silence of the earth while the lark sings! Have you ever observed the receptive attitude in which Nature seems to wait for sounds divine!
”
”
Marie Corelli
“
Kaden still influenced almost everything I did. He was on my mind constantly yet I had learned to control him, push him to a corner where I could merely observe and feel his presence.
”
”
Lydia Kelly (Screaming in the Silence)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted
on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps
can’t.
”
”
C.S. Lewis (A Grief Observed)
“
If one wants to see a thing very clearly, one’s mind must be very quiet, without all the prejudices, the chattering, the dialogue, the images, the pictures – all that must be put aside to look. And it is only in silence that you can observe the beginning of thought – not when you are searching, asking questions, waiting for a reply. So it is only when you are completely quiet, right through your being, having put that question, ‘What is the beginning of thought?’, that you will begin to see, out of that silence, how thought takes shape.
”
”
J. Krishnamurti (Freedom from the Known)
“
Proverbs from the East:
The wind howls, but the mountain remains still.
Even though I make no special attempt to observe the discipline of silence, living alone automatically makes me refrain from the sins of speech.
Those who know do not speak.
Those who speak do not know.
Proverbs from the West
Be a craftsman in speech that thou mayest be strong.
Speech is civilization itself.
The squeaky wheel gets the grease.
”
”
Susan Cain
“
For a long time they sat in silence, observing the huddles of juvenile reeds peeking through the water’s surface, and watching the scores of bank-rooted daisies nodding their dainty heads in time with the gentle breeze.
”
”
Jack Croxall (Tethers (The Tethers Trilogy #1))
“
Historians, as Robert Darnton observed in 1980, 'want to penetrate the mental world of ordinary persons as well as philosophers, but they keep running into the vast silence that has swallowed up most of mankind's thinking.
”
”
Jonathan Rose (The Intellectual Life of the British Working Classes)
“
Our aim is to become as receptive as the moon, in order that we contain all the reflected solar fire and pour it out as libation, or curses. We listen. We observe. We absorb. We master silence and stillness, stealth. We are able to become ceaseless and undiminished in our giving. It is we who light, tend and extinguish the hearth fires. Fire flows through us and it is we who endure.
”
”
Peter Grey (Apocalyptic Witchcraft)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps can’t.
”
”
C.S. Lewis (A Grief Observed)
“
In a state of pseudo-death you restore your substance.
”
”
Marlene van Niekerk (Agaat)
“
We observed a moment of silence for the departed succulents.
”
”
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
“
So it really isn’t as bad as I thought it was at first,” observed Nuncle Lak, after the briefest silence. “It’s worse.
”
”
Ann Leckie (Provenance (Imperial Radch))
“
At what point in our lives does cynicism take over from instinct? When we stop feeling the softness of rain on our face and start worrying about being wet?…When do we make that switch from being part of the natural world to being an observer with an assumed right to control it?
”
”
Raynor Winn (The Wild Silence)
“
These solitary ones who are free in spirit know thatin one thing or another they must constantly put on an appearance that is different from the way they think; although they want nothing but truth and honesty, they are entangled in a web of misunderstandings. And despite their keen desire, they cannot prevent a fog of false opinions, of accommodation, of halfway concessions, of indulgent silence, of erroneous interpretation from settling on everything they do. And so a cloud of melancholy gathers around their brow, for such natures hate the necessity of appearances more than death, and their persistent bitterness about this makes them volatile and menacing. From time to time they take revenge for their violent selfconcealment, for their coerced constraint. They emerge from their caves with horrible expressions on their faces; at such times their words and deeds are explosions, and it is even possible for them to destroy themselves.
”
”
Friedrich Nietzsche (Untimely Meditations)
“
He had one of those chins what…” One of the innkeeper’s hands went up to squeeze his chin into two little folds. “…a chin what looks like an arse.”
“A chin dimple? A cleft?”
“Not cleft so much as dented, Mr. Eversea. And blue eyes. Went nicely with his costume.”
Dumbstruck silence followed this observation.
The innkeeper sighed. “It’s me wife. If ye gets yerself a wife one day, Mr. Eversea, ye’ll come ou’ wi’ things like that, too, mark my words, mark my words. ‘This matches wi’ that or with this,’ and so on. They talk like that, women do. She makes me look a’ things and give opinions. She’ll turn me into a girl yet.”
This seemed unlikely, but all Colin said was, “Blue eyes and an arse chin. Thank you, that’s very helpful, Mr. Croker.
”
”
Julie Anne Long (The Perils of Pleasure (Pennyroyal Green, #1))
“
Most people he knew, his wife included, wouldn't make it through an hour on the promise of four sentences. But Frankie Bard was like a camel. She could hold her words for days--as long as she could watch the goings-on.
”
”
Sarah Blake (The Postmistress)
“
The constant talker will never, or a least rarely, grasp truth. Of course even he must experience some truths, otherwise he could not exist. He does notice certain facts, observe certain relations, draw conclusions and make plans. But he does not yet possess genuine truth, which comes into being only when the essence of an object, the significance of a relaton, and what is valid and eternal in this world reveal themselves. This requires the spacousness, freedom, and pure receptiveness of that inner “clean-swept room” whilch silence alone can create
”
”
Romano Guardini
“
Guilt is born in shame.
Error is born in speculation.
Chaos is born in confusion.
Anger is born in bitterness.
Wrath is born in rage.
Fear is born in mistrust.
Violence is born in intolerance.
Evil is born in ignorance.
Death is born in sin.
Want is born in need.
Mercy is born in compassion.
Peace is born in contentment.
Hope is born in confidence.
Meekness is born in strength.
Patience is born in long-suffering.
Integrity is born in goodness.
Decency is born in dignity.
Joy is born in love.
Fate is born in time.
Chance is born in fate.
Motion is born in rest.
Force is born in acceleration.
Distance is born in separation.
Curiosity is born in observation.
Consciousness is born in awareness.
Perception is born in understanding.
Reason is born in clarity.
Matter is born in space.
Light is born in darkness.
Sound is born in silence.
Wind is born in stillness.
Heat is born in motion.
Nature is born in chaos.
Harmony is born in confusion.
Energy is born in God.
Experience is born in time.
”
”
Matshona Dhliwayo
“
When all that is put together, my answer is that we are probably the only intelligent beings in the observable universe, and I would not be very surprised if the solar system contains the only life in the observable universe.
”
”
Paul C.W. Davies (The Eerie Silence: Renewing Our Search for Alien Intelligence)
“
You must find your own quiet center of life, and write from that to the world that holds offices, and all society... In short, you must write to the human heart, the great consciousness that all humanity goes to make up. Otherwise what might be strength in a writer is only crudeness, and what might be insight is only observation; sentiment falls to sentimentality - you can write about life, but never write life itself... To work in silence and with all one's heart, that is the writer's lot; he is the only artist who must be a solitary, and yet needs the widest outlook upon the world.
”
”
Sarah Orne Jewett
“
The experiences of a man who lives alone and in silence are both vaguer and more penetrating than those of people in society; his thoughts are heavier, more odd, and touched always with melancholy. Images and observations which could easily be disposed of by a glance, a smile, an exchange of opinion, will occupy him unbearably, sink deep into the silence, become full of meaning, become life, adventure, emotion. Loneliness ripens the eccentric, the daringly and estrangingly beautiful, the poetic. But loneliness also ripens the perverse, the disproportionate, the absurd, and the illicit.
”
”
Thomas Mann
“
Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?
”
”
Ian McEwan (Black Dogs)
“
Whereas Socrates would walk up to people in the marketplace and harass them by asking them to define virtue, Pythagoras and his young students in Croton supposedly observed a code of silence, to prevent their secret teachings from being divulged to the uninitiated.
”
”
Peter Adamson (Classical Philosophy (A History of Philosophy Without Any Gaps #1))
“
Many more villagers, who have seen an elephant for the first time in their lives, give absurd exaggerations regarding his size, weight, and height. One of them describes him as ‘a fundament!’. Another, elaborating, alludes to the term ‘firmament,’ because of the elephant’s hugeness. He felt as though the sky was obliterated from his vision. The last to be interviewed by the local TV station swears that he sensed the world lean forward as the elephant came closer and tilt backwards as the beast walked away.
This large mammal ambles purposefully. He pays no heed to the crowded silence following him in stealthy consciousness. One of the villagers, a woman often suspected of dabbling in witchcraft, talks of her inspired theory: that this was no elephant, more like a human on a holy mission of avenging justice. Two other witnesses, neither having had any contact with the woman, speak in substantiation of the woman’s claims, giving as evidence the observation that the elephant turned around when someone said something in Somali. Several villagers will not comment, afraid of a fitting retribution should they do so.
”
”
Nuruddin Farah
“
The key is to move from being a victim of thoughts (the commenting, chattering mind) to being their witness (the heart’s stillness) . . . What we have observed of fear can be observed of practically any struggle with afflictive thoughts and feelings. We must move from being a victim of these thoughts to being their witness. Typically we spend many, many years being their victim. We are imprisoned by the chattering mind. Gradually we learn to distinguish the simple thought or emotion from the chatter and we discover an inner stability that grows into the silence of God.
”
”
Martin Laird (Into the Silent Land: A Guide to the Christian Practice of Contemplation)
“
A lonely, quiet person has observations and experiences that are at once both more indistinct and more penetrating than those of one more gregarious; his thoughts are weightier, stranger, and never without a tinge of sadness. Images and perceptions that others might shrug off with a glance, a laugh, or a brief conversation occupy him unduly, become profound in his silence, become significant, become experience, adventure, emotion.
”
”
Thomas Mann (Death in Venice)
“
The surface of my “slow art” is prismatic, so at first glance the malachite surface looks green. But if the eye is allowed to linger on the surface—it usually takes ten minutes for the eye to adjust—the observer can begin to see the rainbow created by layer upon layer of broken shards of minerals. Such a contemplative experience can be a deep sensory journey toward wisdom. Willingness to spend time truly seeing can change how we view the world, moving us away from our fast-food culture of superficially scanning what we see and becoming surfeited with images that do not delve below the surface.
”
”
Makoto Fujimura (Silence and Beauty: Hidden Faith Born of Suffering)
“
As he observed her in musing silence, a novel thought occurred to him. It slipped through his mind so subtly that it seemed to mingle like smoke with his physical perceptions, with the way the dim light through the stained-glass window fell across her hair in little iridescent rainbows, and the scent of old tobacco and dust lingered in the room. He wondered — absurdly — if this was what she had come for — simply to sit in the stillness and be alive and share it with him.
Something inside, something tiny he hadn’t even known was there, seemed to unfold, to spread tentative petals open like a desert flower sensing rain.
She turned and looked up at him, her great unblinking eyes full of forest wisdom. He thought foolishly: Let me stay here. I need this.
”
”
Laura Kinsale (Seize the Fire)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps
can’t.
”
”
C.S. Lewis (A Grief Observed)
“
You can’t see anything properly while your eyes are blurred with tears. You can’t, in most things, get what you want if you want it too desperately: anyway, you can’t get the best out of it. ‘Now! Let’s have a real good talk’ reduces everyone to silence. ‘I must get a good sleep tonight’ ushers in hours of wakefulness. Delicious drinks are wasted
on a really ravenous thirst. Is it similarly the very intensity of the longing that draws the iron curtain, that makes us feel we are staring into a vacuum when we think about our dead? ‘Them as asks’ (at any rate ‘as asks too importunately’) don’t get. Perhaps can’t.
”
”
C.S. Lewis (A Grief Observed)
“
When you become responsive to the solicitations of silence, you may be called to explore the invitation. This exploration is a kind of laboratory. You may sit and observe the coming and going of perceptions. You remain present to them but do not follow them. Following a thought is what maintains it. If you remain present without becoming an accomplice, agitation slows down through lack of fuel. In the absence of agitation you are taken by the resonance of stillness.
”
”
Jean Klein (Who Am I?: The Sacred Quest)
“
Once we reconnected, I was overcome by this drive to make up for all the years we’d missed. I decided the best way to do it was to interview him. I realized very quickly that that was a mistake. Interviews will give you facts and information, but facts and information weren’t really what I was after. What I wanted was a relationship, and an interview is not a relationship. Relationships are built in the silences. You spend time with people, you observe them and interact with them, and you come to know them—and that is what apartheid stole from us: time. You can’t make up for that with an interview, but I had to figure that out for myself. I
”
”
Trevor Noah (Born a Crime: Stories from a South African Childhood)
“
I always wished a little that the church was not a church, set off as it was behind its barriers of doctrine and creed, so that all the people of the town and neighborhood might two or three times a week freely have come there and sat down together - though I knew perfectly well that, in the actual world, any gathering would exclude some, and some would not consent to be gathered, and some (like me) would be outside even when inside.
I liked the naturally occurring silences - the one, for instance, just before the service began and the other, the briefest imaginable, just after the last Amen. Occasionally a preacher would come who had a little bias toward silence, and then my attendance would become purposeful. At a certain point in the service the preacher would ask that we observe a moment of silence . . . And then the quiet that was almost the quiet of the empty church would come over us and unite us as we were not united even in singing, and the little sounds (maybe a bird's song) from the world outside would come in to us, and we would completely hear it.
But always too soon the preacher would become abashed (after all, he was being paid to talk) and start a prayer, and the beautiful moment would end. I would think again how I would like for us all just to go there from time to time and sit in silence. Maybe I am a Quaker of sorts, but I am told that the Quakers sometimes speak at their meetings. I would've preferred no talk, no noise at all.
”
”
Wendell Berry (Jayber Crow)
“
When you fall in love with a woman, watch, be alert—it may be nothing but narcissism. The woman’s face, and her eyes, and her words, may be simply functioning as a lake in which you are seeing your reflection. My own observation is this: Out of a hundred loves, ninety-nine are narcissistic. People don’t love the woman that is there. They love the appreciation that the woman is giving to them, the attention that the woman is giving to them, the flattery that the woman is showering on the man.
”
”
Osho (Love, Freedom, and Aloneness: On Relationships, Sex, Meditation, and Silence)
“
USE YOUR SENSES FULLY. Be where you are. Look around. Just look, don’t interpret. See the light, shapes, colors, textures. Be aware of the silent presence of each thing. Be aware of the space that allows everything to be. Listen to the sounds; don’t judge them. Listen to the silence underneath the sounds. Touch something — anything — and feel and acknowledge its Being. Observe the rhythm of your breathing; feel the air flowing in and out, feel the life energy inside your body. Allow everything to be, within and without. Allow the “isness” of all things. Move deeply into the Now. You are leaving behind the deadening world of mental abstraction, of time. You are getting out of the insane mind that is draining you of life energy, just as it is slowly poisoning and destroying the Earth. You are awakening out of the dream of time into the present.
”
”
Eckhart Tolle (Practicing the Power of Now: Essential Teachings, Meditations, and Exercises from the Power of Now)
“
- Offre ton identité au Conseil, jeune apprentie.
La voix était douce, l’ordre sans appel.
- Je m’appelle Ellana Caldin.
- Ton âge.
Ellana hésita une fraction de seconde. Elle ignorait son âge exact, se demandait si elle n’avait pas intérêt à se vieillir. Les apprentis qu’elle avait discernés dans l’assemblée étaient tous plus âgés qu’elle, le Conseil ne risquait-il pas de la considérer comme une enfant ? Les yeux noirs d’Ehrlime fixés sur elle la dissuadèrent de chercher à la tromper.
- J’ai quinze ans.
Des murmures étonnés s’élevèrent dans son dos.
Imperturbable, Ehrlime poursuivit son interrogatoire.
- Offre-nous le nom de ton maître.
- Jilano Alhuïn.
Les murmures, qui s’étaient tus, reprirent. Plus marqués, Ehrlime leva une main pour exiger un silence qu’elle obtint immédiatement.
- Jeune Ellana, je vais te poser une série de questions. A ces questions, tu devras répondre dans l’instant, sans réfléchir, en laissant les mots jaillir de toi comme une cascade vive. Les mots sont un cours d’eau, la source est ton âme. C’est en remontant tes mots jusqu’à ton âme que je saurai discerner si tu peux avancer sur la voie des marchombres. Es-tu prête ?
- Oui.
Une esquisse de sourire traversa le visage ridé d’Ehrlime.
- Qu’y a-t-il au sommet de la montagne ?
- Le ciel.
- Que dit le loup quand il hurle ?
- Joie, force et solitude.
- À qui s’adresse-t-il ?
- À la lune.
- Où va la rivière ?
L’anxiété d’Ellana s’était dissipée. Les questions d’Ehrlime étaient trop imprévues, se succédaient trop rapidement pour qu’elle ait d’autre solution qu’y répondre ainsi qu’on le lui avait demandé. Impossible de tricher. Cette évidence se transforma en une onde paisible dans laquelle elle s’immergea, laissant Ehrlime remonter le cours de ses mots jusqu’à son âme, puisque c’était ce qu’elle désirait.
- Remplir la mer.
- À qui la nuit fait-elle peur ?
- À ceux qui attendent le jour pour voir.
- Combien d’hommes as-tu déjà tués ?
- Deux.
- Es-tu vent ou nuage ?
- Je suis moi.
- Es-tu vent ou nuage ?
- Vent.
- Méritaient-ils la mort ?
- Je l’ignore.
- Es-tu ombre ou lumière ?
- Je suis moi.
- Es-tu ombre ou lumière ?
- Les deux.
- Où se trouve la voie du marchombre ?
- En moi.
Ellana s’exprimait avec aisance, chaque réponse jaillissant d’elle naturellement, comme une expiration après une inspiration. Fluidité. Le sourire sur le visage d’Ehrlime était revenu, plus marqué, et une pointe de jubilation perçait dans sa voix ferme.
- Que devient une larme qui se brise ?
- Une poussière d’étoiles.
- Que fais-tu devant une rivière que tu ne peux pas traverser ?
- Je la traverse.
- Que devient une étoile qui meurt ?
- Un rêve qui vit.
- Offre-moi un mot.
- Silence.
- Un autre.
- Harmonie.
- Un dernier.
- Fluidité.
- L’ours et l’homme se disputent un territoire. Qui a raison ?
- Le chat qui les observe.
- Marie tes trois mots.
- Marchombre.
”
”
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
“
Bombs Away!" he yelled, swooping low over StregaSchloss. He saw little figures on the ground fleeing from the large green projectile that was speeding their way. "And a direct hit, if I'm not mistaken," he observed to himself. With a tremendous slapping sound, Ffup's digestive overload landed on a human target. There was a scream, a ghastly choking sound, and then silence.
”
”
Debi Gliori (Pure Dead Magic)
“
Shapira's Hasidism included transcendent meditation, training the imagination and channeling the emotions to achieve mystical visions. The ideal way, Shapira taught, was to "witness one's thoughts to correct negative habits and character traits." A thought observed will start to weaken, especially negative thoughts, which he advised students not to enter into but examine dispassionately. If they sat on the bank watching their stream of thoughts flow by, without being swept away by them, they might achieve a form of meditation called hashkatah: silencing the conscious mind.
”
”
Diane Ackerman (The Zookeeper's Wife)
“
Our lives are so short and during that short period there is nothing to learn about the whole field of the psyche, which is the movement of memory; we can only observe it. Observe without any movement of thought, observe without time, without past knowledge, without the observer who is the essence of the past. Just watch. Watch those clouds shaping and reshaping, watch the trees, the little birds. It is all part of life. When you watch attentively, with diligence, there is nothing to learn; there is only that vast space, silence and emptiness, which is all-consuming energy.
”
”
J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
“
Climbing up on solsbury hill
I could see the city light
Wind was blowing, time stood still
Eagle flew out of the night
He was something to observe
Came in close, I heard a voice
Standing stretching every nerve
I had to listen had no choice
I did not believe the information
Just had to trust imagination
My heart was going boom boom, boom
Son, he said, grab your things, Ive come to take you home.
To keeping silence I resigned
My friends would think I was a nut
Turning water into wine
Open doors would soon be shut
So I went from day to day
Tho my life was in a rut
till I thought of what Id say
Which connection I should cut
I was feeling part of the scenery
I walked right out of the machinery
My heart was going boom boom boom
Hey, he said, grab your things, Ive come to take you home.
Yeah back home
When illusion spin her net
Im never where I want to be
And liberty she pirouette
When I think that I am free
Watched by empty silhouettes
Who close their eyes, but still can see
No one taught them etiquette
I will show another me
Today I dont need a replacement
Ill tell them what the smile on my face meant
My heart was going boom boom boom
Hey, I said, you can keep my things, theyve come to take me home.
”
”
Peter Gabriel (Peter Gabriel: In His Own Words)
“
At a small dinner with other business executives, the guest of honor spoke the entire time without taking a breath. This meant that the only way to ask a question or make an observation was to interrupt. Three or four men jumped in, and the guest politely answered their questions before resuming his lecture. At one point, I tried to add something to the conversation and he barked, "Let me finish! You people are not good at listening!" Eventually, a few more men interjected and he allowed it. Then the only other female executive at the dinner decided to speak up--and he did it again! He chastised her for interrupting. After the meal, one of the male CEOs pulled me aside to say that he had noticed that only the women had been silenced. He told me he empathized, because as a Hispanic, he has been treated like this many times.
”
”
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
“
Margaret Atwood started writing The Handmaid’s Tale in West Berlin in the spring of 1984. Like Orwell when he began Nineteen Eighty-Four, she was in her early forties and she knew exactly what she wanted to say. The novel originated with a file of newspaper cuttings she had begun collecting while living in England, covering such topics as the religious right, prisons in Iran, falling birth rates, Nazi sexual politics, polygamy and credit cards. She let these diverse observations ferment, like compost, until a story grew out of them. Her travels in East Germany and Czechoslovakia, where she experienced “the wariness, the feeling of being spied on, the silences, the changes of subject, the oblique ways in which people might convey information,” nourished the novel, too, as did her adolescent obsession with dystopias and World War Two.
”
”
Dorian Lynskey (The Ministry of Truth: A Biography of George Orwell's 1984)
“
But we would do well to meditate daily, rather as the religious do on their God, on the 9.5 trillion kilometres which comprise a single light year, or perhaps on the luminosity of the largest known star in our galaxy, Eta Carinae, 7,500 light years distant, 400 times the size of the sun and 4 million times as bright. We should punctuate our calendars with celebrations in honour of VY Canis Majoris, a red hypergiant in the constellation Canis Major, 5,000 light years from earth and 2,100 times bigger than our sun. Nightly – perhaps after the main news bulletin – we might observe a moment of silence in order to contemplate the 200 to 400 billion stars in our galaxy, the 100 billion galaxies and the 3 septillion stars in the universe. Whatever their value may be to science, the stars are in the end no less valuable to mankind as solutions to our megalomania, self-pity and anxiety. To answer our need to be repeatedly connected through our senses to ideas of transcendence, we should insist that a percentage of all prominently positioned television screens on public view be hooked up to live feeds from the transponders of our extraplanetary telescopes. We would then be able to ensure that our frustrations, our broken hearts, our hatred of those who haven’t called us and our regrets over opportunities that have passed us by would continuously be rubbed up against, and salved by, images of galaxies such as Messier 101, a spiral structure which sits towards the bottom left corner of the constellation Ursa Major, 23 million light years away, majestically unaware of everything we are and consolingly unaffected by all that tears us apart.
”
”
Alain de Botton (Religion for Atheists: A Non-Believer's Guide to the Uses of Religion)
“
It is the best of humanity, I think, that goes out to walk. In happy hours all affairs may be wisely postponed for this. Dr. Johnson said, ‘Few men know how to take a walk,’ and it is pretty certain that Dr. Johnson was not one of those few. It is a fine art; there are degrees of proficiency, and we distinguish the professors from the apprentices. The qualifications are endurance, plain clothes, old shoes, an eye for nature, good-humor, vast curiosity, good speech, good silence, and nothing too much. Good observers have the manners of trees and animals, and if they add words, it is only when words are better than silence. But a vain talker profanes the river and the forest, and is nothing like so good company as a dog.
”
”
Ralph Waldo Emerson
“
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings.
Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns.
Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours.
There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh.
On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit.
The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died.
In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams.
No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
”
”
Rachel Carson
“
I was peculiarly moved by the angelic life growing on the ground. I have no idea what sorts of flowers grow there in profusion -- I don’t know their names. But I was so moved that I sat down, trying to flatten as few grasses and plants as possible with my clumsy backside... This brought my head quite close to the silent, joyful, exuberant, celestial children of heaven. They are so humble, so quiet, and they do not mind if you observe them, if you think they are beautiful... Nor do they mind if you don’t look at all -- they just stand there together all by themselves in the huge stretch of woods and grow and bloom just the same, peacefully, joyfully, and silently. I am absolutely sure that they know nothing of the swinish and filthy behaviour of people in their dirty stinking houses -- they know only about heaven.
”
”
M.C. Escher (M.C. Escher: His Life and Complete Graphic Work (With a Fully Illustrated Catalogue))
“
- Qu'y-a-t-il au sommet de la montagne ?
- Le ciel.
- Que dit le loup quand il hurle ?
- Joie, force et solitude.
- A qui s'adresse-t-il ?
- A la lune.
- Où va la rivière ?
- Remplir la mer.
- A qui la nuit fait-elle peur ?
- A ceux qui attendent le jour pour voir.
- Es-tu vent ou nuage ?
- Je suis moi.
- Es-tu vent ou nuage ?
- Vent.
- Es-tu ombre ou lumière ?
- Je suis moi.
- Es-tu ombre ou lumière ?
- Les deux.
- Que devient une lame qui se brise ?
- Une poussière d'étoile.
- Que fais-tu devant une rivière que tu ne peux pas traverser ?
- Je le traverse.
- Que devient une étoile qui meurt ?
- Un rêve qui vit.
- Offre moi un mot.
- Silence.
- Un autre.
- Harmonie.
- Un dernier.
- Fluidité.
- L'ours et le chien se disputent un territoire, qui a raison ?
- Le chat qui les observe.
- Marie tes trois mots.
- Marchombre.
”
”
Pierre Bottero (Ellana (Le Pacte des MarchOmbres, #1))
“
Chaos owes its existence to darkness.
Light owes its existence to energy.
Reality owes its existence to time.
Wind owes its existence to nature.
Force owes its existence to acceleration.
Darkness owes its existence to light.
Sound owes its existence to movement.
Silence owes its existence to stillness.
Matter owes its existence to space.
Heat owes its existence to motion.
Harmony owes its existence to confusion.
Opportunity owes its existence to chance.
Destiny owes its existence to action.
Consciousness owes its existence to eternity.
Knowledge owes its existence to truth.
Perception owes its existence to understanding.
Curiosity owes its existence to observation.
Intelligence owes its existence to wisdom.
Insight owes its existence to discernment.
Judgement owes its existence to awareness.
Speculation owes its existence to certainty.
”
”
Matshona Dhliwayo
“
It's like Romeo & Juliet,' I say. 'You can't separate them. Otherwise, there would be no Shakespeare.'
Silence.
I decide to be more straightforward. I tell him, 'Nothing frightens me anymore. I am not even afraid to die.'
Bussey's eyes, already wide open, grow even wider. My death is the last thing he needs.
I have the strange feeling that there are two of me. One observes the conversation while the other does the talking. Everything is abnormal, especially this extreme calm that has taken me over. I try to explain to Bussey that if I decide to die, it will be without bitterness. I know I did everything I possibly could, so it will be respectful farewell. I will bow to life like an actor, who, having delivered his lines, bends deeply to his audience & retires. I tell Bussey that this decision has nothing to do with him, that it is entirely mine. I will choose either to live or to die, but I cannot allow myself to live in the in-between. I do not want to go through life like a ghost.
'Do you think you'll find Danny this way?' Bussey asks.
My mind sifts through all available theories on the afterlife. It is as if this metaphysical question has become as real as the air we breathe. Buddhism teaches that life is an eternal cycle without beginning or end. I recall the metaphor: "Our individual lives are like waves produced from the great ocean that is the universe. The emergence of a wave is life, and its abatement is death. This rhythm repeats eternally."
Finally I answer Bussey, 'No, I don't think so.'
Bussey seems relieved, but I'm more panicky, because I had never thought that I could wind up alone. In my mind, whatever the odds, Danny & I were & would be together forever.
”
”
Mariane Pearl (A Mighty Heart: The Brave Life and Death of My Husband Danny Pearl)
“
So what was the Synagogue of Satan? You might be surprised to find out there are two types of the Synagogue of Satan. They are the ones that “say they are Jews but are not.” The Synagogue of Satan always tries to say that the church has replaced Israel. This was done in two ways. Judaizing Christians – Legalism/Ebionites The Judaizers said that since the church has replaced Israel, the church has to observe the Mosaic Law. We call this “legalism” or “Judaising.” This type insisted that believers must be circumcised, not eat pork, and keep the Sabbath. Paul, in Titus 1:10-11, stated that people who teach this kind of theology “must be silenced!” These are the ones that forced the formation of the first Jerusalem Council, recorded in Acts 15, to create a decree that the Mosaic Law has nothing to do with salvation. Replacement Theology By the third century the Jewish form of legalism had long vanished. All that was left was Replacement Theology.
”
”
Ken Johnson (Ancient Prophecies Revealed)
“
It was early autumn, then, before the snow began to fly. –(There’s an expression for you, born in the country, born from the imaginations of men and their feeling for the right word, the only word, to mirror clearly what they see! Those with few words must know how to use them.) Men who have seen it, who have watched it day by day outside their cabin window coming down from the sky, like the visible remorse of an ageing year; who have watched it bead upon the ears of the horses they rode, muffle the sound of hoofs on the trail, lie upon spruce boughs and over grass – cover, as if forever, the landscape in which they moved, round off the mountains, blanket the ice in the rivers – for them the snow flies. The snow doesn’t fall. It may ride the wind. It may descend slowly, in utter quiet, from the grey and laden clouds, so that you can hear the flakes touching lightly on the wide white waste, as they come to rest at the end of their flight. Flight – that’s the word. They beat in the air like wings, as if reluctant ever to touch the ground. I have observed them coming down, on a very cold day, near its end when the sky above me was still blue, in flakes great and wide as the palm of my hand. They were like immense moths winging down in the twilight, making the silence about me visible.
”
”
Howard O'Hagan (Tay John)
“
167
It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog.
I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot.
Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop?
Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing?
A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
”
”
Fernando Pessoa (The Book of Disquiet)
“
si tu examines mon empire tu t'en iras voir les forgerons et les trouveras forgeant des clous et se passionnant pour les clous et te chantant les cantiques de la clouterie. Puis tu t'en iras voir les bucherons et tu les trouveras abattant arbres et se passionnant pour l'abattage d'arbres, et se remplissant d'une intense jubilation à l'heure de la fête du bucheron, qui est du premier craquement, lorsque la majesté de l'arbre commence de se prosterner. Et si tu vas voir les astronaumes, tu les verras se passionnant pour les étoiles et n'écoutant plus que leur silence. Et en effet chacun s'imagine être tel. Maintenant si je te demande: "Que se passe-t-il dans mon empire, que naîtra-t-il demain chez moi?" tu me diras: "On forgera des clous, on abattra des arbres, on observera les étoiles et il y aura donc des réserves de clous, des réserves de bois et des observations d'étoiles." Car myope et le nez contre, tu n'as point reconnu la construction d'un navire.
(chapitre CXVII)
”
”
Antoine de Saint-Exupéry (Citadelle)
“
They had met one another, at first not very often, throughout the heady autumn of the first London air raids. Never had a season been more felt; one bought the poetic sense of it with the sense of death. Out of mists of morning charred by the smoke from ruins each day rose to a height of unmisty glitter; between the last of sunset and first note of the siren the darkening glassy tenseness of evening was drawn fine. From the moment of waking you tasted the sweet autumn not less because of an acridity on the tongue and nostrils; and as the singed dust settled and smoke diluted you felt more and more called upon to observe daytime as a pure and curious holiday from fear. All through London the ropings-off of dangerous tracts of streets made islands of exalted if stricken silence, and people crowded against the ropes to admire the sunny emptiness on the other side. The diversion of traffic out of blocked main thoroughfares into byways, the unstopping phatasmagoric streaming of lorries, buses, vans, drays, taxis past modest windows and quiet doorways set up an overpowering sense of London’s organic power – somewhere there was a source from which heavy motion boiled, surged and, not to be damned up, force itself into new channels.
”
”
Elizabeth Bowen (The Heat of the Day)
“
But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.”
“Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.”
“Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.”
“You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.”
“She’s lovely and spirited, and you will admire her tremendously.”
“In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered.
Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between.
In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth.
The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.”
In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?”
“Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?”
Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Meanwhile, where is God? This is one of the most disquieting symptoms. When you are happy, so happy that you have no sense of needing Him, so happy that you are tempted to feel His claims upon you as an interruption, if you remember yourself and turn to Him with gratitude and praise, you will be - or so it feels - welcomed with open arms. But go to Him when your need is desperate, when all other help is vain, and what do you find? A door slammed in your face, and a sound of bolting and double bolting on the inside. After that, silence. You may as well turn away. The longer you wait, the more emphatic the silence will become. There are no lights in the windows. It might be an empty house. Was it ever inhabited? It seemed so once. And that seeming was as strong as this. What can this mean? Why is He so present a commander in our time of prosperity and so very absent a help in time of trouble? I tried to put some of these thoughts to C. this afternoon. He reminded me that the same thing seems to have happened to Christ: 'Why hast thou forsaken me?' I know. Does that make it easier to understand? Not that I am (I think) in much danger of ceasing to believe in God. The real danger is of coming to believe such dreadful things about Him. The conclusion I dread is not 'So there's no God after all,' but 'So this is what God's really like. Deceive yourself no longer.
”
”
C.S. Lewis (A Grief Observed)
“
This particular group of students, like so many these days, seems divided, unequally, between the vocal clueless and the quietly pensive. Somehow, Blair and others like her have concluded that what’s most important in all educational settings is to avoid the ridicule of the less gifted. Silence is one way of avoiding it. If I could teach Blair how to become invisible, she’d be interested, but she doesn’t want to argue with anybody, and who can blame her? Students like Blair have learned from their professors that persuasion—reasoned argument—no longer holds a favored position in university life. If their professors—feminists, Marxists, historicists, assorted other theorists—belong to suspicious, gated intellectual communities that are less interested in talking to each other than in staking out territory and furthering agendas, then why learn to debate? Despite having endured endless faculty meetings, I can’t remember the last time anyone changed his (or her!) mind as a result of reasoned discourse. Anyone who observed us would conclude the purpose of all academic discussion was to provide the grounds for becoming further entrenched in our original positions.
”
”
Richard Russo (Straight Man)
“
I didn’t pack very much. Some clothes, some weapons. I threw out the perishable food, and stripped my bed of its sheets and blankets. Akos helped in silence, his arm still wrapped in a bandage. His bag of possessions was already on the table. I had watched him pack some clothes and some of the books I had given him, his favorite pages folded over. Though I had already read all those books, I wanted to open them again just to search out the parts he most treasured; I wanted to read them as if immersed in his mind.
“You’re acting weird,” he said once we were finished, and all there was left to do was wait.
“I don’t like going home,” I said. It was true, at least.
Akos looked around, and shrugged. “Seems like this is your home. There’s more of you in here than anywhere in Voa.”
He was right, of course. I was happy that he knew what “more of me” really was--that he might know as much about me, from observation, as I knew about him.
And I did know him. I could pick him out in a crowd from his gait alone. I knew the shade of the veins that showed on the backs of his hands. And his favorite knife for chopping iceflowers. And the way his breath always smelled spiced, like hushflower and sendes leaf mixed together.
“Maybe next time I’ll do more to my room,” he said.
You won’t be back next time, I thought.
“Yeah.” I forced a smile. “You should.
”
”
Veronica Roth (Carve the Mark (Carve the Mark, #1))
“
When their chatter died to a contented lull, a small red squirrel ventured out of the oak grove and turned to the side, watching them with one bright black eye.
"An intruder," Annabelle observed, with a delicate yawn.
Evie rolled to her stomach and tossed a bread crust in the squirrel's direction. He froze and stared at the tantalizing offering, but was too timid to advance. Evie tilted her head, her hair glittering in the sun as if it had been overlaid with a net of rubies. "Poor little thing," she said softly, casting another crust at the timid squirrel. This one landed a few inches closer, and his tail twitched eagerly. "Be brave," Evie coaxed. "Go on and take it." Smiling tolerantly, she tossed another crust, which landed a scant few inches from him. "Oh, Mr. Squirrel," Evie reproved. "You're a dreadful coward. Can't you see that no one's going to harm you?"
In a sudden burst of initiative, the squirrel seized the tidbit and scampered off with his tail quivering. Looking up with a triumphant smile, Evie saw the other wallflowers staring at her in drop-jawed silence. "Wh-what is it?" she asked, puzzled.
Annabelle was the first to speak. "Just now, when you were talking to that squirrel, you didn't stammer."
"Oh." Suddenly abashed, Evie lowered her gaze and grimaced. "I never stammer when I'm talking to children or animals. I don't know why.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Cette société, que j'ai remarquée la première dans ma vie, est aussi la première qui ait disparu à mes yeux. J'ai vu la mort entrer sous ce toit de paix et de bénédiction, le rendre peu à peu solitaire, fermer une chambre et puis une autre qui ne se rouvrait plus. J'ai vu ma grand'mère forcée de renoncer à son quadrille, faute des partners accoutumés; j'ai vu diminuer le nombre de ces constantes amies, jusqu'au jour où mon aïeule tomba la dernière. Elle et sa sœur s'étaient promis de s'entre-appeler aussitôt que l'une aurait devancé l'autre; elles se tinrent parole, et madame de Bedée ne survécut que peu de mois à mademoiselle de Boisteilleul.
Je suis peut-être le seul homme au monde qui sache que ces personnes ont existé. Vingt fois, depuis cette époque, j'ai fait la même observation; vingt fois des sociétés se sont formées et dissoutes autour de moi. Cette impossibilité de durée et de longueur dans les liaisons humaines, cet oubli profond qui nous suit, cet invincible silence qui s'empare de notre tombe et s'étend de là sur notre maison, me ramènent sans cesse à la nécessité de l'isolement.
Toute main est bonne pour nous donner le verre d'eau dont nous pouvons avoir besoin dans la fièvre de la mort. Ah! qu'elle ne nous soit pas trop chère! car comment abandonner sans désespoir la main que l'on a couverte de baisers et que l'on voudrait tenir éternellement sur son cœur?
”
”
François-René de Chateaubriand (Mémoires d'Outre-Tombe)
“
Megan Meade’s Guide to the McGowan Boys
Entry One
Observation #1: When they’re beautiful, they know they’re beautiful.
Like the second-to-oldest one, Evan. He’s a senior. He is perfection personified. And he knows it. You can tell because he just sort of smiles knowingly when you gape at him. Not that I’ve been gaping at him. Not at all. Anyway, too soon yet to tell if it negatively affects his behavior. (Like Mike Blukowsi and his Astrodome-sized ego problem.)
Observation #2: They like skin.
Especially skin they think they’re not necessarily supposed to be seeing. Like the space between your belly tee and your waistband.
Observation #3: They have no problem bringing up events that would mortify me into shamed silence if the roles were reversed.
Like Evan totally brought up the wiffleball bat incident, when if that had happened to me, I’d be wishing on every one of my birthday cakes for everyone to forget it.
Observation #4: They gossip.
Can you believe it? I overheard Finn and Doug in the backyard talking about some girl named Dawn who blew off some guy named Simon for some other guy named Rick for like TWENTY MINUTES! They sounded like those old mole-hair ladies at Sal’s Milkshakes. ‘Member the ones who lectured us for a whole hour that day about how young women shouldn’t wear shorts? Wait, okay, I got sidetracked.
Observation #5: The older ones are so cute with the younger ones.
They were playing ultimate Frisbee when I first got here and Evan totally let Caleb and Ian tackle him. It was soooooo cute. **sigh.**
Observation #6: They’re cliquey.
I mean, eye-rolling, secret-handshake, don’t-talk-to-us-unless-you’ve-got-an-X-and-a-Y cliquey. Very schooled in the art of the freeze-out.
Observation #7: They have no sense of personal space.
I need a lock on my door. STAT.
Observation #8: Boys are icky.
Do not even get me started on the state of the bathroom. I’m thinking of calling in a haz-mat team. Seriously.
Observation #9: They have really freaky things going on down there.
Yeah, I don’t think I’m ready to elaborate on that one yet.
Observation #10: They know how to make enemies.
Big time.
”
”
Kate Brian (Megan Meade's Guide to the McGowan Boys)
“
July 1st
It’s as though everything stood still. There is no movement, no stirring, complete emptiness of all thought, of all seeing. There is no interpreter to translate, to observe, to censor. An immeasurable vastness that is utterly still and silent. There is no space, nor time to cover that space. The beginning and the ending are here, of all things. There is really nothing that can be said about it.
The pressure and the strain have been going on quietly all day; only now they have increased.
2nd
The thing which happened yesterday, that immeasurable still vastness, went on all the evening, even though there were people and general talk. It went on all night; it was there in the morning. Though there was rather exaggerated, emotionally agitated talk, suddenly in the middle of it, it was there. And it is here, there’s a beauty and a glory and there’s a sense of wordless ecstasy.
The pressure and the strain began rather early.
3rd
Been out all day. All the same, in a crowded town in the afternoon, for two or three hours the pressure and the strain of it was on.
4th
Been busy, but in spite of it, the pressure and the strain of it was there in the afternoon.
Whatever actions one has to do in daily life, the shocks and the various incidents should not leave their scars. These scars become the ego, the self, and as one lives, it becomes strong and its walls almost become impenetrable.
5th
Been too busy but whenever there is some quiet, the pressure and the strain was on.
6th
Last night woke up with that sense of complete stillness and silence; the brain was fully alert and intensely alive; the body was very quiet. This state lasted for about half an hour. This in spite of an exhausting day.
The height of intensity and sensitivity is the experiencing of essence. It’s this that is beauty beyond word and feeling. Proportion and depth, light and shade are limited to time-space, caught in beauty-ugliness. But that which is beyond line and shape, beyond learning and knowledge, is the beauty of essence.
7th
Woke up several times shouting. Again there was that intense stillness of the brain and a feeling of vastness. There has been pressure and strain.
Success is brutality. Success in every form, political and religious, art and business. To be successful implies ruthlessness.
”
”
J. Krishnamurti (Krishnamurti's Notebook)
“
There followed a three-year spectacle during which [Senator Joseph] McCarthy captured enormous media attention by prophesying the imminent ruin of America and by making false charges that he then denied raising—only to invent new ones. He claimed to have identified subversives in the State Department, the army, think tanks, universities, labor unions, the press, and Hollywood. He cast doubt on the patriotism of all who criticized him, including fellow senators. McCarthy was profoundly careless about his sources of information and far too glib when connecting dots that had no logical link. In his view, you were guilty if you were or ever had been a Communist, had attended a gathering where a supposed Communist sympathizer was present, had read a book authored by someone soft on Communism, or subscribed to a magazine with liberal ideas. McCarthy, who was nicknamed Tailgunner Joe, though he had never been a tail gunner, was also fond of superlatives. By the middle of 1951, he was warning the Senate of “a conspiracy so immense and an infamy so black as to dwarf any previous such venture in the history of man.”
McCarthy would neither have become a sensation, nor ruined the careers of so many innocent people, had he not received support from some of the nation’s leading newspapers and financing from right-wingers with deep pockets. He would have been exposed much sooner had his wild accusations not been met with silence by many mainstream political leaders from both parties who were uncomfortable with his bullying tactics but lacked the courage to call his bluff. By the time he self-destructed, a small number of people working in government had indeed been identified as security risks, but none because of the Wisconsin senator’s scattershot investigations.
McCarthy fooled as many as he did because a lot of people shared his anxieties, liked his vituperative style, and enjoyed watching the powerful squirm. Whether his allegations were greeted with resignation or indignation didn’t matter so much as the fact that they were reported on and repeated. The more inflammatory the charge, the more coverage it received. Even skeptics subscribed to the idea that, though McCarthy might be exaggerating, there had to be some fire beneath the smoke he was spreading. This is the demagogue’s trick, the Fascist’s ploy, exemplified most outrageously by the spurious and anti-Jewish Protocols of the Elders of Zion. Repeat a lie often enough and it begins to sound as if it must—or at least might—be so. “Falsehood flies,” observed Jonathan Swift, “and the truth comes limping after it.” McCarthy’s career shows how much hysteria a skilled and shameless prevaricator can stir up, especially when he claims to be fighting in a just cause. After all, if Communism was the ultimate evil, a lot could be hazarded—including objectivity and conventional morality—in opposing it.
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Madeleine K. Albright (Fascism: A Warning)
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Straightening reluctantly, she strolled about the room with forced nonchalance, her hands clasped behind her back, looking blindly at the cobwebs in the corner of the ceiling, trying to think what to say. And then inspiration struck. The solution was demeaning but practical, and properly presented, it could appear she was graciously doing him a favor. She paused a moment to arrange her features into what she hoped was the right expression of enthusiasm and compassion, then she wheeled around abruptly. “Mr. Thornton!” Her voice seemed to explode in the room at the same time his startled amber gaze riveted on her face, then drifted down her bodice, roving boldly over her ripened curves. Unnerved but determined, Elizabeth forged shakily ahead: “It appears as if no one has occupied this house in quite some time.”
“I commend you on that astute observation, lady Cameron,” Ian mocked lazily, watching the tension and emotion play across her expressive face. For the life of him he could not understand what she was doing here or why she seemed to be trying to ingratiate herself this morning. Last night the explanation he’d given Jake had made sense; now, looking at her, he couldn’t quite believe any of it. Then he remembered that Elizabeth Cameron had always robbed him of the ability to think rationally.
“Houses do have a way of succumbing to dirt when no one looks after them,” she stated with a bright look.
“Another creditable observation. You’ve certainly a quick mind.”
“Must you make this so very difficult!” Elizabeth exclaimed.
“I apologize,” he said with mocking gravity. “Do go on. You were saying?”
“Well, I was thinking, since we’re quite stranded here-Lucinda and I, I mean-with absolutely nothing but time on our hands, that this house could certainly use a woman’s touch.”
“Capital idea!” burst out Jake, returning from his mission to locate the butter and casting a highly hopeful look at Lucinda.
He was rewarded with a glare from her that could have pulverized rock. “It could use an army of servants carrying shovels and wearing masks on their faces,” the duenna countered ruthlessly.
“You needn’t help, Lucinda,” Elizabeth explained, aghast. “I never meant to imply you should. But I could! I-“ She whirled around as Ian Thornton surged to his feet and took her elbow in a none-too-gentle grasp.
“Lady Cameron,” he said. “I think you and I have something to discuss that may be better spoken in private. Shall we?”
He gestured to the open door and then practically dragged her along in his wake. Outdoors in the sunlight he marched her forward several paces, then dropped her arm. “Let’s hear it,” he said.
“Hear what?” Elizabeth said nervously.
“An explanation-the truth, if you’re capable of it. Last night you drew a gun on me, and this morning you’re awash with excitement over the prospect over the prospect of cleaning my house. I want to know why.”
“Well,” Elizabeth burst out in defense of her actions with the gun, “you were extremely disagreeable!”
“I am still disagreeable,” he pointed out shortly, ignoring Elizabeth’s raised brows. “I haven’t changed. I am not the one who’s suddenly oozing goodwill this morning.”
Elizabeth turned her head to the lane, trying desperately to think of an explanation that wouldn’t reveal to him her humiliating circumstances.
“The silence is deafening, Lady Cameron, and somewhat surprising. As I recall, the last time we met you could scarcely contain all the edifying information you were trying to impart to me.” Elizabeth knew he was referring to her monologue on the history of hyacinths in the greenhouse. “I just don’t know where to begin,” she admitted.
“Let’s stick to the salient points. What are you doing here?
”
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Judith McNaught (Almost Heaven (Sequels, #3))