Oblivion Game Quotes

Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god's idea of amusement is Snakes and Ladders with greased rungs.

If I'm going to cry, now is the time. By morning, I'll be able to wash all the damage done by the tears from my face. But no tears come. I'm too tired or too numb to cry. The only thing I feel is a desire to be somewhere else. So I let the train rock me into oblivion.

In fact no gods anywhere play chess. They haven’t got the imagination. Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god’s idea of amusement is Snakes and Ladders with greased rungs.

Vimes died. The sun dropped out of the sky, giant lizards took over the world, and the stars exploded and went out and all hope vanished and gurgled into the sinktrap of oblivion. And gas filled the firmament and combusted and behold! There was a new heaven - or possibly not. And Disc and Io and and possibly verily life crawled out of the sea - or possibly didn't because it had been made by the gods, and lizards turned to less scaly lizards - or possibly did not. And lizards turned into birds and bugs turned into butterflies and a species of apple turned into banana and a kind of monkey fell out of a tree and realised life was better when you didn't have to spend your time hanging onto something. And in only a few billion years evolved trousers and ornamental stripey hats. Lastly the game of Crocket. And there, magically reincarnated, was Vimes, a little dizzy, standing on the village green looking into the smiling countenance of an enthusiast.

A thousand lips, a thousand eyes, a thousand hearts will read these words, as you read them, graze them, this moment. Thousands will utter them into the abyss, someday, perhaps for years to come; loudly, softly, repeatedly, again and again and again. Some will mock, some will laugh. Some will shed a tear. But it is written only for your lips, your eyes, your heart, beloved. Do as you please. It is written by an ideal heart, intense, yet free, when in thought of you. Written from a dehydrated pen, that shed the last drops of her blood, onto you. And still, you do not know me. No, you will never know of this desire. It is a shame, when love cannot love, who she loves, amidst these mortal games. And No. It is for me to know, and for you to close the last pages of my confessions, making nothing of it. As always, like always, I write for you and for the madness that stirs in every soul that has once burned, and for the tender parts of your soul, too. Nothing is hidden, nothing is revealed. The separation between the soul and mate, between lover and the beloved, is through spirit, is it not, my love? Or is it flesh? There, there is the clue. And this, this is the nature of our love. Forbidden,closed, then left ajar in oblivion. My eyes touch your lips, your eyes touch my lips, yet, no one makes a sound. No one moves on. What madness is this? And here you go, turning the pages now, there you go.

The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate. I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship. I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone, and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him. I do not know which of us has written this page.

If I’m going to cry, now is the time to do it. By morning, I’ll be able to wash the damage done by the tears from my face. But no tears come. I’m too tired or too numb to cry. The only thing I feel is a desire to be somewhere else. So I let the train rock me into oblivion. Gray

and now it was just a waiting game to see who would unleash it first, probably in an army of sentient aerial drones and battle telebots that said “Roger, Roger” to one another while machine-gunning civilian populations. That was, if we didn’t nuke ourselves into oblivion first.

[WAIT—IT WON’T LET ME REDACT THESE LITTLE SUBHEADING THINGS? THAT’S SUPER ANNOYING!] [FINE, I’LL JUST GIVE YOU MY SUMMARY.] [SO, WHOEVER WROTE THIS WAS ALL BLAH-BLAH-BLAH-STELLARLUNE-SOMETHING-SOMETHING-LEGACY. BUT SERIOUSLY, NO ONE WANTS TO READ ABOUT THE CREEPY STUFF MY MOM DID BEFORE SHE GOT PREGNANT WITH ME! (AND WE’RE ALL SUPER SICK OF HEARING ABOUT MY “LEGACY,” AMIRITE?) SO, LET’S JUST LEAVE IT AT THIS: MY MOM IS EVIL. SHE THINKS SHE’S WAY SMARTER THAN SHE IS. AND NOTHING SHE DID IS GOING TO AFFECT MY GENERAL AWESOMENESS, OKAY?] A PHOTOGRAPHIC MEMORY: [WOW, HOW DID YOU COME UP WITH SUCH A CLEVER TITLE?!] [AND YEAH, I HAVE A PHOTOGRAPHIC MEMORY. NOT SURE WHY ANYONE CARES. BUT IT DOES COME IN HANDY DURING MIDTERMS AND FINALS.] AHEAD OF THE GAME: [BASICALLY: I’M A GENIUS. I SKIPPED LEVEL ONE AT FOXFIRE. YES, YOU SHOULD BE IMPRESSED.] UNREASONABLY HIGH STANDARDS: [GOTTA ADMIT, I WAS TEMPTED TO LEAVE THIS ONE ALONE, SINCE WHOEVER WROTE IT ACTUALLY GOT THINGS PRETTY MUCH RIGHT. I GUESS EVEN THE COUNCIL KNOWS MY DAD’S A JERK WHO FREAKS OUT ALL THE TIME BECAUSE I’M NOT A LITTLE MINI-HIM. WHO KNEW?] A POWERFUL EMPATH: [UGH, THAT’S THE BEST YOU COULD DO FOR THIS SUBHEADING???] [HOW ABOUT “LORD OF THE FEELS”? OR “TRUST THE EMPATH”! OR “HE KNOWS WHAT YOU’RE FEELING—AND YOU SHOULD BE ASHAMED OF YOURSELF”?] [OOO! I’VE GOT IT! “HE KNOWS FOSTER BETTER THAN YOU DO! BETTER THAN SHE EVEN KNOWS HERSELF!”] [THOUGH… KEEPING IT REAL? THE FOSTER OBLIVION CAN BE KINDA NOT COOL SOMETIMES.] THE HEART OF THE MATTER: [I CAN’T BELIEVE YOU GUYS NAMED A SECTION OF MY FILE AFTER MY FATHER’S SUPER-BORING BOOK—AND THEN RAMBLED ON FOR TWO PAGES ABOUT HIS SUPER-BORING THEORY!!!!!] [YOU DON’T NEED TWO PAGES ON IT. YOU DON’T EVEN NEED TWO SENTENCES. HERE’S ALLLLLL YOU NEED TO KNOW—BESIDES THE FACT THAT HE’S TOTALLY NOT THE FIRST PERSON TO COME UP WITH THIS (JUST THE ONE WHO LOVES TO TAKE CREDIT): OUR HEADS AND OUR HEARTS SOMETIMES FEEL DIFFERENT EMOTIONS, AND WHAT’S IN OUR HEARTS IS PROBABLY STRONGER.] [THAT’S IT!] [WELL… OKAY… I GUESS HE ALSO GOES ON A BIT ABOUT HOW EMPATHS PROBABLY ONLY READ THE EMOTIONS FROM THE HEAD.] [AND THERE’S SOMETHING ABOUT HEART EMOTIONS BEING PURER BECAUSE NO ONE CAN CONTROL THEM.] [BUT THAT’S IT.] [AND DON’T TELL LORD BORINGPANTS I READ HIS DUMB BOOK! I MOSTLY SKIMMED.] PRANKSTER AND TROUBLEMAKER: [100 PERCENT ACCURATE. ALSO, I’M LEAVING YOUR LITTLE ATTACHED DETENTION RECORD BECAUSE IT’S THE GREATEST THING I’VE EVER SEEN IN MY LIFE!!!!]

If we’re doomed, as you say, why not strive with every fiber in you to defeat the night? Why go quietly down to death? Let’s fight oblivion together. Let’s fight to live longer and do more than simply quit. If you admit defeat, the game is already up. If you strive, well, who knows, maybe we’ll produce another wonder.

One book will often not change your life so dramatically that nothing will ever be the same again. But if you play the margin game to perfection, where you push the envelope ever so slightly, the right books over a lifetime will determine if you will lead an average life in oblivion; or if you will live a truly wonderful life worth reading about.

In the past I was a vicious hunter. I would stalk my prey with pinpoint accuracy. Ever since Monica came into my life I’ve abstained from the game. It almost feels strange to stand here and look to the crowd knowing I could pick one and f*ck them into oblivion. I won’t though. I may love her, but that isn’t the reason. If I were to pick someone for the sake of revenge sex then I’m giving control to Monica and Dalton for betraying me. I’m strong enough to wait. A good hunter is always patient and never stalks in anger.' 'I always crack it until Tobias stops flinching at the sound. It’s never the same amount of times. I don’t want it to become obvious so I always do it a few more times to create a sense of surprise. I coil up the leather and with the flick of my wrist I set a perfect line against Monica’s back. She yelps in pain and surprise, and Tobias joins her. He thought he’d get the first blow. I breathe through the pounding in my cock. It beats in time with my rapidly beating heart. I flick my wrist again taking Monica across the shoulder. I see Tobias tense as she screams. Mustn’t allow the slaves to think they are taking even turns. The blow’s shock is what makes my cock burn for release. I palm my balls as they tighten, threatening to shoot my release up the stock of my dick. I inhale through my nose and breathe out my mouth until I regain my control. I flick my wrist again and hit Monica across her thighs. She screams bloody murder at the ceiling and I smile to myself. It hurts like a bitch, but the marks will fade. I never break skin. This is my passion- my gift.

Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.

The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship; I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him. I do not know which of us has written this page.

The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate; I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship; I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides, I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him. I do not know which of us has written this page.

The Neanderthals had it tougher; their long spears and canyon ambushes were useless against the fleet prairie creatures, and the big game they preferred was retreating deeper into the dwindling forests. Well, why didn’t they just adopt the hunting strategy of the Running Men? They were smart and certainly strong enough, but that was the problem; they were too strong. Once temperatures climb above 90 degrees Fahrenheit, a few extra pounds of body weight make a huge difference—so much so that to maintain heat balance, a 160-pound runner would lose nearly three minutes per mile in a marathon against a one hundred-pound runner. In a two-hour pursuit of a deer, the Running Men would leave the Neanderthal competition more than ten miles behind. Smothered in muscle, the Neanderthals followed the mastodons into the dying forest, and oblivion. The new world was made for runners, and running just wasn’t their thing. Privately,

One more question.” Henry waited until Faith put her finger down before continuing. “Do you ever remember your father wearing a baseball hat?” Like a kid flipping through the pages of a scrapbook, she ran through images of her father in her mind. No baseball cap. But it didn’t matter. Faith just wanted to stop seeing the man the world believed killed her sister. Yet the tighter she closed her eyes, the faster the images came. Her father at her horse show, sitting in the stands at Kim’s soccer game, his smiling face as he pushed her on the swing . . . Faith pressed her palms against the sides of her head and started screaming. The office door flew open. Dr. Rodgers, Titus, and two men in navy-blue suits rushed into the room. Like a boxer against the ropes, the images rained down on Faith like blows, but she was helpless to stop them. Each one sent her head reeling until she felt like she was falling—tumbling into oblivion, welcoming the darkness and an end to the pain. She felt Titus’s strong arms around her, carrying her back to her room.

Warm hands held her firm as he settled between her legs. His warm, wet tongue drew lazy circles around her sensitive flesh, so gently at first, she hovered between pleasure and pain, and then harder, faster, until the ache inside her blossomed into edgy need. He slid one thick finger into her wet heat, and then another, a sensual intrusion that stole her breath. And then his lips closed around her aching nub. She cried out, throwing back her head, hands fisting his hair, pleasure cresting and flooding through her veins, trickling out to her fingers and toes. With a low growl, he pushed up and sheathed himself with a condom he pulled from his pocket. On instinct, she rolled her hips, wrapped her legs around his hips to pull him close. Liam grabbed the edge of her headboard with one strong arm and plunged inside her. She gasped at the exquisite sensation and tightened her legs around him. Need pulsed beneath her skin. "Move, Liam. Please. I won't break." Her body took over, hands gripping his thick biceps, hips rocking, taking him deeper. A strangled groan escaped his lips and he gripped her hip so hard she knew his fingers would leave bruises. Braced against her headboard, he pulled out and pushed in deep and hard, shoulders straining as he gave in to her demands, filling a need she didn't know had existed, taking her outside of herself, beyond control. The bed squeaked, swayed. The headboard hammered against the wall in time to the rhythm of his thrusts. Need coiled inside her, tighter and tighter, until finally she peaked. Her spine arched, her orgasm sweeping through her body in a tidal wave of pleasure, filling her with heat. Liam growled her name, corded throat tightening, muscles going rigid as he followed her into oblivion. The sound of wood splintering startled her, made her heart jump. Liam dropped down, covering her with his body as the headboard split in two and crashed down on top of them. "Oh my God." She panted beneath him. "We broke the bed. Are you okay?" Liam heaved the headboard up so she could slip out from underneath him. When she was safely away, he lifted it onto the floor and gave a satisfied growl. "Now, that was good sex.

Fleshing out a world, creating and playing a host of secondary character, arbitrating rules and crafting scenarios can be difficult tasks. Nonetheless, the chance to make a dream come alive is well worth the trouble. When the other characters carve their niches in the world, you give them the world itself.

Storytelling games are active entertainment, interactive and original, as opposed to passive.

Nonna had looked up from her game of tic-tac-toe with my sister and sighed. “Finally, some entertainment.

Life is like a game of texas hold them. the odds might be in your favor to be happy and succeed, but you just never know what the future is holding

Wraiths see death in everything. They do not see things in the physical world as they appear, but as they someday will be. A person about to die might appear cadaverous, with hollow eyes and jaundiced skin; a car destined to crash will appear dented in advance. Much of the world seems decayed, a near collapse. Billboards are tattered, roads are potholed, pain is peeling, metal is rusting, buildings are crumpling. To the Restless, much of the world is already dead.

The afterlife can be an adventure if one can supersede the gloom and sidestep the pitfalls.

Alone, even in a crowd. Dead, but able to touch and sense the living. Real, but intangible.

Circles are tightly knit groups of wraiths that have banded together for mutual defense against slavers and Spectres. The cirlce is a fundamental unit of Shadowlands wraith society. In many ways, a wraith’s circle takes the place of family.

We have heard that when it arrived in Europe, zero was treated with suspicion. We don't think of the absence of sound as a type of sound, so why should the absence of numbers be a number, argued its detractors. It took centuries for zero to gain acceptance. It is certainly not like other numbers. To work with it requires some tough intellectual contortions, as mathemati­cian Ian Stewart explains. "Nothing is more interesting than nothing, nothing is more puzzling than nothing, and nothing is more important than nothing. For mathematicians, nothing is one of their favorite topics, a veritable Pandora's box of curiosities and paradoxes. What lies at the heart of mathematics? You guessed it: nothing. "Word games like this are almost irresistible when you talk about nothing, but in the case of math this is cheat­ing slightly. What lies at the heart of math is related to nothing, but isn't quite the same thing. 'Nothing' is ­well, nothing. A void. Total absence of thingness. Zero, however, is definitely a thing. It is a number. It is, in fact, the number you get when you count your oranges and you haven't got any. And zero has caused mathematicians more heartache, and given them more joy, than any other number. "Zero, as a symbol, is part of the wonderful invention of 'place notation.' Early notations for numbers were weird and wonderful, a good example being Roman numerals, in which the number 1,998 comes out as MCMXCVIII ­one thousand (M) plus one hundred less than a thousand (CM) plus ten less than a hundred (XC) plus five (V) plus one plus one plus one (III). Try doing arithmetic with that lot. So the symbols were used to record numbers, while calculations were done using the abacus, piling up stones in rows in the sand or moving beads on wires.

Imagine you and I were eternal— A Goddess and a God capable of miracles, Standing as one at the beginning of time. Every time you kiss me, a world is created. Every time I kiss you, a world vanishes. When we kiss, time stops again. Between two kisses, time continues to flow. You kiss me first, for your breath ruptures with creativity. One kiss, and a universe is brought to life— A perfect world full of beauty and pain. Wait, I whisper—another universe would be one too many. I kiss you back, and the world vanishes. Once again we are all alone, just you and me. It took one cosmic unit of time for you to kiss me And just half of that time, for me to kiss you back. And a half of that half for you to kiss me again. We take infinitely many turns: Who can tell if this game is one of lust or a brawl? Each kiss betides twice faster than the last. When the clock strikes the second cosmic unit of time Who’ll be the winner between the two of us? If you kiss me last, I promise we’ll be dancing through a multiverse If I kiss you last, then everything will fall into oblivion— even this eternal love.

Imagine you and I were eternal— A Goddess and a God capable of miracles, Standing as one at the beginning of time. Every time you kiss me, a world is created. Every time I kiss you, a world vanishes. When we kiss, time stops again. Between two kisses, time continues to flow. You kiss me first, for your breath ruptures with creativity. One kiss, and a universe is brought to life— A perfect world full of beauty and pain. Wait, I whisper—another universe would be one too many. I kiss you back, and the world vanishes. Once again we are all alone, just you and me. It took one cosmic unit of time for you to kiss me And just half of that time, for me to kiss you back. And a half of that half for you to kiss me again. We take infinitely many turns: Who can tell if this game is one of lust or a brawl? Each kiss betides twice faster than the last. When the clock strikes the second cosmic unit of time Who’ll be the winner between the two of us? If you kiss me last, I promise we’ll be dancing through a multiverse If I kiss you last, then everything will fall into oblivion— even this eternal love.

I wonder how long I'll play this Game: testing men for fortitude wondering when adults will be adults. He leaves with my number. I finish my tacos I have done this so many times, always winning winning myself into oblivion. I never try with women. I know it wouldn't work.

THE MIGHTY SCREEWEE™ EMPIRE™ IS POISED TO ATTACK EARTH! OUR BATTLESHIPS HAVE BEEN DESTROYED IN A SNEAK RAID! NOTHING CAN STAND BETWEEN EARTH AND THE TERRIBLE VENGEANCE OF THE SCREEWEE™! BUT THERE IS ONE STARSHIP LEFT . . . AND OUT OF THE MISTS OF TIME COMES ONE WARRIOR, ONE FIGHTER WHO IS THE LAST HOPE OF CIVILIZATION! YOU! YOU ARE THE SAVIOR OF CIVILIZATION. YOU ARE ALL THAT STANDS BETWEEN YOUR WORLD AND CERTAIN OBLIVION. YOU ARE THE LAST HOPE. ONLY YOU CAN SAVE MANKIND!™ ACTION-PACKED WITH NEW FEATURES! JUST LIKE THE REAL THING! FULL-COLOR SOUND AND SLAM-VECTOR™ GRAPHICS!   Suitable for IBM PC, Atari, Amiga, Pineapple, Amstrad, Nintendo. Actual game shots taken from a version you haven’t bought. Copyright © 1992 Gobi Software, 17834 W. Agharta Drive, Shambala, Tibet. All Rights Reserved. All company names and product names are registered trademarks or trademarks of their respective companies. The names ScreeWee, Empire, and Mankind are trademarks of Gobi Software 1992.

Halfway through, he realized that it couldn’t really be Grace and that the words might not even be coming out of his mouth. She unnerved him with the candor of her unblinking gaze. “You don’t have to look like that,” he added. Must’ve said it this time. “Like what?” she said, her head turned a little to the side. “Like a man’s fucked up outta his mind and in my bar? Go to hell.” He’d reared back on his stool at that suggestion, trying to assemble his wits like pieces on a game board. A weight on his chest, in the dark and the light. He’d thought he was smarter. He’d thought she’d gotten mired in old ways of thinking. But it turned out new ways of thinking didn’t help, either. Time for another drink, somewhere else. A kind of oblivion. Then regroup.

If that were the test,” the A.I. replied, his voice shaking, partially in revulsion, and partially from the fear of the nothingness he was about to experience, “to see which creature could most efficiently abandon love, friendship, loyalty, and a respect for things greater than themselves, then I’d rather die now and return to oblivion. That isn’t a game I’d choose to win.” V-SINN

The person in love finds only a dream, a notion, an ideal. You fall in love with nothing but your own dreams—the only carriers of your true longings. Sometimes you manage to personify your dreams in another. Sometimes it’s not a single-player game. This doesn’t make love any less primal or selfish.

He was railing my mind blank, long-dicking me into oblivion.

As incomprehensible as it may seem, I have somehow spent more than two hundred hours playing Oblivion. I know this because the game keeps a running tally of the total time one has spent with it. I can think of only one personal activity I would be less eager to see audited in this way, and it, too, is a single-player experience. It

It would be a pretty good bet that the gods of a world like this probably do not play chess and indeed this is the case. In fact no gods anywhere play chess. They haven’t got the imagination. Gods prefer simple, vicious games, where you Do Not Achieve Transcendence but Go Straight To Oblivion; a key to the understanding of all religion is that a god’s idea of amusement is Snakes and Ladders with greased rungs.

My moans echoed in the room, bouncing off the tapestries and portraits of previous kings and queens, all of whom glared at me disapprovingly while my bodyguard tongue fucked me into oblivion on the throne.

Until Bridget, I’d never loved or been loved, and I finally understood what the fuss was about. It was better than my bulletproof armor or oblivion I found at the bottom of the bottle during my short-lived affair with alcohol. Alcohol was for numbing, and I didn’t want to be numb. I wanted to feel every goddamn thing with her.

If he was death itself, I craved oblivion.

Revolutionary theory also enshrined the living utopian hope that the State would wither away, and that the political sphere would negate itself as such, in the apotheosis of a finally transparent social realm. None of this has come to pass. The political sphere has disappeared, sure enough - but so far from doing so by means of a self-transcendence into the strictly social realm, it has carried that realm into oblivion with it. We are now in the transpolitical sphere; in other words, we have reached the zero point of politics, a stage which also implies the reproduction of politics, its endless simulation. For everything that has not successfully transcended itself can only fall prey to revivals without end. So politics will never finish disappearing - nor will it allow anything else to emerge in its place. A kind of hysteresis of the political reigns. Art has likewise failed to realize the utopian aesthetic of modern times, to transcend itself and become an ideal form of life. (In earlier times, of course, art had no need of self-transcendence, no need to become a totality, for such a totality already existed - in the shape of religion.) Instead of being subsumed in a transcendent ideality, art has been dissolved within a general aestheticization of everyday life, giving way to a pure circulation of images, a transaesthetics of banality. Indeed, art took this route even before capital, for if the decisive political event was the strategic crisis of 1929, whereby capital debouched into the era of mass trans politics, the crucial moment for art was undoubtedly that of Dada and Duchamp, that moment when art, by renouncing its own aesthetic rules of the game, debouched into the transaesthetic era of the banality of the image. Nor has the promised sexual utopia materialized. This was to have consisted in the self-negation of sex as a separate activity and its self-realization as total life. The partisans of sexual liberation continue to dream this dream of desire as a totality fulfilled within each of us, masculine and feminine at once, this dream of sexuality as an assumption of desire beyond the difference between the sexes. In point of fact sexual liberation has succeeded only in helping sexuality achieve autonomy as an undifferentiated circulation of the signs of sex. Although we are certainly in transition towards a transsexual state of affairs, this has nothing to do with a revolution of life through sex - and everything to do with a confusion and promiscuity that open the door to virtual indifference (in all senses of the word) in the sexual realm.

Movie stars didn’t become irrelevant, but they became very inconsistent in attracting an audience. People used to go to almost any movie with Tom Cruise in it. Between 1992 and 2006, Cruise starred in twelve films that each grossed more than $100 million domestically. He was on an unparalleled streak, with virtually no flops. But in the decade since then, five of Cruise’s nine movies—Knight and Day, Rock of Ages, Oblivion, Edge of Tomorrow, and The Mummy—were box-office disappointments. This was an increasingly common occurrence for A-listers. Will Ferrell and Ben Stiller couldn’t convince anyone to see Zoolander 2. Brad Pitt didn’t attract audiences to Allied. Virtually nobody wanted to see Sandra Bullock in Our Brand Is Crisis. It’s not that they were being replaced by a new generation of stars. Certainly Jennifer Lawrence and Chris Pratt and Kevin Hart and Melissa McCarthy have risen in popularity in recent years, but outside of major franchises like The Hunger Games and Jurassic World, their box-office records are inconsistent as well. What happened? Audiences’ loyalties shifted. Not to other stars, but to franchises. Today, no person has the box-office track record that Cruise once did, and it’s hard to imagine that anyone will again. But Marvel Studios does. Harry Potter does. Fast & Furious does. Moviegoers looking for the consistent, predictable satisfaction they used to get from their favorite stars now turn to cinematic universes. Any movie with “Jurassic” in the title is sure to feature family-friendly adventures on an island full of dinosaurs, no matter who plays the human roles. Star vehicles are less predictable because stars themselves get older, they make idiosyncratic choices, and thanks to the tabloid media, our knowledge of their personal failings often colors how we view them onscreen (one reason for Cruise’s box-office woes has been that many women turned on him following his failed marriage to Katie Holmes).

She’s always in for any game involving pointless risk and temporary oblivion.

You’re dreadfully totalitarian today.” “Just shy of psychotic, then?” His eyes sparked. “Guess I’d better up my game.